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FORWARDSERVER
FS1000,2000,3000 KM300
Technology
Darim Vision Co., Ltd.http://darim.com http://darim.co.kr
Forward Server Product Lines
FS1000 (Automation & Title Server)Ingestion+Logo/Titling+APC+Playout server with Switcher and Mixer
FS2000 (PostPlay Server)Automatic Record-edit-Rebroadcast Server in Realtime
FS3000 (Slow Motion Server)Mainly SPORT Realtime replay Server
KM300 (Key Machine) 2ch. Chromakey Machine
FS1000 Automation Server Automation and Title Server includes
all hardware and software for building fully automated playback system
Switcher+Mixer+Ingestion+Multi-Titling/Logo/PIP scheduler+TV Clock+Chromakey+Remote Control server
All In One solution for Single channel full Broadcast Automation : Comes with necessary Tools for edit, Title, logo, Multichannel titling, etc..
Full H/W and S/W solutions
FS2000 Replay Server PostPlay Server allows to capture, re-
schedule and playback delayed video/audio data
FS1000 + Circular Buffered Recorder + Realtime Editor.
Can do Ad. / Title insertion in realtime or create schedule from remote Machine
•Satelite•Analog•IP
IngestVideo
RealTimeEdit Video
SchedulePlayout with LogoTitle, Clock etcFS1000
FS3000 Sport SlowMotion Server
Slow Motion Server is price effective replay machine with unbelievable fast user interface and very low price
FS2000+Multichannel Recording and Slow motion Realtime play control.
KM200 Chromakey Server
Key Machine is 2D virtual studio especially designed to generate good picture with bad environment (non-professional camera, bad lights, ‘stupid’ operator).
KM200Video1Video2
Keyout Video Out orMixed Video output
Avi/Picutre
FS1000 Automation Server line
FS1000 – basic automation & title server FS1100 – FS1000 server with web-IP
information titling support FS1200 – FS1000 server with SMS information
titling support FS900 – Remote web-IP titling only station FS800 – SMS titling automation only station FS500 – capture (ingest)/preparation station
FS2000 Replay server line
FS2000 Basic re-scheduling,
automation & title server FS2020 Dual capture re-scheduling,
automation & title server
FS3000 Sport Slow Motion product line
FS3020 2 channels slow motion replay server FS30404 channels slow motion replay server
FS Server In/Out options
FSnnn0 – Y/C version FSnnn1 – YUV/RGB version FSnnn2 – SDI version
Forward 1000 AutomationTapeless Automated Broadcast
Non-automated studio
Playback server
Titling server
Clock generatorLogo insertionWeather report
...M
ixer
Vid
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uts
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Audio mixer + audio delay
Au
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Au
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Semi Automated studio - APC
APC server
Playback server
Titling server
Clock generatorLogo insertionWeather report
...M
ixer
Vid
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inp
uts
Vid
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out
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ts
Audio mixer + audio delay
Au
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Forward Server
FS1000 automated studio
APC server
Playback server
Titling server
Clock generatorLogo insertionWeather report
...M
ixer
Vid
eo
inp
uts
Vid
eo
out
pu
ts
Audio mixer + audio delay
Au
dio
in
puts
Au
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uts
Forward ServerPostPlay Server
FS2000 RePlay automated studio
APC server
Playback server
Titling server
Clock generatorLogo insertionWeather report
...M
ixer
Vid
eo
inp
uts
Vid
eo
out
pu
ts
Audio mixer + audio delay
Au
dio
in
puts
Au
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uts
Switcher + TBC
Time shift server
FS 1000 Application Areas
Scheduled Advertisement insertion Scheduled Multi-layer titling with PIP
video, flash and so on “All in one”
(fully integrated automation server) Ingestion+Playout+Multilayer titling +Logo + T
V Clock + PIP video,Flash..
