12
Musical Instrumentation© Jan Tro NTNU – Acoustics [email protected] Jan Tro: Musikk og persepsjon i ARC. [email protected] ITovation 2009

Jan Tro - WordPress.com · 2009. 11. 11. · Jan Tro: Musikk og persepsjon i [email protected] ConGAS (Gesture Controlled Audio Systems) emphasizes the human gesture leading

  • Upload
    others

  • View
    3

  • Download
    0

Embed Size (px)

Citation preview

  • Musical Instrumentation©

    Jan Tro

    NTNU – Acoustics

    [email protected]

    Jan Tro: Musikk og persepsjon i [email protected] ITovation 2009

  • ITovation 2009 Musical Instrumentation

    Jan Tro: Musikk og persepsjon i [email protected]

    Instrumentation

  • ITovation 2009 Musical Instrumentation

    Jan Tro: Musikk og persepsjon i [email protected]

    Instrumentation

  • ITovation 2009 Musical Instrumentation

    Jan Tro: Musikk og persepsjon i [email protected]

    ConGAS (Gesture Controlled Audio Systems) emphasizes the human

    gesture leading to a well controlled sound or other musical events.

    EU COST action 287 (2003-2007) with 16 participating countries.

    Main topics:

    Analysis and modelling (Working Group 1) including gesture control,

    intention/emotion detection and mapping strategies

    Interaction technologies (Working Group 2) including sensors, computer interfaces, feedback and movement tracking

  • Tro, Bjerkvik & Kristiansen:

    Statistical Analyses and Numerical Simulation of

    Flute Tone Excitation.

    A

    τi

    ITovation 2009 Musical Instrumentation

  • Flute excitation, key action, ambient music

    Musikk og persepsjon i ARC

    Jan Tro: Musikk og persepsjon i ARC

  • On the search for micro qualities in music performances.

    Introduction to methodology and procedures for data

    acquisition and analyses of solo performances.

    Experiments and experience in performology.

    Interdisciplinary research:

    Performology:

    The science of instrument

    excitation and control

    Composer

    Performer

    Instrument

    Room

    Audience

    ITovation 2009 Musical Instrumentation

    [email protected]

    Tarabella’s Imaginary Piano

  • start

    read RONxx

    ok?

    ok?

    ok? ok?

    check file

    find end chords

    set split point s save ENDxx

    save PhRxxsave PhLxx

    new s?

    new file?

    stop

    splitfile

    Lxx (s)

    find PhLxx find PhRxx

    Y

    N

    Y

    N

    Y

    N

    Y

    N

    Y

    N

    N

    Y

    Data acquisition method and procedure

    ITovation 2009 Musical Instrumentation

    [email protected]

  • Hammer speed vs. MIDI Key Velocity

    0

    20

    40

    60

    80

    100

    120

    0 0,5 1 1,5 2 2,5 3 3,5

    Hammer speed (m/s)

    MID

    I K

    ey

    Ve

    loc

    ity

    ITovation 2009 Musical Instrumentation

    [email protected]

  • Key Velocity contour, right hand phrase.

    40

    50

    60

    70

    80

    90

    Key V

    el +std

    avg

    -std

    ref

    ITovation 2009 Musical Instrumentation

    [email protected]

  • ITovation 2009 Musical Instrumentation

    Jan Tro: Musikk og persepsjon i [email protected]

    Why?

    - The curious person

    - Scientist, new knowledge (interface), data for modeling, analysis by synthesis

    - Lecturer teaching music or acoustics

    - Electrical engineer in telecommunication, data for modeling

    - Musician, transmission of “messages”(including emotion?)

    - Composer, transmission of intention

    - patents and new gadgets

  • ITovation 2009 Musical Instrumentation

    Jan Tro: Musikk og persepsjon i [email protected]

    Link music perception and experience toperformer’s action and sound control.

    Conclusion:

    Let the artists into the laboratories!

    Goal: