.•LEONARD

Play 8 Songs with Tab and Sound-alike CD Tracks

Just Like a Woman

PayingtheCostto Bethe Boss

Please Accept My Love

Rock Me Baby-

Sweet Little Angel

Sweet Sixteen

Why l Sing the Blues

You Upset Me Baby

.•LEONARD

CONTENTS

Demo TrackPlay-Along Track

Just Like a Woman

Paying the Cost to Be the Boss

Please Accept My Love

Rock Me Baby

Sweet Little Angel

Sweet Sixteen

Why l Sing the Blues

You Upset Me Baby

TUNING NOTES

Cover photo © Fernando Aceves / Retna, Ltd.

ISBN 978-1-4234-5193-8

HAL»LEONARDl RD. P.O.BOX 13819 MILWAUKEE. Wl 53213

For all works contained herein:Unauthorized copying, arranging, adapting, recording, Internet posting, public performance, or other distributionof the printed or recorded music in this publication is an infringement of Copyright.Infringers are iiable under the law.

Visit Hai Leonard Online atwww.halleonard.com

Just Like a WomanBy B.B. King

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Paying the Cost to Be the BossWords and Music by B.B. King

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act like you don't wan - na lis - ten

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when I'm talk - in' to you. You think you ough - ta do, ba - by,

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wan - na,

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Addittonal Lyrics

3. Now that you got me, you act like you're ashamed.You don't act like my woman, you're just usin' my name.l teil ya, I'm gonna handle all the money and I don't want no backtalk,'Cause if you don't like the way I'm doin', just pick up your things and walk.You gotta be crazy, baby, oh, you must be out of your mind.As long äs I'm payin' the bills I'm payin' the cost to be the boss.

15

Please Accept My LoveWords and Music by B.B. King and Saul Bihari

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1. I don't e - ven know your name,

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p p ^-^Dar - ling, let me hold. your hand.

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r r i r just how much I.love you.

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Lov - ing you.the way.that I do,.

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21

Rock Me BabyWords and Music by B.B. King and Joe Bihari

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Additional Lyrics

2. Roll me, baby, like you roll a wagon wheel.Want you to roll me, baby, like you roll a wagon wheel.Want you to roll me, baby, you don't know how it makes me feel.

3. Rock me, baby, honey, rock me slow.Hey, rock me, pretty baby. Baby, rock me slow.Want you to rock me, baby, 'til I want no more.

25

Sweet Little AngelWords and Music by B.B. King and Jules Bihari

IntroSlow Blues J =64

ctt D#m7A-,

/L ' n ^"«4» —»J ,. 4«/

w/ clean tone

1

t g

T / n H OA ll'A

3- 1 l fi ^*

it

9 L n11 11 0

-\-\1 m o

F#7

12 13 1414" 12X13 12X131414 -H 14 14 9 11

8 10

ÄG#7

Verse

ctt

l.ttft -•—£ P1. Got a sweet 'lil an - sei.

£ mtJ

12 11 9 9^ T- H- -H H—9-

11 9-M- -W-

26

Copyright © 1956 by Universal Music - CareersCopyright Renewed

International Copyright Secured All Rights Reserved

I love the way.she spreads _ her wings. _

«7

Jbtztiri-9—r-H « M M—9 » 9^48^

G7

Yes, _ got a sweet 'lil an - gel..

~B '

11 9

üttm?

I love the way.she spreads her wings. _

9 ^—

Em7

-44-

Yes,.

9 ^8 9-

27

Gtr. tacet

D#m7

when she spreads her wings a-round me, _ I gets j o y _ and ev-'ry-

D#m7

p:thing. 2.1

i*E l

1 1t £s

1/4

t

12 11 9 9^7 S^H M— -9—tt- -H-

-H- -H-

asked my ba - by for a nick-el and she gave me a twen-ty dol-lar bill

p

11 11

ctt ctt?

i»—*

wvvwvww1/4

t

Yes, asked my ba -

-H 9-H- -M-9 14 14

11 11

28

G7 F#7

by for a nick-el.and she gave me a twen-ty dol-lar bill.

