FRITZ HANSEN FUNITURE - nanoHome · Được tạo dựng từ bàn tay tài ... Christian E.Hansen đã đưa Fritz Hansen trở thành một nhà sản xuất công nghiệp danh

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FRITZ HANSENFUNITURE

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The name Fritz Hansen™ encapsulates the company’s entire 145-year history – from the founder, visionary cabinetmaker Fritz Hansen, to the architects and designers prized and coveted the world over. This history is all about being open to new currents, about thinking big and outside the box, about developing and renewing in

line with one’s own principles and origins and about crafting timeless design.

The story begins in 1872, when 25-year-old master cabinetmaker Fritz Hansen leaves his Danish hometown of Nakskov and heads to Copenhagen to set up his first cabinetmaking business on small, rented premises. 1885

is a decisive year that Fritz Hansen begins his own furniture production with his own furniture programme.

In 1898, he establishes a sawmill in Lillerød, north of Copenhagen. Fritz Hansen is already well known for the quality of his work, which has been a matter of course ever since. In 1899, Fritz Hansen hands the business over to his son, Christian E. Hansen, who wins such prestigious contracts as the Danish Parliament at Christiansborg Castle and Copenhagen Town Hall, the latter resulting in the Town Hall chair – the company’s first recorded collaboration with an architect, Martin Nyrop. Just as forward-looking as his father, Christian E. Hansen develops the company into an industrial manufacturer that introduces new materials, new production technologies, and a whole new design language inspired by the period’s budding functionalism. In just a few years during the 1920s, with Christian E.Hansen at the helm, the company becomes capable of steam-bending wood just as successfully as world leaders in the field. This steam-bent wood makes it possible to produce furniture that is

simultaneously light and strong.

FRITZ HANSEN

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Thương hiệu Fritz Hansen là kết tinh của lịch sử hình thành và phát triển trải dài hơn 145 năm. Được tạo dựng từ bàn tay tài hoa và niềm đam mê lớn lao của người thợ làm tủ Fritz Hansen, phát triển theo thời gian qua tài năng của những kiến trúc sư và nhà thiết kế đầy cá tính và sáng tạo, Fritz Hansen hiện là một trong những thương hiệu nội thất cao cấp được ngưỡng mộ trên toàn thế giới với những thiết kế đã trở thành biểu tượng. Lịch sử của Fritz Hansen nổi bật với những trào lưu mới, những phong cách thiết kế táo bạo đối lập với quan điểm thông thường. Vượt khỏi những lối mòn sẵn có, Fritz Hansen xây

dựng cho riêng mình một nền tảng cốt lõi: đó là thiết kế những giá trị vượt thời gian.

Câu chuyện của Fritz Hansen bắt đầu vào năm 1872. Năm ấy, chàng trai Fritz Hansen rời bỏ tổ ấm của mình ở vùng Naskov, Đan Mạch khi mới 25 tuổi để đến với thủ đô Copenhagen. Bằng hành trang vọn vẹn là đôi bàn tay lành nghề, Fritz

Hansen đã khởi nghiệp với ước mơ xây dựng một công ty chế tác tủ của riêng mình.

Bước ngoặt đến vào năm 1885 khi Fritz Hansen bắt đầu đưa sản xuất những mẫu tủ do chính mình thiết kế. Năm 1989, anh mua lại một nhà máy cưa gỗ tại Lillerod, phía Bắc Copenhagen. Tại thời điểm đó, Fritz Hansen đã có sự am hiểu sâu sắc về các sản phẩm tủ và luôn duy trì được chất lượng tuyệt hảo của những chiếc tủ mà ông làm ra trong suốt những năm về sau. Đến năm 1899, ông trao lại công ty cho người con trai, Christen E.Hansen. Christen đã chứng tỏ sự xứng đáng của mình khi mang về những đơn hàng chế tác lớn cho Nghị Viện Đan Mạch tại lâu đài Christenborg và Tòa Thị Chính Copenhagen. Cũng tại đây, thiết kế của chiếc ghế Town Hall (Town Hall Chair) ra đời và là sản phẩm đầu tiên mà Fritz

Hansen hợp tác với một kiến trúc sư, Martin Nyrop.

Với tầm nhìn tuyệt với không kém cha mình, Christian E.Hansen đã đưa Fritz Hansen trở thành một nhà sản xuất công nghiệp danh tiếng. Mạnh dạn ứng dụng những vật liệu mới, những công nghệ sản xuất mới, các sản phẩm của Fritz Hansen mang một ngôn ngữ thiết kế riêng theo xu hướng đề cao công năng đang thịnh hành trong giai đoạn này. Trong những năm 1920, dưới sự lãnh đạo của Christian E.Hansen, công ty đi tiên phong trong việc sử dụng vật liệu gỗ uốn bằng hơi nước và tạo ra những với chất lượng tuyệt hảo. Thế giới lần đầu tiên được thấy những sản phẩm gỗ chắc chắn nhưng

vẫn giữ được những đường cong nhẹ nhàng và tinh tế nhờ vào công nghệ xử lý và uốn gỗ bằng hơi nước tạo ra.

– challenges Danish furniture traditions, setting new standards for Scandinavian furniture design. Although Kjærholm leaves Fritz Hansen due to disagreements over the prioritisation of his and Arne Jacobsen’s projects, his designs become a natural part of the Fritz Hansen collection in 1982, when the company once again starts to produce his furniture.

In 1965, the world-famous architect Henning Larsen enters the Danish design scene, just as Verner Panton, the enfant terrible of Danish design, becomes leader of the avant-garde, whilst provoking and inspiring through his work designing furniture for Fritz Hansen. In 1968, Piet Hein and Swedish Bruno Mathsson design the Super-Elliptic™ table, a democratic table with no ends.

Over time, the concept of Danish Design takes on broad, international significance at Fritz Hansen. Designers of different nationalities yet common attitudes and beliefs work closely with Fritz Hansen to continue the tradition of forward-thinking, heritage-based design.

The introduction of the Fritz Hansen™ concept in 2000 reflects this evolution, celebrating a design philosophy that knows no geographic frontiers. A philosophy distilled from the design traditions begun by Fritz Hansen anddeveloped through nearly a century and a half of craftsmanship experience. A philosophy that dictates that all design in the Republic of Fritz Hansen must be timeless, yet relevant in time, pure, original and sculptural.

In 2015, Fritz Hansen further expands its horizons as it acquires Lightyears, a manufacturer of contemporary Danish design lamps focused on bringing light and beauty into people’s everyday lives. The collection is developed with Danish and international designers such as Cecilie Manz, GamFratesi, Jo Hammerborg, Iskos-Berlin, KiBiSi, Jørn Utzon and Christian Dell. And in 2016, the company establishes an exclusive range of home interior accessories called Objects, featuring such contemporary talents as Spanish designer Jaime Hayon and Danish collaborative Aiayu.

Today, Fritz Hansen design philosophy is interpreted by young, talented Danish designers andinternationally acknowledged stars, resulting in a continually growing, dynamic portfolio of furniture, lighting, and accessories with a timeless core and an innovative spirit.

In 1931, Fritz Hansen’s grandsons, Søren and Fritz Hansen, launch the first steel furniture in Denmark together with their father, Christian E. Hansen. Inspired by the work of such masters as Mies van der Rohe, the furniture draws praises in New York, though not in Denmark. In 1932, Søren and Fritz Hansen become co-directors, bringing to the table an international perspective gained over many years abroad.

During the 1930s, Fritz Hansen begins to work with the most highly regarded and forward- looking architects of the time. Kaare Klint and the Church chair represent the first important collaboration of this decade. And in 1944, Fritz Hansen’s collaboration with progressive furniture designer Hans J. Wegner unveils the China Chair™, a sculptural celebration of wood and furniture craftsmanship of the highest order.

Fritz Hansen’s collaboration with Arne Jacobsen begins in 1934, but his star does not rise until 1952, when the designer discovers the wonders of steam bendingveneer – a technique Søren Hansen refines to perfection – and develops the three-legged, pressure-moulded, stackable Ant™ chair for the Novo Nordisk canteen. The Ant subsequently gives rise to a range of pressure-moulded veneer chairs, of which the Series 7™, with its four legs and armrests, achieves higher sales than any other chair in Fritz Hansen’s history.

Continuing to work closely with Fritz Hansen, Arne Jacobsen designs the Egg™ chair, the Swan™ chair and the Drop™ chair for his own modernist masterpiece, the Royal Hotel in the centre of Copenhagen, now the Radisson Blu Royal Hotel. Today, these works are internationally recognised as style icons, the result of inspired collaboration between Arne Jacobsen and Fritz Hansen’s most talented craftsmen. Later, Arne Jacobsen’s Oxford™ chair becomes part of the overall design for St. Catherine’s College at Oxford University in theUnited Kingdom. This chair represents the quintessential Fritz Hansen design, radiating originality, simplicity and lightness presented with sculptural impact.

In 1951, Poul Kjærholm becomes an indispens-able part of Fritz Hansen’s history and distinguishing features. Poul Kjærholm’s furniture – minimalist, with an industrial dimension and a subtle air of exclusivity

FRITZ HANSENwww.fritzhansen.com

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Năm 1931, Christian E.Hansen và hai người con Soren và Fritz Hansen đã cho ra mắt những sản phẩm nội thất đầu tiên kết hợp vật liệu thép tại thị trường Đan Mạch. Lấy cảm hứng từ những tác phẩm của Mies van de Rohe, các mẫu thiết kế đã gây ấn tượng mạnh tại triển lãm nội thất ở New York. Năm 1932, Soren và Fritz Hansen tham gia hội đồng quản trị và bắt đầu hành trình đưa thương hiệu Fritz Hansen chinh phục thị trường thế giới.

Trong những năm 1930, Fritz Hansen bắt đầu hợp tác với những kiến trúc sư đương đại hàng đầu với Kaara Klint và thiết kế Church Chair là đại diện tiêu biểu nhất trong giai đoạn này.Năm 1944, Fritz Hansen bắt tay với nhà thiết kế nội thất nổi tiếng Hans J.Wegner và cho ra đời chiếc ghế China (China Chair™) – một sự kết hợp độc đáo của nghệ thuật tạo hình gỗ và kỹ năng chế tác bậc cao của Fritz Han-sen.

Vào năm 1934, nhà thiết kế Arne Jacobsen bước vào ngôi nhà Fritz Hansen và phần còn lại đã trở thành lịch sử. Bất chấp những khởi đầu không suôn sẻ, Arne Jacobsen đã thực sự tỏa sáng từ 1952. Đây là thời điểm Ja-cobsen nhận ra ưu điểm tuyệt vời của vật liệu gỗ ván veneer uốn cong bằng hơi nước. Kỹ thuật này đã được Soren Han-sen cải tiến đến mức hoàn hảo. Bằng phương pháp này, Arne Jacobsen đã tạo ra chiếc ghế Ant (Ant Chair™) 3 chân, thân đúc áp lực và xếp chồng được, lần đầu được sử dụng cho khu vực nhà ăn của công ty Novo Nordisk. Từ Ant Chair, Arne Jacobsen phát triển thêm dòng ghế Series 7™, vẫn sử dụng vật liệu ván gỗ veneer uốn, thân đúc áp lực, có 4 chân và tựa tay. Series 7™ sau đó trở thành dòng ghế bán ra với số lượng cao nhất trong lịch sử của Fritz Hansen tính đến hiện nay.

