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Introduction “...the Shorin-ryu (Shorin ‘school’) is very light and quick, with rapid motions to the front and back, which may be likened to the swift flight of the falcon.” - Karate-Do Kyohan, Gichin Funakoshi, p.8 The Pinan kata, “forms of safety”, are a series of five forms from the Shorin-ryu (Shuri-te) School of Okinawa Karate-do, which was known for its speed and agility. Created by Grandmaster Yasutsune “Anko” Itosu and later popularized by his student Gichin Funakoshi, the Pinan kata are known in the Shotokan style as Heian- no-kata. They incorporate a wide variety of stances and techniques designed to develop your mind and strengthen your body. The Pinan katas are often thought of as training methods for beginners or children and are hence undervalued by more experienced karateka. The main reason for the katas being viewed this way is the fact that they were first established at the time Itosu was introducing Karate to the Okinawan schools. Some say that the Pinans are mealy watered down versions of the advanced kata and were developed solely for children. If this were the case then why did Itosu also teach the Pinans to his adult students? It is far more likely that Itosu had developed the Pinans over a period of time and meant for them to be a synthesis of the best methods being practised in the Shuri region. When karate was introduced to the Okinawan schools the Pinans would be the natural choice because they are relatively short. This is probably the only reason they were selected and has nothing to do with the effectiveness of techniques contained within them. The main difference between the adults and children's training would simply be a matter of approach, as opposed to any change in subject matter. As mentioned earlier, the children would be taught the katas as 'block and punch' whereas the adults would receive instruction in all the methods contained within the katas including throws, chokes, strangles, joint locks, hair pulling, gouging methods etc. One of the problems with karate today is that it is the children's applications that are most commonly practiced. This has lead to the majority of karateka practicing the art as a rather limited striking system as opposed to the complete fighting system it was intended to be. Pinan 4 represents the “Air” with its opening series big arms and open hands, followed later in the kata by similar bold backhand blocks accompanied with high kicks. Like the wind, you strike from all angles and all directions, but cannot yourself be struck in return.

Introduction - Most Established Martial Arts, Karate

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Introduction “...theShorin-ryu(Shorin‘school’)isverylightandquick,withrapid motionstothefrontandback,whichmaybelikenedtotheswiftflight ofthefalcon.” -Karate-DoKyohan,GichinFunakoshi,p.8ThePinankata,“formsofsafety”,areaseriesoffiveformsfromtheShorin-ryu(Shuri-te)SchoolofOkinawaKarate-do,whichwasknownforitsspeedandagility.CreatedbyGrandmasterYasutsune“Anko”ItosuandlaterpopularizedbyhisstudentGichinFunakoshi,thePinankataareknownintheShotokanstyleasHeian-no-kata.Theyincorporateawidevarietyofstancesandtechniquesdesignedtodevelopyourmindandstrengthenyourbody.ThePinankatasareoftenthoughtofastrainingmethodsforbeginnersorchildrenandarehenceundervaluedbymoreexperiencedkarateka.ThemainreasonforthekatasbeingviewedthiswayisthefactthattheywerefirstestablishedatthetimeItosuwasintroducingKaratetotheOkinawanschools.SomesaythatthePinansaremealywatereddownversionsoftheadvancedkataandweredevelopedsolelyforchildren.IfthiswerethecasethenwhydidItosualsoteachthePinanstohisadultstudents?ItisfarmorelikelythatItosuhaddevelopedthePinansoveraperiodoftimeandmeantforthemtobeasynthesisofthebestmethodsbeingpractisedintheShuriregion.WhenkaratewasintroducedtotheOkinawanschoolsthePinanswouldbethenaturalchoicebecausetheyarerelativelyshort.Thisisprobablytheonlyreasontheywereselectedandhasnothingtodowiththeeffectivenessoftechniquescontainedwithinthem.Themaindifferencebetweentheadultsandchildren'strainingwouldsimplybeamatterofapproach,asopposedtoanychangeinsubjectmatter.Asmentionedearlier,thechildrenwouldbetaughtthekatasas'blockandpunch'whereastheadultswouldreceiveinstructioninallthemethodscontainedwithinthekatasincludingthrows,chokes,strangles,jointlocks,hairpulling,gougingmethodsetc.Oneoftheproblemswithkaratetodayisthatitisthechildren'sapplicationsthataremostcommonlypracticed.Thishasleadtothemajorityofkaratekapracticingtheartasaratherlimitedstrikingsystemasopposedtothecompletefightingsystemitwasintendedtobe.Pinan4representsthe“Air”withitsopeningseriesbigarmsandopenhands,followedlaterinthekatabysimilarboldbackhandblocksaccompaniedwithhighkicks.Likethewind,youstrikefromallanglesandalldirections,butcannotyourselfbestruckinreturn.

