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SPS68INSTRUMENTATION
Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Piccolo / Flute 1 . . . . . . . . . . . . . . . . . . . . . . . . . 5Flute 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Oboe 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Oboe 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Clarinet 1 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Clarinet 2 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Clarinet 3 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Bass Clarinet in B≤ . . . . . . . . . . . . . . . . . . . . . . . . 2Bassoon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Alto Saxophone 1 in E≤ . . . . . . . . . . . . . . . . . . . . 2Alto Saxophone 2 in E≤ . . . . . . . . . . . . . . . . . . . . 2Tenor Saxophone in B≤ . . . . . . . . . . . . . . . . . . . . 2Baritone Saxophone in E≤ . . . . . . . . . . . . . . . . . 2Trumpet 1 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Trumpet 2 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Trumpet 3 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Trumpet 4 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Trumpet 5 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Horn 1 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Horn 2 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Horn 3 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Horn 4 in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Trombone 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Trombone 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Trombone 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Euphonium . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Euphonium T .C . in B≤ . . . . . . . . . . . . . . . . . . . . . . 2Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Timpani / Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Snare Drum, Bass Drum
PerformanceSeries
Performance Series
Performance Series
Performance Series
Performance Series
S E R I E S
S E R I E S
C A R L F I S C H E R
P
S E R I E S
C A R L F I S C H E R
FULL SCORE
Symphonic Band
Grade 5
The ConquerorMarch
Carl TeikeEdited by
Van RagsdaleFor promotional use only
unlawful to copy or print
About the CompositionCarl Albert Hermann Teike (1864–1922) was a German composer who wrote over 100 military marches and twenty concert works . Born the son of a blacksmith in Stettin-Altdamm, Pomerania, Teike was the fourth of fourteen children in his family . He began studying music when he was fourteen, playing a variety of instruments . When he was nineteen, he joined the army of Württemberg as a musician in the 123rd König Karls Regiment . He was stationed in the Swabian city Ulm, where he also played horn and percussion for the orchestras of local theaters .
Teike began writing military marches, including one in 1889 that would eventually be named Alte Kameraden ("Old Comrades") . Upon his bandmaster's disapproval of that composition, Teike resigned from the army . A publisher purchased the song from him for twenty German goldmarks . Alte Kameraden later became one of the most popular marches in the world .
Teike became a police officer in Ulm and married his landlord's daughter . They moved to Potsdam in Brandenburg in 1895, where he continued work as a police officer until illness led to his resignation in 1908 . He eventually began working as a postal employee in Landsberg an der Warthe in East Brandenburg, where he died in 1922 .
Source: Wikipedia (text licensed under creative common license)
Louis-Philippe Laurendeau (1861-1916) was a Canadian composer and bandmaster . He also held an editorial position with Carl Fischer, the New York music publishers . Most of Laurendeau's compositions and arrangements were for concert or military band and were published primarily by Fischer and Cundy-Bettoney . He also composed works of specific Canadian interest, such as Shores of the St Lawrence, a medley for band, and Land of the Maple, Opus 235, a march . He wrote, as well, on music pedagogy, including volumes on band instruction and arranging for band . He occasionally wrote under the pseudonym, Paul Laurent . He is most familiar to audiences throughout the world through his band arrangement of Julius Fučík’s 1897 march, Entrance of the Gladiators (originally entitled Grande Marche Chromatique) . Laurendeau arranged the march in 1910 and published it as “Thunder and Blazes .” The piece is published by Carl Fischer as “by Fučík-Laurendeau” . The work is the best-known circus march in the world and has become a musical icon for that form of entertainment .
