Folie à Deux [Album] - Fall Out Boy

Intro

Moderately q = 122

Disloyal Order of Water BuffaloesWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley

Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203

International Copyright Secured All Rights Reserved

from Fall Out Boy - Folie à Deux

Drop D tuning:(low to high) D-A-D-G-B-E

D

I’m com in’- a part

A/C#

- at the seams,

*Gtr. 1

w/ fingers

pp mf

*Organ arr. for gtr.

pitch

Bm

in’- my self- for leads in oth

G5

er- peo ple’s- dreams, now. Buzz,

D/A

buzz, buzz.

A

Doc,

A/Bb

there’s a

let ring

hole

Bm

where some

G5

thing- was.

D

Doc,

D/A

there’s a hole

Bm

where some

G5

thing- was.

D

let ring

0232

4225

2

432

5

033

0

232

0

220

1

2

432

5

033

0232

0 2

432

5

033

0232

Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1

Faster q = 148

Gtr. 2 (dist.)

Gtr. 1 tacet

Rhy. Fig. 1

mf

Dsus2 DEnd Rhy. Fig. 1

Dsus2

*Gtr. 3 (dist.)

f

*Doubled throughout

Gtr. 3

**

Gtr. 2: w/ Rhy. Fig. 1 (2 times)

Rhy. Fig. 2

D5 A5 G5End Rhy. Fig. 2

**Chord symbols reflect harmony played by Gtr. 3.

Gtr. 3: w/ Rhy. Fig. 2

D5

A5 G5

Fell1. out of bed,

Gtr. 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Rhy. Fig. 2

Verse

D5

but ter- fly- band age,- but don’t

A5

wor

G5

ry.- You’ll nev er- re mem- -

D5

ber,- your head is far too

A5

blur

G5

ry.- Put him in the

Gtr. 3

Rhy. Fig. 3 End Rhy. Fig. 3

077

077

077

077

077

077

077

077

077

077

077

075

075

077

077

077

077

077

077

077

077

077

077

077

075

075

075

19

00

77

55

55

00

77

55

55

55

55

55

55

55


back

*Bm7

of a squad

Esus4

car, re strain

A5

- that man.

D5

He needs

Bm7

his head put

Esus4

through a cat

A5

scan.

D5

- Hey

Riff A

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

*Chord symbols reflect implied harmony.

ed

Bm7

i- tor,

-

Esus4

I’m un de- ni

A5

- a- ble.

-

D5

Hey, doc

Bm7

tor,- I’m

Esus4

cer ti- fi

A5

- a- ble.- Oh,

P.M. P.M. P.M. P.M. P.M. P.M.

End Riff A

let ring

Pre-Chorus

Gtr. 3 tacet

G

I’m a loose bolt

Aadd4

of a com plete- ma chine.

Bm

- What a

A5

Gtr. 5 (dist.)

Riff C

mf

Gtr. 4 (slight dist.)

Riff B

mflet ring let ring let ring

2 2

2

2 2

2

0 0

2

0 05 4 2 2

2

2 2

2

0 0

2

0 05 4

2 2

2

2 2

2

0 0

2

0 05 4 2 2

2

2 2

2

02

2

0

2

0

2

57

57

8 7 57

5 5

40

5

0

7

0

7

60

7

07

9

0

9

70 0

9

0

9 9 7


match,

G

I’m half

Aadd4

doomed and you’re

Bm

sem

A

i- -

End Riff C

let ring w/ pick

& finger let ring

End Riff B

sweet.

G DGtrs. 4 & 5 tacet

Dsus2

So boy

Chorus

Gtr. 2 tacet

D5

cott-

Gtr. 2 Gtr. 6 (dist.)

mf

Gtr. 5

Gtr. 4

Gtr. 3

Rhy. Fig. 4

4 4 6 7 6

5

0

5

4

5

4

0

5

0

7

60

7

60

7

7

9

06

7

6

5

4

077

077

077

077

077

077

077

077

077

077

077

075

075

075 10 7 8

97

4 4

5X04

5 9 0577

0577

0577

0577

0577

0577


love,

G5

de

B5

tox- just to re

A5

tox.- And I’d

Gtr. 6

let ring let ring

Gtr. 1 End Rhy. Fig. 4

prom


D5

ise- you an

G5

y- thing-

for an oth

B5

- er- shot at life.

A5

And

Gtr. 6

let ring let ring

per

D5

fect- boys

G5

with their per

B5

fect- lives,

A5

no bod- y-

(Ah.)

Voc. Fig. 1 End Voc. Fig. 1

let ring let ring

77

5 7 107

89

77

5 7

555

555

555

555

555

555

999

999

999

999

999

999

999

777

777

777

777

777

777

7 7 89

77

5 7 7 89

77

5 7

7 7 89

77

5 7 7 89

77

5 7


2CTo oda 1CTo oda

wants

Bkgd. Voc.: w/ Voc. Fig. 1

D/F#

to hear you sing

G5

a bout- trag e- dy.-

B5 A5

Oh.

(Wants to hear you sing a bout- trag e- dy.)-

Gtr. 6

let ring let ring

Gtr. 3


Gtr. 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Rhy. Fig. 2 (2 times)Gtr. 6 tacet

Interlude

D5 A5 G5

D5

A5 G5

Lit2. tle- girl,

Gtr. 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Rhy. Fig. 2

Verse

D5

you got me star ing- odd,

A5 G5

oh. Or was that just


D5

a tel e- scop- ic- cam ’ra- nod?

A5 G5

Uh, p p- paint- ed-

7 7 89

77 7

5 7 7 7 89

77

5 7 7

457

457

457

457

457

457

555

555

555

555

555

555

999

999

999

999

999

999

999

777

777

777

777

777

777


D.S. al Coda 1

dolls

Gtr. 3: w/ Riff A

Bm7

in the high

Esus4

way- truck

A5

stop- stalls,

D5

lot

Bm7

liz ard- scales

Esus4

cool your night

A5

life- moods.

D5

All the

(Paint ed- dolls in the high way- truck stop- stalls.)

rook

Bm7

ies,- leave your badge

Esus4

and your gun

A5

on the desk

D5

when you leave

Bm7

the room.

Esus4

A5

Gtr. 4: w/ Riff B

Pre-Chorus

G

I’m a loose bolt

Aadd4

of a com plete- ma chine.

Bm

-

(I’m a loose bolt.)

Gtr. 5: w/ Riff C

What a

A5

match,

G

I’m half

Aadd4

doomed and you’re

Bm

sem

A

i- -

sweet.

G

Gtr. 3

5 5 5 5 50 0 0 0 0 2 2 2 2 2 4 4 4 4 4 5 5 7 7


1 Coda

Gtr. 2: w/ Rhy. Fig. 1 (4 times)Gtr. 6 tacet

Bridge

D Dsus2 D

Dsus2

(De

Voc. Fig. 2

tox- just to re tox.- De tox- just to re tox.)-

End Voc. Fig. 2

Gtr. 3

Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)

D

Dsus2 D

Dsus2

So

boy

D

cott- love,

Dsus2 D Dsus2

(Boy cott- love,

00

00

00


D.S. al Coda 2

2 Coda

boy

D

cott- love.

Dsus2 D Dsus2

So

boy cott- love.)

B5 A5

No bod- y-

(Wants to hear you sing.)

let ring

wants


D/F#

to hear you sing

G5

a bout- trag e- dy.-

Gtr. 6

let ring

00

12

7 7 89

77

5 7

999

999

999

999

999

999

999

777

777

777

777

777

777

10 79

89

77

5 7


B5

Whoa.

A5Outro

D

(Wants to hear you sing a bout- trag e- dy.)-

Gtr. 6

let ring

Gtr. 2

Gtr. 3

Gtr. 6 tacet

Dsus2 D

Dsus2

Gtr. 2

Gtr. 3

10 79

89

77

5 7

077

077

077

077

077

077

077

999

999

999

999

999

999

999

777

777

777

777

777

777

00

077

077

077

077

075

075

075

077

077

077

077

077

077

077

077

077

077

077

075

075

075

00

00


Intro

Fast q = 135

I Don’t CareWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman, Andrew Hurley and Norman Greenbaum

Copyright © 2008 Sony/ATV Music Publishing LLC, Chicago X Softcore Songs, WB Music Corp. and Great Honesty Music Inc.All Rights on behalf of Sony/ATV Music Publishing LLC and Chicago X Softcore Songs Administered by

Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203All Rights on behalf of Great Honesty Music Inc. Administered by WB Music Corp.

International Copyright Secured All Rights ReservedReprinted by Permission of Hal Leonard Corporation


Transcribed by David Stocker

____

= 3

(Drums)

*

Voc. Fig. 1

F#5

A6 B5 A6 B5

(Oo.)

End Voc. Fig. 1

A6 F#5

A6 B5

A6 B5 A6

Gtrs. 1 & 2 (elec.)

w/ dist.

Riff A

f

End Riff A

let ring

Riff B End Riff B

let ring



F#5 A6 B5 A6 B5 A6

let ring

F#5 A6 B5 A6 B5 A6

let ring

Say

Verse

1.

F#5

my name and

A6

his

B5

in

A6

the same

B5

breath.

A6

I

F#5

dare you to say they

A6

taste

B5

the

A6

same.

B5 A6

A,

Riffs C & C1

let ring let ring

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42

40

0

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42

40

4

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42

40

Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

let

D5

the leaves

A/C#

fall off

B5

in the sum

A

mer- and

E/G#

let


F#5

De cem- ber- glow in

A6

flames.

B5

(In

A6

flames.)

B5 A6

Gtr. 1

End Riff C

let ring 3 3 3 3 3 3

3 3

Gtr. 2

End Riff C1

let ring 3 3 3 3 3 3 3 3

Brace

Gtrs. 1 & 2: w/ Riffs C & C1

F#5

my self- and

A6

let

B5

go.

A6 B5

Start

A6

it o

F#5

ver- a gain- in

A6

Mex

B5

i

A6

- co.-

B5 A6

These

D5

friends,

A/C#

they

B5

don’t love

A

you.

E/G#

They

F#5

just love the

A6

ho

B5

tel-

A6

suites,

B5

now.

A6

I

Chorus

F#5

don’t

care

A5

what you think as long

D5/A

as it’s a bout

B5/F#

- me. The

(Oh.)

Voc. Fig. 2

Gtrs. 1 & 2

Rhy. Fig. 1

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

4 4 4 2 2 22

4 4 40

42

40

42

40

4

5 5 5 5 5 5 4 4 4 4 4 4 2 2 2 2 2 2 0 0 04 4 4 2

4 4 40

42

40

42

40

4

244

022

5577

2244


CTo oda

D.S. al Coda

best

D5/A

of us can find

B5/F#

hap pi- ness- in mis

F#5

- er

A6

y.-

B5

A6 B5

Said,

A6

End Voc. Fig. 2

End Rhy. Fig. 1

let ring

I

Bkgd. Voc.: w/ Voc. Fig. 2Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 6 meas.)

F#5

(I

don’t

don’t.)

care

A5


D5/A

as it’s a bout

B5/F#

- me. The best

D5/A

of us can find

B5/F#

hap pi- ness- in

mis

InterludeBkgd. Voc.: w/ Voc. Fig. 1 (2 times)

F#5

er- y.-

A6 B5

A6 B5 A6 F#5

A6 B5

A6 B5 µ

Gtrs. 1 & 2

let ring let ring

Verse

Gtrs. 1 & 2: w/ Riffs C & C1 (2 times)

F#5

Oh,2. take a chance, let

A6

your bod

B5

y- get

A6

a tol

B5

er- ance.

A6

-

F#5

I’m not a chance, put

A6

a heat

B5

wave in

A6

your pants.

B5

Pull

A5

a

breath

D5

like an oth

A/C#

- er- cig a- rette.

B5

- Pawn shop;

A

I’m

E/G#

trad


F#5

in’- ’em.

A6 B5

(Trad

Mm.

A6

in’- ’em.)

B5 A6

F#5

I’m the or a- cle

A6

- in

B5

my

A6

chest.

B5 A6 F#5

Let the gui tar- scream

A6

like

B5

a fas

A6

cist.

B5

- Sweat

A5

it

(In my chest. oo.)

out,

D5

shut your mouth.

A/C#

Free love

B5

on the streets,

A

but

E/G# F#5

in the al ley- it

A6

ain’t

B5

that

A6

cheap

B5

now.

A6

5577

2244

2

4 4 40

42

40

42

40

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42


Coda

Gtr. 1 F#5 A6 B5 A6 B5 A6

let ring

Breakdown

F#5 A6 B5 A6 B5 A6

Gtr. 2

let ring slight P.M.

F#5

A6

Mm.

B5 A6 B5

Said,

A6

a, I

Gtr. 1 tacet

Bridge

F#5

don’t care just,

A6

a, what

B5

you

A6

think

B5 A6

as

fdbk.*

3

Gtr. 3 (acous.)

mp let ring

Pitch: G#*Using a guitar with LesPaul-style electronics, set the lead volume to 0 and the rhythm volume to 10. Flip the pickup selector switch in the rhythm indicated to simulate the re-attack.

slight P.M.

long

F#5

as it’s

A6

a

3

bout

B5

-

A6

me.

B5

I said,

A6

a, I

Gtr. 1: w/ Riff A

F#5

don’t care just,

A6

a, what

Gtr. 3 tacet

B5

you

A6

think

B5

as

A6

long

let ring

slight P.M. slight P.M.

