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Japanese Prints Collectioncirca 1765-1964 (bulk 1780-1860)MS.2013.043http://hdl.handle.net/2345/3820
Archives and Manuscripts Department
John J. Burns LibraryBoston College140 Commonwealth AvenueChestnut Hill 02467library.bc.edu/burns/contactURL: http://www.bc.edu/burns
Table of Contents
Summary Information .................................................................................................................... 3Administrative Information ............................................................................................................. 5Historical note - Ukiyo-e prints ...................................................................................................... 6Biographical note - Morrissey family ............................................................................................. 7Biographical note - Laforet family ................................................................................................. 8Scope and Contents ...................................................................................................................... 9Arrangement .................................................................................................................................. 9Collection Inventory ..................................................................................................................... 10
I: Morrissey collection ............................................................................................................... 10II: Laforet collection ................................................................................................................... 20
Japanese Prints Collection MS.2013.043
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Summary Information
Creator - art: Suzuki, Harunobu, 1725?-1770
Creator - art: Torii, Kiyonaga, 1752-1815
Creator - art: Isoda, Koryūsai, active 1735-1790
Creator - art: Katsukawa, Shunkō, 1743-1812
Creator - art: Takahashi, Shōtei, 1871-1945
Creator - art: Tomikawa Fusanobu
Creator - art: Ishiwata, Kōitsu, 1897-1987
Creator - art: Andō, Hiroshige, 1797-1858
Creator - art: Katsushika, Hokusai, 1760-1849
Creator - art: Saito, Kiyoshi, 1907-1997
Creator - art: Kitagawa, Utamaro, 1753?-1806
Creator - art: Shumman, Kubo, 1757-1820
Creator - art: Utagawa, Toyokuni, 1769-1825
Creator - art: Utagawa, Kuniyoshi, 1798-1861
Creator - art: Ikeda, Eisen, 1790-1848
Creator - art: Hosoda, Eishi, 1756-1829
Creator - art: Kikukawa, Eizan, 1787-1867
Title: Japanese prints collection
CollectionIdentifier:
MS.2013.043
Date [inclusive]: circa 1765-1964 (bulk 1780-1860)
Date [bulk]: 1780-1860
PhysicalDescription
26.25 Linear Feet (11 boxes, 1 oversize folder, 3 framed items)
Language of theMaterial:
Japanese
Abstract: This collection consists primarily of ukiyo-e woodblock prints. Italso includes a few examples of the mingei (folk art) and sosakuhanga ("creative prints") movements of the early 20th century.The bulk of the ukiyo-e prints are by Ando Hiroshige; other
Japanese Prints Collection MS.2013.043
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notable artists include Katsushika Hokusai, Katsukawa Shunko,Kitagawa Utamaro, and Isoda Koryusai.
Preferred Citation
Identification of item, Box number, Folder number, Japanese Prints Collection,MS.2013.043, John J. Burns Library, Boston College.
Japanese Prints Collection MS.2013.043
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Administrative Information
Publication InformationProcessed by Erin Furlong in April 2014. This finding aid was produced usingArchivesSpace.
Restrictions on accessCollection is open for research.
Restrictions on useThese materials are made available for use in research, teaching and private study, pursuantto U.S. Copyright Law. The user must assume full responsibility for any use of the materials,including but not limited to, infringement of copyright and publication rights of reproducedmaterials. Any materials used for academic research or otherwise should be fully creditedwith the source. The original artists may retain copyright to the materials.
ProvenanceGifts (1949-1971) from Arthur M. Morrissey in honor of James W. Morrissey, and gifts(1994-1995) from Eugene and Mitsuko LaForet in honor of Dr. Shiro Tashahiro.
Japanese Prints Collection MS.2013.043
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Historical note - Ukiyo-e prints
The term ukiyo was originally used in Buddhist practices to refer to "the condition ofimpermanence created by daily life and its desires." At the start of the Tokugawa era(1603-1868), the term began to shift in meaning and use to convey the idea of a "floatingworld" that was applied to the emerging culture of pleasure, parties, and a preoccupationwith the present moment. Ukiyo-e ("pictures of the floating world") rose to prominence in theseventeenth century as increases in agricultural production drove economic development,creating a literate, wealthy, urban merchant class interested in art that represented their ownlifestyles. Ukiyo-e included paintings, screens, and illustrated books, but the focus of themovement was on woodblock prints. Popular ukiyo-e subjects were famous kabuki actors,courtesans, and sumo wrestlers. Other frequently used themes were famous teahouses,city quarters, historical heroes, ghosts, erotic books, and most aspects of ordinary life, withlandscape prints beginning to appear in the 1830s.