Tiếp tục hợp tác với Fritz Hansen, Arne Jacobsen thiết kế chiếc ghế Egg (Egg™ Chair), chiếc ghế Swan (Swan™ Chair) , chiếc ghế Drop (Drop™ Chair) dành riêng cho Khách sạn Hoàng gia SAS ở trung tâm Copenhagen – hiện nay là Khách sạn Hoàng Gia Radisson Blu. Ngày nay, các thiết kế này đã trở thành biểu tượng nổi tiếng toàn cầu, là sự kết hợp hoàn hảo giữa tài năng thiết kế của Arne Jacobsen và nghệ thuật chế tác đỉnh cao của Fritz Hansen. Những năm sau đó, Arne Jacobsen tiếp tục cho ra đời mẫu ghế Oxford (Oxford™ Chair), được sử dụng trong tổng thể thiết kế của trường cao đẳng St.Catherine thuộc Đại học Oxford, Vương Quốc Anh. Đây là một trong những mẫu thiết kế tiêu biểu nhất của hãng, là đại diện cho nguyên lý thiết kế tối giản, tinh tế nhưng đem lại ấn tượng tạo hình sâu sắc.

Năm 1951, Poul Kjerholm tham gia đội ngũ của Fritz Hansen và trở thành một trong những nhà thiết kế xuất sắc nhất của hãng. Theo đuổi phong cách tối giản, các thiết kế của Pour Kjerholm, với kiểu dáng công nghiệp hiện đại nhưng vẫn giữ

được nét riêng tư đầy tinh tế, đã làm thay đổi đáng kể các chuẩn mực đương đại trong lĩnh vực thiết kế nội thất của trường phái Bắc Âu. Sau khi Poul Kjerholm rời Fritz Hansen do những bất đồng trong việc ưu tiên sử dụng các thiết kế của Arne Jacobsen, Fritz Hansen vẫn lưu giữ những thiết kế đầy sáng tạo của Poul Kjerholm và năm 1982, hãng đã quyết định đưa các thiết kế này vào sản xuất.

Năm 1965, Fritz Hansen kết hợp với kiến trúc sư nổi tiếng thế giới Henning Larsen cùng với Verner Panton để tạo ra các sản phẩm táo bạo đi trước thời đại, đầy cảm hứng và vô cùng khiêu khích. Năm 1968, sự kết hợp với Piet Hein và nhà thiết kế người Thụy Điển Bruno Mathsson đã tạo rachiếc bàn Super-Elliptic (Super-Elliptic™ Table), một thiết kế mang tính thực tiễn và rất cuốn hút trong hình dáng một vòng xoay bất tận.

Trải qua thời gian, quan niệm thiết kế của Fritz Hansen dần phát triển vượt ra ngoài biên giới và hàm chứa nhiều phong cách và các quan điểm thiết kế rộng lớn hơn. Những nhà thiết kế của Fritz Hansen, dù đến từ nhiều quốc gia khác nhau nhưng chia sẻ cùng một triết lý thiết kế tương đồng với các giá trị của Fritz Hansen, đã thành công trong việc gìn giữ và phát huy những di sản thiết kế của Fritz Hansen.

Thương hiệu Fritz Hansen lần đầu tiên được giới thiệu vào năm 2000, là bước phát triển với quan điểm thiết kế phi ranh giới. Chắt lọc những tinh hoa trong nền tảng thiết kế khởi nguồn từ Fritz Hansen và những kinh nghiệm chế tác tích lũy xuyên suốt gần 150 năm qua, triết lý của Fritz Hansen chính là tạo tác những sản phẩm có tính tạo hình độc đáo và duy nhất, chứa đựng những giá trị vượt thời gian, và luôn hài hòa tinh tế ở mọi thời điểm.

Năm 2015, thương hiệu Fritz Hansen mở rộng lĩnh vực kinh doanh khi mua lại công ty thiết kế và sản xuất đèn Lightyears của Đan Mạch với mục tiêu mang vẻ đẹp của ánh sáng đến gần hơn với cuộc sống. Các sản phẩm được thực hiện bằng sự kết hợp với những nhà thiết kế tiêu biểu như Cecilie Manz, Gam Fratesi, Jo Hammerborg, Isko-Berlin, KiBiSi, Jorn Utzon và Christian Dell. Năm 2016, công ty tiếp tục cho ra đời dòng phụ kiện nội thất dưới tên gọi Objects được thiết kế tỉ mỉ bởi những tài năng đương đại như nhà thiết kế người Tây Ban Nha Jaime Hayon cùng cộng sự người Đan Mạch Aiayu.

Ngày nay, di sản thiết kế của thương hiệu Fritz Hansen được kế thừa và phát huy bởi những nhà thiết kế trẻ nhiều đam mê ở Đan Mạch và khắp nơi trên thế giới. Trong dòng chảy liên tục đó, Fritz Hansen sẽ không ngừng mang đến cho khách hàng những bộ sưu tập sản phẩm nội thất, chiếu sáng và phụ kiện đa dạng và vô cùng sáng tạo, với những giá trị luôn bền vững theo thời gian.

