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EVERYTHING THAT RISES MUST CONVERGE:
FOR PIANO AND ORCHESTRA
by
BENJAMIN A. KRAUSE
A THESIS
Presented to the School of Music and Danceand the Graduate School of the University of Oregon
in partial fulfillment of the requirementsfor the degree ofMaster of Music
June 2010
"Everything that Rises Must Converge: For Piano and Orchestra," a thesis prepared by
Benjamin A. Krause in partial fulfillment of the requirements for the Master of Music
degree in the School of Music and Dance. This thesis has been approved and accepted
by:
;v(?l t[- e2lf 1 ;LffJ[}Date \. 2J ../
11
Committee in Charge:
Accepted by:
Dr. Robert Kyr, ChairDr. David CrumbDr. Jack Boss
1.:7-~~
Dean of the Graduate School
.......
....... .......
iv
An Abstract of the Thesis of
Benjamin A. Krause
in the School of Music and Dance
for the degree of
to be taken
Master of Music
June 2010
Title: EVERYTHING THAT RISES MUST CONVERGE: FOR PIANO AND
ORCHESTRA
Approved:Dr.
Everything That Rises Must Converge is a work for piano and orchestra in one
movement. It is structured in three main sections preceded by an introduction, which
resembles a traditional three-movement concerto reduced to one movement. Since all of
the sections explore a common musical thread, it has a feeling of "stream-of-
consciousness" and free association that suggest genres such as the rhapsody and
symphonic tone poem. The thematic motto that begins the piece returns only at points of
important formal delineations and is not presented by the piano itself until the work's
final moments. The composition also utilizes a foreshadowing technique wherein
secondary material in one section is revealed as primary in later sections. The piece is
titled after a short story by Flannery O'Connor and reflects its evocative imagery through
the frequent use of ascending gestures as well as its final convergence of thematic ideas
and musical forces.
CURRICULUM VITAE
NAME OF AUTHOR: Benjamin A. Krause
PLACE OF BIRTH: La Jolla, California
DATE OF BIRTH: March 5, 1985
GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED:
University of Oregon, EugeneValparaiso University
DEGREES AWARDED:
Master of Music, Composition, 20ID, University of OregonBachelor of Music, Piano Performance, 2007, Valparaiso University
PROFESSIONAL EXPERIENCE
Graduate Teaching Fellow, School of Music and Dance, University of Oregon,Eugene, 2007-2009
GRANTS, AWARDS, AND HONORS
Outstanding Graduate Scholar in Composition, School of Music and Dance,University of Oregon, Eugene, 20ID
ASCAP Morton Gould Young Composer Awards Finalist, 2009
Summa cum Laude, Valparaiso University, 2007
v
VI
ACKNOWLEDGEMENTS
I am grateful to Professors Kyr and Crumb for their support, guidance, and
rigorous standards throughout the last three years. I especially thank Professor Kyr for his
careful editing, thoughtful suggestions, and encouragement from the initial conception to
completion of my thesis. Special thanks are due to the talented and enthusiastic student
musicians in the School of Music and Dance who made a performance of this work
possible.
......
(1l .....
<: .......
.......
V111
TABLE OF CONTENTS
Chapter Page
I. EVERYTHING THAT RISES MUST CONVERGE: FOR PIANO ANDORCHESTRA 1
INSTRUMENTATION
2 Flutes (2nd doubling Piccolo)2 Oboes2 B-flat Clarinets2 Bassoons (2nd doubling Contrabassoon)4FHoms2 C Trumpets2 TrombonesTimpaniPercussion (2 players)
Suspended CymbalsTam-TamBass DrumCrotalesGlockenspielCelestaVibraphone
PianoViolin IViolin IIViolaCelloBass
IX
1
ScoreinC EVERYTHING THAT RISES MUST CONVERGEfor piano and orchestra
Delicately, distantly
J=62 - 66
Benjamin Krause2010
Viola
Violin I
Violin 2
2 Oboes
"
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u pp
unis. ;:~ --
pp
:
:
rTl Still, from a distance
L!J J= 52
Tim
v
C
Hn.