9 11

C#maj7D#m7E#m7Em7

D#m7F#7

her for a lit-tle drink o' liq-uor,and she gave me a

11 9

CttD#m7

whis-key still

9—tt--9—W-M-

-9 M-

29

Guitar SoloC»

1/2•vwvwwvww

13—14—pH (W) 12 12—7— -1 4 M 4 1 4 12

«^43—14 14 i-4414 14-

l>-<44>- -t2 13 14 14 14 12 i 14 42

1/4

^y ww-(42) 24 - 12X11 9 9- H-

-h4^ -H-

b-^ Ü-*-

f

Em7

r ^P *P M M f M M Mvwvww

12 13 13 14 « 14 13 14 14 *3 14 13 14

30

D#m7

cttüttmVG#7

ZZ '"1 ff J.T1*t ~fn> ' I H

_- { r i F f.«J

3. Hey, _ if

vwvw

0 tt tta Jt 1 *-Jt_Jt_E m ^U 'Jh *>r ftftt A -^ — - — — Ei c — P — - r'T^r r~ CO ff W 77 r r~ r 1

U«^»yv«^ nn«T«^i>r 77 / ' 0 * ' 'r

j -- => , sWWW

MQ 11 Q ^— - " •— •—

11

Verse

CÖ7

(V H Yff 7 — ' — H — T — T — T — fi — T — r tT l — l—1 ^my ba - by should quit me,

0 tt Öu A Jf ffW"tt tfll 1. 9. f\_ ~U ftltTTW _• >. p v «»f/Ts ff n]J u i n 7 70j r

•l-l

^ c i ' ' • j a ^' '|^ _ •? ' ' •~»-J

T.nrd, T dn he, - liftve.

cttC#7

I would die.Yes, if

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31

F#7 G7 F#7

A- ' T/I ffj^fl — T< — 1 L j — ' — l

my ba - 1

fr> " U ff

p-f — ry}y should quit me,

LU-Ä- —pn-jP- — —

t T Y\

^~~

m

| f i 1 1 1 ;

T.ord, T do he - lieve

"iiültf- LUl - Jlti-Ä--JJtT-jp- pl- p- JjTt -jp-

) • yb ^/ 7 )/ i

y o ^-* y> p — - n

V s>

"^— -^

g F —

T would

D#m7 Em7

f\ ' Tl iW LL T *T 2 * ' * *

tJ '

die.

0 tt ttu, W W* *Jr niPff. Hu DP P^_ T n u ff u _• ff r rf<H tt "::-B«3

-• * ^s?J _^ *•J. ^«*l ^^^ 1

Yes.

c * C ~ ~ C ' ' C ' « « « « ^p F F F1 1 11 L^

p p p Pvr r r v •» — •_J 2

Gtr. tacet

Dttm7 N.C.

-

If you don't love me, lit-tle an - gel, please _ teil me the rea - son why

ÄD13

r\« r r r

i P-

let ring -

-9 9 9 =H ?—^-W tt tt M fc^tt-

^J2 9^-H tt--«-

-H- -H-

32

Why l Sing the BluesWords and Music by B.B. King and Dave Clark

IntroModerately J = 120

C7

\&*l -

k

*

/p• —

OT/"

w/ clean tone1t

-w m

^ , ^ ^ r f T * f

1/4j

t i — s — 8 — — 11 n" |

.^vvvvwvvvv

jff, i — * i r . J AS e p ** ti1ivwvwvw

^ 8 H _8

RF — — — r=^- r r T=g \-j— \ i ^ — \ .i i — j1/2

8 « 8 tt=^

•VWVWVVVi1/4

--tfl--ffl 8-tt-

1/4t

1/2

tt-

C7

p£f=i t=^8

•

8

* \

vwvvwv»•" "••

vwvvvvv

9

wvw%ww •

*

vwvwww

1

ru

8 1

9

•vvwwvwv

— V». \\m f ~J~^- — r n

wwvwvw

8 8 M8 9

Copyright © 1969 SONGS OF UNIVERSAL, INC. and UNIVERSAL MUSIC - CAREERSCopyright Renewed

All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights Reserved Used by Permission33

G7 F7 C7

W^ ^~^ — B — 1 —»m r~ j i j ta^J l

i8 m m

a gm

/ L

1/2 l_^x x — N wvww /. — N ^y

m n» m

n 11

1. Ev - 'ry - bod - y wants to know2. - 6. See additional lyrics

v/hy _ I

i^w w- ra^

F7

WH * — * — ?^f — 1 1 '- — - 'sing the blues.

