In the Realms of Music and ArtPrograms of the Week

SundayCarnegie Hall, 3 p. m. Concert b?¡

tho Philharmonic Society:5*Víi.»l-»ny 1» C minor, No. ». ...BeethovenTraO-eeca da Rlmlnl".T»chetko«-_.kyPrît* *ong. "Die Meistersinger" Good

Friday ôpell. "P«rstf_l."; Sound* ofshe Fore«.. "Siegfried": Ride of theValkyrie«. "Die Walkucre" .......WagnerAeoiian Hall, 3 p. m. Piano recital

by Alexander Silotí:Fa-ilesSa in C Miner .a); Gigue in B

t.a. (t>. Organ Choral Prelude: H?minor (Sianfoi, Prelude to CantataNo. 29 in D <&>.! 8. Bach

».«.diction da Dieu dan» la solitude(9): Au bord d'une source <b); IlPenetro so < b); St Francia Walkingon 'he Wav«-» (b).Liszt

Nocturne, C minor: E'.ud». F minor.No. 2»; Fantasie.Chopin

Etude. B major.Roger-DucaaseKaddltK-h, Hebrew melody (ai.... M. RavelFour Russian Folksong« tfor orches¬

tra- Op. M) <¦<).LladofTLegend »bout the birda <I danced with. mo*.uito)

Oadl« Song DanceLeegirska (Caucasian Dance (b)

A. Rubinstein

Town Hall, 3 p. m. Song recital byfJ-V.ilio de Qognrtt:Wher»'er Tou "Walk. .landetFleeítet Air de Thoas, from "Iphigenle«n Taurlde" . .C. Oluck

¦till* Thranen; Wenn ich in PeinenAugen sels': Mondnacht: Widmung

SchumannL« Fuit« de la Lune; Symphony In

¡Teltow; An Old Pong R*-»ungCharle» T. Griffe«

C<TÏnp!ainte de la glu.A. Chapul«Ma Mere Loi«.Carlos Pedrel!Roses du 8olr .Louis AubertTrois Poèmes (Pour Erik Sstie)

Dsriua Milhaud1. Fumée.?. Fet» de Bordeauxs. Fet« do Montmarte

La Gitana. "Solea"; Ay SerenataAndaluza

arranged bv Isidoro HernandezAmor y Odio.E. GranadosCsnrion del Amt>r Dolido. "K! Arr.nr

jjj oio" . . .Manuel de Falla i

Hippodrome, 8:15 p. m. Concert bythe Irish Band and soloists:Lily of Kllla.ney. .BenedictProcession af the Piper

Pipe Major John Trenholme.'©rest solo. The Dear Little Shamrock

Old IrishWltllam Tong

Soprano solo. Klllarn»)'.BalfeBeatrice 0*L .aryr- TV,-.Three Irish P(.TU?ee.AnjK.ll

Review of andf-nt and modern Irish music.Including f-ongs from the l«th centuryto the present day

Soprano solo.- áMscuehla./Dermot MacmurraghOh, Who Would Not Be Irish?

D'Afcy HindsBeatrice O'Leary

Ijescr'.pttve idyl, Warbler's SerenadePerry

itoog for cornet, Ths Lost ChordSir Arthur Sullivan

R. E. EversonOvsrttire. Marltana .Wallace!Selection, The Emerald Isle

Bit Arthur Sullivan

City College, 4 p. m. Organ recitalby Samuel A. Baldwin:Theme, varied, in¡9.FaulkesA4agio. Moonlight -Renata.BeethovenPrelud.-- and fugu-. In A minor.Bach"On the Sea'".Holmes;Will o' the Wisp.NevlnPrelude in <** sharp minor. .RachmaninoffWithin a Chinese Garden.Stoughton.«.n.phony No. 6.Wldor

Punch and Judy Theater, 3:30 p. m.

Concert for children by AdelaideFischer, soprano; Mantón Marble,barytone, and Gottfried Federlein,planist:Ne Furnace, No Fire.Meyer-HelrnundThere Wer« Tarée Merry Maidens. .Frank

Miss Fischer and Mr. MarbleThe Duck; A Little Boy Ringing a

Bell; The Biscuit; Oh. Rabbit.Rosamund Eustis

A Ami Oiseaux.Hu«Praysr st Bedtime.MoussorgskyThe Little Siren.Arr. by SchindlerPirate Dream«*.Huerterr>» H'ax.t .Burleigh

Miss FischsrVógelaln .GriegSandman's Hong and Prayer from

"Hansel and Gretel."Pan.Godard

Mr. FederlelnKangaroo and Dingo (Kipling).

Edward GermunThe Bail.«'« Daughter oí Islington.

Old EnglishA Banjo Song.Sidney HomerA Nonsense Rhyme.Margaret LangCom« to the Fair.Easthope Martin

Mr. MarbleThe Crafty Crocodile.Trevalsa

Miss Fischer and Mr. Marble

MondayAeolian Hall, 3 p. m- Song recital

by Mabel Beddoe:»! tra i ceppi (Aria from "Berenice"

HandelChristi Glieder, ach. bedenket.1

(Aus Kantate Nr. 1SÍ am vierten)Advent). BachLaudsmus te (Arla from Mass in Blminor) .IViolin obllggatos by Hugo Kortschak

Keimk.hr.Nicolai von StruveWaldeinsamkeit.Max RecerDa« Kindes G»bet.Max HegerDort in den Weiden. .. .Johannes BrahmsVon Waldbekr.ntser Hohe.