FRITZ HANSENwww.fritzhansen.com

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PRODUCT OVERVIEW

DROP™P.12

GRAND PRIX™P.18

SAMMEN™P.20

CHINA CHAIR™P.14

OXFORD™P.22

SERIES 7™ P.04

N.01 ™P.15

EGG™P.24

ALPHABET SOFA™P.40

LISSONI SOFA™P.50

PK 9™P.64

LITTLE FRIEND™P.53

JOIN™P.55

ANALOG™P.57

TABLE SERIES™P.58

PLANNER™P.60

PK54™P.76

PK61™P.75

PK 22™P.65

PK 11™P.66

PK 33™P.68

PK 91™P.69

PK 71™P.71

PK 80™P.72

FAVN™P.43

SWAN SOFA™P.46

LUNE™P.49

SWAN™P.29

FRI™P.30

RO™P.34

POT™P.36

JH97™P.38

DOT™P.08

CHAIRS

LOUNGE CHAIRS

SOFA

POUL KJÆRHOLM COLLECTION

TABLE

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A further development of the classic Ant™ chair, the four-legged Series 7™ chair represents the culmination of thepressure-moulding technique that Søren Hansen, founder Fritz Hansen’s grandson, spent the 1920s and 30s refining.The iconic shape of the Series 7 is the result of Arne Jacobsen’s exploration of the possibilities of steam-bent veneer.The best selling chair in Fritz Hansen’s history is also the chair with the widest range of applications. It is availablewith castors, armrests, and even as a barstool and a children’s chair. Choose from an extensive palette of colours andfinishes, fabric or leather upholsteries, and wood types. The classic Series 7 chair comes with a chrome base or in a

monochrome version with a powder-coated base. The chrome base is available in three different heights.

Model 310782 x 50 x 52 cm

Coloured Ash, Ai BlueFHCS73107CA4

Model 310782 x 50 x 52 cm

Coloured Ash, Adstadt RoseFHCS73107CA11

Model 3107 Monochrome82 x 50 x 52 cm

Coloured Ash, BlackFHCS73107MCCA3

Model 310782 x 50 x 52 cm

Coloured Ash, Nine GreyFHCS73107CA2

Model 3107 x lala Berlin82 x 50 x 52 cm

Lacquered, Adamo & Eva FHCS73107-LALA-VINO120

Model 310782 x 50 x 52 cm

Coloured Ash, Wild leatherFHCS73107-CA3-LW2

Model 3107 Monochrome82 x 50 x 52 cm

Coloured Ash, WhiteFHCS73107MCCA1

Model 310782 x 50 x 52 cm

Coloured Ash, WhiteFHCS73107CA1

Model 310782 x 50 x 52 cm

Coloured Ash, BlackFHCS73107CA3

SERIES 7™

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Model 310782 x 50 x 52 cmNuance leather

Model 312782 x 50 x 52 cm

Wild leather, Walnut

SERIES 7™Design by Arne Jacobsen in 1955

Model 310782 x 50 x 52 cm

Lacquered, Trieste BlueFHCS73107LQ5

Model 310782 x 50 x 52 cm

Lacquered, Hüzün GreenFHCS73107LQ6

Model 310782 x 50 x 52 cm

Lacquered, Opium RedFHCS73107LQ9

Model 310782 x 50 x 52 cm

Lacquered, Chevalier OrangeFHCS73107LQ8

Model 310782 x 50 x 52 cm

Lacquered, Egyptian YellowFHCS73107LQ7

Model 310782 x 50 x 52 cm

Lacquered, Evren PurpleFHCS73107LQ12

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THE DOT™Designed by Arne Jacobsen in 1952/2000

Model 3170 x Lala Berlin44 x ø34 cm

Adamo & Eva, notteFHDOT3170-LALA-NOTTE

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DROP™Design by Arne Jacobsen in 1958

Arne Jacobsen designed his Drop™ chair as part of his masterpiece, the legendary SAS Royal Hotel inCopenhagen, now the Radisson Blu Royal Hotel. Designed exclusively for the hotel, the Drop was originallyproduced along with the Swan™ and the Egg™ but in a very limited number. After more than 50 years in

hibernation, the Drop was relaunched in 2014. The curvy chair with the beautiful back was Arne Jacobsen’s ownfavourite piece. Today, the chair comes in a variety of colours in both plastic and in leather or fabric upholstery

and with a base in chrome or powder-coated in a colour similar to the shell.

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Model 311085.5 x 45.5 x 54.5 cm

Canvas fabric, pale pink FHCDr3110-0614

Model 3110 Monochrome85.5 x 45.5 x 54.5 cm

Millenial pinkFHCDr3110MCPDr8


Gen-Z yellowFHCDr3110MCPDr9


Nine greyFHCDr3110PDr7


If in doubt - blueFHCDr3110MCPDr10


Stone greyFHCDr3110PDr3


BlackFHCDr3110MCPDr2


Burgundy redFHCDr3110PDr5


Storm blueFHCDr3110PDr4

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CHINA CHAIR™Design by Hans J. Wegner in 1944

The China Chair™, designed by Hans J. Wegner in 1944, stands out as the only remaining solid wood chair in the Fritz Hansen collection. Wegner found inspiration for this timeless classic in Chinese chairs from the 17th and 18th centuries. The China Chair epitomises his lifelong quest to understand the nature of wood and explore its possibilities. In Wegner’s modern interpretation of ancient Chinese chairs, he unfolds his talent as a wood craftsman along with his flair for expressive and sculptural

functionalism. The China Chair comes in cherry wood or black coloured ash with a leather seat cushion available in various leather types.

Model 428382 x 55 x 55 cm

Nature cherry, classic leather/walnutFHCCC4283NV4

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Created by the merging of Danish and Japanese aesthetics and purity, N01™ brings back nature and embraces today’s modern life. A life where the dining room is not only a place to enjoy a meal but it’s also a place to be productive, a place for

conversation, a place to relax from a busy workday or just everyday life.