Source: Wikipedia (text licensed under creative common license)
Mayhew Lester Lake (1879-1955) [Lester Brockton] was an American arranger and composer of band music . He was born in Southville Massachusetts and studied at the New England Conservatory of Music . Lake was a violinist with Boston Symphony Orchestra and became well-known as a conductor in Havana, Cuba before moving to New York . He was associated with many luminaries of his day amongst performers and composer such as Sophie Tucker, Al Jolson, Mae West, Victor Herbert, George . M . Cohan, Percy Aldridge Grainger, Edwin Franko Goldman, John Philip Sousa, Henry Hadley and Paul Whiteman .
He was the editor-in-chief at the New York publisher, Carl Fischer from 1913 to 1948 for band and orchestral music . As with many of his contemporaries he used a number of pseudonyms including Lester Brockton, Paul DuLac, Charles Edwards, William Lester, Robert Hall and Alfred Byers . Of ragtime interest are his The Rag Baby (1916) and A Ragtime Travesty on Carmen (1918)
Source: http://www .grainger .de/index .html
SPS68F
2
For promotional use only
unlawful to copy or print
SPS68F
3
The EditorTexas Bandmaster Hall of Fame member Van B . Ragsdale (b . 1946) has had a lifelong passion for playing in, directing, and consulting with bands . During his 33 years as an active band director, his bands earned numerous state and national awards, including two selections as Texas State Champion "Honor" Bands . . .in Odessa at the largest junior high school level, and in Midland at the largest high school level . The 2008 recipient of Eastern New Mexico University's "Distinguished Alumni Award," he is in demand as a consultant, clinician, conductor, composer, arranger, and speaker throughout the United States and has served as adjunct professor of music education at Texas A&M University-Commerce . Awarded membership in the prestigious American Society of Composers, Authors & Publishers, he has over a dozen band works published, including A Walk With McCarley, which was featured in the 2013 award-winning feature film Bluebird . Van and his wife, Jean, live in Garland, Texas .
Editorial Notes to the ConductorPresumably originally titled in honor of a record-setting flight in 1900 by the German pioneer of airships, Ferdinand von Zeppelin, who was a count (Graf) in the German nobility, “The Conqueror” is one of Teike’s most famous and recognizable marches worldwide .
This edition/arrangement fully captures the original intent of the composer, with the most significant updates occurring in the trumpet parts . The practice at the time of the first and second Carl Fischer publications (1912/1945) was the employment of both cornets and trumpets, using four cornet and two trumpet parts (with much duplication) . With the practice in today’s bands of no differentiation between cornets and trumpets, this edition combines those parts to five, and often to only three (1st, 2nd, 4th) . The original “discant” trumpet parts of the earlier editions can be found within the 2nd and 3rd trumpet parts in measures 23-27 and 39-51, and in the 4th trumpet part from measures 106-110 . It is recommended that the trumpet section be arranged with the 1st part in the center, the 2nd and 3rd parts on one side and the 4th and 5th parts on the other: 5-4-1-2-3 or 3-2-1-4-5 .
About the ArrangerTexas Bandmaster Hall of Fame member Van B . Ragsdale (b . 1946) has had a lifelong passion for playing in, directing, and consulting with bands . During his 33 years as an active band director, his bands earned numerous state and national awards, including two selections as Texas State Champion "Honor" Bands . . .in Odessa at the largest junior high school level, and in Midland at the largest high school level . The 2008 recipient of Eastern New Mexico University's "Distinguished Alumni Award," he is in demand as a consultant, clinician, conductor, composer, arranger, and speaker throughout the United States and has served as adjunct professor of music education at Texas A&M University-Commerce . Awarded membership in the prestigious American Society of Composers, Authors & Publishers, he has over a dozen band works published, including A Walk With McCarley, which was featured in the 2013 award-winning feature film Bluebird . Van and his wife, Jean, live in Garland, Texas .
For promotional use only
unlawful to copy or print
Copyright © 2016 by Carl Fischer, LLC International Copyright Secured.
All rights reserved including performance rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce
by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.
Printed in the U.S.A.
