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Iambic Pentameter. Iambic pentameter defined. Iambic= one unstressed syllable followed by a stressed syllable Pentameter= 10 syllables per line Almost all of Romeo and Juliet is written in blank verse (no rhyming words) using Iambic Pentameter - PowerPoint PPT Presentation
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Iambic Pentameter
Iambic pentameter defined Iambic= one unstressed syllable followed by a stressed
syllable
Pentameter= 10 syllables per line Almost all of Romeo and Juliet is written in blank verse
(no rhyming words) using Iambic Pentameter It is very difficult to structure thoughts using this style of
poetry This may explain why some of Shakespeare’s phrasings
may seem odd to the reader
Stressed and Unstressed syllables
= unstressed / = stressed
Iambic words The following are examples of iambic words
What does Iambic mean again? Verbose Become Baboon Advance Buffoon Cocoon Bamboo Write these words down and chart them using and / Now, come up with a word from your current surroundings
that is iambic in form
Answers For each of the iambic words you should
have placed an “ ” on top of the unstressed syllable (the first syllable) and a “/” on top of the stressed syllable
EX:
/ Verbose
Iambic Pentameter phrases weakSTRONGweakSTRONGweakSTRON
GweakSTRONGweakSTRONG I am I am I am I am I am
/ / / / / I am a pirate with a wooden leg
Try charting these…
/ / / / / So foul and fair a day I have not seen.
= 10 syllables
/ / / / / But soft: what light through yonder window breaks?
= 10 syllables
What is the opposite of iambic? Trochaic Trochaic words start with a stressed
syllable and end with an unstressed syllable
You can have trochaic words in iambic pentameter
Examples of trochaic words Pirate Answer Tuesday Angel Married Golden Flashing Now… think of a trochaic word around you.
Prologue First of all, what is a prologue? A prologue is an introductory speech which
tells what will happen in the upcoming piece of literature and it also may highlight some themes from the piece as well.
“Goldilocks and the Three Bears”O for a Muse of fire that would ascend
The brightest heaven of invention;But pardon, gentles all,
The flat unraised spirits that hath daredOn this unworthy scaffold to bring forthSo great a story. Can this cockpit hold
The vastly fields of nursery tales? Or may we cramWithin this wooden O the very talesThat did fill childish ears at bedtime?Let us on your imaginary forces work
Pierce out our imperfections with your thought.For your humble patience do we pray
Gently to hear, kindly to judge our play.