Other Applications of FS Servers
Title generation Server(with internal or external mixer usage)
Scheduled video playout Server Scheduled Multi-layer titling Server Scheduled input switcher, ingestion Server Scheduled time shifter with full
rescheduling/rebroadcasting of multi-channels
OEM Server– selection of key component features
Typical Tasks and Problems of regional broadcasters
Stable On air for 24/7/365 environment Automated playback/ scheduling Whole Titling and decoration Time Shift and Re-broadcasting of media
(with re-scheduling) Best Performance vs Price ratio Chroma key and Mix - 2D Virtual Sets
Forward Series Server structure
Unique hardware for Server: FD300 board
Big set of software package: Automation schedule (OnAir) Ingest capture Titling Remote workplaces
H/W and S/W Optimized for Automation
FD300 H/W Functions
DSP
FD300 H/W Digital Signal Processing
Form FPGAForm FPGA To VIDEOENCODERTo VIDEOENCODER
MIXER
FD300 H/W BoardInternal Structure of DSP Video Mixer
Technology Highlights:FD 300 Input/Out Diagram
Balanced Audio and
Active In/out signal Proc.
FD300 H/W Built-in audio mixer/delay unit
Up to 6 analog or 2 digital audio inputs/outputs Selectable delay per channel (up to 1000 ms) Multiple simultaneous outputs available
FD300 H/W configuration s/w
FS1000 softwares Forward OnAir S/W– automated
scheduled playback video and titles
Forward Title software: Title Designer Title generation utility
Forwards Capture (ingest) Forward Video/Audio real time editing
FS OnAir:Broadcasting Automation
Forward 1000 OnAir software
Flexible combination of schedule and interactive controls Multiformat media representation and operation Real-time editing and updating provides
An opportunity of updating of any not yet executed part of the schedule
Dynamic check of a correctness of the schedule Bypassing erroneous tasks Recording all actions of the operator and all succe
ssfully executed tasks to a LOG-file The adjustable interface for operative creation of th
e schedule from the prepared materials Automatic restore of execution of the schedule afte
r emergency reset of systems
FS OnAir: Interactive Controls
Audio and Video Control Panel
Titling
Control Panel
FS OnAir:Media access
•Pictures
•Pictures with Alpha
•Movies
•Movies with Alpha
•Sounds
•Virtual PostPlay clips
•NLE projects
•External events
•Title scripts
•Title objects
FS OnAir:Schedule Control
• On-line Schedule Visualisation and Editing• Dual window operation• Trim-editor• Cross-fade• Alarm on incidents• Log-book
Multi-instance ApplicationsTitle & Video separate schedule
FS OnAir:Broadcasting Automation Architecture
FS OnAir: Functional DiagramBroadcasting Automation system
Title engine (mix images)
Title object 1F9
OnAir application
Title element 1(crawl)
Outputvideo
Title object 2F10
Title object 3F11
Title element 3(Clock)
FS OnAir multi-layer titles
Title element 2b(roll)
Title element 2a(AVI)
FS Title DesignerMulti-layer Titles Compositor
Forward TitleTitle Creation - any style of OWN stype can be created.
FS TV Clock DesignerAny clocks what you can imagine
Image UpdaterDynamic titles generation from any text
MovieList EditorPlayback movies in Titles Engine
Scheduled playback of pictures and movies with or without transparency layers inside titling objects (PIP)
FS WebTrackerAutomated Monitoring of WEB for news
Title engine (mix images)
Static image title object 1
OnAir application
Image1(graphic file)
Read image every second
Outputvideo
Static image title object 2
Image2(graphic file)
Read image every second
Crawl title object 3
Crawl images(graphic files)
Read crawl image by image
3-d party software(update the images)
Dynamic update of title images
Title engine (mix images)
Static image title object
OnAir application
Image1(graphic file)
Read image every second
Outputvideo
Static image title object
Image2(graphic file)
Read image every second
Crawl title object
Crawl images(graphic files)
Read crawl image by image
ImageUpdaterapplication
Text 1a
Read text every second
Text 1b
ImageUpdaterapplication
Text2
Read text every second
ImageUpdaterapplication
ImageUpdaterapplication
ImageUpdaterapplication
3-d party software(update the text files)
Automatic Dynamic Titling from updated Text Files
Batch Capturing Via VTR control or Scheduled Recording Software
MultiFormat Codec: Uncompressed I-MPEG-2 Motion JPEG DV DVC Pro. etc.Capture drive support Direct Show filter Video For Windows Capture SDK Windows
FD Capture:Uncompressed/Multiformat Capture
Real-Time Editing Studio
Optimized for Video Server Project Preparation
FD AV Studio:Video / Audio editing software
FS2000 Server
PostPlay server – file storage with automatic data cleaning
PostPlay VideoIn – capture video and audio
PostPlay Preview – clip selection OnAir – playback selected clips
PostPlay operationIngestion
Edit
Reschedule Play
FS2000 vs FS1000
+ Dramatically decrease operator usage+ More safety (no human errors)– OnAir can not switch from one LIVE1 to
LIVE2 or LIVE3– More CPU requirement
FS3000 Sports Replay Server
For Slow Motion Instant Replay
•Based on technology of PostPlay system- Ability to edit and play back video with out stopping recording.•Allows capturing of up to 4 video channels and replaying any of them at any speed, from any specified position. •Main purpose of the system – replay goals, offsides, penalties and other sport moments from best view. •Very short delay between the moment and replay (~2-3 seconds).
