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The DESIGN MAGAZINE for the Pacific Northwest.
Citation preview
GRAY ISSUE No. FIFTEEN 1
™
INTERIORS • ARCHITECTURE • FASHION • ART • DESIGN
The DesiGn MAGAzine for the Pacific Northwest
Design duos share the secrets to successful collaboration
CreativeCouples
new products, furnishings, and accessories for stylish living
43indoors + out:
In Your ElementDESIGN INSpIRED by THE
Natural World
2 GRAY ISSUE No. FIFTEEN
taccia lamp by achille castiglioni, 1962 - chasen suspension lamp by patricia urquiola, 2007 - made in italy by flos
flos artek vitra fritz hansen kartell bensen herman miller knoll artifort foscarini moooi emeco moroso montis and more!please inquire about our A&D trade program
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GRAY ISSUE No. FIFTEEN 3
taccia lamp by achille castiglioni, 1962 - chasen suspension lamp by patricia urquiola, 2007 - made in italy by flos
flos artek vitra fritz hansen kartell bensen herman miller knoll artifort foscarini moooi emeco moroso montis and more!please inquire about our A&D trade program
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Grey_april-may_Hive.pdf 1 3/10/14 8:10 PM
GRAY ISSUE No. FIFTEEN 5
Shades from Marvin® are the most
recent innovation from a family-owned
company that’s been an industry leader
for four generations. You can’t find
visionary products like this at big-box
retailers, only your local Marvin dealers
have the knowledge and expertise to
give you both a product and experience
unmatched by any other manufacturer.
Every Marvin product, from windows
to doors and now shades, is made to
order, just for your home. That’s what
we like to call the Marvin difference.
Find the f i t that wil l enhance your home at
MARVIN.COM/SHADES
©2014 Marvin Windows and Doors. All rights reserved. ®Registered trademark of Marvin Windows and Doors.
Contact your local, independent Marvin dealer to explore all your options.
Goldfinch Brothers, Inc.2812 Rucker Ave.
Everett, WA 98201425-258-4662
GoldfinchBros.com
Lundgren Enterprises, Inc.2425 NW Market St.
Seattle, WA 98107206-789-1122
LundgrenEnterprises.com
Western Pacific Building MaterialsEverett – 425-742-5195
Western Pacific Design StudioBellevue – 425-250-8327
GoWestPac.com
from Marvin
DISCOVER SHADESHANDCRAFTED IN AMERICA AND AVAILABLE ONLY AT YOUR LOCAL MARVIN DEALER
Pine wood with Espresso stain and Tan shades in blackout opacity.
6 GRAY ISSUE No. FIFTEEN
contents 8. hello In praise of constraints.
SCENE
17. news A preview of photographer Edward Burtynsky’s new survey show—plus the must-attend events, exhibitions, and activities of the season.
22. next Three rising-star designers launch a brand, and premiere their next- generation LED lights.
24. in season The allure of local flowers.
28. process Chinese designer Bing Bing Deng updates the art of cloisonné.
STYLE
33. elements New furnishings and products inspired by the natural world.
44. made here A Ketchum, Idaho, woodworker and musician launches a new series of custom-built electric guitars.
46. origin Seattle artist Louie Gong draws on his Native American heritage to design custom shoes and products.
48. interiors Interior designer Robert Bailey creates a contemporary mountain haven for an art dealer and her son.
52. sourced Take a ride on one of these magic carpets—bright colors and patterns to enliven your home.
54. outdoor A steep Seattle lot is transformed into a playful landscape that’s equally appealing for kids and adults.
58. sourced Patio party! We’ve got the outdoor picks to prep your deck for spring.
april – may.14
24 33 46
GRAY ISSUE No. FIFTEEN 7
contents✤
On the CoverAn off-the-grid home
nestled amid the trees and cliffs on Gambier Island,
British Columbia.
See page
60Written by
LinDseY M. ROBeRTsPhotographed by JP DeLAGe/OMB
FEATURES
60. on the rocks Faced with a difficult cliffside site, a Vancouver–based architecture studio tackles the challenge of designing a modern house on the edge of Gambier Island.
66. domestic kinetics Designed by Skylab Architecture, Portland’s Skyline Residence epitomizes the firm’s signature angular aesthetic—and the residents’ bold, colorful style.
74. home at last After construction on their house stalled, a couple in Anchorage, Alaska, called on Seattle architect Steve Bull to redesign the interiors within the constraints of the existing steel frame.
BACK OF BOOK
81. insight What’s the secret to successful collaboration? We poll six creative Pacific Northwest couples who live, work, and design together.
94. resources Your guide to the designers, shops, furnishings, craftsmen, and suppliers featured in this issue.
98. my northwest What inspires the founders of Cause+Affect, a Vancouver brand- ing agency? Their evolving city; the future; and Bestie, a new sausage- and-fries restaurant.
48 7466
8 GRAY ISSUE No. FIFTEEN
hello
In Praise of Constraints
A few years ago I met an architect who was working on two very different projects at the same time. The first was a small home for clients with a tight budget and a challenging, steep lot. The second was a $10 million mansion. Due to the clients’ deep pockets and uncomplicated site, almost anything was possible. Sounds like a dream project, right? Not according to the architect. Without constraints he felt lost; he was more excited to talk about the small gem of a home he’d created for the first clients, whose budget and site pushed him to innovate and create something original from humble materials.
Design is a problem-solving practice; often, the most compelling projects are interesting solutions to interesting problems.
The Seattle-based architect Steve Bull knows a thing or two about constraints—and he welcomes them in his projects. “The more pieces of the puzzle you’re trying to fit together, the more interesting things can get,” he told me recently. He hit the jackpot, then, with a home he recently completed in Anchorage, Alaska, which he had to design to fit within the confines of a preexisting steel frame (pg 74).
Other projects have fewer bounds—they’re mansions on flat lots, or, as Bull put it, “small things in big fields.” Bull was speaking literally, about a cabin he designed for his family on a 12-acre lot. With no outside pressures dictating the structure’s form or location, Bull decided to site it on the border of two ecosystems, as a way to have something to respond to archi-tecturally. But “small things in big fields” is an apt metaphor for challenges in other creative disciplines as well. For example, putting together a design magazine.
There is an endless array of strong work to cover in the Pacific Northwest. How to corral it, and create a magazine whose content feels rich, focused, and cohesive? Like architects do on those rare wide-open, sky’s-the-limit projects, editors at GRAY devise a self-imposed framework. We invent themes, loose organizing principles that shape our approach to each issue.
We call this one our Elements issue, but we went wide. In the pages that follow, you’ll find houses with sensitive, nuanced relationships with their sites; a product roundup inspired by the concept of Wu Xing, or the five elements in Chinese philosophy; and stories about landscape architecture, local flowers, and outdoor furnishings. With each issue we relearn how inspiring— and even freeing—constraints can be. No pressure, no diamonds, as the saying goes. We’re excited to share the gems of our discoveries with you.
“CONSTRAINTS EqUAL OppORTUNITIES IN mY BOOK. I LIKE TO vIEw ThEm mORE LIKE ThE EdgES OF A CANvAS RAThER ThAN AS OBSTACLES TO OvERCOmE.” —STEvE mCFARLANE, ARChITECT (pg 60)
GRAY ISSUE No. FIFTEEN 9
Classic Contemporary Home Furnishings Montego sofa $2079; Montego table $649; Sora stool $119; all items priced as shown.
roomandboard.com | 800.952.8455
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10 GRAY ISSUE No. FIFTEEN
FOunDeR + PuBLisheR
Shawn Williams [email protected]
eDiTORiAL DiRecTOR
Jaime Gillin [email protected]
eDiTOR
Rachel Gallaher [email protected]
MAnAGinG eDiTOR
Lindsey M. Roberts [email protected]
LAnDscAPe AnD cuLTuRe eDiTOR
Debra Prinzing [email protected]
sTYLe DiRecTOR
Stacy Kendall [email protected]
AssOciATe sTYLe eDiTOR
Nicole Munson [email protected]
PhOTO eDiTOR
Alexa McIntyre [email protected]
sTYLe cOnTRiBuTinG eDiTOR
Jasmine Vaughan
PORTLAnD cOnTRiBuTinG eDiTOR
Brian Libby
inTeRns
Ashley EisenCourtney Ferris
cOnTRiBuTORs
Barry Calhoun, Josh Dunford, Erinn Gleeson, John Granen, Alex Hayden, Jeremy Jude Lee, Sarah Miles, Janis Nicolay, Tal Roberts, Kevin G. Smith, Lindsay J. Westley, Bruce Wolf
AccOunT eXecuTiVes
Erica Clemeson [email protected]
Craig Miller [email protected]
Kim Schmidt [email protected]
ADVeRTisinG inQuiRies [email protected]
eDiTORiAL inQuiRies [email protected]
suBscRiPTiOn inQuiRies [email protected]
No. 15. Copyright ©2014. Published bimonthly (DEC, FEB, APR, JUNE, AUG, OCT) by gRAY Media, LLC. All rights reserved. Permission to reprint or quote excerpts granted by written request only. While every attempt has been made, gRAY cannot guarantee the legality, completeness, or accuracy of the information presented and accepts no warranty or responsibility for such. gRAY is not responsible for loss, damage, or other injury to unsolicited manuscripts, photogra-phy, art or any other unsolicited material. Unsolicited material will not be returned unless accompanied by a self-addressed stamped envelope. If submitting material, do not send originals unless specifi-cally requested to do so by gRAY in writing.
POSTMASTER: Send address changes to gRAY, 19410 Hwy 99, Ste. A #207, Lynnwood, WA 98036.
Subscriptions $30 us for one year; $50 us for two years
subscribe online at graymag.net
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modernfan.com
Celebrating the modern idiom
GRAY ISSUE No. FIFTEEN 11
Seattle Showroom1300 Western Ave.Seattle, WA 98101Call 206.287.9992
Los Angeles Showroom8801 Beverly Blvd.Los Angeles, CA 90048Call 310.278.3191
www.bebitalia.comwww.divafurniture.comemail: [email protected]
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12 GRAY ISSUE No. FIFTEEN
JOhn GRAnenjohngranen.compg 54
BRuce WOLFbrucewolfstudio.compg 66
sARAh MiLesreelizashens.compg 46
JeReMY JuDe Leejeremyjudelee.compg 98
ALeX hAYDenalexhayden.compg 24
JAsMine VAuGhAnmadeandstate.compg 33
contributors
eRinn GLeesOnpg 28
TAL ROBeRTstalroberts.compg 44, 86
LinDsAY J. WesTLeY lindsayjwestley.compg 44
KeVin G. sMiThkgsalaskaphoto.compg 74
BRiAn LiBBYportlandarchitecture.compg 66
JOsh DunFORDburnkit.compg 48
www.chown.com
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Quality Products at Every Price LevelQuality Products at Every Price Level
JAnis nicOLAYjanisnicolay.compg 90
BARRY cALhOunbarrycalhounphotography.compg 84
14 GRAY ISSUE No. FIFTEEN
aKJ architects llcakjarchitects.com
Bc&J architecturebcandj.com
Ben trogdon architectsbentrogdonarchitects.com
coates design architectscoatesdesign.com
coop15coop15.com
duncan Mcroberts associatesmcroberts-associates.com
gelotte hommasgelottehommas.com
These architecture and design firms are doing outstanding work in this region. They also support GRAY and our efforts to advance the Pacific Northwest’s vibrant design community. Please contact them for your next project. Visit their portfolios at graymag.net or link directly to their sites to learn more.
architectsPacific Northwest
Johnson squared architectsjohnsonsquared.com
Kasa architecturekasaarchitecture.com
nathan good architectsnathangoodarchitects.com
GRAY ISSUE No. FIFTEEN 15architects
chris pardo design: elemental architectureelementalarchitecture.com
fabcabfabcab.com
atelierjones llc
best practice Architecture & Design
bosworth Hoedemaker
brendon farrell architect
Callison
chadbourne + doss architects
DeForest Architects
Eggleston|Farkas Architects
Giulietti/Schouten AIA Architects
JANOF ARCHITECTURE
prentiss Architects, Inc.
