Caprice Records proudly announces

the participation of its artists in the

1990 edition of the Amsterdam JazzLulu Alke

Festival, the

opening of

the SAS

Royal Hotel

in Amsterdam and the 'Sweden on the market'

Claes Janson

industry

fair in The

Hague.

Lena Willemork & Elise Einarsdofter Ensemble

Creative Projects, Holland

/ /.14-1W14/file/

AMSTERDAM record30000130All artists available on CD/LP.

Caprice Jazz Catalogues distributed in Holland by Dureco.For information and your free catalogue please sail tel. int: =46-8-791 46 98.

MUSIC

MEDI

Volume I

Issue 35

September I

1990

E3

US$ 5

ECU 4

The European

Music 8,

Broadcast

de Magazine

SCANDALOGIANNA NANNINI

AmericanRadioHistory.Com

THE EPIC ARTIST DEVELOPMENTSTORY OF THE YEARFAITHNOMORE

BY POPULAR DEMAND

'EPIC'*

'FROM THE ALBUMTHE REAL THING'

In case you didn't know RUIN NO mows album 'THEREAL THING' is now one year old. A lot can happenin a year.

EPIC SALESAlbum sales of 'THE REAL THING' are gold In the UK& burning toward platinum in the USA at the rate of75,000 copies per week.

EPIC TOURHaving already sold out 2 UK tours earlier this year,major European tour has included some of thebiggest music festivals on the continent (Reading,Monsters Of Rock in Bologna & Paris), leaving loyalfans & new converts alike gunning for more.Currently 'down under' FAITH NO MORI's album Is No.4 In both Australia & New Zealand.

EPIC TVThe 'EPIC' video Is gaining heavy rotation on MTV inthe States where the single is Top 10 & rising, and Is'Buzz Bin' on MTV Europe. When 'FROM OUT OFNOWHERE' was tearing up the UK Top 30 !AIM NOMORE made what was one of the performances of theyear on Top Of The Pops.

EPIC PRESS"The sound of mint NO MORE is five worlds colliding,a one-off, a freak power -surge". SELECT

"This band is quite simply brilliant" 1,1111.1,141

"Very soon they will have the world at their feet"N.14.0.1.0.111

The front covers that FAITH NO MORE have gracedmany times include Kerrangl, R.A.W., MetalHammer, Metal Forces & Sounds.

EPIC BUZZCritical acclaim on en Industry -wide basis Is growingevery day. Musicians from Metallica to Guns 'NRoses are calling the musk of MTN NO MORE"brilliant" "refreshing" & "original".

EPIC VIDEOMEIN NO MORELIVE AT THEBRIXTON ACADEMY'YOU FAT Elv*TARDS'is out now and receiving ravereviews: R.A.W. calls it"Fast, Fun, Fierce & Furious".

: 1**VMSTOREN

One year ago FAITH NO MORE were a cult band on amission. Since breaking the UK top 90 NMI NO MOREhave found the world attheir feet. Which Is proof thatto get the glory you've got to have a little faith.

EPIC REACTION TO FAITH NO MORE

MUSICVolume

Issue IS

September)

1990

LI!ASS

ECUS

MEDIAKRTL And Voice MoveIn On Scandinavia

by Paul Andrews

RTL has first national commercialfinally launched its delayed station and immediately an-Scendinavian satellite radio nounced it too would be air -service, RTL International. ing a full Scandinavian ser.The station, which had been vice once it had agreedheld up by protracted nega performance rights agree -

nations with the Nordic per- ments.formance rights societies, Although primarily aim -officially went on air on ed at Scandinavian cableAugust 15, following a long subscribers and Astra dish -period of test broadcasting. owners, the RTL service is

On the same date as the broadcast in English andRTL launch, Copenhagen- can be heard throughoutbased broadcaster The Europe. According toVoice became Denmark's Maurice Va., MD of Radio

Luxembourg (UK), which isoperating it, RTL Interna-tional is not intended robeonly a Scandinavian stationas such, but rather to bring

Jeffrey Green, former ma- RTL's international style tonaging editor of US trade the region.publication Radio & Re- "Were complementingcords (R&R), has been nam- the existing radio stations:'ed editor -in -chief of Music he claims, "going for the& Media. The Amsterdam- people who like to hear

based appointment, effec- radio in English, and inter-line from October I, was an- national music' Althoughnounced on August 20 by there is "a flavour of Scan -publisher Leon ten Henget. dinavia" about the station's

Green, 35, held key edito- daytime output, says Vass, it

cortonurs ouPdt 6 continues on pages

M&M Appoints

Green Editor4nChiel

WATCH

FOR

ertoriat

in the heart-if this issue

LISTENERS HELP LAUNCH DANCE STATION

Kiss Of Life For London Airwavesby Howard Shannon

London dance station Kiss Wesker hopes it will be -FM is to launch on Saturday come an annual event -

(September 1) with a lisle- "which not year will reflectnets' all-time top 100 count better the past decade". Pro -down. "It will take up most gramming will then revert toof ow first three days on a playlist drawn up by its 40air',' says head of music presenters.Lindsay Welker, "though No. 1 on the chart goes tothere is too much new stuff En Vogues Hold On. Thefor it to have a nostalgic top 10 then runs Keep Onfee Moving Soul II Soul; The

Paul Conroy. presdent of Chrdalos Internatonal. of pictured outsde theompangs new headquarters - the old Phoenix Brewery on Bradley

Road in west London. Chrysalis fludo Publishing, plus sections of thegroup's communications and media division. will also be housed in theAdv.

Station Owner FacesCharges Of ExtortionRome station Radio CentroSuono is at the centre of alegal controversy, followingallegations of attempted ex-tortion by its owner, An-namaria Albanesi, who re-cently spent two days in jailover the affair.

It is alleged that the fre-quency of Albanesi's secondstation, Centro Suono Stu-dio Due, interfered with thereception of another privatelocal station in Rome,Voglia di Radio, and thatapproaches to Albanesi bythe station resulted in in-creased frequency interfe-rence and then a deaththreat. These were allegedly

followed by a demand ofL300 minion (app USEapp. 250.000) lo be paid intwo pans to burn off theStudio Due frequency.

When representatives fromVolgia di Radio went to paythe first half of the demand,they were accompanied by aa policeman who arrestedAlbanesi and technicaldirector Paolo Caldani oncharges of attempted ex-

tortMe.Voglia di Radio refuses to

comment on the case butAlberto Critelli, programmedirector at Centro Suono,refutes all allegations. Formore details, see page 11._

Power Snap; Bark To LifeSaid H Soul; UCan'i TouchThis MC Hammer, Erpan-sions Lonnie Liston Smith;Tears Frankie Knuckles;Rebel Without ,4 PausePublic Enemy; Poison BellBiv Devoe; and at na 10The Masterplan DianaBrown & Barrie K Sharpe

Most surprising record inthe top 100, says Welker, isWhy, a Nile Rodgers pro-duced dance track fromCarly Simon. Kiss used a6.000 mailing list built upfrom its days as a pirate toresearch the chart, 492replies were received.

Reaction from dance.oriented labels is reported tobe excellent. Keith Black -

cool -mum on Me

CONTENTSDAMS Expands Into

Europe 6

Telkback Rafael Revert 7

Klassik Radio Prepares

For Launch It

The ClassicalApproach 16.17

New Dawn ForAn Adult NewAge 18

Rip errs pudication dpannersh, wich

inboard

AmericanRadioHistory.Com

-E3LMMZI-Sklar, Bowen Begin New ConsultancyOne of the US's best-known radioprogrammers, Rick Sklar, hasjoined forces with UK music con-sultant Dave Bowen to launch anew programming and manage-ment service aimed at both radioand TV stations in the UK, Eireand Europe

Bowen Sklar Programming, asthe consultancy will be called, isbased in Swindon, England, andNew York. Among its services is'Contract Programming', whichentails a weekly playlist producedfor individual station's re-

quirements, critiques and trainingsessions for on -air staff plus the

by Chris Fuller

co-ordination of competitionsand promotions.

Among the consultancy's firstclients is the UK's Bristol -basedGWR group, where Bowen hasalready worked as a music consul-tant, installing them the UK's firstcomputerised touch -screen CDmusic system.

Rick Sklar's caber in US radiospans 30 years. He is credited asthe man responsible for makingNew York's ground -breakingWABC the most listened -to sta-tion in the US in the 60s and 70s.He later became VP of the ABCRadio Division. Sklar is also pro-

fessor of communications at StJohn's University and author ofthe book 'Rocking America'.

Bowen has worked as a

presenter and manager at a varie-ty of UK commercial stations in-cluding Swansea Sound, Here -ward Radio - and Radio Aire,where he claims his re -program-ming achieved a 115% audienceincrease in nine months.

Bowen: "The industry is get-ting increasingly competitivewhich is why it is mom importantthan ever before to get the productright. The product is of course astation's programming!' E

Pollack To Undertake MTV ResearchOne of US radio programmer JeffPollack's first roles as consultantto MTV Europe will be to seek anew programme manager for the24 -hour music channel.

Bill Roedy, MTV Europe's MD

and CEO says the new employee,to work under programme direc-tor Brian Diamond, will be brief-ed to "better integrate the chan-nel's music selection, promotionand programme scheduling".

Veronica Chairman SackedThe chairman of Dutch publicbroadcaster Veronica (VOO),Wout Bordewijk, has been firedby the company's members'council following a controversialstatement of loyalty he made tothe Netherlands BroadcastingCorporation (NOS).

Bordewijk, who has been chair-man of VO0 since the company'sevolution from a pirate radio sta-tion in 1973, made the statementfollowing the Dutch Media Com-mission's imposition of an air-time suspension on VOO for itsfunding of satellite station RTL 4(M&M July 21). In the statement,made at the request of publicchannels the KRO, VARA andNCRV, Bordewijk said Veronicawould "always remain loyal to theNOS".

According to VOO spokesmanSteven Gelder, Veronica's mem-bers' council (' Verenigingsraanwhich elects the company board,considered the statement incom-patible with the company's aim tobecome a commercial concern. Itrequested that the board withdrawit, but when it refused, dismissedBordewijk and six board mem-bers. The board members, but notBordewijk, were later reinstated.

A meeting to elect a new nine -member board, which accordingto Gelder "may or may not" in-clude the six members who werefired, will be held on October 22.Until then, V00 MD Rob Out -who was not among those fired -and treasurer G Van Essen are co-chairmen. Bordewijk was notcontactable at press time. 0

Reedy says that Pollack, whohas undertaken a six-month con-sultancy with MTV Europe for anundisclosed sum (M&M August18) is "ideally placed to trackdown a suitable candidate with hisrange of contacts across the Euro-pean radio and TV industries".

Further, according to Reedy,Pollack will undertake musicresearch for the channel and con-tribute to various unspecifiedmarketing and promotionalprojects.

Roedy: "best of our mandate isto expose music besides that ofthe UK and the US. We mustalways ensure that we are playingthe right music and a key factor inthis is consumer research. Thetechniques Jeff uses in radio canreadily be applied to MTV's re-quirements!'

Pollack will not initially be in-volved in MTV's plans to adaptshows like 'Club MTV' for radiosyndication, although Roedy saysthat could change "Obviouslywith Jeff's radio background hecould make a valuable contribu-tion there

e vtra.e AtraAfter considerable delay, BMG 'sblockbuster release of thisautumn, Whitney 9109.910..9album for Arista, is now ready formlease A first single, I'M WarBaby knight, is due at the end ofSeptember, followed by the - m Yetuntitled - LP at the end of Oc-tober. Houston's last album,

' Whitney was rekawd in 1987.* * *

%her Yelailioff, CEO of CBSRecords Inc., is rumoured to bestepping down and is likely tole,ne his was at the companywithin two years. Bob Sommer,

only president of CBSRecords International, is thought

to be one of the candidates for thetop job.

* * *London.based syndicator MCMMemorising reports encouragingresults in the latest JICRARApril -June figures for the CansCola Eutodiart Show, Aired on asotal of 16 UK IR stations. thehow has wen a t% rise in ils

15.24 year old target audienceagainst a corresponding 6% slidein average IR weekend audiences.

* *Incremental Radio Ibrmony inthe English Midlands was due onair on August 28. In the evening,a

onlocal news service

will be in one of seven languagesfor the predominantly Asian au-diem, The 24 -hour Coventry -based station's mainstream pro,gramming during the day willcompete directly with MurciaSound and %ire AM, Sureshdoshi is programme controller. ,

* * *Midlands Radio haste:attired Mid

Anglia's 20% holding in the Lamsdon incremental radio satinsWNK. The Independent Broad-casting Authority has given thetransfer the go-ahead. As part ofthe new arrangement, MidlandsRadio MD Ron Cole:sand financedirector Jobe Lockwood join theboard of WNK. Former BMSCEO Terry Bate continuos aschairman but. as he nos spendsmuch of his time abrold. Coles

takes on the role of deputychairman.

Eurochart's George Michael Exclusive

George Michael's only face-to-face radio interview for continen-tal Europe in support of his for-thcoming Listen Without Pre-judice album will be via MCMNetworking's flagship show, the'Coca-Cola Eurochart'.

Interview segments and tracksfrom the album will featurethroughout the Eurochart show,

by Chris Fuller

which reach. 125 stations in theUK, France, Germany, Denmarkand Finland over the weekends ofAugust 25/26 and September 1/2.According to MCM Europeandirector Doug Adamson, furtherparts of the interview will be usedon the Eurochart over the comingmonths.

CBS international marketing

manager Andy MacNaughtonsays the Eurochart represents agood opportunity to "hit severalterritories at once". He confirmsthere are at present no plans forMichael to carry out separate in-terviews for continental Europe,though an open-ended interviewwill be distributed to CBS promo -lion offices for use at radio. E

Artists Unite For Aids BenefitAn impressive army of interna-tional musical talent is to par-ticipate in the Decemberworldwide TV spectacular forAids research and relief, 'Red HotAnd Blue'. Among the 20 acts ap-pearing are David Byrne, NenehCherry, Fine Young Cannibals,Annie Lennox, Sinead O'Connorand U2.

The 90 -minute show featuresthe songs of Cole Porter re-recorded by some of today's topartists and reinterpreted in clipsby renowned film-makers such asJonathan Dom., StephenFrears, Derek Jarman, Jim Janmusch and Wim Wenders. Alsotaking part will be a number ofcelebrated visual artists.

All have donated their servicesfree, with all profits from TVscreenings and record and video

sales going to Aids charitiesworldwide.

Conceived by New York lawyerand writer John Carlin, the pro-ject is being produced by LeighBlake. "That old Cole Portercatalogue has had a lot of in-linence on the way popular musicevolved;' she explains

"We thought a marvellous wayof saying something about theissue of Aids would be throughthese wonderful lyrics. They'reabout romance and love, and in-telligence and sophistication -

they say something about thisissue that needs to be said!'

A double album of the songswill be released by Chrysalis in themiddle of October, with the firstsingle from it to be Neneh Cherrysinging I've Got You Under MySkin. BMG Video will release the

RTL And Voice Movecommeed from page I

is using Radio Luxembourg's UKpresenters, and at night reverts toairing its 208 AM service.

Once established in Scandi-navia, RTL International will alsobe marketed to cable operators inthe UK and elsewhere in Europe,adds Vass.

Last month's launch, on itsown satellite service, of The Voice

Of Scandinavia, has the Copen-hagen station accessing 450.000cable homes nationally.

It too plans to become a Scan-dinavian broadcaster once it hasresolved performance rights ques-tions. Although programming isdifferent from The Voice's ter-restrial service, the new stationclosely follows the same CHR for-mat which has made it the Danishcapital's leading station. Full.details on page 12.

home video version of the showimmediately after its broadcast.

