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Musical Instrumentation©
Jan Tro
NTNU – Acoustics
Jan Tro: Musikk og persepsjon i [email protected] ITovation 2009
ITovation 2009 Musical Instrumentation
Jan Tro: Musikk og persepsjon i [email protected]
Instrumentation
ITovation 2009 Musical Instrumentation
Jan Tro: Musikk og persepsjon i [email protected]
Instrumentation
ITovation 2009 Musical Instrumentation
Jan Tro: Musikk og persepsjon i [email protected]
ConGAS (Gesture Controlled Audio Systems) emphasizes the human
gesture leading to a well controlled sound or other musical events.
EU COST action 287 (2003-2007) with 16 participating countries.
Main topics:
Analysis and modelling (Working Group 1) including gesture control,
intention/emotion detection and mapping strategies
Interaction technologies (Working Group 2) including sensors, computer interfaces, feedback and movement tracking
Tro, Bjerkvik & Kristiansen:
Statistical Analyses and Numerical Simulation of
Flute Tone Excitation.
A
τi
ITovation 2009 Musical Instrumentation
Flute excitation, key action, ambient music
Musikk og persepsjon i ARC
Jan Tro: Musikk og persepsjon i ARC
On the search for micro qualities in music performances.
Introduction to methodology and procedures for data
acquisition and analyses of solo performances.
Experiments and experience in performology.
Interdisciplinary research:
Performology:
The science of instrument
excitation and control
Composer
Performer
Instrument
Room
Audience
ITovation 2009 Musical Instrumentation
Tarabella’s Imaginary Piano
start
read RONxx
ok?
ok?
ok? ok?
check file
find end chords
set split point s save ENDxx
save PhRxxsave PhLxx
new s?
new file?
stop
splitfile
Lxx (s)
find PhLxx find PhRxx
Y
N
Y
N
Y
N
Y
N
Y
N
N
Y
Data acquisition method and procedure
ITovation 2009 Musical Instrumentation
Hammer speed vs. MIDI Key Velocity
0
20
40
60
80
100
120
0 0,5 1 1,5 2 2,5 3 3,5
Hammer speed (m/s)
MID
I K
ey
Ve
loc
ity
ITovation 2009 Musical Instrumentation
Key Velocity contour, right hand phrase.
40
50
60
70
80
90
Key V
el +std
avg
-std
ref
ITovation 2009 Musical Instrumentation
ITovation 2009 Musical Instrumentation
Jan Tro: Musikk og persepsjon i [email protected]
Why?
- The curious person
- Scientist, new knowledge (interface), data for modeling, analysis by synthesis
- Lecturer teaching music or acoustics
- Electrical engineer in telecommunication, data for modeling
- Musician, transmission of “messages”(including emotion?)
- Composer, transmission of intention
- patents and new gadgets
ITovation 2009 Musical Instrumentation
Jan Tro: Musikk og persepsjon i [email protected]
Link music perception and experience toperformer’s action and sound control.
Conclusion:
Let the artists into the laboratories!
Goal: