Thomas Hope, page from Household Furniture and Interior Decoration
A page from Household Furniture and Interior
Decoration, Thomas Hope,
Regency, England
Banqueting Hall, Royal Pavilion, John Nash, Regency,
England
Breakfast Room, 13 Lincoln’s Inn Fields, Sir John Soane,
Regency, England
Tented Room, Charlottenhof, K. F. Schinkel, Beidermeier,
Germany
Side Chair, Josef Danhauser,
Biedermeier, Austria
Fall Front Desk, Josef Danhauser, Biedermeier,
Austria
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Presentation Notes
Fall Front Desk, Vienna ca. 1810, Josef Ulrich Danhauser
Pier Table, Charles Pier Table, Charles-Honoré Lannuier, American Empire Style, America
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Presentation Notes
Pier table, 1815–19�Charles-Honoré Lannuier (French, 1779–1819)�New York City�Rosewood, white pine, ash, marble, lead, brass; 36 x 49 1/2 x 22 in. (91.4 x 125.7 x 55.9 cm)�Rogers Fund, 1953 (53.181a,b)�The gilded caryatids on this example make it the most overtly Grecian of Lannuier's square pier tables. Based on the carved marble figures of the Erechtheum on the Acropolis in Athens, the caryatids were cast in lead and treated with a gilded surface. They may have been made in a mold taken from a French bronze lighting device of a type similar in quality to the imported bronze clocks that Lannuier is known to have sold in his store. The gilded surface of the paw feet, brass ornaments along the apron, and rosettes along the base complement the figures in a pleasing manner.
Painted Side Chair, Finley Brothers, Greek
Revival, America
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Presentation Notes
Baltimore 1815-1820
Greek Revival Parlor, Duncan Phyfe, Greek Revival, America
Meridienne (Couch), attr. Duncan Phyfe, New York City, Greek Revival
Meridienne (couch), Duncan Phyfe, Pillar and Scroll style, America
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Presentation Notes
Meridienne (Couch), 1837�Attributed to Duncan Phyfe (Scottish, 1768–1854)�New York City�Mahogany, pine, ash; 38 1/2 x 74 x 24 1/2 in. (97.8 x 188 x 62.2 cm)�Purchase, L. E. Katzenbach Fund Gift, 1966 (66.221.1)
Interior, Palace of Westminster, Lords Chamber
and Royal Gallery, A. W. N. Pugin, England, Gothic Revival
The Crystal Palace, The Great Exhibition of 1851 Joseph Paxton, (no style given), England
Drawing room, Red House, William Morris et al, Arts and Crafts
Drawing Room, Red House, Philip Webb & William Morris, Arts and
Crafts, England
“Morris Chair,” Phillip Webb for Morris & Co., 1865, Arts and Crafts,
England
“Kennet” Chintz, William Morris for Morris and Co., Arts and Crafts,
England
Desk, C.F.A. Voysey, Arts and Crafts,
England
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Presentation Notes
1896 (designed)� Unstained, unvarnished oak, with copper panel, hinges and fittings� Charles Francis Annesley Voysey
Great Parlor, Wightwick Manor, Arts and Crafts, England
“My Lady’s Chamber,” Walter Crane, Aesthetic Movement,
England
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Detail of “My Lady’s Chamber.” Walter Crane. Clarence Cook, The House Beautiful (New York, 1879)
Wine Jug, Christopher Dresser, Aesthetic Movement,
England
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Presentation Notes
C. Dresser toast rack, 1881, decanter or Claret jug, 1885
Tea Table with Folding Shelves, E. W. Godwin, Aesthetic Movement, England
The Peacock Room, painted finishes by Whistler, Aesthetic Movement, England
Dining Room, Lyndhurst,
Alexander Jackson Davis,
Gothic Revival, America
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Dining room, Lyndhurst, �A. J. Davis, Hudson River Valley, Gothic Revival
Armchair, Meeks and Co., Gothic Revival, America
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Armchair, ca. 1850�Attributed to John and Joseph W. Meeks (American, active ca. 1836–57)�American; Made in New York, New York�Mahogany; 53 x 23 x 22 in. (134.6 x 58.4 x 55.9 cm)�Friends of the American Wing Fund, 1985 (1985.189)
Armchair, John Jelliff,
Renaissance Revival, America
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John Jelliff, Newark NJArmchair, John Jelliff �(of Newark, NJ), Renaissance Revival
Sideboard, Unattributed,
Renaissance Revival, America
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Sideboard, Herter Brothers, New York, Renaissance RevivalRenaissance Revival Sideboard, American
Milligan House Parlor, Unattributed, Rococo Revival, America
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Milligan House, BNA= 1853Milligan House�The Milligan House was built in Saratoga Springs, New York, by Colonel Robert J. Milligan in 1853. The lavish drawing room in the Rococo Revival style (inspired by 18th-century French design) was the front parlor of the house. The library, originally the back parlor, was modified and furnished in the Gothic Revival style for its installation in the Museum in order to demonstrate the interest in a broad range of historical styles in the 19th century. Certain styles became associated with particular room usage: Rococo for parlors and Gothic for libraries. In the drawing room, the characteristic flamboyant scroll and floral motifs of the Rococo Revival style are found in the carpet pattern, the chair carving, the mantel, and the over-mantel looking glass. The more sober forms of Gothic design were considered preferable for the mood of a library. The two rooms together illustrate the kind of interiors that resulted from the explosion of goods available to the rising middle class in the 19th century.
