16
CALL ME The #CallBrussels campaign, which invited anyone in the world to call phones installed in public squares, was a big success \ 2 \ 10 \ 15 #413 Erkenningsnummer P708816 JANUARY 20, 2016 \ NEWSWEEKLY - € 0,75 \ READ MORE AT WWW.FLANDERSTODAY.EU INNOVATION \ P7 BUSINESS \ P6 CURRENT AFFAIRS \ P2 EDUCATION \ P9 POLITICS \ P4 ART & LIVING \ P10 The man behind Kanaal in Wijnegem describes his vision for a project that mixes modern housing, positive energy, art and commerce to revitalise a once-thriving distillery site. T he Kanaal residential and commercial development in Wijnegem, just outside Antwerp, will see the creation of a new village from disused industrial buildings on the banks of the Albert canal. When work is complete in the spring of 2017, the complex will include a foundation dedicated to arts and antiques, high-end shopping facilities and 100 artistically inclined apartments. Kanaal is taking shape in buildings originally designed for a jenever distillery that opened in 1869. e distillery became one of Flanders’ largest, exporting its spirit as far away as Australia. In 1919, a law came into force prohibiting the sale of hard liquor in Belgium and effectively ending distillery operations. Over the next two decades, the buildings were used by smaller industrial businesses that appreciated the site’s proximity to Antwerp and direct access to the canal. Around the end of the Second World War, Heineken acquired the site and turned it into a malting house. During this period, eight silos were added to the existing buildings. Axel Vervoordt, one of Flanders’ leading art dealers, visited the site in the mid-1990s when he was looking to expand his growing antique and interior design business, as well as his extensive art collection. “I saw the first building and bought it immediately,” he says. “ere’s a purity in industrial build- ings – they show the marks of time. And I like giving old things new energy.” Over the next decade, Vervoordt acquired all the buildings on the site and developed his grand plan, now known as Kanaal. e first spaces opened in 1999 to house parts of Vervoordt’s collection and offices. By June of 2000, the monumental “At the Edge of the World” sculpture by British-Indian artist Anish Kapoor had been installed in a small, nondescript building in the middle of the site. “We wanted to give contemporary art a central position,” explains Vervoordt. “e Kapoor sculpture was a gift to the wider Kanaal community. Our goal was to instil positive energy and a sense of peace at the centre of Kanaal.” Peace and optimism are central to Vervoordt’s methods. “I don’t collect or deal in art that is political or aggressive,” he says. “Today, our society needs peace and universal knowl- edge. When the foundation spaces are finished, it will be a spiritual experience.” ough the areas dedicated to the Vervoordt Foundation are among the last to be completed, some parts are already in place. e most breathtaking is the space referred to as Karnak – named after the temple on the Nile renowned for its repeating rows of columns. In the Kanaal version of Karnak, the columns were created in the 1940s to support the vast silos that stored grain for the malting house. e Karnak room houses the Vervoordt Foundation’s collec- tion of sculptures from the Mon-Dvaravati culture, which emerged in central ailand around the sixth century AD. e sculptures date from the seventh to eight centuries and represent different interpretations of Buddha. Hous- ing them in this cavernous and spookily lit industrial space highlights the fragility of each sculpture and gives the viewer space to consider them as individual pieces. For Vervoordt, the room itself is an artwork and an expres- continued on page 5 DIFFERENT BY DESIGN This year’s recipients of the Henry van de Velde Awards for the best in local design include an Antwerp studio that will stop at nothing REAL-TIME COMEDY An unlikely combination of improv comedy and hip-hop comes to Brussels in English, and we’ve got tickets to give away A design for life Housing, shopping and art breathe new life into canalside industrial site © Jan Liégeois Dan Smith More articles by Dan \ flanderstoday.eu

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Call meThe #CallBrussels campaign, which invited anyone in the world to call phones installed in public squares, was a big success

\ 2 \ 10 \ 15

#41

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kenn

ings

num

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P70

8816

january 20, 2016 \ newsweekly - € 0,75 \ rEad morE at www.flandErstoday.Eu

innovation \ P7BusinEss \ P6currEnt affairs \ P2 Education \ P9Politics \ P4 art & living \ P10

The man behind Kanaal in Wijnegem describes his vision for a project that mixes modern housing, positive energy, art and commerce to revitalise a once-thriving distillery site.

The Kanaal residential and commercial development in Wijnegem, just outside Antwerp, will see the creation of a new village from disused industrial

buildings on the banks of the Albert canal. When work is complete in the spring of 2017, the complex will include a foundation dedicated to arts and antiques, high-end shopping facilities and 100 artistically inclined apartments. Kanaal is taking shape in buildings originally designed for a jenever distillery that opened in 1869. The distillery became one of Flanders’ largest, exporting its spirit as far away as Australia. In 1919, a law came into force prohibiting the sale of hard liquor in Belgium and effectively ending distillery operations. Over the next two decades, the buildings were used by smaller industrial businesses that appreciated the site’s proximity to Antwerp and direct access to the canal. Around

the end of the Second World War, Heineken acquired the site and turned it into a malting house. During this period, eight silos were added to the existing buildings.Axel Vervoordt, one of Flanders’ leading art dealers, visited the site in the mid-1990s when he was looking to expand his growing antique and interior design business, as well as his extensive art collection. “I saw the first building and bought it immediately,” he says. “There’s a purity in industrial build-ings – they show the marks of time. And I like giving old things new energy.”Over the next decade, Vervoordt acquired all the buildings on the site and developed his grand plan, now known as Kanaal. The first spaces opened in 1999 to house parts of Vervoordt’s collection and offices. By June of 2000, the monumental “At the Edge of the World” sculpture by British-Indian artist Anish Kapoor had been installed in a small, nondescript building in the middle of the site. “We wanted to give contemporary art a central position,” explains Vervoordt. “The Kapoor sculpture was a gift to the wider Kanaal community. Our goal was to instil positive energy and a sense of peace at the centre of Kanaal.”

Peace and optimism are central to Vervoordt’s methods. “I don’t collect or deal in art that is political or aggressive,” he says. “Today, our society needs peace and universal knowl-edge. When the foundation spaces are finished, it will be a spiritual experience.”Though the areas dedicated to the Vervoordt Foundation are among the last to be completed, some parts are already in place. The most breathtaking is the space referred to as Karnak – named after the temple on the Nile renowned for its repeating rows of columns. In the Kanaal version of Karnak, the columns were created in the 1940s to support the vast silos that stored grain for the malting house.The Karnak room houses the Vervoordt Foundation’s collec-tion of sculptures from the Mon-Dvaravati culture, which emerged in central Thailand around the sixth century AD. The sculptures date from the seventh to eight centuries and represent different interpretations of Buddha. Hous-ing them in this cavernous and spookily lit industrial space highlights the fragility of each sculpture and gives the viewer space to consider them as individual pieces.For Vervoordt, the room itself is an artwork and an expres-

continued on page 5

Different by DesignThis year’s recipients of the Henry van de Velde Awards for the best in local design include an Antwerp studio that will stop at nothing

real-time ComeDyAn unlikely combination of improv comedy and hip-hop comes to Brussels in English, and we’ve got tickets to give away

A design for lifeHousing, shopping and art breathe new life into canalside industrial site

© jan liégeois

dan smithMore articles by Dan \ flanderstoday.eu

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\ 2

\ CurrenT aFFaIrs

The #CallBrussels campaign launched earlier this month to freshen up the image of the capital following the publicity surrounding terrorist connections took

nearly 12,700 phone calls in just five days. Footage of some of the residents picking up the phone have now been compiled into a video, released on Monday. The campaign by tourism agency Visit Brussels involved three interactive signboards on Kunstberg, Flageyplein and Gemeenteplein in Molenbeek (pictured). Each was equipped with a telephone that passers-by were invited to pick up when it rang. Callers took to the campaign’s website to call one of the phones, allowing anyone in the world to ask locals ques-tions about Brussels. The connections were followed by a

webcam. Almost three in four calls came from another country, with 154 countries represented, Visit Brussels said. The calls came from Europe but from also as far as the US, Japan, Brazil and Australia. “The hashtag #CallBrussels went around the world and was seen by 9,370,000 people,” a spokesperson said. The website now shows a video made up of clips from the webcam footage. Questions asked by callers include: “Do you see some people fighting with guns or bombs?” (Answer: “No. Oh my God no way.”) “Is it safe for this moment?” (Answer: “Of course it’s safe. It’s very safe.”) Observations included: “There’s lots of people, everyone is smiling and relaxed.” And according to one Australian: “There’s waffles, and you can’t say no to waffles.”

Nearly 13,000 calls to Brussels residents during campaignPeople from 154 countries dialled a stranger on the street as part of #callBrussels

people started their own business in Flanders in 2015, 2.7% more than the year before, according to figures from Unizo. Antwerp led the provinces, with a 5.2% increase

Belgian franc banknotes still in circulation, 14 years after the currency was replaced by the euro, for a value of almost €151 million. Unlike BF coins, the banknotes can still be exchanged

passengers passed through Brus-sels Airport in 2015, 7% more than in 2014, a result of the growth of the low-cost sector, the arrival of Japa-nese airline ANA and the success of Brussels Airlines

of employees in Flanders travel to work in a private car, according to figures from HR consultant Secu-rex. A further 11% use a company car

bottles of counterfeit wine and 25,000 bottles of fake cognac and whisky were destroyed by the Leuven prosecutor's office. The goods were seized in a major fraud investigation in 2007

alan HopeFollow alan on Twitter \ @alanHopeFT

45,311 650,00023,460,018

Purchasers of new electric cars can now apply for a premium of up to €5,000 towards the price, the Flemish Energy Agency has announced. The premium covers all zero-emissions vehicles, includ-ing electric and hydrogen-powered cars, excluding hybrids. For models with a book value of less than €31,000, the premium is €5,000 for cars bought this year, going down by €1,000 each year to 2019. The most expensive models, costing more than €61,000, attract a premium of €2,500 decreasing by €500 a year to €1,000 in 2019. The premium is available for four-wheeled

passengers vehicles seating a maximum of nine people and light goods vehicles weighing up to 3.5 tonnes. The vehicle must be purchased new after 1 January and be registered in the Flemish region. Only privately owned vehicles are eligible, not lease or company cars. Applications can be submitted online, where information can also be found on how much of the budget remains. The government of Flanders has set aside a budget of €5 million for 2016 – the equiv-alent of at least 1,000 grants. The website will provide a running tally of successful applications. \ AH

Applications for electric car rebates now being accepted

Brussels-City council has presented an amended traffic plan for the city centre, two months ahead of the end of the trial period for the pedestrian zone. The new plan sees a return to the previous situation in a number of areasIn the Sint-Goriks quarter, Lemonnier-straat towards the South Station and Duquesnoystraat behind Grote Markt, traffic returns to the way it was before the pedestrian zone was introduced six months ago. As well as closing off the central avenues to all traffic between De Brouckere and Fontainas, the zone also saw changes to traffic entering the city from north and

south, as well as the creation of a wide loop of one-way streets to guide traffic around the pedestrian zone. The pedestrian portion of Zuidstraat remains car-free except for deliveries, while the remainder, from Bogaarden-straat to Rouppeplein, becomes one-way in the direction of South Station. The main change can already be seen in De Brouckereplein, where one lane was opened up to traffic between Wolvengracht and Maxlaan last autumn, to allow cars and coaches access to the front entrance of the Hotel Metropole. The city coun-cil describes that amendment as a minor change, but critics point out that it effec-

tively undermines the plan of mayor Yvan Mayeur to turn the square into a centre for events and gatherings, with a monumental sculpture. \ AH

