Issue 2 Inside Africa

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  • 7/29/2019 Issue 2 Inside Africa...

    1/191 | CHAPTER | PHOTOGRAPHY JOURNAL | OCTOBER 2009

    CHAPTERIssue 2, October 20

    The edition from Africa

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    An identiable period in the history or developement of something

    03 SummaryandContents

    04 EditorsNote

    05 CoverStory

    FreedomPark,MitchellsPlain:

    whatadifferencedesignmakes

    to fami lieson theCape F la ts

    18 Out o fAf rica

    MomentsfromtheContinent

    20 Locusofcontrol

    Theperceptionofhowmuch control wehavei s

    t he open endedq ue st io nwe

    a sk w it hi nt hi sp ho to essa y

    31 Inter-Face

    Thesurface,place,or where two t hi ngs touch

    o ther o rmeet . Encar ta

    34 Sangoma

    Traditionalhealersjointh againstTB

    The African Edition.In the second Issue of CHAPTER we visit the Cape Flats, revisit some of its history and look at a design project that has made a big difference

    ten families in the Freedom Park informal settlement. Out of Africa looks at the Raghmania Primary School Choir in District 6 . We start a journey

    the next few issues when we look at the Locus of Control. In an attempt to climb out, so that we can look at the shape of the box we need to th

    apply the construct of internal vs. external Locus of control to contemporary society to explore the perceptions of control. Again we look into the

    through her people in Inter-Face and nally end with a snapshot of an essential functional relationship between modern medicine and traditiona

    ght against MDR (Multi Drug Resistant )TB.

    TheBigpicture,

    one

    personatatime.

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    torsnote.

    mustsoonbecomeclearthatsome-

    erealongtheline,whatwethought

    nrequired(bysurveyingourprevi-

    sunderstandingandtheconcomi-

    teducationalnancialandpolitical

    wsthatleadtohisoptimumdevel-

    ment),andwh athe actuallyneeds

    asocialorganismdiffersvastlyifwe

    callyassessourcurrentstateasa

    eciesinthecontextoftheenviron-

    ntweinhabit,theenvironmentthat

    ourlifesupportsystem.

    rhapswecouldtaketheutilityofour

    guageandpointitatsomethingdif-

    ent?

    eIntra-politicsofHumanExperience

    dthe transactions of perceptual

    angeinaMeaningsBasedEcono-

    forexample,wouldputCourtesy

    a notionandbehaviourbackinto

    placeasalearningoutcomeinthe

    ekingofknowledge.

    naturethereis atendencyamong

    ngorganismstoshowintentionality,

    opism,oraturningtowardsome-

    ng,liketheclichdmothsfatalat-

    ctiontotheopenameofacandle

    ichitmistakesforthelightof the

    on, orthe movementof algae in

    ondtoareasofhigherlightinten-

    yforincreasedphotosynthesis.As

    peciesweareenmeshedintothis

    uralorder, andthus musttoobe

    bjecttoaTropism.

    s raises the obvious question:

    hatisitinournaturalbeingthatwe

    nto?

    e Locus of Control is a construct

    mthe eldofpsychologythatas-

    ssestheattributionof responsibil-

    toeventsinapersonslifeasbeing

    hin(internal)oroutsidetherecontrol

    ternallocusofcontrol).Whatweas

    ocietydoandthedegreeofcontrol

    perceivemayholdfurthercluesas

    whatitisweneedtobeturningto,

    weknowbydeductivelogicwhatit

    weneedtoturnawayfrom.Thisisa

    rtingpoint.eadventureofnewpossibilitiesisa

    ndone.

    ouldliketoformallyextendaninvita-

    ntoyoutoparticipateinthegrowth

    CHAPTER.Ilookforwardtoreceiv-

    feedback and more importantly

    dforward.

    aceandBlessings.

    sserBooley

    Freedo

    mP

    ark,

    MitchellsPlain,

    CapeFlats,SouthAfrica

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    A boy sits eating his orange in the sunshine.

    He is oblivious to the all pervasive sand that

    brands the Cape ats bastard child of the

    Apartheid regime.

    Returning home,3 generations, each

    one a step further away from a shameful

    legacy, walking towards a different future.

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    can be no talk of Mitchells Plain without

    ning District 6, the institutional destruc-

    his once vibrant residential district, and the

    emoval of 60,000 people by the Apartheid

    ment during the 60s and 70s.

    eat Scheme was to keep the cities for t he

    and put all the non-whites on the outskirts

    h African cities, from where t he non-whites

    still access the cities as the labour force.

    oup Areas Act was the legislation used to

    tely uproot generations and exile them to

    dy wastes of the Cape Flats, where to this

    architecture of restricted access, divisionernal displacement still functions.

    en was the birth of the non-white residential

    xes spread across the ats, like Mitchells

    Built in the 70s to house the victims of

    removals this mega-township now houses

    on people according to the City of Cape

    Municipality.

