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8/18/2019 Jimmy Page Declaration (Skidmore v. Led Zeppelin "Stairway to Heaven" lawsuit)
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Peter
J.
Anderson,
Esq.,
Cal.
Bar No. 88891
E-Ma i I :
pia@,pianders on.
com
LAW
OFFIÕES OF
PETER
J.
ANDERSON
ANTHONY
JO WARNETVCHAPPELLLANT, JOHN PAUL
MUSIC,
INC.,
SUPER
ATLANTIC RECORD
HYPE
ING CORP
ENTERTAINMENT COMPANY
MUSIC
GROUP
CORP.
MICHAEL
SKIDMORE,
efc.,
Plaintitïì
vs.
LED
ZEPPELIN,
et al,,
Defendants.
UNITED
STATES
DISTRICT
COURT
CENTRAL
DISTRICT
OF CALIFORNIA
WESTERN DIVISION
Case
No.
2:15-cv-03462
RGK
(AGRX)
Helene Freeman. Esq..
admitted
oro
hac
vice
:
hfreernánlÐbhittipsnizei.com
PHILIPS
NIZER LI,P
666 Fifth
Avenue
New
York,
NY
10103-0084
Tel:
(212\
977-9700
Fax:
12ll\
262-5152
Attorhev
í
for
De
fendants
JAMES
PATRICK
PAGE,
ROBERT
ANTHONY
PLANT
and
JOHN
PAUL
JONES
)
)
)
)
)
)
)
)
)
DECLARATION
OF JAMES
PATRICK PAGE
IN
SUPPORT
OF
MOTION
FOR
SUMMARY
JUDGMENT
OR,
IN THE
ALTERNATIVE,
PARTIAL
SUMMARY
JUDGMENT
Date:
March 28,2016
Time:
9:00 a.m.
Courtroom
of
the
Honorable
R.
Garv
Klausner
United
Statés
District Judge
Case 2:15-cv-03462-RGK-AGR Document 97-2 Filed 02/25/16 Page 1 of 6 Page ID #:1071
8/18/2019 Jimmy Page Declaration (Skidmore v. Led Zeppelin "Stairway to Heaven" lawsuit)
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DECLARATION
OF JAMES
PATRICK
PAGE
I, James Patrick Page,
declare and
state:
l.
I
am
over the
age
of
18
and have personal knowledge
of
the
following
facts and could
competently
testi
to
those
facts
if
called
upon
to do so.
2. I, along with
Robert Plant, John Paul
Jones and the
late
John
Bonham,
were
the members
of
the band
LedZeppelin,
formed
in 1968.
3. The musical composition Stairway to
Heaver? was created by
Robert
Plant
and me,
independently
and
without knowledge
of
Taurus.
4,
I
composed the music to
Stairway
to Heaven
with the intention to create
a long work,
with
multiple
different
parts,
that would unfold
with
increasing
cornplexity
and
speed culminating
in
a
guitar
solo
that
was
preceded
by
a distinct
fanfare,
followed by
the last
verse
concluding
a climax to the song.
Robert
Plant
created the
lyrics tlor
Stairway
to
Heaven
after my
initial
composition
of
the music,
when
the
song was
worked on by the
band
members of
Led Zeppelin in
1970 in
rehearsals for
its
recording. Stairtay îo Heavel?
was
recorded
in
December
1970 to
January
1971 in London,
England, and
first
performed
by Led
Zeppelin
in March
l97l
at Ulster
Hall
in Belfast,
Northern lreland.
The recording of
,Sra
irway
to Heaven
created
in early l97l in London, England,
was
included in the Led
Zeppelin
album
usually referred
to
as LedZeppelin
IV,
in November 1971.
5.
The beginning
of
Stairway to
Heaven includes a descending chromatic
line chord
progression
and arpeggios,
over
which I
played
an
ascending
line.
I
consider
descending
chromatic lines
and arpeggiated
ohords basic skills
learned
by
any student
of the
guitar.
Certainly,
as
a
guitarist,
I was aware
of
descending
chromatic
lines and arpeggios
long
before
1968.