2 Fls.
12
2Cls.
20bs.
2 Tpts
2Tbn
2 Bsns.
Tam-TamCr,
1147
1
37
2 Fis.
20bs.
2 CIs.
2 Bsns.
12
Hn.
34
2 Tpts.
2 Thns.
Timp.
Crat.
Cel.
Pno.
Vln.l
Vln.2
Via.
Vc
Cb
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P-<:mp P =mf,
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:
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:
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upp
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P
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pizzo pizzo
:
P P mp
38
CDVery calm
J =46rit. _
a tempo- ()=92)
2f\ ~J~ - --. --u ~~ ~ ~- f---" ,----- - -~ f..--' --- I ~
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U
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:
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f\
-U
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:
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A
f'u
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J=46 rit. _ a tempo- - - ()l =92 )
"u
:
Very calm a tempo
J =46rit. _ - - - ()=92)
f\ --- ~ - ,- --u.., "----"" ~
,
L.+.J ~3~
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:
p ~
===-:Cb.
VIa.
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Pna.
I2
Cel.
Hn.
34
Crat.
VIn.2
YIn. I
2 Fls.
Timp.
2 CIs.
20bs.
2 Tpls.
2 Tbns.
2 Bsns.
~(a 2)
39
2 FIs.
20bs.
2 CIs.
2 Bsns.
I2
Hn.
34
2 Tpts.
2 Tbns.
Tirnp.
Crot.
Cel.
Pna.
Vln.1
Vln.2
VIa.
Ve.
Cb.
~
pp
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mp dolce ===-=--~3~ P<mp -=:::::::
P -=f P
fI
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:
LI, _.:
pp
:
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:
:
fI
t.J
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pp
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P -=:::::::::: f ====- pp
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div.t\ II ,....,
:I I
sub. I r' - r~ - r"'-- --ppp mpP -=:::::::::: f :::::::=-pp --==-== P :mf pp
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:
40
1165
1
[illpoco rit. - - - -)J =82
Via
Hn.
Vc
Pna.
,.,
u
1\ ~ ~ ,lie (~\'-_li':;;- (~\., ~1I,~ ~ -:---
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fl
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2.
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1\
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I~poco rit. _ _ _ -)J = 82
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34
12
Crat.
Vln.2
Vln.l
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2 Fis.
2 Cis.
20bs.
2 Tpts.
2 Tbns.
2 Bsns.
Cb
p
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()=92 )
41
2 As.
20bs.
2 CIs.
Bsn.l
Bsn.2
!2
Rn.
34
2 Tpts.
2 Tbns.
Timp.
Crat.
Cel.
Pno.
Vln.!
Vln.2
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Vcdiv. a 2
Cb
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fl
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42
~
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rit. _ _ _ _ _
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VIa.
Ve.
Crot.
Cb.
Pno.
34
Cel.
Cl. 2
12
Hn.
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Vln.2
Vln. I
Timp.
Bsn.2
Bsn. I
2 Tpts.
2 Fls.
20bs.
2 Tbns.
43
11821 rit._
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2 Fls.
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Cel.
Crot.
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2 Cis.
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34
Hn.
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Via,div. a 2
Bsn, !
Bsn.2
Vln.!div. a2
2 Tpts.
2 Tbns.
pp
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44
2 Fls.
Ob. I
Ob.2
2Cls.
2 Bsns.
I2
Hn.
34
2 Tpts.
2 Tbns.
Timp.
Cro!.
Cel.
Pno.