Full Score
Flute
Oboe
Clarinetin Bb
Bass Clarinetin Bb
Bassoon
Alto Saxophonein Eb
TenorSaxophone in Bb
BaritoneSaxophone in Eb
Trumpet in Bb
Horn in F
Trombone
Euphonium
Tuba
Timpani / Bells(Db, Ab)
Percussion(Snare Drum,Bass Drum)
mf
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Piccolo doublesFl. 1 throughout
a2
ff
March (h = 120)
The ConquerorCARL TEIKE
Arranged by L.P. Laurendeau and H.R. KentEdited by Van B. Ragsdale
(Graf Zeppelin)March
a2
ff
ffa2
ff
ff
ff
div. unis.
ff
ff
ff
ff
March (h = 120)
ffa2
ff
ff
ffa2
ff
a2
ff
ff
ffTimp.
ff
ff 12 3
4 5 6
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For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
7
7
7 8 9 10 11 12 13
mf
mf
a2
mf
mf
a2
mf
mf
mf
mf
mf
mf
mf
a2
mf
mf
mf
mf
mf
mf
mf
mfSPS68F
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For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
14 15 16 17 18 19 20
a2
a2
a2
4
4
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6
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
f
f
f
f
f
f
f
f
f
f
f
f
f
f21 22 23 24 25 26
a2 a2
a2
fa2
f
a2
a2
3 3
f
fa2
f
f
4
4
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For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
27 28 29 30 31 32
a2
a2
a2
a2
a2
a2
SPS68F
8
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
p
p
p
33 34 35 36 37 38
a2
p
a2
a2
p
pa2
p
div.
a2
3.
2. 3.
2.
Ab to Gb if onlytwo drums available
SPS68F
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For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
39
39
f p
39 40 41 42 43 44 45
f p
f p
f p
f p
pf punis.
p f p
f
p
p
p f p
p f p
f pa2
p f p
a2
a2
p f p
p f p
p f p
p f p
p f p
p f pTo Bells
p f pSPS68F
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For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
46 47 48 49 50 51 52
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfza2
f sfz
f sfz
a2
f sfz
a2
f sfz
a2
f sfz
f sfz
f sfz
f sfzSPS68F
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For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Bells
Perc.
p
p
p
p
p
pp
p
p
p
p
p
p
p
p
p
p
p53 54 55 56 57 58 59
a2
a2 a2
a2 a2
p
p
Bells
p
ffSPS68F
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For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Bells
Perc.
sfz
sfz
sfz
sfz p
p
sfz
sfz
sfz p
60 61 62 63 64 65
p
sfz p
sfz p
p
sfz p
sfz p
p
sfz
p
sfz
a2
p
sfz
a2
p
sfz p
sfz
a2
p
p
sfz p
sfz p
sfzp
sfz pSPS68F
13
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Bells
Perc.
p
1. 2.
p
p
p
p
p
p
ff p
ff
p
1. 2.
p
ff p
66 67 68 69 70 71
ff
a2
ff
a2
ff
ff
a2
ffdiv.
ff
unis.
ff
ff
ff
ff
a2 a2
p
ff
p
ff
ff
ff
ff
ff
To Timp.
ffSPS68F
14
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
80 81 82 83 84 85 86 87
4
4
SPS68F
16
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
88 89 90 91 92 93 94 95
44
4
4
4
SPS68F
17
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
96 97 98 99 100 101 102 103
a2
a2
fa2
fa2
f
f
f
SPS68F
18
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
104
104
f
f
f104 105 106 107 108 109
f
a2 a2
f
fa2
f
f
f
f
f
f
f
f
fa2
a2
a2
SPS68F
19
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
ff
ff
110 111 112 113 114 115 116
ff
a2
a2
ff
ff
ff
a2
ff
a2
a2
ffa2
a2
a2
SPS68F
20
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
117
ff
ff
ff
ff
ff
117
ff
ff
ff
ff
ff
ff
ff
ff117 118 119 120 121 122
a2
a2
a2
a2
4
4
a2
4
SPS68F
21
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
123 124 125 126 127 128 129
a2
a2
a2
a2 a2
a2
a2
4
SPS68F
22
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
130 131 132 133 134 135 136
4
4
a2
4
SPS68F
23
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
137 138 139 140 141 142
a2
a2
a2
SPS68F
24
For promotional use only
unlawful to copy or print
Fl.
