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Foundations of Art and Design. Chapter 4: Value. Value Contrast. In Fig. 4.4 Gurgles, sucks, and echoes , by Roni Horn the words appear to “ pop ” off the background. Fig. 4.4 Gurgles, sucks, and echoes , by Roni Horn. - PowerPoint PPT Presentation
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Foundations of Art and Design
Chapter 4: Value
Value Contrast
In Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn the words appear to “pop” off the background.
Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn
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50%50%In Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn the words appear to “pop” off the background. Do they exhibit:
1. High Value Contrast
2. Low Value Contrast
Value Contrast
Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn
Fig. 4.6 Children of a Lesser God by Hung Liu
The mood suggested by this High key image is:
1. Somber
2. Sad
3. Happy
Fig. 4.6 Children of a Lesser God by Hung Liu
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33% 33%33%
Fig. 4.7 Street of the Gamblers by Arnold Genthe
The image Street of the Gamblers by Arnold Genthe is an example of:
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50%50%1. High key
2. Low key
Fig. 4.7 Street of the Gamblers by Arnold Genthe
Fig. 4.9 Number 22 by Rothko
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In the image Number 22 by Rothko the main colors are orange and yellow. If converted to gray, what value contrast do you think this painting would exhibit?
1. High Value Contrast
2. Low Value Contrast
Fig. 4.9 Number 22 by Rothko
Fig. 4.10 Black on Gray by Rothko
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In the image Black on Gray Rothko exhibits his depression through the use of black and gray. What shade or type of gray does he use to contribute to the mood of the painting?
Fig. 4.10 Black on Gray by Rothko
1. Achromatic Grays
2. Chromatic Grays
ChiaroscuroWhat is Chiaroscuro
used to create?
Fig. 4.1 No. 2 by Fang Lijun
Chiaroscuro
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33% 33%33%What is Chiaroscuro used to create?1. The illusion of depth
2. The illusion of space
3. The illusion of a 3D object
Fig. 4.1 No. 2 by Fang Lijun
Fig. 4.15 Judith Decapitating Holofernew by Artemesia Gentileschi
The image Fig. 4.15 Judith Decapitating Holofernew by Artemesia Gentileschi is an example of:
1 2
50%50%1. Chiaroscuro
2. Tenebrism
Fig. 4.15 Judith Decapitating Holofernew by Artemesia Gentileschi
Highlights and Cast Shadows
Fig. 4.16 Self-Pieta by Sam Taylor Wood
In Fig. 4.16 Self-Pieta by Sam Taylor Woods, for what reason do you think he exaggerated the highlights and cast shadows?
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25% 25%25%25%
Fig. 4.16 Self-Pieta by Sam Taylor Wood
1. To emphasize his muscles
2. To emphasis the similarity between the two figures and other marble pietas
3. To enhance the impression of holiness
4. No reason
Fig. 4.21 Insurrection! (Our Tools Were Rudimentary Yet We Pressed On) by Kara Walker
Fig. 4.21 Insurrection! (Our Tools Were Rudimentary Yet We Pressed On) by Kara Walker is an example of the use of what?
1 2 3 4
25% 25%25%25%1. Silhouettes
2. Highlights and Cast Shadows
3. Chiaroscuro
4. Tenebrism
Fig. 4.21 Insurrection! (Our Tools Were Rudimentary Yet We Pressed On) by Kara Walker
Descriptive and Expressive Properties of Value
Fig. 4.22 Arrangement in Grey and Black (Whistler’s Mother) by James Abbbott McNeill
In the Fig. 4.22 Arrangement in Grey and Black (Whistler’s Mother) by James Abbbott McNeill what do you feel the value arrangement was used for?
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25% 25%25%25%
Fig. 4.22 Arrangement in Grey and Black (Whistler’s Mother) by James Abbbott McNeill
1. Design purposes
2. To promote a narrative
3. To evoke an emotional response
4. All of these