Johannen Brahmsk J« tremble en voyant ton visage.I C. DebussyI .-ardln d'Amour.Emile Vulliermo-/.

Ronde des Fules de ijulmperle,Emile Vuillermoz

II clefta Prlgione.Ildebrando Pizettl da Parma

Wimer.Otto WickLove I« a Sickness. .C. Armstrong GlbbsFairling«.Easthope MartinOeld of the Day and Night. .Marion Bauer

8:15 p. m. Recital by GeorgeSchneider, tenor, and Harold Hicker-non, pianist:Prelude, Choral and Fug-tie Caesar Franck

Mr. HickersonAria, "Il mío tesoro intanto".MozartLungl dal Caro ben».SartaPhlllis Ha« Such Charming Graces.

Welsae YoungO, Hleep, Why Dost Thou Leave M«?

HandelNymph« and Shepherds.Purcell

Mr. SchneiderRhApsody. G minor. Op. 79. No. 2.BrahmsNovelette. D major. Op. 21, No. 2,

Schumann-Paissons d*or.DebussyMr. HickersonIn'» Frète. .SchumannAuftrage .SchumannProveeilesc-hps Lied.SchumannAtif ein altes Bild.Hugo WolfGesellenlied.Hugo Wolf

Mr. SchneiderEtude E minor. Op. 25, No. t.ChopinEtude C minor, Op. 26, No. 1Ï.ChopinNocturne, F major. Op. 15. No. 1..Chopin¿»eherzo. B minor. Op. sn.ChopinMr. l'ickersonHotel Waldorf-Astoria, 8:16 p. ia.

Soog' reciUl by Elizabeth King:IcA Heb« Dich.Beethoven3a tu m'aml.PergoiesI-Seaparastone (Old Italian folk song),

. , RgAmbatiAsia Manon Lescaut.Puccinisi J« pourais Mourir.Barbirollfe«.-lair de Lune. ?culzVJeii* Chanson Espagnole_.....Áuberldes Oiseaux.to jjueJal pîeuro en r«re.'.'.'.'. "HueK» blinkt der Thau.RunensteinVergebliche« Standch-n.BrahmsEs hitt die Rose beklagt. FranzZueignung .StraussMr Lovely Cell*.Old English$}*rk ,Blrd *n<J Throstl«.BoradoriWhen I was Seventeen.KramerOver the Steppe.Gretchaminoff**** .-..Curran

Tuesdayv

Cameg-e Hall, 8:15 p.m. Concert bythi Philadelphia Orchestra; aoloist,Jf*n Gerardy:Kjfnphony in E mieori No..BrahmsConcerto for Violoncello und orchestra.

». _- Elgara- _,.

Mr. 0.r»ráyUungaria.. Rhapsody No. J. Liszte Aeolian Hall, 3 p. m. Song recitalby Rot» Florence:Recitative and cavatina of Cere«...rro««rplne').Pasillo (J70-1S1Í^erborifenhj.it.Hugo Wolf (líí0-l»0í) 1Auf dem VI aseer su Singen: An die |Mu*^'LL' ' vV.Schubert (lM-ltH)Fruehllngenachf. Hchumann (1*:0-1S5«)Fleuris dans mon esprit (Sylvestre).

_. . Gustave DoretO iN-mr* <U-M mon coeur (Verlaine).Claud« Lebueay ]

. - -JE. (

Nocturna (Maurice Boucher).Iîrn#fit Chaueaoa

-Oda Chinóle* (RocheV.Albert RousselSeguidme (Oau»l»r).tie FallaThe Plight of the Moon «Wilde).

charlea T. OrifrésThe Lawd Is Smllln' Through the Do'.

John Aldan Carpenter¡When We'Were Parted (Mortar).

Richard HacamariA Loyal Lover.Arr. by Deem« TaylorKcstaay (Scott).Wali*r M. Rummal

8:13 p. m. Concert of chamber mu¬sic by the Flonzaley Quartet:Quartet In A minor. Op. t* (allegroma non iroppo. andante; menuetto;stllegro moderato) .Bchubart

Quartet in (j major (allegretto a«tri¬plica; lento « moito eapresalvo; all«»gro vivace!.....Arnold Baa

Quartet In 10 minor. Op. St. Ne. » (al¬legro; molto adagio; allegretto;'.rottet) ..BeethovenTown Hall, 8:15 p. m. Concert by

Boris Levenson and assisting artit*.fin a program of compositions by Mr.Levenson:Sonata for violin and plane.

Mr. and Mr». Alexander BloehIntroduction and aria from the opera,'The Caucasian Captive Warrior";1» It a Man» Job to Spin Flax?Whin I Hear Your Sweet Vote«; IfYou Love. Love to Distraction.

Bfflm Llveraky, tenortjrrl« poem. Farewell (Adieu); Prel¬ude In F minor.

Mrf. Alexander BlochScham blnkom araxlm.-Dort, wo dieÄeder.Schlr ere» (an old Palestiniancradle eongi. »nd Jewish holiday.MM; Chanulta, Purfm, Peiaach.chad gadjo, Slmches Torah.