The ukiyo-e woodblock prints were traditionally carved on cherry-wood blocks using a negativecopy of an original sketch by an artist. Prints were usually created in orders of 400 to coverinitial expenses and then reprinted if the image proved successful. A traditional ukiyo-e printwould be the product of the work of four to five different people, with the artist having no hand inthe physical production of the print. The design would be created by the artist with consultationfrom the publisher, and would then be given to skilled craftsmen who carved the design andsent the woodblock to another group of specialized workers who would print the actual image.Ukiyo-e prints were initially created entirely in black ink, while hand applied colors began tobe used in 1688 with limited options of tan-e ("orange-red pigment pictures") or beni-e ("rosecolored pictures") used until the development of full color woodblock printing in 1765.
While the strong push for modernization during the Meiji (1868-1912) and Taisho (1912-1926)eras left the traditional practice of ukiyo-e in decline, the prints continued to be produced withthe traditional themes of kabuki actors and beautiful women, as well as more Western andmodernized images. Scenes focusing on Western clothing and inventions and battle scenesdepicting the Sino-Japanese and Russo-Japanese wars became popular in the middle of theMeiji period. In the 1910s, Watanabe Shozaburo sought to revitalize the traditional ukiyo-efocus on kabuki actors and native landscapes, forming the shin-hanga ("new print") movement,which emphasized the original collaborative process of different craftsmen and artists creatingeach part of the print. This contrasted with the competing concurrent art movement of sosaku-hanga ("creative prints"), which focused on the creation of woodblock prints made entirely byone artist, for the sake of art.
Sources
Kobayashi, Tadashi. Ukiyo-e: An Introduction to Japanese Woodblock Prints. Tokyo: KodanshaInternational, 1992.
Calza, Gian Carlo. Ukiyo-e. London: Phaidon, 2005.
Japanese Prints Collection MS.2013.043
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Berglund, Lars. "The Art of Ukiyo-e – A Short Historical Survey." In Impressions: JapanesePrints and Paintings In the Utagawa Tradition, edited by The Utagawa Society of Japan.Nagano: Soei Publishing, 1994.
Jenkins, Donald. "A Mirror on the Floating World." In Designed for Pleasure: The World of EdoJapan in Prints and Paintings, 1680 – 1860, edited by Julia Meech and Jane Oliver, 15-32.Singapore: Asia Society and Japanese Art Society of America, in association with the Universityof Washington Press, 2008.
Smith, Lawrence. "Japanese Prints 1868-2008." In Since Meiji: Perspectives on the JapaneseVisual Arts, 1868 – 2000, edited by J. Thomas Rimer, 361-407. Honolulu: University of Hawai'iPress, 2012.
Biographical note - Morrissey family
James W. Morrissey (1897-1949) graduated from Boston College (1920), as did all four of hisbrothers: Francis Morrissey (1921); Dr. Leonard Morrissey (1923); William Morrissey (1925);and Dr. Arthur M. Morrissey (1929). He then worked for the McDonald Steel Company in SouthBoston before serving in in Venezuela during World War II, and postwar became the presidentof Morrissey Brothers Tractor Company in Watertown, Massachusetts. Long interested inJapanese culture, James W. Morrissey collected woodblock prints as well as books related toJapanese art. This collection passed to his brother Arthur at his death.
Dr. Arthur M. Morrissey (1906-2004) was an ophthalmologist and a veteran of World War II.Morrissey donated his brother's collection of Japanese prints to Boston College in December1949 as a memorial to his brother, and continued to add to the Library's collection for manyyears. Dr. Morrissey also later donated his own collection of Haitian paintings from his work asa volunteer with Catholic Charities in the late 1960s.
Sources
Connolly, Terence, S.J., letter to Arthur Morrissey, December 20, 1949, Archives and LibraryRecords, John J. Burns Library, Boston College.
Delaney, Patricia. "Haiti Before the Quake: Exhibit at Burns Library." February 9, 2010. http://www.bc.edu/offices/pubaf/archive/news/haitian_paintings_exhibit2010_0209.html
"Dr. Arthur M. Morrissey," The Boston Globe, October 2004.
"James W. Morrissey," Medford Mercury, July 14, 1949.