Ob.
Cl.in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Tpt.in Bb
Hn.in F
Tbn.
Euph.
Tuba
Timp.
Perc.
143 144 145 146 147 148SPS68F
25
For promotional use only
unlawful to copy or print
{
{
{
°
¢
°
¢
°
¢
°
¢
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{
Copyright © 2016 by Carl Fischer, LLC International Copyright Secured.
All rights reserved including performance rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce
by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.
Printed in the U.S.A.
Full Score
Piccolo
Flute
Oboe
Clarinet
in Bb
Bass Clarinet
in Bb
Bassoon
Alto Saxophone
in Eb
Tenor
Saxophone in Bb
Baritone
Saxophone in Eb
Trumpet in Bb
Horn in F
Trombone
Euphonium
Tuba
Mallet Percussion
(Xylophone, Bells)
Timpani
(Eb, Bb, Ab, F)
Percussion 1
(Snare Drum,
Bass Drum)
Percussion 2
(Crash Cymbals)
ff
1 2 3 4 5 6 7
8
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
&b
b
b ∑
ff
>
.>
.>.> .> > .>
.> >
.>
With the Greatest of Ease
JAMES MEREDITH
Allegro (q = 130)
Dedicated to Carl Bly, 2014 Virginia Band Directors' Hall of Fame
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Allegro (q = 130)
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œ œ œ œ œ œ œ œ œ
j‰ Œ
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œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œ
J
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œ œ œ œ œ œ œ œ
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J
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úú
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j ‰ Œ
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j‰ Œ
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n ..
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ú
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œ œ œ œ œ œ œ œ œ
j‰ Œ
œ œ œn œ œ œ œn œœb .
œ œ œb œ œ œ œ œ œ œ œ œ œ œ œ œ
J
‰ Œ
œ
J
‰ Œæææ
ú
œ
J‰ Œ
æææú
œ
j‰ Œ
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œ
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æææúœ
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# # # # # #
SPS69F
3
{
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.
.
.
.
.
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Picc.
Fl.
Ob.
Cl.
in Bb
B. Cl.
in Bb
Bsn.
A. Sax.
in Eb
T. Sax.
in Bb
Bar. Sax.
in Eb
Tpt.
in Bb
Hn.
in F
Tbn.
Euph.
Tuba
Mall.
Perc.
Timp.
Perc. 1
Perc. 2
mf
9
mf
mf
mf
mf
mf
mf
9
mf
mf
mf
mf
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#
SPS69F
4
{
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°
¢
°
¢
°
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°
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°
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.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Picc.
Fl.
Ob.
Cl.
in Bb
B. Cl.
in Bb
Bsn.
A. Sax.
in Eb
T. Sax.
in Bb
Bar. Sax.
in Eb
Tpt.
in Bb
Hn.
in F
Tbn.
Euph.
Tuba
Mall.
Perc.
Timp.
Perc. 1
Perc. 2
ff
1.
17
ff
ff
ff
ff
1.
17
ff
ff
ff
17 18 19 20 21 22 23 24
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b
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# # #
SPS69F
5
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Fl.
Ob.
Cl.
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B. Cl.
in Bb
Bsn.
A. Sax.
in Eb
T. Sax.
in Bb
Bar. Sax.
in Eb
Tpt.
in Bb
Hn.
in F
Tbn.
Euph.
Tuba
Mall.
Perc.
Timp.
Perc. 1
Perc. 2
2.
26
2.
