HJGS Newsletter 34 June14

8/12/2019 HJGS Newsletter 34 June14

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Huddersfield Jazz Guitar Society

Newsletter No. 34 June 2014

ContentsPage

1. Meeting Summary...2

2. Members News..3

3. Swap an Idea..5

4. Membership............9

5. Gig List.12

6. Reviews14

7. Of Interest.15

8. Tuition16

9. Sales/Wants/Trades.17

10. Charts.24

11. Two Pats gig Important.3

Celebrating the art and craft of jazz guitar


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1. Meeting Summary

Hi Jazz Guitar Fans,

For some reason, or strange fluke, everyone decide to stay at home en mass.Consequently, the sum total of attendees at the meeting numbered a staggeringseven! Will the May meeting go down in society history as the poorest attended?Please let us try to avoid a repeat of this. Remember the old American adage what

you dont use you lose!

It must be said, however,, that those who were there soldiered on and playing,to an audience of four or five, was certainly good practice for playing jazz gigs!!

As usual, stalwart Tom Prior started the evening off with Stars Fell onAlabama. He told us that this corny tune, like Polka Dots and Moonbeams, had awful

lyrics. He did not tell us, however, that it had also been a vehicle for jazzmasterpieces from the likes of John Coltrane, Cannonball Adderly and Stan Getz.Toms trademark fills, with chromatic slides, tremolos and the like, were all to the fore!

He was then joined by Ian Wroe for the quirky blues, Blue Monk. There seemed tobe a little uncertainty about who was playing the head, Ian on the first and Tom on thelast.

Robin Thomas was up next or Makin Whoopeein his usual Kessel inspired

style of single-line, interspersed with block chords. This also featured a nice endingof chromatic substitutes for a I, VI, II, V turnaround. Out of Nowherefollowed in asimilar style. Well played, with a few rhythmic anomalies; his sense of internalisedtime (in his mind) was sometimes at odds with the more rubato style of his playing.

It was good to seeBulldogsHayden Minette, replete with a beautiful blondeHeritage Golden Eagle. Hayden rarely has time to support us. Coincidentally,another newcomer, bassist Paul Chamberlain, also made an appearance which wasgreat as we would have been down to five regulars. It is a shame, however, thatthese newcomers chose to come on our worst attended night ever. Hayden andAdrian Ingram played Autumn Leavesand Satin Dollleading us nicely into a break

and raffle.

Chloe, who some of you may remember from a previous session, appearedafter the break, thankfully swelling the numbers, and, after asking Ian if he could help

with her interpretation, sang Bewitched, Bothered and Bewilderedto Ians 7 stringaccompaniment.

Next up was Adam, who was joined by Adrian and Ian for renditions ofMistyand Watermelon Man

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2. Members News

Call for Membership Participation

We have had a few successful, I believe, examinations/investigations ofmembers favourite tunes. If you feel you could do a similar job please let me know.Send an email [email protected] chat to any of the committee at thenext meeting.

Remember the HJGSexists for the benefit(s) of its members, so we need tohear fromYOU: good, bad, indifferent, news, views, gossip, ideas, viewpoints, gigs,sales wants, swaps etc, etc!

Please keep us informed of any jazz guitar related gigs, events, sales or otheritem of interest, so that we can pass information on to other members. HJGSneeds