N01™Design by Nendo in 2018

Model N0162 x 49 x 77 cm

Solid wood, beechFHCN01NV2

Model N0162 x 49 x 77 cmSolid wood, oak

FHCN01NV7

Model N0162 x 49 x 77 cm

Solid wood, oak, black lacqueredFHCN01NV9

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Fritz Hansen introduced Arne Jacobsen’s Grand Prix™ design in 1957 at the Designers’ Spring Exhibition at the DanishMuseum of Art and Design in Copenhagen. Later that year, the chair was displayed at the Triennale in Milan, where

it won the Grand Prix: the finest distinction of the exhibition and the reason behind the chair’s moniker. The Grand Prixchair is available with a steel base in three different heights or with its original wooden base, making it an ideal chairfor a wide range of applications. An extensive palette of colours, wood types, and fabric or leather upholstery options

allows for further personalisation. The steel base chairs are stackable.

GRAND PRIX™Design by Arne Jacobsen in 1957

Model 413083 x 50 x 51 cm

Essential leather, black& natural veneer, oak

FHCGP4130-NV7-LEs1

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SAMMEN™Designed by Jaime Hayon in 2015

Sammen™, a soft chair designed by Jaime Hayon, is instantly likable because it is honest, modern and simple –with a comfortable seat that makes you feel relaxed and free to share your thoughts with everyone around thedining table. This is where we eat, meet, work and discuss life’s events, big and small, spending hours of qualitytime together. The Sammen chair is available in two variants: with or without armrests. Both variants come fully

upholstered in a selection of unique Designer Selection colours and are also available in a wide range of standardfabrics and leather types. The base consists of four legs in natural or black lacquered oak veneer.

Model 413083 x 50 x 51 cm

Christianshavn, red FHCSaJH30-1141

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OXFORD™Design by Arne Jacobsen in 1965

Model 3273P104 x 62 x 60 cm

Rime, bright red/whiteFHCOP3273PFOP2

Model 3293P104 x 62 x 60 cmRime, green white

Model 3293C125-138 x 60 x 60 cm

Grace, blackFHCOC3293CLG1

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EGG™Design by Arne Jacobsen in 1958

Arne Jacobsen designed the Egg™ for the lobby and reception areas of the SAS Royal Hotel in Copenhagen.The commission to design every element of the hotel building, including the furniture, was the designer’s grand

opportunity to put his theories of integrated design and architecture into practice. The Egg is one of the triumphs ofJacobsen’s total design – a sculptural contrast to the building’s almost exclusively vertical and horizontal surfaces.The Egg sprang from a new technique, which Arne Jacobsen pioneered: a strong foam inner shell beneath the

upholstery. Like a sculptor, Arne Jacobsen strived to find the shell’s perfect shape by experimenting with clay in hisgarage. The design is available in a wide range of fabric upholstery as well as leather, always combined with a

star base in aluminium mounted on a satin-polished steel pedestal. A matching footstool is also available.

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Model 3316107 x 86 x 79-95 cmGrace leather, black

FHLEg3316LG1

Model 3316107 x 86 x 79-95 cm

Canvas fabricFHLEg3316FEg47

Model 3316107 x 86 x 79-95 cm

Fritz Hansen colors, pink FHLEg3316FH3

Model 3316107 x 86 x 79-95 cmHallingdal, classic red

FHLEg3316FEg37

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Model 3316 Anniversary107 x 86 x 79-95 cm

Pure leather FHLEg3316LN

Model 3127 Anniversary37 x 56 x 40 cm

Pure leather

Model 3316107 x 86 x 79-95 cmGrace leather, walnut

FHLEg3316LG3

Model 3316107 x 86 x 79-95 cm

Christianshavn, blue uni

Model 312737 x 56 x 40 cm

Grace leather, walnutFHLEg3127LG3

Model 312737 x 56 x 40 cm

Grace leather, indian red

Model 312737 x 56 x 40 cm


Model 3316107 x 86 x 79-95 cm

Grace leather, indian redFHLEg3316LG4

EGG™Design by Arne Jacobsen in 1958

Arne Jacobsen designed the Egg™ for the lobby and reception areas of the SAS Royal Hotel in Copenhagen.The commission to design every element of the hotel building, including the furniture, was the designer’s grand

opportunity to put his theories of integrated design and architecture into practice. The Egg is one of the triumphs ofJacobsen’s total design – a sculptural contrast to the building’s almost exclusively vertical and horizontal surfaces.The Egg sprang from a new technique, which Arne Jacobsen pioneered: a strong foam inner shell beneath the

upholstery. Like a sculptor, Arne Jacobsen strived to find the shell’s perfect shape by experimenting with clay in hisgarage. The design is available in a wide range of fabric upholstery as well as leather, always combined with a

star base in aluminium mounted on a satin-polished steel pedestal. A matching footstool is also available.

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SWAN™Design by Arne Jacobsen in 1958

Alongside the Egg™, Arne Jacobsen designed the Swan™ for the lobby and lounge areas at the SAS RoyalHotel in Copenhagen. These two original designer chairs originated in Arne Jacobsen’s own garage at his home

in Klampenborg, north of Copenhagen, and have been in production at Fritz Hansen ever since. In 1958, theSwan – with its total absence of straight lines – constituted a technologically innovative chair. The Swan is built ona moulded shell of synthetic material resting on an aluminium star base, with a layer of cold foam and upholstery

covering the shell. The Swan is available in a wide range of leather and fabric upholstery. The star-shapedaluminium base is mounted to a satin-polished steel pedestal.