The worldwide telecast of 'RedHot And Blue' on December I

coincides with World Aids Day.Channel 4 in the UK and Canal -Plus in France have already con-firmed they will carry the show, ashave the US ABC network andJapan's De La Corporation. Mer-chandise for the project has beendesigned by Jean -Paul Gaultierand Rifat Oobek.

New DirectoryThe latest edition of the Australa-sian Musk Industry Directory is

relavailable. As well as listingsted to the Australian music in-

dustry, it also include, informationon New Zealand, Malaysia, Sings.pace, Indonesia, Thailand. Taiwan.Hong Kong, The Philippines andKorea. It is available from l Rosesweet, Chippendale 2008, Australiafor th,F,1,,or more information.

Digitec Wins ContractDigitec has won the comma for thenew master control room at RadioFrance International. The syMemenables 15 programmes to be broad-thst from 12 studios to 40 interna-tional transmitter, with cross -fadesbeing fully automated.

11=111ZIMEEIMAIM: Jeff, Given has been appointed alitor.in-ehief of Music &Media from October 1 RomerCentury Radio CEO Michael lat.fany has been appointed MD ofThom Horne Entenainment (IRO* Paul Snits, previously MD ofNOB radio in Holland, has joinedAV -services at Menotti., Interne.oval as GM * Siegward Hop has

been appointed programme director asNuremberg local private Radio F *Musk !WNW), Cwalawsl Musa

erahas been made group manager ofA&R at CBS in Frankton * JobeWilliams is to rejoin ChosalisRecords in tondos as senior staffproducerA&R exceutive; he ovaS

head of Polydor's A&R department* Janet Selman's tole w mrpoeslePR manager for EMI Eleurola inGermany is to he expanded to M-ehl& continental Europe* ClaudiaRetort, head of pee as EMI Ger.many 's international &Penmen,. isnow head of mess & radio at Elce-trola * DMus Graham has been ap-pointed senior VP et BMG llnsic

Graham

Publishing International * NMBoris, BMG Belgium prontomanger for French -languageedia, has been appointed product

manager for Island and Frenchrepertoire * Meir Mahnsky, specialmarketing manager at CBS Belgium,has been named head of specialmarketing at CBS iti France, startingOctober I *

EMILIKEIZI

cMSUICIDE BLONDES

MEDIR

MUSIC s MEDIA - September I. 1990 MUSIC L MEDIA September I, 1990

AmericanRadioHistory.Com

MUSIC

rr.1ME DAMS Expands Into Europebr P1 I A keno

Racom Broadcast, Europeanmanufacturer and distributor ofthe DAMS digital audio storageand retrieval system, plans a ma-jor sales push to Continentalradio stations. In the UK, DAMSis already used by stations ranging

from Capital and Radio Clyde toincremental services such as JazzFM, Melody Radio and Buzz FM.

According to European salesmanager Catherine Dates, main-land Europe is ripe for suchsystems. "DAMS is now an

established product with a proventrack record. With the singlemarket, and sweeping changestaking place in broadcastingthroughout Europe, we are wellplaced to ensure DAMS plays asignificant role in broadcastingthrough the 90s!'

Already used by RTL, DAMS isalso being considered by stationsof various sizes in France, Italy,Spain and Benelux. Racom is nowsetting up a network of dealersand agents in major Europeanterritories, and will also be ex-hibiting DAMS in Brighton dur-ing the International Broad-casting Convention, from Sep-tember 21-25.

DAMS (Digital Audio MassStorage) is a hard disk basedsystem designed to replace thestudio cart machine Prices startat around £ 28.000 for a basicsystem, rising to £ 77.000 for aversion with 19 hours storage andfull disk redundancy. For furthe

iaddralommii

dierks studiosprofessional

videoalaudiomobiles

...why going for less Inlive recording?

dierks studios gmbhtel. (49) 2238-2004/3333

fox. (49) 2238-2734

DAMS - increasingly aimed at .e Europ

capacity, systems can be net-

worked.Racom claims DAMS can do

anything a cart machine can do,"and a lot more besides".Features include a sequence func-tion that can segue tracks, withcross -fading and back-up drives incase of main -drive failure alsoavailable as options. The com-pany says the machine has beendesigned to be user-friendly,resembling a bank of cartmachines, and "can be 'punched'as hard as any cart or CD player".

As it is "more reliable and re-quires less maintenance' than

conventional carts, eliminatesreplacement costs, and requiresno physical handling of recor-dings, DAMS is also said to offerongoing savings.

At London's Capital Radio,

ean market

where DAMS has been used byboth AM and FM services fornearly two years, chief engineerPeter Jackson agrees the systemhas been helpful. "It's improvedour presentation and log keeping -if you took it away now, I'm surethe Ws would moan!' However,he admits that DAMS has not en-tirely replaced carts at Capital:"Many jingles - particularly thoseprepared by the presenters - are

still on tape!'Jackson also says that some

DJs have complained that theycan't play one track on top ofanother, as they can with carts,since this option is available in on-ly one of the station's studios. Buthe thinks this can also be an ad-vantage, since it stops them ac-cidentally playing one commercialon top of another.

Kiss Of Lifecomma ed from page I

burst, joint MD of deCon-struction Records: "I think thestation is really mailing. It is greatthat a former pirate can nowbroadcast to a specialist audiencewithout fear of confiscation!'

While acknowledging the vitalrole Capital FM has played inbreaking acts such as Black Box,which are signed to his company,Blackhurst is confident Kiss willdevelop more quickly the careersof newer deConstruction signingsHot House, Jina Foster andMaria van Rooy. The dance sta-tion, he says, has a stronger streetcredibility among London's houseand rap fans.

Technical problems restricted

test transmissions to 10 days

before launch. Unlike the earlydays of Jazz FM, the new outlet'stotal survey area is expected tomatch exactly that of its mainrival, Capital FM.

Capital's programme directorRichard Park welcomes the

newcomer. "As with Capital Gold

we have proved a new station canopen and generate an audience ofits own. But you must have atarget audience in mind!' Parkssays there will be no radical pro-gramming or playlist changes ateither Capital FM or Gold.

A E 500.000 advertising cam-paign is based around the phrase,"the station on everyone's lips".Later, TV commercials will be

transmitted without sound, theviewer being encouraged to tuneinto Kiss instead.

Initial advertising on the sta-tion will lean heavily towardsclothing manufacturers with LAGear and Chevignon and shoefirms Nike and Shelley's. Otheradvertisers include Red Recordsand the London nightclubParadise Lost.

Major shareholders in Kiss arepublishers EMAP (20%), VirginBroadcasting (15.7o), Centurion(20%) and Cmdley Printers (51/4).The incremental is the first toreceive specially -tailored news

bulletins from Independent RadioNews. Grant Goddard is head ofprograming.

M&M Appoints Greencontinued from page I

rial posts at R&R in Los Angelesfor six years, and was managingeditor from 1984-87. He is cur-

rently marketing director at

Nashville -based broadcast marke-ting services company, FilmHouse, In that capacity, he is

responsible for the conceptionand sales of custom and syn-dicated TV marketing campaignsfor radio stations in 24 USmetropolitan markets.

In his new post, Green willoversee all aspects of Music &Media's editorial operations, tofurther develop the publication asthe primary information sourceand programming tool for Euro-pean music radio.

Green says: "I'm very gratefulto be joining the talented profes-sional team at Music & Media.Together, we'll continue to servethe European radio and music in-dustries with the most com-prehensive information and ser-vices, while expanding ou

coverage of issues facing broad-casters today!'

Prior to his RAE experienceGreen directed national promo-tion for US independent labelPacific Arts, and handled news,production and promotion dutiesat several San Francisco radio sta-tions. He is also author of 'TheGreen Book', a radio. industryreference work.

Leon ten Mengel comments:"The appointment of Jeff Greenwill accelerate our efforts tobecome the vital informationsource in a booming Europeanradio marketplace Together withsenior editor Machgiel Bakkerand managing editor StephenBum, Jeff will initiate deeper andbroader coverage of broadcastingand related fields!'

Bakker will concentrate on fur-ther improvements to Music &Media's coverage of the music in-dustry, and a further expansionand upgrading of the publica-tion's various pan-European andlocal charts. He comments:'Jeff's appointment will give usmore expertise in radios while atthe same time allowing me the op-portunity for more frequent con -tam with the promotion and

marketing executives of the Euro-pean recording industry!'

Green, who Wan born in Min-neapolis, holds a lifetime FederalCommunications Commissionlicence

TALKBACK

"I Listened To The Radio And Liked Music"The rise of Rafael Revert and Spanish radio

As the person responsiblefor music programmingfor the SER stations andSpain's top music radio

network, Los 40Principal., Rafael Revert

is arguably the mostpowerful man in the

Spanish music industry.lam. Bourne spoke to

Revert and discovered heis not only a tireless

promoter of Spanishmusic and the Los 40

network, but a man who isnot afraid to speak his

mind.

Q: HOW did you start out in radio?A: I was a fan, a guy who listenedto the radio and liked music. I wasat school and Angel Alvarezstarted doing a programme called'Vuelo 605' on La Voz De Madridin 1960-61 so I went to see him andstarted to help choose records.Then I saw my first ever Billboardand the Hot 100 chart, and so Ithought of doing a chart. I wasabout 14 at the time We had all thelatest records, music in Spain thenwas rubbish -Jose Guardiola, LosBoleros no rock of course! I

hated that music. Then I was toldabout Rafael Martin Blanco atRadio Madrid who did a pro-gramme with new releases, theywere all cover versions of US hits. I

thought they were rubbish but Istarted opening his mail, choosingrecords for one of the programmesand I began a chart, calling sixshops a week!

Qt So when did Los 40 begin?A: In 1963, on Sundays, we started'El Gran Musical'. We used tobring the groups to Radio Madridand paid them Pta 500 for taxis. Isoon realised that one of the basicswas to support Spanish music andwe launched all the Spanishgroups in those days - Los

Mustang, Los Telmos, Micky YLos Tonis etc Then I started a pro-gramme called 'Los 40 Primcipalesi It lasted two hours a dayand I played the 40 records I likedbest. Very few of them wereSpanish. The show grew to fourhours then six and then we went toValencia and Barcelona. That ishow it started. I was not staff until1966, before that I gave Frenchlessons in a language school fortwo years.

Q: How do you see the currentclimate for spanish radio?A: There are two sorts of radio inSpain; AM and FM. AM has toadapt to the times, its audience isfalling. Structures need to be

never know what is going to be on.It could be medicine, it could becoal mines in Leon. That winchange. A couple of years agoSpain's 16 million listeners weresplit seven to eight million AM

lithe I Revert, head of programming ad Los10 Ponopalak compiledat the age of to

changed. They are very cumber-some and expensive with lots ofstaff, lots of presenters. Theymake a huge effort to produce oneprogramme but then it is over in aflash. But it is not worth it. Theyhave to have simpler structuresand do less. All news radios that isthe future Entertainment pro-grammes - a record, aninterview, ajoke, some news - have to disap-pear. It's cheaper to have one guywho talks and talks well, who con-nects with people. The audience

chart

and six to seven million FM. Nowit's 10 million FM and six millionAM.

Qt And what about FM?A: When people realise you haveto specialise it will be fantastic -when there are two top 40 stations,two Spanish music only, country,classical, jazz etc The problemnow is that lots of people do thesame thing so it can end up a bitboring, you find the same thing onevery station. In our case there is

Los 40, and as long as there is oneother station that imitates us, thatis fine But why have a third?Launch a jazz station and you willhave 500.0001isteners.

The record companies are alsoto blame. They want everyone toplay the same music Take RadioVinilo, it used to be quite good - allBritish/US dance music -but nowthey play Spanish stuff too and ithas lost its personality. I fight a lotwith the record companies aboutit. It does not affect me because Iam no. I but they are spoiling therest and their own business. Wheredo they place specialist product ifeveryone's playing Miguel Bose?

To what do you attribute thislack of narrow banding in Spain?A: Record company pressure isless in other countries. I do notknow why there is such a lot ofpressure here. In Holland you goto a record company and ask howmany promo records they send outand they say 12. Here it is

1.800-2.000.

Maybe the problem here is thateveryone has tried to imitate Ims40. Los 40 works, so people say"that works, I will do it and I amcleverer so I will do it better thanthem". Only Radio 80 (oldies) orDial (Spanish) are clearlyspecialised. You have to specialiseand you have to tell the audience"I do this and I do it best". Youhave to be the first or the second to

do something. It is no use being12th. If you can say "I am the topheavy metal radio station" thenyou can approach an advertiserwith an audience profile,

Q: Is Europe or the US the targetto imitate?A: The US introduces a lot of thechanges, there are more ideas andformats in the US since they donor really have networks. I alwayskeep my eye on developments therebut European radio will never belike US radio. It will be in terms ofworking methods and com-puterisation but not in output. Wehave a different way of talking topeople

People in the US hear music alltheir life. In Europe, people switchoff at a certain age Maybe it is just:he fault of supply and demand,the aver -30s listener does not getwhat he would like to hear. I willtry AC in Spain when I am older!

MUSIC

[Ffl

6 MUSIC 6 MEDIA September 1.1990 MUSIC 6 MEDIA - September I, 1990

AmericanRadioHistory.Com

MUSIC

PAMEDIA

UK & IRELANDStoke's Signal For Classic HitsStoke -based IR station SignalRadio is to launch a new servicethis autumn linking two of itsthree FM frequencies. The Signalbranding is to be dropped in

favour of a new independentidentity.

The new seven-day station willuse transmitters in Cheshire andStafford currently operating abreakfast opt -out from the mainparent. Signal in Stoke will notchange and will continue on theremaining FM and single AM fre-quencies.

by Howard Shannon

However, programme control-ler John Evington says no attemptwill be made to hide the fact thatthe as yet unnamed service comesfrom Signal. "Why throw awayyears of listener goodwill?" he asks.

The new FM will be first andforemost a music station with thestyle essentially classic hits andmellow contemporary. Greateremphasis is to be placed on localnews and traffic. It will be discer-nably different in style and musicpolicy from the existing Signalservice!' says Evington.

Atlantic Wins ReprieveAtlantic 252, the joint RTE/CLTventure on long wave has won athree-month reprieve by an Irishcourt, but its future still hangs inthe balance

The station was granted a stayof three months by the Irish HighCourt on an earlier decision toquash the Irish Planning Board's1988 permit for its ClarkstownCounty Meath premises.

The board was given permis-sion to seek a further extension inthe Supreme Court. In July,

Atlantic 252 continued to broad-cast despite the overturning in the

high court of its planning permis-sion after a successful applicationby a local resident.

After the July verdict MeathCounty Council ordered Atlantic252 to stop broadcasting anddismantle its 3W metre mastwhich has been the subject of bit-ter local opposition. But thecouncil's authority in the matterwas disputed and the departmentof communications did not in-tervene. Atlantic 252 intends toexhaust all legal options in itsfight to remain in Clarkstown. 0

Current Hits Appear By Magicby Paul Easton

Magic 828, the AM oldies -basedservice launched by Leeds IR sta-tion Radio Aire on July 17, is pro-gramming some current hits aswell as popular tracks from the60s, 70s and 80s. And advertisingbreaks have been grouped to givea clear "sweep" of 10 recordswithout interruption.

MD Phil Riley, formerly pro-gramme controller at oldies -basedXTRA-AM in the West Midlands,has deliberately steered clear of apure gold format after researchingthe music through auditoriumtesting. "XTRA-AM's researchwas sold to Trans World Com-munications (owners of RadioAfter and we also carried out ourown research which indicated thata gold -only service was not whatpeople wanted!' says Riley.

