Gubaidulina - Funf Etuden (Arpa)

7/26/2019 Gubaidulina - Funf Etuden (Arpa)

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SOFIA GUBAIDULINA

Fúnf

Ettiden

fùir

Harfe,

KontrabaB

und

Schlagzeug

MUSIKVERLAG HANS

SIKORSKI

.

HAMBURG



t

($)

YC/IOBHbIE OEO3HATIEHH'

EXPLANATION

OF

SIGNS

ÀJI'I

BCEX

HHCTPYMEHTOB

I.

FOR

ALL

INSTRUMENTS

T,IHCCaHAO

or

HeOnpeAeJreHHOrO

SByKa

(BBepX,

BHr{3),

paBHOe

no

AnI|TeJrb.

HocrH

I

(J)

glissando

from

an indefinite

note

(up,

down)

equal

to a crotchet

(J)

in

length

ro xe,

paBHoe

no

AnxreJrbHocrr

|

(J)

the

same,

equa

to a

minim

(J)

in length

ro xe,

paBHoe

oAHoMy

raKTy

the

same,

taking

up a whole

bar

ABoirHoe

r,tHccaHAo

(or

Heon-pe4s[eHHlrx

sryron), paBgoe-

oÀHoMy

îarîy

double

glissando

from indefinite

notes,

taking

u a

whole

bar

rpoúnoe

rJrl{ccanÀo, paBnoe

oAHoMy

raKTy

triple

glissando,

taking

up

a whole bar

Hepr{TMr{3r{poBaHHoe

TpeMono

tremolo

without a

definite rhvthm

rr

noBroprrb o6ne4eHnufi

TeKcr

Ao

yKa3aHHoro

Mecra

-""passage

thus

framed

to

be

repeated

up

to

a specified

point

noBîopÍTb-

îeKcî

Ao

orogqaHtrt

Aeúcrnns

$epmaru

passage

thus framed

to be repeated

as

long

as

the

hold lasts

AJIfl

APObI

2.

FOR

THE

HARP

TIHCCaHAO

AByMn

nanoqKaMr{

B

pa3Hbre

cTopoHbr

glissando

produced

with

two sticks

in

the

opposite

directions

fJil{ccaHAo

AByMr

nanoqKaMx BBepx

glissando

with

two

stlcks up

nrnccaHAo

oAHoft

nano.rxofi slrlls

glissando

with

one

stick down

&rs)

z

rs)

x(\)

z(s)

,tl"trriú

,t\A.\ryl^

lEl

,,'"

(?r

ffi

o

(}.,

t7

r\



3

r'lHccaHAo

BEepx

H

BrrH3

ne.Boft.pyKgfi-.

(a-

perncrpe

.r--pt-2-fi

oKraBbr)

/\/\/-

glissanéo

up.

àna

aó*n

with

ttr '

ieit'-h;;d'-riitnìr'*tli,iùe

or

the

,

once-accented

and

twice_accented

octaves

J

x,

nPHrnYrUHrb

3ByK

\-/

To

be muted

presso

di

tavora

f,.if;?itrtlunooo,ra

A

HorreM

(coll'

unghia)

play

with

the

fingernail

f

aKKopA

Ha

lroósr.x

crpynax

pe6poru

naAoHH

î

chord

ro be

produced

on

any

.iring,

litr,

the

side

of

the

hand

ANfl KOHTPADACA

3.

FOR

THE

DOUBLE

BASS

JT

î

?

A

/.1 |

rauccaHlo

rpeMono

(nsepx,

nnus)

t

Ì/

glissando

plus

tremolo

iup,

dorín)

{($)

rnficcaHAo-pHKoruer

(rnepx,

rHns)

glissando

with

springing

bow

(úp,

down)

rnHccaHAo

Ha

qeTbrpex

crpyHax

glissando

on four

dtrings'"

lrparb

ga

no4crasxofi

play

beyond

the

bridge

axKopA

3a noAcraBxofi

(ua

nnóurx

crpyHax)

chord

to

be

produced

beyond

the

bridgi

(oí

any

strings)

Hauóoaee

gbrcoxHfi

sogtr.f

oxHbui

gsvx

the highest

note

possible

ANR

YÀAPHbIX

4.

FOR

THE

PERCUSSIONS

Mapuu6aQox.

The

Marimbaphone

HepnrMn3lrpoBauxoe

TpeMono

AByMff

naroqKaMu.

Hcno.nsRercn

oAHofi

py.

AM^aA M

xofi

no

AByM.cropoHall rrasxurh

(caepxy

u

cuHsy)

tremolo

produced

with

two

sticks

(iriihout

a àófinite

rhythm),

to be

played

with one

hand on

two

sidei

of

the

key

(from

"fiou.

rn6trorn

below)

TpeMoJIo

sa

cauoÈ

HHsrofi

HoTe

l{HcrpyMeHTa.

