Gerstner Integral Typography

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  • 8/10/2019 Gerstner Integral Typography

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  • 8/10/2019 Gerstner Integral Typography

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    lf mott oI ihe

    pioneers'lheses

    have becomesell

    evidnt,

    theaesthelic

    $ileria

    have been

    getretally

    oulliled.

    ForexamDle,

    is.dns

    sedlor noman lVDelh.

    rype

    o,

    rhe 20th centu.y

    (Tschlchold

    192Br"Among

    allexistinq rvDes

    lhetant seril

    ..

    as

    lhe

    onlv one

    which

    conlo.ms

    sphilually

    lo

    our time"

    5)?

    k svmmerricalor

    r\lmmprri.dl

    \pogrdph

    rhe

    genurnp, .or

    ncmpo.dn

    way oI expression?

    Dollush leIi, mgged tight or flush

    lefl,llush

    riqht correspond

    ro

    p.eseni-day

    feelings?,

    C.n

    a type

    be

    seivertlcallv ornol?And so on.

    S".h

    "eiiher.r".rite.ia

    have

  • 8/10/2019 Gerstner Integral Typography

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  • 8/10/2019 Gerstner Integral Typography

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    From

    lhc

    poinrofvaewol

    inreq.alllpollraphy lhe il

    lu'lrdrion

    bebs

    ndn inrFrF.rin , \dmpl.

    oldn inllu-

    enlial experimenl

    wilh

    fund.menlals, though, as its

    authoradmih,animperlectlypographicalachieve-

    meni.ll isa

    paqe

    ol lhe fid

    prinling

    ol Malldrmal

    .Coup

    dc

    d6s".

    publishd

    i. 1897 in

    ihe

    nraqaznre

    PaulV.l6ry wdtes

    on lhisl

    "Hi5

    (Mall.rm6t)

    whole

    invention, derived hom

    analyses

    pertormed

    lor

    years

    on language,

    booksand

    music, is

    b.se.l on

    thecon.

    .eplion

    ol

    the

    pager

    d

    visualunity. Hehadrtu.lied

    verycarelully

    (even

    on

    posreBand

    in newspaper)

    lhe efie.l resullnrq from rhedistibution

    ol

    hldcl

    and while and tEd conrpared rhe nnensitv

    olvdrioul

    1ypes.

    .

    Hec.eals a slrlace

    rednrq which

    heconl

    bines

    with

    lhe lineal reading, ihus cnraching lhe do-

    main of

    literalure

    with a

    second

    dimension." And:

    "l

    believe

    the.omposition ol lhe

    coupded5 should

    nol beconsidered as

    o4led

    lwodislin.r opera

    tions.

    the

    one

    con5islanq

    in wriii.qa

    Doem

    h

    ihe

    lE

    dilionalway,

    andependenlly

    oI

    each visoal

    Iom

    and

    lhe

    size

    of lhe spacinq.lhe orher in

    qivin{l

    ihe lext ils

    .gprop

    alc sclring.

    Mallarm6\ ailempl

    musl necessar

    ily have

    been mo.e

    prclound.ll

    happens

    in

    lhevery

    moment

    ol

    oe.tion, it is itself

    .

    5orl of ocalion."

    Mallrrm6 himsellwrites in a letler loAndre

    6idel

    "The

    poem

    hasjosr

    been

    printed

    wilh mytentence-

    aranqement, in which the whole ellecl lies." lt would

    nol bcpossiblcto

    undedine mo.e clearly

    rhe rebiion

    ship exisling between lhe conlcnts and lhe selting of

    IrheSchwitters

    ex.mplc

    ita

    composaiion

    oI

    pure

    lype combination., Mallarm6s

    is one

    oJ

    pu.eword

    lhFdulhorIu'lpnLomrn'qer\n\.:

    lhp.on,t-llirio..

    the

    word'group, repl.ces

    lheveEe.

    hsiead olsynlax

    it i\ sullicienl to allow

    2,3 or

    nrorc words

    lo

    achieve

    lheir lull

    elfect.