Between 09.00-10.00 on July 31,Magic 828 played Marvin Gaye &Tammi Reran, the Rolling Stones,

Elton John (Sacrlfice, the hour'sonly current hit), Percy Faith,PLO, Helen Shapiro, ABBA,Buddy Holly, Petula Clark, theTymes, Smokey Robinson, CiliaBlack, Brotherhood Of Man, theMamas & Papas, Rod Stewart,Paul Simon and Percy Sledge

By grouping the ad breaks atquarter past and quarter to thehour, Riley says the station is ableto build and hold an audiencewithout the danger of listenerstuning away during commercials.

Magic 828 faces competitionfrom Yorkshire Radio Network'sClassic Gold AM service whichcan be heard in Leeds on PennineRadio's AM frequency fromneighbouring Bradford. If 'BansWorld's planned merger withYorkshire Radio Network is suc-cessful, it would result in oneTrans World station competingagainst another.

But he stresses it will not be FMgold. "The word gold is horrible'The new station is seen as a way ofcombatting BBC Radio l's recent-ly established FM presence in thearea.

Four new presenters are to behired with separate breakfastshows from the Cheshire andStafford studios between 06.Wand 10.00. The two services willthen join together running a10.00-14.00 and 14.00-18.00 musicsimulcast. Advertising will be split.Both will carry the same name.

Thought is still being given towhat identity the Signal -run sta-tions will be given when they re-join the main network after 18.W.A separate jingle feed is beinglooked into.

Evington confirms that con-sideration is also being given tolaunching a split service on AM.No further details are yetavailable.

EMI Cuts UKSales Staff

by Hugh Fielder

EMI has made nine of its 11Ksales force redundant in a restruc-turing of the company's salesdivision. Nine sales staff will nowreport to northern sales controllerIan McMinn and to southernsales controller Rob Benison.Carl Culhmore takes over as ex-port sales manager.

Director of sales Keith Staton:"The sales division will now focuson its primary function of sellingEMI's new releases and extensiveback catalogue. We also intend totarget specialist areas, such asvideo and classical!" '

The EMI redundancies followsix job losses in RCA's A&R andpromotion departments lastmonth. There have also beenseveral departures from Island'sA&R department following theappointment of new MD MarcMarot. It is not yet clear if all thevacant positions will be filled.

Recent departures at Epic willbe replaced, according to a com-pany spokesperson. "Six peoplehave left the company this year, inthe light of the changes at Epic atthe end of last year. But all thepositions have been or will bereplaced!'

Jazz Jibeslames Galpin at JICRAR says itwas unethical of London tan. FMto publish as non-cenified figureswithin 45 minutes of the release ofthe official IR research. JIVE FMwas refused permission by JICRARto take pan officially - thoughCialpin says they were able to use anyinformation gathered for internaluse What's more, some observersclaim a stoney wall of silence fromJazz FM when questioned about itsclaims of a 9Wo reach. The figure ap-plies only to a very specific Israelaudience An overall mach of 4% isa more accurate figure, sharply con-trasting with an earlier dipstickclaiming 14.5%.

RTE RedundanciesFollowing state broadcaster RTE'scall for 200 voluntary staff redun-dancies (M&M July 281 some 70 ap-plication have been received and arebeing processed.

R1 -E's current staff numbersabout I.7W. The radical economymoves are in' response to the con-troversial Broadcasting Bill due tolake effect in October which willlose liTE at least IRE 1 million (app.US$ 588.000) a month.

Swatting FlypostersSCA/BMG, Mute and VirginRecords have all been caught up in aclampdown by British local oouncilson what they claim to be unsightlyillegal flyposicrs. The authoritiesargue that whoever is seen to benefitfrom the poster, be it label, pm -

or indeed sponsoring radiostatin, will then face legal action.Fineso of E 700 per sire have beenreneund in the English Midlands.

Foundations Forum 90Judas Priest, Exodus, Vixen,Pantera and Spread Eagle areamong the acts who will perform atFoundations Forum 90, a hardrock/heavy metal convention whichwill be held in Los Angelo, onSeptember 13-15.

APRS PostponesExchange APRS in the UK hasPostponed this year's Digital Info,mation Embargo, which was to beheld at the end of October_ Themove follows the decision by Inter-national Thomson, oo-sponsCa ofthe event, to close two of its tompublications involved in the cx-change. APRS says new dates will beannounced.

More Miller Money?Britith Radio Academy says it is

confident brewers Miller Lite willrenew, and possibly oven increasn itsE 30.000 sponsorship of 20 placesfor students at independent radiostations in 1001. 'this year's scheme,currently half -way through the six -week placement, cost the academy aE6.000 loss.

To contactMusic & Media

Te1:31 20 669 1961

CBS To Review Artist RosterPatrick Decam, the new head ofCBS - one of CBS France's threelabels - says he wants to reduce thenumber of acts on the label'sroster in a bid to win the attentionof radio programmers and boostairplay.

"Radio stations cannot broad-cast all we produce so there is aneed to tighten the flow from ourside!' says Decam. "As long as wehave a radio situation where top40 is dominant and listener panelsare the basis of programming, weare forced to present program-mers with less acts. Therefore, wehave to be more selective!'

Decam says he will now studythe label's roster, which includesthree of France's top sellers (Jean -Jacques Goldman, Francis Cabreland Patricia Ka.), and re-evaluate it accordingly.

He adds: "We will concentrateour signings and limit the numberof acts on the roster to give moreattention to artist development.CBS marketing has always beenstrong and we want to have thesame reputation when it comes tobreaking new acts:'

Decam is critical of the way

by Emmanuel Legrand

listener panels are handled byradio stations and claims that theyhave no real statistical value Headds: "FM stations do notdevelop artists any more and wealso lack stations that areprepared to give more room toalbums:'

But Decam believes the situa-tion will change and says that oneof the ways to make sure it does isby taking shares in stations, astrategy currently being developedby Henri de Bodinat, president ofCBS France.

The company already hasshares in the Lille -based stationMetropolys, which has mergedwith the Kiss network, and is apartner with NRJ in the oldiesstation Cherie FM. It is also back-ing an AOR station to be launch-ed in Marseilles in October andhelps finance Skyrock's listenerpanel.

Decam was formerly head ofspecial marketing at CBS, adepartment that now representsabout 501A of CBS's turnover(about Ffr 440 million - app. LISS83 million). He replaces Domini-que Lefebvre, who will continue to

handle the label's A&R

department.Meir Malinsky, head of special

marketing at CBS Belgium, has

been appointed to Decam'sformer position. No othermanagement changes are ex-

pected.

Singles Sales Awards DropThe number of singles to qualifyfor sales awards in France drop-ped significantly during the firsthalf of this year, according to in-dustry organisation SNEP.

During the period, 17 singlesweer silver (200.000 units), com-pared to 25 in the first six monthsof 1989. Meanwhile, four wereawarded gold status (400.000units) and one platinum(800.000), compared to eight andtwo respectively.

The platinum single wasHelene by Roch Voisin, onGeorges Mary/BMG. Of the 22singles certified, 17 were French.

The number of albums to winsales awards increased in almostall categories: 78 went gold(100.000 units) compared to 60 inthe first half of 1989; 38 wentdouble gold (200.000 units), upfrom 31; and platinum LPsELUX

CBS/Radio 21 Release

Classical Compilationby Marc Maes

The fourth compilation album tobe released by CBS Belgium andRTBF Radio 21, the youth chan-nel at Belgium's French -languagestate broadcaster, comes out thisweek. Called Les 21 Classiques De21, it features classical music andwill be promoted on all R113Fradio channels.

The previous titles in the serieswere 21 No. 1 Hits, 21 Super StarHits and 21 Coups De Soleil.Meir Malinsky, special marketingmanager at CBS, says they all soldabout 20.000 copies.

Malinsky: "The three previouseditions, which featured well-

known pop and rock acts, werevery Radio 21 oriented as to thechoice of music. Choosing classi-cal music for this fourth compila-tion might be a risk, but I considerit interesting for both parties'.'

The decision by Radio 21,

which has a music/news format,to plan the classical music projectwas inspired by the listenerresponse to its "SequenCe dassi-quo'', when one classical track isaired at 17.30 daily. Patrick SW.,Ids, CBS head of classicalmusic/jazz, comments: "I wouldsay that this compilation is aRadio 21 product, rather than aCBS one.

"Instead of including well-

known classics like Ravel'sBolero, we opted for tracks likeLieutenant Kije's Romance (Pro-kofiev) and the theme fromSting's Russians, which was notin the original version. We havealso included well-known TV andfilm scores in their original,classical version."

(300.000 units) increased from 15to 25.

The falls in album awards werein the following categories: dou-ble platinum (600.000 units, fourcompared to nine); tripleplatinum (900.000 unite downfrom three to on); and diamond(one million units, two comparedto four).

Dice Straits (Phonogram) leadthe album awards, with MoneyFor Nothing scoring tripleplatinum, while Brothers M Armswent diamond. The other dia-mond album is Francis Cebrel'sSarbacane (CBS).

The double platinum LPs areMidnight Oifts Diesel And Dust(CBS), Gang by Johnny Hallyday(Phonogram), Sting's NothingBut The Sun (A&M) and PhilCollins's But Seriously (WEA). D

October DecisionFor Radio 10

by Paul Andrews

The Dutch state council, Hol-land's highest regulatory body forthe media, says it will announcethe fate of private cable stationRadio 10 on October 4.

The date was set during a coun-cil hearing on August 15, whichdiscussed an appeal by state'broadcaster NOS for Radio 10'sstatus as a foreign broadcaster tobe changed. The classificationwas awarded by Holland's mediacommission, but the council hasthe power to overturn thedecision.

Under Dutch media law, com-mercial broadcasters such as

Radio 10 are allowed access to thecountry's cable networks only ifthey are considered 'non -Dutch'.Although based in Amsterdamand broadcasting mainly in

Dutch, the media commissionagreed that Radio 10 was foreign,because its "broadcasting entity"

is an Italian fin. Rele Zero.However, NOS disputes that itsforeign interest is legitimate

If the state council agrees,Radio 10 would be forced either tocease commercial activity or tocome off Dutch cable, which pro-ades the bulk of its distribution.

Radio 10 itself is not a party tothe case, which is between themedia commission and NOS, butMD leroen Soer says it has beenlobbying intensively behind thescenes. He adds: "We are prepar-ing to cope with every possibleverdict:'

However, them is no guaranteethat the council will deliver a me-dia on October 4. Serer points outthat it promised to deliver asimilar decision on the status ofTV station RTL 4 (formerlyknown as RTLAIeronique) in May,but has still not made a ruling.E

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Klassik RadioRadio Prepares For LaunchKlassik Radio MD ManfredKuehn says the classical -basedsatellite station will be launchedon October I as planned, despitethe recent demise of RadioBe!canto.

The Munich -based Radio Bel -canto, another national satellitestation but with a wholly -classicalformat, ceased broadcasts onAugust 5 after just eight monthson Mr. Helmut Markwort, MD ofGong, the station's parent com-pany, said the move was primarilydue to a failure to attract advertis-ing (M&M August 18).

However, Kuehn is confidentthat Klassik Radio, based in

Hamburg, will attract solid adver-

by Robert Lyngusing support: "We want to offera popular, but tasteful, classicaland cultural programme. As aspecial interest medium, it will

give advertisers new possibilitiesin reaching their target groups!'

Kuehn says the nation - whichis a partnership between theBertelsmann-owned Ufa Filmand Ferseh, of which Kuehn isalso MD, PolyGram Germanyand BMG Ariola - will be financ-ed solely by advertising.

He adds that it will only useCDs and will be broadcast viathe Kopernikus satellite. It willbe included on the Germancable radio programme and willalso be available Europe -wide

via parabolic antennas.Klassik's programme director,

Martin Falk, who has worked forNDR, WDR and SWF as musiceditor, says she station's 24 -hourprogramme will be based onpopular classical music, whichwill be broken up into five majorbroadcasting block. Noses bulle-tins will be presented hourly andwill be complemented withcultural and economic infor-mation.

Meanwhile, Kuehn says part-nership negotiations are pro-ceeding with Spiegel Verlag andthe publisher of the FrankfurtAllgemeine Zeitung newspaper.=

EMI CompilationSuccessThe special marketing divisionlaunched by EMI Electrola onApril I currently has six albums inGermany's compilation LP saleschart.

They are Go Get The Cup,Schmusenuek, the triple LP DasJahrzehni 1980-1990, The Bess Of1980-1990 Vol 1, the doublealbum left Liebe Dien and the 21stFormal Eins compilation, Double

Roman Rybniker, who headsthe division, says similar success isexpected for the recently releasedmaxi compilation Dance Max 3,volume 2 of The Best of 1980-90and the 22nd Formal Eres com-pilation.

Illegal Records Seized!FPI MD Norbert Thurow saysthe organisation, together withGEMA and local police, recentlynetted DM 90.000 (app. USS57.000) worth of illegal records.

During a raid at two Flea

markets in Berlin, numerousdealers were arrested for sellingbootleg records of illegal concertrecordings. The goods, with amarket value of DM 70.000, were

confiscated. Police found another1.300 records, mast of which wereimported from Eastern Europeand cannot be distributed in NestGermany for licensing reasons,during a search of the dealers'homes.

And in Waiblingen, near Stut-tgart, DM 20.000 worth of LPscontaining illegal disco mixeswere confiscated.

First East German Indie FormedToni Krahl and Fritz Puppet,members of the East Germanrock group City, have foundedtheir country's first independentrecord company The founding ofKPM Records, for an initial in-vestment of DM 20.000 (app. U0$12.000) brings to an end themonopoly previously held bystate -run company VE13.

KPM's first release is an album

from the group Herbst In Peking(HIP). Prior to the overthrow ofthe old regime, HIP, which playsguitar -oriented, politically moti-vated indie music, were forbiddento perform in public The bandmembers were regularly givenprison sentences for their prevo-cative songs, written in German,English, Russian and French. 1

Misname.

BRASSER BVPOPSHIRTSPOP T SHIRTSInformation and Catalogue'

Beetrljestraat 59.NI -3011 RC Rotterdam.

Phone: (0131/10) 4765577.Telecopior (0131/10) 47702313

Must for retailtrade)Attention We speak English

Serer members of EMI Germany's sales aedprad rs staff recently saw MC Ham -me r perform live at Providence, ocean Hand. bet going New York co leamtour American marketing and solo techniques. From Fr (front row) KlausRankin. western sales manager Stefan Scheeler. northern sales manager, Man-fred Role( telephone sales manager; (back row) Charly Huber, southern alesmanager; Friodhelm Kallon, sales director EMI Germany; MC Hammer; Gabrielemanager; director product managemenr and Marco Orrin), product manager fordance repettoireiSBK Worldwide.

Airplay Top 20The results of Medic Control, radio monitoring during the first hal( of 1790 hosrevealed the followMg radio airplay his list.

I. In Private De, Sprineeid wee2 Nothing Compares I U Sued O'Conser 18.stlei3 'Promised/Res. 1,IKY Kamen (WFAiI. De Erse Mal Tais N. Web hiagetninufw s who doh.,S Wad Velvet AIM ',lei 0,1.1L. La Luna Bel. Ca.. 1..8ml7- Downtown Train Pod Stewart 105518 I Don't 'Panne Lose Du 1D111

9. SRAM Wait (0150m)

n Th. Message Is Love Archur Baker (Polder)11. Tears On My Pilksw Kylle Ilmogue (Telflec)

a. Vogue 1mev)3. VerdarntririM Liebe Dies Ilat.thoas Reim 1,1*,W Krelowertruattel Achim lieichel ,WEA1

5. Leningrad albJoel IC.b. All Around The World on meld (Bneisnola,7. Another Day In Paradise Pli Calms on/BA1

. Get On Your Feet Gbri5 F.; ICBS1

, Su &Passe Una Canaan. Eros Ramauott IBMGAndal0 Make For The Den g At Ream IlInnogra.1

Prince Files Suit Against Sanavioby Oas Stanfield

Prince has filed a civil lawsuit inthe Italian courts for breach ofcontract against promotorFrancesco Sanavio, owner of theAvantgarde agency. The movefollows a decision by a Venicecourt to award Sanavio a US$ 1.3million confiscation order fromPrince's earnings in Italy, after thecancellation of concerts in Turinand Udine (M&M August 25).

