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From Interaction to Trajectories Steve Benford Mixed Reality Laboratory University of Nottingham

From Interaction to Trajectories

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From Interaction to Trajectories. Steve Benford Mixed Reality Laboratory University of Nottingham. Desert Rain (1997). Uncle Roy All Around You (2003). Fairground: Thrill Laboratory (2006). Day of the Figurines (2006). Trajectories. - PowerPoint PPT Presentation

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From Interaction to Trajectories

Steve Benford

Mixed Reality Laboratory

University of Nottingham

Desert Rain (1997)

Uncle Roy All Around You (2003)

Fairground: Thrill Laboratory (2006)

Day of the Figurines (2006)

Trajectories

• All four experiences combine interactivity with live performance

• They also exhibit complex and extended spatial and temporal structures

• They are unified by the approach of creating a coherent journey through the experience

• Building on recent studies of interactive exhibits, these journeys can be described in terms of trajectories

Trajectories through hybrid space

Mixed Reality Continuum (Milgram and Kishino)

Virtual Reality

(Everyday) Reality

Augmented Reality

Augmented Virtuality

immersion ubiquity

Our experiences combine multiple points

on the continuum to form complex hybrid space

through which participants move

Trajectories through hybrid time

Story time The temporal structure of the underlying story world

Plot time The temporal structure of the narration of the story

Interaction time The times at which a participant chooses or is able to interact

Schedule time The times at which the narration is made available

Perceived time The timing of interactions as perceived by the participant

Time as conceived by the author

Time as perceived by the participant

Trajectories through roles

SpectatorsAudience

Bystanders

ParticipantsStreet players

Online players

PerformersActors

Orchestrators

each role follows its own trajectory

and there are trajectories

between roles

Trajectories through interfaces

• Interfaces are designed and also arranged to establish a trajectory of interaction

Transitions and Traversals

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

Transitions and Traversals

beginnings

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

Transitions and Traversals

beginnings

Role and interface transitions

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

Transitions and Traversals

beginnings

Role and interface transitions

Temporal episodes

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

P507_Floss 4 4 4 4 4 4 4 4 2 2 4 2 4 4 4 4 4 4 2 2 4 4 4 4 2P510_Max_Ernst 4 4 4 4 4 4 4 4 4 4 4 2 2 4 4 4 2 2 4 4 4 6 0 0 0P511_xiaocondom 4 4 4 4 4 4 4 4 4 2 4 4 4 4 4 2 2 2 2 4 4 4 4 4 2P512_Nikita 4 4 4 4 4 4 4 4 4 4 2 2 4 2 4 4 2 2 2 2 2 4 4 4 2P513_Max 4 4 4 4 4 4 4 4 4 2 2 4 4 6 0 0 0 0 0 0 0 0 0 0 0P514_Junior 4 4 4 4 2 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2P515_Samantha 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2P516_Natalie 4 4 4 4 4 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0P517_Mondrag 4 4 4 4 4 4 4 4 4 2 4 4 2 4 4 2 2 2 2 2 2 4 4 2 2P518_Tin_Man 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2P522_The_Me 4 4 4 4 4 4 4 4 4 4 2 4 4 2 4 2 4 2 2 2 2 4 4 4 2P523_Bernard 4 4 4 2 2 4 4 4 4 4 2 2 4 4 4 4 2 2 2 2 2 2 2 2 2P526_robinhood787 4 4 4 2 2 2 2 2 2 4 2 2 2 2 2 4 4 2 2 4 2 2 4 4 2P527_daodao 4 4 4 4 4 2 4 2 2 4 4 2 4 2 2 2 4 4 4 2 2 4 4 4 2P528_Daisy 4 4 4 2 2 2 4 4 4 4 4 2 4 4 2 2 4 2 2 2 2 2 4 2 2P529_AX 4 4 4 4 2 2 2 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 2P530_Adolf 4 4 4 4 4 4 4 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0P531_Cindy 4 4 4 2 4 4 4 2 2 2 2 4 4 4 4 4 2 4 4 4 2 6 0 0 0P532_Dark_Angel 4 4 4 2 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 2 4 2P536_Kellar 4 4 4 4 4 4 4 4 4 4 2 2 4 4 2 2 2 2 2 2 2 2 2 4 2P508_sonboss 4 4 2 4 4 4 2 2 4 4 4 4 4 2 4 4 4 4 4 4 2 4 4 4 2P521_DJ_Raj 4 4 2 2 4 4 4 2 4 2 2 2 2 4 4 4 4 2 4 4 2 2 2 4 2P525_Trugoy 4 4 2 2 2 4 4 4 4 4 4 2 4 4 4 4 4 4 4 6 0 0 0 0 0P534_IJ 4 4 2 4 4 2 4 4 4 4 4 4 4 4 4 4 2 4 4 4 4 4 4 4 4P519_Droffilc 4 2 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 2P520_Dr_No 4 2 4 4 2 4 4 2 4 2 4 2 4 4 4 4 4 4 4 2 2 4 4 4 2P509_Roger 4 2 2 2 2 2 2 2 2 2 2 2 2 2 5 0 0 0 0 0 0 0 0 0 0P524_Miss_Biscuit 4 2 2 4 4 4 2 4 4 2 2 2 4 6 0 0 0 0 0 0 0 0 0 0 0P533_C_est_moi 4 2 2 4 2 2 2 2 4 2 2 2 2 2 2 2 4 2 2 2 4 2 4 4 2P535_Mrs_Stam 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2P539_Dorothy 0 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 4 4 2 4 4 4 4 2P537_Karn4 0 4 2 2 4 2 2 4 4 4 2 4 2 2 4 2 2 2 6 0 0 0 0 0 0P538_Willy_Wonka 0 4 2 2 2 2 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Transitions and Traversals