    Thev.eem

    on the su acewithotrta,

    lerelaiionairdspfirlle{iatrandombyacarelcshand,

    bui looked al mo.e

    clolely,lhev

    becotrE the

    cenire

    oIa field of lorce and define.

    cerrain scope.

    tn

    findinsi

    selcclins

    and

    putlinq

    down

    these

    words heoe.les

    'thought-objecls'

    and leaves the

    task oI associ.lion

    to

    the

    reader, who becomes a.ollaboralorahd.

    in. senre.

    oflen the

    complele.

    of lhe

    poem".

    Fu

    her: "Silence

    dislinguishes

    ihe new

    poelr ...

    in

    this

    ais

    prop

    i. rhe

    Comringer calls hinBelf the

    play-leader,

    rhe

    one

    who

    inliles

    olhers to

    playwilh

    hitrr"-

    Thc

    wo.ds

    he

    puls

    down

    arc norwordsapplied to

    5ome subjecl,

    but.

    re.lily, conceplualand rhylhmicil

    values

    h

    lhem-

    \-he\.

    lhe nrF

    dqdrn

    dnd

    dqdrn

    point\

    in rcldri.n\hio

    r',np dnorhrr

    in

    i

    \..uum

    r"

    shi.h

    th.

    rcdderr

    'md-

    9ination

    wanders,

    Epidly or lhurely,

    accordnlg ro

    his mood. And the le55numerous

    the

    pointso,

    rel

    ercnce, ihe more

    precise

    thcy are which

    means, in

    dppli.driol

    lo

    hpogrdnh].

    rh.

    morp

    l'\ed

    thi

    unit\ ol

    word and word-piclure, rhe

    morc naiuralit is.

    tissitz-

    ky,

    addresing ihe.eader,

    savs

    as

    eady as 1925:

    "You

    rhoulddemandlhatthcw.ileriakepainsoverthe

    prelentation,

    because

    his ideascome

    lo

    you

    lhrough

    rhe eye and

    not thrcugh

    the car.IhereJore

    rypoqraph-

    icalsculplure,lhrough ils

    vkual

    qualiry,

    should do

    whallhespeaker\

    von:e does

    for

    his

    thou9h15.",,

    c'Clail

    lc

    nontte

    covvE,_qar. L

    Er eEss,ir u-

    kind

    hund

    hund

    hund

    haus

    ce

    tent

    haus

    haus

    baum

    60.6t

    baum

    kind

    hund

    haus

    IASARII

  • 8/10/2019 Gerstner Integral Typography

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  • 8/10/2019 Gerstner Integral Typography

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    Anolher

    phase

    ol

    integraltypography

    is illustmted

    by

    the lollowing

    exadple5.

    The

    reader must imagine

    whaiis not show. on the illunralions,

    tach one i5

    part

    ofone lolderfo.the NewtorkTimes,

    desiqned in

    l95B by Louis Silverstean.

    t'I'hi,s

    is no

    titue

    lbr

    8ffirtr,

    Onr'

    ulredisirll

    lrls

    trr

    -

    I)rocluce

    ritition "

    "We\,e

    $ot

    to Qet

    orrt

    ..,iTH'

    Hrre

    Iotr

    boon I'qrinjl

    th\..rli*irri

    liitl,,\oie's lrttcll:'j

    H.ru's Nhrt

    io dr)

    &bont

    th.nr:

    62.63

  • 8/10/2019 Gerstner Integral Typography

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    F

    -

    sn

    a

    ^

    oq

    s

    O

    {

    eu

    lo

    e

    q

    t

    p

    B

    u

    e

    'A

    p

    l

    e

    au

    pu

    u

    s

    uo

    a

    p

    e

    M

    '

    1

    a

    "

    ,

    -

    a

    x

    t

    d6pu

    '6o

    M

    M

    6

    u

    d

    B6

    q

    'no

  • 8/10/2019 Gerstner Integral Typography

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    The NewYorlTimes lolder showsih sololaon

    oIa

    complex

    prcblem;

    il displays

    thc antcqmtion ol

    an

    ide.,

    a

    te\l

    and lypographic.lpresenlalion thrcugh

    5everal

    phases.

    lt would

    be.ludher

    lask

    10

    integ.ale

    thlslvpe ol folderwith otheradve ilinq media dr

    prinled

    marler,Ioda

    morclhan

    ever,

    frmsneed

    not only a foldcrhc.c.a

    poncr

    or

    an

    adverrisemenl

    there.Toda

    something

    eheis

    needcd:a

    physi-

    oqnomy,.

    public

    lace.