0 f fJ/ \ \^_ T n •» f n *•im r L' ' r \f 1SjZ r v ^

8 0

D 0

Q 0

/ ' r

Yes I

f f

r r r r

8 0

« 0

9 0

E5 — i ' — -J — P

say e.v -'ry-hnrl - y wan-naknow

T l V T ll •»i J / 1 L> /

8 V

in vn Y

C7

\^ ' r

why I

f\_ > ' N ^ > f\*f fl\- / / r L/ /

e v

m v8 v

F i r J *— l 1 ^^^

sing the blues

f fv p N iT n •< f T •/1 U / 5. J 1~ r r '

o0 0

9 n

/ )|e —

Well,

f\ Yf n "/ Tr L' ' r~ T ~

4-fl

n

Fve been a -

\j i

34

6th time, To CodaG7F7C7

round a long time.I real - ly have _ paid my dues.

A •*• •*• •*• •*• T*" 1A fr fr fr fr *

jr \ i. n A. f v •* T L' *> f m f- r / f- r 7N n Y nf L^ •* t L' •< f. r / f. r 7

N P V

T n •/ f f L^ 7 J

r9) «<

> 7

A AXV

AAUUm

4th time, substitute Fill l

G7Play 4 times

Guitar Solo

C7

-

2. When I

ww wwv

p1/4

WW WWV

1/4wvw ./

m19m

19 19m in

.

1 111 11 11

1 111 11

1/41/4wwv _J J ^ N www J ^r ^ ___^ J ww

•«•J 10 ^o /1«N 44 HH /H-l\» /-40\4

1111

Fill 1

0 "f F jf \ \ ^_ f •< 1 T »'L'fn> r ' / r 1 Yt;

m919

35

G7Sva

-n- -H 13-

F7 C7

-J»3- -w n—12—13^3-

1/4

-H--13- -^3- 11 13

G7

loco

-tfl-

D.S. al Coda(take repeat)

5. My

G7

l

Outro-Guitar SoloC7

A WWW

Jr ' f -/Q_ ff v ff " ff ^ ^Co p — l — 5 — * — r 4 — i —-^f — r r 1 '

1/4

www __y

11 11 11

WWW

*r ff T ff i **^ — B— J T ? ^=1 y. __ ^_ L 1

i/4

WWW ./11

11 11

A^-^\p * p

,9 ** iV «^ 1 **/ 1 !/ 1 -

\1 11

36

BeginfadeF7

8va-wwwvwv

A^_

X1 1WWWWWWWWVA

1/4A

11

G7

1/4 1/4 1VVVVVVV r v www > wwv wwv __/ _/ > — N

11n 11

F7C7G7

^L «• V \9 7 E >^-i) ' — 3 — i

1

} •< ^ /

1/4

WWW f

10 1 i

»^ *i s m *t f «^ \ — L — '- 1 1 2 4

1/4

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m t •/ Y *i Y fJ — 2 j! L r f

80

m m

m

Additional Lyn«

2. When I first got the blues, they brought me over on a ship.Men were standin' over me and a lot more with the whip.And ev'rybody wanna know why I sing the blues.Well, I've been around a long time. Mm, hmm, I've really paid my dues.

3. I've laid in the ghetto flats, cold and numb.I heard the rats teil the bedbugs to give the roaches some.Ev'rybody wanna know why I'm singin' the blues.Yes, I've been around a long time. People, I've paid my dues.

4. I stood in line down at the county hall.I heard a man say, "We're gonna build some new apartments for y'all."And ev'rybody wanna know, yes, they wanna know why I'm singin' the blues.Yes, I've been around a long, long time. Yes, I've really, really paid my dues.Now I'm gonna play Lucille.

5. My kid's gonna grow up, gonna grow up to be a fool,'Cause they ain't got no more room, no more room for him in school.And ev'rybody wanna know, ev'rybody wanna know why I'm singin' the blues.I say, I've been around a long time. Yes, I've really paid some dues.

6. Yeah, you know the Company told me, "Guess you're born to lose."Ev'rybody around me, people, it seem like ev'rybody got the blues.But I had 'em a long time. I've really, really paid my dues.You know, I ain't ashamed of it, people. I just love to sing my blues.