Morrissey, Arthur M., letter to Terence Connolly, S.J., September 25, 1949, Archives and LibraryRecords, John J. Burns Library, Boston College.
Japanese Prints Collection MS.2013.043
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Morrissey, Arthur M., letter to Terence Connolly S.J., March 26, 1953, Archives and LibraryRecords, John J. Burns Library, Boston College.
U.S. Social Security Death Index, 1935-Current. Ancestry.com. Accessed January 31, 2014.
Biographical note - Laforet family
The Laforet collection was donated to the John J. Burns Library by Dr. Eugene Laforet and hiswife, Mitsuko Tashiro Laforet, in honor of her father, Dr. Shiro Tashiro.
Dr. Shiro Tashiro (1883-1963) was born in Kagoshima prefecture and immigrated to the UnitedStates in 1901. He received his Ph.D. from the University of Chicago in 1912 and then taughtthere in the department of physiological chemistry until 1918, when he accepted a position atthe University of Cincinnati, College of Medicine as the associate professor of biochemistry.Tashiro was well known for his publication A Chemical Sign of Life, which studied the ability tomeasure carbon dioxide levels in organisms as a sign of life. Tashiro married Shizuka Kawasakiin 1915 and had two sons, Kazuo and Kiyoshi, and one daughter, Mitsuko.
Dr. Mitsuko Tashiro Laforet (1920-2006) received her bachelor's degree from Goucher College(1942), her master's in physiology from Vassar College, and her medical degree from theUniversity of Cincinnati. After marrying Dr. Eugene Laforet, she moved to Chestnut Hill,Massachusetts where she worked as a hematologist at the Peter Bent Brigham Hospital andChildren's Hospital in Boston.
Dr. Eugene Laforet (1924-2002) was a graduate of Boston College (1944) and Tufts MedicalSchool (1947). Laforet was a retired captain in the United States Navy Medical Corps and aKorean War Veteran. He practiced medicine in Boston until his retirement in 1985 and taught amedical ethics course at Boston College with T. P. O'Malley, S.J.
Sources
Day, Stacey. "Tashiro, Shiro." In Encyclopedia.com. http://www.encyclopedia.com/doc/1G2-2830904255.html
Eugene G. Laforet Biomedical Ethics Collection, John J. Burns Library, Boston College.
"Eugene Laforet." Boston Globe, June 2002.
Laforet, Eugene. "Commitment to Life." The Heights, September 15, 1975.
"Mitsuko Laforet." Boston Globe. December 2006.
"Mitsuko Tashiro Joins Physiologists." Vassar Miscellany News, October 3, 1942.
Japanese Prints Collection MS.2013.043
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O'Neill, Robert K., letter to Eugene G. Laforet, February 11, 1994, Archives and LibraryRecords, John J. Burns Library, Boston College.
Tashiro, Shiro. A Chemical Sign of Life. Chicago: University of Chicago Press, 1917.
U.S. Social Security Death Index, 1935-Current. Ancestry.com. Accessed January 31, 2014.
Scope and Contents
This collection contains Japanese artwork dating from the mid-eighteenth to the mid-twentiethcenturies. While the majority of this collection consists of ukiyo-e woodblock prints, there arealso a number of examples of the mingei (folk art) movement and the sosaku hanga ("creativeprints") movement of the early 20th century, including pieces by Sadao Watanabe, KiyoshiSaito, and Unichi Hiratsuka.
The bulk of the ukiyo-e prints are by Ando Hiroshige; other notable artists include KatsushikaHokusai, Katsukawa Shunko, Kitagawa Utamaro, and Isoda Koryusai. The collection contains46 prints from Hiroshige's famous series "The Fifty Three Stations of the Tokaido Road," aswell as several images from other series including "The Sixty-nine Stations of the KisokaidoRoad" and "Chushingura" (sometimes translated as "The Storehouse of Loyal Retainers," "TheRevenge of the Loyal Retainers," or "The Tale of the 47 Ronin"). Overall the collection containsexcellent examples of traditional ukiyo-e styles and themes, including bijin-ga ("beautifulwomen"), azuri-e ("blue print"), kabuki actors, folk tales, and landscape scenes.
Several of the items in this collection are not original woodblock prints, but reproductions fromthe series Nihon Mokuhangasui, published in the 1920s by Nihon Shosui-sha. The originalsleeves are stored with these reproductions in Box 7. The collection also includes one painting.