    The examDles on the5e

    pagcsshowthe

    physioqnonry

    ol'Boile;musique",r recordshopin

    Basel."Boitea

    mosique" has a siqnarorean(la

    nvb ol itsown

    -

    bul

    nol in the scnsc ol

    an

    unrhangeable

    mark or ol a

    merc

    .enhetic

    pranciple.

    Rather do the

    elemcnls.

    definitely

    e(ablished

    thouqh

    ad.pled

    in every

    ca5e

    lo lhe func,

    lionshdproporrion ,constilulcrhesignatureand

    tiq,

    I

    3

    shows ihc nruciure.

    The

    leltonrq and

    lra

    me

    arelixcdclcmcnisisoaretheconneclioh

    berween

    lhFm

    dnd rhe

    prin.iDl.

    ol\d|idhrlih.

    \rdrl

    '9

    h,m rha

    botlom.igil corner. the frame c.n

    be inoeased up-

    ward

    or

    lo

    lhe

    lell by

    whole

    unin.l

    a

    time.

    There is

    nn.n\pshi.hFprp-emin.nt

    ror

    rpropo.tiorF.

    thcrF

    drc un[

    rdfldnl\,,l

    -q'hlrdlup: drd thp

    \dridnr

    a

    prc

    emnrenl when

    il is be\l rdapled

    10 rhe

    parlicular prc

    blcm awailing solulio..

    rig. l4

    shos

    the New

    Yea.'s cald with v.rianls

    ehbody-

    in9

    'lill'

    Fnl

    ni'n'rrron,

    dtor'p

    dr'J

    rhe.dmp

    timpi

    ,\

    lhenote

    paper,

    inwhich

    the i.siqnla

    i\.dapted

    lo lhe

    (given)DlN

    r\4lormrt;16

    and l7 advertisemenrs

    iai

    lored lo lil lhe adve iling

    space available;

    tB aSili

    musrque

    boite

    I

    a

  • 8/10/2019 Gerstner Integral Typography

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    e

    P

    e

    P

    o

    es

    mo

    t

    f

    .

    o

    a

    E

    b

    9

    S

    s

    P

    o

  • 8/10/2019 Gerstner Integral Typography

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    As an ad.lition

    to Boile ;

    'nusiqoe

    lwo olhercases

    are

    quole.l

    which

    mav

    also

    be adduced

    a5

    prcof.

    whai is

    to be shown is lhe abilily oflhe

    pinciple

    to

    prole

    ilsell

    nr

    praciicei

    ils

    qeneml

    .pplicabilily,

    fid

    oI all, wirh var-

    ious

    aads

    and

    secondlv

    under various

    basi. condilioos.

    rnthecaseoloechElectrcnicCehhetheproblemwas

    diflerenl

    only in thal the name involved

    qulte

    dif,erent

    basic

    .ondilions.

    ll

    answeE

    lhe

    questions

    Who?

    (Bech,

    the

    prop

    elor),

    whar?

    (Electrcnics,

    the article), and

    How?

    (Cenlre,

    the tvpe of

    oIler). A descriDlion,lhen,

    ralher rhan a oameiand under lhe dhadvantage

    oI

    conrprislnq

    a

    qreal

    deal

    of

    lxl,

    lmosi

    add

    thal the

    name does

    nol

    have

    this

    lorm,

    as

    man think,in order

    to

    oblige

    gr.phic

    a isls.luslthe

    oppositerlhe

    de.ign is simply and

    solelya malte.

    of

    disceming

    two characleri.tics

    ol

    the

    name

    (basic

    con-

    dition,

    which

    lend themselves 1o

    the

    syslem.

    lGr\:

    lhe innH hnpN.oin.'dp

    trr

    lhp m.nncr

    ol..rG

    word

    puzzlewhen

    the words are written togerherso

    d\ lo radd

    rso

    ud)\.ln

    orher

    sord\rlhe

    ndme dppcdr.

    twice wilhoutaclually being rcpeated, Whar appeared

    lobeahandicapallitsi,isartifci.llyinlensified.

