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INTERMEDIATE BAND, ORCHESTRA, AND PERCUSSION ENSEMBLE 2021-2022 Audition Requirements CJMEA 2021-2022 Intermediate Band, Orchestra, and Percussion Ensemble Audition Requirements Page 1 All auditions will consist of scales (30 points), solo (50 points), and sight reading (20 points). WIND/MALLET INSTRUMENTS- PART I: SCALES (30 POINTS) The following major and chromatic scales must be played in the correct rhythm from memory. Wind and Percussion Scale Requirements (All scales are in written pitch) Number indicates number of octaves. Ab Eb Bb F C G D A Chromatic Piccolo 2 2 1 2 1 2 2 1 Ab, 2 8va Flute 2 2 2 2 2 2 2 2 Bb, 2 8va Oboe 1 1 1 1 2 1 1 1 C, 2 8va Eb Clarinet 2 2 2 2 2 2 2 2 E, 3 8va Bb Clarinet 2 2 2 3 2 2 2 2 E, 3 8va Alto Clarinet 2 1 2 2 2 2 1 2 E, 2 8va Bass Clarinet 2 1 2 2 2 2 1 2 E, 2 8va Contrabass Clarinet 2 1 2 2 2 2 1 2 E, 2 8va Bassoon 1 2 2 2 2 1 2 1 Bb, 2 8va Alto Saxophone 1 2 2 2 2 1 2 1 C, 2 8va Tenor Saxophone 1 2 2 2 2 1 2 1 C, 2 8va Baritone Saxophone 1 2 2 2 2 1 2 1 C, 2 8va Cornet/Trumpet 1 1 1 1 1 2 1 1 G, 2 8va F Horn 1 1 1 2 1 1 1 1 F, 2 8va Baritone T.C. 1 1 1 1 1 2 1 1 G, 2 8va Baritone B.C. 1 1 1 2 1 1 1 1 F, 2 8va Trombone 1 1 1 2 1 1 1 1 F, 2 8va Bb Tuba 1 1 1 1 1 1 1 1 C, 1 8va Mallets 2 2 2 2 2 2 2 2 G, 2 8va All major scales should be played in the following rhythm and will be either tongued or slurred. All chromatic scales should be played slurred in even octaves as indicated below.

INTERMEDIATE BAND, ORCHESTRA, AND PERCUSSION ENSEMBLE

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Page 1: INTERMEDIATE BAND, ORCHESTRA, AND PERCUSSION ENSEMBLE

INTERMEDIATEBAND,ORCHESTRA,ANDPERCUSSIONENSEMBLE

2021-2022AuditionRequirements

CJMEA2021-2022IntermediateBand,Orchestra,andPercussionEnsembleAuditionRequirementsPage1

Allauditionswillconsistofscales(30points),solo(50points),andsightreading(20points).

WIND/MALLETINSTRUMENTS-PARTI:SCALES(30POINTS)

Thefollowingmajorandchromaticscalesmustbeplayedinthecorrectrhythmfrommemory.

WindandPercussionScaleRequirements(Allscalesareinwrittenpitch)Numberindicatesnumberofoctaves.

Ab Eb Bb F C G D A ChromaticPiccolo 2 2 1 2 1 2 2 1 Ab,28vaFlute 2 2 2 2 2 2 2 2 Bb,28vaOboe 1 1 1 1 2 1 1 1 C,28vaEbClarinet 2 2 2 2 2 2 2 2 E,38vaBbClarinet 2 2 2 3 2 2 2 2 E,38vaAltoClarinet 2 1 2 2 2 2 1 2 E,28vaBassClarinet 2 1 2 2 2 2 1 2 E,28vaContrabassClarinet 2 1 2 2 2 2 1 2 E,28vaBassoon 1 2 2 2 2 1 2 1 Bb,28vaAltoSaxophone 1 2 2 2 2 1 2 1 C,28vaTenorSaxophone 1 2 2 2 2 1 2 1 C,28vaBaritoneSaxophone 1 2 2 2 2 1 2 1 C,28vaCornet/Trumpet 1 1 1 1 1 2 1 1 G,28vaFHorn 1 1 1 2 1 1 1 1 F,28vaBaritoneT.C. 1 1 1 1 1 2 1 1 G,28vaBaritoneB.C. 1 1 1 2 1 1 1 1 F,28vaTrombone 1 1 1 2 1 1 1 1 F,28vaBbTuba 1 1 1 1 1 1 1 1 C,18vaMallets 2 2 2 2 2 2 2 2 G,28va

Allmajorscalesshouldbeplayedinthefollowingrhythmandwillbeeithertonguedorslurred.

Allchromaticscalesshouldbeplayedslurredinevenoctavesasindicatedbelow.

