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dence to
DIGITAL - US $ 25 for single sec�on and US $10 for each addi�onal sec�on
DIGITAL- Rs.900/- for single sec�on and Rs.450/- for each addi�onal sec�on
DIGITAL- US $25 for single sec�on and US $10 for each addi�onal sec�on
PayPal email id: [email protected] The entry fee is for the en�re circuit and cannot be divided for less than the full
circuit exhibi�ons. One can also pay through Swift transfer. {For Swi� transfer, please visit our website}.
One can pay the fee by Online Transfer, Bank Dra� or Mul�city Cheque only in the name of JCM PHOTOGRAPHIC SOCIETY,
Payable at New Delhi. The entry fee is for the entire circuit and cannot be divided for less than the full circuit exhibi�ons.
{For Online Transfer (NEFT/RTGS), Please visit our website.}
FOR OVERSEAS
FOR INDIANS
The exhibi�on is open to anyone. However, an entry may be rejected when the sponsoring organiza�on or its agent in its reasonable discre�on, believes the entry does not conform to the exhibi�on rules and condi�ons.The original image must be made by the entrant on photographic emulsion or acquired with a digital camera. All images must be original and may not incorporate elements, produced by anyone else. All final work must be on photographic or electronic film material.
Entry Forms are also available on our website: www.jcmcircuits.com
MOST IMPORTANT NOTE
CLOSING DATE st1 OCT. 2018
ENTRY FEE FOR ENTRANTS
NOTE:- Entrants are required to mail the details of their remitance to: [email protected]
<< SIX JUDGINGS: >>
DELHICONTACT NO.
SIX JUDGINGS
JUDGING DATE:
NOTIFICATION DATE:
Mailing of awards (Accepted works) by surface mail: 13th Feb. 2019
Submission of EDAS : 28th Dec. 2018
432 MEDALS, 8 ISF GOLD, 8 ICS GOLD, 8 GPU GOLD 576 CERTIFICATES OF MERIT, 24 ISF DIPLOMA, 24 ICS HM & 16 GPU Ribbons
International Digital Circuit: Eight Sections with Six Different Judgings FOTOKRAFT CIRCUIT 2018FOTOKRAFT CIRCUIT 2018
INVITATIONYou are cordially invited to submit Open Color, Color - Theme (City Life), Open Mono, Mono- Theme (City Life) Nature, Wildlife, Photojournalism and Photo Travel sections. Fotokraft Circuit consists of six separate exhibitions and notification / PDF results online. We solicit your participation.
All Correspondence to
KANCHAN RAIKWAR Hon. WPG, AISF, Hon. PESGSPC, GPA. PESGSPC, PPSA, IIPC GOLD
Circuit Chairman
B-54, Gali no. 9, Shashi Garden, Patpar Ganj, Delhi- 110091, INDIA, Ph. +91 - 8447250000
email id: [email protected]
DELHI ITARSI SAMBALPUR BARPETA DEWAS PILKHUWA
08447250000 09829050939 09937103072 09854071234 09425047505 09899530952
14th-15th 23rd -24th 1st -2nd 10th -11th 19th -20th 28th -29th Oct. 2018 Oct. 2018 Nov. 2018 Nov. 2018 Nov. 2018 Nov. 2018
29th Oct. 2018 7th Nov. 2018 16th Nov. 2018 25th Nov. 2018 4th Dec. 2018 13th Dec. 2018
PSA 2018-405 ICS 2018/228-233 ISF 39/2018 L180127-M9G WPAI 2018/018-023
JCM, DELHI: Kamal Upadhyay, AIIPC, Harish Sharma, AIIPC, Vijay Ya�
PPC, SAMBALPUR: Arabinda Kumar Mishra, EFIAP, FFIP, Ashish Kumar Pradhan, AFIAP, FFIP,FIIPC, Shishir Kumar Panigrahi, AFIP,
Ranjit Sahoo, FFIP EC, BARPETA: Chitrangad Kumar, APSA, MPSA, AFIAP, Hon. FBSPA, Hon. FICS, Hon. EFMPA, AISF, Hon. PESGSPC, GPA. PESGSPC, Hon. FSWAN, ESUSPA, AICS, Hon. WPG, Hon. FWPG, AIIPC, IIPC URANIUM, Sarabjit Kaur, Hon. WPG, Hon. PESGSPC, GPA. PESGSPC, AISF, PPSA
Narendu Ghosh, Hon. PESGSPC, AFIP, PAD
KKPC, DEWAS: Kailash Soni, Hon. PESGSPC, Ambuj Soni, Filmmaker, Parveen Rawat, ARPS NPC, PILKHUWA: Rajendra Singh Rathi, Hon. PESGSPC, AISF, Photojournalist, Gajendra Singh, Press Photographer,
Vinod Kumar Bhar�, Hon. WPG, Hon. PESGSPC, AISF, Photo Editor
NIC, ITARSI: Dinesh Pagaria, Hon. PESGSPC, AFIP, Rakesh Sharma ‘Rajdeep’, Hon. PESGSPC, Jitendra Prakash, Senior Photojournalist
PANEL OF JUDGES
PSA DEFINITIONS1. MONOCHROME: An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains
only shades of gray which can include pure black or white) OR it gives the impression of being a grayscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold etc.)
A grayscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
2. NATURE: Nature Photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archaeology, in such a fashion that a well informed person will be able to identify the subject material and certify its honest presentation. The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. *Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situation depicting natural forces, like hurricanes or tidal waves. *Scientific bands, scientific tags, or radio collars on wild animals are permissible. *Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible as in any form of manipulation that alters the truth of the photographic statement. *No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted. *Techniques that enhance the presentation of photograph without changing the nature story or the pictorial content, or without altering, the content of the original scene, are permitted including HDR, focus staking and dodging/burning. Technique that remove elements added by the camera, such as dust spots, digital noise and film scratches, are allowed. *Stitched images are not allowed. *All allowed adjustments must appear natural. *Color images can be converted to grayscale monochrome. *Infrared images, either direct-captures or derivations, are not allowed.
3. WILDLIFE: Images entered in Wildlife section meeting the Nature Photography Definition above are further defined as one or more extant zoological or botanical organisms free and unrestrained in a natural or adopted habitat. *Landscape, geological formations, photographs of zoo or game farm animals or of any extant zoological or botanical species taken under controlled conditions are not eligible in Wildlife sections. *Wildlife is not limited to animals, birds and insects. Marine subjects and botanical subjects (including fungi and algae) taken in a wild are the suitable wildlife subjects, as are carcasses of extant species, Images meeting the Wildlife Definition may be entered in Nature sections as well as Wildlife sections.
4. PHOTOJOURNALISM: Photojournalism entries shall consists of images or sequences of images with informative content and emotional impact, including human interest, documentary and spot news. The journalistic (story telling) value of the Digital Images shall receive priority over pictorial quality. In the interest of credibility, images that misrepresent the truth, such as those from events or activities specifically arranged for photographic or of subjects directed or hired for photography are not eligible. Techniques that add to, relocate, replace or remove any elements of the original image, except by cropping, are not permitted. The only allowable modifications are removal of dust, scratches or digital noise, restoration of the existing appearance of the original scene, sharpening that is not obvious and conversion to grayscale monochrome. Derivations, including infrared, are not eligible.
5. PHOTO TRAVEL: A Photo Travel image must expresses the characteristics features or a culture of a land as they are found
naturally. There are no geographical limitations. Images from events or activities arranged specifically for photography, or of subjects directed or hired for photography are not appropriate. Closeup pictures of people or objects must include features that provide information about the environment.
Techniques that add to, relocate, replace or remove any element of the original image, except by cropping are not permittedThe only allowable adjustments are removal of dust, scratches and digital noise, restoration of the appearance of the original scene, and complete conversion to grayscale monochrome. Other derivations including infrared are nor permitted. All images must appear natural.
Entries must originates as Photographs (image-captures of object via light sensitivity) made by the entrant on
photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website.
“Images may be altered, either digitally or otherwise, by the maker and artwork or computer graphics created by the entrant may be incorporated if the photographic content predominates.”
Note:
CONDITIONS OF ENTRY
NOTE: TITLES OF THE DIGITAL IMAGES ARE NOT READ AT THE TIME OF JUDGING
1. The circuit is open everyone, everywhere on payment of entry fee and it will follow the recommended procedure of PSA. The circuit will consists of Six sec�ons (Eight Divisions): (a) PID Monochrome (b) PID Mono (Theme - City Life) (c)PID Color (d) PID Color (Theme- City of Life) (e) Nature: Monochrome and Color (Combined) (f) Wildlife: Monochrome and Color (Combined) (g) Photojournalism: Monochrome and Color (Combined) (h) Photo Travel: Monochrome and Color (Combined).