COMING NEXT ISSUE
™
JAN
IS N
ICO
LAY
• Insider guides to the design capitals—and hidden gems—of the Pacific Northwest
• BehindthescenesinPortlandandTokyo with John Jay, designer and creative powerhouse
• Intheirownwords:Localdesignluminaries reveal their favorite spots around the globe
• Thebestbags,clothing,andoutdoorgear for stylish traveling
The TRAVEL Issue
16 GRAY ISSUE No. FIFTEEN
The Mosaic Collection
KUSH HANDMADE RUGS
Anchor Your Room
205 NW 10th Ave. Portland, OR. 97209
503.231.0700www.kushrugs.com
GRAY ISSUE No. FIFTEEN 17
newsscene
Through May 26This spring, the vancouver art gallery is playing host to Edward burtynsky, one of Canada’s most lauded photographers. Showcasing 44 photographs from the museum’s permanent collection (34 are new acquisitions), the exhibit spans three decades of work, from burtynsky’s early documentation of homesteads and rail lines in british Columbia to more-recent investigations into water’s monumental effects around the globe. vanartgallery.bc.ca
EXHIBIT
A detail of photographer Edward burtynsky’s Salton Sea, California, USA, one of 44 images included in a survey show at the Vancouver Art Gallery this spring.
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18 GRAY ISSUE No. FIFTEEN
scene | news
LECTURESApril 8–10, 15–17Is it “less is more,” or “less is a bore”? The alaska Design Forum is knee-deep in its search for the answer to this question through its lecture series, Bling. Touching down for one night each at venues in Juneau, Fairbanks, and Anchorage, internationally renowned designers explore how material choices can bring beauty to objects and buildings. Up next are lectures by Bangkok multidis-ciplinary design studio Super-machine, and New York–based, idea-driven architecture firm Solid Objectives.
alaskadesignforum.org
April 24, May 15 portland State University’s School of Architecture is wrapping up its Unclad lecture series with talksbytwoinfluentialdesigners:the wildly innovative Tokyo-based architect Sou Fujimoto on April 24, and Austin, Texas–based environ-mental architect David Heymann (perhaps best known for designing a passive solar vacation home for George W. Bush) on May 15. pdx.edu/the-arts
TOP: This May, the fourth edition of WantedDesign takes over the Terminal Stores building on 11th Avenue in New york City, featuring seven studios from Seattle. ABOVE: House N in Oita, Japan, exemplifies Sou Fujimoto’s innovative approach to architecture—a subject he’ll discuss at portland State University on April 24.
COMPETITIONDue May 15How can we reintegrate aging populations into active community settings? Portland State University’s Center for Public Interest Design competition challenges you to come up with fresh models for intergenerational housing. cpidcompetitions.org
TOURApril 26After years of ridicule, Vancouver Specials—boxy, affordably built houses from the ‘60s and ‘70s—are seeing a revival of sorts, and the Vancouver Heritage Foundation has set up a tour to win you over. In its sixth year running, this self-guided tour features five renovated homes that showcase just how adaptable these floor plans can be with a dose of creativity. vancouverheritage foundation.org
CONFERENCE
April 1 – 6The University of Oregon’s student-run HOPES (Holistic Options for Planet Earth Sustain-ability) Conference, held in Eugene, is celebrating its 20th anniversary. This year’s theme, “Inevitability,” challenges students, faculty, community members, and visiting luminaries—past speakers include Shigeru Ban, Samuel Mockbee, and Neri Oxman—to address how design can embrace the dynamics of nature and changing climates. hopes.uoregon.edu
May 16–19Sponsored by GRAY, seven Seattle-based design studios will present their work at the 2014 wanteddesign show in New York City May 16–19, one of the liveliest events during the citywide NYCxDESIGN festival. Joining forces to share exhibition space are 16th Workshop, Chadhaus, Fruitsuper, Seattle Design Bureau, Piano Nobile, Urbancase, and Standard Socket. The goal? To “highlight the individual talents of each studio and bring awareness to the Seattle design scene as a whole—and its spirit of cooperation,” says designer Darin Montgomery.
EVENT
IwA
N B
AA
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IKONphOTO + NUdESIgNSTUdIO
FOR A pREVIEW OF WANTEDDESIGN,
GO TO GRAyMAG .NET/WANTED
DESIGN
GRAY ISSUE No. FIFTEEN 19
Ken Garland 4/18/2014
Seattle Public Library – Downtown Doors at 6:30 PM | FREE Admission
SUPPORT FOR THIS EVENT IS PROVIDED BY
Ken Garland is a noted British graphic designer. In 1963 he authored the First Things First manifesto which advocated “in favour of the more useful and more lasting forms of communication” over the increasing overuse of design talent in advertising. He has since designed award winning games and books.
20 GRAY ISSUE No. FIFTEEN
scene | news
EXHIBITSThrough April 27 The biennial Portland2014, presented by Disjecta Contem-porary art Center, celebrates artists who are pushing boundaries within contemporary art. The work ranges from visual art to film to performance-based installations, all on view in galleries, kiosks, and on billboards throughout Portland. biennial.disjecta.org
May 1–4Rub shoulders with some of the most prestigious decorative paint-ers from around the globe at the 19th annual Salon of Decorative artists—an international event hosted this year in Seattle (previous cities include Tokyo and Versailles). Sound Transit’s Union Station Great Hall will be transformed with live painting demonstrations, lectures, and the creation of a mural that will be donated to the City of Seattle. salonseattle2014.com
Through June 15 The whimsical sculptures of Seattle artist Dan Webb elicit a double-take; yes, that crumpled pil-low and rippling drop of water are actually intricately carved chunks of wood, seemingly brought to life via Webb’s skillful chisel. Don’t miss the artist’s first-ever solo show,“FragileFortress:TheArtofDan Webb,” at the Bellevue arts Museum through June 15. bellevuearts.org
Through July 27 The remote Maryhill Museum, located in a grand Beaux Arts man-sion on the Columbia River Gorge, is well worth a day trip for its new exhibit featuring bronze sculptures and study models by renowned Battleground, Washington–based sculptor James Lee Hansen. Pack a picnic; the views from the grounds are spectacular. maryhillmuseum.org
Through August 23 “PortlandCollects:BritishCeramics”at the Museum of Contemporary Craft offers a rare glimpse into locals’ collections of mid-century to contemporary ceramics, in the process highlighting the lineage and influence of British craftsman-ship in the United States. Even more uniquely, this exhibit will examine the relationship between object and collector, gathering the stories behind each piece. mocc.pnca.edu
“AS A wOOdCARvER, I USE A mEdIUm ThAT wAS ONCE ALIvE ANd IS NO LONgER. IT’S EASY TO SEE whY mY wORK REFERENCES TImE, mORTALITY, ENTROpY, ANd ThE BOdY, BECAUSE IN A dEAd TREE, IT’S ALREAdY ThERE.” —dAN wEBB, ARTIST
CLOCKWISE FROM TOP RIGHT: A view of the bangkok University Creative Center, designed by the Thai firm Supermachine, whose founder will speak in Alaska this spring. Dan Webb’s Splash, 2006, on view at the bellevue Arts Museum. The Maryhill Museum hosts an exhibit of James Lee Hansen’s sculptures; his bronze Shaman is shown here. The New york–based installation artist Alex Mackin Dolan is among the emerging talent participating in the portland2014 biennial.
ARThUR AUBREY. COLLECTION OF JENNIFER
ANd ChRISTOphER ROBERTS.
22 GRAY ISSUE No. FIFTEEN
scene | next
22 GRAY ISSUE No. FIFTEEN
And Lighting, the brainchild of three Vancouver–based designers—Matt Davis, Caine Heintzman, and Lukas Peet—will launch its first products, a quartet of lightingcollections,thissummer.Thenascentcompany’smission:“Tomakedecorative lights that are beautiful, functional, and progressive,” Peet says. That translates to high-wattage LED fixtures that balance sustainability (one bulb, 50,000 hours of illumination!) with style and practicality. Is this the future of LEDs? We’ve seen the light. h
“whAT ExCITES US ABOUT LEdS? OBvIOUSLY ThE NEwNESS. wE’vE BEEN ABLE TO REThINK whAT A LIghT FIxTURE IS ANd hOw IT ILLUmINATES.” —mATT dAvIS,
CO-FOUNdER, ANd LIghTINg
Slab, a 9mm-thick acrylic sheet cocooned in felt, is a rare intersection of beauty and
brawn. The narrow strip of exposed acrylic glows as if lit from within, the result of a high-tech proprietary material that evenly diffuses
the light. Meanwhile, the wrapped felt lends the fixture sound-absorbing capabilities that make it perfect for restaurants or offices—or, for that
matter, over your own riotous dining table.
1. pipeline, designed by Caine Heintzman (the rest of the fixtures were designed by Lukas Peet), is a copper-capped aluminum tube that comes in both straight and snaked versions. 2. Spotlights, available in nine shapes and a variety of milky hues, can be hung solo or grouped in tandem, as shown here. Installed, the fixtures seem to float, thanks to an almost-invisible aircraft cable that supports their weight, while their darker, fabric-covered electrical cords arc daintily through the air. 3. Button is a slim disk that gives off an even, diffused light; it’s dimmable, tiltable, reversible (so it can direct illumi-nation up or down) and available up to four feet in diameter.
GET LIT
1 2 3
An upstart lighting company proves LEDs can be sexy.
Written by JAiMe GiLLin
GRAY ISSUE No. FIFTEEN 23
24 GRAY ISSUE No. FIFTEEN
scene | in season
24 GRAY ISSUE No. FIFTEEN
D E S I G N I N G W I T H
local floraWritten by DeBRA PRinzinG : Photographed by ALeX hAYDen
Kelly Sullivan, Botanique, SeattleFor this arrangement, Sullivan plucked apricot
peony-flowering tulips from her own Seattle cutting garden to pair with sultry purple hellebores and delicate stems
of white bleeding hearts, both grown at Jello Mold Farm in Mount Vernon, Washington. “These spring flowers are so
ephemeral and the pastels contrast beautifully against the moody purple flowers,” she says.
You’ve heard of Slow Food. Meet Slow Flowers—a renaissance taking shape as floral designers seek botanical inspiration closer to home. Like its culinary predecessor, this movement reflects a cultural shift, a desire to support regional farms and to reduce our negative impact on the earth.
A vast majority of the cut flowers we buy today in America—approx-imately 80 percent—are imported. Domestic production fell off a cliff after the 1991 Andean Trade Preference Agreement, which incentivized South America to shift from producing drugs to growing roses, carnations, and other varieties. America’s cottage industry of family- owned flower farms had trouble competing and began to disappear.
But it’s comeback time. Some of the most creative florists working today are devoted to local, seasonal blooms. Freshness and quality—not to mention ephemeral beauty and sensory delight—are at the heart of this story. There’s height-ened pleasure in knowing who grew your flowers, and how they got to your table.
To celebrate the arrival of spring, we asked three area designers to create arrangements with exclu-sively local flora sourced from the three-year-old Seattle Wholesale Growers Market, a farmer-to-florist cooperative in Georgetown.
GRAY ISSUE No. FIFTEEN 25
Anne Bradfield Floressence, Seattlebradfield was smitten by these pink-flowering dogwood, harvested in Tillamook, Oregon, by Oregon Coastal Flowers. “Usually there is one thing that grabs my attention and inspires me,” she says. “Only in spring can you find local flowering branches—and they are so awesome for creating elegant drama.” bradfield combined the dogwood with orange Icelandic poppies (from Jello Mold Farm), plum tulips (from Ojeda Farms in Ethel, Washington), and dark purple anemones (from Everyday Flowers in Stanwood, Washington), all wrapped with a sheet of Oregon moss. »
26 GRAY ISSUE No. FIFTEEN
scene | in season
26 GRAY ISSUE No. FIFTEEN
See more ARRANGEMENTS
FROM LOCAL FLORISTS AT
GRAyMAG.NET/SLOWFLOWERS
Karen McIntosh Flowers by Karen, Monroe, WashingtonThis bouquet began with heady white lilacs (from Oregon Coastal Flowers), which McIntosh considers the scent of spring. She added red twig dogwood tips (from Glenwood Farms in Hillsboro, Oregon), purple-edged white tulips (from Ojeda Farms), pink-apricot ranunculus (from Everyday Flowers), vintage green hellebores (from Jello Mold Farm), grape-hued fritillaries (from Choice bulb Farm in Mount Vernon, Washington) and 'Romantik Antike' garden roses (from peterkort Roses in Hillsboro, Oregon). It's springtime in a vase—the perfect expression of the season’s fleeting beauty. h
GRAY ISSUE No. FIFTEEN 27
S U D A R E
PASSION FOR LINENS SINCE 1845 . yvesdelormeparis.com
Seattle University Village, 4608 25th Avenue NE, 206.523.8407
Bellevue 990 102nd Avenue NE, 425.455.3508
28 GRAY ISSUE No. FIFTEEN
scene | process
CLOISONNé 2.0Written by eRinn GLeesOn
eisurely strolling through the old city of Shanghai three years ago, Daniela Ang had a transformative experience. “While my husband Leandro [who had a trading company in the city] and I were living in Shanghai, I always tried to go to the old city and places
where I knew I could find treasures from China,” Ang says. “On one of my trips I found this shop called Piling Palang and I fell in love with their products the minute I saw them.”