26
f25 26 27 28 29 30 31 32 33
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# #
SPS69F
6
26
SPS68F
For promotional use only
unlawful to copy or print
{
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Copyright © 2016 by Carl Fischer, LLC International Copyright Secured.
All rights reserved including performance rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce
by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.
Printed in the U.S.A.
Full Score
Piccolo
Flute
Oboe
Clarinet
in Bb
Bass Clarinet
in Bb
Bassoon
Alto Saxophone
in Eb
Tenor
Saxophone in Bb
Baritone
Saxophone in Eb
Trumpet in Bb
Horn in F
Trombone
Euphonium
Tuba
Mallet Percussion 1
(Bells, Vibraphone)
Mallet Percussion 2
(Xylophone, Marimba)
Timpani
(Eb, F, Bb, C)
Percussion 1
(Snare Drum,
Bass Drum)
Percussion 2
(Tom-tom,
Tambourine)
Percussion 3
(Cymbals, Triangle,
Suspended Cymbal)
mf
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
6
8
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Allegro (q. = 112)
Lanigan’s Ball
ED KIEFER
Commissioned by Marc Schaub and the Mt. Tabor Wind Ensemble: Winston-Salem, NC
&1
2
bb
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
b
Solo
&2
3
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Allegro (q. = 112)
&2
3
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
bb
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?1
2
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
3 bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
1 2 3 4 5 6 7 8
œ œ œœ œ
J
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J
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j
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J
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SPS70F
3
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Picc.
Fl.
Ob.
Cl.
in Bb
B. Cl.
in Bb
Bsn.
A. Sax.
in Eb
T. Sax.
in Bb
Bar. Sax.
in Eb
Tpt.
in Bb
Hn.
in F
Tbn.
Euph.
Tuba
Mall.
Perc. 1
Mall.
Perc. 2
Timp.
Perc. 1
Perc. 2
Perc. 3
mp
9
mp
mp
mp
mp
mp
9
mp
mp
mp
mp
mp
9 10 11 12 13 14 15 16
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
bb
b
a2
&b
b
b
div. (if only one, play bottom)
> > > >
&1
b
Tutti
mp
&2
3
b
2.
mp
a2
&b
Bsn. 2
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
> > > >
?
bb
b
div. (if only one, play bottom)
> > > >
&1
2
Ob. (div.) > > > >
&b ∑ ∑ ∑ ∑ ∑ ∑ ∑
mp
> > > >
&
Bsn. 1
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
> > > >
&1
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&2
3
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
bb
∑ ∑ ∑ ∑ ∑ ∑ ∑
mp
> > >
> > > >
>
?1
2
bb
b
a2
∑ ∑ ∑ ∑
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?
3 bb
b∑ ∑ ∑ ∑
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b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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J‰ ‰
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j ‰ ‰
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Œ.
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J‰ ‰
mp
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.
Tambourine
SPS70F
4
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Picc.
Fl.
Ob.
Cl.
in Bb
B. Cl.
in Bb
Bsn.
A. Sax.
in Eb
T. Sax.
in Bb
Bar. Sax.
in Eb
Tpt.
in Bb
Hn.
in F
Tbn.
Euph.
Tuba
Mall.
Perc. 1
Mall.
Perc. 2
Timp.
Perc. 1
Perc. 2
Perc. 3
17
mp
17
mf
17 18 19 20 21 22 23 24
&b
b
b
&1
2
bb
b
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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b
&2
3
b
&b
> > > > >
> > >
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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> > > > > > >
>
&
> > > > >> > >
&1
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&2
3
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
bb
> > > > > > > >
?1
2
bb
b
> > > > > > > >
?
