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Key FindingsWhile access to arts programs is nearly universal (99% of schools) less than half of all middle and high schools and only 28% of elementary schools provide the required number of arts areas.
87% of schools have aligned their curriculum with the state arts standards.
Assessment of student skills and knowledge is mostly driven by teacher-developed assessments with fewer than 3 in 10 schools reporting district developed assessments in the arts.
Nearly ½ of all high schools include the arts in School Improvement Plans.
92% of elementary, 77% of middle and 49% of high school students participate in at least one arts area in one year, with music and visual arts having the highest enrollments.
Nearly all schools (92%) use licensed arts teachers (full time or part-time) as the primary provider of music and visual arts instruction.
75% of schools report having no arts coordinator in their school or district.
Nearly 2/3 of schools spend less than $10 per pupil per year for arts instructional materials. At the elementary level, the per-pupil arts spending is only 2 cents per day.
To support direct arts instruction, 23% of all schools reported using outside funding to offset budget decreases and nearly half of all schools charge fees for extracurricular arts activities.
While 46% of all schools report using arts integration as a teaching strategy, only 15% reported using this strategy on a regular basis. 67% of schools indicate a desire to introduce or increase arts integration.
93% of all schools reported providing students field trips to museums, theaters, musical performances and exhibitions to engage in artistic experiences.
The Minnesota Arts Education Research Project
Goal #1. Conduct Statewide Arts Education Survey
Result In 2010/2011, the Perpich Center for Arts
Education contracted with Quadrant Arts Education
Research to coordinate the implementation of a survey of
all schools in Minnesota. An analysis of survey responses
has been compiled in this report.
Goal #2. Connect Survey Results with Additional Information
Result The status of arts education in the state is related
to many factors. Economic, demographic, census, school
performance measures and municipal data were combined
with the survey results to allow for a more in-depth
analysis. The results of this analysis are contained in
this report.
Goal #3. Provide a Public Report
Result The contents of this report and the online
resources provide citizens of Minnesota with the first view
of the accurate status and condition of arts education in
the state.
In the early 2000s, there was considerable discussion
about the role of the arts in public education, but little
data about the status of arts education in all schools in
Minnesota. To answer this need, the Perpich Center for
Arts Education launched The Minnesota Arts Education
Research Project during the 2010/2011 school year with
funding provided by the Minnesota State Legislature
through its Arts and Cultural Heritage Fund of the
Clean Water, Land, and Legacy Amendment.
The purpose of this project was to gather, evaluate and
disseminate quantitative data regarding arts education
in the state. The Research Project was designed to
document arts education in every school through a
statewide voluntary survey, and combine the survey
findings with other information to create a 360-degree
view of arts education in the state.
This report is a summary of the status of arts education,
education policy and delivery. The intent is to provide
decision makers and the public with a clear picture of
the status of arts education in Minnesota.
Perpich Goals and ResultsB U I L D I N G A L E G A C Y
The Minnesota Arts Education Research Project
Goals and Results of the Minnesota Arts Education Research Project
2
3
Perpich Building a Legacy: From the AuthorsA R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
Arts Education in the State of Minnesota is alive and well.
Arts education courses (defined as coursework in dance,
media arts, music, theater and visual arts) are nearly
universally available to students. In addition, strong state
policies, high quality instruction provided by qualified
teachers, broadly varied course offerings, and a strong
connection between schools and cultural organizations,
create an excellent environment for arts learning to take
place. When comparing Minnesota’s results with similar
studies from other states, Minnesota fares very well.
While the overall picture of arts education is favorable,
there is certainly room for improvement. Minnesota
has some of the strongest arts education policies in the
country, but implementation of these policies at the
school level is uneven. As such these policies are in need
of a system to ensure accountability. For example, the
low percentage of schools providing the required number
of arts areas indicates a need for greater accountability.
While arts education is almost universally available, actual
student participation lags in some areas. The ideal goal
of arts education for every student in the state has not
yet been achieved. Limited financial resources supporting
arts education and a reliance on external funding and/or
additional student fees indicates a system under stress.
Two very important educational relationships have been
identified in this study. First, there is a positive relationship
between a school’s Focus Rating (part of the Minnesota’s
Multiple Measurement Rating or MMR) and higher levels
of arts education (as measured by the arts education
index). Second, there is a positive relationship between
a school’s scores for the Graduation Required Assessment
for Diploma (GRAD) reading assessment and higher levels
of arts education. These positive correlations hold even
when controlling for other ‘confounding’ variables such
as income, minority status, or geography. In short, higher
levels of arts education coincide with higher Focus Ratings
and GRAD reading scores.
The strength of arts education in Minnesota is no
accident. Minnesota is the only state in the nation with
a dedicated state agency supporting arts education —
the Perpich Center for Arts Education. It is clear many of
the strong policies in place and indeed the Minnesota
Academic Standards in the Arts are a direct result of the
role of the Perpich Center in shaping education policy for
the citizens of the state.
This report reveals areas of strength for arts education
and places for improvement. For the first time ever in a
statewide study arts integration has been included. In
addition, a series of recommendations are presented to
help shape arts education in Minnesota for the next five
years. Taken in its entirety, this report will help create a
road map for Minnesota arts education and will enable
the state to build a lasting legacy of arts education for
every student.
— Robert B. Morrison and Patricia J. Cirillo
In the early 1820s, education innovator William Fowle
introduced drawing and music into several schools in
Boston. The arts have been a part of U.S. public education
ever since. The first data about arts education in the
United States was collected in 1837 while Martin van
Buren was President. Studies as far back as the 1930s
indicated that students who studied the arts had higher
achievement levels than those who did not.
The arts have been included as core subjects as a matter
of federal law since 1994 through the Goals 2000
Education Reform Act (carried forward in No Child Left
Behind and the Elementary and Secondary Education Act
reauthorization) and in Minnesota since 1997, with the
adoption of Minnesota K-12 Arts Standards.
Beyond the law, compelling recent research has shown
that study in the arts makes vital contributions in
a student’s successful journey toward a purposeful,
successful and fulfilling life. Arts education is truly a
modern necessity.
