SEASON TWO: SUN CHASER

END OF THE GALLOWSJune 26-28 | July 3-4, 17-19, 2015

IKARUS was founded to bring life to DITO: Bahay ng Sining’s stage. It is a professional theatre company exclusive only to talented and daring individuals who day-in and day-out stake their l ives for beauty and truth. IKARUS pursues the sun.

Follow us. Join us as we rise.We will never rest even when the time comes for our wings to burn.

DITO is a canvas, a stage, a screen. DITO is dedicated to give artists of all fields a platform for their creations.

Do you have an idea? Do you have something to say? Artist, welcome home.

For inquiries and r eser vations please contact BJ @ 09064241107.

For news & updates, fol low the page on Facebook: www.facebook.com/DitoBahayNgSining

S E A S O N T W O : S U N C H A S E R

HAMLETby Jay Crisostomo IVFebruar y 20-22, 27-28, March 6-8

NEAR YET FAR, FAR YET NEAR: A TWIN BILL OF PLAYSby Paolo Apagalang & Enrique EstagleMarch 27-28, April 10-11

END OF THE GALLOWSDirection & Script by Jay Crisostomo IVJune 26-28, July 3-4, 10-11, 17-19

IT’S APRIL, WHAT ARE WE DOING HERE?Script by Rolando TinioDirection by Ricardo AbadSeptember 18-19, 25-26, October 2-4

THE VELVETEEN RABBITScript by Joaquin CerdasProduction Design by Claudine DelfinDecember 2015

G E N E R A L S U M M A R YE N D O F T H E G A L L O W S

The play begins with BLACK holding his brother WHITE hostage. They are by a cave facing the shore. It is raining. As soon as the play begins, BLACK shoots WHITE but the latter surprisingly comes back to life. They are immortal, cursed to live for eternity. Apparently, BLACK and WHITE have been playing this cat-and-mouse game for over two millennia: MR. BLACK runs after MR. WHITE, MR. WHITE is caught, tortured, and killed, MR. WHITE escapes, and then it begins all over again.

BLACK has a penchant of doing the grand coup de gras at 3 AM and they stil l have time. BLACK proposes that they tell stories to entertain one another, and of course WHITE cannot refuse. They tell stories back and forth about people like themselves, people with a reason not to die, people who cannot die even if they tried. One by

one, they go through the stories of the WOMAN who betrayed her lover, the deaf-mute MOTHER whose only son bit off the umbilical cord that had connected them since childbir th to run away, the remorseless SOLDIER who even after kil l ing so many innocent people could not give a reason as to why he did those terrible things.

After the stories of the other immortals, they go through their own story, the first story of betrayal, of woe, the story of the first immortals, the story of Cain and Abel. By the end of Act 1, BLACK or Cain asks for forgiveness from his brother. WHITE or Abel forgives his brother but says that only the sinner may forgive himself.

In throes of suffering, BLACK asks WHITE to take his l ife. WHITE cannot. To soothe his brother’s pain, WHITE ends the world by

shooting the moon with BLACK’s pistol.

Act 2 begins with the end of the world and what people did on that day. BLACK and WHITE pack their bags and travel the rest of the universe. They meet the RED KING, the instigator of all war and enmity. With the RED KING, BLACK and WHITE confront their own situation of brother kil l ing brother. Afterwards they see the creation of the star, a star created by the remnants of the now dead planet Earth. And finally they meet the GOD-MAN himself.

Even after all the stars have died, BLACK could stil l not forgive himself. All the immortals gather on the last piece of l ivable rock in the universe, the cave where the play began. When all hope of rest is lost, they see a l ight in the distance; it is the sun at its last days. One by one, the immortals jump and burn back into stardust. WHITE invites BLACK to go with him. BLACK denies him. The play ends with BLACK sitting on the rock bed, the last l iving being in the universe.

P E R F O R M E R SP R O F I L E S

BLACKXANDER SORIANO

WHITEANGELINA KANAPI

WHITE/ENSEMBLELAURA CABOCHAN

Laura Cabochan graduated from Ateneo de Manila with a degree in Theatre Arts. She is a teaching artist and has taught in Manila, Cebu, and Japan. She will be pursuing further studies on Applied Theatre abroad this August.