Sophie Loopo, sopranoPoem in D major «Dreamel; poem inA minor (Conversation») rondlno«Scheri'.no)

Alexander BlochBallet (Oriental daneei tram theopera "The Caucarían Captive War¬rior.Mttai Volk, pianist, and Mr. LevensoB

WednesdayCarnegie Hall, 3 p. m. Piano recital

by I. J. Paderewski:Variation« sérieuses.MendelssohnFantasl*. Op. 17.SchumannSonata. Op. s7.BeethovenHallad» in U minor; Nocturne, Op. »i.No. 2; n flat minor Mazurka. Op, 3».No. 4; C Sharp minor Schcrvso.. .«.'hopin

Au boi 1 d'une source; Etude de con¬cert. F minor; E major Polonaise.-WattTown Hall, 8:15 p. m. Song recital

by Greta Maison:rtoae Softly Blooming ("A.or andZemlra" ) .Spohr

Shouki He Upbraid? (Shakespeare).BishopO Wülow, Willow (Shakespeare), edited

by H. V. Mlillgan.CarrBegone. Dull «"are.Anon.Aria de Poppa-a ("Agrlppina")

Handel-BibbAria i!e Pollsisena ("Radamlsto")

Handel-BibbDormea-vous.WeUerllnViene, Aurore (Old French). .Arr. by A L jflchi-erzen.Wagner jTraun--.WagnerDas V«.,-hen Spricht.BrahmsFeld...-eeu.ikeit .BrahmsStande.; ^«,.BrahmsThe CU. ¦. «Novlkoflf).fiachnow»kyTli« Lako Isle of Innlsfree (W. B.

Yems).Arthur FooteVirgin's Cradle Hymn (8. T. Coleridge)

ClassThe Robin Sings.MacDpwellO Lovely Rose.Mac Dowel!Snow on the Hills (Leonora Speycr). .Hill

Mabel Wood HUÍNorwegian Love Song (H. H. Boyesen)C!ough-L<itfrhter

City College, i p. m. Organ recitalby Samuel A. Baldwin:Toccata ard Fuguf in D minor.BachPrelude, "Lohengrin'.WagnerSonata, Th* Chambered Nautilus StewartChorale Prelude», My Inmost Heart; ARose Breaks.BrahmeConcert Study for Pedals.YonKíevatlon.RousseauAndante Cantablle in B flat. .TschalkowiakyFugue on Chorale, from "The Prophet"

LJastWarsamaker Auditorium, 2:30 p. m. I

Organ recital by Charles M. Courboin:Sonata No. 6.MendelssohnElevation. .Satnt-SaensAllegretto .Solomo jAllegro from Sixth Symphony..... .WidorChor«! prelude In F major (doublepedal) .,.. ;.BachQueBtion; Answer .WoletainholmeRide of the Valkyries.Wsgnei

ThursdayCarnegie Hall, 3 p. m. Concert by

the New York Symphony Orchestra;soloist, Ossip Gabrilowitsch:Symphony In C> nilr>cr.MozartLa 1'lsanella .PlssettiConcerto in B flat, for piano withorchestra.,. .BrahmaMr. OabnlvvitaehAeolian Hall, 8:15 p. in. Concert of'

chamber music by the New York StringQuartet:Quartet In F major.RavelMeditation (on an Old Bohemianchoral).KukQuartet In a major.MozartHunter College, 8:30 p. m. Concertof chamber music by the New YorkTrio:Trio No. 6, in O major..MosartVariation».Tachalkowalty

FridayCarnegie Hall, 2:30 p. m. Concertby the Philharmonic Society; soloist,Arthur Rubinstein:

Symphony, C major.MaaonDon Juan, r-yniphonie poem.Strati»»Piano concerto. No. 8, A major.Ll»stMr. RublnateinI .Prelude and Love Death, from "Tristanand I»olde".Wagnerj 8:15 p. m. Concert by New YorkSymphony Orchestra. Soloist, OssipGabrilowitsch. Repetition of Thurs-day's program.Aeolian Hall, 8:15 p. m. Violin re-citai by Roderick White:

¡Prelude In K major.Bach-SchumannSonata in 0 minor. QrltgSerenity.Vieuxtemp»Mlnuetta.Havdn-BurmelsterNobody Know» de Trouble I've Beer. .WhiteHabanera. .SaraaateIn a Chinese Temple.Clerbol»Spanish Dance.Oranadoa-KrelslerMoto Perpetuo.Novacek

SaturdayCarnegie Hall, 2:30 p. m. Violin re¬

cital by Jaacha Heifetz:Sonata No. 2. in A major (for pianoand violin) .BrahmaPreludio; Bourrée; Menuatto No. 1;Menuettr» No. 2; Olgu« (for violinalone, from Sixth Hr.natal.BachSerenada Melanchollque; Valse Scherzo

TschalkowskyMeditation; Valee .OUsounowSaltarella .WlenlaweklNocturne In D major... .Chopin-Wilhelm!Perpetuum Mobile.Paganini8:80 p. m. Concert by the Philhar¬

monic Society:Wagner ProgramOverture. "The Flying Dutchman."Oood Friday Spell from "Paraltat."Éntranos of the Oods into Valhalla, from"Rheingold."

