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How to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett

How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

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Page 1: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

How to Read Literature

Like a Professor

Author:

Thomas C. Foster

Adapted by:

Miss Barrett

Page 2: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Keys to Studying Literature

• Read with a pen in

hand!

• Start looking for these

things:

Symbols

Patterns

Intertextuality

Devices

Allusions

Page 3: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Be an Observer: Go all “Sherlock” on it.

Notice Things!

Ask yourself

What does it mean?

Why is it there?

How does it add to our understanding?

Take risks. Guess! Then Guess Again.

Make a connection to your life, other texts, and the world.

Page 4: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

The Basics

Setting (Ask: why this setting?)

Plot (Consider: foreshadowing, development, turning

point, climax, originality)

Character (consider types, development, realism)

Theme (the most important, ponder the point)

Point of View (perspective, does it matter?)

Conflict (type, kind {Man vs ____}, introduction,

resolution?)

Style (ask why it was written this way, is it effective,

innovative, imitative?)

Page 5: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Now, more things to notice . . .

Page 6: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Context Matters

Understand that every

book is written against its

own social, historical,

cultural, and personal

background.

We don’t have to accept

the values of another

culture to sympathetically

step into the story and

recognize universal

qualities present there.

Page 7: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Now, Where Have I Seen This Before?

There is no such thing as a wholly original work of

literature. Every new story builds on previous

stories.

Intertextuality: recognizing the connections between

one story and another deepens our appreciation and

experience, brings multiple layers of meaning to the

text, of which we may not be conscious.

Connections might be made in terms of archetypal

characters, common themes, common plots, etc.

Page 8: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

What if I told you a story about . .

A group of people forced to fight each other to the death,

for others entertainment

Two young lovers, who met, fall in love, but are fated to

die

An oppressed society where the corrupt government is

always watching, thereby controlling the populace

A love triangle, two men in love with the same woman,

and she can’t choose between them

A society fighting against the evil empire

Page 9: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Might you have said

Page 10: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

How about this story

Two young people are from

rival families

(gangs/towns/classes)

They fall in love quickly

They must overcome obstacles

to be together

They die tragically

Page 11: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Romeo

and

Juliet

Page 12: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Intertextuality in Characters:

Common character types:

Universal characteristics and behaviours

A wise old woman/ man

An orphan

A love triangle

An absent father

A witch

The fool

The sidekick

A damsel in distress

A tragic hero

A man bent on revenge

Page 13: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Spot the character types:

Page 14: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with
Page 15: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with
Page 16: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with
Page 17: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Allusions

Literary or Historical References to People, Places, or Events

Page 18: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

When in Doubt, It’s from Shakespeare . . .

• Shakespeare is pervasive, so frequently echoed

• Shown in plot, character, and themes, etc.

▫ Hamlet: heroic character, revenge, indecision, melancholy

▫ Henry IV: young man who must grow up and take on

responsibilities

▫ Othello: jealous husband

▫ Merchant of Venice: justice versus mercy

▫ “Does not a Jew bleed.”

▫ King Lear: aging parent, greedy children, wise fool

▫ Romeo and Juliet: tragic lovers

▫ Macbeth: downfall caused by excessive ambition

Page 19: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Examples

Brave New World

West Side Story

The Lion King

A Thousand Acres

Ten Things I Hate About You

“0”

She’s the Man

Page 20: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

7. ... Or the Bible

• Before the 20th century, writers could count on people’s

familiarity with Bible stories

• Common allusions

▫ Garden of Eden, Adam and Eve

▫ David and Goliath

▫ The Flood

▫ Christ Figures

▫ Apocalypse

▫ The Devil

Page 21: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Let’s Take the Devil as a Literary Character

Paradise Lost, John Milton

Doctor Faustus, Marlowe

The Devil in Love, Cazotte

The Mysterious Stranger, Twain

The Exorcist, Blatty

The Stand, Stephen King

Sympathy for the Devil, Rolling Stones

The Devil Went Down to Georgia, Charlie Daniel’s Band

Rosemary’s Baby

The Lord of the Flies, Golding

Page 22: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Christ Figures• Characteristics of a Christ Figure

▫ Crucified, wounds in hand, arms outstretched

▫ In agony

▫ Self sacrificing, forgiving

▫ Good with children

▫ Good with loaves, fishes, water, wine

▫ Thirty three at death

▫ Carpenter

▫ Humble modes of transportation

▫ Walked on water

▫ Alone in the wilderness

▫ Tempted by the devil

▫ Last seen in the company of thieves

▫ Story teller

▫ Buried and rose again, redeems the world

Page 23: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Christ Figures Examples

Why use Christ Figures?

