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Foundations of Art and Design Chapter 4: Value

Foundations of Art and Design

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Foundations of Art and Design. Chapter 4: Value. Value Contrast. In Fig. 4.4 Gurgles, sucks, and echoes , by Roni Horn the words appear to “ pop ” off the background. Fig. 4.4 Gurgles, sucks, and echoes , by Roni Horn. - PowerPoint PPT Presentation

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Page 1: Foundations of Art and Design

Foundations of Art and Design

Chapter 4: Value

Page 2: Foundations of Art and Design

Value Contrast

In Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn the words appear to “pop” off the background.

Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn

Page 3: Foundations of Art and Design

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50%50%In Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn the words appear to “pop” off the background. Do they exhibit:

1. High Value Contrast

2. Low Value Contrast

Value Contrast

Fig. 4.4 Gurgles, sucks, and echoes, by Roni Horn

Page 4: Foundations of Art and Design

Fig. 4.6 Children of a Lesser God by Hung Liu

Page 5: Foundations of Art and Design

The mood suggested by this High key image is:

1. Somber

2. Sad

3. Happy

Fig. 4.6 Children of a Lesser God by Hung Liu

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Fig. 4.7 Street of the Gamblers by Arnold Genthe

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The image Street of the Gamblers by Arnold Genthe is an example of:

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50%50%1. High key

2. Low key

Fig. 4.7 Street of the Gamblers by Arnold Genthe

Page 8: Foundations of Art and Design

Fig. 4.9 Number 22 by Rothko

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In the image Number 22 by Rothko the main colors are orange and yellow. If converted to gray, what value contrast do you think this painting would exhibit?

1. High Value Contrast

2. Low Value Contrast

Fig. 4.9 Number 22 by Rothko

Page 10: Foundations of Art and Design

Fig. 4.10 Black on Gray by Rothko

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In the image Black on Gray Rothko exhibits his depression through the use of black and gray. What shade or type of gray does he use to contribute to the mood of the painting?

Fig. 4.10 Black on Gray by Rothko

1. Achromatic Grays

2. Chromatic Grays

Page 12: Foundations of Art and Design

ChiaroscuroWhat is Chiaroscuro

used to create?

Fig. 4.1 No. 2 by Fang Lijun

Page 13: Foundations of Art and Design

Chiaroscuro

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33% 33%33%What is Chiaroscuro used to create?1. The illusion of depth

2. The illusion of space

3. The illusion of a 3D object

Fig. 4.1 No. 2 by Fang Lijun

Page 14: Foundations of Art and Design

Fig. 4.15 Judith Decapitating Holofernew by Artemesia Gentileschi

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The image Fig. 4.15 Judith Decapitating Holofernew by Artemesia Gentileschi is an example of:

1 2

50%50%1. Chiaroscuro

2. Tenebrism

Fig. 4.15 Judith Decapitating Holofernew by Artemesia Gentileschi

Page 16: Foundations of Art and Design

Highlights and Cast Shadows

Fig. 4.16 Self-Pieta by Sam Taylor Wood

Page 17: Foundations of Art and Design

In Fig. 4.16 Self-Pieta by Sam Taylor Woods, for what reason do you think he exaggerated the highlights and cast shadows?

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Fig. 4.16 Self-Pieta by Sam Taylor Wood

1. To emphasize his muscles

2. To emphasis the similarity between the two figures and other marble pietas

3. To enhance the impression of holiness

4. No reason

Page 18: Foundations of Art and Design

Fig. 4.21 Insurrection! (Our Tools Were Rudimentary Yet We Pressed On) by Kara Walker

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Fig. 4.21 Insurrection! (Our Tools Were Rudimentary Yet We Pressed On) by Kara Walker is an example of the use of what?

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25% 25%25%25%1. Silhouettes

2. Highlights and Cast Shadows

3. Chiaroscuro

4. Tenebrism

Fig. 4.21 Insurrection! (Our Tools Were Rudimentary Yet We Pressed On) by Kara Walker

Page 20: Foundations of Art and Design

Descriptive and Expressive Properties of Value

Fig. 4.22 Arrangement in Grey and Black (Whistler’s Mother) by James Abbbott McNeill

Page 21: Foundations of Art and Design

In the Fig. 4.22 Arrangement in Grey and Black (Whistler’s Mother) by James Abbbott McNeill what do you feel the value arrangement was used for?

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Fig. 4.22 Arrangement in Grey and Black (Whistler’s Mother) by James Abbbott McNeill

1. Design purposes

2. To promote a narrative

3. To evoke an emotional response

4. All of these