    Mitchells Plain has more than its fair share

    sterism, crime and drugs, yet at the same

    asts one of the biggest shopping malls in

    Africa. The unemployment rate exceeds

    d HIV infection rate is higher t han 35%.

    y easy to see how one could be left with

    ive impression when faced with such sta-

    tistics, which indicate all the right conditions for a

    thriving gang and drug culture, let alone crime.

    Enter Freedom Park, enter Design Indaba, enter

    the 10X10 project. On the 27 April in 1998, an

    overgrown eld infamous for drug and gang related

    activities was occupied by the rst informal settlers

    of Freedom Park. The occupation was motivated

    by the need for housing as the existing conditions

    were overcrowded expensive and unhealthy.

    The City proceeded to take legal action against the

    informal settlers, but they rallied themselves into an

    organisation and sought legal aid.

    In 2003 the City of Cape Town included the Free-

    dom Park community in a broader housing devel-opment in which 1800 houses were to be built

    on 4 sites in Mitchells Plain, 493 of which were to

    accommodate the 280 families residing in Free-

    dom Park already and another 213 families on the

    Cities waiting list.

    Design Indaba, a design organisation based in

    South Africa have been committed over the last

    15 years to a vision based on the premise that

    creativity will fuel an economic revolution in South

    Africa.

    Besides the agship conference and expo, De-

    sign Indaba has expanded into a multi-tiered ex-

    perience that incorporates other events, media,

    education, training and business development

    Encapsulating the best design in a unique project

    setting, spin off projects were launched to cele-

    brate the 10th anniversary of Design Indaba, one

    of them being the Design Indaba 10X10 Housing

    Project.

    The 10X10 housing project challenged 10 archi-

    tectural teams to change the perception that low

    cost housing falls outside the ambit of design.

    The objective was to come up with affordable,

    innovative responses to the very pressing issue

    of low-income urban housing. Sustainable, en-

    ergy-efcient design, construction and operation

    principles were to be incorporated. Experiences

    and outputs were to be compiled and ultimatelypresented to the Minister of Housing as an open

    source manual, a contribution to the public pool

    of knowledge available to all those interested in

    the design or construction of low-cost housing on

    a completely pro-bono basis. Thus,through col-

    laboration with the Freedom Park Development

    Association, Development Action Group and the

    Niall Mellon Township Trust, Design Indaba 10X10

    Housing project was allocated 10 adjacent plots

    where a winning design would eventually be built.

    Design Indaba undertook to give the houses to 10

    Freedom Park families for free, so it was important

    that the beneciaries were selected in an equitable

    way. A lucky draw of all the families interested in

    Marco and their dog in front

    r previous home.

    Mary and Marcos ca

    of many pets they ha

    ing with them in the

    During the wet Cap

    winters the rain com

    the shack and pours

    the wall next to

    bed.

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    Mary Lackay.

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    ating in this experimental project was done

    June 2007.

    a Mpahlwa of MMA Architects (Cape

    won the design element of the project. The

    onsiderations of the project was time, cost

    ommunity involvement, which Mpahlwas

    constructed of sand bags, took into con-

    on.

    ouses were constructed using EcoBuild

    ogy, identied by MMA Architects as the

    ption for sustainability in design. Wooden

    lled with sand bags, covered by chicken

    d then cement are the basic units that con-

    he walls of the houses. The thermal sta-ered by this construction method is ideally

    or the hot and the cold of the Cape Town

    ackey and Olga Jonker are two of the recip-

    the Design Indaba 10X10 Housing Project

    a single mother raising her only son, 11

    d Marco. She is unemployed, leaving home

    ay to search for casual work to put food on

    e. It is not uncommon to nd many families

    dom Park living on less than a dollar a day.

    Design Indaba interview she continues to

    about the built in cupboards that would a

    part o her dream house. Marco wants a desk in

    his own room where he could do his homework,

    and a bath so that he can take a warm bath inside

    the bathroom that his old home never had. Mary

    would like to have a railing going up along the stair-

    case because Marco does not see too well. She

    mentions that she is security conscious, and with

    good reason as the area has a very high crime

    rate. In the new house the dogs will stay outside

    in the yard, there will be no messing in the new

    house,she says.

    Olga and Hans Jonker were thrilled that they would

    be receiving a house for their family of 6 children.

