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Featuring the people, culture and events of Globe Miami, we highlight the Apache Gold Casino Resort, Miami Librarian- Delvan Hayward, the premier of Shouting Secrets, and a feature on the Community Players
Citation preview
Calendar of EventsPage 10
An Alternative SpectrumPage 8
Lighting of the Luminarias 2011/ Photograph by Bob Estrin
LLC
DISCOVER THE GLOBE-MIAMI COMMUNITY ONLINE AT GMTECONNECT.COM
Anyone who is a parent knows how diffi cult
it can be to get children to cooperate for "picture
day.” They simply refuse to follow commands
to smile, sit still, or pose pretty for the camera.
In fact, if you try any of those, you are likely to
get just the opposite effect.
Now imagine the family
pet. They may love
sitting on your lap,
or playing fetch for
hours on end when
it is just you and
them, but just try
getting that adorable
look when a camera is
pointed at them...and the
everyday becomes impossible right?
Well, that was just the challenge of ace
shutter pro Michael Collett who volunteered
to be the offi cial photographer for the High
Desert Humane Society 1st Annual Calendar
Fundraiser. Collett and his wife Jenny have
worked as photographers in the local area since
1999, and have a studio on Broad Street.
By LC Gross
The Apache Gold Casino and
Resort sits fi ve miles outside of
Globe on land owned by the San
Carlos Apache Tribe, and has played
a key role in the economic health
of the region since it’s inception in
1994. So in 2009, when the Casino
announced that due to a worsening
economy they would be shutting
down their golf course and keno games, and laying off 45 people there was
an audible gasp from the community-at-large.
In 2008, during the worst fi nancial meltdown the country has seen since the
Great Depression, gaming revenues were reportedly down nearly 20 percent
across the country and showed that gaming was perhaps not the recession-
proof industry many had thought it to be. Arizona was particularly hard hit with
an unemployment rate of 10.8 percent and the mining industry in a stall from
falling copper prices. Calendar, Continued on page 24Apache Gold, Continued on page 28
New General Manager, Gary Murrey, is bullish on the future of the San Carlos Tribes' Casino & Resort Property.
By LC Gross
As the days shorten and the nights darken,
lighting of all kinds play a central role in brightening
our space and lifting our spirits. But during the
holiday season, it is primarily an array of twinkling
lights in all color and confi guration which take
center stage.
The fi rst ‘twinkling light’ was developed nearly
80 years ago, and within fi ve years there were 15
manufacturers dedicated to this product. They
eventually formed NOMA, a consortium of lighting
companies that supplied 95 percent of the world
supply of holiday lights until the 1960’s when the
Chinese got into the market as well.
Besh Ba Gowah, Continued on page 27
Holiday Lights and Luminarias
“We are not only on the same page, but we are reading from the same
book from the same library.”
Area Walking MapsCenterfold
FALL 2012
Community PlayersPage 20
A Bright Future For Apache Gold Casino & Resort
MR. MARCH
OLIVER
Photo by Michael Collett
Photo by LCGross
2 FALL 2012
FALL 2012 3
Photography Workshops
Tom Boggan – Camera Basics on
Oct. 21. Michael Madsen – Fall Foliage
Photography on Oct. 26. In November:
Paul Landau’s popular ‘Macros’
workshop and John Aho’s Painting-
with-Light nighttime shoots.
Fall Plant Sale
Oct. 13-Oct. 28. Herbs, wildfl ower
seeds, trees, shrubs, perennials, cacti,
and succulents from around the world.
Fall is the best time of the year to plant.
Members received a 20% discount.
Guided Bird Walks at 8:30 am
Leaders: Richard Ditch – Oct. 20.
Joanne Barr and Craig Anderson – Oct.
28. Cathy Wise- Nov 3. Kathe Anderson
– Nov. 11. Cindy Marple – Nov. 17. Troy
Corman – Nov. 25 and Dec. 1.
Plants of the Bible Tour
Oct. 20 at 1:30 pm, also Nov. 4, 17
and Dec. 2, 15. This relaxing, slow-
paced walk interprets pomegranates,
fi gs, pines, palms, and other plants in
the Arboretum’s collections that are
referenced in the bible.
Boyce’s Beer Home-Brewing Class
Oct. 21 from 12-3pm. Home-
brewers Pete and Greg Rendek.
Enrollees will learn to make a batch
of ‘Holiday beer’ featuring ingredients
derived from desert plants. $25
members, $34 non-members.
Tree Tour Sundays
Oct. 21 at 1:30 pm affi rmations
Continuing Nov. 18, Dec. 16.
Certifi ed Arborist and staff member
Jeff Payne alternates as guide for this
tour with ‘Smiling Dog Landscapes’
owner Tom McDonald.
Geology Walk
Oct. 27 at 1:30pm, continuing Nov.
24 and Dec. 22 with Queen Creek
geologist Scott McFadden. This tour of
our Main Trail compresses almost two
billion years of geologic history into
just one educational hour.
Boyce Thompson ArboretumNature Walks, Classes and Special Events
Fall 2012
Butterfl y Walk (2012 Season Finale)
Oct. 27 at 8:30 am with Adriane Grimaldi.
Learn about butterfl y life cycles and look
for Queens, Pipevine Swallowtails, Western
Pygmy Blues, Cloudless Sulphurs and the
elegantly-named Empress Leilia.
Gourd Art Workshop
Oct. 28 from 10 am-2pm. Learn to burn,
paint, etch, and emboss decorative gourds
with coaching from Mesa artists Gerald
and Vicki Johnson. $30 members, $39
non-members.
Edible & Medicinal Desert Plants
Oct. 28 and Nov. 25 at 1:30pm, guided
by Dave Morris. Nov. 10 and Dec. 8 with
Apache Junction co-authors Jean Groen and
Don Wells.
Mesquite Flour Class
Oct. 28 at 10:30 am with Jean Groen
and Robert Lewis. Learn to grind your own
fl our from the pods of these legumes,
and sample mesquite fl our waffl es (with
pomegranate syrups).
History Walk
Nov. 3 and Dec. 1 at 10 am. This singular
walking tour spotlights the life, times, and
dreams of Col. William Boyce Thompson and
the 85-year history of the arboretum.
Marine Corps Birthday Observance
Nov. 10. Active duty and retired Marines
are invited to celebrate the Marine Corps’
birthday with director (and fellow Marine)
Mark Siegwarth.
Live Music Festival Nov. 11
Performers include Mesa singer songwriter
Jim Pipkin at 11 am, The Storm (Patty Rutkoff,
Ethan Rutkoff, and Gary Kaplowitz) at 1pm,
Scottsdale chanteuse Millie Davis at 2 pm,
and the Close Enough String Band at 3 pm.
Thanksgiving Weekend Fall Foliage
Finale Festival
The Arboretum’s famous Chinese Pistachio
trees should be at their full, glorious peak. Live
music with Scott Schaefer and Scott Simon
as the Celestial Misfi ts, plus hot-spiced apple
cider, arts and crafts vendors, and more.
Located just 45 minutes west of Globe-Miami on Highway 60 (520) 689-2811
Tours and events are free with paid admission unless noted.Admission $9 adults | $4.50 ages 5-12
May-August 6am–3pm | September–April 8am-5pm
http://ag.arizona.edu/BTA
Endless photographic opportunities – like this richly lit scene of Magma Ridge with storm clouds loitering overhead – are why Arboretum visitors rarely forget their cameras.
Leaf peepers only have to travel as far as Boyce Thompson Arboretum to fi nd the fi nest autumn color. This classic scene is typical of leaf color at its peak, perfectly timed for the Arboretum’s Fall Foliage Finale Festival during Thanksgiving weekend.
4 FALL 2012
Call it retro, vintage or junk – though
many items with fi ner pedigrees have
earned the distinctive appellation
known as ‘an antique’. Much of what is
sold in antiques shops and malls have
value to many and will be cherished for
years; other folks would rather pursue
new, owning something unowned
before. Still other ‘collectibles’ one will
drive by, literally – they’re called yard
sales, and if you like Beanie Babies and
Jane Fonda workout books, have at it.
The junk at the very bottom, the fl otsam
and jetsam of life, is found on television
shows like ‘HOARDING: Buried Alive’.
These are folks who just can’t say
no to a bargain, or to anything
else either.
By whatever name
the rose goes, there has
been an explosion
across the planet
over the last forty
years for anything
that’s even slightly
older than we are.
That’s the point
– we’re fi xated on
fi nding and owning
the things our families
threw out years ago. You
should hear the grannies
laugh when they see pastel
plastic party sets and faded boxes
of LUX detergent on the shelves where
I’ve worked.
After thirty-plus years in this
business I can say I know a little bit about
a lot of things, and have some stories to
show for it. One day I sold twelve 1950’s
dinette sets – a Technicolor nightmare
of aqua and pink – and customers who
browsed the showroom later in the
day, after the deal was done, thought
I’d put ‘SOLD’ tags on everything to
goose sales. "It was the Japanese!"
I whooped, delirious because it was my
second day on the job. "They love these
things in Tokyo!" And in my earlier
days, employed at a shop specializing
in Victorian artifacts, a stylishly dressed
lady asked if she could see my epergne.
Blushing, I bolted from the room.
Later, when the shop owner explained
the woman had simply wanted to see
a set of fl uted ruby glass vases, I was
unmasked as an idiot.
Over the course of the next year –
four issues in total, as this is a quarterly
publication – we’ll cover the ABC’s
of antiquing: tips, observations and
personal refl ections:
is for ‘antique’. For years, the true
defi nition of the term ‘antique’
has been that of an object which
has survived, intact or otherwise, for
over one hundred years. This means
that even if your Star Trek action fi gures
are in perfect condition, with no bite
marks or burned body parts, they’re still
only thirty years old. A fi ne old humidor
from the Titanic, on the other
hand – the ship went down
in 1912, exactly a century
ago – well, you can give
that man a cigar. Your
father’s Betamax
tapes, a fabulous
collection of ‘Golfi ng
Greats’, doesn’t
qualify. Ditto on
Aunt Rita’s collection
of Pyrex mixing bowls
– but we sure do love
those patterns! Neither
one are antiques. You
can toss Daddy’s tapes –
or burn them – and whip up
some potato salad with Auntie.
The winner here is the Titanic cigar
canister. Other things to look for: if it
has a UPC code, the item, at its oldest,
is from the mid-1980s. Another good
dating tool is a zip code: they were
introduced in 1964.
is for ‘Barbie’, the collectible doll
with perfect dimensions and an
unlimited wardrobe, or ‘Bakelite’ –
stacks of plastic baubles with ridiculous
prices which normally sane people
obsess over. ‘B’ is also for ‘beware’, as in
‘buyer beware’. Do your homework – it’s
so easy to research items nowadays. You
can look stuff up on your phone now,
for goodness sake. Know what you’re
buying, whether it’s vintage Roseville or
the Chinese look-alike knock-offs from
a decade ago. If it’s too good to be true,
it’s usually too good to be true.
THE ABC’SOF ANTIQUING
by Darin Lowery
ABC's, Continued on page 5
A
B
FALL 2012 5
is for ‘collectible’. Believe me,
anything and everything is
collectible. I’ve known folks
who collect casino ashtrays, vintage
hubcaps and 1960’s Vera headscarves. A
man I knew in Chicago bought every old
wooden ruler he could fi nd. A woman
in Seattle has 300 vintage aprons and
is still on the lookout. See what I
mean? Whether it’s postcards, dice,
keychains or aged photographs
with scalloped edges, someone is
out there scouting around.
is for ‘deal’, as in, ‘Wow! I got
a great deal on these retro
windshield wipers!’ If the ticket
says $89 and you think offering
thirty bucks is going to win
you friends, think again. A
dealer has overhead like
anyone else. He may work
a deal for you; he may
not. Cash is king: credit
cards come with charges
both parties pay for. Come
up with an appropriate offer
in an appropriate way. ‘How much
do you want for this reeking piece
of garbage’ never works, but ‘Is this
your best price’ will at least earn you
some respect.
is for ‘elephant’, as in ‘white
elephant’, also known as THE
ITEM THAT HAS NEVER SOLD.
Every shop has at least one piece of
merchandise like this, so buried in dust
as to be unrecognizable at fi rst glance.