A few years later, the Angs settled in Vancouver, and decided to parlay their passion for design and hand-made goods into a career shift. In 2013, they opened Inglenuk Design—and are now the exclusive distributors of Piling Palang’s distinctive, modern cloisonné in North America.
Cloisonné is an ancient technique of decorating metalwork where thin strips of copper or bronze are soldered into elaborate designs, followed by the application of colored enamel within the resulting compartments (cloisons in French). Bing Bing Deng, a renowned Chinese industrial designer and the owner of the Piling Palang boutique, brought innovation to the art of traditional cloisonné by forgoing the usual ancient designs in favor of more contemporary patterns and shapes.
“When he [Deng] decided to modernize it, he used patterns like circles, ovals and lines,” Ang says. “You’re no longer going to see a bunch of intricately detailed flowers with leaves, a bird, and clouds.”
lA partnership between a Vancouver shop and a Shanghai industrial designer helps breathe new life into an ancient Chinese craft.
piling palang’s line of modern cloisonné, available at Inglenuk Design in Vancouver and Kobo in Seattle, includes a round tiffin box with a blue-and-white floral-and-lattice pattern.
28 GRAY ISSUE No. FIFTEEN
To See more pILING pALANG
pIECES, VISIT GRAyMAG.NET/
CLOISONNE
»
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UR
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GRAY ISSUE No. FIFTEEN 29
Introducing:
a b r i l l i a n t c o l l e c t i o n25 years in the making
POrtLanD / 503.972.5000 / mgBWhOme.COm
Featuring: FRANCO SECTIONAL in wingate-linen ($8540) $6295, ANSEL CHAIR with brass base in Tibetan lambswool ($1880) $1345, CARMEN OTTOMAN in caspian-anthracite leather ($1940) $1345, ALLURE SIDE TABLE $1370, SAVOY CHANDELIER in antique brass $1750, MADISON LAMP $530, TERRA RUG in granite $2395, STACCATO WALL SCULPTURES $435 each
30 GRAY ISSUE No. FIFTEEN
scene | process
An Ancient Craft, UpdatedThe Piling Palang line of modern cloisonné was conceived by Chinese industrial designer Bing Bing Deng and is handmade by artisans in a workshop in the city of Tianjin, China. The larger pieces take between 12 and 15 days to complete.
6. Workers smooth the piece’s edges and polish the enamel.
7. A completed cloisonné box sits atop a bucket of blue vitreous powder. h
2. Lengths of copper wire are set in place and then soldered down to outline the desired pattern.
1. Workers shape a copper vessel according to Deng’s design.
4. The first layer of enamel has been applied to this piece; it is about to be fired in the kiln.
5. The kiln’s high temperatures (typically around 1,500 degrees F) cause the soldered wire to shrink and the enamel to crack. So artisans must repeatedly apply layers of enamel to close the gaps.
3. Enamel made from vitreous paste—finely crushed glass mixed with pigment— is applied in the gaps between the soldered wire.
“We can see and feel the high abilities of the craftsman on every piece of cloisonné. Due to its labor-intense technique, we can also pinpoint imperfections, which shows the human side of the process.”
—LEANdRO ANg, OwNER, INgLENUK dESIgN
32 GRAY ISSUE No. FIFTEEN
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GRAY ISSUE No. FIFTEEN 33
elementsstyle
Edited by JAsMine VAuGhAn Written by sTAcY KenDALL and nicOLe MunsOn
5 E L E M E N T S O F S T Y L E
wood. earth. fire. metal. water.
Spring is the time for rebirth and revival, and for that we necessarily strip away excess and pare down to the essentials. The five elements as a force, or Wu Xing, was identified early on in Chinese philosophy.Wood, earth, fire, metal, and water embody phases and processes in
perpetual flux, interactions that occur with the changing seasons and the passing of time. As we present the five elements through objects,
we are reminded that, in spite of the mercurial side of style and trends, we still hold fast to the enduring truths of nature’s beauty.
Glassblower Cailey buye creates a globe for a pendant light in bocci’s Vancouver studio. For the latest release from bocci, see page 39.
phO
TO B
Y g
wEN
AEL
LEw
IS, C
OU
RTE
SY B
OC
CI
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34 GRAY ISSUE No. FIFTEEN
style | elements
wood
34 GRAY ISSUE No. FIFTEEN
From
the
sof
t sh
een
of a
pol
ishe
d ed
ge t
o th
e ra
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extu
re o
f a b
url,
woo
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ke o
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as w
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him
s.
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3
1. Shale 2 drawer / 2 door dresser by Blu Dot, $2,299 at Designhouse, Vancouver, designhouse.ca. 2. gamla Floor Lamp by Gamla, $1,800, Vancou-ver, gamla.ca. 3. Monet table by Boca do Lobo, from $25,380 at Spencer Interiors, Vancouver, spencerinteriors.ca. 4. Vigo coffee table by Ironies, available to the trade at Michael Folks, Seattle, michaelfolks.com.
“pEOpLE ON ThE wEST COAST JUST LOvE NATURE. I FOUNd ThAT ThE TREES wERE A pERFECT wAY
TO REFLECT ThIS CULTURE IN pEOpLE’S hOmES,” SAYS
vANCOUvER pAINTER dANA mOONEY. ShE TAKES CUSTOm ORdERS, SO YOU CAN ENSURE
YOUR pIECE mATChES YOUR OwN INTERIOR LANdSCApE.
The Birch Collection by Dana Mooney, $215 at the Cross
Décor & Design, Vancouver, thecrossdesign.com.
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dSA
Y EL
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GRAY ISSUE No. FIFTEEN 35
The New Jersey–based wallcoverings company phillip Jeffries recently introduced its handcrafted Enchanted Woods Collection, an ethereal wallpaper that elevates cork, one of our favorite renewable resources, to a whole new level. Metallic gold shimmers through a textured cork skin, as if revealing a glimmering source of light behind your walls. It’s available in 10 finishes, but we’re partial to the high-contrast Navy Fantasy, shown here.
enchanted woods wallpaper, phillip Jeffries, to the trade at Jennifer West Showroom, Seattle, jwshowroom.com
bOLD bARK
»
GRAY ISSUE No. FIFTEEN 35
36 GRAY ISSUE No. FIFTEEN
style | elements
earthW
e’re
soo
thed
by
the
subs
tant
ial w
eigh
t of
mar
ble,
sto
nes,
and
gem
s; h
ere
we
find
our
solid
gro
und.
Meaning “soft” in Norwegian, the Myk coffee table is the latest furniture design from Finne Architects in Seattle. Though called a coffee table, it easily doubles as a seat with its steel base and soft leather wrap. Its forms were inspired by terrain morphology; look at it long enough and you may spot craggy rocks, volcanic islands, or even cloud formations.
Myk coffee table by Nils Finne and Finne Architects, $8,300, Seattle, finne.com
GROUNDbREAKING
phO
TO C
OU
RTE
SY O
F FI
NN
E A
RC
hIT
ECTS
GRAY ISSUE No. FIFTEEN 37
1. Lunaris 3 wallpaper by Calico, $42 per square foot at AnneStarr, Vancouver, annestarr.ca. 2. Romeo wallpaper and fabric in Carrera by Martyn Lawrence Bullard for Schumacher, to the trade at Linde Ltd, Portland, lindeltd.com. 3. Cliff Table Lamp by Aerin for Visual Comfort, $900 at DFG Showroom, Seattle, dfgseattle.com. 4. Malachite round box by L’Objet, $165 at Uptowne Papers, Portland, uptowne papers.com. 5. agate cabinet knob, $14 at West Elm, multiple locations, westelm.com. 6. Diamond Storage Box by Areaware, $15 at New Seasons Market, multiple locations, newseasonsmarket.com.
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GRAY ISSUE No. FIFTEEN 37
38 GRAY ISSUE No. FIFTEEN
style | elements
fireIg
nite
d by
sty
le, t
hese
pie
ces
are
fann
ing
the
flam
es o
f our
des
ign
desi
res.
Victoria, british Columbia–based photographer Troy Moth is fascinated by the aftermath of fire. His Burnt series is an ode to the often disregarded relics of campfires and other blazing mediums. “When I return to the charred remains of what had previously been a bright and welcoming light, that’s what I’m most curious about. To me, the pieces lying there, burnt and alone and dead on the ground, hold stories—each piece with its own unique and tiny narrative.” Moth’s Burnt series will be on view in Vancouver at the Address interior design show from May 23 to June 4 (kateduncan.ca/address).
Burnt 03 by Troy Moth, from $200 at Mammoth & Co., Victoria, B.C., mammoth.co
bURN NOTICE
38 GRAY ISSUE No. FIFTEEN
GRAY ISSUE No. FIFTEEN 39
1. 57 pendant light by Omer Arbel for Bocci, from $595 each, Vancouver, bocci.ca. 2. Wax Collector by Esque Studio, $300, Portland, esque-studio.com. 3. Toklas Console by Jonathan Adler, $2,500, Portland and Seattle, jonathanadler.com.
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GRAY ISSUE No. FIFTEEN 39
40 GRAY ISSUE No. FIFTEEN
style | elements
metalPu
lled
from
the
ear
th a
nd fo
rged
in fi
re, t
hese
pr
ecio
us m
etal
s ca
st a
pot
ent
spel
l.
1. Fading arrow necklace by Sahlia Jewelry Design, $156, Portland, sahliajewelry.com. 2. Rose Double Deer antler necklace by Justine Brooks Design, $190, Vancouver, justinebrooks.com. 3. Nefer earrings by Nikki Jacoby, $150, Seattle, nikkijacoby.com. 4. Black Crystal Cluster earrings by Marisa Messick, $80, Eugene, OR, marisamessick.com. 5. Bedrock Bangle by Thorn&Wynn, $34, Portland, thor-nandwynn.com. 6. aten Reversible Cuff Ring by Acanthus Jewelry, $165, Portland, acanthusjewelry.com.
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42 GRAY ISSUE No. FIFTEEN
style | elements
waterLi
fe-g
ivin
g w
ater
pro
vide
s us
wit
h a
cons
tant
str
eam
of i
nspi
rati
on.
JunGLe DReAMs ThIS wATERCOLOR-ESqUE pATTERN
IS “INSpIREd BY ThE JUNgLE ANd ThE BRIghT COLORS OF ThE FLOwERS
ANd ANImALS FOUNd ThERE,” SAYS ShANAN CAmpANARO, ESKAYEL
FOUNdER ANd dESIgNER. “ThE pAT-TERN IS mEANT TO BE A RICh,
KALEIdOSCOpIC, wILd ExpERIENCE.”
Jangala Citron fabric by Eskayel, $168 per yard at Provide Home, Vancouver, providehome.com.
“The River Collection takes its name from ‘rivers’ of inlaid blue glass that meander through live edge wood tabletops. I’m inspired by the world right outside my door—the Nooksack River runs past my studio and gives life to many of the discarded trees that I use in my tables.” —gREg KLASSEN, FURNITURE dESIgNER
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1. by Ali Gradischer, Portland, $2,000 at aligradischer .com. 2. Zliq Island sofa by Marcel Wanders for Moooi, from $9,755 at Livingspace Interiors, Vancouver, livingspace.com. 3. Dark Wave perfume by Olo Fragrance, Portland, $45 at olofragrance.com. 4. Walnut River Console Table by Greg Klassen, from $4,500, Lynden, WA, gregklassen.com. h
GRAY ISSUE No. FIFTEEN 43modern fires
Be House Proud...inspired by Spark Modern Fires. Designed and engineered to be noticed.