Model 332077 x 74 x 68 cm

Pure leatherFHLSw3320LN

Model 332077 x 74 x 68 cmDivina, pale pinkFHLSw3320FSw1

Model 332077 x 74 x 68 cm

Grace, indian red FHLSw3320LG4

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FRI™Design by Jaime Hayon in 2015

Open and soft, Jaime Hayon’s Fri™ lounge chair stands in for simplicity itself. Fri comes fully upholsteredin an array of unique Designer Selection colours, as well as a wide range of standard fabrics and

leathers. The four-legged base is crafted from either brushed aluminium or solid oak with a clear lacquerfinish. A matching footstool is available to fully immerse in the experience of Fri.

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Model JH490.5 x 80 x 88 cm

Christianshavn, red FHLJH4FFi18-RedL

Model JH490.5 x 80 x 88 cmSunniva 2, grey

FHLFiJH4FFi3


Sunniva 2, dark blue FHLJH4FFi1-L-BluL

Model JH490.5 x 80 x 88 cmBalder, dark green FHLJH4FFi2-GreL


Sunniva 2, dark blueFHLFiJH4FFi1

Model JH490.5 x 80 x 88 cmBalder, dark green

FHLFiJH4FFi2

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RO™Design by Jaime Hayon in 2013

A beautiful chair and a shelter that forms a private space: both are key characteristics of Jaime Hayon’s Ro™lounge chair that is named after the Danish word for “tranquillity”. It comes fully upholstered in a selection of uniqueDesigner Selection colours with the option to select two fabrics: one for the shell and one for the cushions. Ro is alsoavailable in a wide range of standard fabrics and leathers. The four-legged base is made of brushed aluminium or

solid oak with a clear lacquer finish. A matching footstool is also available.

Model JH1113 x 80 x 97 cmSteelcut, light pink

FHLRoJH1FRo6

Model JH1113 x 80 x 97 cm

Steelcut, light yellow


Steelcut, light pinkFHLRoJH11FRo6


Steelcut, light yellow

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Hallingdal, light greyFHLRoJH1FRo3


Mood, light blue & canvas, light blueFHLRoJH1FRo5


Christianshavn, redFHLRoFRo17

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POT™Design by Arne Jacobsen in 1959

In 1959 Arne Jacobsen created Gryden™ - in English meaning the Pot™ - a light take on an embracive lounge chair and originally designed for the SAS Royal Hotel in Copenhagen. The shape is the same as the original design from 1959 - the seat and materials have been improved to meet today’s standards for comfort and durability. The Pot comes in an endless variety

of fabrics and leathers. It is small yet embracive, it is modern yet timeless and it is an Arne Jacobsen original.

POT™75,5 x 60 x 70 cm


POT™75,5 x 60 x 70 cm

Christianshavn, red uni

POT™75,5 x 60 x 70 cm

Christianshavn, green uni

POT™75,5 x 60 x 70 cm

Christianshavn, light red uni

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JH97™Design by Jaime Hayon in 2019

The result of the latest collaboration between Fritz Hansen and Jaime Hayon, the Lounge Chair JH97 strikes the perfect balance between past and future, making lounging a new art form.

Perfectly proportioned with a solid frame available in natural oak, stained oak and black ash – the open, low-slung silhouette has a contemporary feel despite its classic roots. Elegant from every angle, the decorative joints with gently rounded edges

are assembled by hand in a nod to Danish heritage designs and craftsmanship tradition.


Black coloured ash, Harald 3 - 182 Blue

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ALPHABET SOFA™Designed by Piero Lissoni in 2008

The Alphabet Sofa™ Series is a flexible sofa system whose units can be combined in an endless variety of ways.Inspired by LEGO bricks, the design consists of modular elements that are easily arranged and rearranged to createa personal expression to fit any space. The fully upholstered seat, back and armrests come in a wide range of fabrics

and colours that are easy to remove for cleaning or replacement.

Model PL210-4210 x 105 x 42 cm

Canvas fabricFHSAlPL2104-1054-0124

Model PL300-3300 x 210 x 42 cm

Canvas fabricFHSAlPL3003-1054-0124

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The Favn™ sofa is the essence of a true Jaime Hayon design - it is colourful, curvaceous and it stands out from the crowd. Favn comes in a series of unique Designer Selection colours in a mix of three different fabrics: one for the shell, a second

for the seat and back cushions, and a third for the small decorative cushions. The sofa is also available in a wide range of standard fabrics. The four legs are made of brushed aluminium.

FAVN™Design by Jaime Hayon in 2011


Hallingdal, light greyFHSFaJH3FFa2


Steelcut, light beige/ light redFHSFaJH3FFa3

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The Swan Sofa™ was designed in 1958 as a special model for furnishing suites,lounges and the panoramic lounge at the SAS Royal Hotel in Copenhagen.

Originally in production from 1964 to 1974, the sofa was reintroduced in2000. As in the EggTM and SwanTM chairs, the characteristic three-dimensionalshape of the Swan Sofa contains no straight lines but is rather based on curves.

The sofa comes fully upholstered in a wide range of fabrics and leathers andrests on a shaker base in satin-polished aluminium.