3 bb
b
> > > >
> > > >
?
bb
b∑ ∑ ∑ ∑ ∑ ∑
> > > >
?
bb
b
> > > > >> > >
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b
b
b
Xylophone
?
bb
b∑ ∑ ∑ ∑ ∑ ∑
> > > >
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/∑ ∑ ∑
> > > >
∑ ∑ ∑
> > > >
/∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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J
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J
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œ œœ
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J ‰ ‰
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J
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J
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œ œ .œ œ
J
œ œ œœ
œ œ œ œ œ
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œœ œ
J ‰ ‰
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J
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J
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œ œ .œ œ
J
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j‰ ‰
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j
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j
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j
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j‰ ‰ Œ.
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j‰ ‰
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j‰ ‰
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j‰ ‰
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j
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j ‰ ‰ Œ.
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j ‰ ‰ Œ.
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j ‰ ‰
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j ‰ ‰
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j ‰ ‰
Œ.œœ
J‰ ‰ Œ.
œœ
J
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J‰ ‰
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œœ
J
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J‰ ‰ Œ.
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J
‰ ‰
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J‰ ‰
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J
‰ ‰œœ
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J‰ ‰
Œ. œ
J‰ ‰ Œ. œ
J
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J‰ ‰ œ œ œ œ
j
‰ ‰ Œ. œ
J‰ ‰ Œ. œ
J
‰ ‰œ
J‰ ‰ œ
J
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J‰ ‰
œ
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J
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J‰ ‰
Œ.
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œ
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j ‰ ‰
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j‰ ‰ Œ.
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j ‰ ‰
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œ
j ‰ ‰
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j ‰ ‰
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œ œ œ œ œ œ œ
j
œ œ œ œœ
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j
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œ
j ‰ ‰
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j ‰ ‰
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j ‰ ‰
œ œ œ œ
J‰ ‰
œ œ œ œ
J‰ ‰
SPS70F
5
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Picc.
Fl.
Ob.
Cl.
in Bb
B. Cl.
in Bb
Bsn.
A. Sax.
in Eb
T. Sax.
in Bb
Bar. Sax.
in Eb
Tpt.
in Bb
Hn.
in F
Tbn.
Euph.
Tuba
Mall.
Perc. 1
Mall.
Perc. 2
Timp.
Perc. 1
Perc. 2
Perc. 3
25
mf
mf
mf
mf
25
mf
mp
25 26 27 28 29 30 31 32
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
bb
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b
b
b
div. (if only one, play top)
&1
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&2
3
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b
mf
Bsn. 2
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b
div.
&1
2
Solo
&b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
Bsn. 1
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&2
3
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&1
2
bb
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?1
2
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
3 bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&b
b
b
Bells
22 2
2
22
2
2
22 2
2
22
2
2
&b
b
b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?
bb
b∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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Tamb.
/
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SPS70F
6
27
SPS68F
For promotional use only
unlawful to copy or print
UPCISBN 978-1-4911-4349-0SPS68 — SetSPS68F — Full ScoreSPS68P — Partswww.carlfischer.com
UPCISBN 978-1-4911-4351-3SPS69 — SetSPS69F — Full ScoreSPS69P — Partswww.carlfischer.com
The Carl Fischer Performance Series for Band has five performance levels to provide you with a highly focused repertoire for your band . Each level has been carefully designed and graded, within specific guidelines, so that each piece in a level will work with your band when it achieves that level . Each level is also color coded for ease in finding the series that will be appropriate for your band, as it develops .
Within each grade level, you will find selections in a variety of styles and genres designed to meet all of your performance and teaching needs . The Carl Fischer composers and arrangers are some of the most respected writers in the business . Their music is dynamic, fresh and eminently worthy of your attention .
Symphonic Band• Standard concert band instrumentation• Difficulty within reason for high school groups• Unusual instruments cross-cued• Expanded Percussion section, increased instrument options• Mature pieces of high musical value
28
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Copyright © 2016 by Carl Fischer, LLC International Copyright Secured.
All rights reserved including performance rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce
by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.
Printed in the U.S.A.