to develop its wider network as an important forum for jazz guitar related informationand information exchange, so that we may all benefit from the collective wisdom anduncoordinated information that undoubtedly exists amongst fans and connoisseurs.

~~~~~~~~~~~~~~~~~~~~~~~~~~

Guest Concert/Gershwin night

IMPORTANTTwo Pats Gig.

Meeting starts at 8:00pm prompt. Members playing time is

limited. I have received 2 names so far, if you want to play letme know ASAP.

Entrance fee: - Members 2Non-members .. 4

Please note that the Gershwin night has moved from June to July toaccommodate a SPECIAL GUIEST evening.

June will now be a concert from Pat McCarthy and Pat Sprakes accompaniedby a display of instruments from archtop luthier Colin Keefe.

This concert event will be open to the general public. Playing time is extremelylimited, so anyone wishing to do so should make themselves known and providedetails of tunes and approx. timings. TWO tunes per player/group max. Performancewill start at 8:00pm PROMPT.
mailto:[email protected]:[email protected]:[email protected]:[email protected]


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Tuesday 3rd June

Pat McCarthy and Pat Sprakes.Huddersfield Jazz Guitar Society is pleased to present a concert by guitarists Pat

McCarthy and Pat Sprakes. Two amazing players who have performed with some ofthe countries jazz elite.

Pat Sprakes has been a professional jazz guitarist for 20years. He has worked with Tony Kofi (he and Tony cut theirjazz teeth together in Nottingham in the early 90s), DariusBrubeck (who chose him to work with his quartet following achance meeting), Jim Mullen (who exclaimed "I wouldn't haveagreed to a duo with him if I'd know he'd blow me away!"),Phil Robson, Alan Barnes, Pat McCarthy, the list goes on.

Pat cites his main influences as Wes Montgomery, GeorgeBenson, Joe Pass, Bireli Lagrene, Larry Carlton, LeeRitenour and GrantGreen.Pat's love of

harmony allows him to create lush chords andthoughtfully crafted solos, with the emphasis ondynamic, tone and telling a story.

Pat McCarthy is widely regarded as one of thecountry's leading jazz guitar players and has been a

popular choice as guest or sideman with manybands, including The John Warren Project (featuringKenny Wheeler and Andy Sheppard), Pete King,The Jamil Sheriff Octet, Alan Barnes, Jamie Cullum,Jim Mullen, Art Van Damme, Dave Newton, DaveGreen, Tina May and Nikki Iles to name but a few.

Early inspiration came from listening to the recordings of Wes Montgomery, Barney Kesseland Django Reinhardt and he remains a champion of the pure, classic jazz guitar sound. Heis a composer and arranger, with commissioned works and music for film and television tohis credit. Pat is also active in jazz education.

The evening will also feature opportunities for members to perform and the concert will beopen to the general public so spread the word.

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3. Swap an Idea

This column appears to be popular so we will keep it for the time being. But,and this is an important butwe do NEED YOUR CONTRIBUTIONS for this to besuccessful. Contributions please [email protected].

This month we have contributions from Adan and Darren.

My Conti ExperiencePart 2

Roberts Contis The Chord Melody Assembly Line is like nothing I have seen before.

Although there are many books on composing your own chord melodies (many of which I own)

this one gets you started in using what you learn from the beginning.

The assembly line is the first of two books. The assembly line gets you playing chord melodies

using the stock chords and melody notes of a tune. While the companion book The Formulafollows on by taking you deeper into the subject, into the world of re-harmonisation.

These ideas and tools in the Formula are based on revelations Robert Conti had while listening

to his heroes Art Tatum and Oscar Peterson. He began to see patterns; or formulas if you will.

Many of these ideas come from cycle of fifth movements and tri-tone substitutions, amongst

other discoveries.

The chord melody assembly line

After a short period of time with this book I was able to see notes on a music stave, read thechords from the real book sheet and quickly put together a very simple chord melody. This book

is based on a very simple methodology to get you started.

How the book works is by learning in organised chord families. For instance if the stock chord is

a C major and the melody note is an E you will play a chord, a C chord with an E melody note on

top for instance C major 7.Below is a sample from the book showing different C majors, with