Sofa, John Henry Belter, Rococo Revival, America
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Sofa, J. H. Belter, New York, Rococo RevivalNew York, USA (made) Date:ca. 1856 (made) Artist/Maker:Belter, John Henry, born 1804 - died 1863 (designer) J.H. Belter and Company (manufacturer) Materials and Techniques:Carved solid and laminated rosewood, with varnished chestnut or oak strengthening blocks, upholstered silk damask (not original) Museum number:W.22-1983 Gallery location:Furniture, room 133, case BY12, shelf EXP
Interior and Side Chair, W. H. Vanderbilt Home, Herter Brothers, Aesthetic Movement, America
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Vanderbilt mansion, NYInterior and Side Chair, W. H. Vanderbilt House, Herter Bros., NYC, Aesthetic Movement
Library Table for W. H. Vanderbilt, Herter Brothers, Aesthetic Movement, America
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Table from the W. H. Vanderbilt House, Herter Brothers, NYC, American Aesthetic Movement
Interior, Olana, Frederic Church, Moorish Revival or Aesthetic
Movement, America
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Interior view, Olana, F. E. Church with Calvert Vaux, Moorish Revival Olana, Frederic Church
The Great Hall, the Breakers,
Richard Morris Hunt, Beaux Arts,
America
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The Breakers, Newport, 1898, RM Hunt Stair Hall and Music Room, The Breakers, Newport, RI, R. M. Hunt, Gilded Age or Beaux-Arts
Illustration from The Craftsman, Gustav Stickley, Arts and Crafts , America
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Craftsman Living Room, From The Craftsman, Gustav Stickley, American Arts and Crafts
Reclining Chair, Gustav Stickley, Arts and Crafts, America
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Reclining Chair, Gustav Stickley, New York, American Arts and Crafts
Parlor and Inglenook, Gamble House, Greene & Greene, Arts and Crafts,
America
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Living room with Inglenook, Gamble House, Greene and Greene, Pasadena (Calif.), American Arts and Crafts
Armchair from the Robert Blacker House,
Greene & Greene, Arts and Crafts, America
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Blacker House Armchair, Greene and Greene, California, American Arts and Crafts
Stair Hall, Hôtel Tassel, Victor Horta,
ArtNouveau, Belgium
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------------- Image1 ------------- Field Data Collection IDOL Teaching Collection�Work Record ID 885�Work Type houses�WORK TITLE null�Title Tassel House�WORK CREATOR null�Creator Name Horta, Victor�Creator Dates 1861 -1947�Creator Nationality Belgian�Creator Type architects�Creator Role architects�WORK DATES null�Display Date 1893�WORK LOCATION null�Location Brussels (Belgium)�Location Ixelles (Belgium)�WORK STYLE PERIOD null�Style/Period Term Art Nouveau�WORK CULTURE null�Culture Belgian�WORK SUBJECT null�Subject stairs�Subject stairwells�Subject balusters�Subject balustrades�Subject railings�Subject entrance halls�Subject residential design�Subject interior views�WORK RELATED OBJECT null�Related Object Tassel House�Relation Type interior views�WORK DESCRIPTION null�Description A view of a stairwell of the Tassel House (Hotel), Brussels, now the Mexican Embassy. Horta's curving forms continue in the columns, stair railing, ceiling and wall patterns. Very open spaces are the result.�WORK SOURCE null�Source Image from the collection of Evie Joselow.�REPRO RECORD null�Repro Record ID NYSID01480�
Atelier and Home, Victor Horta, Art Nouveau, Belgium
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Horta’s own Home and Studio, �Victor Horta,1898-1901, �Belgium, Art Nouveau
Armchair, Henri Van de Velde, Art Nouveau, Belgium
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Armchair, �Henry van de Velde, Belgium, Art Nouveau
Fireplace and Cabinets, Castel Beranger, Hector Guimard, Art Nouveau, France
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Entrance Hall, Cabinet and Fireplaces, Castel Beranger, Hector Guimard, France, Art Nouveau
Casa Batlló, Antoni Gaudí, Modernisme,
Spain