Arrangement
This collection is arranged in two series reflecting original provenance: I. Morrissey collection; II.Laforet collection. Within each series, materials are arranged alphabetically by artist's name.
In the Laforet collection, the 53 Stations of the Tokaido Road are arranged in the order originallyissued.
Japanese Prints Collection MS.2013.043
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Collection Inventory
Series I: Morrissey collection, circa 1766 - 1964Andō, Hiroshige, 1797-1858. Act Eleven: Part 1 from theseries Chūshingura, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref15
box 1 folder 3
Andō, Hiroshige, 1797-1858. Act Eleven: Part 6 from theseries Chūshingura, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref26
box 1 folder 4
Andō, Hiroshige, 1797-1858. Act Nine from the seriesChūshingura, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref13
box 1 folder 2
Andō, Hiroshige, 1797-1858. Act One from the seriesChūshingura, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref10
box 1 folder 1
Andō, Hiroshige, 1797-1858. Aoi Slope, Outside ToranomonGate from the series One Hundred Famous Views of Edo,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref105
box 2 folder 14
Andō, Hiroshige, 1797-1858. Autumn Moon at IshiyamaTemple from the series Eight Views of Ômi, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref20
box 1 folder 6
Andō, Hiroshige, 1797-1858. Bamboo Yards, KyôbashiBridge from the series One Hundred Famous Views of Edo,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref140
box 3 folder 7
Andō, Hiroshige, 1797-1858. Echizen Province: Tsuruga,Kehi Pine Grove from the series Famous Places in theSixty-odd Provinces, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref161
box 3 folder 13
Andō, Hiroshige, 1797-1858. Eight Views of Kanazawa atNight, woodblock print, ink and color on paper
box 8 folder 10
Japanese Prints Collection MS.2013.043
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Andō, Hiroshige, 1797-1858. Fireworks at Ryôgoku from theseries One Hundred Famous Views of Edo, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref97
box 2 folder 12
Andō, Hiroshige, 1797-1858. Fuchû: The Abe River from theseries Fifty-three Stations of the Tôkaidô Road, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref254
box 5 folder 9
Andō, Hiroshige, 1797-1858. Fukagawa Lumberyards fromthe series One Hundred Famous Views of Edo, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref102
box 2 folder 13
Andō, Hiroshige, 1797-1858. Gion Shrine in the Snow fromthe series Famous Views of Kyoto, woodblock print, ink andcolor on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref40
box 1 folder 10
Andō, Hiroshige, 1797-1858. Kazusa Province: Yasashi Bayfrom the series Famous Places in the Sixty-odd Provinces,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref34
box 1 folder 8
Andō, Hiroshige, 1797-1858. Kinuta Jewel River in SettsuProvince from the series Six Jewel Rivers, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref236
box 5 folder 1
Andō, Hiroshige, 1797-1858. Komachi Praying for Rain fromthe series Nana Komachi, fan print, woodblock print, ink andcolor on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref43
box 1 folder 11
Andō, Hiroshige, 1797-1858. Misty Moonlight on the Seaat Tsukuda Island from the series Famous Places in theEastern Capital, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref251
box 5 folder 8
Andō, Hiroshige, 1797-1858. Mitsuke: Tenryû RiverView from the series Fifty-three Stations of the Tôkaidô,woodblock print, ink and color on paper
box 2 folder 16
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Link to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref111
Andō, Hiroshige, 1797-1858. Mount Kaso in KazusaProvince from the series Wrestling Matches betweenMountains and Seas, woodblock print, ink and color onpaperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref224
box 4 folder 3
Andō, Hiroshige, 1797-1858. Night Rain at Karasaki fromthe series Eight Views of Ômi, woodblock print, ink and coloron paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref18
box 1 folder 5
Andō, Hiroshige, 1797-1858. Night View of Matsuchiyamaand the San'ya Canal from the series One Hundred FamousViews of Edo, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref137
box 3 folder 6