different melody notes on top.


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Notes above are notated at true pitch, an octave lower than is customary for guitar.

There are different families of chords (major, minor, dominant, diminished) each with chord grips

that each put a different melody note on top. It is quite easy to get going and in fact before I

finished the book I posted a chord melody of On the street where you live from My fair lady

which is linked below.

https://www.youtube.com/watch?v=8Miv0tTkPO4On the street where you live

There is an accompanying four hour DVD to guide you through the segments.Conti likes these long DVDsand they're actually my favourite part as well. Having auditory

explanations on DVD is particularly useful as these books often involve theory. However as

always with Conti, the emphasis is onplayingor "getting it under your hands" as he likes to say.

If you simply want to play some of Roberts arrangement he also has eight books of

arrangements. It is helpful to have tried these before approaching the method books as they are

the Nuts and Bolts of how he reached these arrangements.

His arrangements are laid out in the same way as the assembly line example.Usually there are

options so you can choose the chords you like the sound of or find easiest.

Although Robert Conti teaches you to play his solos or arrangements on the DVDs he tells you

many times that nothing is set in stone and that jazz is an improvisational art form that keeps

evolving as you learn. For me I know this is a starting point, a beginning of a new direction in my

musical journey. The key thing to learning is figure new ways to reinvent and use an idea in your

own way. Eventually you do this on the spot and this is the essence of improvisation.

Conti has a good way of keeping things simple and hed boil this down to one word

Experiment

Adam Hinchliffe

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The Coltrane Changes (Part three.)

I particularly enjoyed reading Adrians take on the Coltrane changes last week and I urge everyone
https://www.youtube.com/watch?v=8Miv0tTkPO4https://www.youtube.com/watch?v=8Miv0tTkPO4https://www.youtube.com/watch?v=8Miv0tTkPO4


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to study and use this particular idea as a turnaround. In response this month Im offering up yetanother use/approach for this concept.

If you read my initial article in the March newsletter I demonstrated how it is possible to approach aii V I progression by way of a series of substitutions to create a whole new harmonic pathway toarrive at chord I.

If this seems unfamiliar then have a look at the March newsletter which describes how to reach thispoint in detail. There are many references on line which outline this concept and are worth readingand if I may humbly recommend my own website www.guitarbytes.co.uk youll find video lessonsdemonstrating how this can sound.

Melodically it is possible to outline the Coltrane changes by way of arpeggios, chord tones andappropriate scale choices and to superimpose this over a regular ii V I. Players such as DavidLiebman use the idea to great effect.

Satin Doll is a tune familiar to most.

The harmonic sequence is based on a number of ii V chords through a series of tonal centres;Dm7 and G7 are in C major. Em7 and A7 are in D. The following part of the sequence is D7, Db7 andCma7. This is essentially a ii V I progression, Dm7, G7 and Cma7 with a tritone substitution on theG7 giving Db7 and a chord quality substitution on Dm7 giving D7. Here it is possible to use aneffective lick based around the Coltrane changes.

This lick can be used over any ii V I progression and gives quite an outside sound but can be veryeffective. As with all licks learn in all keys and practice using it in as many progressions as possible.Here is the lick used in solo that fits over Satin Doll.!


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Darren Dutson Bromley~~~~~~~~~~~~~~~~~~~~~~~~~~

Back to Contents


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4. Membership

Some memberships are now fal l ing due for renewal , remember membership

lasts for a ful l 12 mo nths from the paid up m onth and the fol lowing benef i ts are

only avai lable to current p aid up members.

The following deals have been negotiated for members on production of a currentmembership card: -

Bulldog Pickups (Huddersfield) www.bulldogpickups.com15% off all pickups and repairs/rewinds.

ElectroMusic (Doncaster) www.electromusic.co.uk

Variable discount depending on the item(s) purchased.