    Together they have been living on the eld for 9years. Olga is excited at the prospect of the chil-

    dren having their own privacy, especially since they

    are getting older and require their own space.

    The construction technique lends itself to commu-

    nity involvement, which was constant. The various

    families all helped ll the sand bags required for the

    construction, as well as the actual placing of the

    sandbags.

    The woodenF ramecontains the sand bags

    andeventuallyshapesthewallsofthehouse.

    The Jonker and the Mackay families were the rst

    to move into their new homes earlier this year. A

    testament t o the dedication and effort of all the

    various organisations, associations and sponsors

    that prove that a better future by design is a pos-sibility. It also demonstrates the incredible capacity

    we can access when we work together.

    Olga Jonkers with 2 of her 6

    children outside their previous

    home.

    Compacting of the sand

    into the wooden frames.

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    The families who participated in the process h

    portunity to build their own houses from the grou

    skilled labour was then called in to apply the nis

    es. Because of the simplicity of the technique,

    require much skilled labour in the early stages, w

    reduces cost and increases the viability of this

    use throughout Cape Town and South Africa.

    Photo: Rosemary Lombard

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    Hans and Olga stand proudly with

    their youngest in front their new

    home.

    Mary Lackay and Moerida Pillay

    watch as the nal touches are add-

    ed to the homes they helped build

    for themselves.

    Photo: Rosemary Lombard

    Photo: Rosemary Lombard

    Photo: Rosemary Lom

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    Out of Africa

    Raghmania Primary School choir,District 6.About 33 years after the forced removals tha

    place in District 6,the school choir from th

    primary school sing for the then president N

    Mandela at a ceremony where he handed o

    keys to new houses built for the elders of Dis

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    The Locus of Control

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    Plein str. one of the busier streets in down town

    Cape Town. Not for the mundane.

    The edge of a township in Cape Town,

    named after anti apartheid activist and

    one of the founders of the armerd wing

    of the ANC, Joe Slovo.

    A eld u nder an elctricity Pylon has be-

    come the temporary home for hundreds

    of families left homeless by a re that rav-

    ished the shack land that was their previ-

    ous home.Power to the people.

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    Voortrekker Road, Cape Town.

    Bergie, or homeless person with the trophi

    mounted on his mobile home. Some of the

    bergies actually opt out of the expectations

    civilised society by choice, many have no choic

    They also have no mortage payements,no ta

    es, no bank statements and no bills to conten

    with.

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    City+Prot = Inhabitants Out

    Grunau, Zurich .Where we liive, where we can

    to live, where we are not allowed to live.Gentr

    is the phenomenon where communities occupy

    area are forced out of that area due to the incre

    the market value of their homes. When the Ap

    government did it it was clearly wrong, is it acce

    to us because property economics and nanc

    are responsible?

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    Joe Slovo,Cape Town.

    Children cheerfully play by the damage caused by

    the re.

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    Marius Dyers,

    School teacher in the Cape Flats with a voice

    for opera and a erce dress sense.

    Vilancoulos, Mozambique.

    Are we deprived by our own ex-

    pectations of all the possibilities

    that modern life has to offer?

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    Oegtie

    The only surviving sister

    of my grandfather.

    Kaashief Booley,

    Artist, Blacksmith, Dreamer.

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    Sangoma,Worcester, Western Cape.

    With the rise of Multi Drug Resistant Tuberculosis the DOTS (Directly Observed Treatment Strategy) is becoming increasingly crucial in the

    against this curable killer. Due to the expenses involved in traveling to clinics and hospitals for treatment, the Health Department has enlist

    aid of respected members of the community to oversee the treatment on a daily basis. This Sangoma ( Traditional Healer ) invited me to

    the consultation area in his shack. The shelves are lined with jars of Muti ( traditional medicines) and as he lights his pipe the hairs on t

    of my neck stand upright. He never said what he was doing, though I always felt it to be a greeting of t he Ancestors.

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    he above image is a photograph of the hands of a man called Solomon.He was someone who I met on the streets of Cape Town selling cheap

    uperglue for a living. He used to belong to a prison gang, he is now no longer a young man, After his wife died, he became the sole provider for his

    hildren.

    Holding on to what is important in our lives is an individual challenge that we all face. Enduring, persevering and keeping on are qualities we cannot do

    without. The magazine you hold in your hand was a test in endurance. A holding on, to the original purpose. Documenting, and tellling peoples stories,

    he ones I believe need to be heard. The ones that make us reect upon our common humanity.you would like to buy an original image in this magazine please contact Y.booley at [email protected].

    www.yasserbooley.wordpress.com