Cleayer

noJroxgTb

Ha

KJra-

n^tahr^daT

Bnruy.Meran.nnqecxuft

npeAmer

(nanp.

na.noury)

tremoro on the

lowest

note.

A

metal

object,

for example,

a

stick,

should

be

placed

on the

key.

Ey6eH.

The

Tambourine

îì

rrnccaHAo

no

-Kparc

HHcrpyMenîa

(6o.nruuu

naalqenr)

Jt

glissando

produced

with

the thumb on the

frame

fr$

rn

bapaóaH.

The Side.Drum

HrpaTb narbqaMn

play

with the

fingers

Tape,rxa.

The

Cymbal

yAap

nanoqxofi

no

xparc

with

a

stick on the

edge

sun'

orto

;il;:'"if;.Tff.

6onrn.

The Bongos



nfrb

STIOAOB

ÀJrE

ap(pbl,

IcoHTpa.6aca

H

yAapHLIX

J.=.0

Arpa

Contrab

ass

o

í

Marimba

,

3

Tamburino

o

o)

c

Tamburo

=

E

Piatto

o1

NL

a

eonghi

lJr

^o

Iv

O

1974

by

Musikverlag

Hans

Sikorski,

Hamburg,

for

Germany,

Denmark,

Greece,

lceland,

lsrael,

Netherlands,

Norway,

Portugal,

Spain,

Sweden,

SwiEerland

and

Turkey

@

1991

by

Musikverlag

Hans

Sikorski,

Hamburg,

worldwide

except

C.l.S.

3

di'oo'*

FIVE

for

Harp,

Double

(reosr.;

I

ETU

D

ES

Bass

and

Percussion

CoÒrrs

lY

EAI"IAYJIIIHA

Sophia

GUBAIDULINA

poco

r

it.

Poco

rit.

x

x

Poco

accel.

)':J'senlre

E

it.

tempo

poco

accel.

o ooooo oo

o

o



E

r

tempo

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ar.

Bongh

i

c-b.

Mar.

olf

-_

2. fy6aÈty.1HHa

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t1s?

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c-b.

Mar.

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c-b.

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J.=roo

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Bongh

i

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c-b.

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c-b.

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Bong

hi

On

the

edge.

2.

I

---

Meno

mosso

EJ.=ro

coI

legno

r)

flatgqanu.

'

^..ll"y

with

the

f

ingers.

ti)

IIo

xpap.

con

le

ditar)

sullt

orlo

**l

c

1157

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c"b.

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ongh

i

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onghi

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I

t

\

ú

,F

{F

1l

ìl

l=

f----r---7

r-

2-

l--'----

+3'

o

?

-

r.'_----1

f............--r

f___

4

___

T,L

Ò

ùltvrq.

g..ì3

ooo

t-t



tgliss.

az1

pizz.

Arpa

c-b.

î-ro

Piatto

B

onghi

Arpa

c-b.

Mar.

T-ro

arco,__ffiì

,

poco

a

poco

ritardando

pizz.

ffil

t-|

îúJ

ril+

t

p-V

c

11s?

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Allegretto

10

II

^"r"{

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Contrabasso

Percusslotre

a scelta

t)

Arpa

Perc.

-

La

mlsure

[îF]

s€guono.

mello

stesso

ordine

al

i+J

e

Pol

al

tr'ine

r*

)

I

(

.)

Hcno.rsr{re,nÉ

Ea

yAapnblX

nrpa€î

uafr

scrc

IIBecyrH_s3aasCUMO

OT

M€Tpa

uaptnfi

ap{rt

6aca.

flpu

oroM

oE

Moàcer

EMIIpoBntopt""'",

nsI

6ripaa

aro6ue

ren6prt'

The

percusstontst

plays

in.common"ù;;;ifit;'.;u,rài"rartss

oi

the

metre

of

the

Doubte

Bass

parts.

He

may

extemporlsr-;;;;ii

"na

cIoórt-any

tinbres

he

likes'

,r) ,rarlbr

ti.

r.g.z:l

troBÍoparÉ

a

tofi

xe

EocJreAoBarerlbHocru

no

Ei

u

AaJÎee

Ao

rcorqa'

n"r, lffiilì

repeat

in the

same

order

up

to El

end

further

to

the

end'

I

EoXTpa-

Harp

and

C

115?

H



^-'{

c

-b.

Pe rc.

u

Arpa



12

o"n"

I

t

I

{F

Arpa

r'

cr

1157 K



i3

Arpa

c-b.

Perc.

Arpa

cb.

Perc.

-..1-

I

I

ì

I B

Murro

mosso e

poco

rubato

t

fuori

dl

tempo

e metro

delle Percussione)rr)

tfuori

di

temno e

metro

delle Percuslionetrt)

.?

Lo

stesso

tempo

r)

Hottev

Play

with

the

f ingernall.

rr)

BEo

TeMna

R

MeTpa

yAapH6rx.