See our gallery at www.sparkfires.com or 866.938.3846
Grayjune2014bSMF_Spark Modern Fires 2014 3/3/14 12:35 PM Page 1
44 GRAY ISSUE No. FIFTEEN
style | made here
RECLAIMED
Wes Walsworth’s guitars make recycled wood sing.
The grape-stained curves of wine casks were Wes Walsworth’s first muse—he started his furniture-making career in 2009, transforming reclaimed wood from the wine industry into benches and chairs. But these days, his inspiration is decidedly more rock and roll. The 34-year-old Ketchum, Idaho–based woodworker is hard at work on a new series of custom-built electric guitars.
Walsworth, a professional guitarist and songwriter, used to work as a luthier at Taylor Guitars in California, building acoustic guitar bodies. “When you make acoustic guitars you have to be careful about what kind of wood you use,” he says. But working on electric guitars frees him up to experiment. “Here, the sound is mostly all created by the pickup system inside, so you can really turn to reclaimed materials to make each one unique.” So far he’s built a guitar body from a piece of oak from an early 1900s mushroom-drying basket, and plans to build the next one from a redwood burl. The antiqued colors and grooved textures of his new designs look nothing like the polished wood of a contem-porary electric guitar, and that’s fine with Walsworth. “I guess being a guitar player and a furniture maker, I have my own ideas of what I think is a cool-looking guitar,” he says. “The aged woods have such a worn-in, unique look that I just fell in love.” h
MELODY
Written by LinDsAY J. WesTLeY : Photographed by TAL ROBeRTs
Wes Walsworth works on a new series of custom electric guitars. BELOW LEFT AND RIGHT: His first, a commission from a Los Angeles–based country musician, is made from quilted maple, ipe, and 100-year-old oak, and has a rattlesnake rattle inlaid into the headstock.
GRAY ISSUE No. FIFTEEN 45
COME FIND WHAT YOU ARE LOOKING FOR.
Come visit our newly renovated & expanded
Vancouver showroom. You are sure to find
the pieces your are looking for.
VANCOUVER (TERMINAL sTORE)
1728 Glen Drive
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TUKWILA, WA
720 Andover Park East
tel: 1.206.405.4411
MOEsHOME.CA
46 GRAY ISSUE No. FIFTEEN
DRAWING from Heritage
Unlike many artists, Louie Gong came to his craft later in life. The 39-year-old Seattleite and founder of Eighth Generation—a company that produces products that mix traditional Native American art with icons from popular culture—was a child-and-family therapist and an activist and lecturer focusing on mixed-race experiences before he discovered a talent for drawing in 2007.
“I was working at the Muckleshoot Tribal College when it was their turn to host the Canoe Journey,” Gong says, referring to an annual event that brings together coastal tribes to celebrate their heritage. The Muck-leshoot tribe made drums to give to participants, and Gong embellished his with traditional Coast Salish patterns and drawings.
Some time later, Gong, who was born in Mission, British Columbia, and raised in the Nooksack tribe in Everson, Washington, wanted to buy a pair of Vans tennis shoes—but couldn’t find any that resonated with his identity. So he doodled on a plain gray pair with a Sharpie, creating two eagle claws in a style influenced by both contemporary Coast Salish art and graffiti. He wore them to work, and a cult following soon grew. In 2009, he launched Eighth Generation. Today, products range from Gong’s custom ink-embellished shoes to mass-produced skateboard decks to pillows and blan-kets made in collaboration with Paul Frank.
This past February, Gong launched the Inspired Natives Project, which aims to support Native American artists and entrepreneurs through product design collaboration and mentorship. His first artist is Michelle Lowden, who has created an iPhone case featuring her Acoma Pueblo art.
Gong established the project to help counteract an insidiouspatternheidentifiedinthemarket:“Nearly100 percent of Native art sold in major stores is actually Native-inspired, shamefully derivative of traditional artworks, and Native communities are purposefully left out of the profit loop.” With their authentic designs and licensing agreements that share profits with the artists, the products sold through the project, Gong hopes, will help “establish a new standard for how companies can align with Native themes, art, and culture in a way that is both profitable and provides capacity-building opportunities for Native artists.” h
Written by RAcheL GALLAheR : Photographed by sARAh MiLes
TOP TO BOTTOM: In his studio, Louie Gong, founder of Eighth Generation, holds one of his Mockups, a miniature vinyl sneaker that people can customize. Laser-etched cedar phone cases include a clever raven— when you take a photo, the flash appears within the bird’s beak. Gong’s one-off sneakers are emblazoned with graffiti-influenced Coast Salish art.
style | origin
“There’s a unique story embedded in each [pair of custom shoes] that will be shared over and over again when people are walking around town, riding the bus, or at school.” —LOUIE gONg, FOUNdER, EIghTh gENERATION
GRAY ISSUE No. FIFTEEN 47
Visit our KOHLER® Registered Showrooms for the newest concepts in kitchens & baths.
AUBURN1428 15th St. N.W., Auburn, WA 98002
253.872.8289
BREMERTON3701 W. Loxie Eagans Blvd., Bremerton, WA 98312
360.373.8868
EVERETT 3105 Pacific Ave., Everett, WA 98201
425.303.1825
LACEY 1210 Carpenter Rd., Lacey, WA 98503
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PUYALLUP 16106 - 57th Ave., Puyallup, WA 98373
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REDMOND 18317 N.E. 76th St., Redmond, WA 98052
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SEATTLE 3209 17th Ave. W., Seattle, WA 98119
206.270.4724
TACOMA 3620 S. Cedar St., Tacoma, WA 98409
253.473.1756
48 GRAY ISSUE No. FIFTEEN
Fresh CanvasA New York art dealer’s mountain getaway may be designed as a study in neutrals, but it still pops with inspiration.
Written by RAcheL GALLAheR : Photographed by JOsh DunFORD
“Susan is exposed to a rarified world of modern art. I wanted to create a place that would embrace that and have a casual easy elegance.” —ROBERT BAILEY, INTERIOR dESIgNER
style | interiors
GRAY ISSUE No. FIFTEEN 49
Like the interior of a gallery, the neutral palette of this art dealer’s Whistler, b.C., townhouse lets the furniture and art take center stage. In the main living area, a Fritz Hansen Swan chair by Arne Jacobsen, two Flos lamps, and a cashmere-upholstered Edward sofa from bensen complement the gray tone of the fireplace. A bang & Olufsen Cabin Series TV hangs above the fireplace; to the left is a round bang & Olufsen speaker. “I love the elegant simplicity of it,” the client says. “It looks like art but it is really just a speaker!”
dESIgN TEAminterior design: Robert Bailey Interiorsmillwork: Radius architectural Millwork
50 GRAY ISSUE No. FIFTEEN
The dining room’s porro table doubles as a craft area for Susan and her son Sebastian. bailey paired it with six Wishbone chairs from Carl Hansen & Søn and a Moooi Random Light—a cheeky, snowball-inspired reference to the elements outside. A suite of Albert Oehlen collages adds texture to the solid-white wall.
You might expect the home of a hard-working art dealer and collector to be bedecked in flashy, attention-getting pieces. But Susan, who splits her time between Manhattan and Whistler, British Columbia, prefers a minimal environment. “I’m around art all the time, so having bare walls is a refuge for me,” she says.
Last spring, Susan, who grew up in Vancouver, bought a 1,500-square-foot townhouse above Whistler’s Creekside Village for her and her three-and-a-half-year-old son, Sebastian. Then she hired Vancouver–based interior designer Robert Bailey.
When Bailey arrived, the house “was a very typical Whistler residence,” he recalls. “There were snowshoes on the wall, lots of molding, and a knotty pine floor.” His first move was to install white oak floors as a base for the townhouse’s clean, bright in-teriors. In the living area, Bailey painted the log mantle on an existing bluestone fireplace white. An adjacent dining space features a lacquered metal Ferro table by Porro that has already
had two previous lives—it served as a desk in State, Susan’s former gallery in Vancouver, and as a book display in her home office. “It’s full of scratches, which I love,” she says, “and it could tell some great stories about love, life, and business deals.” Now, it also serves as a craft table for Sebastian, and is often covered in glitter and glue.
As for the art, Susan chose pieces she feels personally con-nected to. These tend to be more minimal and abstract. “It’s about lightness and quiet,” she says. “I have lived with a lot of art over the years to figure this out.” Generally, she likes sculpture and works on paper, including drawings by artist Christopher Wool, noting that they have a “more casual, relaxed element to them.” The sentiment echoes her interior designer’s take on the projectoverall:“Susanisexposedtoararifiedworldofmodernart. I wanted to create a place that would embrace that and have a casual easy elegance, much like our client herself.” h
“I LOvE wOOd ELEmENTS … [IT IS] vERY ImpORTANT TO hAvE A SENSE OF ThE OUTdOORS, INdOORS, IN whISTLER.” —SUSAN, hOmEOwNER
GRAY ISSUE No. FIFTEEN 51
CLOCKWISE FROM ABOVE LEFT: The bathroom has deep Ceramica Flaminia sinks and floating oak vanities designed by Robert bailey Interiors and fabricated by Radius Architectural Millwork. The light fixtures are by prandina, available through Livingspace. Given the minimal palette, color-ful pieces such as a neon-accented stacking wood vase from Adónde and a Christopher Wool artwork have even greater effect. Rope-bound Knotty bubble Sconces from New york–based designer Lindsey Adelman hang in the hallway. The master bedroom continues the oak-and-white palette.
style | interiors
52 GRAY ISSUE No. FIFTEEN
style | sourced
CUT A RUG
Written by sTAcY KenDALL
Whether you’re looking for a splash of color or a soft accent in an area rug, we’ve got you and your floor well covered.
Janka Splashed Dark Brown, From Russia with Love Collection by Jan Kath, price upon request at Colin Campbell, Vancouver, colin-campbell.ca
Miri Sunrise, from $375 at Tufenkian Artisan Carpets, Portland, tufenkiancarpets.com
Kia Sar by Warp & Weft, from $3,300 at Andonian Rugs, Seattle and Bellevue, WA, andonianrugs.com
Ivory/Multi, Studio Leather Collection by Safavieh, from $300 at NW Rugs, multiple locations, nwrugs.com
pelage, $9,440 at Atelier Lapchi, Portland, lapchi.com
Ikea pS 2014, $129 at Ikea, multiple locations, ikea.com
Tiger Rug, $4,800 at Kush Handmade Rugs, Portland, kushrugs.com h
geometric Rug Round by Thomas Paul for Chandra Rugs, $1,550 at Beyond Beige, Vancouver,beyondbeige.com
54 GRAY ISSUE No. FIFTEEN
style | outdoor
Intelligent design solutions transform a steep lot into a playground for kids and adults alike.Written by DeBRA PRinzinG : Photographed by JOhn GRAnen
ELEVATED LANDSCAPE,
54 GRAY ISSUE No. FIFTEEN
GRAY ISSUE No. FIFTEEN 55
OPPOSITE: Ipe decking from Crosscut Hardwoods creates a level outdoor area for dining and play. The table and chairs are from Terris Draheim. BELOW LEFT: Twin planters from Aw pottery flank a doorway. BELOW RIGHT: A small lounging deck gains privacy from a stand of tall bamboo, just a few steps above the lawn.
The three-story contemporary house in Seattle’s Mount Baker neighborhood had great views of Lake Washington and the Cascade Mountains. But when the owners first contem-plated buying it, they balked at the super-steep lot, which lacked kid-friendly play spaces—a critical problem, since their four kids were all under age eight.
They purchased the house, but quickly enlisted Dar Webb, principal of Issaquah, Washington–based Darwin Webb Landscape Architects, P.S., to make over the outdoor spaces. Themission:tocreatelevelareassurroundingthehome,in-cluding an extensive play lawn. Webb envisioned a series of multifunctional outdoor spaces where children could explore with abandon and adults could relax nearby. Knowing that there would be engineering challenges, since the lot sloped a full 45 degrees, he tapped landscape contractor Dale Nuss-baum of the Nussbaum Group for help early in the process.
“We wanted to make a garden that responded to the needs of a family with kids, but also reinforced the contemporary architecture,” Webb says. The resulting landscape features
a sophisticated palette of materials—stone, wood, and steel—and a lush planting scheme. For the children, it’s a bamboo forest with rope swings, monkey bars, a ship’s lad-der, a runnel-inspired water feature, a secret tunnel made of a 48-inch diameter plastic culvert pipe, and a 16-by-30-foot lawn where they can kick a soccer ball around. Yet many of the spaces, including two new decks of sustainable ipe wood, are multifunctional, meaning that adults don’t feel like they’re sitting in the middle of a playground.