Brussels reveals proposal to alter traffic around pedestrian zone

© Courtesy Visit Brussels

Police in East Flanders have broken up what is being described as the country’s biggest-ever human trafficking operation. The group of Iraqi Kurds are thought to have smuggled as many as 3,000 migrants through Belgium to the UK in recent months. The syndicate loaded about 20 migrants a day, sometimes entire families, into lorries in motorway service areas at Groot-Bijgaarden on the E40 and on the E17 at Kalken and Waasmunster in East Flan-ders. Each migrant paid a fee of €2,000. The lorry drivers are not thought to have been aware of the activity. “We’re talking about life-threatening conditions,” said the prosecutor’s spokes-person. “The migrants were often placed in refrigerated transports.”An investigation was started by the pros-ecutor’s office in East Flanders last year. The eight men involved were traced and arrested between May and November. The operation was completed when two key figures operating from the UK were arrested two weeks ago in a joint oper-ation with the National Crime Agency. Authorities have asked for the two to be extradited as soon as possible. \ AH

Police break up largest-ever human trafficking operation

© Courtesy Brussels Observer

© Mariordo/wikimedia

call.BrussEls

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faCe of flanDers

There must be many reasons to want to become rector of a university in Flanders, though wanting to create a more metro-politan image for the host city is probably a rare one. It’s the one cited, however, by Herman Van Goethem, who last week became the first candidate to declare himself for the elec-tion to head Antwerp Univer-sity (UAntwerp). “Antwerp is not a great metrop-olis, though it is regarded that way in Flanders,” he said. “As a university, we have to be more daring in adopting the profile of a great city. I have the feeling we haven’t exploited that identity enough.”Van Goethem was born in nearby Mortsel in 1958 and studied both law and history in Antwerp at the same time – the latter without attending any lectures. He wound up with a doctorate in law and a Master’s in history. Now considered a historian, his interest in human rights is clearly a result of both studies. In 2008, Van Goethem became

involved with the creation of a Holocaust museum in Mechelen on the site of the former Dossin Barracks, which had been the transit point for thousands of Jews and Roma picked up by the Nazi occupier across Belgium and northern France. The museum, now called the Kazerne Dossin Memorial Museum and Documentation Centre on the Holocaust and Human Rights, was opened in 2012 by Flanders’ then minister-president Kris Peeters, architect Bob Van Reeth and curator Van Goethem, as well as members of the Jewish community.The university’s gain, then, would be Dossin’s loss. “The two functions would be diffi-cult to combine,” he said. “It will be hard to leave it behind, but becoming rector of UAntwerp is of another order.”Shortly after Van Goethem announced his candidacy, so did vice-rector Johan Meeusen. The deadline for submission of candidacies is now closed. The election takes place in March. \ Alan Hope

Herman van goethem

The singing trio K3, aimed at pre-adolescent girls, has an image that’s saccharine-sweet and produce an indigestible form of bubble-gum music. But all that sugar isn’t just an image, according to Dutch lobby group The Alliance to Stop the Marketing of Unhealthy Food to Children. As well as being a multimedia sensation to youngsters in Flan-ders and the Netherlands, K3 are also a money machine for Flemish media giant Studio 100. As well as featuring onstage, on TV, in movies and on records, K3’s smiling faces are also on backpacks, lunch-boxes and snacks like biscuits, potato

crisps and ice cream. “All products containing too much sugar, salt and fat,” argues the Alli-ance, a body made up of consumer rights representatives, paediatri-cians, scientists and health advo-cates. The original K3 are currently on a farewell tour, and the new K3

(pictured) stand ready to take their place not only on the stage but also on merchandise. “This is a good moment to decide if they’re willing to use their talent and popularity to do something good, or to continue to support sweets and cookies,” said Bart Combée of the Alliance. Studio 100 is not deaf to the appeals. The company is reported by the Dutch supermarket chain AD to be considering how to “fine tune” its policy in the light of the evolution of views on nutrition. The Alliance also points out that other Studio 100 characters feature on food packaging, like Kabouter Plop. \ Alan Hope

sweet sweet musicoffsiDe

WeeK in briefInvestigators in Paris have identi-fied the man who blew himself up in an apartment in Paris on 18 November as Chakib Akrouh, 25, a Belgian national who lived in Brus-sels before leaving for Syria in early 2013. His DNA was found in a car used in the attacks in Paris on 13 November. Akrouh killed himself during a police raid several days later in which a woman thought to be his cousin also died.

Between 80 and 250 families in Flanders are evicted from their homes every week as a result of a ruling by a justice of the peace in a rent dispute, according to figures from the universities of Leuven and Antwerp. Nine in 10 of them involve people on low incomes who are unable to pay rent along with utilities, food and other essentials.

The Flemish Agency for Nature and Forestry (ANB) is to release 80 hamsters into the wild over the next three years, in an attempt to revive the severely reduced population, nature minister Joke Schauvliege has announced. The initial releases will take place in a 50-hectare area of suitable habi-tat near Tongeren in Limburg. Once the hamster population in Limburg and Flemish Brabant is re-established, the programme will turn to other provinces.

Islam researcher and academic Montasser Alde’emeh has been charged with forgery of a deradi-calisation affidavit he provided for a terrorism suspect, after some of the information in the document was alleged to be false. Alde’emeh was detained briefly by police last week. Shortly afterwards, the lawyer of the suspect, who had been on the point of departing for Syria, was also detained and charged with use of false docu-ments.

An app that connects parents and babysitters has attracted

4,000 potential sitters and 7,000 customers, barely two months after being launched, the owners said. AirBsit shows available babysitters, together with their rating by other users, and covers Brussels, Ghent, Antwerp and all of Wallonia.

The Gravensteen in Ghent, known in English as the Castle of the Counts, is to become a moated fortress once again this summer. Works on the embankment on the water side started in 1999 and required the construction of a dam to expose the area need-ing restoration. Those works are finally due to be completed this summer, when the dam can be taken away, allowing water to once more surround the castle. At the same time, the construc-tion site on the Geldmunt side will be cleared, and the former park recreated.

Brussels commune Molenbeek has launched a competition to find the Molenbekenaar of the Year, in a campaign designed to rehabilitate the commune’s image following the terrorist activity now associated with it in the inter-national media. Nominations can be submitted by mail to [email protected] by 20 Janu-ary for consideration by a jury. The winner will be announced at the end of the month.

Brussels Airport has introduced 18 new security gates to add to the six already in place. The gates are equipped with facial recognition equipment allow-ing them to check the identity of travellers automatically. The new doors will be able to handle more than 46,000 EU passengers from outside the Schengen area every day.

The Constitutional Court has struck down the automatic right of fathers to give their name to a newborn child in the event

that parents cannot agree on the surname. Since 2014, the law allows parents to give a baby the surname of the mother or father, or a combination of the two. If they cannot agree, the decision reverted to the pre-2014 situa-tion, where the father’s surname is automatically applied. The court agreed that this is discrimi-nation, and the law must change by the end of the year. The court declined, however, to offer an alternative in the event of a dispute.

A species of bee native to the south of Europe has been spot-ted in the Brussels area for the first time since 1967, the result of climate change, according to the bee and wasp study group Aculea. Male specimens of Hylaeus punc-tatus, the yellow-face bee, were seen in Laken and on the grounds of Tour & Taxis in Brussels. The bee has a distinctive yellow and white mask on its head, likes sandy ground with little ground cover and lays its eggs in the soil.

Police in Halle-Vilvoorde are investigating the death of a newborn boy found in a shoe-box at a bus stop in Sint-Gene-sius-Rode last week. Only a few days old, the baby showed no signs of violence and may already have been dead when it was aban-doned. Police have appealed for witnesses.

The European Commission has rejected a complaint by the City of Leuven against the Uplace shopping and leisure complex. The city claimed that mobility works in the Vilvoorde-Machelen area being carried out as part of the plans for the complex consti-tuted an illegal state aid. The Commission found that the works – including a new exit from the ring, works on the Woluwelaan, public transport access and cycle paths – were a general benefit to the whole area and not to Uplace alone.

© katrijn Van Giel / ImageDesk

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\ POlITICs

Back to their roots Two coalition parties, CD&V and Open VLD, have resched-uled their leadership elec-tions, but it was N-VA that took the limelight again last week, with one simple state-ment. The Flemish national-ists want to reopen the insti-tutional debate.Two reasons prompt the party to make the suggestion. Flem-ish nationalists are just that: The region’s independence has always been the party’s long term goal. N-VA has been demonised over the issue by the French-speaking parties as it would mean the end of Belgium as we know it.However, shortly before the 2014 elections, N-VA shifted its focus to economic reform. That is what would serve the Flemish best, the party stated. This also made it possible to find a French-speaking ally, prime minister Charles Michel’s MR, equally eager to ditch the socialists. An “insti-tutional peace” for the dura-tion of the government term sealed the new federal coali-tion of N-VA, CD&V, open VLD and MR. The peace, it turns out, was only a truce. The recent announcement came after complaints from a group of hard-line nationalist organi-sations. These are not always taken seriously, but it is where N-VA comes from.Another reason for the change of course has to do with N-VA’s political personnel. The move is an elegant way to relieve Hendrik Vuye of his duties as federal speaker, as he is appointed to translate N-VA’s “confederalism” into bills of law. Rather unexpectedly, the move created some commo-tion among N-VA’s parliamen-tary group, as more than one person sees themselves fit to succeed Vuye. It’s not yet clear if the new speaker will be Peter De Roover, believed to be the leadership’s candi-date of choice, if only because his roots, too, lie in the Flem-ish movement.Amongst French speakers N-VA’s announcement created even more unrest. Michel was somewhat embarrassed as he was not informed about his coalition partner’s move. At the start of his term, he said that he “had been wrong about N-VA”. The French speaking socialist opposition now says that he was not wrong at all, rather he “has been wronged by the nationalists”.CD&V party president Wouter Beke has vowed that “not everyone in Wetstraat needs to put on a gasmask every time the N-VA farts”. But this new strategy might set out to do more than briefly linger in the air. \ Anja Otte

5tH ColUmn Multinationals must repay millions to Belgium, says EUcommission orders Belgian state to recoup tax breaks it calls illegal

The federal government must recoup €700 million from 35 multinational companies that the companies saved

under a complicated system of tax advantages, the European Commission has ordered. The commission considers the system a form of illegal state aid. “Excess profit rulings” are intended to make Belgium more appealing to multinational corpo-rations. The government made such agreements with 60 multinationals, though the commis-sion’s objection relates to only 35, for a total of €700 million over the last decade. The system was scrapped early last year. The excess profits ruling was just one of a series of advantages offered to companies and investors

interested in setting up in Belgium. It allowed the Belgian part of a multinational to write off part of its taxable income as attributable to the exist-ence of the group – in the form of know-how, management expertise, co-operative purchase of materials or international reputation. The exact extent of the deduction allowed was determined

by agreement with tax authorities. “Belgium allowed a select group of multination-als significant tax advantages that are in breach of EU rules on state aid,” the Commission said. “This is a distortion of competition, since smaller companies that are not multinationals do not receive the same conditions.” Federal finance minister Johan Van Overveldt said that he will seek talks with EU competition commissioner Margrethe Vestager (pictured) and investigate a possible appeal against the order. “At the moment we are ruling nothing out,” his office said. He pointed out that the recovery of the illegally paid sums would be extremely complex and would be a blow to the companies concerned.