GTR(Huddersfield) www.gtrguitars.co.uk10% discount on strings and accessories.

The Music Room (Cleckheaton) www.the-music-room.comVariable discount depending on the item(s) purchased.

Matt Ryan www.guitarrepairer.com10% off guitar repairs/setups

AmplifierCoversOnline.com www.amplifiercoversonline.com Customised Equipment Covers On Demand

Frailers www.frailers.com


Foulds Guitars - Derby www.fouldsmusic.co.uk


The Amp ShackContact Andrew LazdinsValve/Solid-State amp and Effect pedal repairs. Discount available.

Phone: +44 (0) 7716 460 163

Email:[email protected]

MicroVox www.westf.demon.co.ukAcoustic instrument mics. 10% discount

Phone: +44 (0) 1924 361550


Mac Amplification www.mac-amps.comAmplifier + Pedal repairs Phone: 07716 860676


Mundo Music Gear www.mundomusicgear.co.uk

An ergonometric revolution for guitarists
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We are actively pursuing other supplier/retailers and will let you know as soon as weconfirm them. Remember also that we welcome your suggestions re the futuredirection of HJGS. Please get in touch.

Committee

Martin ChungPublicity, joint treasurer, website/facebook and development

Darren Dutson BromleyEnsembles, education, website/facebook and development

Adrian IngramNewsletter, education, international liaison and development

Ian WroeHost, joint treasurer, artiste relations, events and development

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Meetings

The first Tuesday of the month at The Rat & Ratchet, Huddersfield(see

http://www.ossett-brewery.co.uk/Pubs/HuddersfieldDistrict/tabid/1612/Default.aspx)

Remember the society needsYOUR views and input so, if you want to providea short introduction/discourse for a tune yourself or make any suggestions for a tune,please speak to a committee member. We have already had some other interesting

ideas put forward which we are looking into.YOUR ideas are both vital and welcome.It isYOUR society and the committee is there entirely onYOUR behalf. Please,please get involved if you can!

2014 meetings

Jun 3rd - Guest night (Pat McCarthy & Pat Sprakes) 8:00pm prompt.Jul 1st - Gershwin nightAug 5th - Players night

Sep 2nd - Guest night (Roy Sainsbury) 8:00pm prompt.Oct 7thNov 4thDec 2nd - Showcase

Workshop/seminars

Please note that in order to ensure an effective combination of complete

workshop and some time for playing, these sessions will commence at8:30 on thedo t.
http://www.ossett-brewery.co.uk/Pubs/HuddersfieldDistrict/tabid/1612/Default.aspxhttp://www.ossett-brewery.co.uk/Pubs/HuddersfieldDistrict/tabid/1612/Default.aspxhttp://www.ossett-brewery.co.uk/Pubs/HuddersfieldDistrict/tabid/1612/Default.aspx


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Back to Contents


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5. Gig List - June

Mon 2nd Jon Taylor/Adrian Ingram with Groove Indigo, Hare & Hounds,Rothwell, 8:30

Tues 3rd The Two Pats, Sprakes & McCarthy. Rat & Ratchet, 8:00pmSun 15th Adrian Ingrams Jazz Dawgs with special guest James Robinson, Parish

Pump , Huddersfield, 9:00Fri 27th Groove Indigo, Wakefield Jazz, 9:00

New Jazz Gig

The Jazz Dawgswill be hosting a regular monthly gig every 1st Sunday(4:00pm7:00pm) at the Grove, Huddersfield.

The Dawgs will feature different guest(s) each month interspersed with theoccasional jam session in which anyone can play, (please bear in mind, however,that it is ajam session and not an open mic!).

The Grove is considered by many to be the best pub in the area, it certainly

has the greatest variety of real ales! The roster so far is: -

Sun 1stJune Pat Sprakes + Wendy KirklandSun 30thJune Terry Kenyon

(This is a week early because of a bunch of bikers)

Live Jazz every Sunday and Tuesday at The Railway

74-76 Wellington Road North, Stockport SK4 1HF

Tel 0161 477 3680

9-11pmfree admission

Dates for MayJune 2014 include the following :

June 24th - Paul Hartley Quartet with Andzrej Baranek (piano)

PS A couple of additional dates that might be of interest :

Paul Hartley Quartet with Andzrej Baranek (piano) appear at Woodhouses Jazz Club, 62 Medlock

Road, Woodhouses M35 9WN on June 23rd9-11pm

Paul Hartley (guitar) with Ian Royal (trumpet) at the Bleeding Wolf, 121 Congleton Rd N, ScholarGreen ST7 3BQ (on the A34 between Congleton and Stoke-on-Trent) Wednesday June 18th9-11pm

Paul Hartley trio with Andzrej Baranek (piano) and Ed Harrison (bass) appear at the Olive & Vine

Restaurant, 846 Wilmslow Road, Didsbury M20 2RN on Sunday 22nd June 6-8pm

Paul Hartley Quartet with Andzrej Baranek (piano), Ed Harrison (bass) and Eryl Roberts (drums)

appear at Woodhouses Jazz Club, 62 Medlock Road, Woodhouses M35 9WNon June 23rd9-11pm