The price tag might be
seven years old; if you’re
interested in the item, go
ahead and ask for the best
price. Even if they tell you
‘stock just fl ies off the fl oor’,
it doesn’t hurt to inquire. But be
prepared for the possibility that the item
just arrived; maybe it’s a Mayan fertility
goddess that hasn’t been vacuumed yet.
If the dealer won’t budge, be gracious.
ABC's, Continued from page 4 No one likes a bully or a whiner. Or a
sore loser.
is for ‘Fiesta’ or ‘Frankoma’: two
dinnerware lines, as different
as night and day. The former,
colorful and happy; the latter, rustic and
muted. Both have their afi cionados,
and while prices have fl uctuated over
the years, they’re still very popular lines.
One word, though: there is original
Fiesta and then there’s new Fiesta.
Know the difference, or the sugar bowl
you snagged for Cousin Bobby might
be under-appreciated, depending on
which colors he collects.
We’ll do the second quarter of the
guide next issue. In the meantime, venture forth and have fun. While there are still rabid collectors out there, a new ‘downsizing’ trend seems to be emerging. This is good and bad news: on one hand, lots of great merchandise is showing up on vendors’ shelves. On the other, many formerly fascinating and eclectic people who lived in formerly fascinating and eclectic homes have now become Ikea-ized, living in a minimalistic wasteland fi lled with cheap reproductions of classic furniture and objet d’art.
Which, at some point in the future, will become collectible.
As we say in the business, ‘bye-buy!’D
EF
6 FALL 2012
Desk of
LLC
LLC
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Check # _________________
Please make checks
payable to
GMT Subscriptions
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PublisherLinda Gross
Creative DirectorJenifer Lee
Contibuting WritersLCGross
Darin LoweryJenn WalkerKim Stone
Contibuting PhotographyBoyce Thompson Arboretum Staff
Linda GrossDarin LoweryJenn Walker
Contact Information: Linda Gross
175 E Cedar Street • Globe, AZ 85501
Phone: 928-701-3320
Fax: 928-425-4455
www.gmteconnect.com
Published Four Times a Year
January / April / July / October
Copyright@2012
GlobeMiamiVisitorsGuide
GlobeMiamiTimes
All rights reserved. Reproduction of the contents of this publication without permission is strictly prohibited. The GlobeMiamiTimes neither endorses nor is responsible for the content of advertisements.
Advertising Deadline: Camera ready artwork is due the 10th of the preceeding month of publication. Design and photography services are available beginning at $35 hr.
Display Advertising Rates: Contact Linda Gross 928-701-3320 or e-mail [email protected] for information
Community Calendar: We have moved all of the Calendar items online! To list your event with us, please email Sharon at [email protected].
Contributors: We are always looking for articles and images which help tell the story of the area and the people who live here. If you are interested in working an assignment with the Guide, and/or submitting a freelance article or image, please contact me and let’s discuss it!
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Bringing Globe-Miami to You
theFrom the
’ve been smiling alot lately. This September
I watched as my oldest nephew, Andrew, got
married to Christin after being each others best
friend for nearly fi ve years. They decided to ‘tie the knot’
this year and commit to building on that friendship for
whatever may come their way. That’s love – warts, wishes and
wonderfulness all wrapped into one.
I feel the same way about this community.
I was interviewed once by a writer who, in essence, asked
me did I not notice the warts in this community? Why so
bullish on a community with run down, neglected parts?
So I told him, “...unlike a place which displays apparent
beauty in all directions on the outside only to discover
the inside is a bit, well...lacking in redeeming qualities,
Globe-Miami has its share of warts on the outside, but the
more you explore the back story here: the people, the events,
the culture and the ‘vibe’, the richer and more beautiful we
are in the eyes of the beholder. That’s why I’ve stayed. That’s
why others come.
Look no further than our piece on the Community Players
(pg 20) to see ‘community’ in action. From the cast and crew
who volunteers copious amounts of time three or four times
a year to entertain us, to the loyal audiences which mean
sell out performances and money to further the restoration
efforts of the old Court House, this is a labor of love.
Warts, wishes and wonderfulness... in action.
It was a pleasure to interview Gary Murrey, the new GM
for Apache Gold Casino, and talk to many of the directors out
there about the changes taking place. There is a new energy at
Apache Gold that comes from putting people fi rst – both staff
and customers – and building on a vision which is bright with
promise. Because here’s the deal: people forgive your warts if
you are working on wonderful. And they are.
And speaking of wonderful, the Governors’ Ball - a black tie
affair- held at the Center for the Arts this year was pulled off
in grand style by an army of volunteers and talent who gave
us all one more reason to give thanks
for living in this community. As Kip
said, when the DJ had to announce at
half past midnight that “...really, he’s
playing only one more song...” to the
packed crowd on the dance fl oor... you
know you’ve pulled off a good event. It
was a magical night where "wonderful"
was on display. It was richer for
knowing just how much work went
into getting us there. (Thank you Kip
& Company!)
Just like anything we do in life, it
is the warts and the work that go into
making wonderful that gives us such a sense of satisfaction
when wonderful arrives.
So I will leave the rest to you dear reader, to discover the
beauty and the promise of this community we call our own.
The Fall Season is packed with opportunities to do just that!
Cheers,
PublisherI
FALL 2012 7t is 9 a.m. and already the sun is
suspended high in the sky, slow
baking the shrubs, the rocks and
the trail. By the time this issue comes
out, however, the heat should be a little
less harsh at Round Mountain Park.
If you have been around Globe
awhile, then surely you know about
Round Mountain, right? Round
Mountain Park lies on the eastern edge
of downtown, offering six different
hiking trails covering 360 acres of land,
two of which lead up to a summit with
an awesome panoramic view.
You never know what wildlife you'll
encounter when you head up the
trail. In the past, hikers have spotted
roadrunners, deer, ravens, jack rabbits,
frogs and even gila monsters! On any
given trail, you may see barrel cacti,
prickly pear, juniper trees and yuca.
Since the trails wrap around Round
Mountain, they are generally at an
incline. Still, the elevation change is
only 430 feet from base to summit,
and it's moderate hiking as long as you
maintain a comfortable pace. None of
the trail combinations extend more than
a few miles, and they are well paved.
There are plenty of people to thank
for the magnifi cent views and the trails.
Globe's former mayor, vice mayor and
councilman Stanley Gibson is one of
them. Gibson was heavily involved in
the early stages of laying out the trails
in the 1990s, the fi rst being the West
Trail, which was constructed beginning
in 1995 and lasted roughly two to three
years. The late city councilman Louis
Aguirre volunteered his time to oversee
the construction of the ramadas, the
bridge and visitor center. Since then, city
park ranger Rick Powell has continued
to maintain the trails.
Regardless of which trail you
take, you will start at the visitor
center next to the parking lot.
There are bathrooms and a water
fountain there. It's best to take
advantage of them, because
there aren't any on the trails.
While there are resting points,
17 in total, the East and West Trails
generally don't include shade, so
expect to sweat if you are hiking
on a sunny afternoon. You will also
want to take a look at the trail map, or
pick up a paper copy, because several
of the trails intersect each other along
the way.
The trails don't look terribly exciting
at the start, lined mostly by shrubs and
small cacti. It won't be long before you
are looking over your shoulder to see
silhouettes of the mountains in the
distance. Hike up far enough, and you
will spot Miami's open pit mines to the
west and downtown Globe below.
If rock formations interest you, take
the Bull's Eye Rock Loop Trail from
the West Trail. The whole loop is just
one-third of a mile, and it provides
more shade than on the East and West
Trails. There are interesting rocks and
boulders, as well as a rest area, along
the way. And of course you will see the
Bull's Eye, a hole carved out of the center
of a large boulder.
Or, if you really want to feel on top
of things, then plan on taking the either
the East or West Trails to the summit,
where the two meet. You will be greeted
by an inviting rest point at the top with
two shaded picnic tables. Here you will
fi nd a prime view of Miami, Globe and
the Pinals. And in case you haven't had a
photo opportunity next to the U.S. fl ag,
here's your chance.
Get to Higher GroundNow that summer is winding down, spend some time
exploring Round Mountain's trails Written and Photographed by Jenn Walker
I
8 FALL 2012
“I don’t like the word ‘bling’, though
some people call my work ‘native
bling’,” says Dellisa Hooke, a twenty-
six year old jewelry designer, wife, and
mother of two. Born on the San Carlos
Reservation outside of Globe, Arizona,
she was raised in nearby Winkleman
and now resides in Peridot. As a child,
one of six, she would stare, captivated,
at her grandmother’s jewelry. Her
beading talent is self-taught. Dellisa
smiles modestly when she confi des a
simple goal, that her work is “something
any girl – some random girl, even non-
Native – would want to wear.” Initially,
she didn’t think her work was very good,
but through contacts on Facebook
with people in North Carolina, North
Dakota, Washington and Canada,
Dellisa admits, “People like my work!”
She beads every day.
Native American beadwork is
known the world over for its exquisite
craftsmanship and enduring beauty.
Its practice dates back centuries,
beginning with seed beads and shells
and then later with the introduction of
glass beads from European and Asian
traders. These quickly became popular
due to their eye-catching colors. The
Western Apache migrated to Arizona
in the fi fteenth century. By the late
1800’s the Atchison, Topeka & Santa
Fe railroad came barreling through. In
1902 the Fred Harvey Company created
an alluring image of the Southwest
through heavy advertising, complete
with Native American artists who sold
souvenir trinkets at railroad stops. It
was the fi rst time many people were
exposed to the beauty of beadwork.
Dellisa Hooke has created traditional
Apache beadwork in the past, and still
does so today. “I made my daughter a
buckskin top with a beaded neck and
hem, and I make beaded medallion
necklaces with dime-sized mirrors,” she
pauses and then explains, “I’m more
modern – I understand how things
work in the rest of the world. I do my
beadwork but don’t do the traditional
Apache four colors (black, white, yellow
and green or blue). I believe in tradition
and I understand it, but I’m Lutheran.”
Dellisa adds that recently she took one
of her daughters to a Sunrise Dance, an
age-old Apache celebration of a young
woman’s journey into womanhood.
She admires actresses in vintage
fi lms who wore gardenias in their hair,
and when she found an attractive
artifi cial fl ower she liked, she added her
special touch with gems and a beaded
center, and the ‘Hooke Blossom’ (a
friend’s designated term) was born. She
not only creates them for others, but
wears them herself. She smiles when
she says, “A lot of the things I intend to
keep I end up selling, though.”
Her designs are brilliantly colored
Spectrum, Continued on page 9
By Darin Lowery
FALL 2012 9
and expertly executed. “I’ll fi nd a gem
and then bead around it,” she says.
“I like to use the acrylic ones.” She
admits to a fondness for the dazzlers:
rhinestone banding and fi ery glass
Aurora Borealis beads, along with
crystals and seed beads in both #9 and
#11 sizes. Hearts, butterfl ies and fl oral
designs are prevalent images in her
work, and lately she says that “black
and white are big now!” Dellisa uses a
running applique stitch— four beads at
a time— and, when beading moccasins
will utilize the ‘lazy stitch’. Items she
creates run the gamut from hairbands to
hair ties, earrings and chokers; bracelets
and barrettes, and the afore mentioned
hair fl owers. Her rings, though, are the
knockouts: big, bold hand candy in a
myriad of hues which could easily lead
one from the darkness. Women literally
giggle when they see her rings, and line
up to try them on. The light catches,
refracting and refl ecting until the whole
room is drenched in an undulating
wave of rainbows. “I’ve been thinking
about doing new items, but I want them
to be unique.”
Besides her beadwork, Dellisa is a
voracious reader, amassing a library of
more than 300 books, and she enjoys
writing as well. She sought more balance
after realizing she was spending more
time reading than beading. She also has
a taste for vintage, having a new-found
love of Victoriana, cameos and pearl
strands. Dellisa appreciates old French
costumes and has worked images of
Marie Antoinette into her jewelry as
well. “With two energetic girls, I’d like
to have more time to shop for vintage,”
she sighs.
Much has changed in global
society— everywhere, it seems, tradition
has been turned on its head in almost
every aspect of our lives. This is evident
in art and business, and especially in
the traditional nuclear family. Dellisa
seems to have created a perfect world in
her realm.