Prelude and Love Death, "Tristan andleolde."Prelude. "Die Melaterelnarer."Bacchanal*, from "Tannnaeuser."Prise Sor.g, "Die Mei«ter»inger."Overture. "Rienil."Aeolian Hall, 8 p. m. Piano recitalby Ernest Hutcheson:

Beethoven ProgramSonata in E minor. Op. 90.Bagatelle, B minor, op 126. Ko. i.Minuet in K flat msjer.Rondo a Capriccio, Op. 122.Sonata Appaeaionata, Op. 57.Sonata In C minor. Op. ill.Town Hall, 8 p.m. Violin rocital byErika Morini:

Concerto, t> miror.SpohrRomance. <i major.BeethovenQa%otte.Lully\ariationa on a Thame toy Corail). , ,Tartlnl-KreialerLe luthier de Cremona. HubayWalt«.Taohalkowaky-AuerNeapolitan 8ong..Tachaikowaky-Burmel»terPolonaiae, A major.Wlanlawakt-,.aw_-The Opera House of Warsaw, accord¬

ing to official report, has, darin« the8ret nine months of thig y*ar, en¬joyed receipts of 46 billions and spentonly one billion.ail in Polish marks,of course, but 45 billions profit is,even in Polish marks, quita a respectable figuro.

T i

Music Notesi( oiltinueil from preceding P-Mte)

the West, will give his first New Yorkrecital of tha season at Carnegie Hallon the afternoon of January 1.

The Music Students' League, orgsy.-iaed last April with a membership often and which now ha« enrolled 500members, wllf present its first publicconcert In Ruraford Hall, 60 East For¬ty-first Street, November 25. Freetickets may be had upon application toMiss Florence Mendelson, 115 WestEighty-fifth Street, or from the chair¬man of the concert committee, MissElsie Robinson, 26 Claremont Avenue.Those selected for this concert areMusia Madelevsks, pianist; RosettaSeligson, violinist: Thelma Spear, so¬

prano; Valeriano Gil, tenor, and JohnPetton, barytone.The committee for the French-Amer¬

ican Strinj Quartet, composed of Gus¬tave Tinlot, Rebf-r Johnson, Saul Shar-row and Paul Kefer, announces its an¬nual series of four concerts, to be givenin private houses: Friday, December 15,lot. Reber Johnson. Saul Sharrow andPaul Kefer, announces its annual series of four concerts, to be given inprivate houses: Friday, December 15¿¡80 p. m., at the York Club, Mrs. HenrjP. Loomis, 59 East Fifty-sixth Street;Friday, January 12, 8:80 p. m., at thihome of Mrs. John Henry Hammond9 East Ninety-first Street; TuesdajFebruary 27, at 3:80 p. m., at the hornof Mrs. Reginald de Koven, 1025 PariAvenue: Tuesday, March 20, at 3:3p. m., at the home of Mrs. Andre»Carnegie, 2 East Ninety-first Street.The National Opera of France lu>

built a vault in Paris, into which are t-be deposited the recorded works <.

present-day musicians. This "caveauwill remain unopened during a whocentury, at the end of which perio-the records will be taken forth anplayed to the people of that time. Thimonth some works of Saint-Saens anof Caruso are to be interned, amonwhich the directors are includingfew Tecords by Renee Chemet, whwill be remembered here as one cthe New York Philharmonic Societyviolin soloists last season.

-. ¦'¦- ¦ «-

Gericke Facing Poverty inVienna. Fund Being RaisWilhelm Gericke, who gave thirtec

of the best years of his life to musiin this country as conductor of thBoston Symphony Orchestra from 1880to 1889 and 1897 to 1006, is now, it isreported, at the age of seventy-sevenliving in Vienna in straitened financialcircumstances, since v_.ost of his sav¬ings have been swept away by the warand the depreciation of Austrianvalue«.A conductors' committee to assist in

collecting funds for their colleaguehas been formed by Walter Damrosch,who will act as treasurer, with LeopoldStokowski, Ossip Gabrilowitsch, PierreMonteux, Frederick Stock, Artur Bo-danzky and Alfred Hertz.America owes much to Mr. Gericke

and his ministrations as a musician,and his gentleness and modesty wonhim many friends. It is intolerable tothink that owing to the results of thewar such a man should not be able tolive the remaining years oí his life inreasonable comfort.

All those desiring to help the fundmay send their subscriptions to thetreasurer, Walter Damrosch, 146 EastSixty-first Street.

-« ¦¦_-»

Boston SymphonyThe Boston Symphony Orchestra will

open its New York season at CarnegieHall on Thursday evening and Satur¬day afternoon of next week, November30 and December 2.

Pierre Monteux will conduct at theevening concert Berlioz's "Fantastic"Symphony, two descriptive pieces ofthe late Charles T. Griffes, "Clouds"and "The White Peacock"; VaughanWilliams'! fantasia for string orches¬tra on a theme by Thpmas Tallis, andGlazounoff's symphonic poem, "Ste'-.kaRazin."For the matinee the symphony will

be the fourth of Brahms in E miner.Strauas's tone poem, "Thus Spake Znra-thustra," will also be played. Theether number will be "Horace Vic¬torieux," by Honneger, a member ofthe Parisian "Six." This score is en¬titled "A Mimed Symphony," and al¬though played in London and Parisis on this occasion to have its firstAmerican performance.-%.-

Cleveland Orchestra To BeSupported by Popular Fund

The Cleveland Orchestra, Nikolai So-koloff, conductor, has received from thepeople of Cleveland a maintenancefund of $200,000 for the season of1922-'23, wiping out the anticipateddeficit in the annual budget, 808 sub¬scribers to this fund, 600 of them beingnew, contributing sums ranging from|6 to $80,000, fifty of whom have madetheir gifts annual pledges. This hasbeen accomplished by a special busi-

| ness men's committee of one hundred,headed by Dudley S. Blossom, exeeu-

I tive vice-president and treasurer of theMagical Arts Association, without re-sorting to an expensive publicity cam¬paign, all newspaper work being donein the Cleveland Orchestra businessoffice by the regular staff.The Cleveland Orchestra is booked

for a performance in Carnegie Hall,this city, January 23.