37

Sweet SixteenWords and Music by B.B. King and Joe Bihari

IntroModerately slow Blues J = 60

8vaC#7

wwwwwwvwwv

mfw/ clean tone wvwvwvwwwwv

-M--J3 -H 9-

F#7 D7Sva-

A H rt u.xjL^fl1 ffufttf — p~? k _ — p — p — _ — p- — n*fv ff ft r — * -T r L T r — '*) l \__ -1 ^ | '

wwvwv -www

^ 1 «J l D4H

p

VW

p p— 1— 1 | — — £ — — y • *H

A WWWVWVWWW WVWW ~^^^

"1R ' 91 ' i _"

ctt? FÖ7

X ^tt fliiffjl — m *4lr<T> tt B ff rtj — — i

WWW

-^

^ — * — * — p p —4 2 1 £ T n —1 — 1 V — J

14Ä •WWW

1.4 U

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i_1 3/4 1A A WWV A—

14 14 14 14 16 T

-> PH— P

-3 '

~1 H M -\A

wwwwwww

•i y *j *f_

^ä

wwwwwww

tt-45-

38

Copyright © 1967 by Universal Music - CareersCopyright Renewed

International Copyright Secured All Rights Reserved

rake - H

1 1/4^V t g t

K-, v 11 Q ' Q

'VVVWVW

90 m11 11

Q

G#7Sva--

« — ra M — m u<t/ — n. — \c3 ^ 'N

1111 Q 1— n

G°7

wwvvwvwvwwv

vwvwwvwwww

-H-

n 1

39

F#7*_! P .

^1. When I first met you, ba - by, ba - by, _

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^^^wvw

9 ^

wwwvwww

^H 0 11 11

First met you, _ ba - by,

lord, _ you were just. sweet six - teen. _

40

G#7F#7

C&T¥tt r —4F— i* —w 14jg — - — tM* — ' p 1j E^J h i~^

You'd just left your

*—m '_m m i

lome then,

— w

F F —— 1- r bj— F — v^ ^ : >_ ba - by. Oh, the

vwv /L>-^\ — wwwwvwwwvw

L i „ J \

rake H j^ww f~^\wn ** ^^^^ n -t-t n n

C#7

sweet-est thing.I'd ev-er seen..vwwwwv

/13 11 9

11 7 X8

2. But you would-n't do noth- ing, baby,WW . JJ

1/4

M~9

>T ^rffatttt ^ — w — 4F F-Ofoftfffftt7f j 1ö) ""^

you would -n' t

r. j — r F . — > — F—r 1 ^ ' — M— p — p — A- 1 1

io an - y - thing T

V- 1/ TT

-F — — F^ — - ^-— . ^

asked ya to.wwv /^-

f --f f - ,\ L r >• 1 J 1 tsJf ' 'B

wwv f

9Q

H-l

F h 'h«Hr - — J

1/4

n /Q Q

Q

41

You would-n't do noth-in' for _ me, ba - by, oh, you would-n't

8va-

r-3-,

do an - y - thing. I asked you to..

Sva

/2S ml 1/2

11 11

Gfr

You know you ran a - way from your home, _ ba - by, and now_

cttv

you wan-na run a - w a y . from old. B. too. _

42

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opffqpS

v;OB"c

G#7 - -Noth - ing in the world, ba - by, lord, there

WWW

l

WWW

9 9 s „ 9 f l9 ^

-H M-9 9-4^^W-

C#7

ain't noth-ing, noth-ing in the world I would-n't do for you.

wwwwlüiwwww

Guitar Solo

C#7wvwwvw Sva

wwv

-/¥ttA — 2 — E — — *ra) ft tt ff ^ e%r_

-wvwwwv

^__ — EL

wwv

f - — 1

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l 1/2 \ wwv _^f ~ \w ^ — _y

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44

cfr/

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(•-io\ T T n -10 /HO HO -1.1 -10

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46

ot back from Vi-et - nam, _ baand ya know Fm a long, long

C#7

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way

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fr

py

om New (

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7 7 ., HO 7U ijl -ir

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9 n n19 Q Q 0 Q 11

11 11 11 11

r r r fr r rTTTT ». 1 U — L i J L 1 J i \J \ ? 1got back from Vi-et- nam, ba - by, _

/"- X^^Y S* (»l

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1/2

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C#7

oh, ba- by, and I'm a long, long way from New Or - leans

8va

WW

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47

G#7

I'm hav-ing so much prob-lems, ba-by, ba-by, I won-der

1/4

C#7 G°7 G#7

what in the world is gon - na hap - pen to me. 5. Treatme

lvw f

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1/4

t

-f2-9 9 K tt^

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C#7 F#7

3£tJ

mean, ba by,vwvww

but I'11 keep on.