2

4 4 40

42

40

42

40

4

24

2

4 4 40

42

40

42

40

4

2

4 4 40

42

40

42

40

0

24

24

24

24

2

4 4 40

42

40

42

40

0

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42

40

0

2

4 4 40

42

40

42

40

0 2

2

4 4 40

42

40

42

40

0 2

40

42

40

42

40

0Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4

Gtr. 1: w/ Riff B (2 times)

F#5

as it’s

A6

a bout

B5

-

A6

me.

B5

I said,

A6

a, I

F#5

don’t care.

A6

(I

B5

don’t

A6

care.

B5

Said

A6

I

(Oo, hoo,

Gtr. 2

slight P.M.

F#5

don’t care.

A6

I

B5

don’t

A6

care.

B5

Said

A6

I


F#5

I

don’t

don’t

A6

care.

B5

care.

A6 B5 F#5

hoo.

Gtr. 1

let ring let ring

Gtr. 2

slight P.M.

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42

40

4

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42 0

244

2

4 4 40

42

40

42

40

0 2

4 4 400

00

22

22

00

00

22

0244


I

I

don’t

don’t...)

A6

care.

B5 A6 B5 F#5

I don’t care.

A6

No, I don’t.

Said, a,

let ring let ring

F#5

I said,

A6

a, I

F#5 A6

don’t

F#5 A6

care.

F#53 3

I don’t care.

I don’t care.)

let ring

P.M. P.M.

I

Outro-Chorus

Bkgd. Voc.: w/ Voc. Fig. 2Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)

F#5

don’t

care

A5


D5/A

as it’s a bout

B5/F#

- me. The best

D5/A

of us can find

B5/F#

hap pi- ness- in

(I don’t.

3

Oo, hoo,

3

hoo. Best of us, best of us,

2

4 4 40

42

40

42 0

244

2

4 4 40

4

2

4 4 400

00

22

22

00

00

22

0244

2

4 4 400

00

244 4 4

04

244 4 4

244 4

244 4

244 4

244 4

244 4

244 4 4

00

00

244

04

244

04

244

244

244

244


mis

F#5 A6 B5

er

A6

- y.-

B5

Said

A6

I


F#5

(I

don’t

don’t.)

care

A5

what you think as

oo, oo, oo, oo.)

Gtr. 4 (elec.)

*w/ dist. & octaver

mf

3

33 3 3 3 3

*Set octaver for one octave below.

long

D5/A

as it’s a bout

B5/F#

- me. The best

D5/A

of us can find

B5/F#

hap pi- ness- in

3 3 3 3

8va

mis

F#5 A6 B5 A6 B5 A6Bkgd. Voc.: w/ Voc. Fig. 1

F#5

- er

A6

y.-

B5 A6 B5

A6 F#5

µ

Gtr. 4

8va

Gtr. 5 (elec.)

**w/ dist. & octaver

*** mf

***Vol. swell**Set octaver for one octave below.

Gtrs. 1 & 2

let ring let ring

3 11 119 11 9 11

10 10 12 14 14 14 14 1414 14

1414 0 12 14 12 14 0 12 14 12 14

00

10 12 10

1014 0 14 0 12 14 12 14 0 12 14 12 14 0

10 12 10 10 0 10 12 10 1210 0 14 12 1011 9

14 16 17 17

17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17

14 14

2

4 4 40

42

40

42

40

0 2

4 4 40

42

40

42

40

0 244


Intro

Moderately q = 137

She’s My WinonaWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Gtr. 1 (elec.)

w/ slight dist. & slap-back reverb

µ

mf

Bm A/D G

13421

Bm

134111

F#m

1

Em7

11

A5

132

D/A

Bm Bm[add4]

Gtr. 1

Rhy. Fig. 1

Bm A G Bm[add4]End Rhy. Fig. 1

Gtr. 2 (elec.)

w/ dist.

f

Gtr. 3 (elec.)

w/ dist.

f

XXX

XXX

443

443

022

022

543

543

543

543

543

443

443

443

443

443

443

443

443

443

4430

4430

00

443

443

22

22

543

543

543

543

543

4430

4430

4430

4430

4430

4430

4430

4430

4430

4430

4430

4430

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

02X4

2X4

57

57

57


Gtr. 1 tacet

G5

Oh, oh,

D/F#

oh, oh,

E5

oh, oh,

A5

oh, oh, whoa.

D5/A

Gtr. 5(elec.)

w/ dist.

Riff B

mf

End Riff B

Gtr. 4 (elec.)

w/ dist.

Riff A

mf

*Gtrs. 2 & 3

Rhy. Fig. 2

*Composite arrangement

B5

Oh, oh,

F#5

oh, oh,

E5

oh, oh,

A5

oh, oh, whoa.

D5/A

End Riff A

End Rhy. Fig. 2

X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14

X9

11X9

11X9

11X9

11

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

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5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

4X6

4X6

35

35

35

35

25

25

25

0 022

022

022

00 0

22

022

022

00

557

557

557

557

557

557

557

557

557

557

557

557

557

557

4X6

4X6

X11

14X11

14X11

14X11

14X9

12X9

12X9

12X9

12X11

14X11

14

11X14

12

15X11

14X14

17X14

17X14

17X12

15X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

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17X14

17X14

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17

5X7

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X9

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11

244

244

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244

0 022

022

022

022

022

022

022

00

557

557

557

557

557

557

557

557

557

557

557

557

557

557

557

557


Life’s

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtrs. 2–5 tacet

Verse

1.

Bm

just a pace

A

car on death,

G

on ly- less dil i- gent.

Bm[add4]

- And when the two col lide,-

it’s no co in- ci- dence.- The lights

Bm

are on

A

and

G

ev ’ry- bod- y’s- home.

Bm[add4]

The

on

Bm

ly- thing su

*F#m

i- ci- dal

Em7

- here is the door.

G/A D

We had a good run, e ven- I have to

Dadd9

ad mit.-

Gtr. 1


Gtr. 2

Riff C End Riff C

*Chord symbols reflect combined harmony.


Bm F#m Em7

Life’s just a pace

G/A

car on death,

D

on ly- less dil i- gent.-

Dadd9

Gtr. 3

Gtr. 2

443

443

22

22

543

543

543

543

543

423

423

423

423

423

423

423

423

423

4230

4230

4230

2X4

2X4

2X4

2X4

0 0 0 5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

7 97

XX

XX

XX

XX

2X4

2X4

2X4

2X4

0 0 0 5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7


Hell

ChorusGtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 4 meas.)Gtr. 4: w/ Riff A (1st 4 meas.)Gtr. 5: w/ Riff B

G5

or

D/F#

glo

E5

ry,- I

A5

don’t want an

D5/A

y- thing- in be tween.- Then came a ba -

B5

by- boy

F#5

with long

E5

eye lash-

A5

es,- and Dad

D5/A

dy- said you got ta- show the world the

µ

thun der.-

Gtr. 5

Gtr. 4

Gtrs. 2 & 3

Harm.

Pitch: E

(Whoa,

Gtr. 5 tacet

Bm

F#m7 Em7

The thun der,-

whoa,

Bm

F#m7 Em7

the thun

A11

der,-

Gtr. 4

Rhy. Fig. 4A

Gtrs. 2 & 3

Rhy. Fig. 4

X11

14X11

14X11

14X11

14X9

12X9

12X9

12X9

12X11

14X11

14

11X14

12

15X11

14X14

17X14

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17X12

15X14

17X14

17X14

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17X14

17X14

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17

5X7

5X7

5X7

5X7

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7X9

X9

11X9

11X9

11X9

11X10

12X10

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12X9

11X9

11X9

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11X9

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11

244

244

244

244

244

244

244

0 022

022

022

022

022

022

022

00

557

557

557

557

557

557

557

557

557

5X

5X

00

432

432

432

432

220

220

220

220

543

543

543

543

543

543

543

543

432

432

432

432

220

220

220

220

543

543

543

543

543

543

543

543

224

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224

244

244

244

244

022

022

022

022

022

00

224

224

224

224

244

244

244

244

022

022

022

2

02

022

022 4

00


CTo oda

whoa,

D

the thun der.-

whoa.)

Bm F#m7 Em7 A

Oo, oo, oo.

End Rhy. Fig. 4A

End Rhy. Fig. 4

Gtrs. 2, 3 & 4 tacet

D

Gtr. 1 tacetGtrs. 2 & 3: w/ Rhy. Fig. 2Gtr. 4: w/ Riff A

Interlude

G5

Oh, oh,

D/F#

oh, oh,

E5

oh, oh,

A5

oh, oh, whoa.

D5/A

Gtr. 1

B5

Oh, oh,

F#5

oh, oh,

E5

oh, oh,

A5

oh, oh, whoa.

D5/A

We2.


Verse

Bm

did n’t- come

A

to com pete,

G

- this is a dem on- stra

Bm[add4]

- tion.- E ven- the young ones be come- ir rel- e- vant.- They

232

232

232

232

232

232

232

232

232

232

432

432

432

432

220

220

220

220

543

543

543

222

222

222

222

557

557

557

557

557

557

557

557

557

557

557

557

557

557

0 224

224

224

224

244

244

244

244

022

022

022

022

022

022

022

022

0232

0232

0232

0232

0232

0232

0232

0232

0232

00


D.S. al Coda

Coda

al

Bm

ways- bring

A

up

G

how you’ve changed.

Bm[add4]

Oh.

(Oh.)

Nev

Gtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff C

Bm

er- the same

F#m

per son

Em7

- when I go to sleep

G/A D

as when I wake up, as when I wake

Dadd9

up.

(Ba,

Bm

ba, ba,

F#m

da, ba,

Em7

da, ba, ba,

G/A

da. Ba,

D

da,

µ

ba, ba, da, ba, da,

Gtr. 1 tacet

ba, ba, da.)

Oh!

Gtr. 1

Gtr. 2 Gtrs. 2 & 3

whoa.)

Bm F#m7 Em7 AGtrs. 2, 3 & 4 tacet

D

Gtr. 1

*Gtr. 6

f

*Bass arr. for gtr.

443

443

22

22

543

543

543

543

543

423

423

2X4

2X4

2X4

2X4

0 0 0 5X7

5X7

5X7

5X7

XX

XX

XX

XX

432

432

432

432

220

220

220

220

543

543

543

543

222

222

222

222

0232

0232

0232

0232

0232

0232

0232

0232

224

224

224

224

244

244

244

244

022

022

022

022

022

022

022

022

10


Interlude

Gtr. 1 tacet

G5

Oh, oh,

F#5

oh, oh,

E5

oh, oh,

A5

oh, oh, whoa.

D5 C#5

Gtr. 6

B5

Oh, oh,

F#5

oh, oh,

E5

oh, oh,

A5

oh, oh, whoa.

D5

Gtr. 7 (acous.)

mp

Gtr. 6

Hell

Chorus

Gtr. 6 tacet

G

or

D/F#

glo

Em7

ry,- I

A5

don’t want an

D/A

y- thing- in be tween.- Then came a ba -

Gtr. 7

(cont. in slashes)

3 3 3 3 2 2 2 2 0 0 0 0 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4

023

023

2 2 2 22 2 2 2 0 0 0 0 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3X000

3X000

3X000

2X023

2X023

2X023

000

02000

02000

02000

022

022

022

0000

00232

00232

00232

00232

00232

00232

00232

00232

00232

00232

00232

00232

00232

00


Gtr. 7

Bm F#m Em7 A5 D/A

by- boy with long eye lash- es,- and Dad dy- said you got ta- show the world the thun der.-

Gtrs. 2 & 3

(Whoa,

Gtrs. 2 & 3: w/ Rhy. Fig. 4Gtr. 4: w/ Rhy. Fig. 4AGtr. 7 tacet

Bm

F#m7 Em7

The thun der,-

whoa,

Bm F#m7

Em7

the thun

A11

der,-

whoa.)

D

the thun der.-

Outro-Chorus

C#m

G#m7 F#m7

He said, “Bring the thun

C#m

der.”-

G#m7 F#m7

The thun

B11

der,-

(Whoa, whoa,

Gtr. 4

Gtrs. 2 & 3

2244

022X00

022X00

5577

557

00

654

654

654

654

442

442

442

442

220

220

220

220

220

220

220

654

654

654

654

442

442

442

442

220

220

220

220

220

220

220

446

446

446

446

466

466

466

466

244

244

244

244

244

244

244

244

446

446

446

446

466

466

466

466

244

244

244

244

2244

2244

2244

2244


whoa,

E

the thun der,- whoa.

C#m B F#m7 B3

whoa, whoa.)

E

100

100

100

100

100

100

100

100

100

100

100

100

654

654

442

442

442

442

220

220

220

220

442

442

442

442

022

022

022

022

022

022

022

022

022

022

022

022

022

022

44

446

446

446

446

466

466

466

466

244

244

244

244

2244

2244

2244

0

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

02

02

02


Intro

Moderately slow q = 80

America’s SuiteheartsWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (dist.)*A

mf

Gtr. 2 (dist.)

mf


Riff A

Riff A1

Gtr. 1

D5End Riff A

Gtr. 3 (dist.)

mf

Gtr. 2 End Riff A1

7X10

7X10

7X10

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7X10

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4X6

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7X10

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4X6

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4X6

4X6

4X6

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4X6

4X6

4X6

4X6

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4X6

4X6

4X6

7X10

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7X10

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7X10

7X10

7X10

7X10

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7X10

7X10

7X10

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7X10

7X10

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7X10

7X10

7X10

7X10

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7X10

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7


Riff B

A

Riff B1

Dm

You1. could have knocked

Verse

Gtrs. 1, 2 & 3 tacet

D

me out with a...

End Riff B

Gtr. 5 (dist.)

Riff C

mf

Gtr. 4 (dist.)