Study in the Arts Contributes to College/Workforce Readiness
Preparing for College The College Board has conducted five research projects
in a commitment to developing the next generation
of national voluntary, researched-based arts education
standards to support 21st century needs of students and
teachers, help ensure that all students are college and
career ready, and affirm the place of arts education in a
balanced core curriculum.*1
Students participating in the arts show higher average SAT
scores. The SAT is a standardized test designed to measure
“readiness for college.” An analysis of 10 years of SAT
data revealed that students who took four years of arts
courses in high school earned the highest scores on both
the verbal and math SAT. Overall, students taking any arts
courses scored significantly higher than students who took
no arts courses.*2
Employment Opportunities in the Creative Industries Americans for the Arts documents the key economic role
played by the nonprofit arts and culture industry in its
2010 report, Arts and Economic Prosperity IV: The
Economic Impact of Nonprofit Arts and Culture
Organizations and Their Audiences. This study
demonstrates that the nonprofit arts and culture industry
is an economic driver in communities. Significant to a
discussion on career readiness is the fact that the nonprofit
arm of the arts and culture industry supports 4.1 million
jobs, representing $86.68 billion in household income.
In Minnesota, a similar report shows that the nonprofit
arm of the arts and culture industry generates nearly $838
million in expenditures and supports more than 22,000
jobs, representing $631 million in household income.*3
Essential Skills for the Workforce of the 21st Century Creativity and innovation are the currency of the future.
Schools, businesses and policymakers are taking steps to
make this a reality in our nation’s schools, and the arts
have a clear role to play in the building of creativity and
other 21st century skills.
In a study of superintendents who educate future workers
and employers who hire them, both agree that creativity is
increasingly important in the U.S. workplace and that arts
education is crucial to developing creativity. Educators and
employers both feel they have a responsibility for instilling
creativity in the U.S. workforce (83 and 61 percent,
respectively). However, schools’ current creativity-building
offerings don’t match this desire. When superintendents
were presented with a list of 12 creativity-promoting
educational activities/experiences, more than three-
quarters reported that each one (excluding study-abroad
programs) is supported within their high schools. However,
in more than half of these schools, only three of these
activities/experiences are part of the required curriculum.*4
The Partnership for 21st Century Skills, a national
organization, is built on partnerships with the business
community and advocates for 21st century readiness for
every student. The framework that the Partnership and
its members have developed fuses the 3Rs with the “4Cs” —
Critical Thinking, Communication, Collaboration,
and Creativity.*5
A recent policy trend to capture and define opportunities
for creativity in education is emerging. Massachusetts,
California and Oklahoma are in various stages of drafting
and implementing policies that will create a public
measure of the opportunities for students to engage in
innovative work.*6
Study in the Arts Contributes to Student Success in School
Students are Better Prepared to be Learners The ability to pay attention—visual focus, active listening
and staying on task—is essential to school performance. It
begins to develop early in life and is continuously refined.
Early childhood training in instrumental music improves
Why Study the Arts?
these attention abilities, while continued music education
throughout adolescence reinforces and strengthens them. *7
Perseverance is the ability to continue towards a goal
when presented with obstacles. Students involved in
music lessons surpass their peers on tasks measuring
perseverance. At the foundation of perseverance are
motivation, commitment and persistence, all traits of
creative individuals. *8
Students Perform Better Academically There is a significant correlation between high arts-
involved students and academic achievement, regardless
of socioeconomic status. In fact, levels of academic
achievement recorded by high arts-involved students in
the lowest socioeconomic (SES) quartile narrows the gap
with higher SES students. Twelfth grade, low SES/high
arts-involved students nearly close the achievement gap in
reading proficiency with higher SES/low arts-involved 12th
graders (37.9% reaching high levels of reading proficiency
versus 42.9% respectively).*9
Ten weeks of in-class drama coaching in a remedial third
and fourth-grade classroom helped the teacher and
students transform their approach to reading and improve
the students’ attitude about and success in reading.
Dramatic training and expression offered students
the opportunity to contribute their own background
knowledge and understanding, improve their accuracy and
momentum, broaden their understandings and expressive
choices, and begin to see themselves as actors, or active
readers. That sense of achievement positively affected
their self-perception.*10
Learning music develops the region of the brain
responsible for verbal memory—the recall and retention of
spoken words—which serves as a foundation for retaining
information in all academic subjects. Music students who
were tested for verbal memory showed a superior recall
for words as compared to non-music students.*11/12
Students who participate in arts learning experiences
often have higher achievement in other realms of learning
and life. In a well-documented national study using a
federal database of over 25,000 middle and high school
students, researchers from the University of California at
Los Angeles found students with high arts involvement
performed better on standardized achievement tests than
students with low arts involvement. Moreover, the high
arts-involved students also watched fewer hours of TV,
participated in more community service and reported less
boredom in school.*13
In an experimental research study of high school age
students, those who studied dance scored higher than
non-dancers on measures of creative thinking,
especially in the categories of fluency, originality and
abstract thought.*14
A group of 162 children, ages 9 and 10, learned to
look closely at works of art and reason about what they
saw. The results showed that children’s ability to draw
inferences about artwork transferred to their reasoning
about images in science. In both cases, the critical skill is
that of looking closely and reasoning about what
is seen.*15
Students who study music outperform their non-music
peers in assessments of math, writing, using information
resources, reading and responding, and proofreading. The
gains in achievement of music students compared to non-
music students increase over time. These findings hold true
regardless of socioeconomic status and race/ethnicity.*16
Additionally, students involved in instrumental music do
better in algebra, a gateway for later achievement.*17
Students Are Engaged in Their Learning
Study in the Arts Is Linked With Overall Academic Ratings and Graduation Rates In two studies of statewide data in Florida and Texas,
findings show consistent correlations between taking arts
courses, student achievement, and graduation rates.
In Florida, a 2007-08 study of 188,859 12th graders show
the more arts classes taken, the higher the student
achievement in such measures as graduation rate, GPA,
the state standardized test, and the SAT. For students
receiving free and reduced price lunch (a commonly used
indicator of low-income), the more arts classes taken,
the higher the student achievement in all measures. For
students of all ethnicities, the more arts classes taken, the
higher the student achievement in all measures. The more
arts classes taken, the less likely a student is to dropout of
high school.*18
In Texas, after comparing the yearly 2006 to 2010 data on
school academic ratings, school rating improvement, and
graduation rates to the yearly fine arts course enrollments,
the following summary observations were made: • Schools with a higher percentage of student
enrollments in fine arts courses achieved higher
academic ratings.
• Schools showing academic rating improvement
from 2006 to 2010 reported increases in fine
arts course enrollments.