Flemish education minister Hilde Crevits is planning to take steps against the conservative Catho-lic secondary school Sint-Ignatius, which opened in Overijse last year. The school, located in the Male-izen convent, has strongly criti-cised the regular Catholic educa-tion network in Flanders, which is forbidden by education regula-tions.After being approved by the educa-tion inspectorate, Sint-Ignatius (pictured) was officially recognised by the government in Novem-ber. The school adhered to regula-tions such as the eindtermen –final requirements for students to grad-uate. Sint-Ignatius doesn’t receive subsidies because it has fewer than 83 students.The school has been the cause of some concern in the region, however, because it bases its reli-gion lessons on the Mechelse Catechism, which was published for the last time in 1954. Flan-ders’ Catholic education network and the archdiocese of Mechelen and Brussels – the most senior of Belgium’s Catholic hierarchy –

have now spoken out against the school’s curriculum, saying that it is dangerously outdated.The founders of Sint-Ignatius, on the other hand, have publicly denounced regular Catholic schools because they allow “athe-ists and Muslims to teach” and their teachers “encourage the use of contraception”.Crevits has arranged a second visit by education inspectors to Sint-Ignatius, and also asked the education department’s Manage-ment Commission to determine whether the school’s criticism of the Catholic education network constitutes an “attack”. A govern-ment circular explicitly forbids school managements to attack other education providers. \ Andy Furniere

Crevits takes steps against Overijse Catholic school

Female graduates have less chance than their male counterparts of being awarded a grant for doctoral research, according to Katia Segers, a member of the Flemish parliament for SP.A. Segers, who is also co-director of the Cemeso social research depart-ment at the Free University of Brussels (VUB), gathered 6,500 appli-cations for doctoral grant funding over the last 10 years. The results showed that male applicants had more than a 30% chance of being successful, while women had less than a 28% chance. “There are currently more female Master’s students than male,” said Segers, “and their scores are better, yet female students have less chance of being awarded a grant by the Fund for Scientific Research.” Grants ought to be awarded on the basis of performance and not gender, said Segers. She pointed to research by the Dutch Organisation for Scientific Research, which showed similar results: men are 3-4% more likely to be given a grant than women in the Netherlands. One problem, Segers said, is the number of women sitting in the committees that judge applications: one in three rather than half. That problem, in turn, is a result of bias. “To sit on such a committee you have to have a variety of publications and research to your name,” she said, “and that’s another area where there’s a problem.” Flemish labour minister Philippe Muyters has pledged to review the procedures of the committees, together with the Fund for Scientific Research. \ AH

Female researchers have less chance to get PhD grant

Flemish minister-president Geert Bourgeois has called for the Belgian constitution to be open for review by 2019, to allow a new phase of state reforms to take place. Bourgeois was speaking at the Flemish People’s Movement’s (VVB) New Year reception. Bourgeois (N-VA) said that the silence on community, or institutional, matters at the federal level that was agreed to when the new federal govern-ment was forming in 2014 did not mean his government was not executing Flemish policy. “The community truce does not prevent a party from think-ing about how to prepare for the future of Flanders,” he told

the audience. “It’s my opinion that the constitution should be open to review in 2019.” That is the date of the next federal and regional elections. Bourgeois also called on VVB and other non-party organisa-tions to give consideration to the steps required to achieve an “emancipated Flanders”. During the reception, the matter of increased autonomy of Catalo-nia and Scotland had come up, and Bourgeois called for inter-national recognition of new states. “The EU membership of former regions ought to be self-evident without having to go through the whole application proce-dure,” he said. \ AH

Minister-president calls for review of constitution

The governments of Flanders, Belgium and South Africa have signed an agreement to change the status of the partners of diplomats to allow them to take paid work in the country where they are posted. At present, that is not permitted under internationally recognised diplomatic rules. The agreement was signed in Pretoria by the Flemish general representa-tive Geraldine Reymenants, who looks after the interests of Flemish diplo-matic personnel in the South Africa, Belgian ambassador Hubert Coore-man and South African foreign affairs minister Maite Nkoana-Mashabane. “Agreements like these improve equal opportunities for men and women with a diplomatic career,” a spokesperson for the international depart-ment of the Flemish government said. “The days when the partner of a diplomat – usually a woman – had to put her own ambitions to one side and be satisfied with charity work and being a hostess at events are rele-gated to the past.” \ AH

Flanders and South Africa agree to better terms for diplomats

alan HopeMore articles by alan \ flanderstoday.eu

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A design for lifeart collector values purity of industrial site, now a trendy housing complex

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sion of its time. “You wouldn’t design this today,” he says. “The columns would be hollow and more slender, for example. Old walls are abstract frescos of time – only the passage of time can create them. It is so powerful and good for the spirit.”The Kanaal site includes about 15 buildings. While most date from the site’s various industrial peri-ods, new structures have also been added. Principal among these are the four Cubes.Designed by Bogdan & Van Broeck Architects from Brussels, every apartment has an “indoor terrace” with a window five to six metres high and four metres wide. From the outside it’s impossible to tell how many floors there are in the building, or where each apartment starts and ends. The cylindrical Silos were adapted by Ghent architect Stéphane Beel. Two of the eight have been cut off at the second floor and replaced with square sections enclosed by glass. As well as allowing light to enter each apartment, these spaces provide a conventional square room that’s central to the home. Smaller windows have been cut into the silos themselves to provide light and maximise the views from the highest buildings in the development.All the work has been carried out using high-quality materials, says Vervoordt. “We prefer to use mate-rials that age well and that will last. I don’t believe in today’s throwa-way mentality – that approach is completely unsustainable in the long term.”Every space in Kanaal has been defined using the “golden ratio”, a mathematical formula used since ancient times to calculate the proportions of good architecture and design. The result is that no

two apartments are identical. Even the smallest apartment in the complex has a feeling of generosity and personality that modern developments generally don’t replicate. Each apartment also includes an indoor garden to

maintain a connection with the green and watery environment that surrounds Kanaal. Attention has also been paid to

external spaces. Landscaping is being carried out by Michel Desvi-gne Paysagiste and will see green roofs and naturalistic planting soften the buildings’ hard forms. Footpaths will provide ground-level access as cars are limited to

the underground car park.Most buildings on the site are multi-purpose. The ground floor of each one is dedicated to commer-

cial activities or forms part of the Vervoordt Foundation. The first and second floors typically house office spaces, artist studios or one of Vervoordt’s antiques and design businesses. Apartments are on the upper levels to maximise the avail-able light and capture the views over the canal.In keeping with the village atmos-phere, a supermarket, bakery and wellness centre will open later this year. The supermarket will be a Cru, Colruyt’s new farmers’ market- style shop. Poilâne, one of France’s leading bakeries will open here by the summer. While the city says that the construction of Kanaal has caused difficulties for locals, city authori-ties are pleased to see the old build-ings reused. “This development

is much better than the factory that operated here,” says commu-nity secretary Emiel Sysmans, who praises the residential aspects of the development.Concerns remain over traffic on Stokerijstraat, which is used as a shortcut to Antwerp harbour during tailbacks on the E34, though, as Sysmans points out, this is not new. “We are confident that the Kanaal development won’t add to the problem,” he says. “We’re also working with the Flemish government to adapt the motor-way and decrease the amount of traffic entering the area.”Vervoordt believes that the project serves as a model for other disused industrial sites. “I firmly believe people will fight to live at Kanaal in the future,” he says.

\ COVer sTOry

kanaal.BE

When the foundation spaces are finished, it will be a spiritual experience

© jan liégeois

© Viktor Bentley

Axel Vervoordt was born in Wilrijk, Antwerp province, in 1947. Already at 14, he was beginning to acquire art and antiques that would later form the basis of his business.By the age of 22, Vervoordt (pictured) had been able to buy 16 Renaissance houses in central Antwerp. He set about renovating them, turning them into home furnishings and antiques businesses, exhibiting historic pieces alongside contemporary furniture. “Every piece of art was contemporary when it was created,” he says. “You need to appreciate the aura of an item and integrate it into the home. You need to use it and appreciate it for what it is.”This approach was revolutionary and quickly enhanced Vervoordt’s reputa-tion as a dealer. In 1972, he married May Schelkens, and the couple began to develop a range of fabrics and upholstery to complement the art and antiques side of the business. The offering has since evolved into the Home Collection, which includes both furniture and soft furnishings.Since 1982, Vervoordt has regularly exhibited at international art and antique fairs in Paris, New York and Venice. He has also published a number of books on art and antiques and is highly regarded as an expert in the field. In 2008, he and Schelkens established the Vervoordt Foundation, which looks after their extensive collection and carries out educational activities.Their two sons have also entered the business. Boris looks after the Axel Vervoordt Company, which includes the art, antiques and Home Collection businesses, while Dick is in charge of Vervoordt r/e, which is responsible for the group’s property ventures such as Kanaal.

WHo is axel VerVoorDt?

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European and international institutions are the largest employers in Brussels, accounting for 121,000 jobs, accord-ing to a report by the region’s tourism authority Visit Brussels. The Brussels-Capital Region is home to 20 European institutions, 42 intergov-ernmental organisations, 20,000 lobby-ists, almost 1,000 foreign journalists and 5,400 diplomats – the largest diplo-matic corps in the world, which includes missions to Belgium, the EU and Nato. The latter two organisations are the most prominent, but the list also includes offices of the United Nations, the Euro-pean Space Agency, the International Committee of the Red Cross, the Inter-national Labour Organisation and the World Bank, among others. Together, they employ 81,000 people directly and 40,000 indirectly – a total of 16.7% of all jobs in the region, bringing more than €5 billion to Brussels’ econ-omy. That makes Brussels the leading congress city in Europe and the second in the world. More language are spoken in Brus-sels than any other city but London, said Visit Brussels. The capital is third

for regional GDP, sixth for infrastruc-ture, seventh for financial networks and eighth most business-friendly. “This economic and cultural wealth is unique to our region, and is something we should be proud of,” said minister-president Rudi Vervoort. \ AH

International organisations provide 121,000 jobs in Brussels

\ BusIness

Banking DexiaThe ailing Belgo-French financial institution special-ised in loans to local author-ities is selling its prestigious headquarters in Paris as part of its drastic cost cutting. The company is still burdened by some €238 billion of liabili-ties following its 2011 rescue by governments of both countries.

Biscuits lotusThe producer of cookies and pastries, based in Lembeke, East Flanders, has taken over Britain’s Urban Fresh Food company specialised in fruit-filled biscuits sold under the Bear and Urban Fruit brands. The move follows Lotus’ acquisition of Britain’s Nakd healthy snacks brand.

Brewing aBInBevThe world’s largest beer group, headquartered in Leuven, is issuing $46 billion in bonds to finance its $110 billion acquisition of the London-based SAB Miller. Meanwhile, the Japanese Asahi Brewery has expressed interest in taking over SAB Miller brands Peroni and Grolsch, which ABInBev may consider selling to alleviate competition concerns.

Car Parts CarglassThe windshield replace-ment affiliate of the Brus-sels-based D’Ieteren group is to spin off its Brazilian affil-iate to create a partnership with the local Advisia Inves-timentos. The move follows disappointing results on the Brazilian market as a result of the poor economic envi-ronment.

Cinemas kinepolisThe Ghent-based cinema chain has taken over the 14-screen Rouen complex in Normandy from the French UCG group. The facility had 400,000 visitors in 2015 and will be Kinepolis’ 10th oper-ation in France.

Feed evonikThe Antwerp-based affili-ate of the German chemical group is building a produc-tion unit specialised in feed for shrimp and lobsters. The company has extensive oper-ations in the Port of Antwerp area with some 10 units in the fields of nutrition, mate-rials and infrastructure.

retail uniqloThe Japanese fashion brand is opening a second store in the Wijnegem shopping centre in April. The first outlet on Antwerp’s Meir has been a runaway success.