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t VWVW

^^ J-Vr -HH -H--W- -ffl-

lov-ing you_ just the same. _

WWVWV

Oh, _ treat me

wwvwv

l lwwvwv wwvwv

11 1111 9

-9 7^4-

-H-

48

Gtr. tacet

treat me mean, ba - by, I'll keep_ lov - ing you, keep on lov-ing you just the

C#7

Efc

-9 9 «=

-H(11) 9-9 tt-M-

G#7

X ttfOfl ; ^ = f l•<& H tf ft *- ' [_ M ^

But one of

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•« 1

— l — l rL$F — m ~| h) — zr ^

thesR days. ha - hy^

/***" /**** /^ ^~v

i i f f

' 15

you're gon - na give_ a lot of mon-ey to hear_ some-one.

1 l

K

-vvwvwvw

49

G#7

Verse

call my name

Sva

Oh! 6. You're sweet six - teen, ba - by,

Sva-

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F#7 ctt?

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sweet six- teen.

Sva-

^

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oh, yes, the sweet-est thing. I ev - er seen. _

1/2

50

tT

Yes, you know I'mhav-ing so much trou-ble, _ peo-ple. _

£¥tfrrr?1/4

-H--tt-9 10

11 11

Free timeGtr. tacet

F#7

tT~/ / —r

B a - by, I won - der,

/ /

yes, I won - der,

ba - by, I won - der,oh,.I won - der what in the

G#7

A tempo

world's gon-na hap-pen to_

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9 10

51

You Upset Me BabyWords and Music by B.B. King and Jules Bihari

Intro r-j-iModerately J = 114 (J~J = J J1)

D9 Eb9 E9 F9 F#9 G9 N.C. 3_ ^3_/--.Z»* — •• • - .—

T1

A

-—n- — f JbJ \'f-r—\ ' * | ! '

/w/ clean tone

1 1

t t' 3 ' 3y o / v s o

t:

- J U 1 .' r r J J 1 J^ 1- 'vJl7 J — v_f * — » —

1 1/4

1 t

J 3 / -s yc r» c c o 0

• ^ R

G7 C/G G7wwwwvw

VF-B — p-**i — »; — k#^ — — - * r —

1/4 1

t fz z3

0 0b

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f

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^ — * t]g ffl* — (• —

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1/2WWWW A

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1/2VW%VWV wwwwv

-6—3—5—353 3-^ 6 3- ^ 6 3 3—r

^ 4- -5 fr—3-

52

Copyright© 1954 by Universal Music - CareersCopyright Renewed

International Copyright Secured All Rights Reserved

VerseGtr. tacet

G7C/GG7

thir - ty - six in the bust,2., 3., 4. See additional lyrics

C/G

-X-*4]' 1'r — r — i i i

•=M? — . >: 1•* — i* — 1• —n

£

twen - ty - eight in the waist,

3rd & 4th times, substitute Fill l

for - ty - four in the hips, she got a, real.crazy legs.

C9G7

%=^dYo

tJ

u

T«

up

0

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0

ts

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ba- b>

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f ' "7 3 =

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.

^9- ^ ____ — J__==^^-^^-J -L-

you up - sets me, ba - by.

. L* "~g 1

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3 5 4 5

53

D9

-yf-ff — — — äj yfm /v - - •- '

Yes,

A # » *jf W m iC u J -m'" m \T r •< » ($3" ~ * P XR? — * — - — i — ^r - F - '

3 c 9 xo

c i s »

-m-^' — - — r — • — r^r — r — " — r — = — 1— — — j —I' m teil - in' you peo - ple, she' s some - thing fine

To CodaG7 C/G

r^> p

that y

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m — _ — f

ou real - ly ought to see.

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3 0 o

.

G7 C/G1137

G7

do to me __ 3. Well, I've do to me

P * g

^ 5 ^-4 5 3^

c o

^4 *- -4 5 3^

Guitar Solo

G7wwwww

l r 7 l

1/4•wwvwvvv ww

1/2 _

-6—8—8-

54

C9

J

1/41/4

13-9 8—T--8 8 8

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Additional Lyrics

2. Well, she's not too tall, complexion is fair.Man, she knocks me out the way she wears her hair.You upsets me, baby. Yes, you upsets me, baby.Like bein' hit by a fallin' tree, woman, woman, what you do to me.