Rhy. Fig. 1

mf

End Riff B1

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

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4X6

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4X6

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4X6

4X6

4X6

7X10

7X10

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7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

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7X10

9 9X 7 7

9 9 97 7

7

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10 77

XX

XX

77

XX

XX

77

XX

XX

77

XX

XX

77

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7


F#m/C#

I know you heard

Bm

this all be fore,- but we’re just hell’s...

F#m/A

(Oh.)

(Feath er,-

neigh

bors.)-

Gtr. 5 End Riff C

Gtr. 4

End Rhy. Fig. 1


D

Why, why, why won’t the world re volve-

F#m/C#

a round- me? In my

dreams,

Bm

trees grow all o

F#m/A

ver- the streets. But I don’t

B5

know

A5

*Gtr. 6 (dist.)

f

P.M.

*Doubled throughout

7 7

7

7 7 7

79 9

X 7 79 9 9

7 7

7

7 7

7

7 7 7 8

67

XX

XX

67

XX

67

XX

67

XX

XX

67

43

XX

XX

43

XX

XX

43

XX

43

XX

XX

43

675

XX

XX

67

XX

XX

675

XX

67

XX

XX

67

XX

7 99

77


much

Pre-Chorus

E5

a bout- clas sic- cars,

B5

but I’ve

A5

got

E5

a lot of friends stuck on clas sic-

(Cars.

Gtr. 4


Gtr. 6

P.M. P.M.

Coke.

B5

Down, set,

A5

one,

G5

hut, hut, hike. Me di- a- blitz. Let’s hear it for A mer- i- ca’s-

Coke.)

Gtr. 4

Gtr. 7 (dist.)

mf

Gtr. 6

P.M. P.M.

5 30

7 7 5 30

70

5 3 02

5 3 05 5

5 3 05 5

05

7 5 30

7 7 5 30

70

5 3 02

22

22

22

22

22

22

22

99

99

99

99

99

99

99

77

22

22

22

22

22

22

22

5 3 05 5

5 3 05 5

05

7 3 5 7 10 7

2 4 5 7 5

99

99

99

99

99

99

99

77

555

55

55

555

7 12


1CTo oda 2CTo oda

suite

Gtrs. 4 & 7 tacet3rd time, Gtr. 3 tacet

D5

Chorus

hearts,- but I must

B5

con fess

D5

-

B5

I’m

D5

in

E5

love

G5

with

D5 G5

my own

D5

Gtrs. 5 & 6

Rhy. Fig. 2

sins.

2nd & 3rd times, Gtr. 4: w/ Fill 1

B5 A5

Let’s

G5

hear it for A

A5

mer- i- ca’s- suite

*


D

hearts,- but I must con -

End Rhy. Fig. 2

Gtr. 5

Rhy. Fig. 3

*Chord symbols reflect overall harmony.

fess

B5 D B5

I’m

D

in

Em

love

G5

with

D G5

my own

D B5

sins.

A5 G5 A5

End Rhy. Fig. 3

Gtr. 4

Fill 1

000

000

000

5X7

000

000

000

000

5

7X

00

999

999

999

5X7

999

999

999

999

5X7

7

9

555

555

555

5X7

555

555

555

555

5

7X

00

999

999

777

777

555

555

555

555

777

777

777

777

777

000

000

000 X

9

11

000

000

000

000

9

11X

00

999

999

999

9X11

999

999

999

999

9

11X

10

12

555

555

555 X

9

11

555

555

555

555

9

11X

00

999

999

777

777

555

555

555

555

777

777

777

777

777

7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 57


D.S. al Coda 1

You

2.

Verse

Gtr. 4: w/ Rhy. Fig. 1 (1st 2 meas.)Gtr. 5: w/ Riff C (1st 2 meas.)

D

can bow

and

Gtr. 6 tacet

F#m/C#

pre tend- that you don’t,

Bm

don’t know you’re a

Gtr. 6

P.M.

F#m/A

leg end.- Oh, time,


D

time, time has n’t-

Gtr. 5

P.M.

Gtr. 4

told

F#m/C#

an y- one- else yet.

Bm

Let my

love

loose

F#m/A

a gain.- Oh, I don’t

B5

know

A5

Gtr. 6

00

7 7

7

7 7

7

7 8

675

XX

XX

67

XX

XX

67

XX

67

XX

XX

67

XX

XX

99

77


1 Coda

love

Gtr. 5: w/ Rhy. Fig. 3 (last 2 meas.)

G5

with

D G5

my own

DGtr. 4: w/ Fill 1 (1st meas.)

B5

sins.

A5 G5 A5

Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)

Interlude

A D5/AGtr. 4 tacet

A D5/A

You could have

Gtr. 4

Gtr. 3

Gtr. 6

P.M.

knocked

Bridge

Gtrs. 1 & 2: w/ Riffs A & A1

A

me out with a...

Dm/A

(Feath er.)-

I know you

P.M.

7 5

0X2

77

77

77

77

77

77

77

77

77

77

77

77

77

77

77

77

77

77

77

77

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

77

77

77

77

77

77

77

77

77

77


D.S.S. al Coda 2

2 Coda

heard

Gtrs. 1 & 2: w/ Riffs B & B1

A

this all be fore.-

Dm/A

Let’s hear it for A mer

µ

- i- ca’s-

P.M.

Gtr. 5: w/ Rhy. Fig. 3Gtr. 6: w/ Rhy. Fig. 2 (1st 2 meas.)

D

Let’s hear it, oh, let’s hear it.

B5

Let’s hear

D

it, oh,

B5

let’s...

D Em

(Suite hearts,- suite hearts,-

Suite

G5

hearts.

D

-

G5 D B5 A5 G5 A5 D5

suite hearts.)-

Gtr. 4

Gtr. 6

P.M.

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

77

77

77

77

77

77

77

77

7 5 7 5 7 5 7 5 7 5 7 5 7 57

57

555

555

555

5X7

555

555

555

555

5

7X

00

999

999

777

777

555

555

555

555

777

777

777

777

777

00

00

00

00

00

00

00


Intro

Moderately q = 120

Headfirst Slide Into Cooperstownon a Bad Bet

Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Gtrs. 1–6: Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 7: Tune down 1 step:(low to high) D-G-C-F-A-D

Gtr. 1 (elec.)

µ

w/ clean tone

D5

p

3 4

[G]

1 24

[D/F#]

12

[Em]

32 1

(C)

mf

Verse

**

Gtr. 1 tacet

Bb5

Mis1. ter- Sand

A5

man,

C5

-

D5

show ing- his

C5

beam.

D5

When

C5

he

D5

walks

Bb5

in to- the room,

A5

the walls

C5 D5

lean

A5

in

D5

to lis ten.-

*Gtr. 2 (elec.)

w/ dist.

Riff A

f

End Riff A

*Doubled throughout

**Chord symbols reflect implied harmony.

Gtr. 2: w/ Riff A

Bb5

Surfed out

A5

brain

C5 D5

waves flick

C5

back

D5

and forth

C5

like

D5

old

Bb5

head lights,

A5

- sniff

C5

ing

D5

- mod el

A5

- glue a

D5

gain.-

023

023

02

0

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

0235

8 8 73 5 5 3 5 3 5

8 8 73 5

7 0 05

0


1CTo oda

Head

Bb5

like a steel

A5

trap.

C5 D5

Wish I did

C5

n’t,- I

D5

did n’t,

C5

- I

D5

did

Bb5

n’t,- I did n’t,

A5

- I did

C5

n’t,

D5

- I did

A5

n’t,- I

D5

did n’t.- I don’t

Gtr. 2

Gtr. 2: w/ Riff A

Bb5

just want

A5

to

C5

be

D5

a

C5

foot

D5

note-

C5

in

D5

some

Bb5

one- else’s

A5 C5 D5

hap

A5

pi- ness.

D5

-

Gtr. 3 (elec.)

w/ dist.

f

Does

Pre-Chorus

2nd time, Gtr. 5 tacet

Bb5

your hus

A5

band

C5

-

D5

know the

C5

way

D5

that

C5

the

D5

sun

Bb5

shine- gleams

A5

from

C5

your

D5

wed ding- band? Does he


know

Bb5

the way?

A5

Does

C5

he

D5

know the

C5

way

D5

of

C5

the

D5

crick

Bb5

ets- that would con

A5

vince- me

C5

to

D5

call it a night?

8 8 73 5 5 3 5 3 5

8 8 73 5

7 0 0

XX

XX

0

13

13

02

35

57

57

35

57

35

57

13

13

02

35

57

00

00

00 5

7

0

13

13

02

35

57

57

35

57

35

57

13

13

02

35

57

00

00

XX

XX

XX

XX


2CTo oda

I

Gtr. 3 tacet

F

Chorus

(I will...)

will nev

C/E

er- end up like him.

Dm

Be hind- my back

Bb

I al read- y- am.

*Gtr. 4

w/ fingerslet ring throughout

mf

*Piano arr. for gtr.

F

Keep a cal en- dar,- this

C/E

way you will al

Dm

ways- know.

Bb

The

last

Gtr. 4 tacet

D5

time you came through,

C/E

oh, dar

F5

lin’,- I know what you’re go

G5

in’- through.

A5

The

Gtr. 3

mfP.M.

last

D5

time you came

C/E

through, oh, dar

F5

lin’,- oh, dar lin’,- oh, dar

G5

lin’.-

A5

P.M. f

3

321 1

3

321

321

321

2

201

201

0201

201

0

323

323

323

323

323

01333

33

333

333

3

3

321

321

321

321

321

3 2

201

201

201

201

201

201

201

2 0

323

23

323

323

01333

1

33

333

333

3

00

00

00

00

00

00

00

00

23

23

23

23

23

23

23

23

33

33

33

33

33

33

33

33

55

55

55

55

55

55

7 7

00

00

00

00

00

00

00

00

23

23

23

23

23

23

23

23

33

33

33

33

33

33

33

33

55

55

55

55

55

55 0 0



Bb5 A5 C5 D5 C5 D5 C5 D5 Bb5 A5 C5 D5

Aw!

Tem2.

Verse

Bb5

pest- in a tea

A5

cup,

C5

-

D5

get

µ

u nique.- Per ox-

Gtr. 2: w/ Riff A (last 2 meas.)

Bb5

ide- princ

A5

es-

C5

shine

D5

Gtr. 6 (elec.)

w/ slight dist.

mf

Gtr. 2 *Gtr. 5 (elec.)

Gtr. 2divisi

Gtr. 5

like

A5

shark

D5

teeth. It’s a sign,

Gtr. 2: w/ Riff A

Bb5

(It’s a sign,

A5

it’s

C5

a

D5

sign,

it’s

C5

a sign.)

D5

it’s

C5

a

D5

let ring

Rhy. Fig. 2

let ring

End Rhy. Fig. 2

XX

XX

55

XX

XX

55

XX

XX

55

XX

76

XX

XX

XX

8 8 73 5 X

XXX

XX

3 X X 33

3 5

555

555

555

76

XX

XX

55

XX

76

XX

76

XX

XX

55

XX

XX

55

XX

XX

55

XX

76

XX

XX

XX

555

555

555

76

XX

XX

55

XX

76

XX

76

XX

XX

0 X 03 3 3

0 X 3 3 X3

3 X X 5 X X 5 3 3 5 3 5


D.S. al Coda 1

1 Coda

D.S.S. al Coda 2

2 Coda

sign.


Bb5

What if

A5

you peaked

C5 D5

ear

A5

ly?-

D5

Gtr. 5


Bb5

Does he,

A5

does

C5

he

D5

know the

C5

way

D5

I

C5

wor

D5 Bb5

ship- our

A5 C5

love?

D5

Does

Bb5

your hus

A5

band

C5

-

D5

know the

C5

way

D5

that

C5

the

D5

sun

Bb5

shine- gleams

A5

from

C5

your

D5

wed ding- band? But

Gtr. 3 Rhy. Fig. 3 End Rhy. Fig. 3

-

F5

lin’, oh, dar lin’,- oh, dar

G5

lin’.-

A5

Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)

Bb5 A5 C5 D5

Well, oh, does your hus band- know?

P.M. f

1 X X 1 X 0 3 5XX

XX

05

00

75 7 5

0

13

13

02

35

57

57

35

57

35

57

13

13

02

35

57

00

00

00

00

33

33

33

33

33

33

33

33

55

55

55

55

55

55 0 0


Half-time feel

C5 D5 C5 D5 Bb5 A5 C5 D5

Bb5

A5 C5 D5

Does your hus band- know? Does your hus band- know? Does he know?

Does

C5

he know?

D5

Does

C5

he

D5

know?


Bb5 A5 C5 D5

Oh!

Oh!

Oh!

But

Gtr. 7(acous.)

*

Rhy. Fig. 4A

Chorus

[G] [D/F#] [Em] [C]End Rhy. Fig. 4A

I will nev er- end up like him. Be hind- my back I al read- y- am.

I

(I will...)

will nev er- end up like him. Be hind- my back I al read- y- am.

Gtr. 3


*Symbols in parentheses represent chord names respective to detuned guitar and do not reflect actual sounding chords.

33

23

00 1

3

0


*

Gtr. 7: w/ Rhy. Fig. 4A (2 1/2 times)

F[G]


C/E[D/F#]

way you will al

Dm[Em]

ways- know.

Bb[C]

Oh, the

Keep a cal en- dar,- this way you will al ways- know.

