Live Artfully2018 MEDIA KIT

MissionGalerie exists to inspire. We believe that art and design elevate everything. Our mission is to present the most exciting, brilliant, and beautiful ideas these ever-changing creative worlds have to offer.

Op Art master Victor Vasarely fashioned circles in radiating shades of pink for his 1965 silkscreen from the “Permutations” series; vasarely.com. Opposite: The Tiffany Prism Orb ring

mesmerizes with its ombré effect; it has a 2.59-carat center-round pink sapphire surrounded by smaller sapphires, all set in 18K gold; tiffany.com. C

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L ondon and Paris may be the hubs of Europe’s art market, but Berlin has the artists. In the 1990s and early 2000s, a�ordable spaces and a free-spirited cultural scene in the reuni�ed German capital

attracted artists in droves, including international stars like Anri Sala, Tomás Saraceno, and Olafur Eliasson. More recently a diverse array of creative-sector professionals and tech �rms has been arriving, accompanied by smart hotels and shops and ambitious restaurants. �e mix of culture and innovation seems to be woven into the fabric of Berlin, which is also home to some decidedly unique arts institutions, notes Joey Lico, curator for the Cultivist, a members-only club that provides insider info and special access to museums, fairs, and art events around the world. Here, she highlights some of the go-to spots that make this boundary-pushing city such a compelling destination to explore. thecultivist.com

6 4 G A L E R I E M A G A Z I N E . C O M

THE CULTIVIST, THE ART WORLD’S EXPERT CONCIERGE, SHARES ITS SHORTLIST FOR WHAT TO SEE AND DO IN EUROPE’S COOLEST CULTURE CAPITAL

Berlin ’s Best

CONCIERGE

WHERE TO STAY• �e Soho House Berlin is an art-world favorite, its blend of creative and stylish energy perfectly mirroring the city itself, says Lico. Of course, it doesn’t hurt that Soho House is in a gorgeous Bauhaus building in the central Mitte neighborhood and features a roo�op with a buzzy bar and a pool that’s open year-round. Stay in a hotel room, or book one of the haute-bohemian apartments for an intimate, at-home feel. • For a more classic vibe, check in to the Hotel Adlon Kempinski. �e legendary Adlon, just steps from the Brandenburg Gate, was one of the most famous hotels in Europe before it was badly damaged during World War II and later destroyed in a �re. �e current building, opened in 1997, recaptures the old-world feel of the original.

WHERE TO EAT • Berlin’s restaurant scene is livelier than ever, with still- humming classics like Borchardt joined by great casual spots such as Yam Yam, where Lico likes to order the kimchi and a

This page, clockwise from top left: The Store, inside the Soho House Berlin, is a curated emporium of fashion, furnishings, and collectibles. The dining room at Pauly Saal. Charlottenburg Palace, one of Berlin’s architectural gems. A dish at Pauly Saal. Magazine shelves at Do You Read Me?!

Berlin ’s Best

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A frican art has been ready for its close-up for a long time, and the international market is quickly catching up. In May, Sotheby’s London held an inaugural sale for its Modern and Contemporary

African Art department, with 115 works selling for a total of £2.8 million ($3.6 million). � e event ushered in record-setting prices for such artists as Ouattara Watts, Pascale Marthine Tayou, and António Ole, and the � nal bid for the celebrated British-Nigerian artist Yinka Shonibare MBE’s sculptural installation Crash Willy (2009) beat expectations, commanding a whopping £224,750 ($297,000) against an estimate of £120,000–£180,000 ($159,000–$238,000).

While the market was once driven by local collectors and strongly a� ected by � uctuating oil prices and exchange rates, it has now expanded to include collectors worldwide, says Hannah O’Leary, the director of Modern & Contemporary African Art sales at Sotheby’s: “We had a lot of buyers in Africa, of course, but we also had registrations from nearly 30 countries.”

Collectors are also discovering works through fairs like

1:54 Contemporary African Art Fair, which holds events in London and New York and is expanding next year to Marrakech. � e organization’s mission goes beyond bringing more attention to the art, says curator Koyo Kouoh, who organizes FORUM, the education program for 1:54. � e goal is to use the expanding market to “feed and foster knowledge and appreciation in Africa itself,” she says.

Museums have always played a major role in drawing attention to African artists. In 1996 the curator and art critic Okwui Enwezor organized “In/Sight,” a seminal show of →

Clockwise from top: From Nigerian photographer J. D. ’Okhai Ojeikere’s decades-long series on hairstyles. A painting by Chéri Samba from the Democratic Republic of Congo. Earth Developing More Roots by Ghanaian sculptor El Anatsui.

CONTEMPORARY AFRICAN ART IS GETTING GLOBAL ATTENTION—AND THE MARKET IS HEATING UP

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COLLECTING

17_03_FOB_Collecting_LO-v4.indd 2 8/8/17 12:35 PM

THE DESIGN VISIONARY IS ALWAYS ON THE MOVE. HERE’S WHAT INSPIRES HER, BOTH NEAR AND FAR

Y ou might think that a�er 34 years in the home furnishings business—turning out collection a�er collection, inking deals with hot designers, building showrooms across the country (nine and

counting), and being an all-around powerhouse in modern American interiors—Holly Hunt would be ready to slow down. Having sold her eponymous company to Knoll for $95 million in 2014, the silver-haired West Texas native could be kicking back in her art-�lled Chicago apartment. But Hunt, still CEO and creative top dog of the �rm, remains fully in

the game. “I live for that sudden epiphany, that emotional excitement you get from seeing something new,” she says. Case in point: the outdoor furniture collection she recently launched. “It came from a single pro�le sketch of a chair made by Alberto Velez, my director of design,” she says. “It had a certain geometry that for me was the essence of something. I saw it and just knew, �is is it!” Another recent high point for Hunt: bringing the designs of the late, great Vladimir Kagan into her showrooms. Here, Hunt shares the inspirations that get her heart racing.

Holly HuntPOINT OF VIEW

Clockwise from left: Mare and Foal, a 1995 oil on canvas by Joe Andoe. The interior of Sunrise House, a three-bedroom bamboo home built in Bali by Ibuku. Cloud Gate by Anish Kapoor, a must-see for visitors to Chicago’s Millennium Park.

Designer Holly Hunt.

A 1957 Chevrolet Bel Air, the kind of vintage car still found in Cuba.

Holly Hunt fabrics in her favorite accent color include (from far left) Blood Orange, Indian Summer, Fire, and Burnt Orange.

2-14-99 by Sean Scully, the first of three of his paintings that Hunt has purchased, which she hung in her Paris home.

For an unforgettable trip that feels like going back in time, visit Cuba, if you can. When I went there a couple years ago with the National Council of the Aspen Art Museum, I was especially struck by the cars. You see American convertibles from the mid-1950s in gorgeous pastel colors, in great condition. Unbelievable.

My favorite restaurant anywhere is Daniel, in New York. It’s a near-perfect experience, from the service to the food. I was at a dinner there for about 200 people, and it was as good as when I’m in a party of two. �at’s hard to pull o�.

I’ll always be loyal to Warren Edwards. He’s the shoe designer I’ve been going to for 35 years now. He’s even made custom pairs for me. I just bought some alligator heels from him.

A recent Italian discovery is Castello di Reschio, in Umbria. You can rent a full-service guesthouse on this beautifully rebuilt estate that dates from the 14th century.

When visitors come to Chicago, I take them to stand under Anish Kapoor’s Cloud Gate in Millennium Park. �e experience of the re�ection of the skyline is extraordinary.

One of my most treasured possessions is a painting by Sean Scully that I bought years ago in Paris. His work is so strong and so rich. I’ve since purchased two other works by him, all with his signature stripes.

I would love to own a piece by �easter Gates. He works here in Chicago using discarded roo�ng and other industrial scrap materials to make beautiful sculptures and installations. It’s incredible he’s making something from nothing.

An experience seared in my memory is my �rst visit to the Pantheon in Rome, when I was in my 20s. I remember looking up at the oculus and thinking, Oh my God, how did they do that? —INTERVIEW BY CATHERINE HONG

The Sloane Sofa by Vladimir Kagan. “He understood curves and the shape of the body,” Hunt says.

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navigation. How did we ever �nd our way around without it? I like the voice with the English accent—I call him Charles.

A material that blows my mind is bamboo. �ree years ago I visited Bali, where I experienced the incredible bamboo architecture made by Ibuku, the company started by jewelry designer John Hardy’s daughter, Elora. The multistory houses she makes are strong, light, utterly elegant, and totally sustainable.