Andō, Hiroshige, 1797-1858. No 17, Yui, from the seriesFamous Sights of the Fifty-three Stations, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref113
box 2 folder 17
Andō, Hiroshige, 1797-1858. No 39, Agematsu, from theseries The Sixty-nine Stations of the Kisokaido Road,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref122
box 3 folder 1
Andō, Hiroshige, 1797-1858. Ochanomizu from the seriesFamous Places in Edo, woodblock print, ink and color onpaperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref37
box 1 folder 9
Andō, Hiroshige, 1797-1858. Ômi Province: Lake Biwa,Ishiyama Temple from the series Famous Places in theSixty-odd Provinces, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref31
box 1 folder 7
Andō, Hiroshige, 1797-1858. Parody of the Akashi Chapter:Evening Moon at Takanawa, woodblock print, ink and coloron paper
box 3 folder 5
Japanese Prints Collection MS.2013.043
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Link to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref134
Andō, Hiroshige, 1797-1858. Rain at Onmayagashi from theseries Famous Places in Edo, fan print, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref45
box 1 folder 12
Andō, Hiroshige, 1797-1858. Shôno: Driving Rain from theseries Fifty-three Stations of the Tôkaidô Road, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref260
box 5 folder 11
Andō, Hiroshige, 1797-1858. Sudden Shower over ÔhashiBridge and Atake from the series One Hundred FamousViews of Edo, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref173
box 3 folder 18
Andō, Hiroshige, 1797-1858. Suijin Shrine and Massaki onthe Sumida River from the series One Hundred FamousViews of Edo, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref170
box 3 folder 16
Andō, Hiroshige, 1797-1858. Tomigaoka Hachiman Shrineat Fukagawa from the series Famous Places in Edo,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref257
box 5 folder 10
Andō, Hiroshige, 1797-1858. Totsuka: Motomachi Forkfrom the series Fifty-three Stations of the Tôkaidô Road,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref108
box 2 folder 15
Andō, Hiroshige, 1797-1858. Tsushima Province: A FineEvening on the Coast from the series Famous Places in theSixty-odd Provinces, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref116
box 2 folder 18
Andō, Hiroshige, 1797-1858. Viewing Cherry Blossoms fromthe Kiyomizu Hall at Tôeizan Temple in Ueno from the seriesFamous Views of the Eastern Capital, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref233
box 5 folder 7
Andō, Hiroshige, 1797-1858. View of the Naruto Rapids,Province of Awa, woodblock print, ink and color on paper
box 8 folder 11
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Arashino, Kotaro. Mask of Noh-play, Maihime, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref213
box 8 folder 6
Eishosai, Choki. Niwaka Festival in Yoshiwara, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref275
box 6 folder 2
Hanabusa, Itcho. Fete Day Dance, reproduction, print, inkand color on paper
box 7 folder 9
Hashimoto, Okiie. Gate of Hikone Castle, woodblock print,ink and color on paper
box 8 folder 9
Hiratsuka, Un'ichi. Shrine Garden, woodblock print, ink andcolor on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref287
box 7 folder 6
Hiratsuka, Un'ichi. Temple Gate, woodblock print, ink andcolor on paper
box 8 folder 7
Hosoda, Eishi, 1756-1829. Segawa of the Matsubaya,Kamuro Sasano and Takeno, woodblock print, ink and coloron paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref79
box 2 folder 5
Ikeda, Eisen, 1790-1848. No 15, Itahana, from the seriesThe Sixty-nine Stations of the Kisokaido Road, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref125
box 3 folder 2
Ishikawa, Toyomasa. Chanting Farmers Praying for Rainfrom a series of the Four Social Classes, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref189
box 8 folder 4
Ishiwata, Kōitsu, 1897-1987. Twilight in Imamiya Street,Choshi, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref167
box 3 folder 15
Isoda, Koryūsai, active 1735-1790. Evening Bell of theClock from the series Fashionable Eight Views of the Parlor,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref72
box 2 folder 3
Isoda, Koryūsai, active 1735-1790. Evening Snow atYamashita, woodblock print, ink and color on paper
box 2 folder 4
Japanese Prints Collection MS.2013.043
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Link to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref76