Tiered so that each level of the house corresponds to a dis-tinct outdoor space, the design begins at the upper driveway, with its elegant gabion feature filled with river rocks. Masses of billowy fountain grass soften the wall’s strong lines.
A series of steps descend from the driveway, one level to the next, ultimately reaching the lawn, which hovers 20 feet above the street. A steel-clad structural concrete wall extends along the edge of the grass. “It looks like you have this plane of lawn floating above the hillside,” Nussbaum says. “Now the lot is completely functional, even though it’s still steep.” »
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“We wanted zones and spaces where specific activities could take place,” says the homeowner. “That sense of mystery and discovery is so apparent—so much better than having a jungle gym in the backyard.” CLOCKWISE FROM TOP LEFT: A play lawn seemingly floats 20 feet above street level; the children’s playground features a bamboo forest, a tunnel made from a plastic culvert pipe, and an interactive water feature; a ship’s ladder ascends a gabion retain-ing wall; and the driveway is enclosed by a gabion feature that’s part structural, part privacy screen. h
style | outdoor
LOEWEN WINDOW CENTER OF SEATTLE
5961 Corson Ave. South, #100 Seattle, WA 98108 206-782-1011 [email protected] www.windowshowroom.com
STYLEYou’re a creator with a drive to achieve the impossible. Your passion for discovery knows no bounds. This motivation comes from deep inside and it’s in us too. With a century of window and door innovation behind us, we keep building momentum and we’re not letting up anytime soon. After all, the vision from within that drives our company is inspired by you.
Contact your Loewen Window Center to see how we can help you realize your vision.
INSPIRED BY YOU
www.loewen.com
LOEWEN WINDOW CENTER OF SOUTH SOUND
5501 75th Street West Tacoma, WA 98449 253-473-7477 [email protected]
PASSION • INSPIRATION • INNOVATION • PERFORMANCE • DEDICATION
5102 Auto Center Way Bremerton, WA 98312 800-468-9949 www.soundglass.com
71376 LWC Windows Doors and More 8.375x10.875.indd 1 14-03-05 1:25 PM
GRAY ISSUE No. FIFTEEN 57
LOEWEN WINDOW CENTER OF SEATTLE
5961 Corson Ave. South, #100 Seattle, WA 98108 206-782-1011 [email protected] www.windowshowroom.com
STYLEYou’re a creator with a drive to achieve the impossible. Your passion for discovery knows no bounds. This motivation comes from deep inside and it’s in us too. With a century of window and door innovation behind us, we keep building momentum and we’re not letting up anytime soon. After all, the vision from within that drives our company is inspired by you.
Contact your Loewen Window Center to see how we can help you realize your vision.
INSPIRED BY YOU
www.loewen.com
LOEWEN WINDOW CENTER OF SOUTH SOUND
5501 75th Street West Tacoma, WA 98449 253-473-7477 [email protected]
PASSION • INSPIRATION • INNOVATION • PERFORMANCE • DEDICATION
5102 Auto Center Way Bremerton, WA 98312 800-468-9949 www.soundglass.com
71376 LWC Windows Doors and More 8.375x10.875.indd 1 14-03-05 1:25 PM
58 GRAY ISSUE No. FIFTEEN
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3
style | sourced
PARADISE FOUND
Written by nicOLe MunsOn
Sun-lit days loom on the horizon. Make the most of every moment with outdoor eye-catchers that will please your plein air aesthetic.
1. Flango Hover Dish by Pot Inc., $110, Vancouver, potinc.ca. 2. Nautica hanging chair by Alberto Sanchez for Expormim, $3,490 at Tint Design Resource, Seattle, tintdesignresource.com. 3. Jack planter by Steel Life, $225 at Modern, Eugene, OR, modern-store.com. 4. partition 36 planter by Object Outdoors, $810, Vancouver, objectoutdoors .com. 5. egg Lime green, $260 at Ragen & Associates, Seattle, ragenassociates.com. 6. Daytona Square Dining Set, $1,438 at Moe’s Home Collection, Vancouver, moeshome.com. 7. Finn Chaise by Norm Architects, $1,865 at Design Within Reach, multiple locations, dwr.com. 8. The Cube outdoor fireplace, $5,900 at Spark Modern Fires, sparkfires.com. h
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dESIgN TEAmarchitect: McFarlane green Biggar architecture + Design (prior to March 2012); Office of McFarlane Biggar architects + Designers (March 2012–completion)general contractors: Somerset Homes, West Coast Turn Key
On the Rocksin The sPAce BeTWeen QuieT MiniMALisM AnD heART-sTOPPinG MAGneTisM Lies An inTenseLY PRiVATe, GLAsseD-in ReTReAT PeRcheD On The cLiFFs OF GAMBieR isLAnD.
Written by LinDseY M. ROBeRTs : Photographed by JP DeLAGe/OMB
GRAY ISSUE No. FIFTEEN 61
This compact home on Gambier Island, british Columbia (this page and previous), is predominately made of wood—sustainable because it’s “essentially the only structural material that’s grown by the sun,” architect Steve McFarlane explains. The guest bed, seen in the room to the left, is the peg Leg from Cb2; the master bed, to the right, is bensen’s Frame Hi from Inform Interiors. The rooftop dining table in the foreground is from Crate and barrel; the chairs are by Ratana from Crystalview pool & Spa.
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When the surrounding environment is so breathtaking, it seems only respectful to let it stay the center of attention. Floor-to-ceiling windows in the main living area ensure the scenery envelops the residents from dawn to dusk. TOP: The kitchen table and chairs are by Gus Modern from Stylegarage; the Le Klint pendant is from yLighting. ABOVE LEFT AND RIGHT: A Holden sectional from Spencer Interiors offers a place to perch and take it all in.
GRAY ISSUE No. FIFTEEN 63
ith a 7.4-acre lot, there was room enough for the getaway house that the clients desired on Gambier Island, British Colum-bia, half a nautical mile from their full-time home in Vancouver. Complicating
matters,though,wasatrioofarchitecturalminefields:thesheer cliff on one side of the steep property; the protected watershed on the other side; and the required 50-foot setback from the high-tide mark.
No matter, says Steve McFarlane, principal architect of Office of McFarlane Biggar Architects + Designers (OMB). “I always see the constraints as opportunities,” McFarlane says. “Between those three hard boundaries, that’s where we found an opportunity to nestle the house in.”
For the architects and their clients, the virtually virgin land was a secret, soggy Eden. A lumber company, which
used the shoreline to raft its log booms for years, was the only owner before the lot was subdivided. “It’s sort of like the archetypal Northwest coast forest,” McFarlane says, “with a mix of coniferous and deciduous trees and this softly lit understory of lichens, cones, leaves, ferns, and the soft pad of the forest floor. It’s super rich and lush.” When you look up from the temperate rainforest, there’s a private cove off Brigade Bay and a stunning view of the iconic mountain peaks, the Lions.
In such a setting, the only thing that would do was a house that lives light on the land structurally as well as aesthetically—because you can’t top nature.
After countless drawings, models, and back-and-forths with the clients (“Every time we got a new drawing from them it was incredibly exciting because it was so much better than last time,” the husband says) the architects
wGenerous roof decks expand the size of the island retreat, providing the family with even more living space in warmer weather. The lounge chairs are from Restoration Hardware. Glass railings by Miracle Glass Works ensure nothing blocks the epic views. The decking is from Kayu Canada and was installed by West Coast Turn Key.
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proposed two rectilinear forms, one atop the other, clad in fiber cement panels and cedar. Three bedrooms and two bathrooms are spread out over 1,700 square feet, all set on minimal concrete footings sunk into the bedrock to prevent the house from disrupting the watershed. Large windows are oriented to maximize the daylight that filters in between the trees. To address the challenging site logistics, the architects set the house as close as possible to the cliff—and within inches of both the protected wa-tershed and the high-tide setback, so the homeowners could be as close to the water as possible.
The entire process, from conception to construction to move-in, took more than six years—a testimony to the
patient architect–client collaboration, as well as to the site constraints. Construction crews, who often came over on barges with construction materials and even slept on site, could only work on the house during the summer. The project was finally completed in spring 2013.
Although other houses are now being built on the surrounding lots, the closest neighbors are still out of view, giving the clients and their two daughters a proper respite from their hectic city lives. From the rooftop deck, you’dthinkyouhadtheislandtoyourself:“It’sanincred-ible view,” the husband says, “looking out over Howe Sound and being completely surrounded by the trees, rocks, sky, and mountains.” h
ABOVE LEFT AND RIGHT: The challenge in determining a daylighting strategy, according to McFarlane, was, “How could we insert a modest little house into this restrained footprint and configure it in such a way that you enjoy those sunny moments that populate the spaces?” The solution, he says, was “concentrating the glazing on the open waterfront side and keeping it relatively closed off to the cliff face.” OPPOSITE: Minimal footings prevent the house from disrupting the watershed, and reduce the building’s impact on the surrounding landscape. There’s no road to the house, so the owners commute by private boat.
“wE LIKE A TRUE mOdERNIST AppROACh TO BUILdINg—LETTINg ThE SITE ANd ThE pROgRAm ANd ThE CLImATE BE ThE pRImARY dRIvERS AS OppOSEd TO SOmE ABSTRACT FORmAL IdEA.” —STEvE mCFARLANE, ARChITECT
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“IT’S NOT A BUILdINg YOU CAN ImAgINE ON ANY OThER SITE. ThIS ONE IS REALLY LOCKEd INTO ITS SpECIFIC SETTINg ANd ThAT’S SOmEThINg ThAT hAppENS RELATIvELY RARELY.”
—STEvE mCFARLANE, ARChITECT
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dESIgN TEAmarchitect: Skylab architecturestructural engineer: Froelich engineers, Inc.
The Skyline Residence offers a view over the treetops from its sunken living room, which includes a Fabrica shag carpet, a Molded plastic Rocker by Charles and Ray Eames for Herman Miller, and a custom sofa by InHouse pDX. OPPOSITE: Homeowner Andrea Corradini beside a stairway mural by brazilian artist Felipe Motta.
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Domestic Kinetics
A Portland hillside residence speaks Skylab Architecture’s unique language of angles and motion.
Written by BRiAn LiBBY : Photographed by BRuce WOLF
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“ThE IdEA wAS pRETTY SImpLE: LET’S mAKE A REALLY INTERESTINg pORCh. ThE ARChITECTURE REALLY STARTEd ThERE.’’ —JEFF KOvEL, ARChITECT
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t’s an overcast morning at the Skyline Residence in Portland’s West Hills, the latest from acclaimed local firm Skylab Architecture, but illumination is pouring in from seemingly every direction. Near the entrance, a mas-sive skylight over the stairway illuminates translucent 3form Chroma treads while highlighting a distinctive three-story mural. To the south and west, the view from the sunken living room extends over the treetops for
miles, as it also does upstairs from the master bedroom and bath. “I wanted as much light and openness as possible, and to be as environmentally sustainable as we could,” recalls homeowner Andrea Corradini. “But the rest, I said, ‘Push it as far as you want to push it.’”
Corradini and her husband, David Brown, both work for Nike and were fans of Skylab’s Hoke Residence, which was designed
for one of their co-workers but gained widespread notoriety after it appeared in one of the Twilight movies. “I said, ‘That’s it!’” Corradini says of seeing the Hoke.
The couple’s 4,300-square-foot, three-bedroom house—where they live with their two children—exemplifies Skylab’s signature visual language of angular geometry and kinetics. “Something I’ve been exploring for a long time is how to activate form to bring movement and energy and rhythm,” says Skylab founder Jeff Kovel.
The basic form of the Skyline Residence consists of three rectangular, almost shoebox-like forms (a nod to the clients’ day jobs?) stacked perpendicularly, with public areas on the ground floor and the bedrooms above. One upstairs bedroom thereby cantilevers over the ground-floor entrance to form a covered front porch, while on the other side, the master »
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OPPOSITE: The house includes a generously sized covered front porch made by a cantilevered upstairs bedroom. BELOW LEFT AND RIGHT: Skylab’s design consists of three perpendicularly stacked boxes that give the upstairs spaces the feeling of floating over the valley below. A wooden swing provides a playful perch by the front door.