Gtr. 5

Gtr. 3

*Symbols in parentheses represent chord names respective to detuned guitar. Symbols above reflect actual sounding chords.

last

Gtr. 3: w// Rhy. Fig. 4 (1 1/2 times)

F[G]

time you came through,

C/E[D/F#]

oh, dar

Dm[Em]

lin’,- I know what you’re

Gtr. 6

3 3 3

3

Gtr. 5

3

3

3

3

33

3

3

3X5

33

23

00 1

3

0

10 810

10 10 10 10 810

10

10 8 7 8

6 57 5

78

6 57 5

78

6 57 5

7 7

6 57 5

7 5 3 5


rit.

go

Bb[C]

in’- through. Oh, the last

F[G]

time you came

C/E[D/F#]

through, oh, dar -

Gtr. 7

[Em] [C]

lin’,- I know

rit.

what you’re go in’- through. Oh, oh.

Gtr. 6

rit.

p

Gtr. 5

rit.

fdbk.

Pitch: C

p

Gtr. 3

rit. p

8 10 8 77 10 12 10

5 7 5 3 3

10 11 10 10

12

7 10 12 10

3 3

10 11 1012 10 10

00 1

3


Intro

Moderately slow q = 86

The (Shipped) Gold StandardWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Gtr. 1 (dist.)

*

Riff A

F#5

mf

G#5 Esus2End Riff A

Gtr. 2 (dist.)

Riff A1

mf

End Riff A1


Gtrs. 1 & 2

Rhy. Fig. 1

G#m7 Esus2 G#m7End Rhy. Fig. 1

Esus2

Verse

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)

G#m7

Some

the

1. times

yes

- I

men

wan

said,

na-

“No

quit

com

this

Esus2

ment.”-

all

G#m7

and be

My

come-

mouth

an ac

got

count

go

- ant-

in’-

now.

Esus2

G#m7

the

But

wrong

I’m

way

no

and

good

all

at

the

math,

calls

and

start

Esus2

be

ed-

sides

snow

-

G#m7

the dol

in’.-

lar- is down.

Esus2

9 9 9 911 11

9 9 11 11 11 1113 13

11 7 7 7 7

11 11

7 7

11 11

7 7

11 9 8

2 2 2 24 4

2 2 4 4 4 46 6

4 4 0 0 0 0

4 4

0 0

4 4

0 0

4 2 1

4X44

4X44

4X44

4X44

0244

4X44

4X44

4X44

4X44

0244


Plant

G#m7

palm

The

trees

time

on

my

Esus2

Lake

dad

G#m7

Mich

caught

i- gan

me

- be

a

fore

horse

- it gets

shoe-

cold.

crab

Esus2

Gtr. 3 (dist.)

Riff B

mf

End Riff B

Gtr. 3: w/ Riff B

G#m7

I got

and

ta

I

- feel

asked

the

him if

wind

throw in’- it back

chill

in

Esus2

to-

a

the

gain

sea

G#m7

-

would

be fore

bring

- I get

our

old.

luck back.

Esus2

Gtrs. 1 & 2: w/ Riffs A & A1

Pre-Chorus

F#5

I wan na- scream, “I love

G#5

you” from the top

Esus2

of my lungs, but

I’m

F#5

a fraid- that some

G#5

one- else will hear me.

E5 µ

You can on ly-

Gtr. 3

Gtr. 1

f

Gtr. 2

f

6X8

6X8

6X8

6X8

2X4

6X8

6X8

6X8

6X8

2X4

6X9

6X9

6X9

6X9

6X9

6X9

6X9

6X9

6X9

6X9

6X9

6X9

9 9 9 911 11

9 9 11 11 11 1113 13

11 1112 X

XXX

XX

XX

2 2 2 24 4

2 2 4 4 4 46 6

4 4 0 XX

XX

XX

XX


blame

Chorus

G#5

your prob

E5

lems- on the world

B5/F#

for so long

F#5

be fore- it

Gtr. 3

*Gtrs. 1 & 2


all

G#5

be comes

E5

- the same old song.

B5/F# F#/A#

6X8

6X8

6X8

6X8

6X8

6X8

7X9

7X9

7X9

7X9

7X9

7X9

X9

11X9

11X9

11X9

11X9

11X9

11

4X6

4X6

4X6

4X6

4X6

4X6

6

8

466

466

466

466

0 022

022

022

022

022

022

2244

2244

2244

2244

2244

244

244

244

244

244

244

466

6X8

6X8

6X8

6X8

6X8

6X8

7X9

7X9

7X9

7X9

7X9

7X9

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

4X6

466

466

466

466

0 022

022

022

022

022

022

022

2244

2244

2244

2244

2244

2244

2244

2244

2244

2244

2244

14


CTo oda 1.

Soon

G#5

as we hit the hos

E5

pi- tal,- I know

B5/F#

we’re gon na- leave this town

F#5

and

get

G#5

new pass

E5

ports- and get,

B5/F#

get, get, get, get out

F#/A#

Riff C End Riff C


now.

Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3 tacet

Interlude

G#m7 Esus2 G#m7 Esus2

All2.

6X8

6X8

6X8

6X8

6X8

6X8

7X9

7X9

7X9

7X9

7X9

7X9

X9

11X9

11X9

11X9

11X9

11X9

11

4X6

4X6

4X6

4X6

4X6

4X6

6

8

466

466

466

466

0 022

022

022

022

022

022

2244

2244

2244

2244

2244

244

244

244

244

244

244

466

6X8

6X8

6X8

6X8

6X8

6X8

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

3X6

466

466

466

466

0 022

022

022

022

022

022

2244

2244

2244

2244

2244

2244

2244

2244

2244

14


2.

(jq = jq)

get

Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtr. 3: w/ Riff C

G#5

new pass

E5

ports,- get out now.

B5/F#

Woo!

F#/A#

Tell

= 3 Bridge

* Voc. Fig. 1

G#5

that boy I’ll leave you a lone,- now.

E5

(Oh,

G#5

Like a stove, I’ll turn my love

End Voc. Fig. 1

down.

E5

oh.)

3

Gtrs. 1 & 2

Harm. Harm.

*Refers to upstemmed voc. only.

Sup


G#5

ra- and the proph et- are both in the busi ness- of

E5

souls.

G#5

Harm. Harm.

Pre-Chorus

Gtrs. 1 & 2: w/ Riffs A & A1 (3 times)

F#5


G#5

you” from the top

Esus2

of my lungs, but

I’m

F#5

a fraid- that some

G#5


Esus2

Whoa.

466

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

0 466

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

0

466

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

0 466

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX

4XX


D.S. al Coda

(take 1st ending)

Coda

F#5


G#5

you” from the top

Esus2

of my lungs, but

I’m

F#5

a fraid- that some

G#5


Esus2

You can on ly-

Gtr. 1

let ring

Gtr. 2

let ring

get,

B5/F#

get, get, get, get out

F#/A#

now.

G#m7 Esus2 G#m7

Esus2

(Get, get, get, get out now.)

9 9 9 911 11

9 9 11 11 11 1113 13

11 7

11 11

XX

XX

XX

XX

2 2 2 24 4

2 2 4 4 4 46 6

4 4 0

4 4

XX

XX

XX

XX

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

3X6

2244

2244

2244

2244

2244

2244

2244

2244

2244

14

4X44

4X44

4X44

4X44

0244

4X44

4X44

4X44

4X44

0244


Moderately fast q = 156

(Coffee’s for Closers)Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Intro

Gtr. 2(acous.)

let ring throughout

E5

mp

Rhy. Fig. 1

7fr

134

E56fr

143

Badd4/D#4fr

134

C#m7

134

Bsus4

231

E

Badd4/D# C#m7End Rhy. Fig. 1

Bsus4

Gtr. 1 (elec.)

(Drums)

w/ dist.

mf

Riff A

*Gtr. 3 (elec.)

w/ dist.

Rhy. Fig. 1A

mf

End Rhy. Fig. 1A

*Doubled throughout

E5 Badd4/D# C#m7 Bsus4Verse

E

I,1. I, I,

End Riff A Riff B

Rhy. Fig. 2

7X9

X11

13

11

13

9

11X9

11

9

11

7

9

7X9

7X9

7

9

14

16X X

14

16X12

14

07X9

07X9

07X9

07X9

07X9

06X8

06X8

06X8

06X8

04X6

04X6

04X6

04X6

04X6

04X6

04X6

04X6

04X6

04X6

02X4

X11

13

11

13

9

11X9

11

9

11

7

9

7X9

7X9

7

9

14

16X X

14

16X12

14X11

13

07X9

07X9

07X9

07X9

07X9

06X8

06X8

06X8

06X8

04X6

04X6

04X6

04X6

04X6

04X6

04X6

04X6

04X6

04X6

02X4

02


*

Gtr. 2 tacet

B/D#

I can’t ex plain

C#m7

- a thing. No,

B5

I,

E5

I, I,

B/D#

I want ev

C#m7

’ry- thing- to

B5

End Riff B

End Rhy. Fig. 2

pp

mf


change

Gtr. 3: w/ Rhy. Fig. 1A (2 times)

E5

and stay the same,

Badd4/D#

oh, time does n’t- care

C#m7

a bout- an y- one- or an y- thing,- no.

Bsus4

Gtr. 1

Come

E5

to geth- er,- come

Badd4/D#

a part.- On

C#m7

ly- get lone ly- when you read the charts. And

B5

11

13

11

13

14

16

7X

9

11

13

02

07X9

07X9

X11

13

11

13

9

11X9

11

9

11

7

9

7X9

7X9

7

9

14

16X X

14

16X12

14

X11

13

11

13

9

11X9

11

9

11

7

9

7X9


oh,

Pre-Chorus

Gtr. 1 tacet

Amaj7(no3rd)

ba by,- when

F#m9

they made me

C#m

they broke the mold.

Gtr. 5 (elec.)

w/ dist.

mf

Gtr. 4 (elec.)

w/ dist.

mfP.M. P.M. P.M. P.M.

Gtr. 3

P.M. P.M. P.M. P.M.

Girls

Amaj7(no3rd)

used to fol

F#m9

low- me a round,-

C#m

then I

B

got cold.

Amaj9

P.M. P.M.

P.M. P.M.

021

22

22

21

22

22

22

22 2

22

22

22

22

22

22

4665

665

665

665

665

665

665

665 5 7 9

7X9

7 7 7 7 7 7 6X8

7

9

7 7 7 7 7 7 7X9

7 7 7 7 7 7 7X9

7 76 7 9

021

21

21

2X21

21

21

21

21 2

21

21

21

21

21

21

421

21

21

21

21

21

21

421

21

21

2 4 6

021

22

22

21

22

22

22

22 2

22

22

22

22

22

22

46 6

65

465

0665

0665

0665

0665

0665

0665 0

7X9

7 7 7 7 7 7 6X8

7

9

7 7 7 7 7 7 7X9

7X9

6X8

6X8

6X8

6X8

4X6

0 0

021

21

21

2X21

21

21

21

21 2

21

21

21

21

21

21

421

421

211

211

0210

0210

0210

0210

0210

0210


Half-time feel End half-time feel

Throw

Gtr. 3 tacet

E

your cam ’ras- in the air

A5

and wave

B5/F#

’em like you just don’t care. I

µ

will

*Gtrs. 4 & 5


nev

Gtrs. 4 & 5 tacet

Chorus

C#5/G#

er- be lieve- in an

A5

y- thing- a gain,-

E5 B/D# C#5/G#

I

B5/F#

will

Gtr. 3

nev

A5

er- be lieve- in an

B5/F#

y- thing- a gain.-

C#5/G#

P.M.

Though change

A5

will

B5/F#

come,

C#5/G#

oh, change

A5

will

B5/F#

P.M.

0221

022

022

000

2244

2244

4466

4466

4466

4466

4466

0 022

022

022

022

022

022

079

079

079

69

69

69

4466

4466

2244

2244

022

022

022

022

022

022

2244

2244

2244

2244

2244

2244

2244

4466

446

446

446

446

446

446

446

446

446

446

4466

4466

4466

0 022

XXX

XXX

XXX

2244

4466

XXXX

XXXX

XXXX

XXXX

0 022

XXX

XXX

2244

XXXX

XXXX


1CTo oda 2CTo oda C#5/G# B5/F# A5

Gtr. 2


E5

come, I will nev er- be lieve- in an y- thing- a gain.-

Gtr. 1

Gtr. 3

We

Gtr. 1: w/ Riff AGtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (2 times)

will nev er- be lieve

Badd4/D#

- a gain.- Kick

C#m7

drum beat ing- in my chest a gain.- No,

Bsus4

we

E5


Badd4/D#

- a gain.- Preach

C#m7

e lec- tric- to a mi cro- phone- stand, oh.

Bsus4

I,

Verse

Gtr. 1: w/ Riff BGtr. 3: w/ Rhy. Fig. 2

2.

E

I’m a mas

Gtr. 2 tacet

B/D#

cot- for what you’ve

C#m7

be come.-

B5

And

Gtr. 2

7X9

4466

XXXX

XXXX

4466

2244

022

022

022

022

022

022

022

2244

2244

2244

2244

2244

2244

0

022100


D.S. al Coda 1

1 Coda

I,

E5

I, I love

B/D#

the may hem- more

C#m7

than the love. And

B5

Gtrs. 4 & 5

F#5

B5/F#

We

A5

will nev er- be -

nev er- be lieve- in an y- thing- a gain.-

Gtr. 3

Rhy. Fig. 3

lieve

F#5

a gain.-

B5/F# C#5/G#

Kick drum beat ing- in my chest a gain.- No,

End Rhy. Fig. 3

We


A5


F#5

- a gain.-

B5/F# C#5/G#

Preach e lec- tric- to a mic ro- phone- stand, oh.

0

244

244

244

244

244

244

2244

2244

2244

2244

2244

2244

2244

2244

022

244

2244

2244

4466

4466

4466

4466 4

2X4

4

6

7X9


Half-time feel End half-time feel

D.S.S. al Coda 2

Throw

A5


*

*w/ echo set for half-note regeneration w/ 1 repeat.