Isoda, Koryūsai, active 1735-1790. Falcon on a Perch,woodblock print, ink and color on paper
box 8 folder 1
Isoda, Koryūsai, active 1735-1790. Grasses of Shinda at theFirst Frost, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref248
box 5 folder 2
Isoda, Koryūsai, active 1735-1790. Toyoharu of the Chôjiya,Kamuro Tasoya and Takino from the series Models forFashion: New Year Designs as Fresh as Young Leaves,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref196
box 8 folder 3
Kasamatsu, Shiro. Sangatsudo Temple, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref227
box 4 folder 4
Katsukawa, Shunkō, 1743-1812. Kataoka Nizaemon,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref146
box 3 folder 9
Katsukawa, Shunsen. Women and Actor at Takanawa,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref239
box 5 folder 4
Katsukawa, Shunsho. Actor in Tragic Role, reproduction,print, ink and color on paper
box 7 folder 8
Katsushika, Hokusai, 1760-1849. Dawn at Isawa in KaiProvince from the series Thirty-six Views of Mount Fuji,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref52
box 1 folder 14
Katsushika, Hokusai, 1760-1849. Enoshima in SagamiProvince from the series Thirty-six Views of Mount Fuji,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref55
box 1 folder 15
Katsushika, Hokusai, 1760-1849. Sakai Cho (TheaterStreet), woodblock print, ink and color on paper
box 4 folder 1
Japanese Prints Collection MS.2013.043
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Link to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref217
Katsushika, Hokusai, 1760-1849. Sazai Hall of the Templeof the Five Hundred Arhats from the series Thirty-six Viewsof Mount Fuji, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref58
box 1 folder 16
Katsushika, Hokusai, 1760-1849. Snowy Morning atKoishikawa from the series Thirty-six Views of Mount Fuji,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref47
box 1 folder 13
Katsushika, Hokusai, 1760-1849. A Wayside Meal,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref221
box 4 folder 2
Kawase, Hasui. Irrigation, As Seen in Sado from the seriesSouvenirs of Travel II, woodblock print, ink and color onpaperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref314
box 7 folder 4
Kawase, Hasui. Part of the Byôdô-in Temple at Uji from theseries Souvenirs of Travel II, woodblock print, ink and coloron paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref281
box 7 folder 3
Kikukawa, Eizan, 1787-1867. Cherry Blossom Viewing,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref94
box 2 folder 10
Kikukawa, Eizan, 1787-1867. Three Fashionable BeautiesCooling Off in the Evening, woodblock print, ink and color onpaperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref91
box 2 folder 9
Kitagawa, Tsukimaro. Courtesans of the Ogiya, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref278
box 6 folder 1
Kitagawa, Utamaro, 1753?-1806. Hanamurasaki of theTamaya with Attendants Shirabe and Teriha, woodblockprint, ink and color on paper
box 1 folder 17
Japanese Prints Collection MS.2013.043
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Link to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref61
Kitagawa, Utamaro, 1753?-1806. Parody of the Seven Godsof Good Fortune in the Treasure Boat, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref240
box 5 folder 5
Kitagawa, Utamaro, 1753?-1806. Portrait Head of anUnknown Courtesan from the series of Eight Trigrams,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref152
box 3 folder 10
Kozan, Matsumoto, 1784-1866 and Ooka, Unpo,1765-1848. Goose and Swallows, woodblock print, ink andcolor on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref85
box 2 folder 7
Shumman, Kubo, 1757-1820. Votive Picture Hall atMukojima, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref128
box 3 folder 3
Shumman, Kubo, 1757-1820. Votive Picture Hall atMukojima, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref131
box 3 folder 4
Ohara, Koson. Geese in Snow Falling Sky, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref230
box 5 folder 12
Okumura, Masanobu. Moving, reproduction, print, ink andcolor on paper
box 7 folder 7
Saito, Kiyoshi, 1907-1997. Sakurada-Mon, Tokyo,woodblock print, ink and color on paper
box 8 folder 8
Saito, Kiyoshi, 1907-1997. Winter in Aizu (3), woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref284
box 7 folder 5