• Schools with a higher percentage of student
enrollments in fine arts courses reported higher
graduation rates.*19
Arts education in Minnesota is a basic educational
right for all Minnesota children — not just the gifted,
or the talented, or the economically advantaged. It
has a very strong grounding in state statutes and rules.
Universal access to quality arts education for all
Minnesota students is supported by Minnesota Rules
providing K-12 Academic Standards in the Arts and
teacher licensure, and Statutes regulating K-12
graduation as well as implementation and assessment
of the standards. The Minnesota Arts Education
Research Project compared the results of their research
to these policy statements (Rules and Statutes),
in addition to other data, to assess the performance
of schools in arts education. The understanding that
arts education is a necessary component of
whole-child education runs through Minnesota’s
standards and requirements.
Here is some background about how the laws evolved
and where they stand today:
Minnesota Academic Standards
Academic standards define expectations for what
Minnesota’s public school students should learn in
grades K-12. Minnesota K-12 Academic Standards are in
place for the Arts, English Language Arts, Mathematics,
Science, Social Studies and Physical Education. Local
standards must be developed by districts for Health,
World Languages, career and technical education, and
may be developed for the Arts.
Minnesota K-12 Academic Standards in the Arts
In 1992, the Minnesota Legislature directed the creation
of “a rigorous, results-oriented” high school graduation
rule. The rule included a series of basic standards tests
in mathematics, reading and writing, and importantly,
a system of high academic standards in a wide range
of content areas including the arts. The first set of
Minnesota arts standards became effective for students
entering the tenth grade in the 1997-1998 school year.
Universal Access to Quality Arts Education for All Minnesota Students is a Matter of Law
Why Study the Arts? (continued)
Arts Education: A Right for All Students
Positive Benefits for At-Risk Students Students of low socioeconomic status (SES) who participate
in arts learning academically outperform comparable
students who have no or low arts involvement.
A recent far-ranging study showed multiple positive
outcomes among students of low SES. Eighth graders
who had high levels of arts involvement throughout
elementary school showed higher test scores in science
and writing than students with low levels of involvement
In high school, students who had arts-rich experiences
attained higher overall GPAs and were far less likely to
drop out of school before graduation than did students
who lacked those experiences.
This academic success continued into college where
students who had arts involvement in high school were
three times more likely to receive a bachelor’s degree than
students with low arts involvement.*20
*1, *2, … See page 22 for a list of research citationss
In Summary
Why teach the arts? When we examine what students
need to succeed in school, college, career and life, the
research points time and again to the arts for powerful
learning opportunities and pathways to a successful
future. The research cited above helps illuminate why
the arts are necessary in public schools, and makes the
inclusion of the arts in state and district education policy
an imperative.
“It is clear from the research that learning through
the arts provides the type of emotional, creative
and expressive development that students can benefit
from throughout their lives. If we as a nation are
serious about building a road to success for every
student we must include the arts in curricular planning
from the elementary through college levels.”
— Dr. Nancy Rubino
Senior Director in the College Board Office
of Academic Initiatives
Since this first set of arts standards, new standards were
adopted in 2003 and revisions were made in 2008. The
current policy requiring Minnesota Academic Standards
in the Arts, developed in 2008, states:
120B.021(subd 1) Required academic standards.
The following subject areas are required for
statewide accountability:
(7) the arts, for which statewide or locally developed
academic standards apply, as determined by the school
district. Public elementary and middle schools must
offer at least three and require at least two of the
following four arts areas: dance; music; theater; and
visual arts. Public high schools must offer at least three
and require at least one of the following five arts areas:
media arts; dance; music; theater; and visual arts.
The 2008 Revised Minnesota Academic Standards in
the Arts are published as Minnesota State Rules for
four distinct grade groupings: Grades 1-3 - 3501.0800;
Grades 4-5 - 3501.0805; Grades 6-8 - 3501.0810;
Grades 9-12 - 3501.0815. They were required to be in
place in all schools as of September of 2010.
Arts Education Assessment Requirements
A school, school district, or charter school must
determine locally if a student has met the required
academic standards in the arts, (120B.11) as follows:
A school board shall have in place an adopted
written policy that includes a process for
evaluating each student’s progress toward meeting
academic standards and identifying the strengths
and weaknesses of instruction and curriculum
affecting students’ progress (subd 2 [2])
Current statute guides districts to evaluate the impact
of instruction and curriculum on students’ abilities to
meet graduation standards, and to use
evaluation results to improve instruction and
curriculum (120B.10).
High School Graduation Requirements in the Arts
Meeting academic standards and earning at least one
credit in the arts are requirements for high school
graduation in Minnesota (120B.02[c]). Minnesota
Statute (120B.024), states that students must
successfully complete the following high school
level course credits for graduation, (5) one credit in
the arts... A course credit is equivalent to a student
successfully completing an academic year of study or
a student mastering the applicable subject matter.
Teacher Licensure
Statute also outlines the professional qualifications
necessary to teach the arts. Persons found to
be qualified and competent for their respective
positions are issued licenses by The Board of Teaching
(122A.18). Licenses exist for teachers of dance,
music, theater, and visual arts. In addition, licensed
Minnesota Elementary Teachers must demonstrate
knowledge of fundamental visual and performing
arts, including music, dance, and theater, concepts
and the connections among them (8710.3200 [L]).
College Admission
To be considered for admission to any Minnesota
state college or university as a first-year student,
applicants shall have completed one year of arts in
grades 9-12 (visual arts and the performing arts of
theater, music, dance, and media arts; Minnesota State
Colleges and Universities Board Policies, Chapter 3.4).
Perpich Policies
Academic Standards Alignment
The Minnesota Academic Standards in the Arts contain
specific expectations for learning in the arts for all K-12
public schools in the state. 87% of schools have aligned
their curriculum with the state arts standards.
Access to Arts Areas
State statute establishes four arts areas for elementary
and middle schools — dance, music, theater and visual
arts, and five areas -— adding media arts — for high
schools. Schools are required to offer three of the four
arts areas to students in elementary and middle schools
and three of the five arts areas in high schools.
Minnesota schools have had difficulty complying with
this requirement.
Graduation Requirements
Since 2003, state high school graduation requirements
include one credit (one year) of arts instruction in at
least one arts discipline (See the Appendix for the text
of the requirement).