« . . ....

Philadelphia OrchestraJaan Gerardy will be the soloist at

the Philadelphia Orchestra concertTuesday evening at Carnegie Hall, giv¬ing a first American hearing to Ed¬ward Elgar's concerto for violoncelloand orchestra. Written during thesummer of 1919, it was given for thefirst time by the London Symphony Or¬chestra at Queen's Hall, October 27,1619, with Elgar conducting and FelixSalmond as soloist. An arrangementfor 'cello and piano was published Inthe .«is. yf.,i- ¡.r,f. the full »core in1921.

Random ImpressionsIn Current Exhibitions

Mr. Churies H. Thorndike, an Amer¬ican born in Paris, is having an ex¬

hibition at the Kingoro gallery. Hehas passed through a varied artisticexperience. He has ftudied at Julien's.Ho has felt the influence of Laurensand Benjamin Constant. He has dippedInto the impressionism of Monet amihe has been attracted by Cezanne. Itis the last mentioned, wc surmise, whohas given him his point of departurefor the landscapes and pictures ofbuildings in the present exhibition.In bo far «s Post-Impressionism hashelped him to hoc nature in a largo

ing vein is Fneseko's "The StripedGown," Iherf: is a rich garden patchby Jonas Lie, and Hassa,m's "GatheringFlowers" is delightfully portrayed withfigures quaintly set in a provincialfairyland of color. H. F. Waltman, inhis Prospect Park fountain, paints a

crystalline, sunny atmosphère. Someof the bettor still lifes arc Anna LFisher's "Calendulas," whose reds andyellows show against a scheme of grayin fino restraint; Carle Blenner's "Li¬lacs" and F. W. Gothold's deep, shadowysymphony, "Aftermath." Among thesculpture are Mahonri Young's laugh-

Alexander and the Wife of Darius

(Frotn the. painting by Tiepoio, at the Reinhardt gallery)manner and paint her in simple massesof deep tone it has done bitn good.But he has not yet arrived.at a con¬clusive solution of his problems, hehas not yet achieved a style. Iliadrawing is .crude. His color la with¬out c'.iarm. We feel in his work apromising disposition to compos«; a

picture rather broadly And handsome-ly. We do not feel that he has gotinteresting design really under con¬trol. Further training would, doubt¬less, be beneficial to that rude forcewhich he undoubtedly possesses.

When Mr. Russell Cheney had hisfirst exhibition at the Babcock gallerya year ago he made it plain at oncethat he had talent. But there was a

good deal that was crude about theaffair. Now he appears again at thesame place and leaves almost if notquite the same impression. He hasnot gone backward, but neither hashe gone forward. We suspect now, nswe suspected then, that he works toehastily, Over and over again he sh-owfus the makings of a good paintinfrather than the painting itself. Th-"Orpheus" is a case in point. Th«composition is happy. This still lif«very nearly comes off. Unfortunatelyit just misses. The best things in th«exhibition are either the big land¡scapes like the "Skungimaug.Morning," or tho mere sketches like "Coop'

I Sawmill." Between these two extremei of ambition and casual, spontaneouplaying with paint, there are too manworks which start out to be full drespictures and end by remaining splashsketches, motiveless and uninteresiing. Some artist of authority ought ttake Mr. Cheney und.er his wing, acmonish him and prune his futil

jexuberance.A new organization has been formet

the Bronx Artists' Guild, which h'sopened its first annual exhibition iAeolian Hall, at Fordham. Edward '

Volkert, Joseph Lauber, E. Ada;Kramer and others are among tlmembers. Another recently inventeassociation is the Silver Mine Gui!of Artists, who are to have an exhibtion building of their own at SilviMine, and propose to "further artistendeavor in the countryside of Conecticut." Charles Reiffel is présiderD. Putnam Brinley is vice-presiderand with them arc numerous artisand laymen.

The many friends of Joseph 3Camp will be glad to hear that herapidly recovering from the long iness which terminated recently inmajor operation, He is thoroughconvalescent and will soon be at woagain.

There is not a drab note in the ehibition which the Garden ClubAmerica is holding at the Ferargil glery. Nature in radiant moods is lfleeted in scores of paintings of g:dens and still life. Several sculptuiswell the exhibits to seventy-ttAmong our masters of color and Yigcombinations here are Hnssam aFrieseke, Many otheré are concerrwith similar principles in realizing iwarming touch of summer out of dooIn general it is a group of artists wSeek the truths of nature by workiclose to nature. Philip L. Hale haithing of languid beauty in his "PiDogwood." The figure and fount;piece of Richard E. Miller is harmo¡ou» and tender. In a similarly char

ing satyr and works by Harriet Frish-muth, Edward Berge and Anna VaughnHyatt.