A statement issued by Prince'scompany Paisley Park Enterprisesclaims that the contract withSanavio said concerts could becancelled if final payment foreach date was not made prior toeach concert. It also says thatalthough full payment was notmade, Prince did perform twoconcerts, in Rome and Cava

The statement continues:"Following the Cava concert onJuly 18, Sanavio and his agentssurrounded the building withSanavio's equipment and people,blocked the exits with forkliftsand refused to allow Prince's crewand equipment m leave

"In addition, Sanavio sentan extortion note to Prince'sbusiness manager demandingUS$ 200000, and release fromAvantguarde's obligations to payremaining amounts due 'in orderto get the equipment out of the ci-ty and avoid bad publicity'.

"In a statement made to thepress, Sanavio alleged that Princecancelled dates in Turin andUdine due to poor ticket sales.These allegations are false. By il-legally detaining Prince's produc-tion staff, Sanavio made it im-possible for the crew to reach thevenue in Turin in time to perform.The Udine concert seas cancelleddue to lack of payment!'

Sanavio, who says he has notreceived notification of thelawsuit, refutes all the allegationsand says: "Do you think that thejudge who authorised the con-fiscation order is stupid? Hedoesn't make an award justbecause someone has a prettyface, but by studying contractsand documents.

"The contract was for shows inRome, Turin and Udine, and thetotal fee amounted to US$I.000.040. 1 paid USE 520.000 intothe Mercantile Bank in LosAngeles on January 29 and US!270.000 on March 15. The balancewas due to be paid before June 18,but I paid Milan promoter FrancoMamone US$ 350.000 on behalfof Prince, as an out of court set-tlement for an earlier confiscationorder (M&M July 14). That waspaid before lime 18 and was morethan the balance owed!'

Sanavio has always maintainedthat a contract was never signedfor the concert in Ca..

Responding to the allegation ofextortion, Sanavio says: "I lostUSE 500.000 on the Rome concertand US! 400.000 on the Cavadate Because I lost so muchmoney, and was going to loseagain in Turin and Udine, I sent afax to Prince's attorney Gary Stif-flemann, to have the contractmodified!'

Sanavio says he asked for US$

200.000 to be paid to the localpromoter in Cava, to "get theequipment out of the city and toavoid bad publicity", and for pro-duction costs on the Ihrin andUdine dates to be waived. He sayshe also asked for confirmation ofthe Turin and Udine dates.

Amon:ling to Sanavio, Stifflemannthen sent a fax which said "forgetabout the US$ 200.000, because Iam not able to give you the moneyat the moment, but you do nothave to pay production costs",

Sanavio admits that work washeld up in Cava but blames a po-wer cut. He claims that the fork-lift incident was because one ofPrince's UK crew members droveit into a field and damaged land.This resulted in what he describesas "a little fight between local andinternational crew members".

When asked if he and his staffsurrounded the Cava venue to pre-vent Prince's crew and equipmentfrom leaving, Sanavio replies,"Do you think I'm crazy. I don'tcome from Iraq!"

Centro SuonoDenies ExtortionRadio Centro Suono programmedirector Alberto Castelli hasstrongly refuted allegations thatthe station's owner, AnnemariaAlbanesi, is guilty of attemptedextortion (see front page).

Castell "Albanesi has ownedthe Radio Studio Due frequency,88.005 FM, for seven years. Howcan that have interfered withVoglia di Radio which has onlybeen broadcasting for two? Amonth ago, Voglia di Radio askedto buy the frequency. Albanesiagreed and the amount to be paidwas L 300 million, in two parts. Itwas purely a commercial deal.

"However, when they arrivedwith the cheque they also broughtalong a policeman. They pressedcharges for attempted extortiononly two days before their visit!'

Castelli claims that widespreadpress coverage of the case doesnot differentiate between RadioCentro Suono and Radio StudioDue. He claims this has led to adrop in advertising for CentroSuono, which describes itself as a

black network station and broad-casts in central Italy to an averagedaily audience of 100.000(Audiradio).

Castelli: "Radio Centro Suonois to take civil action againstVoglia di Radio for damage to itsimager He adds that a court willdecide later this month whetherthere is a case to answer or notover the alleged extortion.

Meanwhile, Radio Studio Due,which airs Italian music plus in-ternational pop hits, is continuingto broadcast as normal. However,Castelli says he is not sure whetherplans to rename the station RadioCentro Suono Due this monthwill now go ahead.

Voglia di Radio, headed byGiovambattisti di Giovanni andFabio Bianchi, was launched on87.900 FM in December 1988 witha 60% music policy and is believed

to have the backing of the power-ful Christian Democrat party.

Voglia di Radio and RadioStudio Due are eel lined in theAudiradio statistics.

RAI To Publicise RadioShow On TVState TV RAI has decided topublicise a RAI radio showdevoted tea national artist for thefirst time Lucio Della will spendone week in the Stereo 2 studiosfrom September 18 and RAI TVwill screen adverts on all its threechannels to promote the station'stelephone number for those whowish to speak to the artist.

The event coincides with therelease of Dana's new album,Cambio and is an exclusive forStereo 2, with DaRa answeringquestions live.

The first time RAI TV andradio formed such an alliance wasin June 1989 when Stereo 2

presented an exclusive livetelephone interview with PaulMcCartney.

RAI Stereo 2 executive GigiMarriali: "I do not know if eventssuch as there increase our au-diences or not. But it is good forour image and helps to create agreater interest in our station!'

Della records on his own Press-ing label, which is distributed byHMG. Company marketing andpromotions director MicheleMondella says it is his first solostudio album for four years.

Mondella confirms that aspecial promotional 12" mix willbe selected from the album anddistributed to 50 radio stations,As well as RAI radio, Mondellasays private national stations Rete105 and Radio Dimension Suonoare particularly important forairplay.

To contactMusic & Media

105: 31 20 669 1961Fax: 31 20 669 1951/31 20 669 1931 (sales)

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10 MUSIC 6 MEDIA .Septeruher I.1990MUSIC A MEP. - Semermer 1. 1.0

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SCANDINAVIAVoice Of Scandinavia LaunchedCopenhagen station The Voicehas begun broadcasting its Scan-dinavian service The Voice OfScandinavia via satellite andcable, effectively making it Den-

by David Rowley

mark's first national commercialradio station.

Broadcasts began in mid -

August and the station has accessto 450.000 Danish households on

Setback For Scandi ChartA proposal by Virgin DenmarkMD Henrietta Blix to introduce aScandinavian sales chart has fail-ed to win the support of DenmarkIFPI.

Insiders at an August 13

meeting of the organisation saythat although there were peoplefor and against the idea, thegeneral feeling was that smallercountries such as Denmark couldend up being largely unre-presented.

Other fears expressed includedthe possibility that people outsideScandinavia would come toregard it as a 'Swedish' chart.

WEA Denmark MD FinnWork: "The smaller territoriesfear their domestic product wouldalways end up at the bottom ofthe chart, or would vanishaltogether.

"It is difficult to judge if such achart would be truly represen-

Finn Work - difficult to judge if suchchart would be representative

tative. The countries of Scan-dinavia are considerably more dif-ferent than anyone in the rest ofthe world might expect:'

The meeting asked for more in-formation on the proposal, whichwas raised six months ago. It is ex-pected to be discussed again inOctober.

the cable system, plus anyone elsein Denmark or the rest of Scan-dinavia with a dish to pick up thesatellite signal.

The signal is sent via Eutelsat IF4, the same satellite which car-ries Super Channel. It is

downfinked to the Danish cablenetwork in the same way as any'foreign' cable operation would.

To comply with Danish regula-tions, the Voice of Scandinavia,which is on air initially from 06.00until 24.W, is broadcasting about20% of its programmes inEnglish. There are plans forSwedish -language broadcasting inthe future.

Voice owner Otto ReedtzThottsays he wants to consolidate Den-mark before directing the sta-tion's marketing towards cablesystems in the other Scandinaviancountries. But he says it will notdo so until the performance rightsquestion is resolved.

However, the station hasalready begun approaching recordcompanies in each Scandinaviancountry for local product toinclude in its playlist.

"We'll be looking at Swedennext!' says Reedtal'hott, "but it's

YOUR jrrAILYBR \ D

only worth broadcasting to Swe-den if there are Swedish adver-tisers. Danish advertisers aren'tthat interested in their ads goingto Sweden.

"The long-term plan is to tryapproaching multinational adver-tisers, but we won't do this in thefirst half of the year. We have ourhands full with Denmark!'

Although broadcasting dif-ferent programmes from theVoice's frequencies within Copen-hagen, the new service will closelyfollow the CHR format which hasmade it the leading station in theDanish capital.

ReedtaWsott has also hiredAmerican Jonathon Troen, for-merly of Boston station WBCN,to produce the station's breakfastshow - a prospect Troen describesas "exciting".

"Radio here is really young andanything is possible, while in theUS, everyone thinks they've triedeverything and they'll only gowith the same old formats.

"At WBCN we relied a lot on

give something a bit more thanjust one voice. That hasn't reallybeen tried yet here

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MUSIC

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MUSIC & MEDIP September 1, 1990

SALUTES

I RA11114 I E 11

ON THEIR TENTH YEAR ON

EMIRECORDS

To mark this occasion Music & Media will publish an exclusivesupplement in the September 29 issue.

This is your chance to let the world know you are an integral part oftheir success by advertising in this special issue!

PUBLICATION DATE: SEPTEMBER 29 1990ADVERTISING DEADLINE: SEPTEMBER 4 1990

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Contact Ron Betist at:Music & Media, Rijnburgstraat 11, 1059 AT Amsterdam

Tel : (+31) 20.6691961, Fax : (+31) 20.6691931

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24 HOURS A DAYMN EUROPE MTV EUROPE MTV EUROPE MTV EUROPE MTV EUROPE C/O GOP FILMCENTRO HOUSE RAADHUISSTRAAT 52 12 RUE CLAPEYRON WIDENMAYERSTRASSE 18/RG ODENGATAN 10420-23 MANDELA STREET 1016 DG AMSTERDAM 75008 PARIS 8000 MUNICH 22 11322 STOCKHOLMLONDON MWI ODU HOLLAND FRANCE GERMANY SWEDENTEL 383 4250 TEL 010 31 20 20 3393 TEL 010 331 429 42729 TEL 010 49 89 29 8866 TEL 010 46 83 37701

MUSICE131WEEK

35MEDIA

ASTER CHAR

ioSeptember 1

1990 bumpshwaactive

EUROPE'S MOST RADIO ACTIVE HIT MATERIAL

IT'S NO I! SINGLESMadonna AirplayM.C. Hammer Sales

ALBUMSPrince AirplayOST-Pretty Woman Sales

E X P L 0 S I V E SExplosives features the major new relnses by established and new artisteIt includes recent releases cull in need of support on European radio.

CHART BUSTERSChart Staten is a quick relerente to An week's Hot IN Singlesirelbums and theEuropean Top 50 charts. Chart positions are instated where apeman.

[SINGLES OF THE WEEK I I CHART ENTRIESDeacon Blue - Four Bacharach & David Songs (EP) (ces)Dave Stewart & Spiritual Cowboys -Jack Talking (RCABMG)

Alannah Myles -Lover Of Mine (A'''')

Airplay Top 50Wilton Phillips - Release Mn (SAY)

Sting - Englishman In New York (Remix) (41) (ABM)

Lindy Layton feat. Janet Kaye Silly Games (42) (Arosta/BMG)

Charles D. Lesvis - Soca Dance (45) . (Braeirrishaor)Tina Turner - Look Me In The Heart (46) (Capto.

Hot 100 SinglesGeorge Michael - Praying For Time (24) (Er.)Deacon Blue - Four Bacharach & David Songs (EP) (33) (CBS)

jive Bunny - Can Can You Party (39) Ithesm hammy Dance)

Cliff Richard - Silhouettes (52) (Ema

Top 100 AlbumsJon Bon Joni - Blaze Of Glory (8) 9.).69Pixies - Bossanova (19) (SAD)

Carreras/Domingo/Pavarotti In Concert (39) (Dena)

[ SURE HITS ' [., ..' [ [

Timmy Thomas- Why Can't We Live Together '''""'")8-524 Channel Z (Kern.)Matthias Reirn - Ich Hab' Getraeumt Von Dir (pow,Adrian Belew feat. David Bowie - Pretty Pink Rose iArlarair)Steve Miller Band - The Joker (Ca,,,,,,,,

[EURO-CROSSOVERS 1

Vaya Con Dios - Nah Neh Nah (BOG Aro,)Arnedeo Minghi & Mietta - Vattene Amore (form c,,,

I EMERGING TALENT [FAST MOVERS( . 3, ,,

DNA - La Screnissma (Raw Bass)

Lindy Layton feat. Janet Kaye - Silly Games (Aram SING)

The Chimes - True Love (CM)Deee-Lite - Groove Is In The Heart (ea../

Airplay Top SOMariah Carey - Vision Of Love (2-3)Matthias Reim - Verdammt, Ich Lieb' Dich (3-5)DNA feat. Suzanne Vega - Tom's Diner (5-10)George Michael - Praying For Time (7-23)Maxi Priest -Close To You (11-20)

Hot 100 SinglesDNA feat. Suzanne Vega- Tom's Diner (2-4)Bombalurina - Itsy Bitsy Teeny Weeny... (3-7)New Kids On The Block - Tonight (11-18)Jon Bon Joni - Blaze Of Glory (15-27)Rosette - Listen To Your Heart (17-29)Betty Boo - Where Are You Baby! (29-51)

Top 100 AlbumsPretty Woman- OST (1-2)Elton Jn - Sleeping With The Past (4-6)Pink Floyd - The Wall (24-77)Michael Bolton Soul Provider (32-43)Vixen - Rev It Up (41-53)

(CBS)

(790694(A&M)

(Epis)

DO Records)

(ABM

(Carnet)(CBS)

(00000)(Parlaphone)

(Rhythm King)

(EMI USA)

(Rocket)

(Marren)

(CBS)

- (EMI USA)

I ENCORE

Street Noise -Our Problem (Casabb.<4

Bootsy's Rubber Band - Jungle Bass 966.0Aerosmith - What It Takes (Celle.)The Family Stand - In Summer I Fall (At,^1.)Herbert Groenemeyer - Dem Liebe Kiel. IS,"'"'a)

ITU.BUMS OF THE WEEK -1Prefab Sprout -.Ionian - The Comeback 'CS')The Pixies - Bossanova OAD,The Pixies - Liberty Or'''.0...)Glenna Nannini - Scandal° f'.44`")Black Sabbath -Tyr (RS)

Prince -Graffiti Bridge (Mme,8",thers)Harriet Harriet raw West)Dread Zeppelin - Un-Lad-Ed (MS)

David Rudder - 1990 (MR)An Emotional Fish - An Emotional Fish (Bat West)

I HOT ADDSI

Breaking Out On European RadioTimmy Thomas - Why Can't We Live TogetherVaya Con Dios - Nah Neh Nah

(*mane)(MG Ands)

YESTER HITS [,,.. Lurnc 11 tr t Top 11 o l:nvneansagn SEPTEMBER I - 1985SinglesBaltimora - Taman Boy (EMIOpus- Live Is Life (0K/Polyier)Duran Duran - A View To A Kill (Parlophone)