“We sat down before we had kids,”
she says, referring to her husband Craig,
an amateur photographer and Human
Resources employee of the Apache Gold
Casino & Resort, “as to how we’d raise
them, and after they were in school,
then I’d go to work or college. I’ve made
it a point not to work in order to raise
my kids myself, rather than having
grandparents do it.” Her girls Delighla,
fi ve, and Elizabeth, three, are sweet
and funny children who sometimes
bead along with Mommy. Although she
disliked high school, she now admits,
“If I go back to school, I’d want to be
a teacher.” How does she feel about
passing on her knowledge of beadwork?
She pauses and says, “It’s something I’d
never charge for— I couldn’t charge for
it. I would share it with other people.”
At fi rst glance Dellisa may seem to
break the rules. She has put a spin on
the ancient art of beadwork by creating
something smaller than a scream but
much more than a whisper. However,
her goals and her work, and most
importantly, the love and support of her
family, all speak to the simple fact that
Dellisa Hooke may indeed be one of the
most traditional people of all.
Note: Dellisa Hooke’s vibrant jewelry
can be seen at the Pickle Barrel Trading
Post in Globe.
Spectrum, Continued from page 8
Calendar of Events
10 FALL 2012
Fall Festival – Night One Street Carnival, Prison of Terror
When: October 26th, 5-8pm
Where: Oak Street/Downtown Globe
Cost: Marketplace Free;
Prison of Terror $10
Enjoy our festive block party with
a carnival night! Booths for all ages
including.... Downtown Carnival Night.
Enjoy a wonderful array of games &
booths for all ages, including a fabulous
food court, Historic Downtown
Hayrides, a raffl e and a carnival toy store.
The Oak Street Marketplace, merchants
of art and hand-crafts, jewelry, kettle
corn, Farmers' Market goods, edible
treats, gifts, plus the 7th Annual B.Y.O.P.
(Bring Your Own Pumpkin) free carving
event and contest & more! What could
be more inviting than a home-town
pumpkin carving? Here is how it works:
You provide the pumpkin and we
provide the tools and tables. You are
also welcome to carve at home and
enjoy the festivities, but warning, we do
have a “ringer’s” category to the contest,
Ninth Annual Run to the Rez
When: October 19 & 20
Where: Apache Gold Casino
Cost: $25 registration for single riders/$40 for couples
Run to the Rez is a benefi t biker rally which supports
veterans. Started by Apache bikers who wanted to honor local Apache veterans, it
has expanded to host hundreds of riders who come to support veterans everywhere.
The ride kicks off the Tribe’s annual tribute to veterans and has been called ‘the most
spiritual ride in Arizona.”
Saturday rides begin at 12:30pm and include Apache Jii Day in downtown Globe,
with bike parking at The Huddle, and Drift Inn Saloon. We’ll be giving away Harley
Davidson jackets & grand prize drawings of $1,000. For more information on Run to
the Rez, contact Sharon Nosie at 928-951-6650 or email [email protected].
Note: The Tribe also holds a parade, fair, pow-wow, and rodeo during this weekend in
conjunction with it’s memorial to veterans.
29th Annual Apache Jii Day
When:October 20th, 9am-5pm
Where: Downtown Globe
Cost: FREE
Apache Jii Day (jii means ‘day’ in the
Apache language), is a celebration of
Apache and Native American culture.
Featuring artisans who come from all
corners of the state, the booths offer
everything from jewelry to fi ne art and
fry bread to Apache fl utes. Many booth
holders have been coming to this event
every year and say they do well here.
Apache Jii Day features a host of Native
American performances throughout the
day and tribal members from the Zuni,
Apache, Navajo and Tohono O’odham
nations are expected to attend.
Autumn Art in the Mountains of Miami
When: October 13 & 14th
Where: Bullion Plaza. Miami
Cost: Free
First annual art show by local and
invited artists in the newly renovated
interiors of Bullion Plaza Museum.
Artists include Frank Balaam, Jan
Barber, Jim Coates, Tanya Lambrect,
Barbra Decker and Marianne Collins
and more. The show will feature
music, wine tasting, refreshments and
food, and a silent auction. For more
information please call 928-473-4140.
wink! Winners will be announced
before 8pm, and yes, you get to take
your pumpkins home with you!
There will be a chili & cornbread &
“all things pumpkin” competition
with People’s Choice Awards, prizes
and bragging rights awarded!
FullCircle Photoworks will be taking
family holiday portraits on this night
from 5:30-7:30pm. And to round out
the evening's events make sure to
visit the “Prison of Terror” Haunted
1910 Historic Jail, 7-11pm, ages 7 &
up. “Wear closed toe shoes because
you might want to run for your life”
kind of fun! The Brantley Family and
friends knock this out of the park!
People tell us that they come from far
and wide to experience this Haunted
Jail, this one is a not-to-miss!
Fall Festival – Night Two Ghosts of Globe Tour/Prison of Terror
When: October 27th, 5-11pm
Where: Oak Street/Downtown Globe
Cost: Ghosts of Globe Tour $10;
Prison of Terror $10
This is a spook-a-licious adult night
(Children only with supervision, i.e.,
subject matter may not be appropriate
for all ages).
Saturday Night’s block party gets
quite a bit spookier, events include:
14th Annual Ghosts of Globe
Calendar, Continued on page 12
Dia De Colores Art Festival
When: October 20th – Activities begin 8am
Where: Superior Arizona
Pancake breakfast, live music by Chuck
Wagon & the Wheels, self-guided studio gallery
tour and an artists reception are all planned as
part of this event. Tickets are $10 for the self-
guided studio/gallery tour. For information
contact Lynn Heglie at 520-827-9398.
Frank Balaam
FALL 2012 11
12 FALL 2012
Downtown Walking Tour With Globe’s
Old Western Bawdy Past, it is no wonder
why we tout a great deal of activity. Our
tour runs about two hours in length,
starting at 6:30pm and leaving every
15 minutes from the front of the 1907
Courthouse @ Broad & Oak, last tour
leaves at 8pm. We will have on hand a
Ghost Hunter group for questions and
answers, as well as a look into their tools-
of-the-trade at the end of the tour. Wear
comfortable shoes, and be ready for a
staircase or two, and remember, we may
not be alone on the tour. Gypsy Village
Marketplace: A new addition to our Fall
Festival is the Gypsy Village featuring
mysticals, magicals, music & wonders
of Old. Therein visitors will fi nd readers
of cards, palms and aura’s, tribal drums &
music, marketplace vendors of jewelry,
cards, soaps, candles and more. Gypsy
Portraits. The Oak Street Marketplace
booths and the" Prison of Terror" will
be back in full swing on night two!
Calendar, Continued from page 10
Fall Festival Night Three
Annual Trick-Or-Treat/
Halloween Block Party!
When: October 31
Where: Downtown Globe
Cost: Trick Or Treating-Free; Prison of
Terror $10; Pictures on the Porch $10
If you haven’t been in our downtown
for this event, it is an eye opener! For as
far as you can see in any direction there
are wall-to-wall costumed little ones, families, and groups of friends enjoying
the festivities. If it is Trick-Or-Treating you have come for, enjoy your stroll up
and down Broad Street to be “treated” by our wonderful downtown merchants as
well as our business neighbors & organizations from 5:30-7pm. Candy donations
are wanted and welcomed, drop off points are at historic courthouse/CVCA or
City Hall. DJ, Dancing & Costume Contest on Broad. If it is the dancing and the
HUGE costume contest that brings you delight, Big John will be on hand from
Golden Sounds to DJ serenade you with great Halloween music selections. So,
come dressed in what suits you and join in on the fun! The costume contest has
grown so large that we will have a sign up booth to enter the contest in front of the
historic 1910 bandstand from 5:30-6:30 pm, contest starts at 7pm. The Pictures
on the Porch team will again be on hand (for the 7th year in a row) to capture
your spook-a-licious portraits for only the cost of the printing and all fi rst place
winners of the costume contest win a free portrait, taken at the event.
Hollis Theaters always has a few scary movie treats, Tap Into It dance Studio
on Cedar takes care of the haunted house for the wee-ones, Skate Castle on Hill
Street for the moderate, and the Prison of Terror on Oak gets even the hardiest
of skeptics! In search of libations? In our downtown we have both the Huddle &
The Drift Inn Saloon. Enjoy the hayrides, hurst rides, caramel apple treats and
treasures that can be found in the Oak Street Marketplace, as well as wonderful
treats from the surrounding churches on Oak. It is a great family time in Historic
Downtown Globe. Come and be a part of our history, and enjoy the holiday in a
place you will want to call home!
(Applications and information on all of the activities will be available online at
www.cvarts.org or www.facebook.com/globehistoricdowntown events section).
Or call the CVCA desk at 928-425-0884, or the events team, Molly Cornwell, at
928-425-4000, Ed Gardea 928-425-0223, or Kip at the Globe Main Street Offi ce
928-425-9340. “Google Grab Tidbits” are courtesy of the Petaluma, CA website”
Thank-you, fellow Halloweenists!
This is a Globe Main Street, City of Globe & Cobre Valley Center for the Arts
Complex Event.
4th Annual Wine & Art Auction
Where: Hosted by the Cobre Valley
Regional Hospital
When: November 3rd at 7pm
This is a gala evening which helps
raise funds for many of the hospital
programs and needs which would not
be possible otherwise.
It is an evening of Fine art and good
wine... all for a great cause.
Calendar, Continued on page 13
And new, this year!
Don't miss the 1st Annual
Oak Street Charity Pumpkin Roll
with proceeds going to the Dylan
Foundation. Combine a hill-top
historic B&B on Upper Oak & a
paving company, fun ideas and
great targets and you yield a great
pumpkin rolling/bowling event! BYO
Pumpkin or we will have a limited
amount for sale.
FALL 2012 13
The Society Page
Autumn Marketplace
Saturday, November 17th
9:00am-2:00pm
Cost: Free to public
Where: Oak Street & Broad, Globe
Flea market, crafts, antique and food
vendors turn out on Oak Street for your
early holiday shopping pleasure. Enjoy
this charming downtown street event
and get out in our beautiful fall weather.
Thanksgiving
Thursday November 22nd
For each new morning with its light,
For rest and shelter of the night,
For health and food, for love and friends,
For everything Thy goodness sends.
~Ralph Waldo Emerson
13th Annual Light Parade
When: December 8th Dusk-thirty
Where: Historic Downtown Globe
Cost: Free
This parade begins down by the
old Train Depot, proceeds up Pine
Street and then makes it’s grand entry
onto Broad Street for the fi nal leg of
the parade. So set up your chairs, get
out the hot chocolate, bring the kids
and the grandparents for another
great night of Holiday magic in Globe.
This year’s theme is “There’s No
Place Like Home” and if that inspires
you to create your own entry for
this parade then DO IT! We’ve had
everything from tricycles to cattle trucks
and boats to dancing girls covered
in lights...so we invite you to add
your mojo to the Parade of Lights and
contact Ed Gardea (Ortega Shoes) for
an entry form. Go ahead. You’ll be
glad you did!
Festival of Lights
When: December 23rd 5pm-11pm
Where: Besh Ba Gowah
Cost: Free (Entry fee and parking are is
waived on this evening)
Besh Ba Gowah is one of the top ten
attractions in this region and features
the ancient ruins of the Rio Salado
Indians believed to date back to 1225 to
1400. The event began nearly 20 years
ago with just 300 luminaries and has
grown to over 1600. Activities begin
at 5pm and visitors are allowed to
stay until 11pm or midnight when the
candles burn out. Complimentary hot
cider, coffee and tea are served.
Christmas
Tuesday, December 25th
Merry Christmas!
New Year's Eve Party
When: December 31
Where: Dream Manor Inn 7pm to 1am
Cost: $45 per person
Dream Manor will be hosting a
New Year’s Eve Bash which will include
dinner, dancing, party favors, prizes and
a midnight champagne toast. There will
be dance contests and a competition
for your predictions for 2013 and more.
Sounds fun! Reservations are required
and space is limited. Call 928-812-5564.
Calendar, Continued from page 12
Opening Night IS HE DEAD?
September 14, 2012
Vista Volunteer, Sarah Renkert with her sister Allie
Tommy Thompson and Jan Barber attended the opening night
at cvca
Artist Doug Brannan and wife Cynthia were on hand for the Opening Reception of the show "Refried Robots" featuring over 50 robots constructed of discarded items. The show opened in July and had such a great response it has been extended through October.
Jim and Kelly, owners Pickle Barrel Trading Post with Gary Murrey GM AGCR
Photo by LCGross
Director Jonelle Brantley with her daughter Anna Kirton who drove down from Cottonwood to catch opening night.
http://refriedrobots.com
Doug and Randy Bengsten, who fabricated all the custom displays for the show.
