Historical of Literary Criticism

8/12/2019 Historical of Literary Criticism

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AZNI ZULAIKHA BT YAHAYA

SITI KHAIRUNISAQ BT MOHD FAUDZI

NABILAH BT MANSOR

ARIF ZAKI BIN TURIN


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a branch of history which looked at literaturefor evidence about the economic andpolitical events going on at the time at which

the works were produced


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Classical and

medieval criticism

Renaissance criticism

Enlightenment criticism

19th-century criticism

The New Criticism


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existed for as long as literature

Poeticsdeveloped for the first time the concepts

of mimesisand catharsis, which are still crucialin literary study.

Plato's attacks on poetryas imitative, secondary,and false were formative as well. Around thesame time, Bharata Muni, in his Natya Shastra,wrote literary criticism on ancient Indianliteratureand Sanskrit drama.
http://en.wikipedia.org/wiki/Mimesishttp://en.wikipedia.org/wiki/Catharsishttp://en.wikipedia.org/wiki/Platohttp://en.wikipedia.org/wiki/Poetryhttp://en.wikipedia.org/wiki/Bharata_Munihttp://en.wikipedia.org/wiki/Natya_Shastrahttp://en.wikipedia.org/wiki/Indian_literaturehttp://en.wikipedia.org/wiki/Indian_literaturehttp://en.wikipedia.org/wiki/Sanskrit_dramahttp://en.wikipedia.org/wiki/Sanskrit_dramahttp://en.wikipedia.org/wiki/Indian_literaturehttp://en.wikipedia.org/wiki/Indian_literaturehttp://en.wikipedia.org/wiki/Natya_Shastrahttp://en.wikipedia.org/wiki/Natya_Shastrahttp://en.wikipedia.org/wiki/Natya_Shastrahttp://en.wikipedia.org/wiki/Bharata_Munihttp://en.wikipedia.org/wiki/Bharata_Munihttp://en.wikipedia.org/wiki/Bharata_Munihttp://en.wikipedia.org/wiki/Poetryhttp://en.wikipedia.org/wiki/Platohttp://en.wikipedia.org/wiki/Catharsishttp://en.wikipedia.org/wiki/Mimesis


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Plato: Ion, Republic, Cratylus

Aristotle: Poetics, Rhetoric

Horace:Art of Poetry

Longinus: On the Sublime

Plotinus: On the Intellectual Beauty St. Augustine: On Christian Doctrine

Boethius: The Consolation of Philosophy

Aquinas: The Nature and Domain of Sacred Doctrine

Dante: The Banquet, Letter to Can Grande DellaScala

Boccaccio: Life of Dante, Genealogy of the GentileGods

Bharata Muni: Natya Shastra
http://en.wikipedia.org/wiki/Platohttp://en.wikipedia.org/wiki/Aristotlehttp://en.wikipedia.org/wiki/Horacehttp://en.wikipedia.org/wiki/Longinus_(literature)http://en.wikipedia.org/wiki/Plotinushttp://en.wikipedia.org/wiki/St._Augustinehttp://en.wikipedia.org/wiki/Boethiushttp://en.wikipedia.org/wiki/Aquinashttp://en.wikipedia.org/wiki/Dantehttp://en.wikipedia.org/wiki/Boccacciohttp://en.wikipedia.org/wiki/Bharata_Munihttp://en.wikipedia.org/wiki/Bharata_Munihttp://en.wikipedia.org/wiki/Boccacciohttp://en.wikipedia.org/wiki/Dantehttp://en.wikipedia.org/wiki/Aquinashttp://en.wikipedia.org/wiki/Boethiushttp://en.wikipedia.org/wiki/St._Augustinehttp://en.wikipedia.org/wiki/Plotinushttp://en.wikipedia.org/wiki/Longinus_(literature)http://en.wikipedia.org/wiki/Horacehttp://en.wikipedia.org/wiki/Aristotlehttp://en.wikipedia.org/wiki/Plato


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Developed classical ideas of unity of formand content into literary neoclassicism,proclaiming literature as central to culture,

entrusting the poet and the author withpreservation of a long literary tradition.