�e color I’m drawn to right now is orange, ranging from pale orange to red-orange. It’s a wonderful accent color that looks amazing with grays and pewters. I’m also into deep blue-greens and rich reds.

I can’t stop collecting horse art. I’m not even a rider! I have a bronze sculpture by Salvador Dominguez, a photograph by Edward Curtis, paintings by Joe Andoe and Ashley Collins, and the list goes on and on. Maybe it has

something to do with my Texas roots.

At home I love the sight and scent of Casa Blanca lilies. �ey’re gorgeous and make the room smell divine. If you’re really lucky, you can sometimes �nd Sumatra lilies, which come in a mahogany red and are magni�cent.

4 2 G A L E R I E M A G A Z I N E . C O M

kicking back in her art-�lled Chicago apartment. But Hunt, still CEO and creative top dog of the �rm, remains fully in

Vladimir Kagan into her showrooms. Hereinspirations that get her heart racing.

Holly Hunt fabrics in her favorite accent color include (from far left) Blood Orange, Indian Summer, Fire, and Burnt Orange.

2-14-99 by Sean Scully, the first of

In Every Issue

THE ARTFUL LIFE

Art, travel, food, style, and shopping: inspiring people, places, and products

SHOPPINGDesign essentials for every aspect of an artful life

THE ARTFUL LIFESHOPPING:

DESIGN ESSENTIALSFOR FALLWRITTEN AND PRODUCEDBY MARGARET RUSSELL

PIERRE BONNEFILLE, a longtime collaborator

of CHRISTIAN LIAIGRE, has created a series

of luminous paintings using bronze powder

on metallic mesh, including this piece,

which measures 38" x 51". Exclusively

at LIAIGRE MIAMI. 305-808-3550;

liaigre.com

DAVID WEBB’S ravishing Scroll earrings are fashioned of carved jade, white enamel, and brilliant-cut diamonds set in 18K gold and platinum; $52,000. davidwebb.com

of luminous paintings using bronze powder

including this piece,

38"

305-808-3550;liaigre.com

Sybaritic Moss throws by SAVED, 50" x 69", are handwoven of cashmere

and yak down in a range of colors, including green and sun (shown);

$875 each. saved-ny.com

Interior designer SUE FIRESTONE’S rustic-luxe cabinet for A. RUDIN was inspired by the rhythmic pattern of ocean waves. Crafted of rich black walnut, it measures 48" x 22" x 34"; to the trade. arudin.com

These kicky throw pillows by ETRO, 18" x 28", are made in Italy of a vibrant paisley silk print; $161 each at SUE FISHER KING. suefisherking.com

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Artist MARK EVANS conjures radiant mirrors of antiqued glass embellished with rock crystal, precious stones, cast-resin jewels, and more; to the trade from QUINTUS. quintushome.com

STUDIO VISITArtists and their studios

TRENDING TALENTArtists on our radar

POINT OF VIEW

REAL ESTATE

IN FOCUSAn art-lover shares a work that has great personal signi� cance

DESTINATIONS

COLLECTING

CUISINE

GALLERY TOUR

MOST WANTED

In� uential tastemakers share their inspirations

� e most coveted properties on the market

Sophisticated travel through the lens of art and design

Objects that captivate passionate collectors

Artful dining

� e galleries and gallerists shaping today’s art market

A snapshot of what’s trending in a segment of the luxury market

CONCIERGEGlobal arts club � e Cultivist gives insider tips for an art-world destination

1 4 4 G A L E R I E M A G A Z I N E . C O M

“�e �rst thing that attracted me to Untitled (NoGoX)

was the way Nina freshly uses text and color, mixing acrylic paint and spray paint. I just love the way she expresses herself in the painting, which shows a self and a political reality. �e �rst time I saw Untitled (NoGoX), I was like, Wow! Who is this person? And I found out she’s from Chicago. She’s young and super-talented. I love art that speaks to me with a positive energy, and all of Nina’s works in my Dean Collection speak in that way. Most people want to collect on status. I collect on feelings. Like, Do you feel it? Yes or no?