3. Well, I've tried to describe her, it's hard to stop.I better stop now because I got a weak heart.You upsets me. Well, you upsets me, baby.Well, like bein' hit by a fallin' tree, woman, what you do to me.

4. Well, I've tried to describe her, it's hard to stop.I better stop now because I got a very weak heart.You upsets me, baby. Yes, you upsets me, baby.Well, like bein' hit by a fallin' tree, woman, what you do to me.

56

THE MUSICAL STAFF shows pitches andrhythms and is divided by bar lines intomeasures. Pitches are named afterthe firstseven letters of the alphabet.

TABLATURE graphically represents theguitar fingerboard. Each horizontal linerepresents a string, and each numberrepresents a fret.

HALF-STEP BEND: Strike the note and bendup 1/2 Step.

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HAMMER-ON: Strike the first (Iower) notewith one finger, then sound the higher note(on the same string) with another finger byfretting it without picking.

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TRILL: Very rapidly alternate between thenotes indicated by continuously hammeringon and pulling off.

TREMOLO PICKING: The note is picked äsrapidly and continuously äs possible.

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Guitar Notation LegendNotes:

BEND AND RELEASE: Strike the note andbend up äs indicated, then release backto theoriginal note. Only the first note is struck. '

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4th string, 2nd fret Ist & 2nd strings open, open D chordplayed together

WHOLE-STEP BEND: Strike the note andbend up one step.

PRE-BEND: Bend the note äs indicated, thenStrike it.

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PULL-OFF: Place both fingers on the notesto be sounded. Strike the first note andwithout picking, pull the finger off to soundthe second (Iower) note.

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iTAPPING: Hammer ("tap") the fret indicatedwith the pick-hand index or middle finger andpull off to the note fretted by the fret hand.

VIBRATO BAR DIVE AND RETURN: Thepitch of the note or chord is dropped aspecified number of Steps (in rhythm), thenreturned to the original pitch.

GRACE NOTE BEND: Strike the note andimmediately bend up äs indicated.

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VIBRATO: The string is vibrated by rapidlybending and releasing the note with thefretting band.

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LEGATO SLIDE: Strike the first note andthen slide the same fret-hand finger up ordown to tbe second note. The second noteis not struck.

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NATURAL HARMONIC: Strike the notewhile the fret-hand lightly touches thestring directly over the fret indicated.

VIBRATO BAR SCOOP: Depress the bar justbetöre striking the note, then quicklyrelease tbe bar.

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SUCHT (MICROTONE) BEND: Strike thenote and bend up 1/4 step.

PALM MUTING: The note is partially mutedby the pick hand lightly touching thestring(s) just betöre the bridge.

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SHIFT SLIDE: Same äs legato slide, exceptthe second note is struck.

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PINCH HARMONIC: The note is frettednormally and a harmonic is produced by addingthe edge of the thumb or the tip of the indexfinger of the pick hand to the normal pick attack.

VIBRATO BAR DIP: Strike the note and thenimmediately drop a specified number ofSteps, then release backto the original pitch.

Additional Musical Definitions

H (accent) • Accentuate note (play it louder).

(staccato)Play the note short.

Fill

N.C.

Label used to identify a brief melodicfigure which is to be inserted into thearrangement.

Harmony is implied.

D.S. al Coda

D.C. alFine

Go back to the sign ( % ), then play untilthe measure marked "To Coda," then skipto the section labelled "Coda."

Go back to the beginning of the song andplay until the measure marked "Fine" (end).

1. Hlr

Repeat measures between signs.

When a repeated section has differentendings, play the first ending only the firsttime and the second ending only thesecond time.

The Guitar Play-Along Series will help you play your favorite songs quickly and easily.Just follow the tab, listen to the CD to hear how the guitar should sound, and then playalong using the separate backing tracks.The melody and lyrics are also included in thebook in case you want to sing, or to simply help you follow along.

The CD is playable on any CD player, and is also enhanced so Mac and PC users canadjust the recording to any tempo without changing the pitch!

Just Like a Woman

Paying the CosttoBe the Boss

Please Accept My Love

Rock Me Baby

Sweet Little Angel

Sweet Sixteen

Why l Sing the Blues

You UpsetMe Baby

UNIVERSAL MUSIC

PUBLISHING GROUP

Book $6.99, CD $8.00 = Pkg U.S. $14.99Parts not sold separately

EXCLUSIVELY DlSTRIBUTED BY

•84088"20105'HL007004ßfi

ISBN 978-1-4234-5193-