Paintings and sculpture by twelvemen and women, including severalmodernists, are being shown at theSchool of.-Design and Liberal Arts. Thenames are Alger, Brodsky, Field, Gay-lor, Laurent, Miller, Mege, Nicolaide*.Tannehill, Scott and Wesselhoeft |George 0. Hart's water colors of thetropics are also being shown,

Eloquent and spontaneous sketchesfrom his notebook are the little seriesof crayon drawings by Homer D. Mar¬tin shown side by side at the FerargilStudio, 24 East Forty-ninth Street,They are merest fragments.a moun-tainscape touched for accentuationwith a sweep of white chalk, a treegilded creek in fine suggested detail, ariver camp and a rowboat, with reclin¬ing figures, riding listlessly on the tide.They are but notes, to be sure, butmasterly in their conception and econ¬omy of line. Fanny Willcox Brown hashere also a series of needlepoint dec¬orations, They are fantastic and havea relationship to the sampler, with allthe hitter's quaintness and naiveteOne is a Noah's Ark representation,with odd figures and animals worked in jcolored thread. Another is called the"Happy Prince," after that legend, andthere is a large centerpiece woven withmedallions depicting "Saints and Mar¬tyrs."

Charles Morris Young is not alonecontent with painting exquisitely theromance and color of the fox hunt, buthe invests these subjects with a back-ground that would do credit to manyavowed workers in landscape alone.He is fundamentally an artist, an im-pressionist. How deeply apparent thisis in his "Halt in the Woods." Againthe rich sunlight of the Pennsylvaniahills breaks upon & lively hunt meetat White Horse Tavern. The hustlinghounds lose individual identity in ac¬tive masses of broken color. The red-coated riders are up and about, andnever in immediate focus. Mr. Youngnever, in fact, gives up to direct state¬ments of the hunt as such. Its trail-/ing mass of color goes streaming-^-;-The Secrets of

SvengaliOn Singing, Singers,Teachers and Critics

By J. H. Duval"Don't pans it over, singera. It'v written I/or you.to help i/ou.".\. Y. Tribune. I$2 at All Music Dealers,and Booksellers. |Jamw T. White A Co.. 70 (5th Av., N. Y. |

through his landscape In finn restraint.It moves, but do«s not intrude in theensemble. You encounter his pack andriders casually upon a roadway or see

them mere flecks of color in the dis¬tant evening field»» and they are alwayspart of.not the whole of.the picture.

Elinor M. Barnard paints with con¬

siderable facility In water color andwith special feeling for such subjects,as her group of "Other Little Ameri¬cans," which include several Orientalchildren and a negro boy., These andn number of portraits and «till lifesubjects are being shown at the BrowrrRobertson gallery. The latter includespirited suggestions of jades, porce¬lains, Japanese dolls and bo forth, withan inclusion of flowers. Here the art¬ist is surest One portrait head.a di¬rect effort in brown wash.Is effective.A surer hand at drafting would addconsiderably to her merit.

Ono of the largest exhibition» of theeason is that mode up of drawings inrayon by Winold Reiss and sketches>nd drawings by Clara Tice, which.olds spectacular sway at the AndersonGalleries. Mr. Reiss could tell hisstory well enough in twenty, instead ofmore than a hundred, ..xamples. Hehas traveled far and wide for ínter-esting and varied types, but no changeof environment has affected his method,which is flat, decorative and realistic.He workn in the inflexible, unerno-

tlonal style of the German traditionof a few years ago, and obtain« whatsubtlety he can in this way by a closeshading rather- than expressiveness ofline. Mexico, Sweden, Bavaria andother climes have yielded to a healthyyearning for expressive character. Themost pictorial ho found in Sweden,where color, costume and blossomingbeauty were warmly receptive to hiscrayon. The Oberammergau playersgave him rugged, inspirational person¬alities to deal with. But unbendinglyho could give them Only that ¡sculpturalexpressiveness that typifies the methodhe uses.Miss Clara Tice, on the other hand

and miles apart, is light-hearted, lovesthe fantastic and has a sense of humor.Her drawings-of children at play, ani-mala.-whimsical and otherwise.,sketchy nudes and action pictures are

all studied in gesture. They spell an

alert mind, an observing eye and. a]¡lever hand. Undoubtedly she takes jibis work to heart, though her ap-proacb to it is essentially superficial.Many of her animals reflect the whimsyone finds in children's story books.That is their intent. Others have a

more serious intent, but as studies o£animal nature they lack anatomical ex¬

pression. Her pen sketches are vola¬tile and spontaneous. There is a cer.

tain fine rhythm about all her work.Miss Tice has en ecstatic mind, andturns lightly tomany form» of exprès-,sion.

_

To-morrow the Frankl gallery willopen an exhibition of modern deco- Irative art, including a collection ofKaehler (Danish) ceramics.

Adding to his reputation as a por¬trait painter, Mr. J. Young-Hunter maybe »een at the Montague Flagg galleryin the guise of landscapist. Since hislast exhibition hero he has found timeand opportunity to make several new

portraits of distinction, a group of i

canvases of New Mexico's landscape jand Indians, and still others of NewHampshire woodland scenes. "The Vil¬lage of Las Cruces" and the imposingmesa "Bad Lands" find him responsiveto a certain barren beauty. The in¬tricacies of color in his mountain scen¬ery are more puzzling and lack spon¬taneity of expression. More at homein portraiture, he has a colorful andcharming composition of three chil¬dren. His painting of E. W. Scripps isposed with interesting informality. Mr.

HEHARPIts very presence sug¬gests culture tind pro¬vides a fitting back¬ground for feminine charm.

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Young-Hunter always employs subduedcolor, rarely reaorta to strong con¬

trasts, and paints nt an even, «ionaarva-tivo gait.