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ABOVE: The kitchen canopy, built by Ghilarducci Studios, resembles a reclaimed-maple Möbius strip stretching up the sides and over a pair of cooking islands. FAR RIGHT: A bookshelf in the great room shows off Skylab Architecture’s signature seven-degree angles, which are repeated throughout the house. NEAR RIGHT AND OPPOSITE: Calligaris Ice chairs from Hip surround a dining table made with wood salvaged from a basketball court by local designer Carl blakeslee. Designer Ruthi Auda created the custom light fixture out of a block of wood, oversized bulbs, and climbing rope. The wallpaper is Elysian Fields by Flavor paper, favored by the residents for its unconventional pattern featuring bats and carnivorous plants. »
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bedroom appears to float out over the trees. Yet this is far from a boxyhouse:it’sfullofSkylab’ssignatureseven-degreeangles,which form everything from windows to wall shelves to the shape of the fireplace. Black metal awnings with similarly angu-lar shapes extend over the wood-clad boxes almost like a cape. Hence Corradini’s nickname for the house, “The Batcave,” although “Batwing” may be more appropriate given how it soars over the hillside. (Her gleaming black 1988 Porsche 911 Turbo serves as the Batmobile.)
Inside, particularly in the great room, Skylab crafted a deft balance between openness and defined spaces. The kitchen, for example, is defined by one continuous strip of wood that
extends from the floor to form the side of a kitchen island and then rises upward and over to become a kind of sculptural, Möbius-strip-like canopy. Corradini and Browns’ athletic-yet-artistic personalities equally come through. The dining table was made by Portland Product Werks from reclaimed basket-ball court flooring with its painted lines left intact. The stair-way mural, featuring a cartoon of the family waving as they surround a leafy aspen tree, is by Felipe Motta, aka Mottilaa, a Brazilian graphic artist that Corradini met on a business trip in Rio de Janeiro and brought to Portland for the commission. “When I’m stressed I just look at it and exhale,” she says. “We just look happy and goofy. That’s sort of how we are.” h
THIS PAGE: Flavor paper’s beggar’s banquet wallpaper enlivens a wall in the master bedroom. “I picked it because I thrive on light and I loved the idea that the pattern was a digital reinterpretation of stained glass,” Corradini says. “From a color perspective, I felt the purple–gold palette would reflect the sunset coming through our bedroom windows perfectly.” The bed and nightstands are by Made. OPPOSITE: Transluscent 3form Chroma stair treads glow beneath a large skylight, as does the mural depicting the family beneath an aspen tree. The bold color array continues in daughter Savannah’s bedroom with Small Flowers wallpaper, part of the Flavor paper X Warhol collaboration, and a piece of art Savannah created by gluing crayons to a canvas and melting them with a hair dryer.
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“I wANTEd AS mUCh LIghT ANd OpENNESS AS pOSSIBLE, ANd TO BE AS ENvIRONmENTALLY SUSTAINABLE AS wE COULd. BUT ThE REST, I SAId, ‘pUSh IT AS FAR AS YOU wANT TO pUSh IT.’”—ANdREA CORRAdINI, hOmEOwNER
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The deck along the north side of this steel-frame house in Anchorage, Alaska, offers expansive views of the surrounding trees, mountains, and the constantly changing northern skies. “The exterior siding is a wood-resin panel chosen to blend in with the natural setting,” says homeowner Trish Cheng. “It gives the house a natural finish with practically zero maintenance.”
home at lastWritten by RAcheL GALLAheR : Photographed by KeVin G. sMiTh
A MODeRn ALAsKAn ResiDence is A TRee-sKiMMinG FeAT OF ARchiTecTuRAL cReATiViTY.
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dESIgN TEAmarchitecture: Workshop aDcontractor: Hawkinson Constructioninterior design: Lair Designmillwork: Jon’s Woodworking
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lot can happen in eight years. When Alex and Trish Cheng, an anesthesiologist and a former nurse, started building a house in Anchorage, Alaska, in 2005, they had no idea it would take until 2013 to com-plete. In addition to the difficulty of get-
ting construction resources to the state of Alaska—the Last Frontier—the project stalled two years in, with only the steel frame and the roof of the 5,200-square-foot house erected. The structure went untouched, exposed to the elements, un-til 2010, when the Chengs were ready for a fresh perspective
on the design. On the recommendation of a friend, they called architect Steve Bull of Seattle-based Workshop AD.
“When they contacted us, they were just ready to get the project done and move into their home,” Bull says. “During the time when the house sat, Trish and Alex had adopted twin girls, toddlers at the time, so all of the sudden their family needs were different.”
The foundation and steel frame were already in place, and the unique engineering of the elevated upper level made it im-possible for Bull and his team to change the structure. So Bull worked within the steel frame, focusing on the interiors,
BELOW: A large Dellarobia sofa gives the family plenty of room to sprawl out in the living room, and a Spark Modern Fires fireplace built into the tall stone wall adds extra warmth. OPPOSITE: Alex is passionate about cooking, and the industrial-grade kitchen, with appliances by Sub-Zero, blue-Star, and Miele, allows him to prepare meals while the girls do homework at the angular basalt-topped island, on stools from boConcept. Architect Steve bull chose walnut for the interior walls and ceiling “because it has a nice deep tone to it and looks very sophisticated,” he says. “Using the same material [in both places] creates a much more enveloping experience.”
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“wE wANTEd TO KEEp AS mANY hEmLOCKS ANd OThER hEALThY TREES INTACT AS pOSSIBLE ON ThE SITE. ThE hOUSE wAS wOvEN ThROUgh ThEm. IT FEELS LIKE LIvINg IN A TREE hOUSE.” —TRISh ChENg, CLIENT
A deck on the western end of the house has painted steel railings. The canted trim is metal flashing (used for waterproofing) that matches the prefinished metal roofing. Throughout the house, Marvin windows allow a flood of natural light.
which the clients wanted to keep “clean, streamlined, and contemporary,” he says. Plus, there was the addition of the twins to consider.
“We basically started from scratch,” Bull explains. “There were some spaces that are generally in the same location, like the kitchen and the living room, but the rest of the spaces were completely reconfigured. It was a bit of a jigsaw puzzle as the edge of the structure defined the limits of the space.”
The Chengs had originally planned to install a lap pool running through the upper level, but with the arrival of the girls, who are now 10, they decided they wanted more func-tional footage for the growing family. Bull integrated a portion of the pool space into the study and a new project room for the girls. The rest went into a deck off the dining room. Bull also reconfigured the lower level to add another bedroom.
With its open kitchen, dining area, and living room—and seductive views across the tree canopy—the upper floor’s central area is the most-trafficked hub of the house. Polished concrete floors run throughout and complement the warmth of the walnut walls and woodwork, a pairing brainstormed by Bull and interior designer Christiane Pein of Seattle’s Lair Design, who helped with the furnishings.
Every room in the house offers an expansive view of the natural surroundings—including Cook Inlet, Mount Susitna to the northwest, and Denali Mountain to the north—a daily re-minder of why the Chengs, who moved from Seattle, chose Alaska as their home. “We moved to Anchorage [in 1996] think-ing we would stay for just a few years,” Cheng says. But, “we fell in love with Alaska and here we still are 17 years later. The beauty of the mountain ranges still inspires us each day.” h
GRAY ISSUE No. FIFTEEN 79DavidPapazianPhotography, Inc
P r i v i l e g e d t o c a p t u r e t h e s p a c e s d e s i g n e d b y t h e N o r t h w e s t ’ s m o s t t a l e n t e d a r c h i t e c t s a n d d e s i g n e r s .PHONE 503 . 421 . 2416 · DAV ID@PAPAZ IANPHOTO .COM · PAPAZ IANPHOTO .COM
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80 GRAY ISSUE No. FIFTEEN
Your StYle, Done BeautifullY visit garrisonhullinger.com
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GRAY ISSUE No. FIFTEEN 81
insight
first comes loveThese dynamic duos are making our hearts
skip a beat, one design at a time.Written by nicOLe MunsOn
James and Kricken yaker, founders of the design–build firm Vanillawood, in the window of their portland shop and studio.
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Trendy twosomes, we’re on to you. We see you working together, designing and collaborating like nobody’s business, and we’re jealous. How do you do it? How is your taste so incredibly in sync? What do you have left to discuss at the dinner table? Curious for answers,
we questioned six of the coolest couples we know, to find out how they live, work, and play together, all while staying sane and inspired. »
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“I SAw KRICKEN ON ThE FIRST dAY OF ORIENTATION [IN COLLEgE]—ShE wAS AT ThE FRONT OF ThE CLASS, ANd I wAS IN ThE BACK. I ASKEd mY FRIENd whO ShE wAS. ALThOUgh I COULdN’T pRONOUNCE hER NAmE, I hAd A pRETTY gOOd SENSE ThAT I wAS LOOKINg AT mY FUTURE wIFE. ” —JAmES YAKER
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WHO:VanillawoodWHaT: A full-service design–build firm located in Portland
James and Kricken Yaker, the husband-and-wife team behind Portland’s full-service design–build firm Vanillawood, have been creating design magic for eight years, ever since renovating their first house together in Venice Beach, California. “We loved the experience so much—it seemed to fulfill so many of our creative tendencies and passions, and we realized that we worked incredibly well with each other,” Kricken says. Together for 21 years—they met in college while study-ing abroad in Florence, Italy—the pair make working in tandem seem like a breeze. “It’s so much easier because you don’t need to dance around each other’s feelings,” James says. “There is no need for bullshit. We can be direct with how we feel about something because we want the project to be the best that it can.”
It helps that their personal and professional aspira-tions are in perfect alignment. Though they’re both lead designers, James serves as general contractor and oversees all construction, while Kricken heads up the interior design department and runs the Vanillawood retail shop. “One of the greatest parts of working with my husband is that at the end of the day, we are working toward the same goal—our family’s future,” Kricken says. “There is no ego involved. We both are each other’s biggest fans. And that’s a great feeling to have that kind of support in business. I trust no one more than my husband and I know he always has my back, as I do his.”
Vanillawood handles all aspects of design, from full-house renovations (top right), to custom interior design services (top left and bottom right).
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INTERIOR DESIGN + STAGING SERVICESf u l l se r v ice in te r io r des ign / des ign coach ing / contemporar y s tag ing
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84 GRAY ISSUE No. FIFTEEN
WE CONSTRUCT ANDORGANICALLY MAINTAIN
the mostexceptionallandscapes
IN THE NORTHWEST.
Come see what we have been up to: www.nussbaum-group.com
©John Granen
WHO: Box Interior DesignWHaT: Interior designers and hospitality specialists in Vancouver
After separate successful design careers, this duo, known for turning out award-winning and stunningly modern hotels and restaurants in the Vancouver area, joined forces when they found themselves competing for the same projects. “I started a solo practice,” Cynthia Penner says, “and Jay was the entire commercial design team at an esteemed residential firm. Eventually we wanted the same jobs, so it just made sense to try to get them together.” They founded Box in 2002, and won their first award that year, an award of excellence from the Interior Designers Institute of British Columbia (IDIBC). They have since won 15 others.
The two work well as partners. Jay Brooks brings business acumen and artistic talent (he does drawings for every project by hand), while Penner contributes conceptual ideas, in-depth color and texture palettes, and handles the firm’s marketing and communications. “Since we know each other so well and have been to-gether for so long—25 years!—it is easy to collaborate,” Penner says. “It is normal for us to finish the others’ thoughts and sentences. When you feel safe and com-fortable, it is easy to be free in your imagination with another person.” The biggest challenge, as you might expect,isbalancinghomeandworklife.SaysBrooks:“We have a rule that we can talk about creative ideas after work, but not about affairs of the office.”
“Being a designer is not a profession as much as it is who we are, so we are grateful for each opportunity to be allowed to imagine and create for our clients.”—CYNThIA pENNER
Cynthia penner and Jay brooks excel at high-end restaurant design. Their work in Vancouver includes black + blue (top left); Market by Jean-Georges in the Shangri-La Hotel (bottom left); and the Fish Shack (bottom right).
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84 GRAY ISSUE No. FIFTEEN
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WE CONSTRUCT ANDORGANICALLY MAINTAIN
the mostexceptionallandscapes
IN THE NORTHWEST.