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WIND/MALLETINSTRUMENTS-PARTII:SOLOS(50POINTS)

WindandPercussionSoloRequirements(Pleasenotethatanycadenzasectionswillnotberequired)

Title Composer PublisherPiccolo/Flute Romance Brun/Voxman Rubank1Oboe Aria&Rondinella Handel/Voxman Rubank1Bb/EbClarinet Scherzoincminor Koepke/Voxman Rubank1Alto/ContraAltoClarinet

Sarabande&Bouree(fromtheBCLBook)

Bach/Hervig Rubank1

Bass/ContraBassClarinet

Sarabande&Bouree(fromtheBCLBook)

Bach/Hervig Rubank1

Bassoon #23Gavotte&#24WelshSong Hilling&Bergman Faber2AltoSaxophone RecitativeandAllegro Koepke/Voxman Rubank1TenorSaxophone PremiereEtudedeConcours Petit/Voxman Rubank1BaritoneSaxophone RecitativeandAllegro Koepke/Voxman Rubank1Cornet/Trumpet Andante&Allegro Clerisse/Voxman Rubank1FHorn Ballade Ostransky/Voxman Rubank1BaritoneBC(BaritoneTC:UseTrumpetBook)

Andante&Allegro(Bar.TCuseTrumpetbook)

Clerisse/Voxman Rubank1

Trombone Turquoise H.A.Vandercook Rubank3BbTuba TwoShortPieces Handel/Voxman Rubank1Mallets Sonata(forViolin)(P.10-11) Handel/McMillian Alfred5Percussion SeePage5-7

Bookandpublisherinformation:1-RubankConcert&ContestCollection2.-FirstBookofBassoonSolos,Hilling&Bergmann.FaberPublishing(Googleit,it’savailable)3-TromboneGems,H.A.Vandercook,RubankPublishing(HalLeonard)4-AuditionEtudesbyGarwoodWhaley(Meredith)5-MasterpiecesforMarimba,ArrangedbyThomasMcMillan

WIND/MALLETINSTRUMENTS-PARTIII:SIGHTREADING(20POINTS)

Ashortexcerptwillbeprovidedforallstudentstosightread.

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STRINGS-PARTI:SCALES(30POINTS)*

● Allscalesaretobememorized.Pleasenovibrato.Judges/AuditionChairwillselectwhichscale(s)is/aretobeplayed.

● Ametronometempowillbegivenbeforeeachscale.● Studentswillnotreceiveextrapointsforadditionaloctavesorafastertempo.● Donotrepeattonicwithinthescale.Repeatinghighestnoteisacceptable.

StringScaleRequirements

(Numberindicatesnumberofoctaves) Ab Eb Bb F C G D A EViolin 3 2 3 2 3 3 2 3 2Viola 2 3 2 3 3 2 3 2 3Cello 2 3 2 3 3 2 3 2 3Bass 2* 1* 1* 2* 1* 2* 1* 1* 2*

● Violin,Viola,andCelloscalesmustbeplayedinthefollowingmanner:

v SeparateBows:eachnotewillbeplayedasaquarternotewithquarternote=104mm.v SlurredBows:8notesslurredtoabow,as8thnotes,withthequarternote=104mm.

● Bassscalesmustbeplayedinthefollowingmanner:v SeparateBows:eachnotewillbeplayedasaquarternote,withthequarternote=84mm.v Slurred Bows: 4 notes slurred to a bow, as 8th notes, with the quarter note= 84mm.v *-No octave drop

STRINGS-PARTII:SOLO-(50POINTS)*

Pleasenotetheeditionbelow.Nocadenzasarerequired.

Inst. Title Composer Movements EditionViolin ConcertoinEminor Nardini FirstMovement InternationalViola SonatainAminor Telemann Third&Fourth

MovementsInternational

Cello Bourrée Squire All FischerBass Sonatina Beethoven All Schirmer (From Solos for

the Double Bass Player, edited by Zimmerman

PleasenotethatNJMEAAll-Stateusesthesamesolosandscales.AnychangeinAll-Statematerial

willaffecttheSTRINGsolosandscales.PleasecheckNJMEA.orgforupdates.

STRINGS-PARTIII:SIGHTREADING(20POINTS)

Ashortexcerptwillbeprovidedforallstudentstosight-read.

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MULTI-PERCUSSIONAUDITIONINFORMATION

BeAdvised–Multi-PercussionistsmustdoALLsolos,rudiments,andsightreadingonthispageatauditionincludingtimpani!!!

Solos:● AuditionEtudesbyGarwoodWhaley:PercussionSolo#7

o (ontambourine:allthumbrollsexceptthelastone);● TimpaniSolo#5

Rudiments:

● SnareRudiments:(PleaseseePage5)o LongRollo Flam

● TrapsRudiments:(PleaseseePage6)o Suspendedcymbalo BassDrum

● Timpanio Placethefirstpitchofthesoloonthebottomdrum.o Tunethesecondpitchofthesoloontheupperdrum.o Apitchpipecanbeusedforthefirstpitchonly.

SightReading

● SnareDrum

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