F#5 B5/F#

and wave

C#5/G#

’em ’cause I just don’t care.

Throw

A5


**

**As before.

F#5 B5/F#

and wave

C#5/G#

’em ’cause I just don’t care. I will

nev

Chorus

E5

er- be lieve- in an y- thing- a gain.- I will

Gtr. 3


C#5/G#

Oh,

Harm.

8valoco

mfP.M. f

change

A5

will

B5/F#

come,

C#5/G#

oh, change

A5

will

B5/F#

come.

C#5/G#

I will

02

02

4

44

44

44

44

446

446

446

446

446

446

446

446

446

446

446

0

022

XXX

XXX

2244

4466

XXXX

XXXX

0 02

2244

2244

4466

4466

4466

4466

4466


2 Coda

We

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (4 times)

E5


Badd4/D#

- a gain.- Kick

C#m7


Bsus4

Whoa.

Gtr. 4

Riff C End Riff C

We

E5


Badd4/D#

- a gain.- Preach

C#m7


Bsus4

I will

We

E5


Badd4/D#

- a gain.- Kick

C#m7


Bsus4

nev er- be lieve- in an y- thing- a gain.- I will

11 99

11 99

11 99

11 99

11 99

11 99

11 99

11 99

11 99

11 99

11 9

911 9

911 9

911 9

911 9

911 9

911 9

911 9

911 9

911 9

911 9

911

99

11 99

11 99

11 99

11 99

11 99

11 99

11 99

11 99

11 99

11 99


we

Gtr. 4: w/ Riff C

E5


Badd4/D#

- a gain.- Preach

C#m7


Bsus4

nev er- be lieve- in an y- thing- a gain.- I will

Gtr. 2

E5 Badd4/D#

Gtr. 4 tacet

E

We will nev er- be lieve- a gain.-


Gtr. 4

Gtr. 3

Gtr. 3

911 9

911 9

911 9

911 9

911 9

9

02

02

02

02

02

02

02

02

02

02

02

02

02


Slowly q = 64

What a Catch, DonnieWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




I

Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D

Chorus

B

got

= 3

trou

F#/A#

bled- thoughts and

5fr

111

G54fr

12

D/F#

111

E5 D5

self

G#m7

es- teem- to match.

F#

What a catch,

*Gtr. 1

w/ fingers

let ring throughout

Rhy. Fig. 1

mf**T

End Rhy. Fig. 1

*Piano arr. for gtr. **T = Thumb on 6th string

E B/D#

what a catch.

C#m7 F#sus4 F#

Whoa, whoa,

3 3

3

Gtr. 1

T

Gtr. 2 (dist.)

mf

2444

444

2 1432

432

16

444

444

6 4

432

432

2

7999

999

7 6987

987

6 4

454

454

44

444

4

432

4

4X7


hoo.

Interlude

*

Gtr. 1 tacet

B

You’ll1.

Verse

B

nev er- catch

F#/A#

us so just

Gtr. 2

Gtr. 3 (dist.)

mf

Rhy. Fig. 2


let

G#m7

me be.

F#

They said I’ll be fine

E

till the hos pi- tal-

B/F#

or A mer- i- can-

X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X9

12X13

16X11

14

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

X9

12X9

12

9X12

11X14

9

X11X

9

12

11

14

13

16

X9

11

11

13X

11

13

9

11

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4


Em

G#m

bas- sy.- Miss

F#7

Flack

E

said I

F#7

still want you back.

3

End Rhy. Fig. 2

*

*Played as even sixteenth-notes. (next 2 meas.).

G#m

Yeah, hey, hey. Miss

F#sus4**

Flack

E

said I

F#7

still want you, mm, back.

G#m B5 A#5 A5 G#5

f

***

f

***As before

**Sung as even sixteenth-notes.

9

11

9

X11

X9

11

11

13

11

X13

13

15

13

15

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

1311 1311

1411 13

11 1111 13 11 11

9 8 7 6

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

9 8 7 6


I’ve

Chorus

G

got trou

D/F#

bled- thoughts and a self

Em

es- teem- to match.

D

What a catch,

*Gtrs. 2 & 3

Rhy. Fig. 3


2nd time, Gtr. 5: w/ Riff A (1st meas.)3rd time, Gtr. 5: w/ Riff A

C G/B

what a catch.

2nd time, Gtr. 5: w/ Fill 1

Am D

And all I can

3

Gtr. 4 (dist.)

mf

33

Gtrs. 2 & 3 End Rhy. Fig. 3

think

Gtr. 4 tacet

G

of is

D/F#

the way I’m the one

Em

who charmed, the one

D

who gave up on

Gtrs. 2 & 3

Rhy. Fig. 4

Gtr. 5

Fill 1

3

555

555

555

45

45

45

45

45

222

222

222

222

222

000

000 0 2

0

2

5 75 5 5 7 9 9 7 7 7 7 7 7 7 7

355

355

355

355

355

25

25

25

25

25

022

022

022

022

000

000 0 2

00

555

555

555

555

45

45

45

45

222

222

222

222

222

000

000

000 0 2

0

2

3 3 3 3 3 3 3 3 3


2CTo oda 1CTo oda

C

you,

G/B

who gave up on

Am

you,

D

Gtr. 1: w/ Rhy. Fig. 1Gtrs. 4 & 5 tacet

Interlude

B F#/A#

whoa,

Gtr. 5 (dist.)

Riff A

mp

End Riff A

3

Gtr. 4 33 3 3

Gtrs. 2 & 3

End Rhy. Fig. 4

whoa.

G#m7 F#*Gtr. 3: w/ Rhy. Fig. 2

Verse

B

They2. say the cap

F#/A#

tain- goes down with

G#m7

the ship,

F#

so when the world

Gtrs. 2 & 3

Gtr. 2

mf

*Played mf

0 20 3

5 75 5 5 7 9 9 7 7 7 7 7 7 7 7 7

00

355

355

355

355

25

25

25

25

022

022

022

022

022

000

000

000

000

000

244

244 X

13

16 16 16 12 12


D.S. al Coda 1

E

ends

B/F#

will God go down

G#m

with it? Miss

F#7

Flack

3 3

*

*Played as even sixteenth-notes.

E

said I

F#7

still want you, mm, back.

G#m

Yeah, hey, hey. Miss

F#sus4***

Gtr. 2 **

**As before

Gtr. 3 3

***Sung as even sixteenth-notes.

Flack

E

said I

F#7

still want you, mm, ba

G#m

a- ack.-

B5 A#5 A5 G#5

3

f

f

911 11 11 11

11 13 1311 12 11 11

1311 1311

1411 13

11 11

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

11 13 11 11 9

9 8 7 6

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

9 8 7 6


1 Coda

Gtrs. 4 & 5 tacet

Bridge

B B7/A G#m Eb/G3

3

(Na,

Voc. Fig. 1

na, na, na, na, na, na, na, na, na, na, na.)

End Voc. Fig. 13 3

Gtrs. 2 & 3


B/F#

G5 G#m

What a

F#5

catch,

B/D#

what a catch,

E5

what a catch,

B/F#

what a catch.

G#m3

A

Oh.

G#m G53 6

3

999

999

999

999

999

79

79

79

79

79

666

666

666

666

56

56

56

56

56

444

444

444

444

444

444

444

555

666

666

666

666

666

666

666

444

69

69

69

69

69

799

799

799

799

799

444

444

444

444

666

666

666

666

777

777

777

777

777

777

777

777

777

666

666

666

666

666

666

555

555

555

555


D.S. al Coda 2

I

Verse

3.

B

will nev

F#/A#

er- end up like him.

G#m

Be hind- my back

F#

I al read- y- am.

Gtr. 2

mp

Gtr. 3

E


B/D#

way you will al

C#m7

ways- know.

B5 A#5 A5

Say

G#5

that

f

999

89

666

999

14 9 8 7 6

9 21 9 8 7 6


2 Coda

Gtrs. 2 & 3: w/ Rhy. Fig. 4 (last meas.)Gtr. 5: w/ Riff A (last meas.)

Am

you.

D

Bkgd. Voc.: w/ Voc. Fig. 1 (6 times)Gtrs. 2 & 3: w/ Rhy. Fig. 4Gtr. 4 tacet

G D/F#

(So where is your boy to night?- I hope

Gtr. 4

3 3

Em D

(We’re go ing- down,

C

down in a ear

G/B

li- er- round and,

3

he is a gen tle- man.- May be- he won’t find out what I know. You were

su

Am

gar,- we’re go ing- down swing

D

ing.- I’ll be your num

Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)

G

ber- one with a bul let.

D/F#

- A

just an oth- er- mel o- dy.- Dance, dance, we’re fall ing- a part- to half

load

Em

ed- God com plex,- cock

D

it and pull it. This

C

ain’t a scene, it’s a god

G/B

damn- arms race.

3 3 3

time. Dance, dance, these are the lives you’d love to lead. Dance, this is the way they’d love if they knew

9 7 7 7 7 7 7 7 7 7 7


Am

This ain’t a scene, it’s a god

D

damn- arms race.

G

D/F#

3 3

how mis er- y- loved me. One night and one more time.

3

Em D

Grow ing- up,

C G/B

grow ing-

Thanks for

*Sung as even sixteenth-notes.

*

the mem o- ries- e ven- though they weren’t so great. He tastes like you on ly- sweet -

Am D

Gtrs.2 & 3

Outro-Chorus

G5

mp

D/F#

up.)

I got trou bled- thoughts and

3 3

er.)

Gtrs. 2 & 3

(cont. in slashes)

Gtr. 1

T T T

E5 D5Gtrs. 2 & 3 tacet

C G/B Am7

self es- teem- to match. What a catch, mm, what a catch.

3

022

000

000

000

5

543

543

5 4

423

423

4

2

543

543

2 0

423

423

53555

555

3 2543

543

2 02013 3

0


Moderately fast q = 157

27Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Gtr. 2(slight dist.)

Intro

13421

Bm

134111

F#m

134211

G

12

Em

134211

F#

111

A

11342

Bm

134

G5

134

B5

Bm

mf

type2

If1.


Rhy. Fig. 1

mf

End Rhy. Fig. 1

Verse


Rhy. Fig. 2A

Bm F#m Bm F#m G Em G F#m

home

mil li-

is

grams-

where

in

the heart

my

is

head,

then

burn ing-

we’re

to

all

bac- co-

just

in my

fucked.

wind.

I

Chas

can’t

ing- the

re

di

-

-

Rhy. Fig. 2

24432

XXXXX

XXXXX

24422

24422

222

22443

XXX

XXX

24422

24422

22

224432

24422

24422

222

224432

XX

XX

24422

24422

222

224432

XXXX

24422

24422

222

224432

XXXXX

XXXXX

24422

24422

24422

355433

022000

022000

XXXX

355433

XXXXX

XXXXX

355433

244222


Em Bm F#m Bm F#mEnd Rhy. Fig. 2A

mem

rec

ber,

tion,

-

-

I

chas

can’t

ing- the di

re mem

rec-

- ber.

tion

-

- you went.

And I

And

End Rhy. Fig. 2

you’re

want

Gtr. 2: w/ Rhy. Fig. 2A (1st 4 meas.)

Bm

a bot

it

F#m

tled

so

- star.

bad

Bm

The

I’d

plan

shoot

F#m

ets

for

- a

sun

lign

G

-

shine-

you just

in

Em

like

to- my

Mars.

veins.

G

You

I

shine

can’t

in

re

F#m

the

-

Gtr. 2

Em Bm F#mRhy. Fill 1A

BmEnd Rhy. Fill 1A

F#m

sky,

mem ber-

you

the

shine

good old

in the sky.

days. And

Are

it’s

all

kind

the

of

Rhy. Fill 1

(cont. in slashes)

End Rhy. Fill 1

022000

XXX X

XX

022000

022000

000

022000

XXX X

XX

022000

022000

XXXX

XXXX

22443

XXXX

XXXX

24422

24422

2222

22443

XXXX

XXXX

24422

24422

XXXX

222

224432

XXXX

24422

24422

222

224432

XXXXX

XXXXX

24422

24422

24422

355433

022000

022000

XXXX

355433

XXXXX

XXXXX

355433

244222

022000

XXX

XXX

022000

022000

00

022000

XXX 0

0

022000

022000

XXXX

XXXX

2244

XXX

XXX

24422

24422

22

2244

XXX

44

2244

244222


*Gtrs. 1 & 2

Pre-Chorus

G Bm

good

fun

times

ny-

get ting- gone?

the way

They

we’re

come

wear

and

ing-

go

an

and

chors-

go

on

and

our

come

shirts

and go. Oh,

when

yeah,

be

I

ing-


mf

P.M. P.M.


G F#

have

an chored-

a

a

3

lot

board-

of friends

just feels

who are stars

like

but

a

some

curse.

are just black holes. My

P.M. let ring

Gtr. 3 tacet3rd time, Gtr. 5 tacet

Bm

Chorus

F#m Bm G

mind is a safe

and if I keep it in we all get rich. My

Gtr. 4 (dist.)

mf

97

97

97

97

97

97

97

97

97

97

97

97

11 11 12 12 97

97

97

97

97

97

97

97

9 9 9 9 11 11 12 12

97

97

97

97

9 9 9 9 9 9 9 9 11 11 12 12 8 8 8 8 86

8 86

86

8 96

96

5X7

5X7

5X7

5X7

4X6

5X7

5X7

5X7

5X7

5X7

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4


2CTo oda

1CTo oda

D.S. al Coda 1

Em Bm A

(cont. in notation)

bod y- is an or phan- age,- we take ev ’ry- one- in do ing-

lines

D

of dust and

A

sweat

D

off last

A

night’s stage just

A#º

to

Gtr. 4

Riff A End Riff A

Gtrs. 1 & 2

Rhy. Fig. 3

(2nd time, cont. in slashes)

End Rhy. Fig. 3

feel

Interlude


Bm

like

F#m

you.