Come see what we have been up to: www.nussbaum-group.com
©John Granen
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86 GRAY ISSUE No. FIFTEEN
insight
WHO: Big Wood SkiWHaT: Handcrafted, custom wood skis produced in Sun Valley, Idaho
After working in ski shops for 28 years, Caleb Baukol launched Big Wood Ski last spring with his partner Bex Wilkinson. “It wasn’t really a decision; it just sort of happened,” Wilkinson says. “Caleb was building skis and he asked me to help him out a few hours a week. Before I knew it, I was handling pretty much everything else that didn’t include making the skis themselves.”
While Wilkinson has experience in start-up com-panies, Baukol’s skills are on the engineering and technical side. Not just a matter of sport, the skis are a true art form, each custom-designed for the individual. Baukol starts all skis with a FSC Pure Bamboo core, then adds layers of fiberglass, carbon fiber, and Kevlar, varying the applications to suit each distinct rider. The finished product is laminated and sealed with plant-based resins, and each customer can choose from four differentfinishes:cherry,maple,Africanbubinga,andzebra wood.
Big Wood Ski is also big about giving back. A per-centage of each of its sales goes directly to nonprofit organizations, and the workshop participates in Idaho’s Green Power Program, offsetting 100 percent of its carbon footprint with energy created by wind power.
“ThERE IS SERENdIpITY whEN wE wORK TOgEThER … IT JUST FLOwS. whEN wE hIT OUR ChALLENgES, wE hAvE A dATE NIghT ANd dON’T TALK ABOUT wORK.” —BEx wILKINSON
TOP TO BOTTOM: Caleb baukol at work on a custom-built ski in big Wood Ski’s Sun Valley workshop. baukol started the company with his partner bex Wilkinson. He brands each ski with the company’s round logo.
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kim rooneylandscape architect
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88 GRAY ISSUE No. FIFTEEN
piano Nobile hand prints every organic tea towel and lampshade. The textile tray patterns are based on prints of hand drawings.
WHO: Piano NobileWHaT: A design studio and fabrication workshop located in Seattle
Based in an old warehouse in Ballard, Piano Nobile, owned by Nickolas Robertson and Isabelle Grizzard Robertson, is the design studio that creative dreams are made of. He is an architect, she, an artist. They have combined their creative powers to produce work at every scale, from architecture to furniture to hand-print-ed textiles, all under one roof. “We built our workshop to accommodate the differences between our disciplines, and as a way to facilitate surprising moments of in-spiration,”Isabellesays.“It’slikesharinganumbrella:sometimes we are both under it, strolling together; sometimes only one uses it. Sometimes we fold it up and put it away to duck into a coffee shop for a date.”
Their shared inspiration has recently led to a new textile and home-goods line, which debuted in February. As for how they work so well together, Isabelle thinks that it’s all about communication—and courage. “We honor each other’s ideas and distinct vocabulary at the same time that we construct new technical approach-es for each project. The artist Giorgio Morandi would say a single word to his printmaking students a mo-ment before they plunged their copper etching plates intovatsofacid:coraggio, or courage. We say that to each other each time we encounter a tough decision—we remind each other to be brave.”
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GRAY ISSUE No. FIFTEEN 89
THE SOURCE FOR MODERN REAL ESTATE
com
WE FIND AND SHOWCASE MODERN.
PERIOD.
interiors | architecture | lifestylebachelor of fine arts, photography
masters of architecture
90 GRAY ISSUE No. FIFTEEN
insight
WHO: Provide HomeWHaT: An interior and lifestyle destination shop in Vancouver
“Shortly after we became a couple, we decided we needed to plan a trip, and we decided on Cuba,” says Robert Quinnell, half of the curatorial genius behind Vancouver’s Provide Home store. “We thought we mostly wanted to hang out at the beach, but after taking a tour of Havana and its amazing architecture, we knew the design world was destined for us.”
After opening up shop, Quinnell and his partner David Keeler quickly discovered the true benefits of collaboration. “We love spending time together and we love what we do, so it’s a win–win situation,” Keeler says. “Having Provide allows us to share our passion for de-sign and fulfill our desire to travel—and who better to share those experiences with than the one you love?”
The pair balance out each other’s tastes when stock-ing the floor of their shop, carrying upscale collections including Missoni, Rina Menardi, and Heath Ceramics. “Our tastes vary,” Quinnell says. “Sometimes I can be more modest—because of my wholesale fashion back-ground, I’m constantly looking for the best price and the best deals. David’s taste tends to be richer than mine, so if we can meet in the middle, we know we are on the right track.”
So what’s next for the twosome? Look for the expan-sion of their e-commerce business, as well as new additions to their stylish in-house collection of cush-ions, throws, and lacquer boxes, all hand-designed by Quinnell and Keeler.
Quinnell and Keeler stand among the carefully edited goods in their shop. In the foreground lies bold textiles from Missoni.
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GRAY ISSUE No. FIFTEEN 91
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92 GRAY ISSUE No. FIFTEEN
WHO: Emerick ArchitectsWHaT: Residential and commercial architects based in Portland
Inseparable since the first week of college, Brian and Melody Emerick first began to incubate their joint career in the vigorous architectural program at the Uni-versity of Oregon. “I think getting married young [at 21] and attending architecture school together allowed us to develop a solid working relationship early on,” Melody says. “We got to see how each other handled stress, multitasking, and sleep deprivation.” After that early trial by fire, they started their own firm, Emerick Architects, in 1999. The two now have a breadth of projects under their belt, ranging from highly detailed Craftsman houses to a sleek and modern penthouse to the flagship store of Northwest-based Grand Central Baking Company. The couple’s own house was the first LEED Gold–certified house in Oregon. “We divided up the design pretty evenly—he did site work, exterior elevations and details, I did floor plans, interior elevations, and materials. Because we have a pretty smooth working relationship it all came together easily,” Melody says. They realize that working together for most couples isn’t always as easy. “Find the way you work together best,” Melody advises. “I have had clients that enjoy making every decision together. Others divvy up the tasks. And lastly, some couples put one person totally in charge while the other one is fairly removed. Every-body has a different balance.” As for the future of their firm, the Emericks hope to push their creative limits further. “With our daughters heading to college in the next few years we can feel a shift coming up,” Melody says. “We plan to dig even deeper and explore even more opportunities.” h
TOP TO BOTTOM: Nearly every material used in the architects’ penthouse project was handmade locally in portland. The couple’s own home was the first stand-alone residence in Oregon to receive LEED Gold status.
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GRAY ISSUE No. FIFTEEN 93
The DESIGN MAGAZINE for the PAcIfIc NorThwEST
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94 GRAY ISSUE No. FIFTEEN
resources
94 GRAY ISSUE No. FIFTEEN
17. NeWS alaska Design ForumMultiple locationsalaskadesignforum.org
Bellevue arts MuseumBellevue, WAbellevuearts.org
Disjecta Contemporary art CenterPortlanddisjecta.org
HOpeS Conference, University of OregonEugene, ORhopes.uoregon.edu
Maryhill Museum of artGoldendale, WAmaryhillmuseum.org
Museum of Contemporary CraftPortlandmocc.pnca.edu
portland State University Center for public Interest DesignPortlandpdx.edu/public- interest-design
Salon SeattleSeattlesalonseattle2014.com
Seattle public LibrarySeattlespl.org
University of Oregon Department of architecture Eugene, ORarchitecture.uoregon.edu
Vancouver art galleryVancouvervanartgallery.bc.ca
Vancouver Heritage FoundationVancouvervancouverheritage foundation.org
22. NeXT and LightingVancouverandlight.ca
24. IN SeaSON BotaniqueSeattlebotaniqueflowers.com
Choice Bulb FarmMt. Vernon, WAchoicebulb.com
everyday FlowersStanwood, WAseattlewholesalegrowers market.com/everyday-flowers
FloressenceSeattlefloressencedesign.com
Flowers by KarenMonroe, WAflowersbykarenonline.com
glenwood FarmsHillsboro, ORglenwoodfarmsoregon.com
Jello Mold FarmMt. Vernon, WAjellomoldfarm.com
Ojeda FarmsEthel, WAseattlewholesalegrowers market.com/ojeda-farms
Oregon Coastal FlowersTillamook, ORflowersbulbs.com
peterkort RosesHillsboro, ORpeterkortroses.com
Seattle Wholesale growers MarketSeattleseattlewholesalegrowers market.com
Slow Flowersslowflowers.com
28. pROCeSS Inglenuk DesignVancouveringlenuk.com
KoboSeattlekoboseattle.com
piling palangpilingpalang.com
33. eLeMeNTS acanthus JewelryPortlandacanthusjewelry.com
ali gradischerPortlandaligradischer.com
anneStarrVancouverannestarr.ca
BocciVancouverbocci.ca
Design HouseVancouverdesignhouse.ca
eskayeleskayel.com
esque StudioPortlandesque-studio.com
gamlaVancouvergamla.ca
Jennifer West ShowroomSeattlejwshowroom.com
Jonathan adlerPortland and Seattlejonathanadler.com
Justine Brooks DesignVancouverjustinebrooks.com
Linde Ltd.Portlandlindeltd.com
LivingspaceVancouverlivingspace.com
Marisa MessickEugene, ORmarisamessick
Michael Folks ShowroomSeattlemichaelfolks.com
Nikki Jacoby Jewelry Seattlenikkijacoby.com
Sahlia JewelryPortlandsahliajewelry.com
Spencer InteriorsVancouverspencerinteriors.ca
The Cross Décor & Design Vancouverthecrossdesign.com
Thorn&WynnPortlandthornandwynn.com
Troy MothVictoria, B.C.troymoth.com
Uptowne papersPortlanduptownepapers.com
VictoryPortland victorypdx.com
West elmMultiple locationswestelm.com
44. MaDe HeRe Wes Walsworth, Walsworth FurnishingsKetchum, IDwalsworthfurnishings.com
46. ORIgIN eighth generationSeattleeighthgeneration.com
MockupsSeattlegetmockups.com
48. INTeRIORS Robert Bailey InteriorsVancouverrobertbaileyinteriors.ca
albert OehlenAvailable through: Saatchi gallerysaatchigallery.com
Bang & OlufsenMultiple locationsbang-olufsen.com
BensenVancouverbensen.ca
Ceramica Flaminiaceramicaflaminia.it
Christopher Woolwool735.com
Inform InteriorsSeattle and Vancouverinforminteriors.com
Lindsey adelmanlindseyadelman.com
LivingspaceVancouvershop.livingspace.com
porroporro.com
Radius architectural MillworkBurnaby, B.C.radiuswood.com
52. SOURCeD: RUgS andonian RugsSeattle and Bellevue, WAandonianrugs.com
atelier LapchiPortlandlapchi.com
Beyond BeigeVancouverbeyondbeige.com
Chandra Rugsshopchandra.com
Colin CampbellVancouvercolin-campbell.ca
IkeaMultiple locationsikea.com
Jan Kathjan-kath.de
Kush Handmade RugsPortlandkushrugs.com
NW RugsMultiple locationsnwrugs.com
Safaviehsafavieh.com
Thomas paulthomaspaul.com
Tufenkian artisan CarpetsPortlandtufenkiancarpets.com
Warp & Weftwarpandweft.com
54. OUTDOOR Darwin Webb Landscape architects, p.S.Issaquah, WAdarwinwebb.com
Nussbaum groupSeattlenussbaum-group.com
aw pottery NorthwestLynnwood, WAawpottery.com
Crosscut HardwoodsSeattlecrosscuthardwoods.com
Terris DraheimSeattleterrisdraheim.com
58. SOURCeD: OUTDOOR pot Inc.Vancouverpotinc.ca
Tint Design ResourceSeattletintdesignresource.com
ModernEugene, ORmodern-store.com
Moe’s Home CollectionMultiple locationsmoeshome.ca
GRAY ISSUE No. FIFTEEN 95
The ultimate buyer’s guide. Your resource for everything from design studios and artisans, to trades- and craftspeople.
workshop
Carbon & Sand
Garden GatesNew to the Northwest: unique and creative garden gate designs by Carbon and Sand. All our gates are custom-designed and detailed to each of our clients’ specifications. These custom gates will bring you enjoyment for generations.