No one but an artist thoroughly In¬spired by tho glory of the ancient»could produce th«» large, imaginativeetchings which William Waleot, theBritish etcher, painter, architect, fa.showing at the Knoedler gallery on hie¡first appearance in this country. Hi«|Roman composition« aro reconstruc-tions of famous architectural ruins.But he has lifted them from the cate¬gory of architectural delineation bygiving them an environment of life.These and oü*er architectural subject«of world fafv* are treated expansivelyand with lofty conception. They are

admirably rendered in sweeping grada¬tions of line and tone. "Tho Templeof Baal," "The Stadium of Domitian,""The Siege of Troy" are interpretedwith th« scientifically trained correct¬ness of vision of the architect, and areendowed with all their former splendorand color as only a student and a vis¬ionary could. There are water eolorsof Rome, London and New York archi¬tectural vistas, and two oils, Neapoli-tan marines, strong in technique and!deep in color. An entire room ¡3 de-voted to a series of small etchingswhich have a delicate, Whistlerian ten¬derness and subtlety. Most interest-

mg is the ist "The Arterie, oí n^Britain." Fire famous rive« S*isles are shown. Mr. Waleot I« »ber of the Royal Societv of p

"*¦.Etcher» and the Royal înstlrJ? 2British Architects. "*** «

Saya the New Gallery, in j« Meito the catalogue of its first «Joftitiof modem art: "Though w« g^jj .°"the works of those who hav0 ¿¡Tinitely arrived, we wish in the «!¡to be explorers.to discover h<¿Ztreasure." Th« journey should utZfar. The American market is ^JJflooded with works of foreign maA»*!ists, as well as native ones, ^willing and anxious to be "diaetnew!As for the opening of this new |»j'tir.a hospitable sanctuary in itaejf, ft],concerned with both well-kr.own '*.»-.and some who are making a fcjgj ^debut here. Of the latter there U sa»Boris Grigoriev, for instance, a fatj?who, it ia learned, is to be t^^Jnext January at the Brooklyn *»m*.His madonna and a landscape tr< ¿Tprisingly pleasant in color. Lsds^,,.riiachvili, another new figure here,!^*with a decorativ«; and grotesque fn»A group of simple but expressiv« fa,.ing» for sculpture, by MoriiglJa,! ^included. The better known figure» i«,include Matisse, Dufy. Derain, Vlamiaet.and Marguerite Zorach.

MUSICAL INSTRUCTION

Franklin RikerTenor.ComposerTeacher of Singing

STUDIOS: Metropolitan Opera HoniieBuilding;. 14.5 Broad-fay. N. X.

Tut-fvdays »ad { ri<in..17H CHESTNUT ST., rHI1-.-.nF_I.PHT.*_

Mondays and Thur.fluyaKewidenci»: 50 West 67th Street, ». x.

Telephone Columba.. HO.".

MUSICAL INSTRUCTION ~"

Lois LongSoprano

Concerts, Recitals, OntarioResuene«. 50 We«t 67th Street, s. i.

TeJephone Colum bu s I4«ö

New York RecitalTown Hail, Monday Et*., Deo. 1J, tUÊ

-I

MANDOLIN.BANJO GtriTABElJKEIJiXK.VIOLIN

RAGTIME.POELXA R.CLASSICALXn four eaay leaaon» thru th» Hartnatt

njetem absolute be»-trin«r* play tuna»perfectly hy noto. Famous Gibson Id-itrument» loaned freo. Opan avenlnf».

HAKTNEI'T STUDIOSIt Meat 23rd St.. New York

(Maaonic Hall)Many conveniently located branch©»»

Institute of Musical Art120 Clarrmont Avenue. Cor. Hind Street

FRANK DAMKOSCH. DirectorConducted only tor student» of rc»l canica] abilityand WMiouf purposaPREPARATORY CENTERS Ui «It part» of Gre«wrN'ew Ten in direct connection with mid under :he»upenrinlor. of the Iuitltute. Send for çnwratedroular.

IBfiiofRUSSIAN BARITONEOf Moscow and Boston Opera Co.

Art of SingingInterpretation of Russian Songs fr<G inka to Stravinsky.50 Meet «nth St. Tel. Colnmbti* 1405.

New York College of Muiic114-116 Eust 85th Street, amiAmerican Convervatory of Mu»ic

1G3 West Ti'd StCarl Ilptn--Dir<>c!or.u -August Fraemek*HANS LET/. WILLIAM ËBANN, RUBINOOLDJIARK und many oth<»r eminent In-Struotora ¡n all branches of MUSIC from be-plning to artistic parfection.

m LAURA I. Mp«ltllTeacher of SingingTon« Production. Intsrpretation, Be»trto!rtSend for list of prominent artiste pupil«I48We.l72r.dSl. SEfi»l¡.-r-BQCERT.-JL¿a SLtJSSW Thl11 Nev" Tlrw *h« Throat."-a U»r«!.oni Are, near licth St. Tal. 4834 Morn.

Whittington Studios of MusicalAn. Piano, violin,Voice CompoBltior,13 W. 82d St., N. Y. Tel. Schuyler 3955.

purdon Robinson ¿Ä* *IVUU.UWU Diafrnostlrlai.Formerly CO-workcr «Uli Dr. H Hoibruo. Curtí*.Studio: 245 W. 75th St., N. Y. Tel. Columbia 2505

.»». GALLOWAYVrlr««7'01*!1-,1-^ RENOWNED SINGINGTEACHER. 637 Madi.on Ay»., near 59th.

AVERY Teichsr of &)n|!agFormerly Awlütantto Davltf B<«ch»m.63 W. 58th St., N. V. TeL cW» »026.