Full Score
Piccolo
Flute
Oboe
Clarinet
in Bb
Bass Clarinet
in Bb
Bassoon
Soprano Saxophone
in Bb
Alto Saxophone
in Eb
Tenor
Saxophone in Bb
Baritone
Saxophone in Eb
Trumpet in Bb
Horn in F
Trombone
Euphonium
Tuba
Mallet Percussion
(Xylophone, Bells, Chimes)
Timpani
Percussion 1
(Rain Stick, China Cymbal,
Suspended Cymbal,
Finger Cymbals or Triangle,
Tambourine, Crash Cymbals)
Percussion 2
(5 Tom-toms)
Percussion 3
(Brake Drum,
Bass Drum)
Havsdrake (Dragon of the Sea)
Misterioso (q = 60)
5
Havsdrake (Dragon of the Sea)
Misterioso (q = 60)
5
p
p
p
mf
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
&b
b∑
U
∑
U
∑ ∑ ∑ ∑
Nordanvind
CARL STROMMEN
Commissioned by and Dedicated to the Augustana College Concert Band:
Rock Island, Illinois; Dr. Rick Jaeschke, director
&b
b∑
U
∑
U
∑ ∑ ∑ ∑
&b
b∑
U
∑
U
∑ ∑ ∑ ∑
&1
∑
U
∑
U
∑ ∑ ∑ ∑
&2
3
∑
U
∑
U
∑ ∑ ∑ ∑
&∑
U
∑
U
∑ ∑
p
(opt. Mens Voices: “Ah”)
?
bb ∑
U
∑
U
∑ ∑
(opt. Mens Voices: “Ah”)
p
&∑
U
∑
U
∑ ∑ ∑ ∑
&1
2
#
∑
U
∑
U
∑ ∑ ∑ ∑
&∑
U
∑
U
∑ ∑ ∑ ∑
&
#
∑
U
∑
U
∑ ∑
(opt. Mens Voices: “Ah”)
p
&1
∑
U
∑
U
∑ ∑ ∑ ∑
&2
3
∑
U
∑
U
∑ ∑ ∑ ∑
&1
2
b ∑
U
∑
U
∑ ∑ ∑ ∑
&3
4
b ∑
U
∑
U
∑ ∑ ∑ ∑
?1
2
bb ∑
U
∑
U
∑ ∑
a2 (opt. Mens Voices: “Ah”)
?
3 bb ∑
U
∑
U
∑ ∑
(opt. Mens Voices: “Ah”)
?
bb ∑
U
∑
U
∑ ∑
(opt. Mens Voices: “Ah”)
?
bb ∑
U
∑
U
Optional String Bass
(opt. Mens Voices: “Ah”)
Stagger breathing
p
>
&b
b∑
U
∑
U
∑ ∑ ∑ ∑
?
bb
f
^ U ^ ^ U ^ ^ ^ ^ ^ ^ ^
∑
/
f
Rain Stick (opt.)
U U
∑ ∑ ∑
Suspended Cymbal
scrape
/
5 Tom-toms
f
^ U ^ ^ U ^ ^ ^ ^ ^ ^ ^ > > >
/
Brake Drum
f
Bass Drum>
^
U
^
v
^
U
v
^ ^
v v
^
v
^
v
^ ^
v v
^
∑
1
2 3 4 5 6
Ó
úb w
Óúb w
Óún w
Óúb w
Óúb w
Óúb w
w
w
w
w
w
w
w
w
œ
j ‰ Œ
œ
j ‰ Œ
œ
j ‰ Œ
œ
j ‰ ‰
œ
j
œ
j ‰ Œ Ó
œ
j ‰ Œ
œ
j ‰ ‰
œ
j
œ
j ‰ Œ Ó
æææw
æææw
Œ 3 Ó
œ
j‰ Œ
œ
j‰ Œ
œ
j‰ Œ
œ
j‰ ‰
œ
j
œ
j‰ Œ Ó
œ
j‰ Œ
œ
j‰ ‰
œ
j
œ
j‰ Œ Ó
œœ
œ‰ Œ Ó
œJ
œj
‰ ŒœJ
œj
‰ ŒœJ
œj
‰ ŒœJ
œj
‰ ‰œ
j
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œj
‰ Œ ÓœJ
œj
‰ ŒœJ
œj
‰ ‰œ
j
œJ
œJ
œj
‰ Œ Ó
SPS71F
3
{
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¢
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Picc.