carbonandsand.com
Archilume
Archilume’s unassuming simplicity masks a visionary design that transforms energy-efficient LED lighting into beautiful accent luminaires. The clear cylindrical lens features a conical diffuser that emits an elegant glow without the glare of a visible light source. Suited for ultra-modern to heritage-style interiors, the transparency of this design is its trademark aesthetic feature. Available in two gentle light effects: one evokes ripples on water, the other provides diffuse, even illumination. These dimmable luminaires are intended for illumination at counter and bar areas, in clustered formations as chandeliers in entrances, lounges and dining areas, or anywhere people want beautiful lighting accents.
www.archilume.com (604) 710-2576
Seattle Stair & Design
Design • Fabrication • Installation Rail Systems • Parts Packages • Residential • Commercial
Design: It all starts with design. You and your family are not just like everyone else. Whether we are making you a signature shop–built stair for your waterfront home or a DIY installed DesignLine™ rail system, we believe that personalized design can change your world.
seattlestair.com206.587.5354
not2big®
React. Reduce. Rethink. Recycle. Relax. At not2big, we build modern, artisan furniture one piece at a time. Handcrafted and individually numbered, no two pieces are exactly alike. Our designs combine the warmth of wood with a creative mix of other materials to produce timeless furniture that is functional and beautiful. Whether you choose an in-house design or a custom piece, it will be a true original. Our goal is to inspire, delight, and surprise, bringing our clients a personalized experience and providing them with a unique product not available anywhere else. Rethinking how furniture is made. We are not2big!
www.not2big.com(425)503-0710
Sara Wise Design The Sara Wise Design Collection merges a rich array of materials to create sustainably produced contemporary furnishings of unparalleled quality and finish. Unique compositional elements and unexpected details are the signatures of our collection. Infinite options including exterior finishes are offered for customization. Available at the Terris Draheim showroom in Seattle.
sarawise.com(206) 283-1411
96 GRAY ISSUE No. FIFTEEN
resources
96 GRAY ISSUE No. FIFTEEN
Object OutdoorsVancouverobjectoutdoors.com
Ragen & associatesSeattleragenassociates.com
Design Within ReachMultiple locationsdwr.com
Spark Modern Firessparkfires.com
60. ON THe ROCKS Office of McFarlane Biggar architects + DesignersNorth Vancouverofficemb.ca
CB2Vancouvercb2.com
Crate and BarrelMultiple locationscrateandbarrel.com
Crystalview pool, Spa & patioNorth Vancouvercrystalview.ca
Inform InteriorsSeattle and Vancouverinforminteriors.com
Kayu Canadakayu.ca
Miracle glass WorksHope, B.C.604-869-9559
Restoration HardwareMultiple locationsrestorationhardware.com
Somerset HomesWest Vancouversomersetcustomhomes.ca
Spencer InteriorsVancouverspencerinteriors.ca
StylegarageVancouverstylegarage.com
West Coast Turn KeyWest Vancouverwestcoastturnkey.com
YLightingylighting.com
66. DOMeSTIC KINeTICS Skylab architecturePortlandskylabarchitecture.com
3form3-form.com
expankoAvailable through: architectural Directionsarchitecturaldirections.com
Fabricafabrica.com
Felipe Motta, petit pois Studio petitpoisstudio.com.br
Flavor paperflavorpaper.com
Froelich engineersPortlandfroelich-engineers.com
ghilarducci Studios Portland503-757-8245
Heath Ceramicsheathceramics.com
Herman Millerhermanmiller.com
HipPortlandubhip.com
Luxrailcooperindustries.com
Made Portlandmade-studio.com
Mcgee SalvagePortlandmcgeesalvage.com
portland product WerksPortlandportlandproductwerks.com
Ruthi auda ruthiauda.com
United TilePortland and Renton, WAunitedtile.com
Wolfsubzero-wolf.com
74. HOMe aT LaST Workshop aDSeattleworkshopad.com
Lair DesignSeattlelairdesign.net
BlueStarbluestarcooking.com
BoConceptMultiple locationsboconcept.com
Hawkinson Construction Anchorage, AKhawkinsonak.net
Jon’s WoodworkingWasilla, AKjonswoodworking.com
Juno Lighting groupjunolightinggroup.com
Marvin Windows and Doorsmarvin.com
Mielemieleusa.com
Sub-Zero & Wolf appliancessubzero-wolf.com
81. INSIgHT Big Wood SkiSun Valley, IDbigwoodski.com
BOX Interior Design Vancouverboxinteriordesign.com
emerick architectsPortlandemerick-architects.com
piano NobileSeattlestudiopianonobile.com
provideVancouverprovidehome.com
VanillawoodPortlandvanillawood.com
98. MY NORTHWeST BestieVancouverbestie.ca
Cause+affectVancouvercauseandaffect.com
aD INDeX 2. HivePortlandhivemodern.com
4. The NinesPortlandthenines.com
5. Marvin Windows & DoorsMultiple locationsmarvin.com/shades
9. Room & BoardSeattleroomandboard.com10. The Modern Fan Co.modernfan.com
11. B & B ItaliaSeattlebebitalia.comdivafurniture.com
12. Chown HardwarePortland and Bellevue, WAchown.com
13. Hammer & HandSeattle and Portlandhammerandhand.com
16. Kush Handmade RugsPortlandkushrugs.com
17. Interior Design Show WestVancouveridswest.com
21. Design Lecture SeriesSeattledesignlectur.es
23. gelotte HommasBellevue, WAgelottehommas.com
27. Yves DelormeSeattle and Bellevue, WAyvesdelormeparis.com
29. Mitchell gold + Bob Williams Portlandmgbwhome.com
31. TufenkianPortlandtufenkianportland.com
32. all+Modern, wayfair.com, Dwell Studiowayfair.com/designer
41. hipPortlandubhip.com
43. Spark Modern Firessparkfires.com
45. Moe’s Home CollectionMultiple locationsmoeshome.ca
47. Keller SupplyMultiple locationswww.kellersupply.com
53. OpUS VancouverVancouvervancouver.opushotel.com
57. Loewenloewen.comAvailable through:Sound glassTacomasoundglass.comWindows Doors & MoreSeattlewindowshowroom.com
59. Inglenuk DesignVancouveringlenuk.com
79. Maison Inc.Portlandmaisoninc.com
79. David papazian photographyPortlandpapazianphoto.com
80. garrison HullingerPortlandgarrisonhullinger.com
80. Ragen & associatesSeattleragenassociates.com
83. alchemy CollectionsSeattlealchemycollections.comcamerichseattle.com
83. Design StageSeattledesign-stage.com
85. eWF ModernPortlandewfmodern.com
85. Nussbaum groupSeattlenussbaum-group.com
87. DigsSeattledigsshowroom.com
87. Kim e. RooneyLandscape architectsSeattlekimerooney.com
87. Masins Fine Furnishings & Interior DesignBellevue, WAmasins.com
89. 360° ModernSeattle360modern.com
89. Coates Design architectsBainbridge Island, WAcoatesdesign.com
89. erik Bishoff photographyEugene, ORerikbishoff.com
89. VanillawoodPortlandvanillawood.com
91. The Fashion group International of SeattleSeattleseattle.fgi.org
Back Cover: The Fixture galleryMultiple locationsthefixturegallery.com
GRAY ISSUE No. FIFTEEN 97
Chadhaus
Chadhaus is an American furniture and design studio rooted in the belief that objects can be beautiful, handcrafted, and made to last. Based in Seattle, WA, Chadhaus is a small company led by husband-and-wife team Emily and Chad Robertson. Chadhaus pieces feature sustainably harvested Pacific Northwest woods and recycled steel manufactured in Seattle.
chadhaus.com (206) 782-4287
The ultimate buyer’s guide. Your resource for everything from design studios and artisans, to trades- and craftspeople.
16th workshop
16th workshop designs and builds hand-made modern furniture of heirloom quality. Our work offers function, quiet line and balanced composition, while using impeccably hand-crafted, time-tested joinery. In so doing, it brings together the finest qualities of each, allowing our work a stunning presence in any environ.
16thworkshop.com (206) 905-8662
Seattle Design Bureau
Seattle Design Bureau is pleased to make its debut at WantedDesign 2014 in New York City. We invite you to join us as we embark on our journey to share with the world our love of design and our nod toward simple yet beautiful objects.
seattledesignbureau.com
urbancase
We believe in designing objects that contribute to a simpler, pared-back lifestyle with an emphasis on functionality. Our furniture and products are designed in Seattle and built domestically by our manufacturing partners in Oregon and Vermont. We believe in living well with less.
urbancase.com(206) 289-0451
fruitsuper design, LLC
We create products that tell your story. Products designed in Seattle and made in the USA that balance both fun and function. Designed to be used, loved, and lived with.
fruitsuperdesign.com
Standard Socket
Founded in 2012 in Seattle, WA, Standard Socket is a contempo-rary lighting company featuring designs from studios in the Pacific Northwest, New York, and Norway. Our philosophy is simple: Connect - Design - Make.
standardsocket.com1-800-447-2046
workshop
Piano Nobile
Piano Nobile is a design studio and workshop in Seattle. Their work combines structure and surface design, fine art and fine craft. The design studio creates architectural systems for homes, commercial spaces, and industry. The workshop produces organic linens and home goods. Piano Nobile products can be found in stores throughout the US and Japan, and in their online shop.
studiopianonobile.com
WantedDesign (May 16-19) is a premier creative destination for the international design community during NYCxDESIGN in May. The event will offer a 360-degree experience with innovative installations, memorable products, a pop-up store, interactive experiences, convivial lounges, thought-provoking student work-shops, engaging discourse and more. 269 11th Avenue (between 27th and 28th St), New York
wanteddesignnyc.com
98 GRAY ISSUE No. FIFTEEN
Photographed by JeReMY JuDe Lee
my northwestSHORTLY AFTER moving to Vancouver in 2004 and founding the branding agency Cause+Affect, Jane and Steven Cox noticed a dearth of opportunities for local creatives to network. “We felt like people didn’t have enough awareness of what was going on that was interesting, even within the design com-munity,” Jane says. So the duo stepped in to help—to “raise awareness and raise the bar.” Over the past 10 years they’ve launched a series of wildly popular events, including Fuse, a recurring party held at the Vancouver Art Gal-lery, and PechaKucha Night Vancouver. Come May 29, they’ll premiere FUEL, an ambitious conference and forum exploring the “Future of Urbanity, the Environment and our Lifestyle.” Two blocks from the Coxes’ office, another innovative concept has sprouted, though at a smaller scale. Bestie, a streamlined restaurant specializing in sausages and fries, is an un-expected discovery in gritty Chinatown. The Coxes are fans. After all, whether dining out or organizing a global conference, they’re driven by thesamepassion:“We’realwayssearchingforthe new, and we like to reward people who take risks and push the city forward,” Steven says. h
WHO:
jane and steven coxFounders of Cause+affect
WHeRe: Bestie, Vancouver
98 GRAY ISSUE No. FIFTEEN
GRAY ISSUE No. FIFTEEN 99
SieMatic Seattle2030 1st Avenue Tel: 206.443.8620
www.siematic.us/individual
KITCHEN INTERIOR DESIGN
THE SIEMATIC ALUMINUM INTERIOR SYSTEM for drawers and pull outs affords you creative new options for designing your kitchen entirely according to your own taste and harmonizing it elegantly with your style and finishes. With a unique mix of materials of high-quality a luminum, velvety f lock, f ine porcela in, and f ine woods l ike dark smoked chestnut or l ight oak with numerous innovative functions. Creating order has never been so much fun.
You can see the new interior design system in
action via the QR code or at siematic.us/individual.
SieMatic-Seattle-AD14a-S1237_8'375x10'875_v1.indd 1 3/11/14 12:52 PM
100 GRAY ISSUE No. FIFTEEN
VISIT OUR OTHER SHOWROOMS IN IDAHO AND WASHINGTON THEFIXTUREGALLERY.COM
Tigard Showroom7337 SW Kable Lane503/620-7050
Bend Showroom20625 Brinson Blvd.541/382-1999
Salem Showroom2710 SE Pringle Rd., #110503/779-2882
Eugene Showroom110 N. Garfield541/ 688-7621
STYLE REPORT: WHAT’S NEW FOR BATH & KITCHEN
Modern & Chic New from Toto, the Nexus suite is an intriguing mix of clean,modern lines and natural textures. Our showrooms feature water-efficient, high-performance “green” products.
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Seattle Showroom8221 Greenwood Ave N206/632-4488
Pacific Showroom703 Valentine Ave SE253/229-7156
FIXTURE GALLERY.indd 1 1/22/14 4:10 PM