Vln. Idiy. a 2
Vln.2
VIa.diy. a 2
Vcdiy. a 2
Cb
n ... "T""- r- ,- ",- rT
t.J p-=::mp= PP PP =ff\ - --- --
t.J -p-=:= mp PP =ff\
t.J .......P-=::mp= PP =f
f\ 1./1"# .,;:- ~. ~? ~
t.JP -=:::::mp:::=- PP PP =f
I.r~ ,L ¥ ~:
p-=::mp:::=- PP =f
f\
-t.J
f\
t.J
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t.J ~ ----mp :::::::>- PP -mf:
:
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tJP
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'tJ I ~ l~_ ---PP mp
f\
t.J
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II
t.J ......77 '* If&_ -'*. K -""------.--'* ~'* 77
PP-=::mp~ P.PP P.PP mp
II
tJ .......~ Ft u _7 7, _77__ .--7 ~7 ~
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-- --- ...----....: :
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PP -==mp-===- P.PP P.PP mp
:
1193
1
45
~J=52
2 Fls.
20bs.
2 CIs.
2 Bsns.
12
Hn.
34
2 Tpts.
2 Tbns.
Timp.
Bs. Dr
Cel
Pno
Vln.diy. a
Vln.diy. a
Vdiy. a
Vdiy.
"t.J
"t.J
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:
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pp
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p-=::::::= mf sub. --= mp npp
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pp
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:
mp ::::::::::=-. #=&--- -------------pp
1 198 \ poco rit. _Subdued, sweetly
J= 52 - 56
46
2 Fis.
20bs.
2 Cis.
2 Bsns.
I2
Hn.
34
2 TpIS.
2 Tbns.
Timp.
Bs. Dr.
Cel.
Pno.
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n
~
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~
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pp p = mp ::::==- p mp--===:
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(PP) (slurs show harmonic groupings)
pOCO rit. _Subdued, sweetly
- - - 'J =52 - 56'"~
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:
,-,09-
:
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1203
1
47
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2 Bsns.
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-I,I ,); -2 Tbns.
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rit. _
48
2 Fls.
20bs.
2 CIs.
2 Bsns.
I2
Hn.
34
2 Tpts.
2 Tbns.
Timp.
Bs. Dr
Cel
Pno.
Vln. I
Vln.2
VIa
Vc
Cb
,.,
U
,.,
U
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broaden slightly - -~ --- -1\ -
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broaden slightly
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49
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J=60" -/ fL
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mf =--=---= f mf f
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p
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A
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J=60~ ~
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J=60fI
tJ -........
P mf f
fI
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34
Hn.
Pna.
Cel.
Ve.
I2
Cb.
Via.
Vln.2
Vln. I
Bs. Dr.
Timp.
2 Cis.
2 FIs.
2 Tpts.
20bs.
2 Tbns.
2 Bsns.
p p mf
50
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P mp f mp
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1
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(1.)
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I2
VIa.
YIn. I
Cel.
34
Hn.
Timp.
2 Fls.
2 CIs.
Bs. Dr.
Ve.div. a 2
2 Tpts.
20bs.
21bns.
2 Bsns.
p -~======rrif======~- p mf=======~-
51
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1
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C
Vln.
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34
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12
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2 Tpts.
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p--~==========: mf ===========-- p
52
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Timp.
2 Cis.
2 Fis.
Susp.Cymb.
20bs.
2 Tpts.
2 Tbns.
2 Bsns.
ff>
f
1318
1 rit._ a tempo ~
68
2 Pis.
20bs.
2 CIs.
2 Bsns.
12
Hn.
4
2 Tpts
2 Tbns
Tim
Bs. D
C
p
VI
V
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1"1 t":"I
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(a 2) t":"I:
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t":"I:
1"1 t":"I
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t":"I:
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t":"I
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rit. - - - - a tempo very forceful,.t":"I - .--...
-:
>--!-'v
depress silently withfsostenuto pedal
hold until m. 338
:
P~_.. II·_~-.: .. II·I
~:-- ---------rit. a tempo
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llN
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70
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t.J :r ~ ~ '!' f' ~p
pp
~ ~ ~ .!: L" :
t.J :r .. " 'f f ~ppp
- :~pp
:
6>' 6>' -9' 6>'
Tim
Hn
2 Fls.
2 CIs.
20bs.