SWAN SOFA™Designed by Arne Jacobsen in 1958

Model 332188 x 221 x 93 cmGrace, indian red FHSSw3321LG4

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Model JH30079 x 227 x 93.5 cmLinara, eucalyptus FHSLuJH300FLu2

Model JH30279 x 227.5 x 93 cmLinara, gingersnap

FHSLUJH3FLu3

Model JH30079 x 227 x 93.5 cm

Hallingdal, dark green uni FHSLuJH300FLu7

Model JH30079 x 227 x 93.5 cm

Hallingdal, dark blue FHSLuJH300FLu8

LUNE™Design by Jaime Hayon in 2017

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LISSONI SOFA™Designed by Piero Lissoni in 2006

The Lissoni Sofa™ by Italian designer Piero Lissoni offers sophisticated, contemporary seating rooted in an internationaldesign language. The sofa’s silhouette is defined both by the horizontal and vertical lines clearly visible in the contours

of the base and by its soft, comfortable cushions. The sofa is a prime example of Piero Lissoni’s principle of neverdesigning for a specific function or purpose – but rather designing for human beings. Looking at the design, you sensePiero Lissoni’s great admiration for the work of Poul Kjærholm and Arne Jacobsen and their ability to remain ahead oftheir time. The Lissoni Sofa comes as a two or three-seater. It is fully upholstered in fabric or leather with upholstered

armrests, and the seat and back cushion covers are removable. The frame is in brushed stainless steel.

Model PL11275 x 198 x 92 cm

Grace, blackFHSLsPL112LG1

Model PL11275 x 198 x 92 cmNuance leather

Model PL113 *75 x 288 x 92 cm

Soft, black FHSLsPL1113LS1

Model PL113 *75 x 288 x 92 cmNuance leather

* images are for illustration purposes only / Hình ảnh chỉ mang tính chất minh hoạ

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The multi-purpose Little Friend™ table, designed by Kasper Salto, is a small yet significant piece of furniture in the Republic of Fritz Hansen™ collection. The ground-breaking design was the result of a series of think tank ideas on new ways of working and living. Little Friend is

a flexible, multifunctional and portable table. It comes in two versions: height-adjustable and fixed. The tabletop comes in two shades of compact laminate, as well as in oak or walnut veneer. The base is made of a mirror-chromed steel tube with a polished aluminium base, or

lacquered in colours matching the compact laminate tabletops.

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LITTLE FRIEND™Designed by Kasper Salto in 2005

Model KS1150-73 x ø 45 cm

Walnut, blackFHTLFKS11LF2

Model KS1150-73 x ø45 cm

Oak, chromeFHTLFKS11LF1

Model KS1150-73 x ø45 cm

Black, blackFHTLFKS11LF3

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Model FH2131 x 76 x 47

Lacquered oak, black/blackFHTJoFH21Jo2

Model FH6137 x 130 x 50 cm

Oak, blackFHTJoFH61Jo1

JOIN™Designed by Fritz Hansen in 2014

Understated in its simple design, Join™ brings timelessness and craftsmanship to the table. In this versatile series,the tables can either stand alone, highlighting their unique qualities, or band together. Join has a beautiful and timeless

design with an understated personality and the ability to blend into any setting. The Join coffee table series comes inthree shapes. The tabletop is made of solid oak with a clear lacquer finish or in black lacquered oak.

The base consists of four legs in black powder-coated steel.

Model FH4137 x Ø80 cm

Lacquered oak, black/blackFHTJoFH41Jo2

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Jaime Hayon’s dining table Analog™ is not a square, a circle or an oval – it is a new form that combines the best of allthree. The Analog table comes in three sizes with a tabletop in white laminate, oak or walnut veneer. The base consists

of four legs made of solid wood in oak, black coloured oak or walnut. The legs are attached to the tabletop with a’trumpet’ in either white or black coated aluminium, with the underside of the table lacquered to match the trumpet.

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ANALOG™Designed by Jaime Hayon in 2014


Walnut, black lacquered oak FHTAgJH63Ag2NV9


Walnut, black & black FHTAgJH83Ag2NV9


Walnut, black & walnutFHTAgJH83Ag2NV8

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TABLE SERIESDesigned by Piet Hein, Bruno Mathsson & Arne Jacobsen in 1968

Model B61372 x 150 x 100 cm

Laminate, whiteFHTCTB613CT2

Model B61972 x 180-300 x 120 cm

Laminate, black FHTCTB619CT4

Model B61372 x 150 x 100 cm

Pink Colorado, black FHTCTB613CT5

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PLANNER™Design by Paul McCobb in 1953

Model MC31075 x 45 x 40 cm

Charcoal marble, blackFHTCTMC310CT9


Charcoal marble, black FHTCTMC320CT9


Charcoal marble, blackFHTCTMC300CT9


Cream marble, black FHTCTMC300CT10

The Planner™ coffee tables are part of a relaunched collection by legendary American designer Paul McCobb. Paul McCobb was one of the leading figures within the American design movement of the 1950s.

He was known for creating slender designs where form follows function and the tables are a brilliant example of this.

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PK9™Design by Poul Kjærholm in 1960

The PK9™, also known as the Tulip chair due to its flower-like shape, is characterised by three pieces of satin-brushed stainless steel that serve triple-duty column, a set of legs, and carriers of the leather seating element. The story of the design reflects Poul Kjærholm’s uncompromising quest for the perfect form. The inspiration for the shape of the shell comes from the imprint his wife, Hanne Kjærholm, left behind after sitting in the sand on the beach. Later, during the design process, Hanne Kjærholm sat in blocks of clay to find the most optimal and comfortable solution. The PK9 chair comes fully upholstered in a limited

range of leathers with a satin-brushed stainless steel base, and is a perfect match for the PK54TM table.

Model PK977 x 58 x 58 cmGrace, walnutFHCPK9LG3

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The discrete and elegant PK22™ lounge chair epitomises Poul Kjærholm’s search for the ideal form and showcasesthe industrial dimension always present in his work. The profile of the steel frame structure originates from the PK25TM,

his graduation project at the School of Applied Arts in Copenhagen. The PK22 was an immediate commercial andcritical success. In 1957, the chair was awarded the Grand Prix at the Milan Triennale, the world’s premier design fair.The prize catapulted Kjærholm’s career onto the international scene, where his name has enjoyed a coveted position

ever since. The PK22 is available in wicker, suede, canvas or leather with a base in satin-brushed stainless steel.