Fl.
Ob.
Cl.
in Bb
B. Cl.
in Bb
Bsn.
Sop. Sax.
A. Sax.
in Eb
T. Sax.
in Bb
Bar. Sax.
in Eb
Tpt.
in Bb
Hn.
in F
Tbn.
Euph.
Tuba
Mall.
Perc.
Timp.
Perc. 1
Perc. 2
Perc. 3
mp
cresc. poco a poco
mp
mpcresc. poco a poco
mpcresc. poco a poco
mpcresc. poco a poco
mpcresc. poco a poco
7 8 9 10 11 12
&b
b∑ ∑ ∑ ∑ ∑ ∑
&b
b∑ ∑ ∑ ∑ ∑ ∑
&b
b∑ ∑ ∑ ∑ ∑ ∑
&1
∑ ∑ ∑ ∑ ∑ ∑
&2
3
∑ ∑ ∑ ∑ ∑ ∑
&
?
bb
cresc. poco a poco
&∑ ∑ ∑ ∑ ∑ ∑
&1
2
#
∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑
&
#
&1
∑ ∑ ∑ ∑ ∑ ∑
&2
3
∑ ∑ ∑ ∑ ∑ ∑
&1
2
b ∑ ∑ ∑ ∑ ∑ ∑
&3
4
b ∑ ∑ ∑ ∑ ∑ ∑
?1
2
bb
?
3 bb
?
bb
?
bb
mp
cresc. poco a poco
&b
b∑ ∑ ∑ ∑ ∑ ∑
?
bb ∑
> > > > > > > >
^
> > >
^3 3
/∑ ∑ ∑
scrape
∑ ∑
/
> > > > > > > > > > > > > > > > > ^ > > > > > ^ ^
3
3
/∑
>
> > >
>
>
> ^
> > > > >
^
>v
^
> > >
>
> >v v
^
3
3
Ó
úb ú
Ó
úb ú ú
Ó
œ œ úb ú .œ
Óúb ú
Óúb ú ú
Ó
œ œ úb ú . œ
Óún ú
Óún ú ú
Óœ œ úb ú .
œ
Óúb ú
Óúb ú ú
Óœ œ úb ú .
œ
Óúb ú
Óúb ú ú
Óœ œ úb ú .
œ
Óúb ú
Óúb ú ú
Óœ œ úb ú .
œ
w
w
w
w
w
w
w
w
w
w
w
w
œ
j ‰
œ
j ‰
œ
j ‰ Œ
œ œ œ œ œ
j ‰ Ó Ó
œ
j ‰ ‰
œ œ œ
j ‰ Œ Ó Ó
œ
j ‰ Œ
# Ó
œœ
œ‰
œœ
œ‰ Œ ‰
œœ
œœ
œ
œœ
œ
œœ
œœ
œ‰ Œ
œœ
œœ
œ
j‰ Ó Ó
œ
j‰ ‰
œœ
œ
J‰ Œ Œ ‰ ≈
œœ
œ
j‰ Œ
œ
J‰ Œ
œj
‰
œ ≈ œ œJ
œj
‰œJ
œj
‰ Œœ
j
‰
œ œ œ œ œJ
œj
‰ Ó ÓœJ
‰
œj
‰
‰
Œ
œ œ œJ
œj
‰ Œ
Œ
Ó
‰ ≈ œ œ
Ó
œJ
‰ Œ œJ
œj
‰ Œ
SPS71F
4
For promotional use only
unlawful to copy or print