“When I showed Nina’s work at the Bronx edition of No Commission, the art fair I do with Bacardí, people were crowded around her piece all day. It was just amazing to see so many people relating to her work. Art is so important to the world, but it hasn’t been as accessible as it should be and that is what we are trying to change with No Commission. It’s free for the public. Artists get their space for free and take 100 percent of the pro�ts from sales. It’s not just an event—it’s a movement that we’ve taken to cities around the world.” —SWIZZ BEATZ, AS TOLD TO ANTWAUN SARGENT

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Above: Untitled (NoGoX), a Nina Chanel Abney painting from 2016, owned by Kasseem Dean, a.k.a. Swizz Beatz.

HIP-HOP GURU AND ART LOVER SWIZZ BEATZ ON COLLECTING NINA CHANEL ABNEY

Op Art master Victor Vasarely fashioned circles in radiating shades of pink for his 1965 silkscreen from the “Permutations” series; vasarely.com. Opposite: The Tiffany Prism Orb ring

mesmerizes with its ombré effect; it has a 2.59-carat center-round pink sapphire surrounded by smaller sapphires, all set in 18K gold; tiffany.com.

T E X T B Y JAC Q U E L I N E T E R R E B O N N E P R O D U C E D B Y S T E FA N I E L I

Life Imitates

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17_02_Well_Life_LO.indd 2 5/6/17 6:48 PM

LIFE IMITATES ARTGalerie’s signature editorial feature. Products paired with works of art and design in moments of visual synchronicity

T his is a studio where creativity is not encouraged,” declares the Chilean-born artist and designer Sebastian Errazuriz, standing inside his 5,000-square- foot Brooklyn quarters. Indeed, the vast Industry

City space, in Sunset Park, operates like a small, controlled factory. It’s divided into a lab, woodshop, design area, and project space, which function as smaller studios. “Having this studio physically divided into areas helps to see bodies of work as they are growing,” Errazuriz says.

For Second Nature, a re-engineered tree sculpture commissioned by the Swiss watchmaker Audemars Piguet for Art Basel, the artist took a real tree and sawed it into planks, C

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which were then cut and glued into uniform blocks. �e blocks were robotically carved via 3-D technology and finished by hand to re-create an actual tree.

Errazuriz’s mission has never been to use design to solve practical problems. Rather, he mixes art and design to create socially conscious pieces that he calls “functional art.” His Wave cabinet, for instance, crafted of maple slats, opens like an accordion with a swipe of the hand.

His �rst solo museum show, at Pittsburgh’s Carnegie Museum of Art in 2014, earned him comparisons to Marcel Duchamp and Maurizio Cattelan for inventive works at once playful and provocative. A decade’s worth of objects were on view, including his series “Occupy Chairs,” folding chairs that function as both seat and sign with Pop-style painted messages—“We Are the 99%,” “I’m So Angry I Made a Sign”—taken from Occupy Wall Street protests.

His mirthful unorthodoxy was seen in T for Two, where he took the humble teacup and split it into perfect halves to form a tea set. It’s currently under review at the studio to relaunch alongside a series of other mass-market products. “�ere’s no purpose for me to make another teacup or chair—they have already been designed,” says Errazuriz. “If I can get you to see something di�erently, I am incorporating functional design elements that belong to the arts.” —ANTWAUN SARGENT

Clockwise from top left: Artist Sebastian Errazuriz at his Brooklyn studio, in front of his 2015 neon-sign sculpture, Love/Loved. His crystal Bird Chandelier, with taxidermy birds. Second Nature, a sculpture commissioned by watchmaker Audemars Piguet for Art Basel.

SEBASTIAN ERRAZURIZ ATTAINS DAZZLING RESULTS BY PUSHING THE BOUNDARY BETWEEN ART AND DESIGN

Agent Provocateur

4 8 G A L E R I E M A G A Z I N E . C O M

STUDIO VISIT

Live Artfully

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EDITORIAL CONTENT AND CLOSING DATES ARE SUBJECT TO CHANGE.