Madonna . Into The Groove (Fm)Tina Turner .We Don't Need Another Hero (Thunderdorne)/Caproa

AlbumsDire Straits - Brothers In ArmsBruce SprIngsteen - Born In The U.S.A.Sting - Dream Of The Blue TurtlesBryan Ferry - Boys And GirlsMadonna - Like A Virgin

(Vertigo)(CBS)

(ABM)

(Pontoon

(S sr/

MASTER CHART - September I, IWO

PULL

OUT

ti YOUR WEEKLY PROGRAMMING GUIDET

AmericanRadioHistory.Com

playlist REPORT1-1-1E MOST PLAYED RECORDS IN EUROPE

UPCOMINGCOUNTRYSPECIALS

* * * * * * *Issue 41

GERMANYPublication dateOctober 13 1990

Advertising deadlineSeptember 18 1990

Issue 42

SPAINPublication dateOctober 20 1990

Advertising deadlineSeptember 25 1990

Issue 43ITALY

Publication dateOctober 27 1990

Advertising deadlineOctober 2 1990

Issue 44

Publication dateNovember 3 1990

Advertising deadlineOctober 9 1990

Issue 46FRANCE

Publication dateNovember 17 1990

Advertising deadlineOctober 23 1990

MUSIC

MEDIA

united kingdom germany austria

played records compiled on BBC Most pays records on the ARO Station, Mon play. records on the national popions and the maior independents and Me mmor ,rates. Competed. channel 03 Compiled by Melia Co

Media Control. Baden Baden. Baden BranDNA feat Simone Vega lon,Ome

1. Rare. itelm tioe Bed 0,e I Maxi Ines' t . [male,Romer. M.,. 1400. 1 A ll femme.. DAWN rie.tmle2e4 72 Ranartareme 11104,auLertGm, MOM, .....0. II" 3. Ala N Grey Vow 01.2 1 Blue le, nun f int,' e Am.',lee ........,,. 4. Piedome - HarAy h. 4 Ilerher t Greeeemeyer .0.24 02.RNA Pure 1."........ 5. Mob. Reim vs..., ice wit., 5 WY la .Mr.N.C. Nammer n % i...... 6. N. K. On The Hee. Step 015. 6 Pier i Ki s Is On The Ale I e k ...Jr.Stiei Ems,r4.1.o.990 7, Purple SMok ,J2wan. CrohNtd4re, 7 C.....A ......,1.0.0,1Sevp Dragons o.Fee II Ul440 vv3vev vv. B. Br. Nand/ A The Rave Penn WA"Cher ....a, 5.....0. 9 N. Namen 1 Nome Nr.e, 9 Fmee .0.0. 9..9.099 5..Roxerte fluff re Ye...9.3n 0 non Phil,* *Me 10 GolVert1191,010,01a9.,Narie1 Carey Wrong. I Cornelius Z242es,Lindy Layton .5a,..n. 2 Teto Ca., knew 191Tina Tor. I. liel...2 3 Wilson An* 2.41000 -Elton John C,..66,01.011.5. 4 Blur -09,91..0,199,9 franceMadonna maw., ParA, 1 6.121,Niro s I 11.11re..9 e hof t Wo, kitWag Pla Was) No. N.:: Ileumdd.o. so ,won ,..1.. 7 NatoWas Re. id maw Cetnewt 24. D. 2.20 payed ,..., o 2, Am , poCraig Nclachlank 14. Anne B. *en Donau Note,444 51dEPOnS as complied by Moda Centro,Wan /999. axeme 9: 9. Nazi P.m Caa iele, so.22,2oo.,

0 SOM. Ca.. -*It.

switzerland

Most play. records on the national Om.nel DRS 3 and the p.m stat,ons. Radio

n. Basilisk. Radio hiatus. Radio 2and Radio Comp.vol. Basel

Madonna M.,.3 Cr-AV...ad., Chad 1,1 .3 Ma.. Re. rod., toe4 DNA Mat Somme Ve9 a -

5 11010.194 7.0.5 5.59.6 Copy 10.1 Inn,. h.

Irixe INe21,e ,K Ter.0 ARgemeine Verve*, .5.as

O M.9NW Coll. Vio NI

Yap Con Dos 9.061 watoNW Kamen ,F25.02170

Jaime nor,1N.C. Nam NO. he

fro s Ramastot. aw.F tr. 0eNew Rids On The Siosk ,p82.Ambers Grometneyer Omewaa

hollandMos: played ro.r. compiled the naoonal stations Rad. land Rado 3 asComp. by Sae Nederlandso Top

DNA kat Swam. IV 2London BeaBeverly Craven R.I.

Geo, MONO hp.bnMe Rain .12,CasenmeCo, Rom,

italyrecords compiled from RAI

Vasco Rossi 'ftIse,4A.Je.e2a1Eros Raman. Nil, e mOr SemDam, Ma* Am.Marco Mini Le Alva *heLuca Cartoni 4.nRana.. rode.,Ba A Del d 12 .rOws Ohootott MOW ,ft,g(o. ToleThe nme I. D.Nino BmarWendy A LIN Sow% 04

Phil Edwards 022,22AN,00Whoa MO. widOn

DO Kew.* ...VR.* Stones r20........1*1Irina Loh r

..ANA NA.20 Vara Artise Naar (1.5Ni

spainThe 20 best played 55)4544 in Spam fromCoarenta rincopaleS...erms the MOO..Spanish union.

hture CoaanDe Tat

1.

Los Rooddosw heedBeaddloys 0.11,919.0

4 New Ails.T e Bled Wok.5 IVAIrol 1' La G. maw.6 NadWA Apra lk. Tv Am.

LesRebeMesWm*. 1,1,90.99h

Radios Peripheriques (AM StatIon0

Minn Cart ,Prunnotnieni.2roult Mao* INA.leNN °NAM ...A.R.."

Merry Max. 000

0 f. Day TaalVanessa Para 4.0.

Chnsals rem 22.

D. Pauline Few 09,a..!I ',with ...Auden 22Cnm14 Roth Voisin., Am.,.'5 Rao,. Rau Le.6 Clatdia . Cache raps

7 Martine. Citer La.8 Kee ,ame.

arePlkhel ',Mitarmima0 Rifled 5.094.94.101.90,.

Radios FM

far1180

3 loelle UpsuR w..sAalu2124e24 Vt. OAR 0.1.010.0111.5.1n5 Rd C. uhwq i. one.

Alan. Nyks Isach Vern7 Neu 424:6 CM The 1.4 12.11,5.0 Rauh Noire -Ada9 Rod Yds. 6.0e F91.0 ',nem. .001.2.,

I I Depech e Notle Nia, 01,I2 Mann..

12

13 the Chrisans ft* CrTM 3,15. G K.. A B. Aram 51,46 west3 Rim M. Cxt Glam.17. ItAA N.. M.18 Charle s O. Leeds len Dm19 The Au*. ..e12.2..20 Thlerr y Huard 4.,

finland

Yap Con Di o 9 Verbal Ardsts a., i00 LA Gm.. a Can.,

41.0aMis fatelem510.9,,MAW lane u 0.10,

1 Lae Coneobras

0.6.9.000.00.40taTeannsee Ure...109.

to chNPAW Ruud. Er.Kona. Hawf

3 Vaya Con Oka W. ,noneNook Ming aardMe RAN

El Norte 26.20lano Cubs VA*. Cad. WV

Is, NW , vaou mmar5 Mev Kids On TheB/M9 hkry

666,666.r.)0.1ra, 6 Madonna ',we7 Ahem h My. Boo Voe

MR - .C6.222,0RawdOCA.

2A RAI* 9.0,

Las Romps way., 222 Nur0. KAYa ).se 1*9 NCH., 0,1.1...4.3a

Da. AL Ste .2art jintlalng 20 La Frahm, 2214.... 10 Lea Lao. k

MUSIC

MEDIA

IE 'LB RCP Fo EA IV

At, lez3-,TOP,5411111:10

PLAY IT NOW"MY HAPPINESS'

WAS RECORDED ON SATURDAY,

101118, 1913 AT THEMEMPHIS RECORDING

55501(1, AS A GIFTFOR HIS MOTHER GLADYS,

WATCH OUT FOR...

Hanky PankyMadonna- Sire MusvfBlue Cheque, WeboGirn

Vision Of LoveMariah Carey- CBS Nivon Of LoyeiBeen mum)

1

1° iletweCtItt,c,.m.,,,,..Tom's DinerDNA feat Suzanne Vega- AVM (Rondo, Music!

v 9Thieves In The TemplePrince- Warner Brothers (Concrorersy Munc)

Praying For TimeGeorge Michael-El)ic jMorrison Leahy Music)

U Can't Touch ThisMC Hammer Capitol (jobete Bust It)

II

Kingston Town1/340 0, {Sparta florda)

Club At The End Of The StreetElton John- Rocket fef, Prg Muev)

Close To YouMasi Pries, 10 Rem. (Various)

12 le II

13 5

It Must Have Been LoveRodeos -EMI defruny Fun Mune)

MaldonZoulc Machine- BMG Anola (Virgin Muvc

14 I5 vI

15 '5 5

I Promised MyselfNI, Kamen WOO (EMI Muse)

Naked In The RainBlue Pearl. W.AUnhir Model, Life (EG MusiciCopyright Control)

16I' FreeFree

feat.Junior Revlf Raw TV1Bfg le Me4I4ns151.

17 wHfoin ,danp.,..)

0 KZ* in,f/Voen=ipsM- SeBK (EMI Bled, wood/WHOA)

19White And Black BluesJosue Nall. CBS (Warner Chappell)

20 She Ain't Worth ItGlenn Medeunos Pa Bobby Brown. London (EMI,Chrysalis M

21The Emperor's New Clothes

' O'Connor Ensign (EMI Music)

22 Turtle PowerPartners In Kryrnef SBK (EMI BlackwoodiKllanit)

23s

Du Hunt Mir Gerade Noch GefehltPurple Schulz tem. (caorg, cot.)

24 We Love To LoveP.M Sampson & Double Key- CBS (2nd Hand MusinfSiesel

25 u znCraig

McLachlan & Cho, 1-2. Epic dewul Mune,

TITLEARTIST OA, L SHERI

26 Across The RiverBruce Hornsby & The Range RCA Br. (lappo Basically Gasp)

2715

Insierne 1992Toto Cutugno EMI (Ediziorn No. 21

29

31

32

ES7steAllgearnielne Verunsvherung- EMI (Copyrtgbc Control)

How The Heart BehavesW. (Not Was)f Fontana MCA Mum)

Where Are You Baby!.Betty Boo- Rhythm King (Rhytm Krng Henn)

I.5acClearly Nowuset

311, That's Just The Way It Is- 3.3.3

34

You Wouldn't Know LoveCher- Geffen (Me Bolton.Realsongs)

Black VelvetAlannah Myles- Atlantic (EMIIBlueb)ar waltzes)

35 Listen To Your HeartRoxette Parlophone (Irrnmy run Mu.)

36 WS Only Your LoveBananarama. London (Inner BunchfWarner Chappell)

37

38

39

40

What's A WomanIn

Vaya Con Dot BMG Anola (Vaya Con DosIBHG)

jBonitejoTverGitglo7 j4,,,71,,,Arne0

ZufaelligCornelius Teldec (Regulus)

,B,t)oC,attir.tof Happened On011 n TR! dWr,ay, To Heaven

41 ci* !tnlliAtroao,Rit,ktewt,,Tork (Ben Liebrand Remit)

42 Mo. l!vielyi!rytorTtraneet Kay'e- Arts./ BMG (ArawakatealeellfVYarner Chappell)

43 Wear You To The Ball

44 5,Pettibone Remits)

45 RE, Cho S16*,Look Me In The Heart

46 CEO) Tina Turner Capitol (Warner Chappell)

47 Skies The LimitFleetwood Mac -Warner Brothers (Fleetwood Manf Warner Tamerane)

48AmandaCraig McLachlan & Check I-2- Epic ICES Musk)

49 co, Itsy Bitty Teeny Weeny Yellow Polka Dot BikiniBombalurina Ca, (Campbell Connelly a Co)

50 IZEO" '2'snRneperosie (Z Man Woman Together Now')

I IMASTER CHART - September I, 1990 MASTER CHART September I, IWO I I I

AmericanRadioHistory.Com

MUSIC

DOTITLEARTIST - ORIGINAL LABEL . PUBLISHER) COUNTRIES CHARTED

U Can't Touch ThisM.C. Hammer- caortowobereast-k)

UK.DB.NLEACHS.DK.IrN

O 4 5Tom's DinerDNA feat. Suzanne Vega- mil (Rondor Music)

UK.ONLk

Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini IxBombalurina- Carper (camood Connelly & co)

4 3 IIOoops Up UK.D1INLEACHS.DK.NSFCR.1

Snap- Logic/BMG Amok(Minder/Warner Chappell/Zomba)

5 6 13It Must Have Been LoveRoxette- EMI army Fun Music)

UK.DBMACHSPDKNSEI

6 5 6

Soca Dance f8

Charles D. Lewis- Baxter/Polydor (Gem Music)

7 2 6Turtle PowerPartners In Kryme- SBK (EMI Blackwood/Karina)

UK.DE

8Maldon

9 IIZouk Machine- BMG Arab (Virgin Music)

ERNI

9 8 18Verdammt, Ich Lieb' DichMatthias Reim- Polydor (Kangaroo Musikverlag)

DACH

35

ttlOO®DO

bump,stemra

TITLEARTIST ORIGINAL LABEL (PUBLISHER) COUNTRIES CHARTED

TITLEARTIST - ORIGINAL LABEL - (PUBLISHER) COUNTRIES CHAP.,-

32 13Insieme 1992Toto Cutugno- EMI (Edizioni No. 2)

FDACHP

48 2MegamixTechnotronic- ARS (Bogam/BMC Publishing)

DANLCH.DK

37 34 21VogueMadonna- Site (WB museeteu Disque/WeboGirl)

FDECH IUR I

38 21 27SacrificeElton John - Rocker (Big Pig Music)

UKEIrN

c* Can Can You Party UK

Jive Bunny & The Mastermixers- Musk Factory Dance (Various)

40 37 12Le GambadouPatrick Sebastien- EMI (Francis Vacher)

41 41 3Avant De PartirRoch Voisine- GM/BMG Ariola (Ed. Georges Mary)

F.B

53 3Vision Of LoveMariah Carey- CBS (Vision Of Love/Been Jammin)

UK.DNLI

Englishman In New York (Ben Liebrand Remix) UKfr54 3

Sting- ABM (Magnetc/Regarra/Illegal)

10 10 13A Toutes Les FillesFelix Gray & Didier Barbevilien- Tatar (Zone Plusique)

EB

18 4TonightNew Kids On The Block- as (Mum/EMI April/A. Lame/our)

UKDIrST

12Naked In The RainBlue Pearl- WA.U/Mr Modo/Big Life (E.G. Music/Copyright Control)

LIKAk

13 13 12White And Black BluesJoelle Ursull- ces (Warner Chappell)

14 15 22Kingston TownUB40- Virgin (Sparta Florida)

FDA

15

16

27 4Blaze Of GloryJon Bon Jovi- verogo (Boo/moo/warner)

I Can't Stand ItTwenty 4 Seven- Freaky Records/BCM (Stop & Go/Cat-Talk/Siegel)

20 15

UK DAILCHSk NSF

DBEACHSDK.1

29 3Listen To Your HeartRoxette- Pariophone (jimmy Fun Musa)

UK!