Bm F#m Bm F#m Bm F#m

M2. m- m --

3

Gtr. 4

Gtr. 2

(cont. in slashes)

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

4X6

5X7

5X7

5X7

5X7

5X7

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

XXX

7X9

7X9

XXX

5X7

5777

5777

5777

5777

577655

5777

5777

5777

5777

5777

5777

577655

577655

577655

577655

577655

577655

577655

XXXX

6X8

6X8

XXXX

XXXX

5X7

5X7

5

7

224432

222

222

24432

222

222

222


1 Coda

Gtrs. 1 & 2

Interlude

Bm type2 Bm

feel like you. Oh.

3

Gtr. 5 (dist.)

f

Gtr. 4

Fill 1 End Fill 1

Gtr. 5

Guitar Solo

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1 1/2 times)Gtr. 4 tacet

Bm F#m Bm F#m G Em G F#m

Gtr. 6 (dist.)

Em

Bm

F#m Bm F#m

f

Gtr. 5

2 3 3 3

5X7

5X7

5X7

5X7

3 0 5 0 7 0 5 7 8 0 7 57 6 4

7

0 10 12 0 7 10 0 7 57 4

74 6 7 9

14 15 15 15

79 7 9

79 9

7 9 79 7 9

79

10 12 12 12


Bm F#m Bm

8va

F#m

loco

G

Em

G

(cont. on bottom staff)

F#m

(cont. on middle staff)

Gtrs. 1 & 2

Em Bm type2 F#m Bm type2 F#m

And it’s kind of

Gtr. 4

Gtr. 5

Gtr. 6

15 14 1714 16 17 19 22

16 14 16 16 14 16 16 14 1615

16 14 16 16 14

12 0 10 0 14 15 0 17 0 19 0 2217

019

17 15 17 17 15 17 17 15 1717 19 17 15 17 17 15

16

1717 19 17 15 17 17 15 17 1516 16 16 14 16

1516 16 1416 14 16

14 16 14 1214

1615

16 14 16 16 14 16 1416 16 16

14 16 1416

12 14 12 12 14


D.S.S. al Coda 2

Pre-Chorus

G5

P.M.

type2Bm B5

P.M.

fun ny- the way we’re wear ing- an chors- on our shirts when be ing-

Gtr. 4

Gtrs. 5 & 6

Gtr. 6 tacet

G G5

*P.M.

F#

an chored- a

3

board- just feels like a curse. My

Gtr. 4

Gtr. 5

*Gradually lift P.M.

16

14

11 12 11 12 11 12 11 12 11 12 11 12 14 14 14 14

14 13 14 13 14 13 14 13 14 13 14 13 14 13 14 13 14


2 Coda

A

Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtr. 4: w/ Riff A

D A D A

3 3 3 3

in. Do ing- lines of dust and sweat off last night’s stage

Gtr. 4

3 3 3 3

Gtr. 6

mf 3 3 3

Gtr. 5

mf

3 3

3

A#º7

Gtrs.1 & 2

Gtr. 4: w/ Fill 1

type2Bm

just

If

to be

home

like

is where

you.

the heart is then we’re all just fucked.

Gtr. 6

(cont. on lower staff)

Gtr. 4

Gtr. 5

Gtr. 5

Gtr. 6divisi

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7 96

96 7 6 7 9 9 11 11 11 11 9 11 11 9

11

4 5 7 5 74

74 6 6 7 7 7 7 6 7 7 6

7

11 87 5 5 5 5

X7

5

7

7 5 4 4 454

54


Moderately q = 135

Tiffany BlewsWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Intro

Voc. Fig. 1

µ

Oh, oh, oh, oh, oh, oh,

11

E5

134

F#54fr

134

G#5

oh. Oh, oh, oh, oh, oh,

D#m/A

oh,

End Voc. Fig. 1

oh.

*Gtr. 1

Fill 1

** p

End Fill 1

mf

*Kybd. arr. for gtr. **Vol. swell

***

***Chord symbols implied by bass, next 3 meas.

Gtr. 1 tacet

G#m

Oh, oh, oh, oh,

A#º7

oh, oh, oh.

D#m

Oh, oh, oh, oh,

Gtr. 1: w/ Fill 1

oh, oh, oh.

Verse

†G#m

I’m1.

A#º7

not a cry ba- by.-

D#m

I’m the

µ

cry

D#m

ba- by,-

Gtr. 2 (clean)

Riff A

mpP.M. P.M.

P.M.

Gtr. 3 (dist.)

Riff B

fP.M. P.M. P.M. P.M.

End Riff B

P.M.

†Chord symbols reflect implied harmony.

151614

46 6 4

6 6 6 66

6 66

46 6 4

6

76 6

4 4 4 4

4 2 4 4 4 6 4 6 64 6 4 6 6 4 6 6 6 6 6 6


G#m

a cat er- pil- lar-

A#º7

that got stuck. Mis ter- moth

D#m

come quick with an

y- luck. A

P.M. P.M.

P.M.

End Riff A

3

1 1

Riff C

P.M. P.M. P.M. P.M.

End Riff C

P.M.

(Long

long

Gtr. 3: w/ Riff C (2 times)

G#m

walk

walk

to

to

a

a

dark,

dark, hou

A#º7

hou

hou-

hou...)-

house.- Oh, Ro

D#m

man- can dle- heart, keep

Gtr. 2

1/2 1/2 1/2

us far a part.- A cock

G#m

tail- par ty- do ing- al right.- Hey

A#º7

be,- ba by,- may be- I’m a

1

646

6 4 66 46

6 46

66 6

6

4 6 6 46

767

87

67

89

XX

89

89

XX

XX

4 2 4 4 4 6 4 6 64 6 4 6 6 4 6 4 6 6 6 6 6 6

6

64 6 6

66 4

66 X

66

66 46

7

XX

XX

67

67

89

89

6

6

7 4

4 64 4


D#m

Gtr. 3

Pre-Chorus

Gtr. 2 tacet

Rhy. Fig. 1

E5 F#5

piece of art. All my friends all lie and say they on ly- want the best wish es- for me.

P.H.

8va

loco

Gtr. 4 (dist.)

Riff D

mp

G#5 E5

(cont. in notation)

End Rhy. Fig. 1

Oh, three, two, one, we go live.

End Riff D

Oo,

Chorus

G#5

ba by,- you’re a clas

E

sic- like a lit

B5

tle- black dress.

F#5

You’re a fad ed-

Gtr. 4

Riff E

Gtr. 3

Rhy. Fig. 2

Gtr. 5 (dist.)

Rhy. Fig. 2A

mf

6 47

X 67

89

XX

XX

89

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

X9

11X9

11X9

11X9

11X9

11X9

11

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

4X6

4X6

4X6

4X6

7X9

6X8

4X6

4X6

4X6

4X6

X9

11X9

11X9

11X9

11X9

11

11

13X9

11X9

11X9

11X9

11X9

11X9

11

6X8

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11

7X9

X9

11

7

9

466

466

466

466

466

466

022

022

022

022

022

022

022

2244

2244

2244

2244

2244

2244

2 42 4

4 2

466

466

466

466

466

466

02210

02210

02210

02210

02210

02210

244

244

244

244

244

244

244

4 4 4 4 4 2


CTo oda

moon

E

stuck on a lit

G#5

tle- hot mess.

(Lit

* Voc. Fill 1

F#5

tle- hot mess.)

End Voc. Fill 1

Whoa,

E5

whoa. And

End Riff E

End Rhy. Fig. 2

End Rhy. Fig. 2A

*Refers to upstemmed vocs. only.

oo,

1st time, Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2A1st time, Gtr. 4: w/ Riff E2nd time, Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2A (1st 7 meas.)2nd time, Gtr. 4: w/ Riff E (1st 7 meas.)

G#5

ba by,- you’re a clas

E

sic- like a lit

B5

tle- black dress, but

F#5

you’ll be fad ed-

soon,

E

stuck on a lit

G#5

tle- hot mess.

Bkgd. Voc.: w/ Voc. Fill 1

F#5

Whoa,

E5

whoa.

(Oh.)

Verse

Gtr. 2: w/ Riff AGtr. 3: w/ Riff B

G#m

I2. can’t

A#º7

make your heart slow.

D#m

I can feel the weath er

µ

- in my

D#m

bones.

2X4

2X4

2X4

4X6

4X6

4X6

4X6

X9

11X9

11X9

11X9

11X9

11X9

11

6X8

6X8

6X8

7X9

7X9 X

9

11X9

11X9

11

7X9

7X9

7X9

7X9

7X9

X9

11

7X9

022

022

022

022

022

022

022

466

466

466

466

466

466

244

244

244

244

244

244

022

022

022 2 1

4 2

02210

02210

02210

02210

02210

02210

466

466

466

466

466

466

244

244

244

244

244

244

022

022

022

2 0 0 0


D.S. al Coda

Gtr. 3: w/ Riff C

G#m

Wish hard e nough- I could turn

A#º7

it to what I like. Your pu

D#m

pils-

(Big,

big,

roll ing.)-

roll ing- like dice.

They

Gtr. 6 (dist.)

mf

Gtr. 7 (dist.)

mf

say

Pre-Chorus

Gtr. 3: w/ Rhy. Fig. 1Gtr. 4: w/ Riff D

E5

they on ly- want the best

F#5

wish es- for me.

G#5

Oh,

Voc. Fill 2

(They on ly- want the best for me.)

End Voc. Fill 2

three,

Gtrs. 6 & 7 tacet

E5

two, one,

µ

we go live.

1312

11 1112

13

11 12 12 12

1312

11 1112

13 11 1312 12 12 12

12 14 14 14 14

1313

1313

13 1113

14 13 9


Coda

E5

whoa.

Gtr. 4

Gtr. 5

Gtr. 3

Not

Bridge

*

Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)Gtrs. 3, 4 & 5 tacet

G#m

the boy

D#m7

I was. The boy

E

I am is just vent

D#m

ing,- vent ing.-

(Uh,


Voc. Fig. 2

(Not

uh,

the

uh,

boy.

uh,

I

uh,

was

uh,

just

uh,

vent

uh.

ing.-

Dear

G#m

grav

D#m7

i- ty,- you’ve held

C#m

me down in this star

D#m

less- cit y.- No, I’m

Uh,

Dear,

uh,

dear

uh,

grav

uh,

i-

uh,

ty,-

uh,

you’ve

uh,

held

uh.)

End Voc. Fig. 2

me.)

7X9

7X9

7X9

7X9

7X9

7X9

X9

11

7X9 X

14

16X12

14X11

13X9

11

11

13

022

022

022

2 0 0 0

022

022

022

022

022

022

022

022

022 2 1

4 2022

022

022

022

022

022


not


G#m

the boy

D#m7

I was. The boy

E

I am is just vent

D#m

ing,- vent ing.-

Dear

(Dear

G#m

grav

grav

D#m7

i

i

-

-

ty,

ty,

-

-

you’ve

you’ve

held

held.)

C#m

me down in this star

D#m

less- cit y.-

(They

say.)

Pre-Chorus

Gtr. 3: w/ Rhy. Fig. 1 (1st 4 meas.)Gtr. 4: w/ Riff D (1st 4 meas.)

E5

They on ly- want the best

F#5

wish es- for me.


G#5

Oh,

Gtr. 3

E5 F#5

(cont. in notation)

Chorus

Gtr. 4 tacet

G#5 µ

(Ba by,- you’re a

three, two, one, we go live. Oo, ba by,- you’re a

Gtr. 4 Gtr. 3

P.M.

clas

Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2A (last 7 meas.)Gtr. 4: w/ Riff E (last 7 meas.)

E

sic,- oh,

B5

oh,

oh.

F#5

clas sic- like a lit tle- black dress. You’re a fad ed-

6X8

6X8

6X8

6X8

6X8

6X8

6X8

X9

11X9

11X9

11X9

11X9

11X9

11X9

11

466

466

466


E

You’re a fad ed- moon.

G#5

Lit

F#5

tle- hot mess.

E5

moon stuck on a lit tle- hot mess. Whoa, whoa. And

Oo,

Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2AGtr. 4: w/ Riff E (1st 6 meas.)

G#5

ba by- you’re a clas

E

sic,- oo,

B5

oo, oo,

Oo, ba by,- you’re a clas sic- like a lit tle- black dress,

F#5

oo, oo, oo.)

E G#5

but you’ll be fad ed- soon, stuck on a lit tle- hot mess.


F#5 E5

Gtrs.3 & 5

E5

Whoa, whoa, whoa.

(Mm.)

Gtr. 6

Gtr. 4

9X11

11

13X11

13

6X8

7X9

7X9 X

9

11X9

11X9

11

7X9

7X9

7X9

7X9

7X9

X9

11

7X9

7X9

7X9

7X9

7X9

7X9


Intro

Moderately q = 127

w.a.m.s.Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman, Andrew Hurley and Pharrell Williams

Copyright © 2008 Sony/ATV Music Publishing LLC, Chicago X Softcore Songs, EMI April Music Inc. and Pharrell Williams ASCAP Publishing DesigneeAll Rights on behalf of Sony/ATV Music Publishing LLC and Chicago X Softcore Songs

Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203All Rights on behalf of Pharrell Williams ASCAP Publishing Designee Controlled and Administered by EMI April Music Inc.