Bs.
2 Tpt
2 Bsns.
2 lOn
sub,P
71
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1\
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:
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4.
:
p
1\
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1\
tJ
1\
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:4- 4- • .' • •p
:
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2 Fls.
2els.
Hn
Tim
20bs.
2Tp
Bs.
2Tb
2 Bsns.
~
72
~>~
2 PIs.
20bs.
2 CIs.
2 Bsns.
I2
Hn.
34
2 Tpts.
2 Tbns.
Timp.
Bs. Dr.
Cel.
Pno.
Vln. I
Vln.2
VIa.
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Cb.
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mf sfP
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:
2.-:
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(4.)..
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"u
"U
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pp
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73
1349
1
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mf =ifp p
:
1. Solo(2.) e 'I'--
:
pp pp pp mf(4.)
:
p pp p pp p pp
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:
sofl IVibraphone I"
mallels
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Cb.
34
Vib.
Pno.
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12
VIn.2
Vln.l
Timp.
2 Fls.
2 Cis.
Bs. Dr.
20bs.
2 Tpts.
2 Tbns.
2 Bsns.
mp = f
1355
1
74
2F
20
2C
2 Bsn
H
2Tpt
2 Tbns
Timp
Bs. D
Vib
Pna,
Vln, 1
Vln, 2
Via.
Vc,
Cb,
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II
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(1.) 1.
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pp mf3.
:b~ 1._ ,.. Iblr
1. Solo mfII senza~.
~ • •mf mp pp
:
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IIIVibraphone I
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~
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area
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mp -====::: f=======- p
§]Freely, as if improvised
~
75
2 FIs.
20bs.
2 CIs.
2 Bsns.
12
Hn.
34
2 Tpts.
2 Tbns.
Timp.
Bs. Dr.
Vib.
Pno.
Vln.l
Vln.2
VIa.
Ve.
Cb.
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(1.)
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n(3.)
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5:00.
Freely, as if improvisedfI
t.J
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2 FIs.
20bs.
2 CIs.
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t:'\
t:'\
t:'\
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76
Bsn. 1 1 : t:'\
t9ECbsn. . t:'\
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I'l2 Tpts.
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2 Tbns.
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------------ --
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, t:'\
1
3741
77
2 Fls.
20bs.
2 CIs.
Bsn. 1
Cbsn.
12
Hn.
34
2 Tpls.
2 Tbns.
Timp.
Bs.Dr.
Vib.
Pno.
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Vln.2
VIa.
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78
2 Fls.
20bs.
2 Cis.
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2
Hn.
34
2 Tpts.
2 Tbns.
Timp.
Bs. Dr.
Vib
Pno.
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;
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pp p mp
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79
1.
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VIa.
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34
Hn.
Cb.
Ve.
12
Timp.
Cbsn.
Vln.l
2 Fis.
2 Cls.
Bsn.l
Bs. Dr.
2 Tpls.
20bs.
2 Tbns.
80
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Vib
Vla
Vln.2
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12
34
Vln.l
Timp.
Cbsn.
2 Fls.
2 CIs.
Bsn. 1
20bs.
2 Tpts.
2 Tbns.
Tam-Tam
1400 [
(1.)
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81
21'1
2Gb
2 CIs
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Cbsn
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2 Tpts.
2 Thns.
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with fingertips
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IBass Drum I
-- ,..-.:....~--ppp
1---__ :=::::
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82
1406
1
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mollo If
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Tim
Hn
Cbsn.
2
2 CIs.
2 Fls.
Bs, D
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2 Tpts
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2 Tbn
83
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34
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2Cls,
Cymb,Bs, Dr.
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2 Tpts.
20bs.
2 Tbns,