beginnings

Role and interface transitions

Temporal episodes

Physical-virtual traversals

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

Transitions and Traversals

beginnings

Role and interface transitions

Temporal episodes

Physical-virtual traversals

Access to physical resources

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

Transitions and Traversals

beginnings

Role and interface transitions

Temporal episodes

Physical-virtual traversals

Access to physical resources

Seams

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

Transitions and Traversals

beginnings

Role and interface transitions

Temporal episodes

Physical-virtual traversals

Access to physical resources

Seams endings

Trajectories have to negotiate various transitions and traversals during which

continuity may be at risk

Negotiating Trajectories

Participant trajectory

Canonical trajectory

Canonical and participant trajectories represent an author’s ideal journey and a participant’s actual journey respectively

Negotiating Trajectories

Participant trajectory

Canonical trajectory

Interactivity drives

divergence

Canonical and participant trajectories represent an author’s ideal journey and a participant’s actual journey respectively

Negotiating Trajectories

Participant trajectory

Canonical trajectory

Orchestration drives

convergence

Canonical and participant trajectories represent an author’s ideal journey and a participant’s actual journey respectively

Interleaving Trajectories

Multiple trajectories can represent different participants

or different applications

Participant ‘red’

Participant ‘blue

Interleaving Trajectories

Multiple trajectories can represent different participants

or different applications

Participant ‘red’

Participant ‘blue

Mutual awareness and encounters

when trajectories come together

Interleaving Trajectories

Multiple trajectories can represent different participants

or different applications

Participant ‘red’

Participant ‘blue

Steer trajectories apart to avoid contention or

to minimise distractions and interruptions

Interleaving Trajectories

Multiple trajectories can represent different participants

or different applications

Participant ‘red’

Participant ‘blue

Pacing involves keeping trajectories

together

Summary of Trajectories

• A trajectory describes a journey through an extended user experience emphasising continuity and coherence

• Trajectories pass through hybrid structures of space, time, roles and ecologies of interfaces

• Trajectories have to cross key transitions including beginnings, endings, role and interface transitions, physical-virtual transitions, temporal episodes, physical resources and seams

• Canonical trajectories and participant trajectories represent author and participant control and diverge and converge due to interactivity and orchestration

• Interleaved trajectories describe collaborative and/or multi-tasking situations and address encounters, awareness, separation, pacing and prioritisation

Putting Trajectories to Work

• Providing sensitising concepts for empirical studies• A vehicle for compiling craft knowledge• Identifying requirements for new technologies• Towards a dramaturgy of interactive user experience

‘Serious’ experiences?

• Cultural experiences may provoke reflection and debate– Addressing challenging themes– Using ambiguity to provoke interpretation

• Wider applications of trajectories– Designing complete VR experiences– Supporting learning

Further Information• www.mrl.nott.ac.uk • www.blasthoery.co.uk• www.thrilllaboratory.com • Papers and videos available at: www.mrl.nott.ac.uk/~sdb

– Benford, Giannachi, Koleva & Rodden, ‘From Interaction to Trajectories: Designing Coherent Journeys Through User Experiences’, ACM CHI 2009

– Benford &Giannachi, ‘Temporal Trajectories in Shared Interactive Narratives’, ACM CHI 2008

– Benford et al, ‘The Frame of the Game’, ACM CHI 2006– Reeves, Benford, O’Malley and Fraser, ‘Designing the Spectator

Interface, ACM CHI 2005– Gaver, Beaver & Benford, ‘The Role of Ambiguity in Interfac Design’,

ACM CHI 2003