18 19 IIStep By StepNew Kids On The Block- CBS (Maurice Starr Music)

EDBACHSSF511

19 16 4Thieves In The TemplePrince - Warner Brothers (Controversy Music)

UK.DANLECHSDK.k.NSF

20 14 20KillerAdamski- MCA (MCA/Beethoven St. Music)

DAMAO-ISO

21 17 29Un' Estate ItalianaGianna Nannini & Edoardo Bennato- Virgin (Sugar/Warner Chappell)

EDACH.I

22 12 6Hanky PankyMadonna- Sire (WB Music/Blue Disque/WeboGirl)

UK.DBALEACHDKASEI

23 24 WIt's On YouM.C. Sar & The Real McCoy- zyximdrook (windup Musk)

FOBS

c), co, Praying For TimeGeorge Michael- Epic (Morrison Leahy Music)

25 28 11

Close To YouMaxi Priest- 10 Records (Various)

LINLS

Bo Le Lavabo26 25 19 1,-gaf- flarenasch (EtftMns Carters)

27 23 21I Promised MyselfNick Kamen- WEA (EMI Musk)

DEACHSDK

28 26 IIVous Etes VousBenny B. - Vie Prrvee (Copyright Control)

F.B

51 3Where Are You Baby?Betty Boo- Rhythm King (Rhythm King Music)

UK.Ir

30 30 8Le Jerk!Thierry Hazard- as (cos Musk)

E8

31 22 7I'm FreeThe Soup Dragons feat. Junior Reid- Raw TV/Big Life (Westminster)

UK.k

32 31 16Se Bastasse Una CanzoneEros Ramazzotti - DDD (00D/Una Lira/Scorribanda)

FDBACHY

44 46 5We Love To LoveP.M.Sampson & Double Key- ces (2nd Hand Music/Siegel)

45 39 9Le Temps De CopainsLes Vagabonds- Carrere (Ethtions Orlando)

F

46 50 5Club At The End Of The StreetElton John- Rocket (Big Pig Music)

UK.EDP

47 83 2SamuraiErste Allgemeine Verunsicherung- EMI (Copyright Control)

DA

48 38 26The PowerSnap- Logrc/BMG Ariola (Harbearic/fellow)

EDECH.FGR.I

72 3What Time Is Love? (Live At Trancentral) UKKLF - KLF Communications (E.G./Zoo/Warner Chappell/Copyright Control)

50 45 15What's A WomanVaya Con Dios- BMG Ariola (Vaya Con Dios/BMG)

DBACHFUR

51 42 14Paesz Was A Rolling StoneVV1MM`VitrFontarla (poets MUSIC/

DNLACH

SilhouettesCliff Richard- EMI (Sylvester Music)

UK

53 43 13Everybody EverybodyBlack Box- Groove Groove Melody (Warner Chappell)

EEI

54 52 16Better The Devil You Know!vile Minogue- PWL (All Boys Musk)

EDBPDKGR

67 3The King Of Wishful ThinkingGo West- Chrysalis (Campbell Connelly/Zomba)

UK

68 5The Emperor's New ClothesSinead O'Connor- Ensign (EMI Music)

UK.DRIVLADK.1

69 3Opel MantaNorbert & Feiglinge- Glamour/EFA (EMI Musk)

58 58 4II Suffit D'Un Ou Deux ExcitesFootbrothers- CBS (corm click Prod)

59Infinity (1990's Time For The Guru) DBEACH.DKGR

55 27Guru Josh- de/Construction/ROVBMG (Copyright Control)

60 35 5Tricky DiscoTricky Disco- Warp/Outer Rhythm (Outer Space Music)

ukir

61 49 19Dirty CashAdventures Of Stevie V- Mercury (Copyright Control)

OBNLACH

62 59 9Aime MoiClaude Barzotti- zoo. Music (zone/Barzo Music)

EB

63 56 4AmandaCraig McLachlan & Check 1-2- Epic (CBS Musc)

Ukk

64 36 9She Ain't Worth ItGlenn Medeiros & Bobby Brown- London (EMI/Chrysais Music)

UK DON!

65 4Violence Of Summer

44Duran Duran - Parlophone (Skintrade./EMO

UK.81(1F.1

77 3Silly Games UK

Lindy Layton feat. Janet Kaye- Ansm/BMG (Arawak/TicabellMarner Chappell)

33 cc* Four Bacharach & David Songs (EP)Deacon Blue- cas(Mq4/Screen Gems EMI/Carlin)

UK

34 '33Hardcore UproarTogether- London (Copyright Control)

UK

67 65

Still Got The Blues (For You)Gary Moore- *Fop& Music)

DBSDK

68 71 9

The Great Song Of IndifferenceBob Geldof- Mercury (Nob MusicAntersong)

69Rockin' Over The Beat

40 7Technotronic feat. Ya Kid K- ARS (Bogam/BMC Publishing)

UK.Ir

70 IIWhose Law (Is It Anyway ?)

64Guru Josh- de/Construction/ROVBMG (VIrgin/Copyrtht Control)

DE/1CH

71 57 6DoublebackZZ Top- Warner Brothers (Hamstein/Warner Chappell)

UK DCHSSE

72 73 19

Oui Je L:AdorePauline Ester- Polydor (Ducomte/PolyGram)

EB

73 47 6LFOLFO- Warp/Outer Rhythm (Rhythm King Music)

UK

74 76 22Black VelvetAlannah Myles- Atlantic (Ell/Bluebear Waltzes)

DACHSDKSF

75 75 2Come TogetherPrimal Scream- Creation (Copyright Control)

UK

76 63 4I Can See Clearly NowHothouse Flowers- Fontana (Rondor Music)

UK.Ir

77 82 3Look Me In The HeartTina Turner- Captor (Warner Chappell)

UK&

93 2Heart Like A WheelThe Human League- Virgin (Copyright Control)

UK

79 70 5That's Just The Way It IsPhil Collins- Vkgin/WEA (Phil Collins/Hit And Run)

UK DaNLOK

Next To YouAswad- Mango (Island/Acepear0

UK.NL

81 I* Groove Is In The HeartDeee-Lite- Elektra (Delovely)

UK

82 CI* The JokerSteve Miller Band- Capitol (Warner Chappell)

UK.Ir

83 61 6PoisonBell Biv Devoe- ma (emG mak)

UK

84The PartyLatino Party- Polydor (Copyright Control)

85 85 17Melodie D'Amour

flCaoma-,CfitiHMLO BV131.1 Producuons)

86 60 8Carry The Blame/California Dreamin'River City People- EMI (BMG/UA Music)

UK.Ir

87 94 2Release MeWilson Phillips- SBK (EMI Blackwood/Wilkbill)

UK.Ir

88 29Dub Be Good To Me

88Beats International- Go! Discs (Go! Discs/EMI Songs)

FGR

89Can't Get EnoughKim Wilde- pica (Ram Musa)

FDK

90 c* End Of The WorldSonia- Chrysalis (Mautoglade Music)

UK

91 86 15Policy Of TruthDepeche Mode- Mute (Grabbing Hands/Sonet)

FDDKGR.I

92 Ei* 1°Sandelin & Ekman- metr000merwE4 (Various)

SN

93 74Hold On

14

Wilson Phillips- SBK (Various)

DCHSDK

94 lel* Sotto Questo SoloBaccini & Ladri Di Biciclette- CGD (EMI/Derry Rose/InsiemeBlue 7earn/krni)

95 c* Now You're GoneWhitesnake- EMI (Dawd CoverdaleMB Music)

UK

96 90 2Knocked Out (Shep Pettibone Remix) UK ESE

Paula Abdul- Virgin America (Kermy/Hip Pip Musk)

97 78 3Stay With Me Heartache/I Feel FineWet Wet Wet- Precious (Preciousichrysahs)

UK

98 98 7TandemVanessa Paradis- Polydor (Melodie Nelson)

99 96 4Something Happened On The Way To HeavenPhil Collins- Virgin/WE4 (Phil Collins/Hit And Run)

RD -

100 100 22Don't Miss The PartylineBizz Nizz- coo/tempo (MCA mosic)

DEAF

UK = United Kingdom, D = Germany, F = France. CH = Switzerland, A = Austria, I = Italy. E = Spain, NL = Holland,B = Belgium, IR = Irelantl,S = Sweden, DK = Denmark N = Not -way. SF = Finland, P = Portugal, GR = Greece.

121* = NEW ENTRY11:11I0 = RE-ENTRY0 = FAST MOVERS

OPEN AIR FESTIVALS AUG 25 EAST BERLIN / AUG 26 HOCKENHEIM SEP 1 LL/NEBURG/HAMBURG OCT II SUHL/DDR OCT 12 CHEMNITZ/DDR OCT14 ZURICH OCT 16 STUTTGART OCT18 SALZBURG

OCT 20 MUNICH OCT 21 FRANKFURT OCT 25 MUNSTER OCT 26 BRUSSELS OCT 29 STOCKHOLM OCT 30 STOCKHOLM NOV 1 COPENHAGEN NOV 3 GOTHENBURG NOV 4 LUND NOV 6 PARIS

NOV 7 PARIS NOV 9 STRASBOURG NOV10 LYON NOV 11 LAUSANNE NOV 13 LINZ NOV 14 VIENNA NOV15 AUGSBURG NOV17 FREIBURG NOV18 RAVENSBURG NOV19 SAARBRUCKEN

NOV 21 DORTMUND NOV 22 UTRECHT NOV 24 KASSEL NOV 25 LUXEMBOURG NOV 26 AMSTERDAM NOV 28 MANNHEIM NOV 29 NUREMBERG DEC 1 HANNOVER DEC 2 BREMEN

DEC 4 BERLIN DEC 5 HAMBURG DEC 7 COLOGNE DEC 10 BOLOGNA DEC II TURIN DEC 12 ROME DEC 14 MILAN DEC 15 FLORENCE DEC 16 LUGANO MADRID TBA

MASTER CHART - September I, 1990 The Eurochart Hot 100 is rumpled by EMR in cooperation with Buma/Stemra. ©EMR/Buma/Stemra - All rights reserved.AmericanRadioHistory.Com

11 t Et Ft E KO LAP TSNATIONAL 1-11-rs READY TO EXPLODE!

uk & ireland

George MichelPny, For Tme (Ppp

Deacon BlueFour Bachrach a David Scogsrar

Cliff RichardsSlbourtes (EA)

SoniaLLnd Of The Vied!! tOryrair

Spain

La GuardiaLa Carrarera aireo/

Gabinete C.aligariCuhe iue De C. CD, Or pop

El NorteNora Te Ware (DPF)

Juan Carlos ValenciagaCub Va Due Te Togo ,Ymrd

germany, austriaswit erland

Erste Allgemeine VerunsicherungSamara, (EMFGwAucSeeJ

P. M. Sampson A Double KeyWe Lore To Love reamer/

Herbert GroenemeyerDere Debt Nets (Errora,Seenur

Culture BeatI Like You (CDSGe)

scandinavia

Sandelin 8 Ekman10 IDEA ErrNor/

KayoAnother Mother /Somerset

MC Nikke Tjos Fine Saab X.,*

FlopstarzHoak. (Nakao.)

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Marco MasiniDrente Aorta)

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DENMARK Mogensen Mix,k,,,,

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NORWAY it Must Have Been Love...elm,

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VI MASTER CHART - September I, 1990 MASTER CHART - September 1, 1990 VII

AmericanRadioHistory.Com

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OERS11130- NES ENTRY

MOV

MASTER CHART - September I. 1990

Pnew album, cassette and cdavailable nowt

AmericanRadioHistory.Com

MUSIC

[31MEDIA

PROGRAMMING PROGRAMMING

Radio Formats - The Classical ApproachTraditionally the preserve

of 'highbrow' publicservice stations, classical

music formats arebecoming increasingly

popular amongcommercial broadcasters.

Paul Andrews looksat prospects for

three stations whichare about to enter the

European market.

Tthe demise of Radio Belcan-o does not seem to have

deterred the new classicalradio players. But will KlassikRadio or CLT's RTL Classiquefare any better? How do they hopeto win advertisers and audiences inthe competitive new radio marketof the 90s?

Ironically, the Gong group'sdecision to close the Munich -based Belcanto, described asEurope's first national all -classicalcommercial station, came withindays of the announcement thatBMG Ariola and PolyGram wereto invest in Ufa (Bertelsmann) sta-tion, Klassik Radio, due to launchfrom Hamburg this October.

Belcanto's failure has been at-tributed to a combination of pooradvertising sales and low cablepenetration - the station had noterrestrial frequencies - althoughthe parent company's investmentin an expensive Fast German prin-ting plant has also been blamedfor forcing the cutbacks whichkilled the station.

It had tried to turn classicalmusic into a popular commercialformat by adapting many of thetechniques of pop radio, for exam-ple using DJ -style presentation,but succeeded in reaching onlyaround 40%o of German cablehouseholds.

Populist approach

At first glance, Klassik's approachappears similar: the station plans a'populist' style in an attempt tofind new audiences for classicalmusic, with cable and satelliteagain forming the backbone of itsdistribution across Germany,Austria and Switzerland. MDManfred Kuehn is adamant thingswill work out.

"First, we have a terrestrial fre-quency in the Hamburg area -thatoffers us 1.8 million potential

listeners straight away. Second, wewill have wider distribution oncable systems: we are putting morepressure on the Bundespost[which controls them] to makechannels available, and we hope toget the frequencies left free byBelcanto. And, to be polite, wethink we have a better programmethan Belcanto:'

That, he believes, is the criticalfactor, as important to a commer-cial classics format as any of itspopular counterparts. He hopes toadapt the methods of Germany'ssuccessful private pop stations tothe classical arena.

"We need to get classical musicout of the ghetto, to get listenersnew to this kind of music. We hopeto appeal to young people and tohousewives during the day. I think

"We need to getclassical music outof the ghetto,"

Manfred Kuehn

the time is right for this kind ofprogramming!' He points to Lu-ciano Pavarotti's recent success inthe UK chaps, and to a revival ofconcert -going in Germany, as pro-of that a poi/War classics format isneeded.

That format itself "will beclassical in the broad sense It willbe serious, but concentrate on thepopular classics, including jazz toa certain extent, and lighter musicsuch as operettas. There will alsobe a lot of live music from themany festivals we have in Ger-many, and from abroad!'

Among tom' composers,Kuehn identifies Mozart, Brahms,Bach, Tchaikovsky and Vivaldi.Conversely, "we might have pro-blems with some contemporaryserious music and too -heavy sym-phonies - they could be presentedduring the evening programme butnot during the day!'

Speech comprises 20% of themix. Kuehn hesitates to describeIris presenters as His, but "theywill be identifiable personalities,not just playing the music but in-troducing it with background in-formation. In prime -time they willmainly be playing relatively shortpieces, with news on the hour, ser-vice information and ad spots!'

Klassik Radio is not the only

classical project pending in

Europe A number of program-mers are now turning their atten-tion to potential commercial for-mats for so-called 'serious' music.

One is Holland's Radio 10.

Transmissions of Radio 10

Klassiek were suspended in

March, following problems withits satellite relay. However, arelaunch is now planned for thenetwork, to be renamed ConcertRadio and marketed to cablesystems across Europe - par-ticularly in the Benelux, Scan-dinavia and the UK. Test broad-casts begin on September 1.

Music:speech ratio

Concert Radio is being pro-grammed by Liesbeth Duintjer,using en all -music format with avery personal selection of mate-rial. "It's not going to be musicfor the millions, with operetta andso on, but totally classical music.That's not to be confused withserious music -the classics certain-ly don't have to be serious.

"There are obviously thefamous composers like Rach-maninov, Chopin, Bach andMozart, but there will be a fewwho are not so well known, but Ilike It's something personal, amatter of feeling: we're not goingto play Wagner in the morning,and you can't have two pieces of60 minutes plus, or two or threeorchestral things, after oneanother.