1., 2., 3.

4.

Gtr. 1 (elec.)

*

(Bass)

F5

w/ dist.

mf

Riff A

F5 Bb5

4fr

134

Ab53fr

13

Eb/G

F5 Db5

End Riff A

Gtr. 2 (elec.)

w/ dist.P.M.

Rhy. Fig. 1

mfP.M.

End Rhy. Fig. 1

P.M.

*Chords symbols reflect overall harmony.

A5 Ab5 G5

I’m

Give

1.

2.

1st time, Gtrs. 1 & 2 tacet2nd time, Gtr. 1: w/ Riff A (4 times)2nd time, Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)2nd time, Gtrs. 5, 6 & 7 tacet

Verse

F5

a

me,

Bb5

young

build

one

me.

stuck

It’s

F5

in

your

the

Db5

thoughts

club

of

so

an

Fill 1 End Fill 1

XXX

XXX

X10

12

XXX

XXX

X10

12

XXX

XXX

X10

12

XXX

XXX

10X12

11

13X10

12X8

10X8

10X8

10

XXX

XXX

X8

10

XXX

XXX

X8

10

XXX

XXX

133

XXX

1133

1133

XXXX

XXXX

1133

111

133

133

466

XXX

466

XXX

466

00

10

12X8

10X8

10X8

10

XXX

XXX

X8

10

XXX

XXX

X8

10

6

8

5

7

4

6

3

5


old

let

F5

one’s

me

Bb5

head.

in.

F5 Db5

When all the oth

Know

F5

ers

ing

-

-

were

you’re

just

heart

Bb5

stir

warm-

ring

ing,

-

-

a

it

wake

is

-

F5

I’m

in

try ing- to

side

Db5

-

trick my

your

self- to

skin.

fall

F5

a sleep

Bb5

- a gain,-

2nd time, Gtr. 2: w/ Fill 1

A5

oh.

Ab5

My

G5

Gtr. 3 (elec.)

w/ dist.

mf

head’s

Pre-Chorus

E

in heav en,- my soles

F#

are in hell.

E F#

Well, let’s

Gtr. 3

Gtr. 2

XXX

XXX

XXX

XXX

6X8

6X8

6X8

6X8

6X8

7X9

6X8

4X6

4X6

4X6

4X6

4X6

4X6

6X8

4X6

2X4

2X4

2X4

2X4

2X4

2X4

4X6

2X4

1X3

1X3

1X3

1X3

1X3

1X3

2X4

4X6

6X8

7X9

7X9

7X9

7X9

7X9

9X11

7X9

6X8

6X8

6X8

6X8

6X8

6X8

7X9

6X8

4X6

4X6

4X6

4X6

4X6

4X6

6X8

4X6

2X4

2X4

2X4

2X4

2X4

2X4

4

6

4X6


meet

E

in the pur ga- to- ry

F#

- of my hips and

get

G#

well.

3

Hur

Gtrs. 2 & 3 tacet

Chorus

F5

ry,- hur ry.-

Bb5

You put my head in such a

Gtr. 3

w/ dist.

Gtr. 6 (elec.)

mf

Gtr. 2

*Gtr. 5 (elec.)

**w/ dist.

f

Harm.

Rhy. Fig. 2

*Two gtrs. arr. for one. Pitch: **Harm. located approx. six-tenths the distance between the 2nd & 3rd frets.

D2.6 2.6

Gtr. 7 (elec.)

w/ dist.

mf

6X8

6X8

6X8

6X8

6X8

7X9

6X8

4X6

4X6

4X6

4X6

4X6

4X6

4X6

2X4

2X4

6X8

6X8

3X5

3X5

3X5

3X5

3X5

3X5

7X9

7X9

7X9

7X9

7X9

9X11

7X9

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

4X6

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

X10

12X11

13X8

10

XXX

X8

10

XXX

X8

10

XXX

XXX

XXX

XXX

X8

10

XXX

XXX

X8

10

XXX

X8

10

XXX

X8

10

4

6

XXX

XXX

XXX

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

6X8

8

10

6X8

8

10


flur

Ab5

ry,- flur ry.-

Db5

Oh, freck le,- freck le,- what makes you

F5

so spe cial?-

Gtr. 6

Gtr. 5

Gtr. 7

Bb5

Oo, what makes you

Ab5

so spe

Eb/G

cial?- I’m gon na-

End Rhy. Fig. 2

1

X10

12

XXX

XXX

XXX

X10

12

XXX

XXX

X8

10

XXX

XXX

XXX

XXX

X8

10X8

10

XXX

X8

10

XXX

X8

10X10

12

XXX

XXX

XXX

XXX

X10

12X8

10

XXX

X8

10

XXX

X8

10

466

466

466

466

466

466

466

466

466

466

466

466

466

466

466

466

133

133

133

133

133

133

133

133

6X8

8

10

6X8

8

10

6X8

8

10

6X8

8

10

XXX

X8

10

XXX

X8

10

XXX

XXX

X8

10X8

10

XXX

XXX

X8

10

XXX

X10

12

XXX

X10

12X11

13X8

10

XXX

X8

10

XXX

X8

10

XXX

XXX

XXX

XXX

X8

10

XXX

XXX

133

133

133

133

133

133

133

133

466

466

466

466

466

466

466

466

36

36

36

36

36

36

36

36

8 8


leave

1st & 2nd times, Gtr. 5: w/ Rhy. Fig. 2 (1st 6 meas.)3rd time, Gtr. 5: w/ Rhy. Fig. 2 (1st 7 meas.)3rd time, half-time feel3rd time, Gtr. 7 tacet

F5

you.

(Ah, ah.

Bb5

Oh, I’m gon na- teach

Ab5

you

Ah,

Gtr. 7

Gtr. 6

ah.)

Db5

how we’re all

F5

a lone,-

Bb5

(How we’re all

(How we’re all a lone.)-

12 13 13 13 12 13 13 13 12 13 13

1113 14 13 11

12 13 13 13 12 13 13 13

X10

12X11

13X8

10

XXX

X8

10

XXX

X8

10

XXX

XXX

XXX

XXX

X8

10

XXX

XXX

X8

10

XXX

X8

10

XXX

X8

10X10

12

XXX

XXX

XXX

X10

12

XXX

XXX

X8

10

XXX

XXX

XXX

XXX

X8

10

12 13 13

1113 14 13 11

12 13 13 13 12 13 13 13 12 13 13

1113 14 13 11

X8

10

XXX

X8

10

XXX

X8

10X10

12

XXX

XXX

XXX

XXX

X10

12X8

10

XXX

X8

10

XXX

X8

10

XXX

X8

10

XXX

X8

10

XXX

XXX

X8

10X8

10

XXX

XXX

X8

10


CTo oda 1.

2.

Half-time feel

Gtr. 5

Ab5 Eb/G * Eb/G

a lone,-

oh,

oh,

oh,

oh.)

oh.

oh.)

oh.

Oo.

*Tape slowed

Gtrs. 5 & 6 tacet

Bridge

Abadd9

Uh, uh.

Gtr. 7

dist. off

Riff C1

Gtr. 2

dist. off

Riff C

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gtr. 1

dist. off

Riff B End Riff B

P.M.

12 13 13 13 12 13 13 13 12 13 13

11

12 13 13

1113 11 13

XXX

X10

12

XXX

X10

12X11

13X8

10

XXX

X8

10

XXX

X8

10

XXX

XXX

XXX

XXX

X8

10

XXX

XXX

XXX

XXX

XXX

XXX

X8

10

XXX

XXX

3X5

3X5

3X5

3X5

3X5

3X5

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3

4

6 6

4 46

4 4 46

4 46

46 6

46 6

46 6


Abm[add9]

Uh, oo.

Gtr. 8 (elec.)

w/ clean tone

mf

Gtr. 7

End Riff C1

Gtr. 2


End Riff C

P.M.

Gtr. 1

P.M.

Gtr. 1: w/ Riff B (2 times)Gtrs. 2 & 7: w/ Riffs C & C1

Abadd9

Uh, uh.

Abm[add9]

Uh, uh.

Gtr. 8

3

6 8

2X4

2X4

2X4

2X4

2X4

2X4

3

2 2

3

2 2

3

2 2 2X3

2X3

2X3

2 2

1

2 2

1

2 2

1

2 2

4

6 6

4 46

4 4 46

4 46

4 4 0 46 6

46 6

85 7 8

6 8 96 8 6

9 8 68 8 4 5 4 3 4 4


Emaj7

Uh, uh.

F#

Gtr. 8

Gtr. 7

Gtr. 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gtr. 1

let ring P.M. P.M.

46 6

4 4 4 4 36 6 66 11 11 11 11 11 11 11

6X8

6X8

6X8

6X8

6X8

6X8

4X6

4X6

4X6

4X6

6X8

6X8

4

2 2

4

2 2

4

2 2

4

2 2

4

2 2

1

2 2

1

2 2

1

2 2

6

4 4

6

4 4

6

4 4

6

4 4

0

21

21

0 022

02 2

02 2 2 2

0 02 2 2 2 2 2

2

6 6

2 2

6 6 6

2 2


Ah,

pa, pa, la. Pa, pa, oo, ah. Oo,

G#add9

ah,

oo, ah,

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

P.M. P.M.

11 8 8 8 10 10 1011 11 11

8 8

6X8

4X6

4X6

4X6

4 3X5

3X5

3X5

3X5

6

4 4

3

4 4

3

4 4

3

4 4

3

3 3

3

3 3

3

3 3 3X3

3X3

26 6 6

2 2 26 4

26 4

4

6 6

4 46 3

4 4 4


D.S. al Coda

Coda

End half-time feel

Play 3 times & fade

oo.

Pa,

la, la, oo,

ah,

oo.

Gtrs. 1, 2, & 8 tacet

µ


P.M. P.M.

Gtr. 6 tacet

µ

oh.)

oh.

F5

Gtr. 1: w/ Riff A (till fade)Gtr. 2: w/ Rhy. Fig. 1 (till fade)

Bb5 F5

Db5

88 8 8 8 8

8

11 11 118 8

3X5

3X5

3X5

3X5

3X5

3X5

3X3

3X3

3 3

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3 3X3

3X3

64 4

34 4 4

6 64

6 64

6 6

4 4 46 6


Moderately q = 99

20 Dollar Nose BleedWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




*

(Piano)

Ab

= 3

Have1. you ev

Verse

Ab5

er- want

4fr

134

Ab5

1134

C5/G

134

F5

5fr

134

A5

6fr

134

Bb5

6fr

1134

Eb5/Bb

ed- to

C5/G

dis ap- pear-

F5 Ab5

and join a

A5

Gtr. 1 (dist.)

mf


mon

Bb5

as- ter- y?- Go out and

Ab5

preach

Eb5

on Man ic- Street.

Who will I be

Ab5

when I wake up

C5/G

next to a

Rhy. Fig. 1

stran

**

F5

ger-

Ab5

on a

A5

pas

Bb5

sen- ger- plane?

Ab5 Eb5

Oh, per ma- nent- jet -

Pas sen- ger- plane.

End Rhy. Fig. 1

**Sung as straight sixteenth-notes.

XXX

XXX

0 XXX

0 466

466

466

466

3355

3355

3355

3355

133

133

133

133

466

466

466

577

688

688

688

688

688

688

688

466

688

688

688

688

688

688

688

688

466

466

466

466

3355

3355

3355

3355

133

133

133

133

466

466

466

577

688

688

688

688

688

688

688

466

688

688

688

688

688

688

688

688

688

688


Pre-Chorus

Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)

Ab5

lag,- please

C5/G

take me back.

F5

Please

Ab5

take me back.

A5 Bb5 Ab5

Please take me back. Oh.

Eb5

I’m a stray dog sick.

Ab5

Please

C5/G

let me in.

F5

The man

Ab5

keeps trip ping,

A5

-

Please let me in.

Gtr. 1

Bb5

sing ing- vows be fore- we

*

Ab5

ex change

Eb5

- smoke rings.

Give me

µ

a pen.


Chorus

Ab5

Call

(Call

me

me

Cm/G

Mis

Mis

-

-


let ring throughout

mp

Gtr. 3 (dist.)

mf

Gtr. 1 **Gtrs. 1 & 4

*Sung as straight sixteenth-notes. **Gtr. 4 (dist.), played mf. Composite arrangement

688

688

688

688

688

688

688

688

688

688

466

466

466

466

3355

3355

3355

3355

133

133

133

133

466

466

466

577

1313

1313 13

1313

13

X11

13X11

13X11

13X11

13X10

12X10

12X10

12X10

12

688

688

688

688

688

688

688

466

688

688

688

688

6688

6688

XXX

466

466

466

466

33554

33554

33554

33554


F5

ter

ter

-

-

Ben

Ben

ze

ze

-

-

drine.

drine.

Cm/G

-

-

But

But

don’t

don’t

Dbsus2/Ab

let

let

the

the

doc

doc

Ab5

tor

tor

-

-

in,

in,

I

I

G5

want

want

Eb

to

to

blow

blow

Eb/Db

off

off

steam.

steam.