The birth of Renaissance criticism was in1498, with the recovery of classic texts, most

notably, Giorgio Valla's Latintranslationof Aristotle's Poetics
http://en.wikipedia.org/wiki/Neoclassicismhttp://en.wikipedia.org/wiki/Culturehttp://en.wikipedia.org/w/index.php?title=Giorgio_Valla&action=edit&redlink=1http://en.wikipedia.org/wiki/Latinhttp://en.wikipedia.org/wiki/Aristotlehttp://en.wikipedia.org/wiki/Aristotlehttp://en.wikipedia.org/wiki/Latinhttp://en.wikipedia.org/w/index.php?title=Giorgio_Valla&action=edit&redlink=1http://en.wikipedia.org/wiki/Culturehttp://en.wikipedia.org/wiki/Neoclassicism


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Lodovico Castelvetro: ThePoetics ofAristotle Translated and Explained

Philip Sidney:An Apology for Poetry

Jacopo Mazzoni: On the Defense of theComedy of Dante

Torquato Tasso: Discourses on the HeroicPoem

Francis Bacon: The Advancement of Learning

Henry Reynolds: Mythomystes
http://en.wikipedia.org/wiki/Lodovico_Castelvetrohttp://en.wikipedia.org/wiki/Philip_Sidneyhttp://en.wikipedia.org/wiki/Jacopo_Mazzonihttp://en.wikipedia.org/wiki/Torquato_Tassohttp://en.wikipedia.org/wiki/Francis_Baconhttp://en.wikipedia.org/wiki/Henry_Reynolds_(poet)http://en.wikipedia.org/wiki/Henry_Reynolds_(poet)http://en.wikipedia.org/wiki/Francis_Baconhttp://en.wikipedia.org/wiki/Torquato_Tassohttp://en.wikipedia.org/wiki/Torquato_Tassohttp://en.wikipedia.org/wiki/Torquato_Tassohttp://en.wikipedia.org/wiki/Jacopo_Mazzonihttp://en.wikipedia.org/wiki/Jacopo_Mazzonihttp://en.wikipedia.org/wiki/Philip_Sidneyhttp://en.wikipedia.org/wiki/Lodovico_Castelvetrohttp://en.wikipedia.org/wiki/Lodovico_Castelvetrohttp://en.wikipedia.org/wiki/Lodovico_Castelvetro


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Movement in 18th century Europe that

emphasized the importance of humanthought and science rather than religiousbelief.


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Thomas Hobbes:Answer to Davenant's prefacetoGondibert

Pierre Corneille: Of the Three Unities of Action,Time, and Place

John Dryden:An Essay of Dramatic Poesy Nicolas Boileau-Despraux: The Art of Poetry John Locke:An Essay Concerning Human

Understanding John Dennis: The Advancement and Reformation of

Modern Poetry Alexander Pope:An Essay on Criticism Joseph Addison: On the Pleasures of the

Imagination(Spectatoressays) Giambattista Vico: The New Science
http://en.wikipedia.org/wiki/Thomas_Hobbeshttp://en.wikipedia.org/wiki/Pierre_Corneillehttp://en.wikipedia.org/wiki/John_Drydenhttp://en.wikipedia.org/wiki/Nicolas_Boileau-Despr%C3%A9auxhttp://en.wikipedia.org/wiki/John_Lockehttp://en.wikipedia.org/wiki/John_Dennis_(dramatist)http://en.wikipedia.org/wiki/Alexander_Popehttp://en.wikipedia.org/wiki/Joseph_Addisonhttp://en.wikipedia.org/wiki/Giambattista_Vicohttp://en.wikipedia.org/wiki/Giambattista_Vicohttp://en.wikipedia.org/wiki/Giambattista_Vicohttp://en.wikipedia.org/wiki/Giambattista_Vicohttp://en.wikipedia.org/wiki/Joseph_Addisonhttp://en.wikipedia.org/wiki/Alexander_Popehttp://en.wikipedia.org/wiki/John_Dennis_(dramatist)http://en.wikipedia.org/wiki/John_Lockehttp://en.wikipedia.org/wiki/Nicolas_Boileau-Despr%C3%A9auxhttp://en.wikipedia.org/wiki/Nicolas_Boileau-Despr%C3%A9auxhttp://en.wikipedia.org/wiki/Nicolas_Boileau-Despr%C3%A9auxhttp://en.wikipedia.org/wiki/Nicolas_Boileau-Despr%C3%A9auxhttp://en.wikipedia.org/wiki/John_Drydenhttp://en.wikipedia.org/wiki/Pierre_Corneillehttp://en.wikipedia.org/wiki/Thomas_Hobbes


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The British Romanticmovement of the earlynineteenth century introducednew aestheticideas to literary study,

including the idea that the object ofliterature need not always be beautiful,noble, or perfect, but that literature itselfcould elevate a common subject to the levelof the sublime.
http://en.wikipedia.org/wiki/Romanticismhttp://en.wikipedia.org/wiki/Aesthetichttp://en.wikipedia.org/wiki/Sublime_(philosophy)http://en.wikipedia.org/wiki/Sublime_(philosophy)http://en.wikipedia.org/wiki/Aesthetichttp://en.wikipedia.org/wiki/Romanticism