14 FALL 2012
The Society PageHuman Society
1st Annual Calendar Event
August 18, 2012
Everyone got in on the action during the Chinese Auction.
Cheryl Brazell, president of HDHS and husband Richard, along with Deb Metz coordinated and hosted the event at the Elks Club.
The bidding was fi erce for the Calendar and managed to raise over $3000 for HDHS. Here Cheryl leads off the bid with Michael Collett, photographer.
Randy and Donna Chapman shown here with Nelson Milliman, who won the People's Choice award with Joanna's Blueberry Crunch. The real Joanna is a true Southern Cook who is 88 and lives in Newton, Texas. She 'gifted' Nelson the recipe and they both say they are ready with another 'winner' for next year!
Julie P. and Maya D with the local Girl Scout Troop volunteered to help with the Social.
Premier of Shouting Secrets
Hollis Cinemas 4 September 14, 2012
Gary Murrey, General Manager of Apache Gold Casino and Resort shown here with Linda Gross Publisher, Globe Miami Times and Jenn Walker, writer.
The Hollis family turned out for opening night!
Cathy and Holly Lamont attended the after party held at the Train Depot
Ellen Kretch, Chamber Director, Jenn Walker, Gary Murrey, Shirley & Ed Dawson
Actors: Tonantzin Caramelo, Tyler Christopher, Gil Birmingham, Q'orianka Kilcher
FALL 2012 15
The Governor's Ball was a gala black tie affair. The event sold 138 tickets with many on a waiting list. Drinks, fi ne food, and a fun evening of dancing lasted til' past midnight!
The Society PageGovernor's Ball
Photos of this years gala was taken by LCGross and images are posted online at www.pictage.com See event# 1321519.Special carded portraits are available at The White Porch Gifts & Antique.
September 29th at Cobre Valley Center of the Arts
16 FALL 2012
Stereotype a librarian. What comes to mind? Glasses, perhaps, someone who is soft spoken and introverted. What doesn't typically come to mind is someone well-traveled, mischievous, artistic, outspoken and yet charismatic. Librarian Delvan Hayward just happens to be all of these things. And, yes, she also wears glasses.
Hayward is the type of person you can spend hours talking to. It must be the endless wit and a contagious laugh. When I showed up to the Miami Public Library on a Thursday afternoon, I had one question in mind – fi nding out how this woman went from being a traveling artist to a librarian.
On this day she is wearing a white, button-down blouse, long turquoise strands around her neck and matching turquoise earrings. At 66 years old, it's a much different look for her than the one she wore more than 40 years ago.
The library we are sitting in was once her high school gym. Hayward remembers it well.
“I was in the locker room smoking cigarettes,” she laughs.
“I was considered not a hippie but a beatnik,” she tells me. “One of those girls that always wore black and tights and had the white lipstick and the black eyes, kind of what would be goth now, yeah I was one of those kids.”
To prove it, she pulls out a Miami High School yearbook from the shelf and shows me a small square photo. There is Delvan Hayward, minus almost 50 years, her hair pulled into a sleek bun, wearing black horn-rimmed glasses and a charming smile.
Yes, once, Hayward was a high school student here in Miami. This is where she grew up.
Hayward's family moved here when she was a baby from Fort Sumner, New Mexico. After a javalina hunting trip, her father decided to keep the family in Miami so he could work for the mines. Eventually he left permanently, leaving behind Hayward's mother to raise her and her sister.
To Hayward's bewilderment, her mother felt safe raising her daughters in Miami.
“She felt that this was a safe place, in spite of the miners, to raise her two girls alone,” Hayward laughs. “It was real rough and tumble, the town was mainly bars and brothels.”
The Miami Hayward grew up in during the 1950s is quite unlike the Miami that exists today. At that time there were more than 10,000 people living in Miami, she remembers.
“So I've always considered myself a city girl because I grew up in downtown Miami,” she says.
Hayward, her mother and sister always lived in apartments, usually above the shops in the downtown area. Sometimes they all shared one room in a studio apartment, because it was all that her mother could afford. In the other apartments often lived maiden school teachers, school nurses and the occasional cowboy, she recalls.
“I always credit my creativity [to] the fact that I spent so many hours in the bathroom with the door shut, just to be alone,” she laughs. “Or outside, or on the stairs, or roaming the streets.”
Her mom worked selling tickets in the movie theaters, both the Grand Theater and the Lyric, where the park on Sullivan Street is now. Between unlimited movie access and a creative mind, Hayward had no trouble entertaining herself as a child.
“My mother liked to say I was precocious as a kid,” Hayward says. “I was very curious, I was always wanting to know what was going on.”
For instance, when Hayward was little, she broke into Sonny Miles' mortuary so she could see the dead bodies. She was caught. Sonny, the police and her mother decided that Hayward's punishment would be to help in the mortuary several days a week.
As it turned out, Hayward had a blast. The experience triggered some of her earliest interests in the human body, art, and her desire to become a medical illustrator.
Hayward left Miami in 1965 at age 19. She moved to Newport Beach with her husband at the time, where their daughter was born.
After two years in California, her husband got a job in Phoenix, so they found themselves back in Arizona. Phoenix became
home base for the next 30 years. During that time she raised her two daughters.
“I was this isolated, hippy housewife,” she says. She corrects herself, “Not really hippy, but just really art-y, isolated.”
The isolation, she says, was by choice.
“I think I've always been a loner,” she explains. “As my mother said, 'Delvan is the most gregarious introvert I've ever met.'”
Though Hayward was isolated in many ways, not being able to drive, never having gone to college, she and her husband were always active, she remembers. Their curiosity constantly drove them to explore, spend time in libraries, research and work on projects.
All the while, Hayward kept herself busy with art.
“I was doing murals, and I was doing different things,” Hayward remembers. “For someone that didn't work, I always was doing some art project for someone, or sewing, or painting or decorating or doing something.”
It wasn't until Hayward reached her 40s that she enrolled in art school, or learned how to drive for that matter. For so long she battled the discouraging thoughts that crept into her head, the thoughts that she wasn't good enough, or was too old. Yet the desire remained, and it only increased when she realized she wanted the support of other artists and students.
“It wasn't until I really realized that action comes before motivation,” she says. “So I think of myself as a real late bloomer.”
Once her children grew up, she involved herself in various art workshops in Santa Fe, and traveled.
Then, at last, she pursued a bachelor's degree in art at Arizona State University. She spent the summers in Italy studying anatomical drawings of Michelangelo and Leonardo da Vinci.
When she came home from Italy that third summer, right before graduating, her husband had packed up and fi led for a divorce.
At that time, she was gearing up to pursue her master's degree in drawing and painting. This was during the 1980s. Her mother had retired and been mugged twice, so Hayward had her mother move in with her in Phoenix while she carried on with her divorce.
In 1994, Hayward returned to Globe-Miami for her 30th high school reunion in 1994. She was still working towards her master's at Arizona State.
Meanwhile, the divorce settled. “I won the divorce lottery,” Hayward
says with a laugh. “So I could move anywhere in the world.”
Now she was faced with the decision of where to relocate. At this point, she had traveled plenty. She had seen Italy, Ireland, England and Egypt.
As Hayward and her mother drove into Globe-Miami for the reunion, her mother suggested they stop at a family friend's house. He suggested that Hayward and her mother move back to Miami.
“There's nothing in Miami,” she told him.
To which he replied, “You could make something of it.”
Inspired, Hayward made calls to realtors around town, looking for a building to buy in town. With the help of friends, she came across the building on Chisholm Street, the Soderman building.
“I said at the time, 'Get out of here!'” she says. “I spent most of my teenage years in the Soderman building with the old miners, sitting around smoking cigarettes, you know, and drinking whiskey.”
“And I ended up buying it.” She visualized a bed and breakfast
and an art studio. During that time she had commissions to do artwork and portraits in Santa Fe and Scottsdale. She was also still working on fi nishing her master's.
“Never happened,” she says fl atly.“Which part?” I ask. “Art,” she says.Reviving the Soderman building,
which had been abandoned for years, turned out to be a far greater task than she anticipated.
Get To Know Your LibrarianHow a former artist and Miami native wound up becoming Miami's librarian
By Jenn Walker
Librarian, Continued on page 17
As an artist, Hayward loves the beauty of the human design. One of her prized possessions is "Frida" a human skeleton which she displays in a china cabinet.
Hayward brings out her 20-year-old sketches, some of which she drew in Europe.
FALL 2012 17
“I didn't know I would end up being my own contractor,” she says.
“I also did not know that you weren't supposed to invest every penny you had, your life savings, into a building here,” she says. “Which I did.”
The bed and breakfast, Delvan's Drawing Room, lasted seven years. She got it listed on the National Register of Historic Places.
“That became my artwork,” she adds.
Unfortunately, this meant she never fi nished her master's degree. She had written her thesis, in fact she was right at her 15-hour review. She just had to put on an art show. Her show
was focused on self portraits, which was another reason why she was back in Miami, to investigate her past – the swimming pool where she met her former husband, the old hotels, and the Catholic church.
Yet at this point, in her older age, she interest began to veer in a different direction.
“[I was] really optimistic about giving back to the town of Miami,” she remembers.
As the bed and breakfast grew physically demanding, and Hayward continued taking care of her ill mother, Hayward realized at the age of 60 that she needed to look for work.
She arrived at the unemployment offi ce with a resume, only to be told she needed to go online. So she went to the library, where the librarian got her online almost instantaneously.
“I was so impressed with the librarian and what she had done,” Hayward remembers.
As it turned out, the librarian was also looking for an assistant.
It took nine months before Hayward landed an actual job at the library. Meanwhile, Hayward's mother passed and she sold the bed and breakfast.
It took another fi ve years before Hayward became a full-time employee and got insurance. Hayward has been at the library seven years now, two as the manager.
“People don't believe me, why I'm still working at 66,” she says. “This is my fi rst full-time job in my life.”
Nowadays she spends her time running the library, with the help of her assistant, Roy Plasencia. On any given day she will help an elderly person fi nd out information about social security, help travelers get boarding passes online, or help someone look for a job.
“One of the biggest joys I have being at the library is helping young women that come in here that haven't made it to college, are in a very bad domestic situation, [and] are losing faith that their life is ever going to get any better, and telling them there's time,” she says. “If you just take care of yourself, there's time.”
"Everyday we can help somebody do something,” she adds. “It's extremely satisfying, it's the most rewarding thing I've ever done.”
When she is not helping people, she is running the summer reading program, or organizing and updating. Now she
is working on digitizing old mining photos, 1200 lantern slides from the Miami Copper Company.
“Did you ever think you'd become a librarian?” I ask.
“No! No! Never, never,” Hayward replies. “I always respected librarians very much, but fi rst of all I always thought I talked too much.”
“Every country I ever visited, I would go to the libraries, in England, in Ireland,” she adds. “I love libraries, and I love doing research. And I still really enjoy that part of being at the library, doing research for people.”
I ask,“So do you ever make time for art anymore?”
She is always reading about it, thinking about it, and has her easel set up in her studio ready to go, she replies. She still draws here and there from time to time.
“Thank God I bought good art supplies, they're all archive-able materials!”
But she gave away most of her drawings.
“I fi nd that, when I was doing all of that drawing, [it was] very isolating,” she says in retrospect.
Nowadays Hayward says her mind is in a different place.
“To me the goal is to make people happy,” she says. “Frankly, at my age, and with my limited working experience, this is the best gig in town."
Librarian, Continued from page 16
John Michael, seen here with Hayward, has likened her to the indomitable Mrs. Cheeves who ran the library from 1933 to the '70s.
18 FALL 2012
It's not every day a fi lm at Hollis
Cinemas 4 sells out seven days in a row.
The last time a movie had this much
success at Globe's downtown theater
was when “The Avengers” came out
earlier this year, says theater owner
Bob Hollis.
As it continues to gain momentum
in the world of independent fi lms,
“Shouting Secrets” packed the theater
here in Globe during the fi rst week of its
premiere. First shown on Sept. 14, the
theater extended the screening of the
fi lm by an extra week because people
were being turned away at the ticket
sales counter.
The fact that the fi lm was shot locally
likely had something to do with how
quickly tickets sold. Filmed both on the
San Carlos Apache Reservation and in
downtown Globe in the spring of 2010,
a handful of residents played roles in
the movie.