    \e.ond\: rhe

    p\pdndpd

    loin

    lhori/onrdr

    dnd terricdlf

    contains

    lmm

    ihe oulset

    variants and

    combinations,

    Thu5 rhe sign, consklinq solely oI

    letteE

    (and

    withoul

    dddiriondl did,

    lil. rh.lrdmp in rhc cd\e

    olBo're d mu.

    jquF).dn

    bp dddprpd

    {4irhin

    limnn rordtu,u\propor.

    tional .equircmenls.

    Morcover lhrcuqh

    the combina-

    tor varaanh, il suggesh, although

    noiaciually

    anlclpreling, electronic

    lechnique,

    Ii9. rqdnd20.hotr lhFNFs \Fdi\dnd.l\olntrodu..

    tory

    Cirdi

    19, i5lhe most condensed

    yet

    siillidenlifi-

    able form;20,shows

    the

    fullEnqe

    of

    variabililv;21,

    thefi.m's nole

    pape[

    22, a repairdipwith sepamble

    BECH

    ELEC

    CENT

    20

    BECH

    ELECTRONIC

    N

    T

    R

    E

    RONIC

    E

    BECH

    LE

    EN

    CT

    TR

    RE

    o

    N

    I

    c

    TR

    TR

    RE

    NE

    BEC

    BEC

    ELE ELE

    CEN CENTII

    HCT

    HCT

    o

    N

    I

    c

    o

    N

    I

    c

    BECH

    E LEC

    66_6?

  • 8/10/2019 Gerstner Integral Typography

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    l

    I

    N

    o

    U

    I

    ,

    3

    lNS

    3

    H

    1

    f

    N

    o

    3

    U

    I

    N

    3N

    t

    l

    I

    N

    o

    3

    u

    I

    3

    U

    l

    3N

    3

    f

    IOE

    .F

    m

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    :

    J

    3

    H

    3N

    lN

    o

    t

    z

    {

    a

    ln

    o

    2

    o

    ;

  • 8/10/2019 Gerstner Integral Typography

    12/20

    I

    c

    23

    68.69

  • 8/10/2019 Gerstner Integral Typography

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  • 8/10/2019 Gerstner Integral Typography

    14/20

    wilh

    both Boile

    i musiqueand Bech lhe basic condi-

    lions are lhesame in the

    way they

    alfccl

    the

    problemi

    bothare relailshops.ln

    bolh

    cases

    lhelhm had lo be

    characl zed as such and

    givena physjognomyfor

    lh lhe

    .a5e

    of

    Holz:ip1el lh. structu.e

    had an additional

    laskro

    performril

    h.d

    to

    characte zetheproduclsas

    wellasrhe

    lirm. rn other

    worls. a

    lra.l.ma.k harl to 6e

    dcsigned

    in

    the widen

    tense oflhe word,

    Vital

    quesrion:

    can a

    'na

    be varbble

    withoul at

    the

    same

    limclorfciting ils marklike

    characlel?

    Counler,

    question:

    what is lypical about

    a

    ma

    ,

    lhe

    propo.tion

    or the

    "conff9uEtion"?

    My

    anlwer

    k known: i1

    is nol

    and rannot

    be

    a

    quenion

    merely

    of

    prcpo

    ions

    .5

    su.h.

    Proporiionscan

    neve.

    bernythinq

    bui

    qoo{i

    {or

    bad) relalile ro ihe task.

    Bul,

    h

    lhestru.rore

    ot

    dnl

    \irn.

    hoserFr

    qrpdt

    the

    numbpr

    ol

    rd.rdnr.,

    th-rt

    is

    alwavs oncwhich must

    bedeclaredro he the ex

    emplar.