ANTIGONE, Breakaway Antigone, 2014, Tanghalang AteneoLEXI, Sa Wakas, 2013, Culture Shock ProductionsTOMOYO, Firef lies, 2012, Tanghalang Ateneo

ENSEMBLEKARL MEDINA

Karl is mostly an actor for film. He took up Industrial Design in UP Diliman, practiced brief ly in the fields of furniture, interior, graphic, and product and packaging design. He is also a photographer, editor, and writer by trade.

THE WAITER, Intentions, 2014, Short + Sweet Manila

P E R F O R M E R S P R O F I L E S

P E R F O R M E R S P R O F I L E S

ENSEMBLEOPALINE SANTOS

She did productions mostly with Tanghalang Pilipino, PETA, Dulaang UP, Tanghalang Ateneo, Ingénue, Project Mayheim and Romancing Venus. She did cultural work for Art Republik, National Commission for Culture and the Arts’ Philippine Cultural Education Program and International Institute for Film and the Arts. She is now teaching in Miriam College under the Communication Department.

PEPELINE, Pepeng Makata, 2015, Bugso-Karnabal FestivalACTOR (multiple roles), Kyemestry, 2015, Black Canvas-Fringe Manila FestivalLIFE, On Your Last Legs, 2014, Project Mayheim-Imaginarium Festival

ENSEMBLETHEA YRASTORZA

Thea is an actor for stage and film. She began her training at the Philippine High School for the Arts under Shamaine Buencamino, Angelina Kanapi, Herbie Go, and Joy Paginado. She is a member of the Silly People’s Improv Theater (SPIT). She is also an acting coach for stage and film, and a trained teacher in Steiner Early Childhood Education.

VICKY, Kleptomaniacs, 2014, Tanghalang PilipinoLUNA, Games People Play, 2013

KAKAI, Battalia Royale, 2012, Sipat Lawin

A R T I S T I C & P R O D U C T I O N T E A M

DIRECTOR/WRITERJAY CRISOSTOMO IV

Jay graduated from the Ateneo de Manila University with a double degree of BFA Theatre Arts and BFA Creative Writing. He has won two Carlos Palanca Awards, “End Of The Gallows” being the second. He is currently a co-owner of DITO: Bahay ng Sining and is the Artistic Director of IKARUS.

FRONT OF HOUSE MANAGER, Near Yet Far, Far Yet Near 2015, IKARUSDIRECTOR, Hamlet 2015, IKARUSCO-PRODUCTION MANAGER and CO-PRODUCTION DESIGNER, My Friend Has Come 2014, IKARUS

PRODUCTION/GRAPHIC DESIGNERCLAUDINE DELFIN

Claudine graduated from Ateneo de Manila Univeristy with a degree in Information Design. She has illustrated and designed for companies such as Eastgate Publishing, Bayankomiks Inc., Mgt. Strategies Asia, and UNICEF. She is currently a member of Ilustrador ng Kabataan, a graphic recorder and founding member of Pushpin Visual Solutions, and the company manager of IKARUS. She also co-owns DITO.

PRODUCTION & GRAPHIC DESIGNER for: Hamlet, 2015, IkarusMy Friend Has Come, 2014, IkarusAng Prinsipito, 2014, Ikarus

A R T I S T I C & P R O D U C T I O N T E A M P R O F I L E S

STAGE MANAGER/ ENSEMBLEYNO STA. MARIA

Yno is currently studying in Miriam College taking up Applied Arts Major in Theater. She’s one of the heads of CenterStage – the new theater guild in Miriam and currently the External Vice President of Applied Arts Society under their department.

STAGE MANAGER, Polaris 2015, Youth For ChristLIGHTS BOARDSMAN , Kababayen-an ng Taklub 2015, Miriam CollegeENSEMBLE/MARKETING AND PUBLICITY HEAD, West Side Story Highlights 2015, Miriam College

CHOREOGRAPHERVINCENT SOLIVEN

A dance enthusiast for 17 years, Vincent started at Lahing Kayumanggi Dance Troupe of Roosevelt College cainta in 1998 and has since achieved a lot as both a dance teacher and choreographer. Because of his commitment as an artist and his passion to give back to the community, he formed Simeona F. Chanyungco Lahing Kayumanggi Mananayaw ng Marikina (SFCLKM) Inc. last 2011 as its Founding President, Artist and Dance Director of the company.