"When I did the test transmis-sions last year, I just thought whatI would like to hear on the radio -but we got some wonderful reac-tion, so many people must havefelt the same'

Initially, Concert Radio has nospeech - Daintier believes theadvertising "is quite enough".However, since the station wantsto inform listeners about program-mes, that may change: "We wantto have the schedule publishedseparately, but if people prefer, wemay have to include on -air an-nouncements!'

Meanwhile, a third approachcomes from RTL, which plans apm -European RTL Classique.Satellite distributed to cablesystems and Astra home -dishowners, plus transmitters in Lux-embourg and other - as yet un-named - countries, its launch hasnow been put off until early 1991.

According to Henri Roemer,head of international affairs atparent company CLT, a formathas yet to be decided upon. "Thereis a discussion between severaltendencies. Some want it to bemore light classical, others want itmore serious!'

Roemer says no decision will bemade before the end of September.However, the most favoured op-tion is understood to be a lightclassic formula, with HA musicand speech confined mainly tobrief multi -language an-

nouncements. Daytime outputwould consist of shorter pieces,with concerts and specialist pro-grammes in the evening.

UK franchise

A classical format may also be inthe running for one of the threenational commercial radio fran-chises to be awarded in the UKwithin the near two years. Theshadow Radio Authority hasalready confirmed that one of thenew stations will be devoted tomusic 'other than pop', andClassic FM, backed by AndrewLioyd-Webber's Really UsefulGroup has announced that it willbid for the licence.

Before the bidding opens, thecompany is keeping exact detailsof format and programmes underwraps. But CEO David Maker

"The classics cer-tainly don't have tobe serious,"

Liesbeth Duintjer

again puts the emphasis on 'lightclassier' and a personal style: "Itis a populist approach - we want todistance ourselves as far as possi-ble from Radio 3 [the BBC'sclassical channelr His target au-dience is much younger, "the 25-45s who are the new and boomingmarket for classical music on

However, with only one FM fre-quency on offer, and no decisionyet on whether that will beallocated to the (presumably)'pop' or 'non -pop' franchisee, it isstill far from clear how Classic willfare. Depending on how theAuthority defines 'pop' it mayfind itself up against competition

from any number of other formats- including perhaps jazz, MORand even rock.

But handing the national fre-quency to a mainstream pop ser-vice could, Maker believes, leadboth it and competing local sta-tions into difficulties, bidding forthe same ad spend.

"Classical music is a marketwith real potential. It appeals tolow TV viewers, especially of com-mercial channels. They're a wholesegment of people which only avery limited number of media arereaching - just the colour sup-plements, really!'

Advertising potential

This realisation that classicalmusic radio can reach an untap-ped advertising market provides amajor spur to renewed interest inthe format. As commercial sta-tions in competitive Europeanmarkets hum to tight formatting toreach audiences in depth ratherthan breadth, so the appeal of aclassical option is growing.

While a classical station willprobably not deliver particularlyhigh ratings in any market, its au-

is likely to have anumber of distinctive traits. Aswell as being difficult to reachthough other advertising media,they are likely to be comparativelyhigh earners, so stations will hopeto attract premium rates fromadvertisers marketing high -valueproducts.

Manfred Kuehn confirms theprofile for Klassik Radio's targetaudience "Our listeners may wellhave a better lifestyle than a nor-mal audience Suitable goods foradvertising could include luxurycars, cognac and champagne aswell as more down-to-earth pro-ducts. Sponsorship is also verysuitable for such a high -qualityprogramme appropriate forbanks and insurance companies tobe associated with!'

Kuehn also believes that Klassikcould probably charge advertisersmore per thousand listeners thanmost pop -formatted commercialstations. And, with a heavy music -to -speech ratio, he thinks it will becheaper to run than a pop station.

Concert Radio director FoppeJan Smit takes a similar line,believing comparatively low reachwill not hinder the station. "Forus, it's the listener density thatcounts, the kind of people we doreach. It will be a quality au-dience!'

But Roemer strongly disagrees

that this is a road to riches. "RTLClassique will be a commercialstation, but it will not earn a lot ofmoney',' he admits frankly. "Thatis difficult because it is not possi-ble to interrupt the music withadvertising spots.

'Tam surprised that other sta-tions think they can make a lot ofmoney. I have made manybusiness plans - they all make aprofit, but not much!'

CLT, it would seem, feels itshould be present in this market,but has less than total faith in itsviability. RTL Classique, say,

247Henn Roemer

Roemer, will be as much a promo-tional vehicle for the organisa-don's orchestra as a commercialventure

The promotional angle is also afactor in the development of theother classical privates, withrecord companies showing renew-ed interest in finding a forum fortheir classical product.

Reflected most directly in

PolyGram and BMG Ariola's in-vestment in Klassik Radio, this en-thusiasm can be traced directlyback to the revival in classical

resales and rejuvenation of itsaudience since the appearance ofCD.

While insisting that it will not"push" BMG or PolyGram pro-duct, Kuehn also welcomes theirparticipation in Klassik Radio."As well as money, they are put-ting in their know-how aboutmusic. We are interested in makinguse of that experience!'

Transmission methods

One major handicap to thedevelopment of private classical

stations across Europe, though, isstill the shortage of terrestrial fre-quencies. According to Gong MDHelmut Markwort, terrestrialbroadcasting could have savedBelcanto. "It would have beenreceivable in cars and uncabledhouseholds, which could have

made a big difference;' said hisstatement on the station's closure

Circumstances have forcedKlassik Radio, Concert Radio andRTL Classique all to commitheavily to cable and satellite. Butall would like to move to wider FM

transmission, and for both Klassikand RTL their limited conven-tional networks will be vital in

building an early listenership baseSmit believes confinement to

cable could hold the station backin some territories. "In Holland,it's not a problem, but in countrieslike the UK where cable is

underdeveloped it can be difficult.We do have contacts with ter-restrial broadcasters, particularlyin France and Italy, and are tryingto develop others!'

Kuehn does hope that digitaltransmission via the Kopernikussatellite may boost Klassik Radio'sappeal, but with no domesticreception equipment yet availablethis remains a long -tar -maim - andperhaps only the very distant ar-rival of in -car satellite receiverswill make it viable

And this is not a route which ap-peals to Classic FM. Maker: "Peo-ple keep approaching me aboutsatellite and cable radio, but reallyI am sceptical about it. Cablereach is very low in the UK, andthere is very little evidence thateven when they do have it that peo-ple listen to the radio via cable'FM stereo coverage, offering theoptimum combination of reachand sound quality for the format'sdiscerning listenership, remainsthe all -or -nothing option forClassic

"It's the listenerdensity that counts.It will be a qualityaudience,"

Foppe Jan Smit

But even if that never happens,private classical music radio looksto have a future in Europe. Indeed,despite the hurdles to distribution,stations introducing it believe anestablished international reper-toire, educated audience and lowspeech content may .be the for-mat's trump, giving it an ability tocross national boundaries moreeasily than many pop formats.

Smit sums up the most popularscenario: "Across Europe, theremust be room for two classical sta-tions to survive I think there willbe one clear winner, probablyplaying popular light classics, withanother, more serious alternative!'That, he says, mirrors the US ex-perience - and he counts his ownstation as a contender for the se- .

cond position - with RTL andKlassik likely to battle it out forthe lead.

MUSIC

MEDIA

16 MUSIC b MEDIA - September 1.19,0 MUSIC & MEDIA- September I, 1990 1]AmericanRadioHistory.Com

PROGRAMMINGME

'A New Dawn For An Adult New Age?The abundance of so-called

'new age' labels andgrowing sales reflect the

genre's ascendingpopularity with consumers

across Europe. But,as Chris Fuller discovered,

this has not beenmatched by a growth in

radio exposure.

.1.hough useful as an urn-brella term for a broadrange of synthesised, am-

bient and acoustic musical styles,the 'new age tag is now widelydisparaged by both musicians andrecord industry, mainly because ofyuppie/new hippie lifestyle con-notations. Alternative titles like'contemporary instrumental' and'new instrumental musie aboundbut as labels such as WindhamHill and Private Music have

broadened to encompass vocals,perhaps US radio's preference for'new adult contemporary' (NAC)is the most suitable and is the termused for this article.

Despite the problems of defini-tion and misinterpretation, WestGermany, Europe's largest albummarket, boasts a fertile NACrecord sector with home-grownlabels such as IC, Sky andErdenklang faring well next to theinternational competition of Win-dham, Private, Venture, No Speak,Nonesuch, Global Pacific Mea-dowlark, Cypress, Naradalist is endless.

IC has achieved mom than20.000 international sales with thelikes of Peter Seiler, Software,Dancing Fantasy and Megabyte,athough label manager MarkSakautzky says this is no thanksto TV and little thanks to radio.The label targets specialist nettingshows on the ARD public stationsSDR (Stuttgart), SFB (Berlin)and, in particular, WDR (Col-ogne), where Winfried Trenklerhosts the influential `Schwing.argon" Thursday night show.

Sakautzky: "Most Germanprogrammers with influence whocould give this kind of music a truechance to get to a broader au-dience are just so damned ar-rogant. They keep on pushing thesame old established stars and tru-ly believe they are God's gift whenit comes to judging what peoplewant to hear. The funny thing isthat these people keep on urea.ing for new musical ideas and

complain that nobody comes upwith anything different any more'

In the UK, too, exposure isseverely limited. Val Rooker, aLondon -based publicist for Pri-vate Music says that despite thelabel's broader -than -most reper-Aire, chasing airplay for such non -chart based material can provefrustrating. Rooker. "It appealsmore to night-time listening,where we score some success. Butplays during evening hours are ex-tremely difficult to monitor. It re-mains a new and strange music tomany and I believe some program-mers are not aware of the depth ofpopularity that the music has withthe public. The appeal is certainlyenough to warrant regular shows!'

Private, a New York -based labelwhich was set up in 1983 by Peter

the music that it may use it as thebasis for a new channel.

RMC programme controllerNovella Hann decided to backNAC in November 1988, consider-ing it a "natural alternative" to therock, pop and dance which tendedto "saturate the national air-waves". Hann: "Our listeners cryout for Variety and we felt that themood generated by much NACmusic lends itself ideally to late -night programming. The hunchwas right and the listener responsehas been excellent!'

RMC, one of Italy's leadingcommercials with a daily audienceof some 1.168 million (Audiradio)compiles a monthly top 10 NACplaylist, which Hann says is "bas-ed on radio acceptability andlisteners' requests, not on sales".

Frank Cody believes Mere Wa reel market for NAC radio In Europe.

Baumann of electronic bandTkngerine Dream, embraces vocaland left -of -field artists, with AndySummer& Leo Kottke, Nona Hen-dryx and Yanni established starsand autumn releases planned forSuzanne Ciani, Ravi Shankar andPhilip Glass. Rooker says the labelis currently talking to new Londoncommercial Jazz FM in a quest toestablish a regular NAC slot.

Similar placement problems m-ist in Spain and France, though inItaly the signs are more encourag-ing. Leading the way, commercialstation Radio Monte Carlo(RMC) has a high NAC content,with a nightly 22.00 show hostedby 'Nick The Nightly' and NAC-styled tracks inserted amid the popand rock throughout the day. In-deed, RMC declares such faith in

And in March, in collaborationwith independent label Les FoliesArt, RMC launched Europe's firstspecialist NAC magazine, thebimonthly New Sounds.

Hazan is currently consideringintroducing another NAC showand researching the feasibility ofan all-NAC channel: "We mayhave a full-time NAC station. Whynot? But I want to expand on asure footing, rather than make aleap into nowhere'

If it proceeds, the NAC stationwill provide an obvious boon forNAC label& with whom RMCalready enjoys a close relationship.The station's logo has appeared onthe cover of both Windham Hilland Private Music compilationsand it intends to collaborate withother labels on future CDs and

promotions via the New Soundsmagazine.

Though Italy may be wakingup, it still has far to go to matchthe US where some 20-25 stationsoffer variations on an NAC theme.The format's development is wide-ly attributed to radio consultantsFrank Cody and Owen Leach,who launched the definitive NACstation, KTWV 'The Wave in LOAAngeles in February 1987. Thatstation's success has now beenemulated across eight major mar-kets including Chicago, Dallas,Miami, San Diego and Seattle andthe format has been successfullyexported to Japan, where] -Wave isTokyo's leading station.

Through consultancy companyCody/Leach Broadcast Amhitec-ture (CLBA), 'The Wave concepthas recently been offered to Euro-pean stations. "I think that inEurope there's an even broader ap-plication for NAC than in the US,where though radio offers tremen-dous choice the market is veryfragmented and music tastes emperhaps more rigiC says Cody. "Ithink there's a greater open-

mindedness in Europe as regardsnew musical ideas:'

According to the US model,NAC stations pull their highestaudiences during the middle of theday, from 9.00-15.00, with manylisteners tuning in at work. In LA,KTWV leads the ratings for thelucrative 25-54 year old male au-dience which, says Cody, "is anextremely desirable target foradvertisers".

Cody's vision of NAC is broad,from the jazz -tinged pop ofEverything But The Girl throughPat Metheny, Kitaro, Vollen-weider, Rubaja, Hernandes, WillAckerman to Steve Kindler andYanni. He describes the field as"music for. the informationgeneration, whereas the poundingrhythm of rock & roll reflects anindustrial age Essentially it's amood service. People lane to itknowing it's a place where theycan relax but also knowing it's notgoing to send them to sleep.

"At the same time, people won'tfeel embarrassed to be associatedwith NAC because it's not muzak,but rather quality and creativemusic of a certain ambience It'slargely passive, sure, but radio canbe a passive as well as an activemedium. The skill is to modulatethe flow!'

PROMISING ACTS WORTH WATCHING

FreluquetsLa Debauthe (Rosebucl'France). Contact: Danceteria/BertrandBlabereet33.20.782878/ fax:782623

This lot area French version of the Blue Nile. The songs are oftenbased on meandering but melodic keyboard patterns whlle thesinger has the same sort of lost and lonely voice as the vocalist withthe Blue Nile. Carefully constructed and well -performed music.Licence and sub -publishing free except France.

The Force Of PowerForce Ol Power (Lower East.5ide/Holland).Contact: LESreet31.20.711292/fax:204163Hiphouse track based around the currently ubi-quitous "The Power!" chant. Though no claimto originality is being made this groove comesout strong. It is doing well in the Dutch dubs andcould also reach larger European audiences.Licence and sub -publishing free except Holland.

Sandelin & Ekman10 (WEA Metronome/Sweden). Contact: WEA/Mettles Wachtrneisterreel:46.8.7300720/fax:7356454This record has already done well in Sweden,narrowly missing the no 1 spot and now it istop 5 in Norway, Both mm used to be in Style,one of Sweden's better pop groups of recentyears. f0 is actually a medley of the band's pasthits and is a good sampler of their work.

Niklas StromstedtOm (WEA Metronome/Sweden). Contact:WEA/Mattias Wachtmesterreet46.8.7300720/few:735645E

Stromstedt, one of WEA/Metronome's firstsignings is a veteran of the Scandinavianmusic scene with a career going back 10 years.He used to produce pop duo Lili & Sussie,going on to work with various rock bands. Omhas been a major summer hit in Sweden. Theforthcoming LP, also called Om will bereleased in September.

Cosmo De La FuenteBale Tropical (President/UK) ContactResident/Aka Edvards/tek44_71.8394672/fu:9309400A salsa dance track from this widely acclaimedVenezuelan trumpet player. The combinationof state-of-the-art production and a dash ofroots Latin sensibility mattes the many copyistsaround at the moment seem somewhat second-rate. Licence and sub -publishing still availablefor some territories.