    The

    confiOUElioh"

    musl

    nol suller

    as a resuli

    ol ihe vadability;

    Fig,28,

    Fiq-

    29shows

    the

    p

    nledlrame".This

    characle

    slic

    is

    cohmon

    1o all

    examples: all consisl

    of

    parts

    which

    are

    components oI the

    cas..There i5

    an

    ecotumic

    and al5o a disciphrary reason

    for lhis.

    tconomicbe-

    c.use

    otheMise o.agahals

    would

    hale ro

    be

    dEwn

    ol

    every

    va

    .nt ol lhe

    struclure .nd

    blocks woul.l

    have

    lo made

    ol

    every size. Disciplinary

    because the

    typo

    gmphical

    unih

    5implify decisions as

    to

    prcpo

    ion

    l.om

    rhp

    our,cr.

    l',r.

    (0

    i\

    d

    po

    ion

    ot thp

    \\rcm.

    thp

    rhi.lnp$

    ol

    h"F

    N

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    propodion

    and boldness are

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    rig,3t isa

    business formi 32, a dlspatch

    label.

  • 8/10/2019 Gerstner Integral Typography

    15/20

    lodo

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  • 8/10/2019 Gerstner Integral Typography

    16/20

    ro

    Dn

    k d vdridnl oul olrhc

    \ n.r.

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    drcl.rrc il

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    J$.mblv,

    -

  • 8/10/2019 Gerstner Integral Typography

    17/20

  • 8/10/2019 Gerstner Integral Typography

    18/20

    l,

    lntegr.l

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    lhe

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    nr ihe iorcArnlion

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    to

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    -

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    ir

    lhe nrrcqralion

    ofindependenr

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    Iuncl

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    13

    lo

    19

    ArlheL,egnriog lwasrashenouqhtospeakof

    search

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    .'lrn.r\

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  • 8/10/2019 Gerstner Integral Typography

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  • 8/10/2019 Gerstner Integral Typography

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    ll-ln'ul

    ll-h'-nhulr-1,

    D,

    ,1,,

    Prqndrofl dnJ

    n,,'n.

    r

    ur

    lhenrore Daniel Spoeri

    publishes

    a

    nu larnre

    nr

    DJr m.rddr

    ahhh.ounr.

    dmonq ih.olldbordroA rh.

    t.me aulhors as

    "spi.alc".ln

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    5.o

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    connelln-

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    subie.lot

    lhe lntegrution

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    I pogrdphyin

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    been

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    publiQiiont

    Menlion

    ma

    be

    madeolihe calaloq eolihe

    exhibition

    "SchriIr

    und Bild". hcld

    in

    Amnerdam and Badcn Baden,

    l963ilhe'konk.ete

    Poesic" se.ict.

    publlshed

    by Eu-

    9/n

    ri,mringpr him\plf:

    uomflngF.

    \

    ohn

    honrpll,r

    tionen'

    collecrion,

    likewi5e

    published

    in Frauenleldl

    Ma

    ur

    l(utter'r "lnvent.r

    mit

    35", broughlout

    in

    l 16

    | l{ Arll'ur \r99[:

    adJrl'r\

    rnJ

    i

    ufl,\ rr\"

    r J,

    .

    lighllulcolle.lion

    t)\,

    c.c.

    Bombrugh,

    publnhed

    in

    1 96

    I

    bv

    Marih

    ca rd ne. ar

    Doler

    Publi.ation Inc.

    rrcm.n

    arrn:h "Typographhche l.rtachen" in the

    "Culenbe19

    resh.hrill",

    Cutenberg

    Cesell :halt,

    Manr21925.

    rn

    Jno,hi

    r

    .n

    cndr Br.roo hdd dl'.ddt mddp

    po

    etical

    c.pit.l

    out of lhis knowlcdqc.With hcadlincs

    an.l

    headline{Egmenis

    cutoul

    ol

    newspapcE hc

    mounted. Poeme" which .ppeare.l

    in

    M.nilenedu

    Sutrarlnme",

    Pdrit 1924.

    (Published

    in'Antologia

    del

    5u

    'edlnrno"

    b Crrlo ao, tdizn,ne diUomo,

    Mila. 1946-)