The New Guard CLOSING: JANUARY 19

ON-SALE: MARCH 6

The Artful HomeCLOSING: APRIL 20

ON-SALE: JUNE 5

Modern Glamour CLOSING: JULY 20

ON-SALE: SEPTEMBER 4

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ON-SALE: DECEMBER 4

Multiple spreads of lush photography

All text contained on one page

Editorial Well

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“Artful Eye” zooms in on the details that make the project exceptional

PASSION FOR

ART & DESIGN

SEEKING

INSPIRATION

EXTREME

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Our reader collects not only art and objects but experiences, adventures, and stories

The Collector

DEFININGATTRIBUTES

DEMOGRAPHICS

Collect art

5+ Visits to an art gallery, art

museum

, art fair, or antiques show

in past six months

25+ Works

In collection

My love of art

influences my approach

to home and style

83%

57%

46%

GALERIE READER SURVEY, MAY 2017; WEALTHENGINE, PUBLISHER PROJECTION

MALE/FEMALE45/55%MEDIAN AGE42

AVERAGE NET WORTH$5MMAVERAGE HHI$500,000

PASSION FORART & DESIGN

90%

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GALERIE READER SURVEY, MAY 2017

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MAXIMUM INK DENSITY280% dMax GCR

CROP MARKS All crop marks must be .1875" (3/16") o� bleed area

PROOFS Must contain GRACoL color strip. All � nal material must be submitted with digital proofs that have been pulled from the supplied � le for color guidance on press.

NET RATES

FULL PAGE1x $13,9404x $11,8508x+ $9,870

SPREADS 1x $20,9104x $17,775 8x+ $14,805

PREMIUM POSITIONS Cover 2/Page 1 $28,820Cover 3 $14,600 Cover 4 $18,700

Submit all ad materials to: https://www.adshuttle.com/Sandow

Preferred digital format: PDF/X-1a

Production Assistance: adshuttlesupport@sandow.com

Galerie101 Park Avenue, 4th FloorNew York, NY 10178 917.934.2893

FILE SUBMISSION2018 PRODUCTION SCHEDULE

Issue SPRING: THE NEW GUARDSUMMER: THE ARTFUL HOMEFALL: MODERN GLAMOURWINTER: THE PASSIONATE COLLECTOR

Reservation & Material DeadlineJANUARY 19 APRIL 20 JULY 20 OCTOBER 19

ALL DATES AND THEMES SUBJECT TO CHANGE WITHOUT NOTICE.

FINE JEWELRY/WATCHESAssaelAtelier SwarovskiBaume & MercierCadarDavid WebbdeGRISOGONOElizabeth LockeH SternHarry WinstonMolina (Todd Reed)Richard MilleRoberto CoinSorab + RoshiSpeake-MarinVan Cleef & Arpels

FASHIONBrunello CucinelliHermèsJosie NatoriSalvatore FerragamoRETAILBergdorf Goodman BEAUTYIl Profvmo Norell

Parfums de Marly ValmontWINE AND SPIRITSHennessyPatronPRIVATE AVIATIONTalon AirTRAVEL/HOSPITALITYFontainebleauJK Place� e QuinGALLERIES/AUCTIONS Blum and Poe Carole A Feuerman StudiosContemporary Art + EditionsEdward Tyler NahemFindlay Gallery Frank StellaFriedman Benda June KellyKavi GuptaLehmann MaupinLocksMarianne BoeskyMarlboroughM Fine ArtNohra HaimeRhonda Ho� man GalleryRo GalleryWright AuctionFINANCIALDeutsche Bank

ART FAIRSArt Basel Art MiamiCollective DesignDesign MiamiExpo ChicagoFog Art FairFriezeIFPDAMaison & Objet� e Salon Art + DesignUrban Expo

HOMEAntoliniA. RudinBadgley MischkaBernd Goeckler Antiques Bernhardt Bright ChairBunny Williams HomeCaesarstoneCambria Christopher PeacockCompas Tile and StoneDavid PatchenDedar

De Sousa HughesFendi CasaGeorg JensenGlosterHolly HuntHouse of HeydenrykHubbardton ForgeJanet YonatyJD StaronJim � ompsonJiun HoJonas WorkroomJonathan BrowningJulian ChichesterLaliqueLorin MarshMade GoodsMarc PhillipsMaya Romano� Minotti DDCMitchell Gold + Bob WilliamsParis Ceramics QuintusRalph Lauren HomeRichard FrinierSamad

Scott GroupStark CarpetTHGTodd Merrill StudioTresserraTufenkianVicente Wolf521 AtelierREAL ESTATECorcoranDouglas Elliman Development Douglas Elliman WorldwideLuxury PortfolioPalazzo della LunaPhil KeanSotheby’s International Town New Development WindsorNONPROFITAIPAD� e Glass House Society of IllustratorsWatermill Foundation

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