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Linoleum Printing ART 101 Spring 2011 HUNTER COLLEGE

Hunter ART 101 lino examples

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Shows a few pointers and examples of "dos and dont's"

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Page 1: Hunter ART 101 lino examples

Linoleum Printing

ART 101 Spring 2011

HUNTER COLLEGE

Page 2: Hunter ART 101 lino examples

Examples

Think: Contrast, Line, Color, and Simplicity

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If you add text it has to be written backwards.

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Here, everything that is white has been carved out. Simplicity can be very nice.

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Great balance…made very interesting through organic lines that vary in weight.

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Plants made with careful planning between light and dark areas.

Residue of block can add texture and interest.

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This one has the lines carved out in many variations…thick, thin, undulating, etc. .

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Think about color possibilities, sharing colors to mix new variations.

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Think about color added through paper choices. Note: papers must be smooth and relatively thick.

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It’s okay to invent processes such as little blocks adding up to a whole. Note: this red is not “straight out of the tube”.

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This is done through mixing on the palette, the color change gradation.

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Try to avoid “drawing” with the tool.

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This is carving out of the negative space is a better technique.

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Content

Think:

100 things? My photo?

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Look at the standard way of signing prints.

Title Number in addition 1:100, for example, or “AP” (artist’s proof) Signature

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