For example,
in
1960,
I arranged for
a
friend, Chris
Farlowe, and
his
band
the
Thunderbirds
to record
a
demo
of
the
composition
Spring
is
Near
along
with
other
material..
Chris Farlowe
did
get
a
recording
contract.
Spring
is Near was
not
released.
However,
I
still
have the
pressing
of
the demo
and
provided
it
to
my counsel
for
production
in
this case.
The
Case 2:15-cv-03462-RGK-AGR Document 97-2 Filed 02/25/16 Page 2 of 6 Page ID #:1072
8/18/2019 Jimmy Page Declaration (Skidmore v. Led Zeppelin "Stairway to Heaven" lawsuit)
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beginning of Spring is
Near, recorded
in 1960, is a
guitar playing
a descending
chromatic
line
chord
progression.
6.
Before
1968,
I
also was
familiar
with
other
songs
that
included
a
descending line, such
as
songs
by
the
Beatles and
Cry
Me
a River
by Davey
Graharn.
Also, in 1964
a
studio
musician,
Joe Moretti,
introduced
me to
the
song Chim
Chím
Chiree and
I liked the
idea of
music
going
at
counterpoint
and I
used
that
and similar
ideas in
my
music.
For
example,
as stated above,
Stairway
to
Heavere
has
a
descending
chromatic
line
over which there
is
also
an ascending
line,
so that the music
is
going in
two different
directions.
7,
I
performed
as a session
guitarist
on
recordings
by a
musical
group
called
Cartoone
for their
album
of the same
name. That album
includes
a
song
titled
/ce
Cream
Dreams,
which
also begins
with
a
guitar playing
a
descending
line.
I
participated
in that recording as a
session
guitarist
in
the
fall of 1968,
before
Led
Zeppelin
went
to
the U.S.
in
December 1968.
8. Prior
to hearing a
recording
of
Tauras
in 2014 in connection
with this
matter,
I
had
never heard Taurus or
even
heard
of
it.
I
am very
good
at remembering
music
and am
absolutely certain that
I never
heard
Taurus
until
2014.
9,
I
do
not recall ever seeing Spirit
perfonn
live. Again,
though,
I am
absolutely
certain
I
never
heard them,
or
anyone else,
perform
Taurus,
10.
Led
Zeppelin and
the
band
Spirit
never performed
together
and
were
never on
the
same stage
at
the
same
time.
I l.
To the
best of
my knowledge based on the
information
presently
available
to rne,
the
only occasions
when
Led Zeppelin
performed
at the
same venue
on the same date
on which
Spirit
was scheduled
to
perform
were:
the
Auditorium
Arena
in
Denver,
Colorado,
on
December 26,
1968,
the Atlanta
International
Pop
Festival
at
the
Atlanta
Speedway
in Atlanta,
Georgia, on
July
5,
1969 and
the
Seattle
Pop Festival
in Woodinville,
Washington,
on
July
27,1969.
The
latter
two
events
2
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were
outdoor
festivals
over
two or
three
days
with
approximately
20
to
40
bands
or
individual
peforrners
and ten
or
rnore of
them
performing
each day.
12.
Led
Zeppelin s
first
U.S.
performance
was
the
concert
in
Denver,
Colorado, the
day
after
Christmas in
1968. I understand
that Spirit
also
performed
that night,
but
I did
not
see
or hear
Spirit s
performance.
13. I
have no
personal
knowledge of
whether
Spirit
performed
at the
festivals
in Atlanta,
Georgia,
or
Vy oodinville,
rWashington,
and,
if
it
did,
when in
the
course
of
the
day
it
performed,
as
I have no recollection of seeing them
perform.
14.
Generally, in my
experience, when
bands
played
on the
same bill,
each
band or
performer
used
their
own
guitars,
amplifiers,
keyboards,
drums and other
equiprnent. In between
performances,
their respective
road crews
would set up
or
dismantle
and
remove
their
equipment,
and
that
generally
took
anywhere
from l5
to
20
minutes depending
on
the extent
of the
equipment.
15.
In rny
experience,
the
set-up interval
between bands meant that
we
did
not
encounter
any other
bands
entering or leaving the stage.