Pinan4

Stance ActionNaturalstanceAttentionstance BowNaturalstance1.Turn90°leftLBS(west) Bothhandsstartfromrighthip(palms up),thenpalmsdown(west),thenleft verticalbackhandblock,rightattemple2.Shift180°right,RBS(east) Bothhandsstartfromlefthip(palms up),thenpalmsdown(east),thenright verticalbackhandblock,leftattemple3.Turn90°left,LFS(north) LeftlowerXblock4.AdvanceRBS Rightreinforcedmiddleblock5.Leftkickingstance(north) Leftsidekickandleftbackfiststrike6.Turn90°left,LDS(west) Lefthorizontalbackhandblock7.ShiftLFS Rightroundhouseelbowintoleftpalm8.Rightkickingstance(north) Rightsidekickandrightbackfiststrike9.Turn90°right,RDS(east) Righthorizontalbackhandblock10.ShiftRFS Leftroundhouseelbowintorightpalm11.Moverightfootinto Leftlowerinnerchop,righthandrightlungestance(east) abovetemple(palmout)12.Shift180°left,leftlungestance Rightdiagonalchop,lefthandabove (facingwest,lookingnorth) lefttemple(palmout)13.Rightkickingstance(north) Holdhandposition,rightfrontsnapkick14.JumpintorightXstance(north) Leftdownwardforearmblockandright reinforcedverticalbackfiststrikeKIAI15.Turn225°left,LCS(southeast) Crosswristsinfrontofchest(palmsin)AdvanceLFS Wedgeblock16.Rightkickingstance Fiststorighthip,rightfrontsnapkick17.AdvanceRFS Rightlungepunch18.MaintainRFS Leftreversepunch19.Turn90°right,RCS(southwest) Crosswristsinfrontofchest(palmsin)AdvanceRFS Wedgeblock20.Leftkickingstance Fiststolefthip,leftfrontsnapkick21.AdvanceLFS Leftlungepunch22.MaintainLFS Rightreversepunch23.Turn45°left,LBS(south) Leftreinforcedmiddleblock24.AdvanceRBS Rightreinforcedmiddleblock25.AdvanceLBS Leftreinforcedmiddleblock26.ShiftLFS Arrowblock27.Rightkickingstance RightupwardkneestriketopalmsKIAI28.Turn180°leftintoLBS(north) Leftknifehandblock29.AdvanceRBS RightknifehandblockNaturalstance(north)Attentionstance BowNaturalstance

ApplicationsThefollowingsetofapplicationsisaslightlymodifiedversionofthesettaughtduringseminarsbyOSenseiDonginthemid-1990s.OSensei’splacedtheemphasisinhisPinan4applicationsonneckbreaks.Thisisnotthatset.Untilwephotographthatsetandupdatethefile,hereareasetofsolidapplicationsfromGennosukeHigaki’swonderfulbookHiddenKarate:TheTrueBunkaifortheHeianKatas.Series1:HighBlocktotheLeft(move1)Beginfromaguardedposition(1abelow).Astheopponentpuncheswithhislefthand,usearisingblockmotiontoblockandcatchhisattackwithyourrightarmasyousimultaneouslydeliveraleftpalmstriketotheface(1b).

Series2:HighBlocktotheRightandThrow(moves2to4)Theopponentattackswitharightpunch(2abelow).Usearisingblockmotiontoblockandcatchhisattackwithyourleftarmasyousimultaneouslydeliverarightpalmstriketotheface(2b).Grasptheopponent’srightelbowwithyourrighthand(3a)andthrowhimtotheground(3b).Ifyouareunabletothrowtheattacker,stepthrough(4a)andfollowupwitharightuppercuttothechin(4b).

Series3:SideKick,ElbowStrikeLeft(moves5to7)

Theopponentattackswitharightlungepunch(5abelow).Chamberyourleftleg(5b)anddeliveraleftsidethrustkickwhileblockingthepunchwithyourlefthand(6).Slideyourlefthandbehindtheopponent’shead(7a)andlandwitharightroundhouseelbowstrike(7b).

Series4:SideKick,ElbowStrikeRight(moves8to14)

Theopponentattackswithaleftlungepunch(8abelow).Chamberyourrightleg(8b)anddeliverarightsidethrustkickwhileblockingthepunchwithyourrighthand(9).Slideyourrighthandbehindtheopponent’shead(10a)andlandwithaleftroundhouseelbowstrike(10b).Useyourrighthandtohookbehindtheopponent’sneck,pulinghimdownandforward(11).Keepaholdoftheopponentwithyourlefthandwhileyoudeliverarightouterchoptotheopponent’sneck(12),deliverarightfrontsnapkick(13),andfinishwitharightuppercutpunch(14).

Series5:WedgeBlock,FrontKick,Punches(moves15to18)

Theopponentattackswithaleftpunch(15abelow).Parrythepunchwithyourrighthandintoyourleft(15b)andlockhisarmattheelbow(15c).Followupwitharightfrontsnapkick(16),arightlunchpunch(17),andaleftreversepunch(18).

Series6:WedgeBlock,FrontKick,Punches(moves19to22)

Theopponentattackswithaleftpunch(19abelow).Parrythepunchwithyourrighthandintoyourleft(19b)andlockhisarmattheelbow(19c).Followupwitharightfrontsnapkick(20),arightlunchpunch(21),andaleftreversepunch(22).

Series7:ReinforcedBlock,KneeKick(moves23to27)

Theopponentattackswithaleftpunch(23abelow).Doubleblock,parryingtheopponent’spunchwithyourrighthand,hookingoverhiswristwhilesimultaneouslyattackingtheelbowjointwithyourlefthand(23b).Maintainyourgraspontheopponent’sarmwithyourlefthandasyouswitch-step,deliveringarightuppercutpunchtotheopponent’sjaw(24b).Grasptheopponentbytheshoulderswithbothhands(26)andpullhimintoarightupwardkneestrike(27).

Series8:Knifehandblocks(moves28to29)

Thefirstknifehandblock(move28)couldbeusedtorecycletheopponentfromseries7above,throwinghimtothegroundtoimpedetheprogressforthefinalopponentwhoattackswitharightpunch.Parrythepunchoveryourrightshoulderwithyourlefthand(29a)thendeliverarightknifehandstriketotheopponent’sneck(29b).Sweeptheopponent’srightfootwithyourrightheelasyoureturntonaturalstance,dumpinghimtothefloorinfrontofyou(30).

Newphotosandapplicationscomingsoon!