Not Aligned
Not Meeting Requirements
Aligned
Meeting Requirements
Elementary
Middle
High
28%
48%
95%
5%
48%
Minnesota Has High Standards for Arts Education,
87% of schools have aligned their curriculum with the standards.
Percentage of Minnesota schools offering courses in at least three arts areas as required by state standards
Percentage of all Minnesota high schools that meet or exceed the current graduation requirement for arts
87%
13%
8
Music
Visual Arts
Media Arts
Theater
Dance
76%
99%
95%
51%
25%
Access to the five arts disciplines in Minnesota high schools
State policies for arts education, created by the Minnesota Legislature and
expected to be implemented by school districts, are recognized as some of best
in the nation. Minnesota Academic Standards in the Arts define arts learning to
include all five major arts disciplines — dance, media arts, music, theater, and visual
arts. While these state statutes and standards have led to significant access to arts
courses, enactment of these policies at the school level lags significantly in dance
and theater. Further, there is currently no system of accountability to ensure that
districts adhere to these policies.
B U I L D I N G A L E G A C Y
Perpich Policies
Weighting of Arts Courses
Arts courses in high schools do not always carry equal
grade weight with other core subjects, including honors
and advanced placement courses.
Arts Education in School Improvement Plans
Most schools do not include the arts education
goals as part of the school improvement plan.Elementary
Middle
High
18%
23%
45%
Regular Courses
Honors Courses
94%
82%
Academic Standards
We recommend Minnesota policymakers hold school districts accountable for ensuring 100% of students in the state are achieving academic standards in the arts as required by state law.
We recommend the Minnesota Legislature and policymakers a) maintain and strengthen the arts as core subject areas b)advance policies to ensure every child has the opportunity to participate and demonstrate achievement in arts education as part of a complete education.
We recommend the Minnesota Legislature require school districts to use the Minnesota Academic Standards in the Arts K-12 for student in-struction and assessment, rather than allow districts the option of developing their own arts standards.
Accountability
We recommend Minnesota policymakers require full implementation and account-ability processes to measure ad-herence to the strong policies supporting arts education.
We recommend Minnesota policymakers include arts education in all longitudinal data systems in current devel-opment, or contemplated as part of Minnesota education policy, and require schools to publicly report on an annual basis information regarding (1) arts courses offered; (2) level of student participation in the arts; (3) student achievement in the arts based on assessments aligned to state standards; and (4) teacher course assignments in the arts.
We recommend the Perpich Center for Arts Education collaborate with the Minnesota Department of Education to produce an annual report on thestatus and condition of arts edu-cation in all Minnesota Schools.
Implementation Resource
We recommend the Perpich Center for Arts Education continue to col-laborate with the Minnesota Department of Education to improve the capacity of school districts and/or individual schools to implement a com-prehensive, standards-based, sequential arts education based on state standards.
Strategic Planning
We recommend that each school and district include arts education in strategic plans to ensure arts programs at the school level meet the Min-nesota Academic Standards in the Arts.
Course Weighting
We recommend school districts weight courses in the arts equally with all other courses in calculating a pupil’s grade point average, including honors and/or advanced placement arts courses.
Percentage of all Minnesota high schools that weight arts courses equally with other core subjects
Recommendations
But Some Schools Struggle to Meet the Minimums
Access to the five arts disciplines in Minnesota high schools
9
A R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
Access to arts education in Minnesota schools is nearly universal. The fact that
almost every school in the state offers at least one arts course for students across
all grade levels indicates a healthy arts education environment. Music and visual
arts tend to be the most widely available courses. Dance and theater disciplines
have low participation levels primarily due to limited course offerings.
Perpich Students
Access to Arts Courses
There is wide access to music and visual arts courses in all
Minnesota schools. Media arts courses are moderately
available in elementary and middle schools and widely
available in high school. Dance and theater are the least
provided arts areas.
Student Participation in Arts Education
Student participation in arts courses (as a percentage
of total enrollment) is high across all grade levels.
Student Access to Arts Instruction is High,
Elementary
Middle
High
99%
99%
100%
Percentage of schools offering courses in at least one arts area
Elementary
Middle
High
Secondary
92%
77%
49% *56%
Percentage of students participating in arts instruction (all arts areas)
10
Elementary
Middle
High
Elementary
Middle
High
Elementary
Middle
High
Elementary
Middle
High
Elementary
Middle
High
97%
73%
32%
4%
9%
97%
90%
33%
21%
5%
97%
98%
70%
42%
18%
Percentage of schools offering courses in various arts disciplines
Music
Visual Arts
Media Arts
Theater
Dance
*Participation is measured for a single year. A 49% participation level in High Schools is very strong since students have four years to meet state graduation requirements.
B U I L D I N G A L E G A C Y
Perpich Students
Percentage of Students Participating in Various Arts Areas
Music and visual arts show the highest participation levels
of all the arts areas. The lower levels of participation for
dance and theater are a result of fewer schools providing
access to courses in these areas.
Student Assessment
Most schools reported using either teacher-developed or
district-developed assessments to measure student progress
toward achieving the arts standards while 7% of schools
reported “no assessment.”
Access to Arts Areas
We recommend school administrators ensure that the number of arts areas offered meets or ex-ceeds state requirements.
We recommend school districts ensure the assessment of every student’s learning and achievement of Minnesota Academic Standards in the Arts as required by law.
Measuring Student and Teacher Performance
We recommend the Perpich Center for Arts Education continue to collaborate with the Minnesota Department of Education to develop measurement strategies for student achievement, teacher evaluation, and overall school performance in arts education, includ-ing common assessments aligned to state standards.
Directing Resources to Low Performing Schools
We recommend that the Perpich Center for Arts Education identify schools where arts instruction is limited, and with partners, provide resources and support to strengthen arts education in these schools.
We recommend foundations and other grant-making agencies and organizations use these Report results to help direct resources to areas of greatest need.
Recommendations
However Participation Lags in Some Areas
2%
6%
2%
2%2%2%
5%
7%
3%
29%
84%
7%
Percentage of schools using various types of student assessment in arts
Elementary
Middle
High
Secondary
Elementary
Middle
High
Secondary
Elementary
Middle
High
Secondary
Elementary
Middle
High
Secondary
Elementary
Middle
High
Secondary
85%
63%
27%
47%
28%
67%
60%
13%
29%
30%
10%
Music
Visual Arts
Media Arts
Theater
Dance
District-developed assessment
Teacher-developed assessment
No assessment
11
A R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
Due to the nature of the coursework, it is highly desirable that arts are taught by
Licensed Arts Teachers specifically educated to teach the arts area. While this is
broadly the case in music and visual arts, it is not in dance and theater, where less
than half of all schools use Licensed Arts Teachers for these arts areas*.