Beyond that, however, was a universal
story told about a family at odds, brought
together by one unifying factor – loss.
Following the second night's
screening, one audience member said
it was the best movie she had ever
seen. Others responded with equal
enthusiasm.
This was a relief to director Korinna
Sehringer. This is her fi rst feature fi lm,
and she spent the last fi ve years of her
life working on it.
“I was extremely nervous
about fi lling the theater,” she says.
“When I found out it was sold out, I
was relieved.”
“When you're sitting in the audience
and you see them laughing or tear up,
that's the moment of bliss,” she adds.
Many ask what brought the Swiss
director to Globe to make a movie.
Initially, she intended to simply create
a fi lm that was inspiring, touching and
had a message, she explains. Once she
decided to locate the story in the heart
of Native American culture, she sought
out a small town next to a reservation.
In her search, she discovered San Carlos
and Globe.
“I thought it was pretty and
picturesque,” she remembers.
Once she chose the location, shooting
the fi lm took just a matter of weeks.
“I called the mayor, and within a three-
hour meeting we got things organized with
the fi re and the police,” Sehringer says.
She held a casting call and began
shooting the fi lm in April 2010. They
fi nished in less than fi ve weeks.
“It was a great shoot for a lot of us,”
actress Tonantzin Carmelo says. “I really
enjoyed that time because everyone in
the community really welcomed what we
were doing... There was a lot of curiosity
about the fi lm.”
Shooting an independent fi lm has its
challenges, she adds.
“It's not a well-oiled machine, like say,
a television show that works every single
day,” she explains.
“Ultimately that's the test of the
director or the producer that's putting
the team together,” she continues. “And
obviously it worked, because there's a
lot of independent fi lms that don't get
fi nished because of all the trials and
tribulations that independent fi lms have.”
So far “Shouting Secrets” has been
shown at eight fi lm festivals. It will be
shown in at least 17 more locations across
the U.S. and Germany.
“Shouting Secrets” Puts Globe On The MapLocally-made Film Fills Hollis Theater with Sold Out Shows
By Jenn Walker
Director Korinna Sehringer celebrated at The Drift Inn on the second night of opening weekend.
Sehringer and actor Gil Birmingham answering questions after the show. Though many scenes were cut which involved local people and scenes, they were all acknowledged in the credits.
Actor, Gil Birmingham signs autographs outside of the Drift Inn.
The local eatery, Los Robertos was turned into a lobster stand for the duration of the shooting and Kip Culver was hired to play the part of the owner (on the ladder.) This scene was cut on the fi nal edit, as were scenes fi lmed at the old jail.
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KIMS P
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CENTER FORTHE ARTS
JOE’S BROADSTREET
GRILLE
PRETTYPATTY LOU’S
EL RANCHITO
DRIFT INN SALOON
ALLTIMA REALTY
GOOD JUNK BAKERY
JOHNS FURNITURE
LA LUZ
PFREE FREE
BACON’S BOOTS
VIDA E CAFE
PAST TIMES ANTIQUES
ORTEGA’S SHOES
FIRE
POLICE
MUNICIPALBUILDINGCITY HALL
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PICKLE BARRELTRADING POST
*Please note: This map is not to scale, it is intended for informational purposes only.
P Parking Railroad
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To Besh ba GowahPinal Mountains
GLOBE GYM
PALACE PHARMACY
WHITE
PORCH
TRUE BLUEJEW
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GEORGE’SHAM
BURGER SHOP
LA CASITA
OLD JAIL
CEDAR HILLBED & BREAKFAST
PINE
THE HUDDLE
THE CLOCK SHOP
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SIMPLY SARAH
DESERT OASISW
ELLNESS
TO MIAM
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NOEL’S SWEETS
GLOBE ANTIQUE MALL
Open Sundays
STAINEDGLASSSTUDIO
Train photo by Rick Benning
TRI CITYFURNITURE
Entrance to Historic Downtown Globe
CHAMBEROF
COMMERCE DEMARCO’S
SALVATIONARM
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POST OFFICE
BALDWIN
ENGINE TRAIN
HA
CK
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Cemetary
YU
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BERNIE'S TROPHIESBE OPTIM
ISTIC
NADINE’S ATTIC
THE FURNITURE STORE
CHRYSOCOLLAINN
BERNARD'SCOFFEE STATION
HILL STREETMALL
RAILROADVILLAGEGALLERY
THE BEVERAGEPLACE
STACYS ART & SOUL
Attractions/EntertainmentBullion Plaza Cultural Center/Museum131 N Plaza CircleMiami, Az 85539928-473-3700
Besh Ba GowahJess Hayes Road928-425-0329Open 7 days a week 9am-5pmRated Top Ten attractions in Area
Center for the Arts101 N BroadGlobe, Az 85501928-425-0884Open Mon-Sat at 10am; Sun at noon
Gila County Historical Museum1330 N Broad StreetGlobe, Az 85501928-425-7385Open Mon-Fri10am-4pm; Sat at 11am
Hollis CinemasCedar & BroadGlobe, Az 85501Holliscinemas.com
Bars/Good EatsBernard's Coffee Station725 W Ash StGlobe, AZ 85501(480) 200-2865Coffee shop * Wifi
Beverage Place, TheJudy's Cookhouse Plaza2250 US Hwy 60928-425-2912Mon-Thurs 8am-9pm; Fri & Sat 8am-10pmSun 10am-8pmLarge selection on liquors, beer and wine
DeMarco’s Restaurant1103 N BroadGlobe, Az 85501928-402-9232Open 6 days a week. Closed TuesdaysDemarcosrestaurant.com Italian * Take Out * Catering
Drift Inn, The636 N BroadGlobe, Az 85501928-425-9573Open at 10am 7 days at weekHistoric Bar 1902 * World Famous Bloody Mary’s
Good Junk Bakery & Bar B Que570 N BroadGlobe, Az 85501602-931-0584Bakery and Bar B Que
Guayos el Rey716 W Sullivan StMiami, Az 85539928-425-9960Open 6 days a week at 11am: Closed on WednesdaysA tradition of fi ne Mexican food.
Guayos on the Trail14239 S Az Hwy 188Globe, Az 85501928-425-9969 Open 6 days a week at 11am. Closed on TuesdaysA family tradition. Plus great parking for those visiting the lake with big rigs.
Huddle, The392 N BroadGlobe, Az928-425-0205Open at 10am 7 days a weekLocal Sports Bar and ATV headquarters
Irene’s1623 E AshGlobe, Az 85501928-425-7904Open 11am 9pm 6 days a week. Closed TuesdaysMexican Restaurant serving lunch & dinner
Joe’s Broad Street Grille247 S BroadGlobe, Az 85501928-425-4704Open 6am-2pm Monday-SaturdayJoesbroadstreetgrill.comDiner serving Breakfast & Lunch
Libby’s el Rey999 N BroadGlobe, Az 85501928-425-2054Open 11am 6 days a week. Closed TuesdaysMexican Restaurant serving lunch and dinner
Noel’s Sweets226 N Broad StGlobe, Az 85501928-425-2445Old Fashioned ice cream parlor & gift shop
Zen’s Cafe1535 S StreetGlobe, Az928-425-8154Open 7 days a week 6am - 9pmBreakfast * Lunch * Dinner
Shopping/Home DecorFurniture Store, The182 N BroadGlobe, Az 85501928-701-2775Open Monday-SaturdayFurniture, Art, Collectibles, Home Lighting
Golden Hills Nursery5444 E Golden Hills RoadGlobe, Az 85501928-6004Open 6 days a week. Closed SundaysEverything for yard and garden & more!
Hill Street Mall383 S HillGlobe, Az 85501928-425-0022Open 7 days a week. 10am-5pmAntiques, Collectibles, Quilt Shop
JH Antiques406 W GibsonMiami, Az 85539480-947-9124Open Sat-Sun 10am-5pmAntiques & collectibles
Julie’s Quilt Shop & Sewing Center600 W Sullivan StMiami, Az 85539928-473-7633Open Mon- Sat 10am-6pmFull service quilt shop for all your projects
Ortega’s Shoes150 N BroadGlobe, Az 85501928-425-0223Open Mon-Sat at 9:30amFamily shoe store, sports central
Past Times Antiques150 W Mesquite StreetGlobe, Az 85501928-425-2200Open 5 days a week Tues- Sat.Antiques and Furnishing
Pickle Barrel Trading Post404 S Broad St.Globe, Az 85501928-425-9282Open 7 days a week 10am-5:45pmPicklebarreltradingpost.com Truly! You won’t believe what’s inside!
GLOBE WALKING MAP
Pinal Lumber & Insulation1780 E Ash St.Globe, Az 85501928-425-5716Open 7 days a weekFull Service Stocking Lumber Yard. NOW- with location in Tonto Basin *Just behind the Butcher Hook!
Pretty Patty Lou’s551 S Broad St.Globe, Az 85501928-425-2680Open Wed-sat 10am-5pmWomen love this thoroughly delightful store!
Railroad Court745 S. Broad St.Globe, Az 85501928-812-0025Open Tues-Sat 10am-3pm or by apptFina art, hand-crafted treasures, antiques & collectibles
Sullivan Street Antiques407 W Sullivan St.Miami, Az 85539928-812-0025sullivanstreetantiques.comWe represent fi ne antiques
Soda Pop’s Antiques505 W Sullivan St.Miami, Az 85501928-473-4344Open Fri & Sat at 10amAntiques, Restored Gas pumps, vintage radios, and more. This ain’t no museum. This junk’s for sale!
Simply Sarah’s386 N Broad St.Globe, Az 85501928-425-3637Open Tues-Sat 10:30-5pmA woman’s spoils store
Stacy's Art & Soul638 N Broad St, Ste BGlobe, Az 85501928-425-8444Open Tues-Sat 11am-6pm; Fri & Sat 11-7Art supplies and ceramics
Tri City Furniture751 N. Broad St.Globe, AZ 85501928-425-3362Open Mon- Fri 9am-5:30pm; Sat 9am-4pmFurniture and Appliances; U-Haul Rental
True Blue Jewelry & Gifts200 W Ash St.Globe, Az 85501928-425-7625Open Mon-Fri 9am-4pmHome of Sleeping Beauty Turquoise. Gift shop.
United Jewelry135 N Broad St.Globe, Az 85501928-425-7300Open at 9:30am Mon-Sat Jewelry, Musical Instruments, Long Guns
White Porch Antiques, The101 N Broad St.Globe, Az 85501928-425-4000Open Thurs-Mon 10am-5pmA multi-dealer shop which is always worth the trip!
Sleep & StayCedar Hill Bed & Breakfast175 E CedarGlobe, Az 85501928-425-7530cedarhillaz.comBed and Breakfast since 1992
Chrysocolla Inn246 Oak St.Globe, Az 85501928-961-0970chrysocollainn.comHistoric B&B with modern conveniences
Copper Miners’ Rest198 Chisholm AveMiami, Az 85539928-473-8144copperminersrest.comBed & fi x your own D%#! Breakfast
Dream Manor InnHwy 77Globe, Az 85501928-812-1694dreammanorinn.comGlobe-Miami’s Premier Event experience
Services60’s Motors867 E Ash St.Globe, Az 85501928-425-9228Open Mon-Fri 8am-5pmComplete Automotive Service & Sales
Diamond M Dental Assoc.198 W OakGlobe, Az 85501928-425-0670Full service family dental clinic
Desert Oasis Wellness Center138 S Broad St.Globe, Az 85501928-425-3207Open Mon-Fri 9am-5pmChiropractic, Acupuncture & Wellness
Donna by Design413 W Sullivan St.Miami, AzOpen Thursday-Sunday 10am-5pmRepurpose furniture & accessories for home
Globe Gym201 W Ash StGlobe, Az 85501928-425-9304Full Fitness Gym, Training, Classes
Hoofi n' It Feed & Tack6057 S. Russell RoadGlobe, AZ 85501Mon-Fri 8am-5:30pm; Sat & Sun 8am-5pm928-425-1007Complete livestock feed & supplies
Jackson Hewitt Tax ServicesR&R Accounting385 N Broad StGlobe, Az 85501928-425-2146Full service tax & accounting
ML & H Computers390 N BroadGlobe, Az 85501928-425-3252Computer service, repair and offi ce supplies + WIFI
Mountain View Dentistry5981 W Electric Dr.Globe, Az 85501928-425-3162Full service, Family Dentistry
Noah’s Ark Mobile ClinicBehind the Chamber of Commerce928-200-2076Available on Mon*Wed*ThursFull Vet care for your pet!