Clarence Adier ,r,P^n|}»vW»»j »Sin St_ Tel. Sohuylcra,3530. j,î,sPATÏÏOPO^«!WILSON LAMR CONCERTS*"**? W*« INSTRUCTIONStudio: 310 Main St., Cianea, N. J.N. T. Studio: 106 W. 180TH ST.. Sat. P. M.

Vocal Studio31 WEST 74TII ST. Tal. Columba» 71W.

GUSTAVE DCPVrD P!*B9 iBttructlon.L D f IlSV I H C»!"»!«*» taeerstle»!.-. m k u it k il ...; practical cwurw.SUITS 110-lU CARNEGIE Î.A.LL, N. Y.

BF H R. INSTRUCTOR*.. * * * * & COACH

ELLABACKUS

2.U W. »8TH 6T, Tel. River 8041.

TyndaU »"*«'<«Ä*a Cuoeeuir*Uor., MarmouyVUual Mamorizins. tvu. Maws'« 'Touch aadT.chnli:." Vututr» Suudaj aioruiai».UM Lax.Ar». Lanox 64«?.

PHix. ÎVfiTTPï Ï VtoüniatMPI' IVII 1 1 L_íLwJL_¡ InatraotlosTeacher oí Many well known ArtiataVaa Oya» Studie* «9 EIGHTH AVS., tt. V.Tat. Ctrol» 8120.

BAWDEN Madera Plans Pluylna.Suns iitersr.tation.sie caraealo Hall

CLAUDE WARFORD ¡JA-Suit« 40. Metropolitan Opera IIouh StuCoa.

ÄnCCCI Piano Studio, ModernUKw*â methoda 106 E. 116th St.

PAÍ'i ¡?1 täCt Teacher of Piano. Theory.4lL jr-LCHtfc PedagOKy. 1426 BroadwayAMERICAN INSTITUTE of APPLIED MUSIC312 W. attb St 34th Seatee Sosia* Oetefcer I.

SINCE 1895 HULSMAjNNGYMNASIUM

REDUCE!BUILD-UP,

Athletics, HandbillAtop Cameo Thea¬tre, 138 W. 42d St.

The3Iisses Hulimann's

Piano Studiowill accept a limitednumber of pupils fotPiano instruction

RosAUEHeller-KleinlSpecial Piano Instruction feJÈ ;

CHILDREN AND TOUNO FïXlÎÏACCOMPANIST AND TWO PWtiSYMPHONY STUD? CLASSES, .

S93 m. .r.|o« Drtr*. Cor. 'Mtl.. Tel. Ait. «H.|

MICHEL SC1AP.J.0Instruction Solo-ViolinistImperial Princess Friedrich Karl, PriiaWinner "Demonitration to a «.udentij better than explana-.ion."Sevciic Associate313 Vf. 78TH ST.. (t. T.Comma-.)!-, atio,.. te240 Valentine Linie, Von!, era, >'. T.

WALTER S. Teache. of SinginfyKximt îralBiac tatI II I li %J amateur».V/-»4_LJ-£L Writ« for book!«!W ARTISTIC 6I.VGO.0STUDIOSC-.rn_.sle Hall Htihoa Bldp.N*w York Moatetalr, >\ 3.

Y

PINTO "sksäA_

jj A A4 ^ A V.* TEACHERG. F. MAGFARLANE. P«nonal H.*re*abrt.is,Suite 14. Mot. Oper* Bid»., I.« Br*_4«-9. M. T.

EFFA O £. ï J K_?*aus .rerriela »**-*«1H W. 45tb St. PhoBf Bryarf »«

i nr-

Frankhr.- Fitz Simon»ts.vrtlfOXE

Teacher of Singing.Studio. 620 W. 1-2(1 St.Interview» by appointment oaly»

Curtis Burnley SchcdOf Elocution cfJɧf*50 Central i»»rk Wert. T«le»h«B» Caluats. 41«

was«« CATLIN &£0*:\lyt9" THUItS.. FRt.. 10 TO 2 ?*._}».»2 Baak St.. wr. 7th Aw. 4 l«H si. T«-. Ok-teM 4*}I

VIRGIL510 .VEST END A.

s"1v_T__XerSCHOOL, OF «tSW

Founded by the-,__ .... iat« A- K vir*'i*-10 .VEST END AVK. Tel Sehvyter 1MH

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.5W.«t»K.

DRARTHt.«»WOODRUFF3:Studio 810 C.rnegle Hit fol. Cl-*.-* g^Bachell *" " """'w.

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ANUA ¡f i n n i KUSeiAN PIANO Solofe-CFFA g AK 11 S «"cuaw 1<<*. *> i^-SiS«niiUI Conwrraterj LvSTHt'.TiO*tStudio: 1ÏT7 MADISON AVE TtL Harte« ***

Jew»!« Mill TEACHER«*Fenner ¡I 1 L__ L. SINGINO.MET. OPERA HOUSE STUDIOS

Mm», fVIllfnn Vol» ept-iaH-t. T_*fï?Krall, ITIiUüll tf .anr«u »",«-. »ffBryant 83ï& faarteeal-. -W **¦ «"J^l"^T~DË VANÑOZ baÄJConcert», Inatrncttan. «t E. 7«tb St.. -*.*.

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FKÂNK~117 J Ear TWrtto« «A_e. Ward ».^»w7 r ~l* mäw_»^s?if^t10Ni^tushing^^^^gjL.