THE producers of a Broadway adaptation of Harper Lee’s “To Kill a Mockingbird” on Monday sued the author’s estate saying the premiere cannot go ahead as scheduled and the production may have to be scrapped entirely unless a legal dispute is settled soon.

“To Kill a Mockingbird” is set to offi cially open Dec. 13 with previews beginning Nov. 1 in New York. But a representative of Lee’s estate sued last month claiming Oscar-winning writer Aaron Sorkin’s script devi-ates too much from the beloved 1960 novel about race relations in the Depression-era U.S. South.

The lawsuit “has rendered it impossible for the play to premiere as scheduled in December 2018, and unless this dispute is resolved in the immediate future, the play will be canceled,” the court docu-ments fi led in U.S. District Court in Manhattan said.

Rudin’s countersuit accuses Lee estate representative, Tonja Carter, of not raising objections to the script until six months after it was submit-ted to Lee’s literary agent in August 2017.

It also asks for damages of no less than US$10 million and says Carter’s lawsuit has “rendered it impossible” to raise the millions in funds it says it needs before the play opens.

Carter did not immediately respond to messages seeking com-ment.

In her March lawsuit, Carter alleges Sorkin, the creator of Emmy-winning TV series “The West Wing,” added two characters to the script and that he told trade magazine Playbill that the book as written “doesn’t work at all” as a play.

The script also “did not present a fair depiction of 1930s small-town Alabama” by tying it to today’s social climate and portrayed protagonist Atticus Finch as initially naive to racism, according to the lawsuit.

In response, Rudinplay argues the play is defi ned by its live stage production and not its script.

It offered to perform its adaptation at the courthouse with full cast that stars Jeff Daniels as Finch so a judge could determine if the play departed from the spirit of the novel.

Rudin, who paid US$150,000 for the stage rights to the novel, is a major Broadway and Hollywood producer, having won an Oscar and multiple Tony Awards.

Lee died in 2016 at age 89.“To Kill a Mockingbird” was met

with high praise on its publication, winning the Pulitzer Prize and earn-ing Gregory Peck an Academy Award for best actor in an acclaimed 1962 screen adaptation. (SD-Agencies)

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Thursday April 19, 2018 16 x ENTERTAINMENT

JESSIE J has won a singing competition in China.

The singer used to be a judge on “The Voice UK,” and is the star behind hits including “Price Tag” and “Domino.”

But now she’s won China’s “Singer” after being the fi rst U.K. performer to appear on the show.

The singer won the contest — which involves professional singers competing against each other — with 48 percent of the vote.

She sang some of her own hits, such as “Flashlight” and “Domino,” as well as cover tracks including Whitney Houston’s version of “I Will Always Love You.”

Jessie J wins China singing talent show contest“Thank you China for giving me this

moment,” Jessie said. “‘I Will Always Love You’ is the song that made me want to be singer when I was four years old,” she added.

She also explained why she had taken part. “I said yes because I LOVE to do the unexpected and I LOVE to represent the U.K. and singing everywhere I go. I LOVE to sing. But also it was an opportunity to bridge a gap between two cultures.

“China is an amazing place and so dif-ferent to anywhere I have ever been. I have never been made to feel more welcomed and loved as I have done here.”

She added that 1 billion people had watched the show. (SD-Agencies)

Broadway’s ‘To Kill a Mockingbird’ may be scrapped in legal fl ap

JACK WHITE, Nick Cave and Jamie Cullum join Massive Attack and punk icon Iggy Pop at the 52nd edition of the Montreux Jazz Festival this July, where the eclectic line-up also includes hip hop and electronic music, the organizers said Tuesday.

“I’ve been waiting a long time to have Nick Cave in the Stravinski (Auditorium). His music is so in touch with the acoustics of that hall. His universe is fascinating, with softness and musicality,” festival director Mathieu Jaton told Reuters after announcing the line-up.

Snagging Jack White, who plays July 10, is “very rare,” Jaton said. “There’s great anticipation since his last album. It’s his fi rst time solo in Montreux. He previously came with Dead Weather and The Raconteurs.”

“Jack White is the passion of sound. He records everything in analog, still records on vinyl. These music freaks are so attached to the quality of the music and of the performance.”

Montreux programers, whose annual budget is 28 million Swiss francs (US$28.9 million), like to pair up artists for unique shows.

“The goal is to create an experience that

puts artists together. That is our passion in the programing,” Jaton said.

“Nine Inch Nails has never been to Montreux before. What’s great again is this billing with Gary Numan and Nine Inch Nails who have collaborated. They have mutual respect for each other’s music.”

Van Morrison and Steve Winwood play back-to-back July 11, while Young Fathers and Massive Attack play July 2.

Aloe Blacc will open for Zucchero. “American soul with an Italian soul crooner, that creates something inter-esting,” Jaton said.

Alice Cooper, Joe Perry and actor Johnny Depp team up as Hollywood

Vampires on July 5.The Montreux Jazz Club is moving to

the Petit Palais, to be known as House of Jazz, but still an intimate setting with small tables.

“We’ll have 600 places, doubling our capacity. There was so much demand. Stanley Clarke, Brad Mehldau, Chick Corea and N.E.R.D., all the big names will be there,” Jaton said.

American Grammy-winning pianist Robert Glasper and his band R+R=NOW perform there July 8 at a special show featuring former Montreux co-direc-tor Quincy Jones, he said. “An evening that really touches me, with beautiful surprises and a jam.” (SD-Agencies)

Jack White, Nick Cave, N.E.R.D. booked at

Montreux jazz festival

Jack White (L) and Nick Cave.

N.E.R.D.

The script of Broadway version of “To Kill a Mockingbird” is written by Aaron Sorkin.

File photosJeesie J