Paul Hartley Quartet with Andzrej Baranek (piano), Matt Owens (bass) and Eryl Roberts (drums) at

the Railway, 74-76 Wellington Road North, Stockport SK4 1HF June 24th9-11pm


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Paul Hartley / George Galway/ Ken Marley jazz trio next appear at the Olive & Vine Restaurant, 846

Wilmslow Road, Didsbury M20 2RN on Sunday 20thJuly 6-8pm

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6. Reviews

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8. Tuition

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Registry of Guitar Tutors (RGT) Jazz Guitar Diplomas

http://www.rgt.org/exams/jazz-guitar-performance-diploma.php

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Heres a message from a friend of ours Mike Gellar: -

Hi Adrian and Ian,

Just read the article about HJGS. Good to read about you two!

Members of the HJGS might be interested in my Mike's Master Classes site -

http://www.facebook.com/l/oAQEEZSvnAQEDO9yz8ulke0KlHpG_MbjrMPH2gGIY

NfqJpw/www.mikesmasterclasses.com- also on FB and I have a Youtube channel

"mgellar" that has clips from all of the classes on there that are available for download.

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Back to Contents
http://www.rgt.org/exams/jazz-guitar-performance-diploma.phphttp://www.rgt.org/exams/jazz-guitar-performance-diploma.phphttp://www.facebook.com/l/oAQEEZSvnAQEDO9yz8ulke0KlHpG_MbjrMPH2gGIYNfqJpw/www.mikesmasterclasses.comhttp://www.facebook.com/l/oAQEEZSvnAQEDO9yz8ulke0KlHpG_MbjrMPH2gGIYNfqJpw/www.mikesmasterclasses.comhttp://www.facebook.com/l/oAQEEZSvnAQEDO9yz8ulke0KlHpG_MbjrMPH2gGIYNfqJpw/www.mikesmasterclasses.comhttp://www.facebook.com/l/oAQEEZSvnAQEDO9yz8ulke0KlHpG_MbjrMPH2gGIYNfqJpw/www.mikesmasterclasses.comhttp://www.facebook.com/l/oAQEEZSvnAQEDO9yz8ulke0KlHpG_MbjrMPH2gGIYNfqJpw/www.mikesmasterclasses.comhttp://www.rgt.org/exams/jazz-guitar-performance-diploma.php


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9. Sales

Please let me know as soon as items are sold to remove them from the l ist .

An impo rtant message to al l contr ibutors to the sales colum n.

Modern dig i ta l cameras take highly detai led pictures. This detai l com es at a cost,

namely huge fi le size. If this newsletter becom es too big (approx imately 6-7 Mb),

som e email services, part icular ly academic in st i tut ions and businesses, wi l l notdeliver it .

If you want to in clude a picture of the sale item, or indeed item in our sw ap a l ick

colum n, then the pictures need to be reduced in f i le size, preferably no mo re than

100KB p er pictur e.

Hints. Try searchin g for optimising images for the webfor help on this.

Crop the image view to show jus t the item.

I, unfortunately, dont have the time to spend optimising images for the newsletter. Ifthey are too big they risk g ett ing left ou t.

Ian

Many gui tars have been sold th rough our month ly sales l is t ing s. If an

i tem is so ld, as a d irect c ons equence of an ad being s een in the

news letter , we, the commi ttee, would be pleased to receive a sm all

con tr ibut ion to HJGS funds .

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Set Bulldog Stratocaster Pickups, Haydens finest, lovely sound..100

Pair Gibson P100 Pickups (From ES-135)...80

All prices are negotiable and interesting trades are welcome

Contact: Ian Wroe [email protected]

---------------------------------------------------------------------------------------------------------------------------Benedetto Bennysmall-bodied jazz guitar with AAA carved spruce top and chambered

mahogany body. This high-end jazz guitar was designed by Bob as a pros instrument,


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lightweight, easy to play and with the sound of a full-bodied archtop in a smaller package.He got it right, which is why Howard Alden, Jimmy Bruno and Frank Vignola all play them,

I used this model for all three of my Stephan Grossman teaching vids, the Mel Bay DVD andCD with John Pisano, The dvd session in NY with Howard, Jack, Jimmy and Frank andseveral of my cd recordings and tuition cds. You dont see these delightful little jazz guitarsfor sale very often.2,000 or poss. swap/px

CONTACT Adrian Ingram: Tel 01484 314529; Email adrian@jazzdawgs.co.uk---------------------------------------------------------------------------------------------------------------------------

CSL Benson. As far as we can tell a prototype made for CSL (Former Ibanez Distributors) and was

built in the same factory to the same quality as the early Ibanez George Benson. Only difference is