CHAIRMAN/ PRODUCER/ ARTISTIC DIRECTOR for:Indayog Summer Dance Camp Recital 2014, SFCLKM Inc.Pamana ni Tia Nonang Alay Para sa Bayan 2015, SFCLKM Inc.Indayog Summer Dance Camp Recital 2015, SFCLKM Inc.

A R T I S T I C & P R O D U C T I O N T E A M P R O F I L E S

SOUND DESIGNERREAMUR DAVIDRhem serves as the Sound Designer for the production. Prior to “End of the Gallows”, he has served as Actor, Sound and Graphic Designer for so many organizations, such as the Asia Pacific Bureau Festival of Theatre Schools, The Ateneo Theatre Arts/Fine Arts Prorgram, Tanghalang Ateneo, Blue Reportory, Teatro Baguntao, and TeatroFilipino Integrated, to name a few. Apart from his theater work, he is an I.T. Consultant for Non-Government Organizations based in Metro Manila.

GRAPHIC DESIGNER, “Songs of an Electric Soul”, 2015, Ateneo FA Prog. for the Asia Pacific Bureau Festival of Theatre SchoolsSOUND DESIGNER, “My Friend Has Come”, 2014, Ikarus ProductionsSOUND & GRAPHIC DESIGNER/ACTOR, “The Boxes”, 2013, Ateneo FA Prog. for the Asia Pacific Bureau Festival of Theatre Schools/Ateneo Theater Network

LIGHTING DESIGNERKENNETH MANGURIT

Kenneth graduated from Polytechnic University of the Philippines with a degree in Theater Arts. He has done numerous productions in school that he serves not only a designer but also an actor. This would be his first professional work.

LIGHTS DESIGNER, Masaganang Ekonomiya, 2013, Dulaang Laboratoryo

A R T I S T I C & P R O D U C T I O N T E A M P R O F I L E S

LIGHTS BOARDSMANJAMES PANGAN

James is currently studying in the University of Santo Tomas taking up BS Information Technology. He has been part of Teatro Tomasino (the University Wide Theatre Guild of the University of Santo Tomas) and is now one of their Honorary Member.

BERDUGO and ASSISTANT GRAPHIC DESIGNER, Bien Aligtad 2015, Teatro TomasinoLORD and LIGHTS BOARDSMAN, Hamlet 2015, IkarusRONALD (Asunto) and SOUND STAFF (Whole Production), Antolohiya (Four Play, One Production) 2015, Teatro Tomasino

SOUNDS BOARDSMANSHEIL A PASANA

“I have great comfort from this fellow. Methinks he hath no drowning mark upon him. His complexion is perfect gallows. Stand fast, good Fate, to his hanging. Make the rope of his destiny our cable, for our own doth little advantage. If he be not born to be hanged, our case is miserable.”

The Tempest, Act 1 Scene 1-William Shakespeare

A R T I S T I C & P R O D U C T I O N T E A M P R O F I L E S

PHOTOGRAPHERCHRISTOPHER LEE

Christopher graduated from the Ateneo de Manila University with a degree in Economics. He has been working in his family business and at the same time freelances as a photographer. His photography focuses on portraiture and product photography.

PHOTOGRAPHER, God of the Machine, 2014, IkarusPHOTOGRAPHER, Hamlet, 2015, Ikarus

ASST. PHOTOGRAPHERMARIELLE FERRER

Marielle graduated from Ateneo de Manila University with a degree in Information Design. She is a published il lustrator and a freelance graphic designer whose list of clientele include Mgt. Strategies Asia, Shell Philippines, Adobo Magazine, and Home Grown. She is a founding member of Pushpin Visual Solutions and a budding watercolor painter.

PHOTOGRAPHER, Pieta, 2014, IkarusASST. PHOTOGRAPHER, God of the Machine, 2014, Ikarus

Dr. Jay Crisostomo Dra. Marietta Crisostomo

Naldo Barbadillo Yolanda Benosa

Zernan Fernandez Bing Fernandez

Mina SolasHeidi Cleofas

Ate GloAte Lisa

Elfrida TanTrippy Padilla

Lara Louise Gabrielle AntonioRyan Gonzalez

A C K N O W L E D G E M E N T S

S U N C H A S E R S P O N S O R S

S U N C H A S E R M E D I A P A R T N E R S

P H O T O G A L L E R Y

P H O T O G A L L E R Y

F O L L O W O U R J O U R N E Y O N L I N E

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