WeeK in bUsiness EU investigates state aid to

Antwerp port businessesinquiry to consider whether arrangement counts as unfair advantage

The European Commission has begun an investigation into possibly illegal state aid to two of the port of Antwerp’s major

businesses: container terminal operators PSA Antwerp and Antwerp Gateway. The complaint was lodged by a third business, logistics company Katoen Natie. The two companies were granted the conces-sion for container handling at the Deur-ganck dock in 2004, under an agreement that included a penalty clause imposing a fine if too few containers were handled in any given year. That was the case in the years between 2009 and 2012, yet no penalties were levied. In 2013, the agreement was made more flex-ible, with retroactive force. The Port Author-

ity lowered the minimum container volume so that the fines due were reduced by millions of euros. Katoen Natie filed a complaint. The commission’s investigation will look into

whether the Port Authority granted an unfair competitive advantage to PSA and Antwerp Gateway (pictured), in which case the action could be seen as illegal state aid to industry. According to Katoen Natie CEO Fernand Huts, the start of an investigation is only logical, as the practice of ignoring the original container minimum continues, with uncollected fines now approaching €100 million. The Port Authority is announcing record figures for container traffic, Huts said, at the same time as it cancels fines blamed on the slow econ-omy. Katoen Natie has also been offered a reduc-tion in its fines, he said, but he has insisted on paying the full amount.

alan HopeMore articles by alan \ flanderstoday.eu

The Brussels-Capital Region has room for one new major shopping centre but not two, according to minister-president Rudi Vervoort. “I don’t think Neo and Uplace can exist side by side,” he said. “There is only room in the market for one project of that size, and, in my opinion, it will be Neo.” Neo is the project backed by Brussels-City, planned for the Heizel plateau and consist-ing of shops, a congress centre and hous-ing. Uplace is a private project in Machelen, just outside Brussels, featuring shops, a hotel and entertainment complex. A third project, Docks Bruxsel, at the Van Praet bridge on the border of Schaarbeek and Laken, is also under construction. Vervoort considers Docks Bruxsel to be in another category. “Docks is not only smaller,

it’s offering something different,” he said. “In Brussels, major brands not found elsewhere in Belgium will only be found at Neo.” Docks is aimed more at city residents, he said, while Neo and Uplace, both situated on the ring road, will attract a large part of their clientele from outside Brussels.

Uplace has borne the brunt of the criticism, including legal challenges based on the effect of the complex on the environment, on mobil-ity around the capital and on town centres from Vilvoorde to Leuven. Neo, which is chaired by former Brussels mayor (and Vervoort’s party colleague) Freddie Thielemans, has escaped similar criticism, although last month the Council of State expressed concern about amendments made to the regional plan for the project. It, too, contains too few guarantees for mobility and environment, the Council said. Vervoort said he expected that the two projects will strike a deal under which only one will remain. Flemish minister-president Geert Bourgeois, whose government has approved the Uplace plans, did not react to Vervoort’s comments. \ AH

Either Uplace or Neo but not both, says Rudi Vervoort

Antwerp port authority CEO Eddy Bruyninckx has called for the ports of Antwerp and Rotterdam to join forces in creating a “critical mass” of harbour facilities to serve central and eastern Europe. That would better position them, Bruyninckx told the Dutch Financieele Dagblad, to compete with the growing power of ports in the south of Europe, such as in Greece, Turkey and Romania. China is eyeing these smaller ports as a southern entry to Europe, which could mean savings worth billions in reduced transport costs and time. Rotterdam’s port authority, however, responded nega-tively to the appeal. “You don’t co-operate just for the sake of co-operation,” spokesperson Sjaak Poppe told De Volks- krant. “Bruyninckx has not presented a concrete plan.”Rotterdam agrees with Bruyninckx’s analysis that future growth lies in Slovenia, Slovakia and Hungary but sees no need to increase its joint operations with Antwerp. The two ports currently work together in the field of petrochemi-cals. According to one expert cited by the paper, Rob Zuidwijk, lecturer at the Rotterdam School of Business, co-operation makes sense for chemicals and steel, but not for container traffic. “You have to weigh the operational advantages against the strategic competition,” he said.Rotterdam would do better, he said, to seek what advan-tages it can in working with competitors in the south. “If you can’t beat them, join them,” he said. \ AH

Bruyninckx calls for closer co-operation with port of Rotterdam

© Courtesy port of antwerp

© architectural impression of neo

© koen Broos/Visit Flanders

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Antwerp’s Duurzame Stad (Sustainable City) initiative aims to create the most

appealing environment possible for residents and visitors and to demonstrate that cities offer a positive and long-term future. But it’s not just environmental issues that are being addressed. The funding initiative also recognises projects that can reduce waste and provide local employment.During the most recent round of funding, two new fashion projects each received €20,000 grants. The money will allow them to test their ideas in real life. Both initiatives are likely to further Antwerp’s reputa-tion as a centre for fashion innova-tion.Founded by Emelie Vervecken and Veerle Spaepen, Les Rebelles d’Anvers (The Antwerp Rebels) is working to create a “clothing library” where you can rent contemporary fashion at democratic prices. “We want to see if Belgian consumers are ready for this,” says Vervecken. To find that out, the women are opening a pop-up shop that will run from April to June. Although they considered establishing an online presence, they wanted to test out the idea in a real shop first. “It will enable us to get feedback directly from customers so we can get our pricing model correct and find out what types of clothing are in demand,” Vervecken explains. The shop will rent out clothing by both established and emerging designers. According to Vervecken, the concept holds particular appeal for new designers. “It gives them access to consumers and allows them to get the feedback they need to develop, without the need to create a full collection,” she says. “And because we’re not tied to the seasons, established labels can use our outlet to generate income from stock that would otherwise sit in a warehouse.”Vervecken and Spaepen intend to stock clothing for both men and women, with a focus on daily wear. They are considering different payment options – from a monthly subscription that would enable

customers to borrow as many clothes as they want to a fee that would let them rent a maximum of 10 items within a fixed period. “Once items have been rented a few times, we will sell them through the store,” Vervecken adds. “We will do this every month; that will provide additional revenue for the design-ers.”

The pair are in talks with a number of designers and labels as well as shop owners in Antwerp. Although the concept of a fashion library has been tried before, they’re confident it will be a success. “As they say, everything has been done before – but not by us. Maybe we can do it better!” Vervecken says.By contrast, Maakbaar, the other Duurzame Stad recipient, is work-ing with The Post-Couture Collec-

tive to create a library of digital designs that can be tailored to each customer. The designs will be shared via a website and produced in a local “maker-space” such as Maakbaar. “Each piece is made only when some-one orders it,” says Dutch designer Martijn van Strien, who started the project. “There is no need for unnec-essary stock, and everything is made

to fit. That prevents unworn clothes ending up in the trash. An additional advantage of local production is that it creates new manufacturing jobs in the city.”The project was born out of van Strien’s belief that the fashion indus-try is an industry of excess. “There is widespread overconsumption, and a massive amount of generic prod-uct is being sold,” he explains. “For me, the word ‘fashion’ stands for

most of the irrational and amoral aspects of the garment industry: excessive runway shows, bloggers, perfumes, the need to bring in all this marketing just to sell more of a product nobody really needs.”He is quick to point out, however, that he has nothing against beau-tiful clothes or looking good. “As long as we enjoy it consciously and without damaging people and the environment. But in order to have a positive influence on the choices consumers make, you have to offer them an alternative that is both more attractive and ‘better’ than the existing model.”Van Strien has approached a number of recent graduates of the Royal Academy’s fashion department and asked each of them to create a look for the collection. “I’ve asked them to create a piece of wearable cloth-ing in their own style,” he says.In an earlier project, ONE | OFF, van Strien created a similar collec-tion using fabric made from recy-cled plastic bottles. “This time we will take the designers to the Paris Fabric Fair to find the materials. Our focus will be on using sustain-able fabrics.”

Fashion forwardantwerp clothing projects rewarded for sustainable focus

A team made up of researchers from Hasselt University (UHasselt) and the East Limburg Hospital in Genk has developed a method to detect lung cancer via blood samples. The innovation was part of Evelyne Louis’ PhD research.Lung cancer is the deadliest cancer in Belgium, but early detection increases the chances of survival significantly. Currently, diagnoses are made via computed tomography (CT) scans, but this method can deliver incorrect results.Louis searched for a more reliable screening method, focusing on cell metabolism. “Cancer cells want to grow quickly, so their metab-olism is interrupted,” said Louis, “which is

different from normal cells.” Louis investigated the possibility of track-ing down that disrupted metabolism process through metabolites – molecules that are intermediates or products created through the metabolism process – in the blood’s plasma. “We could detect lung cancer in patients through an analysis of a simple blood sample,” said Louis.The new method would make it possible to get a reliable analysis much more quickly and cheaply than is currently the case. However, the results still have to be validated; a large-scale study has been launched. \ Andy Furniere

Limburg researchers detect lung cancer with blood test

VIB and Ilvo join forcesFlemish life sciences research institute VIB and the Insti-tute for Agriculture and Fish-eries Research (Ilvo) have signed a collaboration agree-ment. The combination should help the two organisations to translate scientific discover-ies more rapidly into tangible value for farmers, society and the environment. The alliance will accelerate breakthroughs in agriculture and the agri-food chain, the organisations said. VIB will be responsible for basic research, and Ilvo will use applied research and field work to study results in greater depth. They will work together on projects such as climate-resilient crops, exam-ining which soil organisms are beneficial to agricultural crops and detecting allergenic food components.

Flemish companies to save energy through new network

Industry federation i-Cleantech Flanders has launched the new Vleen network. Vleen stands for Vlaamse Lerende Energie-Efficiënte Netwerken, or Flem-ish Learning Energy-Efficient Networks. It brings together nine Flemish companies from a variety of sectors – includ-ing Conwed Plastics, Farm Frites and Moderna Printing – to collaborate on energy effi-ciency. “The idea is that compa-nies in the network exam-ine activities where too much energy is currently lost and learn from each other’s expe-riences,” explained i-Cleantech Flanders’ general director Bart Vercoutere. The concept origi-nated in Germany, where more than 260 companies collabo-rate in more than 50 networks. Together, the companies saved 2% to 3% of their energy costs annually.

researchers find remedy for IBs pain

University of Leuven research-ers have discovered the cause of abdominal pain in people with irritable bowel syndrome (IBS). IBS is thought to affect 15% of the population and is characterised by pain, bloating and either diarrhoea, consti-pation or both alternating. Doctors have known for some time that the bowels of IBS patients contain high levels of histamine, a compound involved in inflammation. The Leuven team found that the histamine has an effect on pain receptors in the gut, over-stimulating them. Based on that finding, the team turned to ebastine, which blocks the effect of histamine on pain receptors. \ AF

WeeK in innoVation

\ InnOVaTIOn

lEsrEBEllEsdanvErs.BE

© Ingimage

dan smithMore articles by Dan \ flanderstoday.eu maakBaar.BE

© Courtesy abstrakt

les rebelles d’anvers founders Veerle spaepen (left) and emelie Vervecken want to create a “clothing library” that rents out contemporary fashion

There is widespread overconsumption, and a massive amount of generic product is being sold

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Finding the connectionscollaborative schools project aims to tackle risks of radicalisation

Children don’t drink enough waterThree-quarters of primary school children in Belgium drink too little water and 92% don’t like using the toilets at school, according to a study by Ghent Univer-sity (UGent) commissioned by water producer Spa. From September to November 2014, UGent scientists examined pupils’ hydration levels and the schools’ drink policies. The study was based on urine samples collected at the start of the school day and after each visit to the toilet. The researchers found that 75% of the children were insuffi-ciently hydrated when arriving at school and 53% remained insufficiently hydrated during the day. Hydration levels were higher in schools that provided water during sports activities or at lunch.

uGent awards first DiverGent prize Ghent University (UGent) and the City of Ghent have awarded the first annual DiverGent prize, which rewards the best thesis focusing on diver-sity and gender. The winner was UGent sociology student Christof Bex, who exam-ined why a disproportionate number of unaccompanied foreign minors – meaning they arrived in Flanders with-out a parent or guardian – end up in professional educa-tion or drop out of school altogether. “Study choices at the start of secondary educa-tion are influenced by teach-ers and guardians but also by a lack of Dutch language skills, financial means, experi-ences going to school and resi-dence papers,” said Bex. “The support of guardians, teach-ers and volunteers was essen-tial for their progress.”