Additionally, some elementary schools struggle to employ full-time
Licensed Arts Teachers in all areas.
Perpich Educators
Use of Licensed Arts Teachers
Nearly all schools (92%) use Licensed Arts Teachers
(full time or part-time) as the primary providers of music
and visual art instruction. The use of Licensed
Arts Teachers for dance and theater lags well behind.
Full and Part Time Arts Teachers
The percentage of schools with a full time arts
teacher is highest in middle school, closely followed
by high school and elementary. Part time arts teachers
are found primarily in elementary schools with
smaller enrollments.
Elementary
Middle
High
77%
96%
92%
Licensed Arts Teachers Are the Main
Elementary
Middle
High
Elementary
Middle
High
16%
17%
8%
46%
36%
51%
Percentage of schools using Licensed Arts Teachers for dance instruction (where instruction is offered)
Percentage of schools using Licensed Arts Teachers for theater instruction (where instruction is offered)
*Other teachers may be authorized to provide instruction but do not hold an arts license.
Percentage of schools with full time arts teachers
12
Music
Visual Arts
Full Time
Part Time
Full Time
Part Time
72%
58%
21%
40%
Percentage of elementary schools with full time and part time music and visual arts teachers
“The Percentage of Elementary Schools With Full Time Arts Teachers is Lower than Other School Types.”
B U I L D I N G A L E G A C Y
Perpich Educators
Professional Development
A majority of schools/districts reported providing
professional development for arts teachers in their arts
areas. This percentage declines significantly for general
classroom teachers responsible for teaching in the arts.
Arts Coordinators
Arts coordinators (or arts supervisors, as they may
be known in other states) play an important role in
facilitating arts programs across a school or district
while efficiently managing resources. In Minnesota,
arts coordinators are scarce, with few districts and even
fewer schools being served. Other research has shown
the presence of an arts coordinator has a positive
impact on the overall quality of an arts program.
Licensure
We recommend the Minnesota Board of Teaching develop a license or endorsement for teachers of media arts.
We recommend all school districts comply with licensing requirements in all arts areas.
We recommend the Perpich Center for Arts Education work in collaboration with higher education to help strengthen teacher preparation and profes-sional development.
Professional Development
We recommend the Perpich Center for Arts Education, in collabo-ration with the Minnesota Department of Educa-tion and the appropriate professional organiza-tions, increase the capac-ity of school and district administrators to under-stand and strengthen the impact of arts educators and programs on student success.
We recommend the Perpich Center for Arts Education, in collabo-ration with the Minnesota Department of Education, higher education institu-tions, professional
organizations, and commu-nity organizations, develop and expand professional development opportunities for arts educators.
We recommend that the Legislature provide necessary funding for pro-viding professional devel-opment for teachers and administrators.
District Arts Coordinator
We recommend all districts employ or as-sign an Arts Coordinator to guide curriculum imple-mentation, alignment of programs between schools, and the most effective use of personnel and resources.
Recommendations
Providers of Arts Instruction in the State
District-based
School-based
No Arts Coordinator
20%
7%
75%
Percentage of schools served by an arts coordinator
Percentage of schools offering professional development for arts teachers, by teacher type
Licensed Arts Teacher
Classroom teacher with arts responsibility
General classroom teacher
23%
72%
26%
13
A R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
Within each school, per-pupil arts spending is an important indicator of higher
or lower quality levels of arts education. Nearly two-thirds of all schools (64%)
spend less than $10 per pupil per year.
Per-pupil spending is defined as the funds allocated to curricular materials and
support for the arts divided by student population. This does not including
teacher salaries, overhead or capital expenses.
Perpich Resources
Per-Pupil Spending
Minnesota per-pupil spending on arts education is
about at the median of nationwide schools that have
been studied.
Two Cents Per Day for Elementary Arts
When calculated on a per-pupil-per-day basis,
Minnesota spends an average of 2 cents per day at
the elementary level, 3.7 cents at the middle school
and 7 cents at the high school level.
Outside Funding to Offset Budget Decreases
Currently, 23% of all Minnesota schools report that
they use outside funding to offset budget decreases
with the highest at the middle school level, followed
by elementary (27% and 25% respectively). This outside
funding supports direct instruction, not optional or
extra-curricular activities.
Fees for Extra-Curricular Programs
Nearly half (47%) of all schools reported charging
fees for extracurricular arts activities.
Per-Pupil Arts Spending Reliably Indicates the
Elementary
Middle
High
$3.92
$6.65
$12.42
Level of per-pupil spending per year on arts instruction
Elementary
Middle
High
25%
27%
15%
Percentage of schools using outside funds to offset budget shortfalls
Elementary
Middle
High
33%
60%
77%
Percentage of schools that charge fees for extracurricular arts activities
14
“Nearly Two-Thirds of Schools Spend Less Than $10 Per Pupil for Arts Each Year.”
B U I L D I N G A L E G A C Y
Perpich Resources
Sources of Outside Funding for Arts Instruction
More than one-half (58%) of Minnesota schools receive
funding for arts programs from non-district sources,
such as Parent/Teacher groups and district foundations.
Fifty-seven percent of elementary, 53% of middle and
71% of all high school arts programs are partly
supported by outside resources. As stated on the
previous page, of the schools receiving outside
funding, 23% reported using these funds to offset
budget decreases for direct arts instruction.
Use of Technology in Arts Instruction
Student use of technology in the arts is greatest at the
high school level where more than 80% of high schools
report the use of technology in most arts areas.
Report Per Pupil Arts Spending
We recommend that per-pupil arts spend-ing be reported and in-cluded in the Minnesota Data Reports for every public school.
The 5% Goal
We recommend that schools and school districts allocate a minimum of 5% of total school budgets for cur-ricular support and pro-fessional development to support arts education.
Student Fees for Arts Activities
We recommend that schools explore ways to reduce or eliminate fees for student par-ticipation in arts educa-tion activities. Student fees create barriers for student participation in these programs.