Eb/C

And

And

Eb/Bb

F5

call me

Cm/G Dbsus2/Ab

Mis ter- Ben ze

Bb5

- drine.-

C5

Gtr. 3 tacet

F5

Oh,

µ Bb5 C5

oh,

Db5

call me Mis ter- Ben ze- drine.- But don’t let the doc tor,-

1413

1413

1313 13

13 14 1413

1411

13 1313

131514

131514

131514

131514

131514

131514

131514

131514

1514

1514

1313

1313

X8

10X8

10X8

10X8

10

6X8

6X8

6X8

6X8

4X6

4X6

4X6

4X6

6X8

6X8

6X8

6X8

6X8

6X8

4X6

4X6

3X5

3X5

1X3

1X3

133

133

133

133

33554

33554

33554

33554

44664

44664

44664

44664

468

468

468

35 6

888

6888

6888

6888

6888

6888

6888

6888

13

1313

13

1313

1313

1413

1413

1111 13

13131313

XXX

XXX

XXX

131313

131314

131313

X8

10X8

10X8

10X8

10X10

12X10

12X10

12X10

12X11

13X11

13X11

13X11

13X13

15X13

15X15

17X15

17

133

133

133

133

33554

33554

33554

33554

44664

44664

44664

44664

133

133

355

4 133

133

XXX

XXX

688

81010

91111


2CTo oda 1CTo oda

µ

doc

Ab5 Eb/G

tor- in,

F5 µ F5 Eb5/Bb

whoa.

Db5/Ab C5/G Bb5 Eb5/Bb

don’t let the doc tor- in.)

Gtr. 2

Gtrs. 1 & 4

F5 µ Bb5 C5 Db5 µ Ab5 Eb/G F5 µ F5 Eb5/Bb Db5/Ab

C5/G Bb5 Eb5/Bb

Have4. you

Interlude

Gtrs. 2 & 4 tacet

Ab

It2. feels like

Gtr. 1

stringnoise

stringnoise

XXX

XXX

XXX

131313

XXX

XXX

131313

131514

131313

XXX

XXX

131313

131313

131313

XXX

XXX

131313

131514

131313

131313

131313

XXX

XXX

131514

131514

XXX

XXX

91111

XXX

XXX

XXX

XXX

466

36

133

133

XXX

XXX

XXX

133

133

6688

4466

3355

688

6688

6688

131313

XXX

XXX

131313

131313

XXX

XXX

131313

131514

131313

XXX

XXX

131313

131313

131313

XXX

XXX

131313

131514

131313

XXX

XXX

131313

131313

131313

131313

131313

131313

131514

XXX

131313

133

133

XXX

XXX

688

81010

91111

91111

XXX

XXX

XXX

XXX

XXX

466

36

133

133

XXX

XXX

XXX

133

133

6688

4466

131313

131313

131313

XXX

XXX

131514

131514

XXX

XXX

4466

3355

688

6688

XXX

X10

XXX

XXX

0

XXX


four

Verse


Ab5

teen- car ats- but

C5/G

no clar i- ty-

F5 Ab5

when I look at

A5

the

3 3

man

Bb5

who would be king. The

Ab5

man

Eb5

who would be king goes through the

des

Ab5

ert- to sing war

C5/G

his dad re hearsed.-

F5 Ab5

Came back with

A5

flags

Gtr. 2: w/ Riff A

Bb5

on cof fins- and said we

Ab5

Gtr. 2

Riff A End Riff A

Eb5

Per man- ent- jet

Pre-Chorus

Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A (2 1/2 times)

Ab5

lag,- please

C5/G

take me back.

F5

Please

Ab5

take me back.

A5

won, oh, we won.

Please take me back.


let ring throughout

mp

6X8

X8

10

6X8

X8

10

XXX

X8

10

6X8

X8

10

6X8

X8

10

XXX

X8

10

11

89

8

10

89

8

8

89

8

11

89

8


D.S. al Coda 1

1 Coda

Bb5 Ab5 Eb5

Gtr. 1

Ab5 C5/G

I’m a stray dog sick. Please let me in.

Oo, hoo, oo.

F5 Ab5 A5 Bb5 Ab5 Eb5/Bb

(cont. in notation)

The man keeps trip ping,- sing ing- vows be fore- we

*

ex change

- smoke rings.

Please let me in.

Give me a

Gtr. 2

Fill 1 End Fill 1

Gtr. 5

*Sung as straight sixteenth-notes.

Ba,

Gtr. 2 tacet

Bridge

Ab

ba, ba, ba, ben

Cm/G

ze- drine.- Ba,

Fm

ba, ba, ben

Ab/Eb

ze- drine.- Ba, ba,

Db

ba, ba, ba, ben

Ab

ze- drine- now.

Gtrs. 1 & 4

98

66

6

866

65

34

3 3

34

11

89

8

10

89

8

6X8

X8

10

6X8

X8

10

XXX

X8

10

6X8

X8

10

6X8

X8

10

6X8

XXX

X8

10

6X8

6

8

8

89

8

11

89

8

98

66

6

866

65

34

34

34

466

466


D.S. al Coda 2

2 Coda

Eb Eº

Ba,

Fm

ba, ba, ba, ben

Cm

ze- drine.- Ba,

Db

ba, ba, ben

Ab

ze- drine.- Ba,

ba,

Gtr. 4 tacet

Db

ba, ba, ba, ben

Ab

ze- drine- now.

Ebsus4 Eb

On3. ly- one

Gtr. 2: w/ Riff A (1 1/2 times)

Verse

Ab5

book real ly- mat

C5/G

ters.- The rest

Gtr. 1

F5

of the proof

Ab5

is on the tel

Bb5

e- vi- sion,- on

Ab5

the...

Gtr. 2: w/ Fill 1

Eb5/Bb µ

Woo!

ev

Outro-Verse

Gtr. 2 tacet

Ab5

er- want ed- to

C5/G

dis ap- pear?

F5

-

µ

65

75

88

10

88

10

4466

4466

4466

4 4

XXX

XXX

XXX

XXX

XXX

XXX

000

000

000

000

466

466

466

466

3355

3355

3355

XXXX

XXXX

XXXX

XXXX

133

133

133

133

466

466

466

XXX

XXX

XXX

XXX

688

688

688

688

688

688

688

XXX

XXX

466

6688

6688

18 00

0

466

466

466

466

3355

3355

3355

133

133


Intro

Moderately q = 120

West Coast SmokerWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley




Gtr. 1 (dist.)

(Drums)

µ

Riff A

*

mf

Em

1134

C5/G5fr

1134

D5/A4fr

13

A/C#7fr

134

E5

P.M.

*Chord symbols reflect basic harmony.

Wish1.

Verse

Gtr. 1 tacet

Em

es- bounce me weight less.- The in fra- red- scope of

Gtr. 1 End Riff A

Riff B

Gtr. 2 (dist.)

w/ heavy reverb

mp

Gtr. 3 (clean)

Riff C

mf

98

98

77

98

98

77

9 77

9

07 8

010 8

9 99

98

98

77

9 98

77

98

77

97 8 10 8

98

98

98

98

7

07

9

09

0

7

07 0

99

0

7

07 0

99

0

07 5

0

57 5 7

07 5 7

57

45

07 5

0

57 5 7


point less- ness.- The bull’s

Am

all se dat- ed- and this fight’s fixed.

End Riff B Riff D

Don’t

Gtr. 3: w/ Riff C

Em

feel bad for the su i- ci- dal- cats. Got ta-

End Riff C

Gtr. 4 (dist.)

mf

1/2

kill them selves- nine times be fore- they get it right.

Gtr. 2: w/ Riff D (1st 4 meas.)

Am

The P. A.

Gtr. 2 End Riff D

Gtr. 4 1/2

7

07 0

99

0 0

1210

0

910

0

1210

0

1210

0

1210

0

910

0

1210

9

010

07 5 7

57

45 0

7 5 75

7 5 70

7 5 75

74

50

7 5 75

7 5 7

0

1210

0

1210

0

910

7

07

7

07

9

09

0

7

07

7

07

9

09

0

07 5 7

57

45 7 7 7 X 7 5 7

75 7 7 X 7 X 7 5 7 7 7 5

7

7

07

7

07

9

09

0

7

07 0

99

0

7 7 7 X 7 5 77

5 7 7 X 7 X 7 5 7 7 7 57

7 7 X 7 X 7 5 77

5


sys tem- keeps my heart, heart beat ing- at night, ah.

Voc. Fig. 1

(Oh,

Gtr. 4 1/4

Chorus

Gtr. 4 tacet

E5 D5/A

I’m a ner

A/C#

vous- wreck.

C5/G E5

Thedrugs

D5/A

just make

A/C#

me re

C5/G

set.-

hell, yes. Oh, hell, yes.)

End Voc. Fig. 1

*Gtr. 5 (dist.)

Riff E1

mf

End Riff E1

*Two gtrs. arr. for one.

Gtr. 1Rhy. Fig. 1 End Rhy. Fig. 1

Gtr. 2Riff E End Riff E

**Gtr. 6 (dist.)

Rhy. Fig. 1A

mf

End Rhy. Fig. 1A

**Doubled throughout

7 7 X 7 X 7 5 77

5 7 7 X 7 X 7 5 7 7 X 7 X 7 5 7 7 X 7 X 7 55

7 5 70

50

50

8 50

50

8 50

50

8 50

50

8 50

50

8 50

50

50

8 50

50

8 50

50

8 50

50

8 50

50

8 50

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

9

7

9 7

5

7 6

4

6 5

3

5 9

7

9 7

5

7 6

4

6 5

3

5

0799

0799

0799

0799

5577

5577

5577

5577

47

47

47

47

3355

3355

3355

3355

0799

0799

0799

0799

5577

5577

5577

5577

47

47

47

47

3355

3355

3355

3355


Knock

Gtrs. 1 & 6: w/ Rhy. Figs. 1 & 1AGtr. 2: w/ Riff E

E5

once for

D5/A

The Fa

A/C#

ther,- twice

C5/G

for The Son,

E5

three times

D5/A

for The Ho

A/C#

ly- Ghost.

C5/G

Gtr. 5Riff F End Riff F

Interlude

Gtr. 1: w/ Riff AGtr. 2: w/ Riff B

Em

Come2.

Verse

Gtr. 2: w/ Riff BGtr. 3: w/ Riff C (2 times)

Em

on in, the wa ter’s- warm. Come on like a su gar- cube but with a kick in the head.

Like put ting-

wings on lead.

And your eyes

Gtr. 2: w/ Riff D (1 1/2 times)

Am

are block ing- my star

light.- I’m the last of my kind.

And that’s all

that should mat ter- to, to, to you.

Fol

Em

low- the dis organ- ized- re li

- gion- of my head and we’ll

Gtr. 4

00

8 50

50

8 50

50

8 50

50

8 50

50

8 50

50

50

8 50

50

8 50

50

8 50

50

8 50

50

50

50

98

998

98

98

77

98


nev

er- get through cus toms.- Let’s just take

off a gain- in stead.-

Am

Got my de gree- in the

gut ter,- my heart bro ken- in the dorms of the I vy- League.


Gtr. 6

Gtr. 4 tacet

Chorus

D5/A A/C# C5/G E5 D5/A

I’m a ner vous- wreck. The drugs just make

Gtr. 5

Gtr. 1

Gtr. 2

98

98

98

98

98

77

98

98

98

77

98

98

5 8 50

50

8 50

50

8 50

50

8 50

50

50

8 50

50

8 50

50

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

7

5

7 6

4

6 5

3

5 9

7

9 7

5

7


Gtrs. 1 & 6: w/ Rhy. Figs. 1 & 1A (last meas.)Gtrs. 2 & 5: w/ Riffs E & E1 (last meas.)

A/C#

Make

C5/G

me re

Gtr. 1: w/ Rhy. Fig. 1Gtr. 6: w/ Rhy. Fig. 1A (1st 2 meas.)Gtr. 2: w/ Riff EGtr. 5: w/ Riff F

E5

set.-

D5/A A/C# C5/G

me re set.- Knock once for The Fa ther,- twice for The Son,

E5 D5/A A/C# C5/G

Bridge

E5

(Ah.

µ

three times for The Ho ly- Ghost.

(Ah.

Gtr. 6

P.M.

Gtr. 6 tacet

Ah.)

Ah.)

Knock

E5

once

µ

for The Fa ther,

D5/A

- twice for The

µ

Son, three

A/C#

times for

C5/G

The

Gtr. 6

0799

0799

0799

0799

5577

5577

5577

5577

47

47

47

47

3355

3355

3355

3355

022

022

022

5577

5577

5577

47

47

3355


Gtr. 6

E5 D5/A A/C# C5/G

Ho ly- Ghost.

(I’mScreamed: a ner vous- wreck. I’m a ner vous- wreck. I’m a ner vous-

Gtr. 5

Gtr. 6

(cont. in slashes)

steady gliss.

E5 D5/A

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 6: w/ Rhy. Fig. 1A (3 times)Gtrs. 2 & 5: w/ Riffs E & E1 (2 times)

Outro-Chorus

E5 D5/A

I’m a ner -

I’m a n - n - ner vous- wreck. I’m a ner vous- wreck.

wreck, huh.

I’mScreamed: a n n- ner- vous- wreck.)

Gtr. 2

fdbk.

8va

Pitch: D#

Gtr. 5

XXX

XXX

XXX

XXX

XXX

XXX

5 775 7 9

7 9 98

9 9 9 9 9

3355

3 15

0

9

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX


Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.)

A/C#

vous- wreck.

C5/G E5

The drugs

D5/A

just make

A/C#

me re

C5/G

set.-

The drugs just make me get up set.-

Knock

E5

once for

D5/A

The Fa

A/C#

ther,- twice

C5/G

for The Son,

E5

three times

D5/A

for The Ho

A/C#

ly- Ghost,

C5/G

Don’t stop, don’t stop, don’t stop.

Three

(Ghost.

Gtr. 5: w/ Riff F

E5

three times

D5/A

for The Ho

A/C#

ly- Ghost,

C5/G E5

three times

D5/A

for The Ho

A/C#

ly- Ghost.

C5/G

times. Three times.

Ghost.

Ghost.)

Gtr. 1

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98

98


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