Fewer students bullied at schoolThe number of students being bullied at schools in Flan-ders has decreased signifi-cantly over the last four years, according to a study by Ghent University (UGent) carried out at the request of the World Health Organisation. While in 2010, nearly 25% of Flemish students were bullied at least once in a two-month period, this was only the case for 19% in 2014. The researchers surveyed nearly 9,600 students ranging from the fifth year of primary school to the final year of secondary school. The decrease is the result of campaigns to raise more awareness around the issue, according to Gie Deboutte of Antwerp University’s commu-nications science depart-ment. \ Andy Furniere

WeeK in eDUCation

\ eDuCaTIOn

Radicalisation was definitely one of the words of 2015. And though a new project called

Connect is officially aimed at severe behavioural problems in general, the subsidy it’s just received wouldn’t have been granted if radicalisation and terrorism hadn’t been in the spotlight.Connect will be run by Arktos, a Flemish training centre for young-sters, and has received €100,000 from the education ministry to support its work. “The goal of this project is to help schools cope with students who are clearly exhibit-ing risky behaviour,” explains Ellen Goovaerts of Arktos. To maximise their success, she says, “we will take both a curative and a preventive approach. In the first case, we can offer help to the school’s management, its student guidance centre or to its teach-ers to deal with individual cases. For the latter, we can offer flexible and made-to-measure advice to strengthen the school’s culture.”Any Dutch-speaking school – in Flanders and in the Brussels-Capi-tal Region – can apply for support. Requests will be considered on a case-by-case basis according to its gravity and urgency. Goovaerts: “We are still finalising the application procedure with the Flemish govern-ment, but I expect that once we get started, we’ll have to make a tough selection.”Deradicalisation has only emerged on the political agenda since the terrorist actions in Paris last year – both the attack on Charlie Hebdo in January and the deadly raids on 13 November. The government of Flan-ders set up an action plan against radicalisation last spring. One of the most notable actions was the Tegendiscours, or coun-ter-discourse, collaboration. A

network of volunteer imams and Islamic teachers discuss the peace-ful and tolerant teachings of Islam in schools.How experienced are the people of Arktos in dealing with radicalised youngsters? “There’s no magic solu-tion to fight radicalisation,” admits Goovaerts. “We see violent radicali-sation as a severe behavioural prob-lem, and in this area, we have years of experience.”One of the keywords in Arktos’ approach to dealing with young-sters with problematic behaviour

is “connection”. “That’s also why we work with customised approaches. The extent of ‘connectivity’ within a school environment is often very unique.”When students feel connected to their classmates, their teachers and even the head, they become much more resilient and able to cope with negative influences from outside the school environment. “Sometimes a student needs indi-vidual coaching to make them more resilient,” says Goovaerts. “Sometimes a better approach is

to work on the level of the entire class, through which we can incor-porate the relationship with the teachers. Important objectives we focus on here are safety, collabora-tion, communication and an overall positive atmosphere.”Just as there’s no magic bullet, there’s also no teacher’s manual for identifying students who are at risk of radicalisation. “This is a very subjective thing,” says Goovaerts. “But I think the teachers are in the best place to judge whether one of their students needs extra attention or not.”Arktos also focuses on the role of parents. “Close involvement with what their children are doing is a very good shield against radical influences,” she says. “So it’s impor-tant that parents are told quickly when their son or daughter shows risky behaviour at school.”Flemish education minister Hilde Crevits believes that Arktos is the ideal partner for this job. The organ-isation “has built up huge expertise in reinforcing youngsters’ resilience against radical influences,” she says. “The target group of Connect is Flemish schools with a high concentration of youngsters show-ing extremely risky behaviour. I’m convinced that these youngsters and the whole school can benefit from Arktos’ high-grade support and guidance.”Crevits also thinks that educa-tion is one of the most important tools in the fight against radicali-sation. “Education has an impor-tant preventive mission,” she insists. “Children and youngsters learn how to deal with diversity in the class-room and in the playground. Recog-nising the other with respect, devel-oping an identity and generating tolerance are issues that take defi-nite shape in a school environment.”

Why can’t police and experts agree on whether Brussels has gangs?A definition has never been devel-oped for what exactly constitutes an urban gang. In Brussels, to a large extent, this depends on the perception of the police, and what we see is that the police’s regis-tration method contributes to an overestimation of the problem.There are gangs in Brussels, but it’s a very complex phenomenon, so we actually call it a “gang phenom-enon”, and young people partici-pate in it in a very fluid manner. The majority of the time, gang members don’t do anything exceptional for their age; it’s only at very precise

moments that they act differently.

What characterises this phenomenon?Fiction. They construe an image, build up a certain reputation – but that reputation is only partially true. They insinuate a lot, and a lot of what we would call the excessive violence is just a very small part of the violence these young people commit. It’s a type of violence that springs from maintaining that myth – the part fiction, part truth-fulness of a gang. So, for instance, when someone says their group is not a real gang, they respond with violence to make it clear that they are.

I don’t see anything that looks like gang activity when I go to the Matongé quarterTo be honest, the majority of these young people in general wouldn’t

hurt a fly. It’s important to under-stand that there’s a measure of crime there, but that crime has little to do with the gang phenom-enon. It’s crime they would have also committed if they weren’t in a gang. Take for instance the overwhelming majority of the marijuana business: many young people participate in it to cover their cost of living. There are very few types of crimes that are related to the gang phenomenon. What I found most disturbing about the movie Black was that it pretended that the most extreme thing to ever have happened in these black African groups is everyday business. So it’s partially true, but the scope it appears to take in the film is simply the prod-uct of imagination. \ Interview by Linda A Thompson

Q&aUniversity of Leuven researcher Elke Van Hellemont recently completed a PhD study on gangs in Brussels – a topic that’s been in the news, following the release of the gritty smash hit film Black

senne starckxMore articles by senne \ flanderstoday.eu arktos.BE

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\ lIVInG

Young tastemakersHenry van de velde awards fete upstart studio with eclectic interests

Flanders’ annual Henry van de Velde Awards & Labels honour homegrown design

talent. This year, the Young Talent Award went to Made, an Antwerp studio founded by college friends Simon de Smet and Timothy Macken.

How does it feel to get Flanders’ most prestigious design award?Simon de Smet: Winning an award was never the objective, of course, but it’s nice to get a pat on the back. I must say we were surprised to be labelled a ‘young talent’ consider-ing we started our company nine years ago. I guess we flew under the radar for some time, and now that we’ve become more visible, people are like: ‘Who are these guys?’

So, who are you guys?Made is a design and innovation studio that focuses on products, including digital products, and services. With every project, we try to see things from an end user’s perspective. That way, we guide our clients towards practical solutions. For example, one of our clients is Barco, a global leader in media displays and visualisations. Their know-how is so technical that they sometimes miss low-hanging fruit. We pick that fruit for them.

Your list of clients stretches far

and wide. Is it an advantage to work in so many different sectors?As a company, it is actually some-times a disadvantage. We start from scratch whenever we take on a new project. But on a personal level, it is a huge advantage, and we try to take the experience we gain in each new sphere with us as we go.

What makes Made unique?In the last couple of years, we have developed a methodology that places us at the intersec-tion of market research and prod-uct development. In Belgium, that combination is quite unique.

Is it a sign of the times that a company like Made, which offers a variety of tailored services

instead of just one product, won this award?It’s just the way we evolved as a design studio. In Flanders, there are still a lot of companies that specialise in one thing. We wanted to taste everything before we decided and, in the end, we didn’t feel like making a choice at all.

Be Burger, housed in Zaventem’s Stockmans-molen, boasts beef of “culinary delicacy” and a menu created by a “chef renowned in the world of gastronomy”. Except for the Wagyu, which goes for a whop-ping €17.50, Scottish Black Angus dominates on the airport-themed menu. I order what seems the most basic burger, the “BRUSSELS (BRU)”: bacon, beer-onion confit, gherkins, iceberg lettuce, “cheese” (the server says it’s cheddar), mustard, “sauce” (the server isn’t sure).A beeper tells me to come and get it. The paper enveloping the burger encourages patrons to do the right thing, but on the way back to my table I witness several desecrations by fork and knife. Local dining habits aside, such sacrilege might be forced by inundation: when chefs apply more than one sauce, tsunamis ensue, drowning the meat and turning the bun into an unseizable mush.

I peek under the envelope. Whole corn flakes – the breakfast cereal kind – crust my bun. Still, I keep an open mind. I take the burger in hand for Test One: it handles well, can be turned over and back without losing its innards. After two bites, bottom bun integrity is compromised: what should be a firm bed is a soggy mattress torn asunder. Mustard, “sauce”, melted cheddar – none of

which I can discern – become a concoction worthy of squirting into a durum. I can’t taste the meat. Normally, the grind should be thick and the patty loosely gathered to make it chewy. This grind is too fine or was overworked: either can produce a glutinous mass that disintegrates in the mouth like overcooked liver.The burger itself isn’t that bad, but it’s a broken heap. I chomp on it, and the patty squirts free and lands with a thud on the pulpy envelope. I try to reassemble, but it’s a mess. And I’m a mess. And my plate is hidden beneath crumpled napkins.Be Burger, listen up! The fundamentals: the burger is a sandwich; the meat juices are the most important sauce; and bun integrity must be maintained from first bite to last – that is what the bun is for. And from the burger, only flavour – the meat above all – should burst. Boast about your beef when you can keep it in your bun. \ Lee Gillette

bitewhere’s the beef? Be Burger disappoints

Holiday FairNow that the holidays are over, it’s time to start plan-ning your next vacation. Trips to suit every taste, from adventure to luxury travel. Free dive initiations, exclusive deals, ladies’ day and more. 21-25 January, Antwerp Expo, Anton Rijswi-jcklaan 191, Antwerp, €7

\ vakantiesalon-vlaan-deren.com

winter evening’s walkA guided walk through Oud-Rekem, winner of “the prettiest village in Flanders”, through cobble-stone streets lit by candles and lanterns. The route includes the main points of interest, plus a storyteller and a drink afterwards. Reservations required via the website. 22 & 29 January, 5 & 12 February, 20.00, Rekem tourist office, Kanaalstraat 11 (Limburg), €2\ visitlanaken.be/winteravonden

spring-sprong FestivalTwo days of indoor fun for kids. More than 1,000 square metres of bouncy castles and other games, like an obstacle course, ball pit, giant slides and more. 23-24 January 10.00-13.00 and 14.00-15.00, Sporthal Iham, Bautersemstraat 57, Mechelen, €5

\ moedigenvrij.be

little red riding HoodA traditional English pantomime based on the beloved fairy tale, with comedy, music, song and dance (in English). Reser-vations recommended on 03 202 46 46. 23-25 January, Arenbergschouwburg, Aren-bergstraat 28, Antwerp, €8-€16

\ batsantwerp.be

winter walk and swallow spectacleAn experienced bird-watcher leads this 5km winter hike around Nieu-wdonk Lake, ending with the nightly return of thou-sands of seagulls to their nesting place. Wear hiking shoes and bring your own binoculars. 24 January 14.30, entrance to Nieuwdonk Lake, Nieuwdonk, Overmere (East Flanders), free