Model Schools
We recommend the study of Model Schools, as identified by the Minnesota Arts Edu-cation Research Project, from across all socioeco-
nomic areas. These Model Schools should be high-lighted and lessons from these schools shared in order for schools to learn from one another.
Information Clearinghouse
We recommend the Perpich Center for Arts Education develop and maintain a centralized clearinghouse for information about arts education programs, policies, best practices, models, news and information to aid schools, districts and communities.
Recommendations
Quality Level of Arts Education in Schools
Level of per-pupil-per-year spending on arts instruction
Music
Visual Arts
Media Arts
Theater
Dance
45%
54%
59%
12%
6%
Schools using technology in arts education
15
A R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
PTA/PTO
Local District Foundation
Local Businesses or Corporations
Regional/Local Arts Councils/Agencies
33%
57%
32%
27%
Perpich Arts Integration
Arts Integration Acceptance
In Minnesota, 46% of all schools report using arts
integration as a teaching strategy, although this
percentage varies by grade span.
Regular Use of Arts Integration
When probed further, the percentage of schools using
arts integration on a regular basis is much smaller.
“Regular use” is defined by at least one subject
integrating the arts, once per week.
Arts Integration and Academic Standards
The majority of schools using arts integration reported
meeting the Minnesota Academic Standards in each
subject area with 70% meeting the standards in two or
more subjects.
Integrating Arts with Other Disciplines Is
16
Elementary
Middle
High
51%
39%
41%
Percentage of schools using arts integration
TwoSubjects
Threeor More
OneSubject
Percentage of schools using arts integration that meet the Minnesota Academic Standards
42% 28%
30%
16%
14%
11%
Percentage of schools that use arts integration on a regular basis
Elementary
Middle
High
The arts are powerful partners in making learning richer and more effective,
including in other subjects. The arts can help students place historical events
in cultural context, visualize abstract concepts and make richer connections
with academic subject matter. Arts Integration is an instructional approach
where arts teachers work collaboratively with teachers of other subjects
to increase student learning by identifying, creating and applying authentic
learning connections. This is the first time arts integration has been
measured in any state. 67% of schools would like to introduce or increase
arts integration, but need support to do so.
B U I L D I N G A L E G A C Y
Perpich Arts Integration
Lesson Planning
Schools using arts integration reported teachers are
only occasionally able to plan lessons collaboratively
with very few doing so on a regular basis.
Introducing/Increasing Arts Integration
While the majority of schools see the value of arts
integration for their students, there are logistical, policy
and resource barriers to implementation. Two-thirds of
schools reported an interest in introducing or increasing
the use of arts integration.
Arts Integration Support
Schools identified areas where they could use support in
increasing arts integration. The top five most requested
areas of support are:
Improved Planning Time
We recommend that schools allocate com-mon planning time for classroom and arts teach-ers using arts integra-tion as an instructional strategy.
We recommend that arts teachers receive the professional develop-ment necessary to be effec-tive arts integration leaders.
Teacher professional development in the arts
Teacher release time for co-planning
Arts integration resource materials
Professional development about arts integration research
On-site curriculum coordination
Resources, Technical Assistance and Professional Development
We recommend that the Perpich Center for Arts Education, along with higher education institu-tions, continue to develop resources and provide technical assistance for the 67% of schools looking to implement or increase arts integration.
We recommend the Perpich Center for Arts Education create a professional develop-ment program for school administrators to in-crease their understand-ing of how to implement meaningful arts integra-tion at the school level.
Recommendations
Well-Accepted but not Practiced Regularly
No Interest
Interested
Percentage of schools interested in introducing or increasing the use of arts integration
67% 33%
Never Occasionally Regularly
30%
38%
38%
64%
58%
55%
5%
4%
7%
Percentage of schools where classroom teachers and arts teachers plan lessons together
Percentage of schools where classroom teachers and arts teachers implement integrated lessons together
Percentage of schools where schedule allows for joint planning between classroom and arts teachers
18%
23%
9%
8%
8%
17
A R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
Minnesota schools have many connections to community arts organizations.
Whether though field trips, school assemblies, artist-in-residence programs
or multi-year partnerships, the percentage of schools engaged with
community organizations is as high as in any state in the country.*
Perpich Community
Field Trips
Student field trips to museums, theaters, musical
performances and exhibitions, or to engage in artistic
experiences were provided by 93% of all schools in the
state. Music (79%), theater (61%), visual arts (48%)
and cultural/historical programs (34%) were the most
popular experiences. For the schools not participating in
field trips 62% cited transportation costs as the greatest
barrier to field trips.
Assemblies
A large majority (83%) of Minnesota schools reported
holding arts-based school assemblies, bringing cultural
organizations and professional artists into the school
to provide students with exposure to different artistic
experiences. Music (67%), theater (51%), dance (33%)
and cultural/historical programs (25%) were the most
popular assembly types.
Artist-in-Residence Programs
Artist-in-Residence programs provide the opportunity
for students to work with an artist for a focused period
of time to enrich the overall education experience.
These programs, in which artists have multiple contacts
with a school, were engaged by 51% of schools with
visual arts (24%), music (19%), and creative writing
(10%) being the most popular.
Schools Utilize Diverse Opportunities
All Schools
Elementary
Middle
High
59%
51%
37%
40%
Percentage of all schools hosting Artist-in-Residence programs**
No Assemblies
1+ Assemblies
Percentage of all schools reporting at least one assembly that focused on the arts**
83%
17%
0 Field Trips
1+ Field Trips
Percentage of all schools offering at least one field trip to an arts event**
93%
7%
18
**Data over the last three years*Based on data from other states where similar studies have been conducted
B U I L D I N G A L E G A C Y
Perpich Community
Partnerships with Community-Based Arts Organizations
More than a quarter (28%) of schools reported being
engaged in a multi-year partnership with a community
arts organization.
Minnesota Schools Engagement with Cultural Organizations Compares Favorably to Other States
When comparing Minnesota to other states where data
is available, Minnesota schools have some of the highest
percentages of schools involved with community cultural
organizations across all engagement types (assemblies,
field trips, artists-in-residence and partnerships).
Cultural Opportunities
We recommend funding be targeted to support multi-year partnerships between schools and cultural organizations to help students achieve Aca-demic Standards in the arts.
Transportation Issues
We recommend that Minnesota arts and cultural organizations, the State Arts Board, and other funders continue to work together to find solutions to the barrier of transportation costs to schools taking field trips to arts and cultural organizations.