16.
I
understand
Mark Andes
testified
that
he
was
introduced
to the members
of
Led Zeppelin at
the
concert in Denver in 1968 by
Toby
Roberts,
who
he
stated
had
leased
an
airplane
we
were
then
using.
In December 1968,
we
did
not know
Toby
Roberts,
did not lease a
plane
from hirn
and
to the best of my
knowledge he
was not
involved in
our
tour.
Led
Zeppelin
did
not
lease
an
airplane
for use in touring until
1973,long
after the concert
in
Denver
in December 1968.
17,
Before
Led Zeppelin s
first
performance
in
the
United
States
in
December
1968,
Led
Zeppelin
performed live
concerts
in
England and Scandinavia
that included Led Zeppelin s
performance
of
the
song
As Long
As
I Have
You as
a
medley
that included
a short
bass riff
sirnilar to the bass
riff
in
the song
Fresh
Garbage.
I
had heard
Fresh
Garbage on the
radio
in
England before Led Zeppelin
first
toured
in
the
United
States.
3
Case 2:15-cv-03462-RGK-AGR Document 97-2 Filed 02/25/16 Page 4 of 6 Page ID #:1074
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18. I
purchased
a Sonic
Vy ave, a
Theremin-type devise,
in
Los
Angeles
before LedZeppelin
was formed,
while I
was
a
member
of
the
Yardbirds.
I
purchased
the Sonic
Wave after Jeff Beck told
me
that
Brian Wilson
used
a
Theremin
in
the
1966
song
Good
Vibrations
and on
tour.
19.
I
have several thousand albums of many
different
kinds.
They
include
albums
I
purchased,
albums
people gave
me and albums that
were
simply left
at
my
home. Also, like
a
book collector
who
never
gets
around to reading books
they
collect,
I have never
listened
to
many
of
the
albums.
20.
In
connection with
this
litigation,
I
discovered
a copy
of
Spirit s
first
album
in my record
collection.
I had not
previously
seen
it
in my
collection
and do not
know how
or
when
it
got
there.
It
may well have
been
left
by a
guest.
I
doubt
it
was
there
for
long, since I never noticed
it before. But,
again, I know I
did not hear
Taurus
until
2014.
21.
In
the over four
decades since
the
l97I release
of
Led
Zeppelin
IV and
Stairway
to Heaven, documents have been lost
or
stolen.
For example,
portions
of the
music recorded
during
the creation of ,Srairway to
Heaven that were made
at
Headley
Grange
in
1970
are
gone.
They were stolen
from
my
home at some time in the 1980 s,
and
in
later
years
copies
of
the stolen
recordings have turned
up for
sale on
bootleg
recordings.
I have had to
purchase
bootleg recordings in order to try to
recover
what
was stolen and
those
recordings
I
recovered have been
produced
in
this
action.
However,
other
recordings remain missing, and with
the
passage
of time
documents,
such as concert
contracts, set
lists,
and
travel documentation,
have
been
lost or
discarded.
22.
Also, and unfortunately,
rnany
people
have
passed
away
since
197l,
including
John
Bonham,
who
died
in
1980, Peter Grant
(Led
Zeppelin s
personal
manager
and
who
attended
many
of
its
concerts)
in
1995
and
Andy
Johns
(the
engineer
for
the
recording
of
Stairway
to Heaven) in
2013.
4
Case 2:15-cv-03462-RGK-AGR Document 97-2 Filed 02/25/16 Page 5 of 6 Page ID #:1075
8/18/2019 Jimmy Page Declaration (Skidmore v. Led Zeppelin "Stairway to Heaven" lawsuit)
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f
dcol¡re undor
pcnalty
of
perjury
undor
tho
laws
of
the
Unit€d Statcs
of
Amcisa
tbat
thc
fortgoing
is il¡e
aud corroct.
Exofl¡ted
on Febnrary
24 20t6.
JAMES P
5
Case 2:15-cv-03462-RGK-AGR Document 97-2 Filed 02/25/16 Page 6 of 6 Page ID #:1076