\ natuurpuntscheldeland.be

lego Building DayParadise for Lego lovers: more than 20,000 blocks in one place and other Lego enthusiasts to play with. Duplo blocks for the little ones. 24 January 13.30-18.00, parish centre, Dorp 22, Naza-reth (East Flanders), €1

\ kwb.be/nazareth-eke

WeeK in aCtiVities

BElgianBurgEr.BE

© Be Burger

catherine kostersMore articles by Catherine \ flanderstoday.eu

• The awards were named after Henry van de Velde (1863-1957), one of the founders of Art Nouveau in Belgium, and have been awarded by Design Flanders since 1994• Paul Verhaert received this year’s Career Award for his life-time achievement steering

Verhaert Company, which creates products and services for other businesses, ranging from furni-ture manufacturing to space technology• The Company Award went to the Leuven-based Materialise, a pioneer in “rapid prototyping” in the Benelux and now the biggest

3-D printing factory in Europe• The public prize went to Daily-Needs, modular chicken coops and gardens for urban farming• The Ovam Ecodesign Awards went to stroller rental service Buggybooker and Rubbish 2.0, which makes wood floors out of reclaimed materials

• While the awards honour people and companies, the Henry van de Velde Labels spotlight prod-ucts. Sometimes, there is over-lap. Made, for example, helped develop two products that also received a Label: a digital inter-preter station for Televic and Bringme, a “smart” mailbox.

tHe Henry WHat?

a mock-up of the smart mailbox system by Made

HavEitmadE.BE dEsignvlaandErEn.BE

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My name isn’t “hey sexy”new book by flemish journalist reveals undercurrent of sexism in contemporary society

With the attacks on women in Cologne on New Year’s Eve, sexism

has been in the headlines more than usual of late. Although the scale of that incident shocked the world, the problem isn’t new.Last year, Yasmine Schillebeeckx posted a piece on her blog titled Mijn naam is niet “hey sexy” (My Name Isn’t “Hey Sexy”). The 24-year-old described how tired she was of being catcalled and harassed on the streets. When Flemish daily De Morgen subse-quently ran the post as an op-ed, it racked up thousands of views and shares.By and large, women applauded Schillebeeckx for taking a stand, but several men, most notably veteran columnist Marc Didden, said she was overreacting. In response, a handful women, including Schillebeeckx, created the website wijoverdrijvenniet.org (We Are Not Exaggerating), where they invited other women to share their experiences of street and sexual harassment. Not long after that, former Limburg governor Steve Stevaert was accused of rape. When it was revealed that the victim pressed charges after keeping quiet for three years, VUB dean Willem Elias loudly questioned her credi-bility on Facebook. (He would later resign from that role following the firestorm that erupted over his comments.)In the wake of these events, Flemish journalist Cathérine Ongenae, who has long written about women’s issues, got a call from publisher Harold Polis: They wanted her to write a book about sexism today.Ongenae leapt at the opportu-nity. “Inke Hutse at Charlie Maga-zine also wrote a piece about her experiences, and more than 150 women responded to it,” Ongenae

says. “She created an interesting dialogue by talking about issues that women deal with every day but that are basically taboo to discuss. If you object, you’re either a nag, or you can’t take a joke. Soci-ety just doesn’t want to address

these matters.” In the weeks that followed the publication of Hutse’s essay, more women started talking about their experiences of sexual harassment and, in the process, put a face to the problem.

Ongenae’s new book, #seksisme: Nee we overdrijven niet, takes a broader view. “The website Wij overdrijven niet is mostly about sexual intimidation, but I wanted to do something about sexism in general as that’s more subtly present in our society.” She went in search of women already working to raise awareness around women’s issues. “I looked for pieces from different types of women, women who could each write about a distinct aspect, whether it was professional sexism or about their private lives.” Women are often not even aware

of the effects of sexism, she says, “but when you start to ques-tion everyday situations, like how you’re the one staying home with your child, you get so much feed-back – because you’ve touched on something that is so fundamental in our society but also so funda-mentally unfair.” #seksisme features a wide array of women talking about their expe-riences, from traditional gender roles to unattainable beauty stand-ards to blaming the victim. Across the book’s 10 chapters, the writ-ers prove that sexism goes much further than the wage gap, work-floor discrimination or even sexual intimidation. Despite the strides women have made in many areas, Ongenae says that misogyny is an ongo-ing battle. “Many men at the VRT editorial office where I sometimes work said that they wouldn’t read my book because there were no male contributors, which actu-

ally proves my point,” she says. “If something is considered inferior because it’s all-female, we defi-nitely need this book.”Though Ongenae acknowledges that men can also be victims of sexist attitudes, she says that this book was meant to focus on women’s experiences. “They are the core group when it comes to sexism,” she says. “My intention was to inform women of what happens on a daily basis, including to them, and I wanted to tell them that they aren’t to blame.”According to a recent Ghent University study, there are fewer

women working in media today than five years ago. The lack of female CEOs is also baffling, given that women today graduate from universities at higher rates than men. “No-one knows what happens, but men eventually gain the upper hand,” she says. “Because there are fewer women than men in the workplace, they feel they have to compete more, so there’s little soli-darity.” Women, in Ongenae’s view, also police other women. “What’s expected of us as women is actu-ally forced upon us by women – from how to be a good mother to female circumcision. If you real-ise what’s going on after reading this book, you will hopefully share this with your own children so that they can be aware of society’s pitfalls.”

#seksisme is published in Dutch by Uitgeverij Polis

Flanders Today has launched an e-book with ideas for how to spend a year’s worth of week-ends. Visit our website to get your free copy of 50 Weekends in Flanders. We’ll also print one of our suggestions every week here, too.

Brussels can be a difficult city to love, espe-cially in the wake of the last few months of terrorism news. But take a weekend to wander around, and you will stumble across some of the places that make the capital special, like the small art galleries, forgotten squares and hidden shops.

\ visitbrussels.be

VISIT BELVUE MUSEUMThis former hotel is an excellent place to get a grip on Belgium. It has a fascinating collection of relics related to the royal family,

including the corduroy jacket King Albert I was wearing when he fell to his death while climbing in the Ardennes. You can also visit the foundations of a vanished palace and eat a healthy lunch in a private courtyard under ancient trees.

\ belvue.be

SHOP AT PEINTURE FRAICHEThis beautiful art bookshop sits in the shadow of an old baroque church. The shelves are lined with gorgeous books on art, architecture and fashion, many of them in English. Students come here from the city’s art and design schools to pick up textbooks at reduced prices. The shop also stocks inter-national art magazines that are hard to find anywhere else.

\ peinture-fraiche.be

EAT AT DE NOORDZEEBang in the heart of the food district, De Noord-zee fish shop (pictured) serves up fresh seafood at a long counter on the pavement. The order is cooked up on the spot. You can stop off for a plate of calamars à la plancha or a simple bowl of Véronique’s fish soup, washed down with a glass of Chilean white wine.

\ vishandelnoordzee.be

DRINK AT MONKA group of locals rescued this handsome old bar after it went bust in 2012. They have kept the wood panelling, mirrors and piano dating from 1894, while the back room has been turned into a restaurant serving generous help-ings of spaghetti bolognaise. The beer list has some interesting bottles, and the Sunday after-noon dance sessions are a big hit with hipsters.

\ monk.be

STAY AT SWEET BRUSSELSBook a room in this stunning 19th-century town house on a tree-lined avenue in the heart of the city. The bedrooms have high ceilings, big windows and old-fashioned bathtubs. The neighbourhood, once neglected, is starting to look Parisian. \ Derek Blyth

\ sweetbrussels.be

50 weekends in Flanders: City tripping in Brussels

© Courtesy noordzee

tinyurl.com/50wEEkEnds

rebecca BenootMore articles by rebecca \ flanderstoday.eu

I wanted to show women that they aren’t to blame

© koen Broos

not exagerating: Cathérine Ongenae

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The autumn issue ofThe Bulletin Newcomeris your guide tomaking the most oflife in Belgium. It mixespractical informationwith features on thenew cultural season,accessibility for peoplewith reduced mobility,parenting, finance andlifestyle topics.

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Plus our new HealthGuide – 25 pages ofinterviews, articles andessential addresses, inresponse to the massivedemand by Belgium’sinternational communityfor information on thecountry’s medical sector.

The autumn issue ofThe Bulletin Newcomeris your guide tomaking the most oflife in Belgium. It mixespractical informationwith features on thenew cultural season,accessibility for peoplewith reduced mobility,parenting, finance andlifestyle topics.

Pick up your copy at newsstands or at www.thebulletin.be

DEPOT BRUXELLES X

AUTUMN 2015€4,95

NewcomerTHE DEFINITIVE GUIDE TO SETTLING IN BELGIUM

PLUS HEALTH GUIDE: INTERVIEWS, ADVICE & ESSENTIAL ADDRESSES

Curtain up on the new arts seasonHow handicap-friendly is Belgium?The challenges of parenting abroadYour hands-on guide to expat life

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Your guide to life in BelgiumPlus our new HealthGuide – 25 pages ofinterviews, articles andessential addresses, inresponse to the massivedemand by Belgium’sinternational communityfor information on thecountry’s medical sector.

* Subject to approval of your application. More info via bnpparibasfortis.be/expatinbelgiumPublisher: A. Moenaert, BNP Paribas Fortis SA/NV, Montagne du Parc/Warandeberg 3, 1000 Brussels, RPM Brussels, TVA BE 0403.199.702, FSMA n° 25,879 A

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Dance of a new eratheatre group close crisis trilogy with a sense of hope and a bit of advice

Nieuwstedelijk’s follow-up to Greed and Angst looks for the positive following years of economic and political crisis, with the art frequently imitating life.

It took a while for theatre director Stijn Devillé to find the hope he was looking for as the

closing chapter of his crisis trilogy. Hebzucht (Greed) from 2012 and Angst (Fear) from 2014 showed the depressing state of our economic and political system, and the news hasn’t been getting any better. But we’ve just arrived, says Devillé, in a far more fundamental era of change. “The fact it took a lot of sweat to find out where the hope was hiding is one of the reasons Hoop (Hope) is set in 2018,” he explains. “I just presumed the world wasn’t ready for this yet.” But eventually, time turned out to be on the side of his Nieuwste-delijk team, still under the Braak-land/ZheBilding umbrella when he launched the trilogy in 2012.In recent months, there has been an increase in all sorts of bottom-up co-operatives and sharing initi-atives aimed at sustainability, Devillé has noticed. “Or take this bloke from the Netherlands who wants to reduce the amount of plastic in our oceans and started a crowdfunding campaign to reach his goal. Two years ago, I didn’t think we would have got so far.”That Dutch CEO of The Ocean Cleanup could be a role model for Egon Starck, the young entrepre-neur Devillé introduces in Hoop, which is on tour now. While eating steamed vegetables (prepared in his washing machine) and work-ing out, he gradually succeeds in convincing friends – and enemies – of the future potential of his smart transport plans, which he calls Hypertube.Devillé found the inspiration for this high-speed, energy-efficient transport system when taking a closer look at the Hyperloop by

engineer Elon Musk, the CEO of Tesla Motors.Other aspects of the play also coin-cided with current events such as a political discussion around extend-ing the operations of nuclear facil-ities. “But they debated it a week before our show opened,” says Devillé. “And what’s even more striking is that the energy minis-ter in our play claims distortion of competition is one of the reasons she doesn’t want to restart the old nuclear reactors.”In Hoop, old reactors have already been written off and are prevent-ing other companies from invest-ing in sustainable energy. “That’s exactly the same criticism our government received.” Devillé believes in the old adage that truth is stranger than fiction: “After restarting these reactors,” he says, “I hear we will have to subsi-dise gas-powered plants since they won’t be profitable any longer.”Actor Sara Vertongen is promi-

nent in all three parts of the trilogy. “Actors always seem like visionar-ies in Stijn’s work,” she says. “But that’s only an impression. He just absorbs and processes the ideas he picks up during his research.”Audiences reacted to Hebzucht and Angst with powerful emotions such as indignation and anger (“No, that can’t be true!”, “We can’t let them get away with that!”) but with something more like empow-erment to Hoop.“Sometimes you just need some-one who gathers it all together,” says Vertongen. In the role of Gwendolyn Lallemand, she started the trilogy as a young professor of public finance, soon became the rising star of the liberal party and eventually finance minister.In Hoop, we meet her as the minis-ter of economy and energy in a new government. As a citizen, Vertongen is already convinced that the planet needs to head in a more sustainable direction. As