Disregard

the

tempo'and

metre

of the

Percussions.

rrr)

44ps5Is

npoAoxÌcaIor

srpaîÉ

n

3aKaEqr{aaloT

co.'ro

The

Percussions

go

on

playing

and

end their

solo

Agrr

€-

-

ungo

+

mor

endo

S

olo

eontiduo

ad libitum

rrr)

/:r

shnile ol Flne

uo

rlcelIaEgIo.

at

wiIt.

4coll'unghlà')

c

115?

K



t4

Arpa

C

ontraba

sso

Arpa

c-

b.

Marlmba

Arpa

c-

b.

Mar.

I

I

I

17

IE

Adagio

J

=

so

Presso

dl

tavola

*)

6coll'unghla

J:J

III

p.izz.

PP

p-

PP

ELo

stesso

tempo

di

Tempo

(quasl

Cadenza)

Przz.

mano

destra con due

bacchetter*)

sfmile

at

GII

P

lhorl

t)

r"parÈ

y

Aoxrr

Play at

the

soundboard

rr)Aepxcaî

naJIoqtcH

c.reAyeT

rar, rro6sr

oAEa

u3 Hsx

raxo,quJracÉ

rroA

Hold the

sticks

so

that

one

is'under

th;'ket

"oJ

ilr"

oil,er

over

it.'

mano

sinistra con

la

terza

bacchetta

P'-

Doco

cîesc,

e.bacch.

,

'

,

'É

n

Én

=fua

#re

.Ln

La

-4,î,

P

poco

c'esc,

0 11s7

K

raarrmefira

Apyrss saA

BeÉ.



-l

15

^-"{

sul

pontlcello

a.rco

colla

porte

pizz.

gùiss.

a

tempo

Mar.

Mar.

v---

*)o

MetarnqecKoÈ

uaroqxofi

ra

Wtth

a metal

silck

placed

on

colla

bacch.

metallica

sul

t asto

q€

-----=-----

\\---//

rf

r'

==---=\-/

t

via

bacch.

I

^-"{

c-b.

=

-o

\-___<v

-\<

KraBurIIo

(cM.

ycJroBsbre

o6osuaEeEEa

.)

the

key

(

ses the

Explauatlon of Signs.l

colla

Parte

sen?ro

piu

presso

di

tauola

c

1157

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16

M

Allegro

disperato

J

=reo

t)

gllss.

colla

bacch.ln

Arpa

Contrabasso

Marimba

Tamburo

Bonghl

c-b.

M

ar.

T-ro

Bonghi

ri'

Baepx.

Up-.

rrrl

lgn3.

DoWn.

Arpa

{

r)

rauccaxAo

trarorrBailE

E

pB3u6Ix

HarprBJrorr rsx.

.r

rcrll::ln1o_produced

wlth-two

sticks

tn

the

opposl'te

direeilons.

sensl

opporti

5 ;,'

Jt=lt

sempre

c

115?

l(



c-b.

Mar.

T-ro

Piatto

Bonghi

Piatto

Bonghi

Arpa

c-b.

Mar.

T-ro

P iatt

o

Bon

gh

i

Mar.

T-ro

Piatto

Bon

gh

i

Mar.

Piatt

o

Bonghi

=

I

tr

ff

dlrnlnuendo

poco

a

poco

c

11s7 It

èt

,-.--

-n

f-l rrr )

-l-

rì'ì )

-l-

Jìr/,

)

)

J

o-

c7esc.

a

q Pereussioni

soli

î

4

î

in

6

î

*

L

U

î

=-r-ì-ì

#u

ó

11

{}

I

T

r{

?,10

ò

r-,,.- Fìl-ì J rÈ lì

-

r-J t-.

-,

]-ì

-rJ

,-t-. n

-,

ì





Arpa

c-b.

I:

ar.

Arpa

c-b.

Mar.

I

t

r'g

Arpa

I

(

I

ripetere

alcune

volte

e finire

dopo

il

Contrabasso')

ten.

ad

libitum

e

morendo

c-b.

fripàt.re

aicune

volte e finire

dopo

i1

Contrabasso')

Mar.

')

Iloc;reAsue

ABa

îaBîa

Re

peat

the last

two

IIOBTOpUÎr

cectconÉIco

pa3

u

bars

sevetal

times.

and

0

11s7

H

SarioHrr&îB

BcneÀ

3a

IGosÎpa6acou.

end

after the

Double

Bass.



20

V

Andante ).r"

)=)

plzz.

rJ-;---l

Arpa

Cont

ra

b

as

Tanburi

Pi

att

o

f

glissando

sull,

orlo

|-o-___----]

o€-o89

c

1157

It





22

t 2 lt

12r

tr

t-

2

-------l

IZt

l

2',

r

b

r'

tî,tlr

^lo

b2

LVt ot

c

1157

K



23

Fm

r----5

-:---1

I

t5r

3 ;-q;

Éi,.3,

o

tJ

c

115?

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24

m Meno

m

os'o

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Documents

Gubaidulina - Funf Etuden (Arpa)