Heidi Broad - oldvic.ac.uk · Concrete floor produced using Microcement and ink pigments. Microcement mix trow-eled over floor and sanded back in even layers. The textures imitating

Heidi BroadScenic Artist

[email protected] | 07583 029 497 | www.heidibroad.com

Heidi Broad | [email protected] | www.heidibroad.com

SAINT ANDREW

Scenic Old Masters Project of Saint Andrew inspired by Jusepe de Riberas original art-work produced between 1600 and 1625. The painting shows Andrew the Apostle with his diagonal cross behind him.

Scenic techniques used such as dry brushing and textured rollering to give depth to the background. Cooler hues were exaggerated within the background to compliment the warm hues of the skin tone.

Dimensions: 2000 x 2500mm Painted in Rosco Supersaturated colours




EARTHQUAKES IN LONDON

Written By Mike Bartlett Director. Cressida Brown Designer. Angela Davies

Concrete floor produced using Microcement and ink pigments. Microcement mix trow-eled over floor and sanded back in even layers. The textures imitating worn concrete were created with wire brushes and by plucking using floats. The gold crack running through the centre of the floor was routered out, before painted in warm, rich hues of deap red and orange before covered in a gold film attached using size. image 3 (right) shows the gold under stage lighting where colours can be scene to come through transparancy layer.

Inspired by Artist Doris Salcedo piece at the Tate Modern ‘Shibboleth’ Kingsuuky


SNOW QUEEN

Designer. Bronia Housman.Director. Paul Clarkson. Redgrave Theatre. 2019.


Here you can see the Snow Queen floor taken from the workshop mesanine with the designers model to hand. The details of the icylines were all hand drawn to replicate Bronias model. Jenny Brushes were used in a ‘bleeding’ technique where colours joined seemlessly.

Stensils used for lettering in 3 sizes. Canvas attached to infinity curves during paint call using cyclorama glue.

Detail of Icicle - technique - splattering water and spraying over


THE LARAMIE PROJECTDesigner. Carly BrownbridgeDirector. Nancy Medina Costume Design. Bea Wilson

Fun fur covered in flints mud on edges of cloth. Texture of gravel created using ruber foam/crumb and scrim cut in pieces and soaked in mud. Colours applied in washes before dry brushed over. The show ran for a week.



HER NAKED SKINDesigner. Benjamin ThapaDirector. Sarah BediPerformed at Circomedia Bristol

Sugar Glass replicated using Crystal Gel. Basic wood graining techniques applied uto the floor using comb and rock-er. Entire floor grained in one day. Broken down finishing texture produced with radiator rollers.




For Her Naked Skins i focused on the break down of the window frames. The frames were textured using Artex then layered with emulsion paint using a ‘blocking’ technique. Washes of rust colours were then applied on top. Darker areas of rust featured in areas where rust would most likely collect such as on joins and on the undersides where water may collect. Sprayed to finish.

Project Work

Scenic Artist



PERSPECTIVE DRAWING


SPRAY PRJECT Dimensions: 1700 x 2500mm




SIGN WRITING One day virtual workshop with Jen Espley


BEAUTY AND THE BEAST. PANTOMIME 2016.


Wonders of Wood

Virtual instruction by Alexander Mcpherson and Emma Troubridge



Personal Project inspired by artist Henrik Uldalen. Trompe l’oeille details of paint created using thin rosco washes before drybrushed over with Raw Umber to create shadows.

Florence Academy of Art Realism

Scenic Artist




Intermediate studies of Casts in the Charles Bargue method.


Advanced Cast Drawings in Nitram charlcoal and chalk on Archers Toned Paper

SAINT GEROME. 340 x 420mm SKULL. 360 X 420mm OLD WOMAN. 710 X 840mm




Marco Oil painting in limited palette 450 x 1000mm

ACADEMIC STUDIES FROM LIFE




Rembrandt close-up of self portrait

Documents

Heidi Broad - oldvic.ac.uk · Concrete floor produced using Microcement and ink pigments. Microcement mix trow-eled over floor and sanded back in even layers. The textures imitating