Lallemand, she needs to suffer her own personal disaster before she can see clearly and take some dras-tic decisions.“It’s always nice to play a character whose personality is ideologically the opposite of your own,” says Vertongen. “Sadly, this shift only takes place when the clock starts ticking. People are only prepared to change their behaviour when there’s a knife at their throat.”While Vertongen is still waiting for a moment of mass indignation and some kind of revolution, Tom Van Bauwel, who plays the Christian-democrat Luc Ackermans, believes in evolution. The prime minister in Angst is now mayor of a major city and personifies the growing power of local authorities in this new era.“This was one of the most inspir-ing things I discovered during

my research,” says Devillé, point-ing out that 40% of all Europeans live in cities in which the mayor has signed a climate protocol. “In Belgium, it’s local authorities who are taking the major actions.”Major media now report on influ-ential books by Benjamin Barber (If Mayors Ruled the World) and Jeremy Rifkin (The Third Indus-trial Revolution), both of which were important research mate-rial for Hoop, Van Bauwel points out. “Where we used to shrug our shoulders and say ‘But what can we do about it?’, now I see people inspired by local initiatives and more open to discussions.” By the end of Hoop, even the former European commissioner Tina (“There Is No Alternative”) Krimp is dancing to the tune of the four Es of the new era: enable, encour-age, exemplify, engage.Only Lallemand’s father, a former politician and bank director, keeps resisting. A small detail: He died in 2008. But throughout the performance, he is there as a harsh symbol of a former era. Ulti-mately, it’s a child (a role played by Devillé’s daughter Lena) who deals with this ghost of the past.As a symbol of innocence and a part of the next generation, the child now takes a firmer and more empowering attitude than in the two former chapters of the tril-ogy. “At the end of Angst, she asked the audience not to be afraid and to choose another way of life,” says Devillé. “Now she offers the audi-ence concrete suggestions about how they can take their life in their own hands again.”The ultimate decision, though, is in the hands of that audience. The strength of Hoop is that it doesn’t just show the paradigm shift, it also evokes it in both content and form.

tom PeetersMore articles by Tom \ flanderstoday.eu

niEuwstEdElijk.BE

Montaigne • Dadanero/Koen De Sutter

What does anyone really know for sure? Trying to answer that question was the mission of 16th-century French philosopher Michel de Montaigne. In this monologue, Antwerp actor and director Koen De Sutter, a huge fan, explores what his heritage means today. (In Dutch) 19-20 January 20.00, Bourla, Graanmarkt 7, Antwerp; 22-23 Janu-ary 20.30, Kaaitheater, Sainctelettesquare 20, Brussels

\ koendesuttermontaigne.be

Unisono • Abke Haring

This isn’t the first play Antwerp-based actor Abke Haring has performed for Toneelhuis. She recently received the Dutch theatre award Théo d’Or for her leading role in Toneelhuis director Guy Cassiers’ Hamlet vs Hamlet. After a rather chaotic ensemble play, she has shifted to a quiet solo

with the intensity of a ritual (pictured). (In Dutch) 21 Janu-ary 20.15, CC Maasmechelen, Koninginnelaan 42; 3-4 Febru-ary, Campo Nieuwpoorttheater, Nieuwpoort 31, Ghent

\ toneelhuis.be

muziekjes en mechaniekjes

Dilbeek’s cultural centre welcomes some of the most inven-tive musical stage productions for kids in the Low Coun-tries. Musicians Nicolas Rombouts (Dez Mona) and Joris Caluwaerts (STUFF.) become sound machinists in Station (6+). Drom (5+) relies on suggestive double bass pluck-ing and flute playing. In AaiPet, toddlers learn from magi-cians how funny iPads can be. 24 January, 13.30-18.00, CC Westrand, Kamerijklaan 46, Dilbeek

\ westrand.be

more performanCe tHis WeeK

© kurt Van der elst

across Flanders until 25 march

© katrijn Van Giel

sara Vertongen (left) plays the finance minister and erik Van Herreweghe her dead father in Hoop

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Getting even in Irelandgeoffrey Enthoven’s new film Broer pulls an in Bruges, in reverse

Thanks to the film In Bruges, we know what happens when an Irish

odd couple ends up in Flanders. Now, the favour is returned in Broer (Brother), in cinemas now. Directed by Geoffrey Enthoven, the film finds two ill-matched Flemings travelling to Ireland in search of riches and revenge.One of them is Mark, a man who has hit rock bottom. The hotel he runs is bankrupt, and his brother Michel has run off with his wife. The fact that both subsequently died in a car crash is little comfort. He still sees them everywhere in the deserted building, phantoms having sex, betraying him.Then a message arrives from one of Michel’s old flames, Grace, saying that she wants to meet again now that her husband has died. She lives in Ireland. She is beautiful. She is rich. Mark decides to take Michel’s place, take his woman and take his money.He is urged on by Ronnie, the closest thing Mark has to a friend. He talks his way into the esca-pade, hoping for a windfall when

Mark marries the rich widow. And off they go, one as inept as the other. Grace is scarcely fooled for a moment. Mark and Ronnie, however, are much slower to real-ise that all is not as it seems.

“We wanted to have a really hapless duo, who had to be funny together,” says Enthoven. “Those two going to Ireland to get a fortune – it’s impossible! But that’s just one side of the story.” The other concerns Mark’s rela-tionship with his brother, and the possibility of a second chance in life. “It’s never too late to find things out, and to change,” the director says.Weaving together dark and light themes such as these has become a trademark for Enthoven, through films such as Hasta la Vista and Halfweg. The two strands of Broer

demand the most of Koen De Bouw (Het Vonnis), who as Mark has to be foolish and funny, yet also serious and sympathetic. The Antwerp actor is no stranger to weighty roles, but his comic

turns are rarer and smaller. It was one of these, in the low-brow, low-budget Los Flamencos, that tipped the balance. “He had a really small part as a cop, and he was so funny,” Enthoven says. “I was convinced then that he could do it.”Titus De Voogt (Welp) proves an excellent comic partner, his clowning accentuated once Ronnie is kitted out in hunting tweeds after a plot twist deprives him of his usual clothes. “It has something Tintin-ish about it as well,” Enthoven observes.De Bouw’s other foil is Koen De

Graeve (Halfweg), who plays Michel, the memory that haunts Mark. This is not exactly a ghost story, Enthoven insists, referring back to the vindictive phantom in Halfweg. “You need just enough information to know why Mark does what he does. So Michel has to be there at the moments when you feel Mark’s relationship towards him is changing.” A final important casting deci-sion was the location. After plans to shoot in Canada fell through, the film was homeless for a while. Looking around Europe, Ireland had immediate attractions – easy to reach and with rural settings that felt far away and mysterious. When Enthoven and producer Mariano Vanhoof saw Bantry House in Cork, with its long flight of steps leading down to the mansion, they knew they had their key location. But then, Ireland was already in their blood. “When we were students, we wanted to visit Ireland because of the music, because of the myths and the atmosphere,” he recalls, “so for us the whole picture was complete.”

rock werchter is musicians’ favourite festivalThe Rock Werchter music festi-val, which takes place every summer near Leuven, has won Artists’ Favourite Festi-val in Europe at the Euro-pean Festival Awards (EFA) in Groningen, the Netherlands. Pukkelpop near Hasselt was also nominated in the cate-gory. Werchter was nomi-nated in three EFA categories, including best overall festi-val and best line-up. Graspop Metal Meeting in Dessel was also nominated for best line-up. Rock Werchter started as a one-day event in 1974 and has since become one of the largest and most celebrated music festivals in the world, hosting 88,000 visitors a day for four days. It has been voted best festival in the world by the International Live Music Conference, the most prom-inent gathering of concert industry professionals, six times, the last one in 2014.

japan theme of Brussels flower carpetThe theme of Brussels’ flower carpet on the Grote Markt this summer will be Japan, organis-ers have announced. This 20th edition of the biennial event that sees most of the square covered in flowers in specially designed patterns coincides with the 150th anniversary of diplomatic relations between Belgium and Japan. The flower carpet will be on view from 13 to 15 August.

artist wants to erect giant egg above HasseltGenk-based artist Koen Vanmechelen, famous for his cross-breeding Cosmopolitan Chicken Project, has revealed a proposal for a giant transpar-ent egg to be mounted on top of the water tower on the former Philips factory site in Hasselt. The plant was built in the 1950s in the Banneux district to the north of the city. It shut down in 2004 and is now home to the Corda Campus, which houses innovative start-ups and event facilities. Vanmechelen’s egg, he said, would be called “The Future of Now” and provide amazing views across Hasselt but also act as a functional space for meetings and other gatherings. “The egg symbol-ises the hatching of innovation and creativity that the Corda Campus is today,” he said. “That’s why the egg would look as if it’s hatching; life emerges.” Vanmechelen is now look-ing for funding for the project, which he says would cost between €5 and €6 million.

WeeK in arts & CUltUre

Several Flemish musicians paid tribute last week to mega-star David Bowie, who died on 10 January of liver cancer. Among the many tweets and Facebook posts from politicians and artists were the statements of Flemish director Ivo Van Hove, who directed the stage production Lazarus, based on Bowie’s music.Lazarus opened in New York last month, and Bowie and Van Hove, the artistic director of Toneelgroep Amsterdam, came onstage to take their bows on opening night. Van Hove was one of the very few people outside of Bowie’s family who knew that he had cancer. Bowie appeared fit on stage, Van Hove said, but “back stage, he just crumpled. He was finished. It took 20 minutes for him to recover. When he

got into his car, I knew it was probably the last time I would ever see him”.Flemish singer Ozark Henry also had a personal

relationship with Bowie, having met him after the British pop legend was impressed by Henry’s early work in the 1990s. “He expressed admira-tion for my work at a time when the label was questioning if there was a public for it,” Henry said this week. “But David said: ‘There is abso-lutely a public for it; he is simply ahead of his time.’ That really opened doors for me.”Henry covered Bowie’s 1977 song “Heroes” on his latest album, Paramount, recorded with the Belgian National Orchestra. Bowie, he said, “made an album, did promotion, but he was apparently very sick. He carried it so very well.” Henry also referred to Bowie’s ever-youthful atti-tude. “He always looked timeless and immortal. Bowie is forever.” \ Lisa Bradshaw

Flemish artists pay tribute to David Bowie

The lazarus team, from left: sophia anne Caruso, Michael C Hall, Ivo Van Hove, David Bowie and Cristin Milioti

ian mundellMore articles by Ian \ flanderstoday.eu BroErdEfilm.BE

We wanted to have a really hapless duo, who had to be funny together

koen De Bouw (left) and Titus De Voogt in Broer, much of which was shot in Ireland. The movie by Hasta la Vista director Geoffrey enthoven combines oddball twists with more weighty musings

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ClassiCal

stanD-Up festiVal

DanCe

The ballet of ballets returns to the Royal Ballet Flanders after a 16-year hiatus. This new production of Tchaikovsky’s Nutcracker takes the ballet back to its roots, strip-ping away over a century of stage interpretation to rediscover the gothic whimsy of the original tale on which it was adapted, namely ETA Hoffmann’s The Nutcracker and the Mouse King. Young Argen-tinian choreographer Demis Volpi creates a new world, slightly darker and more cinematic, for the famil-iar characters. Fiona McGee and Wim Vanlessen star as Clara and her Nutcracker. Tchaikovsky’s score is performed live by the Royal Flem-ish Philharmonic. \ GV

Berlin-based Israeli cellist Gavriel Lipkind has performed with some of the world’s most celebrated classical musicians on some of the world’s most prestigious stages. This recital, however, finds him on his own, interpreting Johann Sebastian Bach’s Cello Suites in their entirety. Written for unac-

companied cello and containing some of the 18th-century compos-er’s signature motifs, the Suites are often excerpted but rarely performed from start to finish – a 2.5-hour feat of physical forti-tude as well as musical virtuosity. \ Georgio Valentino

Antwerp’s youth theatre company Het Paleis is reviving one of its most

successful stage plays of the last few years. Simon De Vos’ infectious 21st-century update of the Shakespeare classic was shown for the first time in 2013, receiving rave response from both teenagers and their parents.Ironically, it’s just because the young director didn’t stray from the original text that the perfor-mance is so refreshing. A story that’s been told again and again doesn’t necessarily need fancy ornaments or plot changes, as long as it is able to translate the original emotions.