Model PK2271 x 63 x 63 cm

Grace leather, BlackFHLPK22LG1


Rustik leather, WalnutFHLPK22LG3

Model PK2271 x 63 x 63 cmNuance leather

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The PK11™ is a complex and beautiful chair carried by a three-legged, satin-brushed stainless steel frame.Poul Kjærholm designed the chair in 1957 as a companion to the PK51™ worktable, which he created

the same year, intending the two to be a matching set. The armrest comes in lacquered ash and the seatcomes in a limited range of leathers.


Grace, blackFHCPK11LG1


Grace, indian redFHCPK11LG4

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The three-legged PK33™ stool showcases Poul Kjærholm’s expert use of assembly techniques, explorationof materials, and simplification of structure down to its very essence. The stool draws on construction techniquesfrom the PK71™ nesting tables and the PK80™ daybed, but stands apart with its own strong, unique expression.

The PK33 features a detachable cushion in canvas or leather and matt-chromed spring steel base.

Model PK3334 x Ø53 cm

Nature leatherFHLPK33LN

Model PK3334 x Ø53 cmGrace, blackFHLPK33LG1

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Poul Kjærholm’s folding PK91™ stool captures his ongoing adoption of historical furniture categories into hisoeuvre and arsenal of expressions. The source of inspiration for the PK91 is an ancient Egyptian folding stool thatdates back to circa 1500 BC. The designer’s method of refining historical furniture types has again been broughtinto play, and the result is an unmistakable Kjærholm classic with an elegant, minimalist expression. The PK91 ispart of the permanent collection at the Röhsska Museum in Gothenburg, Sweden. The folding stool is available

with a leather or canvas seat and a base in satin-brushed stainless steel.


Grace, blackFHLPK91LG1

Model PK9141 x 59 x 45 cmNatural leather

FHLPK91LN

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The PK71™ is comprised of three nesting tables that can be stored underneath one another. The tables and theircontinued, three-dimensional form represent the first time Kjærholm used the square in all three dimensions of his work,

and can be seen as the precursor for his larger, more complex tables. The PK71 tables are included in the permanentcollection of the Museum of Modern Art in New York, marking their historical importance. The toy-like character of

the small, abstract tables makes them dynamic and invites you to move them around. Kjærholm often stacked the bareframes as sculptural symbols to illustrate the elemental quality of his work. The tabletops are made of either black or

white acrylic, and the square base is in satin-brushed stainless steel.

Model PK7125.5 x 25 x 25 / 27 x 26.5 x 26.5 / 28.5 x 28 x 28 cm

WhiteFHTPK71A1

Model PK7125.5 x 25 x 25 / 27 x 26.5 x 26.5 / 28.5 x 28 x 28 cm

BlackFHTPK71A2

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Poul Kjærholm designed the PK80™ daybed as part of his ongoing effort to unite the sublime with the absolutely necessary. The result is one of Kjærholm’s most sophisticated, strikingly beautiful, and iconic designs. The daybed is a clear illustration of Poul Kjærholm’s method of refining

historical models by distilling them down to their essence while demonstrating his superior ability to balance construction and choice of materials. The inspiration for the daybed came from Bauhaus furniture, which in turn was inspired by ancient Roman couches. The PK80 is upholstered in

leather or Natural canvas and supported by a satin-brushed stainless steel frame. In 2004, the New York Museum of Modern Art’s purchase of the PK80 for its galleries recognised the daybed’s natural place in furniture design history.


Aura, black FHLPK80LA1


Grace, walnutFHLPK80LG3

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The PK61™ coffee table is almost as elementary and minimalistic as things get from the hand of Poul Kjærholm.Despite the extreme distillation of the structure into a set of identical elements, the square design packs the power of

a manifesto and shows Kjærholm’s development from industrial designer to furniture architect. The removable tabletopdemonstrates Kjærholm’s recurring principle of using gravity to keep elements in place. The PK61 tabletop is availablein slate, granite, marble, or glass. The base is satin-brushed stainless steel. The PK61A came into production in 2007

and, aside from the fact that it does not come with a slate tabletop, has exactly the same structure as the PK61.The measurements indicate the only difference between the two.

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PK61™/ PK61A™Design by Poul Kjærholm in 1956

Model PK61A32 x 120 x 120 cm

Marble, beige FHTPK61AMH3

Model PK6132 x 80 x 80 cmMarble, beigeFHTPK61MH4


GlassFHTPK61Gl

Model PK6132 x 80 x 80 cmMarble, whiteFHTPK61MWR

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Model PK5469 x ø140 cmMarble, beigeFHTPK54MH3

Model PK54+PK54A70 x ø210 cm

Marble, beige, maple FHTPK54MH3-NV1

The PK54™ dining table is a study in contrasting materials and forms. Circle meets square, and the pure expression leaves a monumental impression that makes the table the natural focal point in any room, no matter where it is placed. One of the table’s defining characteristics is the expansion

ring that provides an unusual solution to the challenge of extending a round table and makes the table even more unique. Stone meets wood, hard meets soft, and the table completely changes expression without losing its identity when the concentric wooden leaves are applied. The PK54 has a

marble or granite tabletop paired with a satin-brushed stainless steel base. The expansion ring is available in solid maple.

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FRITZ HANSEN FUNITURE - nanoHome · Được tạo dựng từ bàn tay tài ... Christian E.Hansen đã đưa Fritz Hansen trở thành một nhà sản xuất công nghiệp danh