Sasajima, Kihei. A Hill in Early Spring, woodblock print, inkand color on paper
box 8 folder 10
Suzuki, Harunobu, 1725?-1770. Faith from the series TheFive Virtues, woodblock print, ink and color on paper
box 3 folder 17
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Link to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref176
Suzuki, Harunobu, 1725?-1770. Poem by Shiseki fromthe series Fashionable Versions of Ink in Five Colors,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref70
box 2 folder 2
Takahashi, Shōtei, 1871-1945. Mount Fuji from Mizukubo,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref164
box 3 folder 14
Tekiho, Imoto. Bamboo, Apricot and a Fisherman,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref293
box 7 folder 2
Tekiho, Imoto. Bamboo Grove, woodblock print, ink andcolor on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref290
box 7 folder 1
Tomikawa Fusanobu. Under the Willow Tree, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref82
box 2 folder 6
Tomikawa Fusanobu. Under the Willow Tree, photographicreproduction
box 2 folder 19
Torii, Kiyonaga, 1752-1815. Arrival at the Baths in Yumotofrom the series Seven Hot Springs in Hakone, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref67
box 2 folder 1
Torii, Kiyonaga, 1752-1815. Two Women and a Maid,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref64
box 1 folder 18
Tosa, Mitsuoki. Mat Maker, reproduction, print, ink and coloron paper
box 7 folder 11
Utagawa, Hiroshige. Mount Kusuri on the Road to Zenkô-jiin Shinano Province from the series One Hundred FamousViews in the Various Provinces, woodblock print, ink andcolor on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref199
box 8 folder 2
Utagawa, Kuninao. View of Asakusa, reproduction, print, inkand color on paper
box 7 folder 10
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Utagawa, Kuniyoshi, 1798-1861. Monkey: Sun Wugongfrom the series Heroes Representing the Twelve Animals ofthe Zodiac, woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref263
box 5 folder 3
Utagawa, Kuniyoshi, 1798-1861. Nichiren Praying for Rainat Ryôzengasaki in Kamakura in 1271 from the seriesSketches of the Life of the Great Priest, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref143
box 3 folder 8
Utagawa, Toyokuni, 1769-1825. Actor Bando Mitsugoro asSamurai Kumagai Jiro on his Horse, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref272
box 6 folder 3
Utagawa, Toyokuni, 1769-1825. Actor Ichikawa Danjûrô,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref269
box 6 folder 4
Utagawa, Toyokuni, 1769-1825. Courtesan and Attendantson a Veranda Overlooking a Garden, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref88
box 2 folder 8
Utagawa, Toyokuni, 1769-1825. Ichikawa Yaozo as Umeno Yoshibei and Segawa Kikunojo as his wife Koume,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref155
box 3 folder 11
Utagawa, Toyokuni, 1769-1825. Somamura Gennosuke asUme no Yoshibei and Segawa Roko as his wife Koume,woodblock print, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref266
box 6 folder 5
Utagawa, Toyokuni, 1769-1825. Sukeroku: Flower of Edo, ina scene from a kabuki theater production, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref158
box 3 folder 12
Utagawa, Toyokuni, 1786-1865. Mount Atago in Shiba fromthe series One Hundred Beautiful Women at Famous Placesin Edo, woodblock print, ink and color on paper
box 5 folder 6
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Link to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref245
Watanabe, Sadao. Biblical Theme: Christmas, woodblockprint, paint on momigami paper
oversizeFolder 1
Unidentified artist. Under the Wave off Kanagawa from theseries Thirty-six Views of Mount Fuji, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref6
box 2 folder 11
Unidentified artist. Man with Staff, painting, ink on paper box 4 folder 5
Unidentified artist. Nightingale on Bamboo Branch,screenprint and painting on silk
box 8 folder 5
Unidentified artist. Two women and a child, woodblock print,ink and color on paper
frame 3
Series II: Laforet collection
53 Stations of the Tokaido Road, circa 1837-1842General
This collection of the prints from the series "53 Stations of the Tokaido Road" by Ando Hiroshige is theKyoka Edition. This edition was produced circa the late 1830s to early 1840s and is characterized by acomic poem written on each of the prints.