Featuring a cast of young actors, an effective lighting design by Mark Van Denesse and a music score by the talented jazz drum-mer Jens Bouttery, Romeo en Julia evokes the leaping hearts and the grandeur of a forbidden love that’s about to be torn apart.Last year, while creating a reality-based monologue about the clos-ing of car manufacturer Ford in Genk, De Vos said: “There was only one condition to do this: Every-thing we said had to be true.” The result was a boulevard — or rather an empty car park — of crashed illusions, but also a heartwarming story about loyalty and solidarity.That is a sort of mission for

Sermoen, the theatre company De Vos established in 2007 while still studying at the theatre academy in Maastricht: Trying to evoke the true nature of the world, in all its complexity (and sometimes innate cruelty), without losing an eye for basic and universal feelings such

as compassion.This production suggests that youth are entitled to hold up a mirror to the world, at its best and at its worst. \ Tom Peeters

Romeo en Julia tours Genk, Kortrijk and Brussels later in February

The latest instalment of Bozar’ Electronic Music Series boasts an international line-up of experi-mental performers. The main event is the Belgian premiere of SHXCX-CHCXSH’s new audiovisual show. The Swedish group created the piece in collaboration with visual artist Pedro Maia. Also appearing is Greek duo Mohammad, a fusion of throbbing, machine-gener-ated noise and improvised live strings. Both the instruments and computer programs are handmade. Finally, Pieter-Jan Van Assche’s solo project Innerwoud deconstructs the double bass. The Flemish musi-cian (pictured) uses every neglected nook and cranny of his instrument to make brand new sounds. \ GV

Forbidden love, revisited

Romeo en JuliaConCertantwerpSTUFF.: Both a stripped-down show and a late-night dance party featuring the Flemish band known for energetic hip-hop, electronica and futuristic fusion funk, featuring phenomenal drummer Lander Gyselinck. 22 January 20.00 & 22.00, deSingel, Desguinlei 25

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GhentDiamanda Galás: The American singer with Greek roots, who draws international acclaim for her highly original and politically charged performance works, presents Death Will Come and Have Your Eyes. 20 April 20.15, Handelsbeurs, Kouter 29

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ClassiCalBrusselsBPO winter concert: The Brussels Philharmonic Orchestra presents Fantasia on a Theme by Thomas Tallis and R Vaughan Williams, featuring flutist Delphine Tchaousouglou and conducted by David Navarro Turres. 24 January 15.00, Concert Noble, Arlonstraat 82

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performanCeantwerpdbddbb: Brussels-based American dancer and choreographer Daniel Linehan and his company Hiatus perform a piece for five dancers/walkers/singers who search for what it means to be an individual within their rhythmic community . 27-28 January 20.00, deSingel, Desguinlei 25

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BrusselsIn Spite of Wishing and Wanting: Ultima Vez perform a reprisal of Wim Vandekeybus’ 1999 production about a world populated only by men, with footage and dance sequences that flow into monologues about power, fear and a longing for security. 26 January to 5 February 20.00, KVS, Arduinkaai 9

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VisUal artsHasseltToegepast 20: Looking for the In-between: Winners of the Cultuurplatform Design competition for young designers, featuring graphics, textile, jewellery, architecture and more. Until 6 March, Z33, Zuivelmarkt 33

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Irish comedy hip-hop trio Aban-doman come to Brussels with its award-winning blend of live music and gonzo comedy. The crosso-ver act combines the wit of stand-up comedian Rob Broderick and the musical talent of Sam Wilson and Dan Attfield. After five years touring the world – with appear-ances at such high-profile events as the Edinburgh Fringe Festi-val and Glastonbury – these three performers are a well-oiled improv

machine. They are able to take cues from the audience and create novelty hits in real time without missing a beat. (In English) \ GV

WIN TICKETS! Flanders Today has three pairs of tickets to give away to Abandoman. Email [email protected] by noon on Friday, 22 January, with “Abandoman” in the subject line. Winners will be notified the same day.

gavriel lipkind

abandoman

the nutcracker

Bozar Electronic music series

\ aGenDa

Het Paleis, antwerp HEtPalEis.BE

until 4 february

CC Hasselt ccHa.BE

26 january, 19.30stadsschouwburg, antwerp

Opera Gent oPEraBallEt.BE

24-31 january

10-14 february

TTO Theatre, Brussels ffact.BE

26 january, 19.00Bozar, Brussels Bozar.BE

27 january, 20.00

© kurt Van der elst

© stefaan Temmerman

get tickets now

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january 20, 2016

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Once again, a headline in a Flemish newspaper had me stumped. ‘Omhoog?’ – “Up?” it read, is de hamvraag in de bergen – is the ham question

in the mountains.It was about a meeting of American bankers in a moun-tain resort to discuss a possible rise in the interest rate. I got all that, but I didn’t get the bit about the ham.In search of an explanation, I visited the website of the Genootschap Onze Taal – Our Language Foundation. ‘Dat is de hamvraag’ betekent ‘dat is de cruciale vraag’ – “That’s the ham question” means “that’s the key issue”, the site explained; ‘dat is de vraag waar het allemaal om draait’ – “that’s the question on which everything hangs”.Now it made sense. The bankers were holed up trying to decide whether it was a good idea to raise interest rates, or whether that would just make things worse. That was the ham question. But why ham?It turns out to be a catchphrase from the early days of Dutch radio. It was coined in the 1950s in a programme called Mastklimmen – Mast Climbing. Hoe meer vragen de deelnemers juist beantwoord-den – The more questions the contestants got right, hoe hoger zij opklommen in een in de studio geplaatste mast – the higher they climbed up a mast placed in the studio. Bovenin hing als hoofdprijs – Hanging at the top was the prize: een gerookte ham – a smoked ham. Wie het juiste antwoord gaf op de laatste en belangrijk-ste vraag – Whoever gave the right answer to the final and most important question, de hamvraag – the ham question, mocht de ham uit de mast pakken – could take the ham down from the mast. That explained the ham, but what about mast climb-

ing? Mastklimmen was een spel dat al eeuwen geleden werd gespeeld – Mast climbing is a game people started playing many centuries ago. In mei 1668 – In May 1668, werd een mastklimwedstrijd te  Brussel  gehouden – a mast climbing competition was held in Brussels, ter ere van het Viktoriefeest – to commemorate the Victory Festival (held, in case you’re wondering, to commemorate the Battle of Woeringen in 1288). De klimmers moesten langs een met zeep ingesmeerd touw naar boven klimmen – The climbers had to climb to the top using a rope smeared with soap, om van den top van den mast een stuk vlees af te halen – and grab a piece of meat at the top, according to a 1688 news-paper report.In its discussion of the hamvraag, the Genootschap Onze Taal compares it to “the $64,000 question” in English. This term also originated in a 1950s radio programme, this time in the US. But while the winners in the American show won enough money to buy a family home, the Dutch got a lump of meat.Why the difference, you might be wondering. That, surely, is the ham question.

Talking Dutchit’s a question of ham

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tHe last WorD

night moves“It’s not the slightly tipsy people out and about early in the evening who present the greatest danger, but those who keep drinking and drive home in the middle of the night. But they barely have to worry about being tested.”Anti-drink-driving campaigner Jeremy De Meyer on figures showing that only one in 10 alcohol checks takes place between midnight and 8.00

future perfect“I may not know exactly what I want to do, but I know who I want to be.”Actress and communications student Martha Canga Antonio, the break-out star of the film Black, looks forward to 2016

music hath charms“Children have less of a problem accepting us than grown-ups. You see them sometimes standing in the audience, arms crossed and a stern look on their faces. We have to do everything to sing and dance that look away. The great thing is that it really works.”The new K3 are gradually making their way into the hearts of Flanders, according to Hanne (the red-haired one)

licking the problem“We went to a lot of trouble to limit noise nuisance. For example, we gave the students lollies as they set off for home. Because it’s hard to shout with a lolly in your mouth, you see?”Frank Bax of Hasselt University students’ association on complaints from people living near the Diepenbeek campus, which has 2,075 students and only one place to go out at the weekend

a. No. Parents-to-be have the right to be forewarned and to take action if they choose to. It’s their baby

b. Yes. The technology is unreliable, and couples are being scared into paying for no reason

c. Yes, and the practice should be outlawed. Society was never meant to be “perfect”, and this borders on eugenics

Pharmaceutical companies in Belgium are offering DNA tests to pregnant women to detect a number of conditions in their foetuses, such as if the baby has a good chance of being born blind, deaf or with Down syndrome. Researchers at the University of Leuven recently spoke out against the test, saying that they

are unreliable, don’t offer a guaran-tee of perfect health and could lead to parents aborting foetuses unnec-essarily.A small minority of you favour a complete ban on these prenatal tests. Children are who they are, and such tests are just the begin-ning of “designer babies”, you argue.

The rest were remarkably evenly divided. While half of you think a couple should be ready for what may come, the other half thinks the tests could cause a great deal of anguish for no reason – or prove useless in discovering a problem that is actually there – so what’s the point?

Polldo you agree with researchers at ku leuven that parents-to-be should not test their foetuses for a variety of disabilities?

\ next week's question: A study has shown that schoolchildren are insufficiently hydrated throughout the day. Should schools better regu-late students’ consumption of water?Log on to the Flanders Today website at www.flanderstoday.eu and click on VOTE!

CONNECT WITH US LIKE USTweet us your thoughts @FlandersToday

Sarah De Deken @SarahDDekenThanks to my background in the west of flanders, I can under-stand what my collegues are saying. #onlyonefromantwerpat-work

Ina Danova @modern_iqFinally a real winter in Brussels @ Parc de Woluwe

Betty Tang @beteezyPinch me, this town feels like a fairytale #ghent @ Belfry of Ghent

Giovanni Lapenta: Good luck with that.

In response to: Multinationals must repay €700 million to Belgium, says EUPeter O’Reilly: Belgium and Ireland share a lot of difficulties when they are doing their best to compete with giant econo-mies

VoiCes of flanDers toDay

In response to: Talking Dutch: It’s a question of hamEmily Darrow: Crying! Top notch reporting

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derek BlythMore articles by Derek \ flanderstoday.eu