2. Entries are limited to not more than 4 Digital images per sec�on, category or class- PID Monochrome, PID Color, Nature, Wildlife, Photojournalism and Photo Travel. Digital should not be mixed to make one entry.
3. Each photo can be presented in only one sec�on.4. Digital image must bear the �tle and sec�on of the entrant. The digital image files must be in JPEG format and file size
maximum 1 MB. Please submit the images with maximum 300dpi resolu�on and a maximum of 1024 X 768. If the image is horizontal i.e. in landscape format, the width would be 1024 pixels and the height would be less than this as per composi�on. Similarly, if the image is ver�cal or in portrait format, the height would be 768 pixels and the width would be less this as per composi�on.
5. Digital entry already exhibited in previous FOTOKRAFT CIRCUIT will not be eligible for selec�on and should not be entered. 6. ENTRIES to be submi�ed as digital file by online through our website: , For result, you can visit it.www.jcmcircuits.com7. All entrants must provide name and country data exactly the same in each exhibi�on entered to receive proper credit.(a) Acceptances in PID recognized Color sec�ons shall be credited towards PID Color Star Ra�ngs and Who’s Who Color lis�ngs.
Monochrome images accepted in PID recognized Color sec�ons shall only be credited towards PID Color Star Ra�ngs.(b) Acceptances in PID recognized Monochrome sec�ons shall be credited towards PID Monochrome Star Ra�ngs and Who’s Who
Monochrome lis�ngs.
8. Although utmost care will be taken, no responsibility for loss or damage or the� during transit or exhibi�on will be assumed.9. Unless otherwise at specified in the entry form, permission to copy selected Digital in any way in the press or catalogue etc.,
in connec�on with the exhibi�on will be assumed. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” could be subject to disqualifica�on” by the exhibi�on sponsors.
10. Accepted and awarded images obtained in this exhibi�on will count towards PSA “Star Ra�ngs” and Who’s Who.11. No s�ckers will be issued for accepted Digital Entry.12. Works by authors who do not pay the registra�on fee will not be considered. By par�cipa�ng in the exhibi�on, the author
agrees with the proposi�ons and the rules of the organizers.13. Title of Entry / Image should not exceed 35 le�ers to facilitate computer lis�ng for catalogue. Use only (A-Z or 0-9) in �tles.
Each image must have unique �tle.14. Read carefully enclosed note sent with your entries and follow. Keep it in your salon file for future use also.15. In Nature, Wildlife, Photojournalism and Travel sec�on modifica�ons, adding or removing elements from images, combining
separate images or re-arranging or cloning in images will not be accepted.16. No�fica�on will be online for each separate judging.17. Entries will be judged by YES/NO System. An Entrant’s four images will be distributed throughout four rounds of judging. 18. Images to be judged through LED Projector. The decision of the panel of judges will be final and binding with no appeal.19. PSA Recognized exhibi�on, that same image, or a like “in camera” or a “reproduc�on” duplicate of that image: (1) May not
be re-entered in any sec�on of the same Division Star Ra�ngs class in that exhibi�on regardless of media, format, or �tle. (2) May not be re-�tled for entry in any other PSA Recognized Exhibi�on. Words such as “Un�tled” or “No Title” are not acceptable as part or all of an image’s �tle, nor are camera capture file names or �tles consis�ng of only numbers.
20. Images to be judge through Epson-EB S02 Projector (LED). Pixel Resolu�on of the Projector: (1024 X 768).21. The results of the exhibi�on will be published on the website - . Online Result and pdf Catalogue.www.jcmcircuits.com
This may involve asking the entrant to provide originally captured image(s), with EXIF data intact, by a set deadline. The ques�oned image(s) of any entrant failing to comply with such a request for the original image(s) may be considered in breach of these Condi�ons of Entry, and declined. Such entries may be referred to PSA for further inves�ga�on of possible ethics viola�ons. PSA retains the right to inves�gate in any way all complaints/suspicions of breaches of entry condi�ons, impose sanc�ons if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrant’s name on the list of sanc�ons provided to Exhibi�ons, and share such inves�ga�ons with FIAP. Entrants automa�cally agree to these terms by the act of entering the Exhibi�on.
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