here are two full size humbuckers making the guitar less susceptible to feedback and giving more

options in terms of swapping pickups. OHSC and fitted with Bulldog Cool PAFS. 750

----------------------------------

Simon and Patrick SP6 solid spruce

top electro acoustic. Signs of use.Nice tone. 195

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Roland GR33 guitar synth + pickup: 150 ono

Session Rockette 30fantastic little jazz amp : 90 onoJMP 50 1980 Marshall head: 600

Boss digital dimension(1980s) pedal as new (Mike Stern/Sco/Metheny etc) : 80Fender 57 USA reissue Strat. Mint with upgraded pickups...950

Contact Hayden Minetton 07967 831193 orhjm@bulldogpickups.com---------------------------------------------------------------------------------------------------------------------------
mailto:[email protected]:[email protected]:[email protected]


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Ph: +44 (0) 7716 460 163


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Hello HJGS, here are some photos of the gear I am thinking of selling.

The Gibson L-7 is very nice and was owned by USA bluesman Duke Robillard, looking for 2250.

The Abbott Victor Burlington is a fab piece of British guitar history. Ebony neck plays better than almostanything. Made in 1940s, may have been started beforeWWII and finished off after, according to

Frank Cambridge. So rare that I cant find another one to compare for valuation, but Id like 1500 for

it.

The Gibson BR 9 amp is late 1940s, last time I played through it I was not awestruck so it maybe needs

a bit of a look at, it used to sound Golden - so maybe needs a valve or a bit of know how ? 300 as it is.

For all amp (valve and solid state)

and effect pedal repairs.


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Also for the collector a J.G.Abbott senior 1928ish, round sound hole archtop, quite like the Gibson L-3 or

L-4 of the late 20s, light as a feather, very nice plectrum guitar, again too rare to find a value but Id

like to think 900 would be fair.

Anyone interested can call me on

07711050846.

Thanks, Andrew.

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Heres a message from Dan at Foulds Guitars

I'm running short of jazz guitars again! I've still got a bigger stock than most butdecent jazzers between 300 and 1500 I'm selling everything I get so if youhave any members that would like to move any unwanted guitars on we may beable to help.

Of course I am happy to offer a deal on goods for members, they just need tomention when enquiring.

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For Sale.

t.c.electronic 'G.Major' Guitar Effects Processor. Contains all the effects you will everneed all in one unit:

Noise Gate/EQ/Compressor/Chorus/Flanger/Vibrato/ResonanceFilter/Phaser/Tremolo/Panner/Delay/

Pitch Detune/Whammy/Pitch Shifter/Reverb-----and much more.

Bought by me second hand--never used--so must go. 200


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email me at: [email protected]

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1949 Levin Deluxe

Levin's guitars quickly earned a reputation for highquality and they built a wide range of instrumentsincluding classical guitars, mandolins, harp guitars

and archtops like the Deluxe here. The Deluxe,which was inspired by Gibson's Super 400 andEpiphone's Emperor, measured a little more than18 inches across the lower bout.

Levin Deluxe guitar is the highest qualityworkmanship. The top is hand carved spruce andthe back and side hand carved walnut, the inlaysare very detailed with a spectacular headstockinlay in great condition.All parts original (replica pickguard)

Price 3,400

Contact Ian Wroe for further details

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Trades

Wants

1. small amp : Polytone (any model considered); Musicman RD50(1x10 or 1x12); Peterson (Wood cab 10 speaker) AER etc

2. Seymour Duncan alnico Pro II neck telecaster neck pickup

3. DArmond archtop pickup, any model considered.

4. Benedetto or Kent Armstrong (early wood finish type, not Chinesechrome or gold, metal casing) floating pickup.

5 Any other archtop i.e. Bartolini, Lollar, etc. considered

6 Yamaha jazz guitar model AE1200, AE1200s AE2000 etc. cash orpossible PX against Benedetto Benny or Heritage Golden Eagle

If you have of know the whereabouts of any of the above please contact [email protected]

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mailto:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]


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Documents

HJGS Newsletter 34 June14