FS3000
FS3000 Sport Server features Management of system through keyboard,
mouse, Touch Screen, or external switcher. Integration with a video equipment through
GPI. (start/stop, GPI-in/GPI-out) Insertion of a static or dynamic logo. Easily playback all the highlights at the end
of the game. 2 channel or 4 channel models. Compact, integrated, ready to work.
FS3000: console user interface
FS3000 Server
FS3000: Replay console user interface
K M3 0 0
Innovative color keying toolkitChromate backdrop material Light
emitting ringfor camera Color keying interface card
Digital Key MachineKM300Automatic Digital Keying - Easy to use Enhanced Mask Filtering/Clipping
• Static/Animation(JPEG,DV,MPEG2)• Live Video Background • Optimized for SVHS as well
KM300
Unique chroma key especially designed for low-cost studio
Up to 2 cameras with independent chroma key settings
Decoration: live, movie or still images Automatic settings Presets
Digital Chroma Keyer Advantage
- Fully Integrated
- Fast Setting
- Not so sensitive with Color and Light
Full Intelligent Automatic Key Set up.
Special Noise filter..
- S-video/Composite Support
Unique algorithms of chroma key for low-budget cameras
KM300: Chroma key
K M 30 0
The powerful kit offering superior video digitizing and keying performance
- High quality automatic keying with manual adjustments of fine details
- Convenient user interface for both simple and advanced applications
- Multiple Composite, S-Video and YUV Component inputs with built-in TBC
- Optional SDI video input/output- Genlocked video outputs with user-defined delay- Key output channel for external mixing
KM 300 advantages
• Improved tolerance to the lights andbackground inconsistencies• Lower sensitivity to the image noise caused byvideo cameras• Reduced cost of virtual set studios• Excellent source for real time 3D video effects
H/W Specifications (FD 300)
Video Formats: Uncompressed YUV 4:2:2, MPEG1, MPEG2 (with/without Alpha) DV, MJPEG (with/without Alpha)Video Standards: NTSC (720x480) or PAL (720x576)Video switcher Inputs: Up to 6 Composite (RCA, 75 Ohm) Up to 3 S-Video (4-pin miniDIN, 75 Ohm) Up to 2 YUV Component (BNC, 75 Ohm) Optional SDI (BNC) Sampling format:
YUV 4:2:2, 8-bit
Specifications (Forward 300)
Video Outputs: Composite (RCA, 75 Ohm) S-Video (4-pin miniDIN, 75 Ohm) YUVa Component (BNC, 75 Ohm) Optional SDI (BNC) Sampling format:
YUVa 4:2:2:4, 8-bitColor Keying: Two independent channel of table-based color key with color corre
ction and color mask filtering and clipping
Specifications (Forward 300)
Alpha Channel: Real time 8-bit Alpha mixing of live video with CG image
s or compressed videoTime Base Correction: Dual channel TBCGenlock: Outputs genlocked to any video input with programmabl
e delaySpecial I/O options: CCIR 656 input/output interface back drop material.
KM 300
KM 300 is an all new color keying toolkitfrom Darim Vision. It delivers sophisticated real time keying functionality thatwill amaze even the most experienced video professionals - yet the KM 200 iseasy to use. In KM300, we at Darim Vision have combined the world’s latest advances in light reflecting technology with our video engineering experience.Thanks to the uniform light emitter and unique PC add-on hardware with table-based keying, color correction, mask filtering and clipping, KM 200 canseparate very fine details and transparent objects in the foreground from theback drop material. Technically, this enables the background to be easily - without bleeding around the edges of the talent - substituted with recorded video in AVI or MPEG format (with or without embedded alpha channel).In today’s era of virtual studio program making and broadcasting this means ....
Thank you
Darim Vision