Palace Healthmart Pharmacy100 N BroadGlobe, Az 85501928-425-5777Hometown full-service pharmacy & gifts
Service First Realty430 N BroadGlobe, Az 85501928-425-5108Real Estate/premier property mgmt fi rm
Western Reprographics375 SutherlandGlobe, Az 85501928-425-0772Full service signs, banners, embroidery & more
Shopping/Home Decor Cont.
CITY PARK
HWY 60TO GLOBE
SULLIVAN STREET
GRANDMA”SHOUSE
BULLION PLAZAStraight Ahead
GUAYO’SEL REY
COPPERMINERS’ REST
CITY HALLCOPPERMINE
PICTURECAFÉ
YMCA
GRANDMA W
EEZYSANTIQUES
SULLIVAN ANTIQUES
MIAM
I ROSE
SODA POP'S ANTIQUES
GILA AGING OFFICES
GREY PARROT ANTIQUES
A NEW SHADE OF RED
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JULIES QUILT SHOP
BURGERHOUSE
DICKS BROASTEDCHICKEN
GIBSON STREET
LEMONADEANTIQUES
DONNA BY DESIGN
JH ANTIQUES
*Please note: This map is not to scale, it is intended for informational purposes only.
P Parking
Antique Shop
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COWGIRL ANTIQUES
MIAMI WALKING MAPFor more information on local businesses, please visit gmteconnect.com or fi nd GlobeMiamiTimes on Facebook!
St. Anthony’s Greek Orthodox Monastery- Florence4784 North St. Joseph’s Way Florence, AZ 520-868-3188Whether you are Greek Orthodox or not, you owe yourself a visit to this oasis just south of Florence. Simply strolling the grounds brings one closer to the spiritual nature of life.
Boyce Thompson Arboretum - Outside of Superior37615 U.S. Highway 60 Superior, AZ 520-689-2723www.http://arboretum.ag.arizona.edu
It has been called one of the most beautiful places in Arizona and is truly an oasis of lush variety in our own back yard! Boyce Thompson Arboretum is open 7 days a week and is a must- see for so many reasons! 100 year old trees, variety of plants from all the deserts of the world, fabulous staff, workshops, outdoor events and educational venues.
Bullion Museum & Cultural Center-MiamiWest end of Miami
The old schoolhouse-turned- cultural museum, has been gaining momentum as a museum and cultural center over the last several years and now hosts many new displays and an excellent variety of exhibits unique to this region and Miami’s own history. Open Fridays and Saturdays 11am - 3pm.
Gila County Historical Museum1330 N Broad Globe, AZ 928-425-7385
If you are curious about the history in Globe-Miami or doing family research in the area, there is no better place to start than here. The museum has been located in the old Mine Rescue Station since 1973. Located directly behind the Chamber of Commerce, it offers a rich archive of photographs,
maps, displays, books, papers and artifacts. Open Monday-Friday 10-4pm and on Sundays from 11am-3pm
Old Dominion Walking ParkOpen Dawn to Dusk
The entrance to the park is on Murphy Street, off Hwy. 60 in Globe, above DeMarco’s Italian Restaurant. Designed on the site of one of Globes earliest and historically important underground mines, the Old D Park offers a 3 mile loop with 4 x 4 educational signs and a covered picnic area.
Besh Ba GowahJess Hayes Road Globe, Az 85501 928-425-0320Open 7 days a week; 9am-5pm
Dating back to 1200AD and the Rio Salado indians, Besh Ba Gowah is one of the largest single-site archaeological collections in the Southwest and is one of the most signifi cant fi nds of Southwest archaeology.
Centennial Park & Globe City Hall150 N Pine Street Globe, AZ 928-425-7146The Globe-Miami Farmer's Market is held each Saturday the city park directly in front of Globe City Hall. The market is from 8am-11pm and includes fresh produce, baked goods and crafts. City Hall is open Monday- Friday from 8am - 5pm and you can access the Citys' website at globeaz.gov.
Asarco: The Ray MineThe Ray Operations employees over 800 people, processes 250,000 tons per day and operates a concentrator and a SX-EW plan. Their visitor ‘overlook’ is a fantastic opportunity to get up close to view an open pit mine in operation. The entrance to the Visitors Center is approximately 18 miles west of Hayden
The Apache Trail The Apache Trail weaves it's way along the Salt River following a migration route used by the Salado Indians in 1300AD. It has some of the most rugged terrain and awesome views you'll fi nd on any scenic route. One caution: Take your time. It is not a fast way to get from point A to point B. Bring a camera!
POINTS OF INTEREST
Let Us Help You DiscoverMore of Globe-Miami!
GMTeconnect.com
FALL 2012 19A smart new way to
build loyalty and reach more customers, a new mobile app, Stampt, combines two elements of business which should prove interest to any merchant looking to market their business on a budget. It combines Customer Loyalty cards which have proven to be effective in building repeat customers with a mobile marketplace which is estimated to overtake the fi xed Internet access by 2014.
A June 2012 article in Huffi ngton Post stated that 84% of small businesses that engaged in mobile commerce had experienced an increase in revenue and profi ts.
The app is a free download and allows the user to pull up any customer loyalty programs offered in the area; from Chicago, Illinois to Globe, Arizona. The program just launched in July and is currently in 35 states, including Arizona. In addition to customer loyalty programs, the company plans to launch three new features this fall including a “push” program where merchants can push out special offers with very specifi c parameters. For instance, if a restaurant was having a slow period, they could offer “the fi rst ten people through the door get
half-off of their spagetti dinner.” The beauty of the app is that it will track how many people DO come in for that offer and deactivate the offer when the tenth person has redeemed it. Two other programs involve pre-pay and gift cards – which can be sold and tracked through the users phone. Merchants
can sign up for the initial program for as little as $25/month with no contract and it requires no special equipment or training to launch a Stampt program for their business.
If you want to fi nd out what merchants in the Globe-Miami area are offering Stampt loyalty programs, download the app today and start accumulating your rewards!
As a small business person and marketing consultant, I see this program as an excellent tool for local businesses to offer value to their existing customers as well as reach new customers. That is why I am representing Stampt in this area. If you are a business and want more information about how the program works, or an individual looking for a business opportunity, please contact me: Linda Gross 928-701-3320.
SIMPLE.SMART.
~ Paid Advertisement ~
20 FALL 2012
rom behind a
makeshift door
bursts an enraged
woman onto the
stage. She is dressed in
a lavish, baby pink dress, her cheeks are
rosy and her hair in elegant curls. Wait,
that is a man. The audience erupts into
a fi t of laughter. One woman cackles
hysterically. It was only minutes before
that the same actor was dressed in
1800's mens' garb.
There are 'dressers' backstage
helping these actors change costumes,
as well as makeup artists, a stage
manager, light and sound people, adding
up to a total of 65 bodies involved in
this production of Mark Twain's “Is He
Dead?”. None of them are getting paid.
These are the Copper Cities
Community Players, a group of locals
that share a love of theater enough to
put on four or more productions a year
on a volunteer basis for the community.
Since the 1980s, they have been putting
on productions in the Old Court House
Theatre, housed on the third fl oor of
downtown Globe's Cobre Valley Center
for the Arts.
Audience members don't often
realize how much work goes into
community theater, says Nancy Mackay,
the group's stage manager.
“People come and only see the front
end, [but] they have no idea what goes
into the back end,” she says.
For two or so months prior to opening
night, the actors and director spend
several nights a week at rehearsals. In
that same time frame entire sets are
designed, and costumes and props are
collected or made by hand. Actors like
Jason Marr, who also helps build and
design sets, may dedicate 20-plus hours
a week to a production.
“Somehow, miraculously, everyone
pulls together and does what they have
to do,” director Jonell Brantley says.
There is no threat of getting fi red from
this group for not showing up. There are
no demands that actors deliver riveting
performances, or that the costume
designer creates intricate costumes by
hand. There are no demands that the
group write out scripts, music and lyrics
for original productions. But they do.
“Nobody makes money for this,”
points out Kip Culver, who has been
working with the Players for the past
ten years. “They're doing it for your
applause, that's the return.”
“I'm not going to be retiring to the
Italian Villa anytime soon,” he adds with
a grin.
Like any volunteer-driven operation,
the greatest sacrifi ce is time. Many of
these individuals have day jobs, and
many have kids. Though they spend
their evenings behind, or in front of,
the curtain, they are miners, bankers,
attorneys and store owners by day.
“This is a massive community
project, make no mistake,” Culver says.
“It is a grassroots, volunteer-driven,
labor of love.”
Because of this, in some ways working
with volunteers is probably easier than
working with paid performers, points
out Mackay.
Originally from Ontario, Canada,
Mackay would never have guessed she
would one day become stage manager
for the Players. She had been living in
Globe less than ten years, working at the
Pinto Valley copper mine as a mining
engineer, when the director at the time
asked her to be stage manager in 1986.
“I've never had anything to do with
that at all,” was her response.
As it turns out, she was nonetheless
cut out for the job. Traits that got her far
in her career, like being organized and
assertive, became equally valuable to
her as a stage manager. This is how she
gets actors onto the stage at the right
time with the right props.
Like so many others who have
worked with the Players, Mackay grew to
love it, and with the exception
of taking a few years off in
the 1990s, she has been stage
manager every year ever since.
Marr also seems an unlikely
candidate to be involved with
the Players. He works in the
mines. Currently he works in
maintenance at the Carlotta
Mine, and prior to that he
worked at what is now Freeport
McMoRan. He has also been
acting and building sets for the
Players since December 2010.
“I think I fi t right in because
I'm a little eccentric,” he says.
“The guys that work with me
think I'm crazy because it's not what
they defi ne as normal.”
“It's the whole machismo thing,” he
explains. “The arts are not associated
with being a tough guy, it's two
different worlds. That's another reason
I enjoy coming here, because it's
absolutely two different worlds. You get
a completely different perspective when
you have a variety of people that you can
associate with.”
Tough as they may be, several
coworkers watched him perform and
enjoyed it. So far he has been in four
productions, including “Is He Dead?”,
and two Christmas shows.
Brantley, like Mackay, has been
involved with the Players for more
How Do The Players Do It?
You would never guess what it takes to put ona Community Players theatrical production
By Jenn Walker
Players, Continued on page 21
Nancy Mackay
On the set of "Is He Dead?".
FALL 2012 21
than 20 years. Ever since she took up
acting in high school in the 1960s, she
had high hopes for Globe's performing
arts community.
“I really wanted Globe to not
be a mining town without culture,”
she says.
For several years she acted onstage
with the Players. Now she directs. It
is her job to see what the play looks
like through the eyes of an audience
member. She coaches the actors,
making sure they are not blocking
one another from the audiences'
view, that they are making the right
facial expressions or that they are
projecting loudly.
“Remember, this is your
opportunity to show you're a couple,”
she says to one actor.
“You're not supposed
to like him,” she reminds
another.
Directing is the job no
one else wants, she says.
But as a former actress
both with the Players
and in high school, she
understands what it takes
to be the person on stage.
And the Players have
received praise for putting
on some of the best
productions in the state,
she says. This includes
“Just A Cafe”, one of a
series of original productions
she wrote with Culver and
Tom Thompson.
She also has a knack for
scouting out talent.
“Everyone winds up on
stage at some point,” jokes
Culver. “If you wind up
committed to its purposes,
you're involved, and therefore
you're going to be involved in
the theater productions and
you're going to be sucked on
stage.”
He would know. Culver
is formally known as the
Center for Arts director, a title he
assumed 12 years ago. As director, he
oversees renovations on the third fl oor.
Somewhere along the line, Brantley
convinced him to act with the Players.
In total, he may be spending seven days
a week at the center between rehearsals
and working on the building.
Once someone gets involved in a
production, they tend to get hooked.
Many have been involved with the
Players for years.
“If they are still in town, they are
still helping,” Brantley says.
And many who are no longer in
town have gone on to add impressive
work to their portfolios.
Take Crystal Thompson, for
instance. Once a costume designer for
the Players, she now designs in New
York City and is currently on tour with
Madonna.
Lee Ann Powers has sang or acted in
at least a play per year with the Players
since the mid 1990s, after she saw
them perform “The Foreigner”. The
innovation left an impression on her.