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German Romanticism, which followed closelyafter the late development ofGerman classicism, emphasized an aesthetic

of fragmentation that can appear startlinglymodern to the reader of English literature,and valued Witzthat is, "wit" or "humor" ofa certain sort more highly than the seriousAnglophone Romanticism.
http://en.wikipedia.org/wiki/German_Romanticismhttp://en.wikipedia.org/wiki/Classicismhttp://en.wikipedia.org/wiki/Classicismhttp://en.wikipedia.org/wiki/German_Romanticismhttp://en.wikipedia.org/wiki/German_Romanticism


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William Wordsworth: Preface to the SecondEdition ofLyrical Ballads

Anne Louise Germaine de Stal: Literature in itsRelation to Social Institutions

Friedrich Wilhelm Joseph Schelling: On theRelation of the Plastic Arts to Nature Samuel Taylor Coleridge: Shakespeare'sJudgment Equal to His Genius, On the Principlesof Genial Criticism, The Statesman'sManual, Biographia Literaria

Wilhelm von Humboldt: Collected Works John Keats: letters to Benjamin Bailey, George &

Thomas Keats, John Taylor, and RichardWoodhouse
http://en.wikipedia.org/wiki/William_Wordsworthhttp://en.wikipedia.org/wiki/Anne_Louise_Germaine_de_Sta%C3%ABlhttp://en.wikipedia.org/wiki/Friedrich_Wilhelm_Joseph_Schellinghttp://en.wikipedia.org/wiki/Samuel_Taylor_Coleridgehttp://en.wikipedia.org/wiki/Wilhelm_von_Humboldthttp://en.wikipedia.org/wiki/John_Keatshttp://en.wikipedia.org/wiki/John_Keatshttp://en.wikipedia.org/wiki/Wilhelm_von_Humboldthttp://en.wikipedia.org/wiki/Samuel_Taylor_Coleridgehttp://en.wikipedia.org/wiki/Friedrich_Wilhelm_Joseph_Schellinghttp://en.wikipedia.org/wiki/Anne_Louise_Germaine_de_Sta%C3%ABlhttp://en.wikipedia.org/wiki/Anne_Louise_Germaine_de_Sta%C3%ABlhttp://en.wikipedia.org/wiki/William_Wordsworth


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Early in the century the school of criticismknown as Russian Formalism, and slightlylater the New Criticismin Britain andAmerica, came to dominate the study anddiscussion of literature.
http://en.wikipedia.org/wiki/Russian_Formalismhttp://en.wikipedia.org/wiki/New_Criticismhttp://en.wikipedia.org/wiki/New_Criticismhttp://en.wikipedia.org/wiki/Russian_Formalism


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Benedetto Croce:Aesthetic A. C. Bradley: Poetry for Poetry's Sake Sigmund Freud: Creative Writers and

Daydreaming

Ferdinand de Saussure: Course in GeneralLinguistics Claude Lvi-Strauss: The Structural Study of

Myth T. E. Hulme: Romanticism and

Classicism; Bergson's Theory of Art Walter Benjamin: On Language as Such and On

the Language of Man Viktor Shklovsky:Art as Technique
http://en.wikipedia.org/wiki/Benedetto_Crocehttp://en.wikipedia.org/wiki/A._C._Bradleyhttp://en.wikipedia.org/wiki/Sigmund_Freudhttp://en.wikipedia.org/wiki/Ferdinand_de_Saussurehttp://en.wikipedia.org/wiki/Claude_L%C3%A9vi-Strausshttp://en.wikipedia.org/wiki/T._E._Hulmehttp://en.wikipedia.org/wiki/Bergsonhttp://en.wikipedia.org/wiki/Bergsonhttp://en.wikipedia.org/wiki/Bergsonhttp://en.wikipedia.org/wiki/Walter_Benjaminhttp://en.wikipedia.org/wiki/Viktor_Shklovskyhttp://en.wikipedia.org/wiki/Viktor_Shklovskyhttp://en.wikipedia.org/wiki/Walter_Benjaminhttp://en.wikipedia.org/wiki/Bergsonhttp://en.wikipedia.org/wiki/T._E._Hulmehttp://en.wikipedia.org/wiki/Claude_L%C3%A9vi-Strausshttp://en.wikipedia.org/wiki/Claude_L%C3%A9vi-Strausshttp://en.wikipedia.org/wiki/Claude_L%C3%A9vi-Strausshttp://en.wikipedia.org/wiki/Ferdinand_de_Saussurehttp://en.wikipedia.org/wiki/Sigmund_Freudhttp://en.wikipedia.org/wiki/A._C._Bradleyhttp://en.wikipedia.org/wiki/Benedetto_Croce


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Historical of Literary Criticism