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Casa Batlló, Antonio Gaudí, 1904-1906, Barcelona, Spain, Modernism
Magnolia and Irises Window,
Louis Comfort Tiffany, Art Nouveau, America
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Presentation Notes
Magnolias and Irises, Louis Comfort Tiffany, America, Art Nouveau
Library, Glasgow School of Art, Charles Rennie Mackintosh, Glasgow School, Scotland
Ingram Street Tea Room, Mackintosh & Macdonald, Glasgow School, Scotland
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Ingram Street Tea Rooms, Charles Rennie, and Margaret Mackintosh, Scotland, Glasgow School
Chair, originally for the Argyle Street Tea Rooms, C. R. Mackintosh, Glasgow School, Scotland
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Chair from Argyle Street Tea Rooms, Charles Rennie Mackintosh, Scotland, Glasgow School
Chair No.14, Bent Wood Chair, Michael Thonet, No Style Assigned, Austria
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Model 14,Bent Wood Chair, Michael Thonet, 1859 to the present, Austria
Armchair, for the Austrian Postal Savings Bank, Otto
Wagner, Secession Movement
Secession Building, Joseph Maria Olbrich, Secession Movement, Austria
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------------- Image1 ------------- Field Data Collection IDOL Teaching Collection�Work Record ID 2764�Work Type exhibition buildings�WORK TITLE null�Title Vienna Secession Building�WORK CREATOR null�Creator Name Olbrich, Joseph Maria�Creator Dates 1867 - 1908�Creator Nationality German�Creator Type architects�Creator Role architects�WORK DATES null�Display Date 1897-1898�WORK LOCATION null�Location Vienna (Austria)�WORK STYLE PERIOD null�Style/Period Term Modern�WORK CULTURE null�Culture Austrian�WORK SUBJECT null�Subject contract design�Subject exterior views�Subject entrances�Subject domes�WORK DESCRIPTION null�Description The front view of the Secession Building. The design was based on the old idea of a building as a monument but is a new idea of that building type.�WORK SOURCE null�Source Image from the collection of Evie Joselow.�REPRO RECORD null�Repro Record ID NYSID03531
Fledermaus Café Chair, Josef Hoffmann, Weiner
Werkstätte, Austria
Stizmachine (Reclining Chair), Josef Hoffmann, Weiner Werkstätte, Austria
Desk and Armchair, Koloman Moser, Weiner Werkstätte, Austria
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Koloman Moser, 1903
Dining Room, Villa Stoclet,
Hoffmann and Klimt,
Weiner Werstätte, Begium
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Dining Room, Palais Stoclet, Josef Hoffmann, with Friezes by Gustav Klimt, Belgium, Wiener Werkstätte
Cabinet, Dagobert Peche,
Wiener Werkstätte, Austria
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Cabinet, Dagobert Peche, Austria, Wiener Werkstätte
The Theater in the Auditorium Building, Adler & Sullivan,
Early Modern, America
The Guaranty Building, Adler & Sullivan,
Early Modern, America
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Sullivan and Adler, Guaranty Building, Buffalo, 1895Sullivan and Adler, Guaranty Building, Buffalo, 1895�
National Farmer’s Bank, Louis Sullivan, Early Modern, American
Interior with Inglenook,
Wright’s Home, Frank Lloyd Wright,
Prarie School, America
Typists Desk and Chair, Larkin Building, Frank Lloyd Wright, Early Modern, America
Living Room, Robie House, Frank Lloyd Wright, Prairie School,
America
The Colony Club, Trellis Room, Elsie de Wolfe, Early Decorators, American
The Palm Beach Residence of Mrs. Hugh Mercer, Ruby Ross Wood, Early Decorators, America
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The Palm Beach resident of Mrs. Hugh Walker Mercer, designed by Ruby Ross Wood. Wood is one of my all-time favorite decorators (and she was a Georgia girl too!).
Bedroom, Rose Cumming, Early Decorators, America
All White Living Room,
Syrie Maugham, Early Decorators, England
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Own drawing room, 1933
Mrs. Brown’s own Dining Room, McMillen Inc.,
Early Decorators, America
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McMillen Inc, Mrs. Brown’s own Dining Room
Greenbrier, Dorothy Draper, Early Decorators, America