An actor rose from a trapdoor in the
fl oor onto the stage, she remembers.
“I was pretty amazed because it's
not really a stage,” she says. “It's an
old courtroom. You can't change sets
because it's a really confi ned space.”
“It's remarkable a tiny town can put
on such great productions,” she adds.
The Players have certainly come a
long way. There are piles of scrapbooks
and photo albums to show for it, just
ask Brantley to pull them out of the
old vault.
When they fi rst became
incorporated in 1983, the Players were
nomadic. They performed at different
venues around town, including
churches, auditoriums and the old Elks
Building. Then, long after the county
had abandoned the courthouse in
1976, the Players took over the third
fl oor of the Center for the Arts and
began putting on plays in 1990.
“I don't know how to tell you
how horrible the building itself was,”
Brantley says, remembering when the
Players fi rst began using the third fl oor.
There was mold. The roof leaked.
When the troupe put on their fi rst
dinner theater performance, there was
no running water, no heating, cooling
or electricity. The volunteers brought
their dishes from home and carried
them up three fl ights of stairs along the
fi re escape. It's hard to imagine now,
standing in freshly-painted rooms with
fi nished ceilings.
Players, Continued on page 22
Players, Continued from page 20
Jonelle Brantley directing a fi ght scene in "A Course Acting Play."
Jason Marr and Marie Brantley-Gregg who play husband & wife in the production, "Is He Dead?" get ready to go on during the full run-through on Thursday night.
22 FALL 2012
The third fl oor now has a new
electric panel, thanks to state grant
money and fundraising. Three-fourths
of it is air conditioned.
The front three rooms have been
transformed from set and costume
storage to meeting rooms for the fi rst
time in 35 years. Prior, they had no
window sills, there were large holes in
the plaster where it had given away, the
fl oors were untouched and there was no
trim or molding.
“They have gone from the most
raw of conditions to having trim,
windowsills [and] fl oor restoration,”
Culver explains. “[The rooms] bear no
resemblance to what they were.”
Restoring the front three rooms
alone involved more than 20 volunteers.
Next on the wish list is an elevator.
With an electric panel, the building
now has the capacity to run it. Up to
this point, all of the props and set pieces
have been carried up the stairs.
“You haul up a vintage '50s stove,
you haul up a '50s refrigerator,” Culver
says. “For our own original production
'Just a Jukebox', we hauled up a jukebox,
grunting every stair of the way.”
The Players operate on generous
donations of not only time but
materials and funding. When the group
fi rst started putting on plays, most
everything was donated – anything from
blinds and doors for stage sets to the red
curtain. The Arizona Theater Company
donated a huge costume collection to
the group. BHP Billiton donated chairs.
With limited resources, there is
always room for creativity. For instance,
Marr built the coffi n used in “Is
He Dead?”.
“You just have to use your
imagination,” Marr says. “Because of
course I'm not going to go and buy real
coffi n handles.”
Instead he bought parts and
pieces for a chain-link fence from the
hardware store.
Players, Continued on page 23
Players, Continued from page 21
Before After
Photos courtesy of Rick Benning
FALL 2012 23
100 N Broad Globe, AZ 85501
HEALTH MARTPALACE
Your Hometown Pharmacy
A member of
Caring for you and about you.
Open: Mon-Fri 8:30am-6pm; Sat 9am-5pm
With Location in Globe Kearny Buckeye
Friendly, Knowledgeable StaffMedical Supplies Gifts & Cards Pharmacy
928-425-5777for all occassions
www.gohealthmart.comEmail [email protected]
In the past, enthusiastic supporters
have contributed as much as $500.
The Players have also raised signifi cant
funding through fundraisers.
All proceeds from admissions tickets
are applied to the theatre's operations
budget, paying overhead costs like
lights or insurance. It took more than
three years to collect enough money to
fi nish the plaster.
“It's taken us years and years and
years to build up equipment so we could
put on a good show,” Brantley says.
If you ask a Community Player why
they have stuck around so long, the
answers speak for themselves.
“I don't know, because I'm crazy,”
Brantley says. She continues with
sincerity, “I like the people.”
“Because I work with all these
people I would never hang out with,
this eclectic group that comes together
every fi ve to six months,” Mackay
responds.
“It's worth it just to have an outlet, to
be able to come here and be somebody
else for a little while,” Marr says. “You
almost get to transport back to the time,
I know it sounds corny, but transport
back to the time when all of this was
going on.”
“Because it's fun,” Powers says, as
though it's a no brainer. “It's just a
hobby, for all of us it's just a hobby.”
“Because I was dropped on the
head as an infant,” Culver replies with
a laugh.
“I am at odds with it myself
sometimes for motivation... but I'm
thrilled when we make some giant
stride,” he adds. “As long as the wows
keep outnumbering question marks,
that's why I do it.”
Looking at how many tickets sold –
all shows sold out – the wows are likely
to keep coming.
Players, Continued from page 23
24 FALL 2012
“Its just like working with parents
and grandparents,” Michael said. “They
want their ‘child’ looking every bit as
charming as they perceive them to be.
It’s is my job to do that without stressing
out the ‘parents’ or the ‘kid(s)’.... which
too much direction and fussing has a
tendency to do." Distraction is the key.
So Michael chats with the owners, pets
up the dog or cat(s), all the while setting
up his camera and the shot. He never
rushes things – you would think he has
all the time in the world – and adapts
as the situation requires. It all serves
to put owners and pets at ease and
most shoots take less than an hour.
"It’s about fi nding a comfortable
balance," he says, "between what
the owners want and what the pet
is willing to put up with and it most
generally involves compromise."
Take the Rooney’s three black cats for
instance. For December they had in
mind a ‘holiday’ theme with the three
black cats sitting in front of a wall they
had decorated with Christmas lights.
This was met with as much success as
corralling three two-year-olds into one
space. Plan B was to take the cats upstairs
to their favorite porch where they liked
to hang out on the railing. Usually. But
not that day. And not for the camera.
The solution turned out to be the
bathroom. They shut the cats in the
bathroom along with Michael and his
camera. He then crawled into the tub
with his camera and made noises at
the cats who had beelined for the door.
All three turned – only once – to look
back at the crazy guy in the tub making
noises. And that’s when he snapped
the shot.
I tagged along on one of the photo
shoots to see how it’s done. It was
probably one of the easiest of the 12
portraits he did for the calendar. We
arrived to fi nd ‘Oliver’ groomed and
relaxed, as were
owners Jeanne
and Bob.
The sun
had just begun
to set and
the light was
perfect. Oliver
only jumped
off the bench
once and had
to be re-posed.
However once
Jeanne brought
out the treats, she kept his mind off
leaving and on the reward. In less than
10 minutes, Michael had over two
dozen shots and several winners. From
here, he downloaded the images on his
MAC and Jeanne and Bob selected the
one they wanted for the calendar and
several for their own wall.
I thought, as we drove away, if all
pet photography were this easy, there
would be more pet photographers.
It is not.
Michael makes it look easy, but
when you get your own copy of the 1st
annual HDHS calendar this fall, we
hope you’ll appreciate the unique talent
it took to capture the images...and the
Calendar, Continued from page 1
Calendar, Continued on page 25
FALL 2012 25
fi ne effort of our Human Society and all
the volunteers who do so much to
address the needs of our homeless cats
and dogs.
The calendar will come out in
October and be available at Past Times
Antiques, the High Desert Humane
Society thrift store and other shops who
choose to carry them.
The project has been a a huge success
for the High Desert Humane Society,
raising over $3,000 at their fundraiser/
auction in August with bids ranging
from $125 to $595 for the privilege of
having your pet on the calendar. They
are hoping to raise even more money
through the sale of the calendars which
are expected to be priced between
$10-$15. (They were still costing them
out when this edition went to press.)
Custom silk screen pillows help raise more funds for the
humane societyAs the paper was going to press,
we heard of another fundraiser for the
Humane Society involving the women
over at Railroad Court Gallery and
HDHS. Owners Trisha Winn and Nancy
Diggs offer beautifully detailed silkscreen
pillows using images of grandkids and
family members. They
recently extended
this to include pets
and have joined up
with the Humane
Society to offer these
pillows as a fundraiser
during the Holiday
Season. Normally
these pillows sell
for $70 but they will be discounted
to $55 through the Humane Society
with a portion of proceeds benefi tting
HDHS. All you do is provide them with
a photograph of your pet and they
do the rest. All orders placed before
December 5th will be ready in time for
Christmas and cost $55 through the
Humane Society with a portion of all
proceeds going to the cause. See page 24
for their ad and contact information.
Calendar, Continued from page 24
Another fundraiser for HDHS involves custom silk screened pillows with your pet portrait.
26 FALL 2012
The Holidays are a time for baking and the new e-book by Nicole Axworthy
and Lisa Pitman is the perfect addition to your holiday bag of treats worthy of
any cook. The beauty of these desserts is not just in the presentation but in the
ingredients. All are gluten-free, animal friendly - and heart healthy.
And your guests will never know they are eating healthy desserts…unless
you tell them.
Plus, the authors are donating a third of the proceeds from the ebook to
Elephant Nature Park. We thought this was a winning combination to start out
your Holiday Season; beautiful, delectable desserts…for a good cause.
How do you get this e-book? Vsit www.veganculinarycrusade.com/ebook.
FALL 2012 27
According to estimates the average
person spends nearly $47 on holiday
decorations (and an additional $18 on
seasonal fl owers such as poinsettias).
That adds up to over $6 billion in
Christmas decorations.
It helps that the cost of those
little twinkling lights have gone down
substantially from the pre-1903 string
of lights that, at the time, were reserved
for the well-heeled. According to
some, the cost to light an average
Christmas tree before 1903 would have
cost nearly $2,000 in today’s dollars.
Today, a similar string of lights will run
you approximately $18.
Besh Ba Gowah, Continued from page 1
So what did the regular people do
for lights? Candles of course. The fi rst
‘Christmas lights’ were small candles
wired carefully to tree branches and
monitored diligently by a family for
20-30 minutes each night – with water
and sand bags at the ready – lest a fi re
should erupt. Even so, there were so
many fi res from this tradition that
insurance companies eventually
refused to pay out for damages
terming the combination of hot wax,
burning candles and dead branches....
a “known risk."
A much safer and still satisfying
method of holiday cheer were
luminarias – small tea candles placed
inside paper bags – usually atop a
mound of sand or dirt to anchor the bag
and keep the fl ame away from the more
fl ammable edges of the paper.
Here in Globe, the ancient ruins
of Besh Ba Gowah have displayed
luminaries for nearly 20 years on
December 16th. The park opens to
visitors, residents, and photographers
for this special night which celebrates
the oliday and the human spirit. .”
The number of luminaries has
grown over the years from 300 to over
1,600, lining the ancient ruins and
creating an “other worldly” effect which
leaves the visitor with a sense of awe.
The evening includes Native American
storytellers, musicians, the Apache
Crown Dancers, Santa for the kids, and
hot cider and coffee to warm you up.
Activities begin at 5 p.m. For more
information, contact Besh Ba Gowah at
(928) 425-0320.
Front Cover Credit: Tempe Photographer, Bob Estrin, provided our front page cover shot with his image of Besh Ba Gowah just before the sun went down. He says we all learn to photograph when the sun is out but with a tripod and a longer exposure you can turn night time into daytime with the right knowledge. “I fi nd the best time to photograph luminaries is when the sun just goes down but before the sky turns really dark. You still have light to work with and the sky and clouds have a more unique look. The challenging part of photographic luminaries is keeping the detail on the bags without being washed out.”
Estrin, who has taken many trips to photograph in the Superior Miami and Globe area says his favorite place is the old 1910 jailhouse in Globe. His interest started at an early age with his dad’s B/W Polaroid camera in the 60’s which led to his fi rst 35MM camera and photo darkroom class in highschool. In ’99 he moved to Arizona and took up photography on a more serious level and loves to shoot old rusty cars, abandoned buildings and Southwestern landscapes. You can fi nd more information on the artist at www.bobestrin.com.
Photography ContestThis year, inspired by Bob
Estin’s photo, GlobeMiamiTimes
is hosting a photo contest for all
pro-photographers and would-
be shutter bugs to give us your
best shot of the luminaria event. There will be a
Pro-Division (any photographer pro or semi-pro and we’ll trust you
to determine which you are!), and an amateur Division. We’ll post the photos
on our facebook page and have GMT fans vote on their favorite. Winners in
both pro and amateur entries will receive a $50/cash award!