Recommendations
Community Arts Organizations Provide
MN
OH
MI
NJ
26%
28%
17%
30%
Percentage of schools with multi-year partnerships*
Elementary
Middle
High
35%
17%
26%
Percentage of all schools engaged in a multi-year partnership with a community arts organization
* From states with comparable data
19
A R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
Perpich The Minnesota Arts Education Index
20
In the measurement of arts education in Minnesota
public schools, the research team needed to account
for the differences in the art education experiences
across the state.
To this end, an arts education “index” was calculated
for each school. The index score is comprised of up to
29 (dependent on elementary, middle or high school
index) different components. They include quantitative
measures of:
• Courses, Student Participation, Teachers, Instruction,
and breadth of Arts Offerings
• Facilities and Resources
• Policies, Professional Development, Supervision
and Assessment
• Involvement with Community Resources
The index (one each for elementary, middle and high
schools) is simply an arithmetic combination of scores
related to survey responses on the various components
of arts education in each school. The index scores are
standardized, and therefore have a possible range from
0 to 1, where 0 would signify no attempt at all at arts
education in the school, and 1 would mean a complete
effort on every aspect of arts education measured in the
study. A ‘1’ is nearly impossible to attain, and no school
in our study did so.
Each of the components were calculated, summed, and
then divided by 25 (elementary), 24 (middle) or 29 (high
schools/secondary schools). For elementary schools, the
index score ranged from a low of 0 to a high of .93. For
middle schools, the range was 0 to .75, and for high
schools and secondary schools, the range was 0 to .82.
Because the calculations for elementary, middle and high
school relied on slightly different formulas, the scores are
analyzed based on school type.
Multivariate Findings The creation of the index score for each school allows the
researchers to ask some interesting questions about what
school characteristics relate to stronger arts education
programs. The index score was used to build multivariate
statistical models with the intent of identifying which of
several factors are most associated with high and or low
levels of arts in the schools. Many things, if examined
alone, are statistically related to the level of arts
education in schools. What multivariate modeling does
is ‘control for’ various factors to identify those that have
a distinct statistical relationship with the level of arts
education based on the index.
Key Findings • Focus Rating: Using multivariate modeling (ANOVAs
and Linear Regression) the data revealed that when
statistically ‘controlling for’ the school characteristics of:
proportion of students with free/reduced price lunch
benefits (this is a proxy for socioeconomic status of
the student body), racial composition, school size
and school geographic location (urban/suburban/
rural), the arts education index is statistically
positively related to the school’s Focus Rating (part
of the Minnesota’s Multiple Measurement Rating or
MMR); that is, high schools with higher arts
education indices also have a higher Focus Rating.
• Title One High Schools: In addition, Title 1 status
is also related to arts education index scores. High
schools that are Title 1 high schools have statistically
higher arts education indices when controlling for
the other school factors (free/reduced price lunch,
minority status, and geography).
• GRAD Reading Assessment: In a similar manner
the research team found that student test scores for
the state’s Graduation Required Assessment for
Diploma (GRAD) reading assessment are also
statistically related to the arts education index.
When school socioeconomic status, minority status,
school size, geography and Title 1 status are
statistically controlled for, the arts education index is
positively related to GRAD reading scores. That
is, high schools with higher arts education indices
had higher GRAD reading scores. The same analysis
looking at GRAD math and GRAD writing scores,
however, did not yield the same results. We found
no evidence of a statistical relationship between
GRAD math nor GRAD writing scores with arts
education index scores of high schools.
B U I L D I N G A L E G A C Y
Methodology
sampling variation. In other words, the results obtained
are statistically equivalent (to three decimal points) to
those obtained had all schools responded.
Defining Schools for This Report Minnesota schools in this report are represented by a
majority of schools with at least one elementary grade
(57%). The remaining schools had middle school grades
(16%) and/or high schools (9-12) or secondary grades
(7-12) grades (28%).
School types are mutually exclusive; a single building
is only designated as being an elementary school, a
middle school, high school or secondary school,
depending on which grades they have enrolled. For the
purpose of this report schools with ‘elementary grades’
are those with at least one grade from kindergarten
through fifth grade. Middle school grades are grades
six through eight. High school grades are grades nine
through twelve. Secondary schools are grades seven
through twelve. Secondary schools have been combined
with high schools for most sections of this report except in
areas where significant differences in the data occurred.
To view the complete survey instrument, survey
instructions, communication to schools, data table
reports and related materials go to:
http://www.pcae.k12.mn.us/survey/legacy.html 21
It must be emphasized that this examination is purely
correlational (one cannot assume any causative impact
of any factor examined). However, these are very
compelling findings.
The overall pattern of the data suggests that individual
school administrator preferences, choices and the
subsequent allocation of resources impacts the level of
arts in the schools far more than other factors impacting
the school environment. The disparity in arts education
between schools — even when all else is equal —
suggests that local decisions have a great impact on
the level of arts education in any individual school.
A R T S E D U C A T I O N F O R A L L M I N N E S O T A S T U D E N T S
MethodologyAll public school principals in Minnesota were
requested by the Commissioner of Education to
provide data on arts education from their school
for this study. Data were provided via a special
on-line questionnaire by Quadrant Arts Education
Research. The data were then processed and put
through an extensive statistical analysis, which is
the basis of this report.
A single questionnaire was used. The survey was
programmed to only show relevant questions based
on the school type (Elementary, Middle, High,
Secondary). The questionnaire was implemented
during the 2010-2011 school year.
School administrators were contacted by the
Commissioner of Education in September of 2010
advising them of the survey process and instructions.
Data collection began on November 13, 2010 and
the last completed questionnaire was collected
on June 30, 2011.
Survey Participation Of the 1420 public (non charter) schools targeted for
participation, 626 successfully completed a questionnaire,
yielding a 44% response rate. A total of 376,924
Minnesota public school students were represented
by this study.
Because of the high response rate there is only a ± 2.95%
margin-of-error associated with these results due to
Perpich Arts Links*1
*2
*3
*4
*5
*6
*7
*8
*9
*10
*11
*12
*13
*14
*15
*16
*17
*18
*19
*20
Resources Available
In addition to the Minnesota Arts Education Research Project data, valuable information about the arts and learning is available on these websites. They can be visited online at:
www.artsedresearch.orgwww.pcae.k12.mn.us
©2012 Perpich Center for Arts Education
B U I L D I N G A L E G A C Y
College Board. (2012). The College Board Partners with
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27, 2012, from http://advocacy.collegeboard.org/preparation-
access/arts-core/news/college-board-partners-national-
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Vaughn, K., & Winner, E. (2000). SAT Scores of Students Who Study
the Arts: What We Can and Cannot Conclude about the Association.