Deepens our sense of a character’s sacrifice

Thematically relates to hope, redemption, or miracles

Death of a Salesman (prodigal son)

All My Sons (Chris = Christ figure)

To Kill a Mockingbird (Tom Robinson= Christ)

The Lion, the Witch, and the Wardrobe (Christ)

Harry Potter (Christ figure)

Page 24: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

More Allusions: Fairy Tales

• We grow up with these tales, originally oral, cross cultural, universal characters and morals.

• Hansel and Gretel: lost children trying to find their way home

• Peter Pan: refusing to grow up, lost boys, girl-nurturer

• Little Red Riding Hood: loss of innocence

• Alice in Wonderland/ The Wizard of Oz: entering a strange world that operates under different rules

• Cinderella: orphan, abused, saved through supernatural intervention, marries a prince

• Snow White: evil woman who brings death to an innocent, saved by a heroic prince

• Sleeping Beauty: girl becoming a woman

• Evil Stepmothers, Queens, Rumplestilskin, Prince Charming

Page 25: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with
Page 26: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

More Allusions: Mythology

• Mythology runs deeply in the human psyche

• They were used to explain the world, its origins, and its

natural processes (seasons, disasters, etc)

• Odyssey and Iliad

• The Underworld/Hades

• Hercules

• Zeus, Jupiter/Thor

• Poseidon/Neptune

• Aphrodite/Venus

• Oedipus

Page 27: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Examples from Harry Potter Alone

Minerva McGonagall from Harry Potter: Minerva, the

Roman goddess of Wisdom

Percival Dumbledore: Percival, one of the knights of the

Round Table

Luna Lovegood: Luna, Roman goddess of the moon

Argus Filch: Argus, Greek monster with 100 eyes

Page 28: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Symbols, Symbols, Symbols

Page 29: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Is That a Symbol?

Yes. But of what? Tricky. Multiple meanings are possible.

Actions, objects, and images can be symbolic

Ie. The Road Not Taken

Symbols built on associations as well as emotions

Rose: romance, love

• Symbols are open to interpretations

• Red: Passion, Love, Death, Danger, Murder, Life, blood, Evil

• White: Purity, Holiness, Death, Surrender, Innocence, Peace

• Brainstorm possible interpretations to the following

symbols: Black, Blue, Pen, Night, Sun, River, Ocean

Page 31: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Every Trip is a Quest

A quester

A place to go

A stated reason to go there

Challenges and trials

The real reason to go – always self

knowledge

Page 32: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Leap Year

We’re the Millers

Page 33: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Famous Examples

Huckleberry Finn

The Wizard of Oz

Harry Potter

The Lord of the Rings

Page 34: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Food and Eating Together

Whenever people eat or

drink together, it’s an act

of togetherness, sharing,

and peace.

A failed meal carries

negative connotations

Remember Scout and

Walter Cunningham’s

failed meal?

Page 35: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Violence always has symbolic meaning!

• Two categories

▫ Character caused: shootings, stabbings, drowning, etc.

▫ Death and suffering for which the characters are not

responsible. Accidents are never really accidents.

• Questions to Ask

▫ What does this type of misfortune represent thematically?

▫ What famous or mythic death does this one resemble?

▫ Why this sort of violence and not some other?

Page 36: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Examples of Violence

To Kill a Mockingbird

Tom shot 17 times – overkill, impersonal, inhuman ---

represents racism

Mrs. Dubose – dying of unknown disease, wasting away –

represents the “disease” of racism that eats away at a person

from the inside

Macbeth

Macbeth is beheaded – the death of a traitor, like the first

Thane of Cawdor

Page 37: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Birds, Wings, and Flying

• Symbolically: freedom, escape,

imagination, spirituality, return

home, largeness of spirit, love

• Interrupted flight generally a bad

thing

Page 38: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

The Weather is Symbolic Too

• Rain

▫ Fertility and life

▫ Destruction, Drowning

▫ Restorative/Purifying: ie. Noah and the flood

▫ Cleansing

▫ Baptism/Renewal

▫ Question: What might snow symbolise? Fog? Rainbows?