Andō, Hiroshige, 1797-1858. Nihonbashi, woodblock print,ink and color on paper
box 9 folder 1
Andō, Hiroshige, 1797-1858. Shinagawa, woodblock print,ink and color on paper
box 9 folder 2
Andō, Hiroshige, 1797-1858. Kawasaki, woodblock print,ink and color on paper
box 9 folder 3
Andō, Hiroshige, 1797-1858. Kanagawa, woodblock print,ink and color on paper
box 9 folder 4
Andō, Hiroshige, 1797-1858. Hodogaya, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref343
box 10 folder 1
Andō, Hiroshige, 1797-1858. Fujisawa, woodblock print,ink and color on paper
box 9 folder 5
Andō, Hiroshige, 1797-1858. Oiso, woodblock print, inkand color on paper
box 9 folder 6
Andō, Hiroshige, 1797-1858. Odawara, woodblock print,ink and color on paper
box 9 folder 7
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Andō, Hiroshige, 1797-1858. Hakone, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref356
box 10 folder 2
Andō, Hiroshige, 1797-1858. Mishima,woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref359
box 10 folder 3
Andō, Hiroshige, 1797-1858. Numazu, woodblock print,ink and color on paper
box 9 folder 8
Andō, Hiroshige, 1797-1858. Hara, woodblock print, inkand color on paper
box 9 folder 9
Andō, Hiroshige, 1797-1858. Yoshiwara, woodblock print,ink and color on paper
box 9 folder 10
Andō, Hiroshige, 1797-1858. Kanbara, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref363
box 10 folder 4
Andō, Hiroshige, 1797-1858. Yui, woodblock print, ink andcolor on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref364
box 10 folder 5
Andō, Hiroshige, 1797-1858. Okitsu, woodblock print, inkand color on paper
box 9 folder 11
Andō, Hiroshige, 1797-1858. Ejiri, woodblock print, ink andcolor on paper
box 9 folder 12
Andō, Hiroshige, 1797-1858. Fuchu, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref367
box 10 folder 6
Andō, Hiroshige, 1797-1858. Okabe, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref368
box 10 folder 7
Andō, Hiroshige, 1797-1858. Fujieda, woodblock print, inkand color on paper
box 9 folder 13
Andō, Hiroshige, 1797-1858. Shimada, woodblock print,ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref370
box 10 folder 8
Andō, Hiroshige, 1797-1858. Kanaya, woodblock print, inkand color on paper
box 9 folder 14
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Andō, Hiroshige, 1797-1858. Nissaka, woodblock print, inkand color on paper
box 9 folder 15
Andō, Hiroshige, 1797-1858. Kakegawa, woodblock print,ink and color on paper
box 9 folder 16
Andō, Hiroshige, 1797-1858. Mitsuke, woodblock print, inkand color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref375
box 10 folder 9
Andō, Hiroshige, 1797-1858. Hamamatsu, woodblockprint, ink and color on paper
box 9 folder 17
Andō, Hiroshige, 1797-1858. Maisaka, woodblock print,ink and color on paper
box 9 folder 18
Andō, Hiroshige, 1797-1858. Shirasuka, woodblock print,ink and color on paper
box 9 folder 19
Andō, Hiroshige, 1797-1858. Futagawa, woodblock print,ink and color on paper
box 9 folder 20
Andō, Hiroshige, 1797-1858. Yoshida, woodblock print, inkand color on paper
box 9 folder 21
Andō, Hiroshige, 1797-1858. Goyu, woodblock print, inkand color on paper
box 9 folder 22
Andō, Hiroshige, 1797-1858. Akasaka, woodblock print,ink and color on paper
box 9 folder 23
Andō, Hiroshige, 1797-1858. Fujikawa, woodblock print,ink and color on paper
box 9 folder 24
Andō, Hiroshige, 1797-1858. Okazaki, woodblock print, inkand color on paper
box 9 folder 25
Andō, Hiroshige, 1797-1858. Chiriu, woodblock print, inkand color on paper
box 9 folder 26
Andō, Hiroshige, 1797-1858. Kuwana, woodblock print, inkand color on paper
box 9 folder 27
Andō, Hiroshige, 1797-1858. Yokkaichi, woodblock print,ink and color on paper
box 9 folder 28
Andō, Hiroshige, 1797-1858. Ishiyakushi, woodblock print,ink and color on paper
box 9 folder 29
Andō, Hiroshige, 1797-1858. Shono, woodblock print, inkand color on paper
box 9 folder 30
Andō, Hiroshige, 1797-1858. Kameyama, woodblock print,ink and color on paper
box 9 folder 31
Andō, Hiroshige, 1797-1858. Seki, woodblock print, inkand color on paper
box 9 folder 32
Japanese Prints Collection MS.2013.043
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Andō, Hiroshige, 1797-1858. Tsuchiyama, woodblockprint, ink and color on paperLink to digital version: http://hdl.handle.net/2345.2/MS2013_043_ref426
box 10 folder 10
Andō, Hiroshige, 1797-1858. Kusatsu, woodblock print, inkand color on paper
box 9 folder 33
Andō, Hiroshige, 1797-1858. Otsu, woodblock print, inkand color on paper
box 9 folder 34
Andō, Hiroshige, 1797-1858. Kyoto: The Great Bridge atSanjo, woodblock print, ink and color on paper
box 9 folder 35
Andō, Hiroshige, 1797-1858. Kyoto: The Imperial Palace,woodblock print, ink and color on paper
box 9 folder 36
Kitagawa, Utamaro, 1753?-1806. Set of eight unidentifiedprints
box 11 folder 1-8
Japanese Prints Collection MS.2013.043
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