Journal of Aesthetic Education, 34(3/4), 77-98.
Minnesota Citizens for the Arts & the Forum of Regional Arts
Councils of Minnesota. (2006). The Arts: A Driving Force in
Minnesota’s Economy. Retrieved September 27, 2012 from http://
mncitizensforthearts.org/wp-content/uploads/2008/03/
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Woock, C., Lichtenger, J. & Wright, M. (2008). Ready to Innovate: Are
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from http://www.p21.org/overview/skills-framework
Robelen, E.W. (2012). States Mulling Creativity Indexes for Schools.
Education Week, September 27. Retrieved September 27, 2012 from
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y_ep.h31.html
Neville, H. et al. (2008). Effects of Music Training on Brain and
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the Brain: The Dana Consortium Report on Arts and Cognition (pp.
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Scott, L. (1992). Attention and Perseverance Behaviors of Preschool
Children Enrolled in Suzuki Violin Lessons and Other Activities.
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Catteral, J.S., Chapleau, R. & Iwanaga, J. (1999). Involvement in the
Arts and Human Development: General Involvement and Intensive
Involvement in Music and Theatre Arts. In E.B. Fiske (ED.), Champions
of Change (pp. 1-18). Washington, DC. the Arts Education Partnership
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Catteral, J.S., (2002). Involvement in the Arts and Success in
Secondary School. In R. Deasey (Ed.), Critical Links: Learning in the
Arts and Student Academic and Social Development (pp. 68-69).
Washington, DC. the Arts Education Partnership.
Ho, Y., et al. (2003). Music Training Improves Verbal Memory, Nature,
396, 128.
Ho, Y., et al. (2003). Music Training Improves Verbal but Not Visual
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Neuropsychology, 17(3), 439-450.
Catterall, James S. “Involvement in the Arts and Success
in Secondary School.” In R. Deasy (Ed.), Critical Links: Learning
in the Arts and Student Achievement and Social Development, 2002.
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Minton, S. (2002). Assessment of High School Students’ Creative
Thinking Skills: A Comparison of the Effects of Dance and Non-dance
Classes. In R. Deasy (Ed.), Critical Links: Learning in the Arts and Student
Academic and Social Development (pp. 8-9). Washington, DC. the Arts
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Tishman, S., MacGillivray, D. & Palmer, P. (2002). Investigating the
Educational Impact and Potential of the Museum of Modern Art’s Visual
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Baker, R.A. (2011). The Relationship between Music and Visual Arts
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22
Acknowledgments
M i n n e s o t A A r t s e d u c A t i o n r e s e A r c h P r o j e c t
The Minnesota Arts Education Research Project is a collaborative partnership between the Perpich Center for Arts Education, the Minnesota State Legislature and Minnesota schools.
The Minnesota Arts Education Research Project is made possible by funds from the Minnesota State Legislature through its Arts and Cultural Heritage Fund of the Clean Water, Land, and Legacy Amendment.
Quadrant Arts Education Research conducted the statewide survey of schools and analysis of data resulting in this report.
s P e c i A l A c k n o w l e d g e M e n t
The Minnesota Arts Education Research Project partners wish to extend our gratitude to the schools and districts that submitted their data for inclusion into this report, and to all Minnesota teachers who provide their students with arts learning that is powerful, insightful and creative.
A c k n o w l e d g M e n t s
Project Research Team:Dr. Patricia J. Cirillo, Cypress ResearchRobert B. Morrison, Quadrant Arts Education Research
Project Advisory Group:Beth Aune, Director of Academic Standards and P-20 Initiatives, Minnesota Department of EducationJim Bartsch, Director of Education, Minnesota OrchestraJim Bequette, Assistant Professor, Department of Curriculum & Instruction, University of MinnesotaJoão Bichinho, Social Studies Teacher, Perpich Center for Arts EducationMary Cecconi, Parents United for Public SchoolsCarl Flink, Chair, Department of Theatre Arts & Dance, University of MinnesotaBrian Goranson, Artistic Director, St. Paul Conservatory for Performing ArtistsDeb Hannu, Visual / Media Arts Educator, Duluth Public SchoolsJeremy Holien, Visual & Media Arts Education Coordinator, Professional Development & Resources, Perpich Center for Arts EducationDon Johnson, Executive Director, Minnesota Association of Secondary School PrincipalsCalvin Keasling, Arts Content Lead and Arts for Academic Achievement Director, Minneapolis Public SchoolsLynda Monick-Isenberg, Associate Professor and Teaching Artist Coordinator, College of Visual ArtsDavid Myers, Director of the School of Music, University of MinnesotaSenator Carla Nelson, Minnesota State SenateJosh Nelson, Manager of Educational Services, Lakes Country Service CooperativeMichelle Ponsolle, Director of Development & Programs, Minnesota Independent Schools ForumSuzanne Riley, Executive Director, Southeast Service CooperativeSandy Rummell, former Minnesota State Senator Mary Schaefle, Executive Director, Minnesota Music Education AssociationJan Spencer de Gutiérrez, Supervisor Visual and Performing Arts, Saint Paul Public SchoolsMark Springer, Dean of the College of Liberal Arts and School of the Arts, St. Cloud State UniversityP. Fred Storti, Executive Director, Minnesota Elementary School Principals AssociationHoward Wilson, Principal, Four Seasons A+ SchoolBarbara Wornson, Director, Main Street School of the ArtsAlina Campana, Education Program Specialist, Perpich Center for Arts Education Pamela Paulson, Senior Director of Policy, Perpich Center for Arts Education Byron Richard, Education Program Specialist, Perpich Center for Arts Education
Perpich Center for Arts Education Board MembersPeter AdolphsonBari AmadioJaneen CareyBill CrutcherStephan DalyArdythe GallantRoberta JonesTodd Liljenquist, Board ChairPierce McNally, Board Vice ChairNancy PaddlefordAlex PlechashMartha Weaver WestSue Mackert, Executive Director (ex-officio member)
Inside Back Cover