Page 39: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Geography Matters

What represents home, family, love,

security?

Valleys, shorelines, meadows

What represents wilderness, danger,

confusion?

Labyrinths, jungles, forests

Low places(swamps, caves, tunnels)

fear, death, darkness, confusion

High places (mountains, high rises)

isolation, enlightenment, purity, life,

death, heaven

Page 40: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

. . . So Does Season

Spring, Summer, Fall, Winter – youth,

adulthood, middle age, old age/death

Spring – fertility, happiness, growth

Summer – hot, things are heating up,

lazy days

Fall – harvest, reaping what we sow,

both rewards and punishments, dying

Winter –lack of growth, death,

punishment

Christmas – childhood, birth, hope,

family, spirit of giving

Page 41: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Scars are Symbolic

Physical marks or imperfections symbolically mirror

moral, emotional, or psychological scars or imperfections

Scars mark people for greatness

Harry Potter’s lightening scar

Landscapes can be marked as well

Physical imperfections when caused by social

imperfections often reflects not only the damage inside

the individual, but what is wrong with the culture that

causes such damage

Tom Robinson’s left arm

Page 43: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Illness and Disease

Heart Disease – bad love, loneliness, cruelty, disloyalty, cowardice, lack of

determination

Physical paralysis – mirrors moral, social, spiritual, intellectual, or political

paralysis

Plague – divine anger, large scale suffering, the puniness of humanity in

the face of Mother Nature

Venereal disease -- reflects immorality or innocence when passed on to

a spouse or baby, exploitation of women

AIDS – the modern plague, tendency to lie dormant for years, unknown

carriers, disproportionately hits young people, poor, etc. Opportunity

to show courage, compassion, resilience; political and religious angles

The generic fever – often carries off a child, mysterious origin

Page 44: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

It’s All Political

Literature tends to be written by people interested in the

problems of the world, so most works have a political

element in them

Issues

Individualism and self-determination

Power structures

Relations among classes (Socioeconomic Status)

Issues of justice and rights

Racial, Sex, Gender, and Ethnic issues

Page 45: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Focus: Gender

Historical vs Modern Gender Expectations

Historical:

Man: hero, breadwinner, head of household, stoic, etc

Woman: damsel in distress, weak, nurturer, caregiver, compassionate, emotional, homemaker, few career opportunities, etc.

Modern:

Changing expectations: stay at home dads, career moms, etc

New gender identities: transgender, etc.

What gender expectations does that society/book hold/promote?

Do the characters demonstrate or defy gender stereotypes?

Who holds the power? Who strives to gain more power/rights?

How does gender affect a person’s decisions and opportunities?

What are the advantages and limitations of that gender in that piece of literature/society?

Page 46: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Gender Issues in Literature

A Thousand Splendid Suns

a story about two Afghani women,

living in a paternalistic society,

forced into marriage to the same

abusive man.

Page 47: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

Focus: Socioeconomic Status SES (class, education level, income, employment)

Traditional Structures: Aristocracy and Commoners Based on birth and land ownership

Modern Structures: Upper, Middle, Lower Based on money, employment

What are the issues associated with each class? Rich: discontentment, boredom, petty cruelty, snobbery, aimlessness, uselessness,

keeping up with the Jones, luxury

Middle Class: social climbing, marrying up, materialism, competition

Lower Class: survival, poverty, resentment of upper class, prejudice, oppression by upper class, violence,

How does SES affect characters decisions and opportunities?

Is this a story about the rich or the poor?

What is the author’s point about SES?

Are the characters stereotypical or do they defy their SES expectations?

Page 48: How to Read Literature like a Professor - eng521milton to Read Literature Like a Professor Author: Thomas C. Foster Adapted by: Miss Barrett Keys to Studying Literature •Read with

SES in Literature

The Great Gatsby: a story

of the wealthy NY eliteTo Kill a Mockingbird: a

story of the rigid classes in

the Deep South