How to Enter: Submit your photos to [email protected]. Indicate
pro or amateur. Photos should be approx. 1 Meg in size and include your
contact information. By submitting a photo you are agreeing to have the image
posted on our FB page and in the paper. Winners will be announced January
3rd on our facebook page, and posted in the Winter Edition of the paper which
comes out on January 10th.
a s.
un
b
There will be a
i d ’ll t t
28 FALL 2012
When the economy started to
improve a year after the layoffs, the
Casino announced to the local paper in
a January 2010 article that they had hired
back 85 percent of those they had let go
and revenues were on a modest upswing.
At the same time, they launched several
new construction projects which had
been put on hold, including a new
resort-sized swimming pool and gym, a
new BBQ restaurant in the Pavillion and
improvements throughout the Hotel
property. Keno would not return to the
fl oor and it would still be some time
before the golf course would recover
from a full shutdown. Yet perhaps
most problematic for the health of the
property was a continued turnover
of senior management and leadership
positions which plagued any
real progress.
To some on the outside, it appeared
the Casino may had survived, but was
still treading water. The food and service
at the Apache Grill were noticeably
lackluster, and the new BBQ grill
sputtered. The golf course had opened,
but showed signs of neglect that only
the hardiest of golfers could overlook as
they played the course, and things that
were broken just didn’t get fi xed.
When Gary Murrey accepted the
position as General Manager this last
February, he was clear on both the
problems he faced and the promise
of the property he was being asked
to take over. He is no stranger to
casinos in crisis, having spearheaded
turnarounds at two casinos in Nova
Scotia before coming to Arizona. Yet,
during the interview process he faced
a skeptical panel who had seen several
GMs come and go. So, it was no surprise
when someone asked him how long he
expected to stick around and just what
he was planning on doing.
“I’m not planning on any changes or
improvements until it’s proven we need
it,” Murrey told the panel. “ It’s not my
job to come in and change the entire
organization. That’s not reality. I’m
here to improve the organization...as
we need it.”
Janet Cole-Spitler, who is the
Director of Information Systems for
the property was one of those in on the
initial interviews, and praises Murrey
for coming in and focusing on the
people fi rst.
“You can’t expect to spend a
bunch of money improving the place
and ignore customer service,” she
says. “Gary knows that...and his fi rst
attention is to the people.” According to
several we talked with, that attention to
people has improved employee morale
and attitudes signifi cantly and that is
creating a better customer experience
as well.
A good example is the gentleman
who recently pulled Cole-Spitler aside
to tell this story. Having been a long time
customer of the casino he told Janet he
was surprised a while back when he
was greeted at the door for the fi rst time
with “Welcome to Apache Gold. What
can we do for you? How can we make
your stay better?” The greeter then went
on to inquire whether the gentleman
had tried their buffet recently and when
he said no, was surprised to be tracked
down on the fl oor 20 minutes later and
handed a free ticket for the buffet.
Even phone etiquette is getting
the attention from the GM and he has
been known to pick up the phone and
make a quick call to some department
just to check out how they answer the
phone. While Murrey may be quick to
acknowledge a good job and push for
an even better one, he is equally quick
to make a correction when he gets the
feeling he’s inconvenienced someone
by his call or the person who answers
lacks a “smile’ on the other end of the
phone. Often a phone call is the fi rst -
and last - impression someone may get
when calling the Casino and Murrey is
Apache Gold, Continued from page 1
Apache Gold, Continued on page 29
FALL 2012 29
working on making every impression a
positive one.
According to Linda Michels who
serves as Director of Gaming and has
been with the Casino since it’s inception
in 1994, Murrey is someone who is
dedicated to the property and not his
own personal vision. Talking about
Murreys’ experience as a poker player
(he has played in the World Series of
Poker and professionally in the past),
she says, “ I guarantee you that Gary is
a poker player - a professional one - but
he didn’t come in here are say ‘lets’ get
rid of some slots and put in poker.’ He is
looking at what’s best for us. Whether it’s
good for the property. The community.”
According to several we spoke
with, it’s been hard to keep up with the
changing of management in the last
several years. The constant change and
different management styles created
an atmosphere of uncertainty about
the future, and fear of one’s job or even
what was expected of them. For many
employees years have gone by without
a review or even an ‘atta boy.’
Michels goes on to say, “...with Gary,
we have someone who is dedicated to
here... that is on site and not gone all the
time. And someone who has a vision for
this place that is exciting...and familiar
to us. What’s fortunate is the visions
of what he sees and feels is what we as
management have seen and felt for
years... have talked about for years.”
From the outside it may seem like
Murrey is writing a new chapter for the
Casino property. But from the inside
perspective of those who have been
at Apache Gold for some time, it is
more like he has joined them on a very
old chapter that they all cherished at
one time. Someone said in one of the
meetings, “ We are not only on the same
page, but reading the same book from
the same library.”
Murrey says many of the
improvements and programs they
are working on now won’t be felt by
the public for another 12-18 months
but some are already noticeable and
making inroads to creating good fi rst
impressions, improving the customer
experience, and making things better
for employees.
And all of this starts with hiring good
people and promoting others into key
positions, trusting them to make the
decisions and come up with ideas to do
good things on behalf of employees and
customers, and giving them the tools to
do act.
It’s a formula that is working.
Christabelle Mull, who is the
Operations Director in charge of the
C-Store and RV park among her many
responsibilities, smiles when she says
they now have a reservation system for
the RV park which helps her department
be more effi cient, while improving the
customer experience. And she explains
some of the recent improvements have
been on the back end such as a new
system at the C-Store concerning the
sale of liquor which improves the safety
for her employees.
Over in the IT department, Director
Cole-Spitler explains the importance of
the new wifi installation which was put
in last month. “Prior to August of this
year we had internet in the hotel rooms,
but it was managed by a third party and
was ‘spotty’… We often wouldn’t hear
about a problem until it showed up in
a bad review,” she says. “Gary allowed
me to hire a consultant and together
we worked out a plan to put in WIFI for
under $10,000... I’m a little pitbull when
it comes to getting things done and once
I was given the green light I worked hard
at keeping the cost down by hiring out
only what we ourselves could not do. “
She goes on to explain that in the
past there was no support for changing
the system since ‘internet for all’ wasn’t
seen as contributing to the bottom line.
“Gary understood right away that it is
all about the customer experience. He
came from the real world and knows the
importance of reliable and secure WIFI
in serving the public.”
The new WIFI installation is
just the fi rst of many planned tech
improvements, including those that
will happen in the back offi ce to create a
more green, robust, secure environment
overall, as well as those aimed at making
it easier for the customer to access the
casino and redeem rewards without the
need for vouchers or standing in line.
Also in the works is a completely re-
Apache Gold, Continued from page 28
Apache Gold, Continued on page 30
30 FALL 2012
designed website, expected to launch
this Fall, which will include current
information on Casino events and
promotions, better navigation, links to
the hotel and golf course websites with
their own reservation systems and a tie-
in with the Tribes’ website.
Since arriving in April, Murrey has
set up weekly meetings with front
line staff, supervisors and managers
and directors. Each week he listens
while others talk – out of earshot of
their bosses or staff – about what is
happening in their jobs. The success
of these meetings can be heard in the
lively conversations, which happen
when people feel comfortable in saying
it like it is with the GM in the room.
In just six months they are learning
to trust his style, his willingness to
hear them out and to act on ideas to
improve things.
“It’s comfortable working with him,”
says Linda Michels. “You don’t have to
worry about your job. And he gives us
the freedom to make decisions. He is
eliminating fear and replacing it with
trust. His style is more collaborative
than top-down. He pulls information
from everyone from front line
employees to directors. “
He accomplishes this by meeting
with the various groups each week
but also by walking around. “He
is everywhere," says Cole-Spitler.
"He’s in the back of the house, he’s in
fi nance, he’s on the fl oor... You don’t
know where he is... But he’s around.”
She describes his style as
professional...but light hearted. “He
has a way of keeping the fun in the
process and challenging employees to
do better - not threatening them. Gary
acknowledges everyone's importance
while pushing us to do better.”
“We get a Casino Manager’s report
three times a day,” says Michels, "and
Gary will follow up on everything,
from customer service to back offi ce
issues, he stays on top of how we do
each day and let’s people know he
‘sees’ what’s going on. He’ll bring it up
in the weekly meetings. And whether
it’s to acknowledge a good job or point
out where something could have been
handled better, he does it in a positive
way, you know.”
Within the fi rst six months, Murrey
has fi lled six key management positions,
promoted people from within to new
responsibilities, created a 100-page
business plan and budget with both
near term and long term projects and
put many of the Tribe's earlier projects
which had stalled, back on track.
There are plans to install a drive-
through espresso coffee shop at the
C-Store and open up an "Outback-ish"
Steak house where the former BBQ
restaurant was. The new Steak house,
scheduled to open this coming spring,
will also include two additional private
rooms that can be booked for smaller
parties. And over at Apache Grill, the
new Food and Beverage manager,
Gary Hess, is making changes including
a fresher menu, and expanding popular
buffet nights like Taco Tuesday and
Friday nights' Seafood Buffet.
Mark Twain once said, "You never
get a second chance to create a good
fi rst impression.” And with that in
mind, Murrey has launched a program
called “Polishing the Gold,” which is all
Apache Gold, Continued from page 29
Apache Gold, Continued on page 31
The entrance to Apache Gold Casino
Jonell Robertson oversees the hotel as well as food and beverage.
FALL 2012 31Apache Gold, Continued from page 30
about fi rst impressions. Taking a long
walk around the property when he fi rst
arrived, he photographed areas that
had been allowed to deteriorate, like a
rock wall, which was breaking apart, or
parking lot striping which had faded.
Even the stacks of cardboard awaiting
recycling which guests could see on their
way to play golf, came under scrutiny.
When these things are looked at
through the eyes of those visiting the
Casino property for a fi rst time, they
are seen for what they are – signals that
someone doesn't care. Murrey is asking
his staff, from management to front line
employees, to care. And he is backing
them up.
It's working.
In an article several years ago
featuring the Great Canadian Gaming
Corporation where Murrey served as
General Manager of two Nova Scotia
properties, his penchant for customer
service was compared to the Casinos
architectural grandeur and sprawling
gaming fl oor. After describing the beauty
of the facility, the writer goes on to say,
"...it's the hospitality experience that is
the essence of Casino Nova Scotia. True
to the tradition of maritime hospitality,
the staff exudes warmth, friendliness
and knowledge. This approach to
customer service starts at the top, with
the example set by General Manager,
Gary Murrey."
"We're an entertainment venue that
offers more than just slots and table
games," he said in that interview.
It is a philosophy he brings with
him to Apache Gold." Murrey looks at
the entire property and its resources to
see how each segment can contribute
to the overall guest experience, the
betterment of the community-at-large,
and the property's bottom line.
With Apache Gold he sees a bright
future for all three.
What’s new on the gaming floor?An interview with the Director of Gaming: Linda Michels
What’s new on the fl oor?
“We have just installed new
machines which feature blackjack
and three-card poker which makes it
easier and more affordable for people
to learn the games on these machines
before moving to live action. These new
machines will be $1 bets.
Why don’t you have my favorite game
anymore?
We pay attention to our guests and
how they are accessing the gaming
fl oor. We analyze the numbers and that
helps us determine which machines
are producing, and which are not.
Sometimes it’s simply a matter of having too many machines of one kind of
game and we will adjust that by pulling one or relocating machines to a more
prominent location. Other times, it simply means we pull a game which is
not a high value for our guests or the casino.
Are you bringing back Poker?Yes we are. It has been a long process and we plan on re-opening
two Poker tables located at the pit.
Anything else?
Awhile back we changed the hours of blackjack from 10am-
midnight to 3pm-midnight because we found our dealers were just
standing around for nearly fi ve hours. It just didn’t make sense. We
also continue to add variation games to our blackjack area.
Bingo is preparing to add electronic bingo machines to the hall
within the next 60 days.
Over in slots, we currently have approximately 650 slot machines
on the fl oor and have added, "Paradise Fishing", which is the only
one in the state currently. It's been a hit with our customers from
the day it was installed, and we have plans to bring in "Beat the
Field" and "Aladdin", two new slot machines coming in October.
We are diligently working on replacing the Slot Tournament Games.