Nils LandgrenGive It Up (Caprice/Sweden). Contact:Caprice/Ruud de Seraket46.8.7914600/fax:109992

Easy-going pop with a lush production andsome tasteful arrangements by this sessiontrombone player and ex -member of Chapter 2.Landgren has played alongside RandyCrawford and Hans Breuker, among others,but on the strength of his debut solo release hewill do just fine on his own. The track is takenfrom the LP Follow Your Heart, releasedSeptember 24. Licence and sub -publishing freeexcept Scandinavia.

AnoukRiding The Wave (BR Music Two/Holland).Contact: BR/Bert van Bredareet31.3494.54410/(em6B431

This ex -lead singer of The Capped. and TheRevelettes hm come up with an interesting songthat is obviously influenced by voguing butalso has a fair degree of sophistication. Thebacking and the arrangement are first-class.Licence available for the world except Beneluxand some sub -publishing available

Red KiandingaNdeleme(DDD/Italy). Comae, Keep On/Elisabeth Gallettake1.19.2.26112230A mixture of halo house and African pop with asolid arrangement and a shout -along chorus. The

brass arrangement and some of the vocal phras-ing is rather reminiscent of Mori Karnes YokeYeke. A good party record with an up feeling.Licence and sub -publishing still widely available

Andre LeonThe Truth (ReachinYUK). Contact: Reachin7Mike Morrisonree1:44.81.74986191faw7461209This is a strange metallic and atmospheric num-ber where the groove is stronger than the melodybut this sort of music, under the name tedmo orhardcore, is currently gaining popularityy. Licenceand sub -publishing free except UK.

Records mentioned on the. page ore by promising mu which nest potential for breaking into the pan-European market The selection A done by the edamrol torn of Music & Milo. Rodw & TV prognimmerswontmg to ploy the mattwol mentioned here shook/ be aware Not not oil records are necessarily 'bleared

ewer, awe, International A&R managers and map, publishers on the look out for new deals shookcontact the or0nre masterpubbshing owners. Country of origin and contact numbers are listed osThaw wishing to submit matMal to this section should tend thwr reereds. biographies and photos to Mask&A1ndo, Goy Smith. PO Bar 9027 1000 AA Amsterdam. Naomi.

Nils Landgren

Follow your Heart

New CD/LP

Release in

Sweden

September 24

Subpublishing/

Licensing

available outside

Scandinavia

Talent Tracks issue 35

Title: Give It Up

1131111:1e1CPX19111511

For info call int.46-8-791 4692

or fax 46-8-10 99 92

r:1MEDIA

PAISIC a MEDIA -September I, InnMUSIC MEDIA - .ptember I. 190 If

AmericanRadioHistory.Com

MEDIA

SPOTLIGHTLos LobosThis week sees the release

of Los Lobos's new LP'The Neighbourhood!According to LondonRecords international

manager John Reid: "It'san album project but weare still going to go afterCHR radio for a hit with

the first single, 'Down OnThe River Bed!" Gary

Smith reports.

Los Lobos started out as anEast Los Angeles cultband, making pop/rock

music with a strong base inTex/Mex. With albums like 1983's...And A Time To Dance (theirsecond) and How Will The WolfSurvive, they built up a loyal pressfollowing. But their big breakcame in 1987, when RitchieValens's family asked them toperform the soundtrack to 'laBamba', a movie about the rock &roll star. The album sold fivemillion copies worldwide, whilethe title track single peaked at no.

6 in the Eurochart Hot 1W.The follow-up was La Pistola,

which was released in late 1988and was largely an acoustic LP oftraditional material, sung in

Spanish. In contrast, the band'snew LP, TheNeighbourhood, is arock album.

Its September 3 release will befollowed by the single Down OnThe River Bed on September 10,which will coincide with a shorttour of the UK, Holland, Italy,Germany and Spain.

Los Lobos are signed to Lon-don Records for the world exceptNorth America (Slash Records).John Reid explains the company'spromotional plans: "The cam-paign is based around the band'savailability for promotion andlive work in Europe, because theyhave heavy commitments in theUS.

"We are sending Ws one-track7" white labels and one-trackCDs of the single, just before theband arrive for their tour. We hada choice of devoting the twoweeks that they are here to promo-tion, or to concentrate on livework and to fit in interviewsaround that. We chose the latterbecause they area very good liveact and because, when their timeis so limited, just doing dullpromotional work seems a waste'

Down On The River Bed isonly being released in Europe.Reid again: "It is a good song,even if it is not an obvious choiceas a single. If it gets a lot ofairplay that's fine, but it's more of

a promotional tool. The follow-up single will be either Emily orAngel Dance.

"They are both very CHR andwe plan to release them just beforeChristmas. The band will be backin Europe for more promotion inJanuary/February, and a tour willfollow. In the meantime, we willsend out electronic press kits,which include a video interview.And there am plans to film a TVspecial in California for broadcastin the new yead'

MagnumSigned to Polydor worldwide

Publisher: Time Music Management: Keith Baker,

London Group members: Bob Catley

(vocals), Tony Clarkin(guitar), Wally Lowe (bass);Mickey Barker (drums), MarkSeanway (keyboards)

Current album: GoodnightLA, released July 9

Current single: Hear/brokeAnd Busted, released August13

Production: recorded atGoodnight LA studios in LosAngeles, produced by KeithOlsenPromotion: press, radio andTV adverts have supported thealbum's release

Tour plans: a UK tour isplanned for September andOctober

Euro release: no immediateplans

Magnum area UK rock band thathave been together for 10 yearsand have made five studio albumsand one live LP. Their first,Vigilante, was released in 1986

but went uncharted.However, in 1988, Wings (21

Heaven peaked in the UN album

chart at no. 5 and reached no. 29in the European Top 100 Albums.The LP scored three top singles inthe UK: Days Of No Trust (whichwent to no. 32), Start TalkingLove (no. 22) and It Must HaveBeen Love (no. 31).

On Goodnight LA, which iscurrently no. 40 in the Top 100Albums chart, lead guitaristClarkin shams the writing creditsfor the first time, with RussBallard, Jim Valence and SueShiffron. fl

Element Of Crime Signed worldwide to Polydor's

Progressive label Publisher: Roof Music,

Bochum Management: Self -managed Group members: Sven

Regener (vocals/guitar), Jakobllia (guitar), Veto (bass),Richard Pappik (drums)

New album: Crime Pays,released August 9

New single: Surabaya Johnny,released August 9

Production: recorded live atvarious venues in Germany,Austria and Switzerland.Produced by the group

Promotion: a comprehensiveradio interview tour in GAS isunder way, along with anextensive campaign withGermany's WOM retail chain.The WOM stores will bedecorated with three differentposters and the group will befeatured in the WOM Journal(400.000 copies). Some

150.000 flyers have also beenprinted

bur a German club tour isplanned for autumn

Euro release: Crime Pays hasbeen released in GAS and theBenelux and is available inmost other Europeanterritories as a direct import

Crime Pays is the fifth album byElement Of Crime, one ofGermany's best live bands (theirGerman club tow last autumnattracted over 20.000). The 10tracks on the LP were composedby the group, with lyrics by

Regener. The single SurabayaJohnny is a cover version of theBrecht/Weill classic and is

receiving about 35 airplays a weekin Germany, while the video is inrotation on MTV.

Progressive A&R manager TimRenner says the band have soldover 100.000 records in their five-year history.

keep hearing rumours fromImy spies in the UK that

George Michael's forthcomingEpic album Listen Without Pre-judice: Volume I will he followedup with volume 2 this side ofChristmas. Nice timing, George,and if you can come up withanother little smoochy numberlike Last Christmas this year, youwill definitely be on my festiveplaylist.

Alas, not many anniversariesfor you this week. Bee Gee BarryGibb is 44 on September I, Al

Stewart is 45 on September 5 andChrissie Hynde will be 39 onSeptember 7. And this month thattrend -setting UK magazine Blitzcelebrates its 10th year. Among itsclaims to fame: it was "probably"the first magazine to interview themighty Smiths and Wham!.

September 1 is also the launchdate for London's Kiss FM. Ac-cording to one of the DJs, thepresenters "will not talk all overthe intros and boost their egos".Welcome on air, boys and girls,and I wish you luck.

Actually, there are a few newstations for me to say hello to -Rrn International has beenbroadcasting since August 15 andRadiocentras in Lithuania hasalso just launched (although I

haven't managed to tune in yet).And it's a big hello to the fast newnational UK station in 23 years,BBC Radio 5, on air on August27. David Hatch, MD of BBCNetwork Radio, tells me R5's theplace to be if you want a bed -timestory for your child, language tui-tion, World Service updates and aringside seat at all the great sportsevents. All at once? A virtual rot -call of Beeb personnel - TerryWogan (rev), Stephen Fry, PhillipSchofield, Pamela Stephenson,Emma Freud, Johnnie Walker,the irksome Simon Fanshawe etc -will be among the hosts for whatlooks to me like the broadestvariety of shows available on onestation in Europe. Unless, ofcourse YOU know better...

Oh, and on a similar subject, Ineed your help. If you area jazz, ahard rock or any sort of specialistshow presenter, could you dropme a note? It's all to do with a topsecret mega plan of mine. Nuffsaid.

The hen Following the newsthat Robbie Vincent has donateda sizeable chunk of his personalrecord collection to Kiss, comesreports of a similar gesture atanother incremental - this time bythe programme controller ofStockport -based KFM. Only dif-ference here is that John Evingtottnow wants his 3.000 records back!

Oh dear. Independent RadioNews in London and its sister sta-tions LBC Talkback andNewstalk have cut another 21jobs. Meanwhile, one of the sta-tion's producers, Peter O'Con-nell, has been fired for airing aphone-in on "sexual deviancy"including bestiality. PresenterBarney Burnham is said to havebeen suspended for six month;but whether this means he hasbeen hung from the ceiling is notreally clear!

Now, a little item due to be soldat a rock & roll memorabilia saleat the end of last month, will be of

MAKING WAVES

interest to everyone who has evercrossed swords with their boss.It's a typewritten note from a sta-don manager telling off a DI forstaying out of the office too longon a job. But then the job was in-terviewing John Lennon andYoko Ono lying in bed in Mon-treal as a peace protest. Thememo has a hand-written note ofexplanation on it from Lennonhimself and was expected to raiseat least £ 2.200 at the auction.

I was in Prague last month tosee The Cure performing to12.000 people, a great night in-deed. Perhaps the best bit (byWestern standards) was the priceof a ticket - between US$ 740. Ex-pensive for the East, red if thatprice is anything to go by, I will beseeing all the super groups inCzechoslovakia in the future

Now here's a sure hit fromEMI's John Briley. Fancy doingan on -air interview with MCHammer? Well, take one into thestudio, ask it a question and bangthe microphone a few times!

John, it's the way you tell 'em.

`er

Tuning In To Polskie Radio 2 Format: Mood -based musk:

and culture Music/so...111.k): 65:35 ice :thows. 'Ca:a-Cola

Lorochate, 'Stereo Club'i Inrget audience: 'youth!

:Sonar audience. app. 5inilliun (average)

HOUR on an: 05.30-02.(/0 Preonency 69.20MH,

70.22MHz, 68.72M111, (.nershin: state.owned Addretts: al. JP Woronia,a

Blok D, 00:951:1Arsaw litephonei 48./2478327

DJ/ pioducef, l lodsk klesztn,"Radio 2 is one of four nationalstations, but it is the only stereoservice covering the whole coun-try. As such, it was decided thatit should be an artistic station,so we have theatre, discussionsand literary programmes as wellas music.

"Music programmes are

mainly devoted to various kindsof pop, though classics am alsopart of the schedule. Musicvaries a lot, from easy listeningin the mornings, to get people ina happy mood, to specialistshows on soul, country, oldies,world music, and so on.

"Music selection is done by

individual 111. and producers.There is no playlist but Ids havetheir own powerplaye which de-pend on personal taste Usuallypeople play up-to-date releases,so there is a lot of pop, but wealso use magazines like Bill-

board and NME to select hitsfrom the jazz, indie, ethnic andother specialist charts.

"We try to describe youth cul-ture from mound the world,everything from heavy metal toAlgerian rai, because peoplehere don't know much about ityet. We have been isolated formore than 40 years.

"Weekends are different, withmore pop culture. Every Satur-

day afternoon we play the'Coca-Cola Eurochart'. This isthe most popular chart here andhelps bring us closer to WesternEurope. Other charts on Polishradio are based on listeners'votes, not record sales.

"Sunday is more oldies bas-ed. It's more relaxing and wealso have some live concerts.The big evening show is therecord review, featuring the bestalbum tracks. Other shows aremore singles based.

"There is some sponsorship.For example, the daily phone-inshow 'Radio Contact' is sup-ported by Medical, a medicalequipment company. Advertis-ing is not aired during shows,but at the end of them.

"A special office providesfeedback, so we know what peo-ple want to hear. Listeners calland write a lot; we get about20.000 letters weekly. We dosome roadshows and outside

Polskie Radlo'"PROGRAM ;I

events, but money for them isvery limited.

"Our relationships with re-cord companies vary, but we dotry to co-operate with them andgenerally they are good to us.Most send promo discs, evenfrom West Germany, the UKand the US. But we still needbetter contacts. Although ourmarket is not very big yet, it'sstill important for them to getairplay in Poland.

"As for the future, we are try-ing to change but we don't yetknow how things will work out.Broadcasting as a whole is

changing in Poland, and willcontinue to, but it's too early tosay how things will develop!' E

MUSIC

MEDIA

MUSIC & MEDIA September 1, 1990 MUSIC & MEDIA - September I, 1990 21

AmericanRadioHistory.Com

STATION REPORTS STATION REPORTS

achAtions him Me 411.0f Idle tmoos from Il*Furopicommas

PP: ..verel,AD: Additions no the gar..LI: Album of Me weekCL: CapST Studs

Due to snmer vacauen lrerds': I

teanot pe pu01.1 until tun _d

UNITED KINGDOMBBC RADIO I LondonChris Lycett . Sn. rod.A ListAO Cfill Richard. Silhouettes

Deacon Blue. I'll Never FallII ListAD Janet Jackson- Alright

KLF- What Tme Is LoveLondon Beat- I've BeenQuireboys- There She GoesSonia- End Of The World

CAPITAL RADIO LondonRichard Park Prog. Contr.

Deee.Lite. Groove Is In TheLA 011x Coming Back For MoreWhitemake- Now Youre GoneTem Talk To Me

Janet Jackson- AInghtLoose Endo Do. Be A FoolINX.S. Suicide Blonde

PIETRO FM NewcastleGilm Squire Prog. Contr.AO Paul Carrack- Loveless

Nchard Marx- Endless Summer

It's Immaterial- Heaven KnowsMaxi Piles. Peace Throughout

PICCADILLY RADIO MancheNerDavid Dunne Head Of MusicA List:

AO Mw. Next To YouGo Wes, King Of WIsh,1Lindy Layton- Silly GamesGeorge Michael-. Praying For TimePrefab Sprout- Looking For

B List:. Dream Warriors- Wash Your

Duran Duran. Violence OfHuman League. Heart Lilm ALondon areat- Yoe Been

If Richd. Silhou ettesUB40- VVear Y. , The Heart

Not Was. How The Heart

GREATERGREATER LONDON RADIO LandonTrevor Dann Head Of MusicA List:

AO jonnBonJmbMarun- Deny T. LoveOI Gory

Wilson Phillips- Release MeRobert Cray. The Forecast

B List:

Talk Talk. Life's VVhat You

Bob GeldoT Lore Or SomethingAlannah MyIN- Lover Of Mine

BRMB BirmHeainhamRobin Valk Of MusicA List:

AO Primal Scream- Come TogetherWilson Phillips, Relmm MeCrag McLachlan- AmandaHothouse Flowers- Can See

Asyead- Next To YouGo West. King Of WishfulGeorge Mmhael- Praying ForDeacon Blue P)

Wet .t et(.E Stay With MeKLF- What Time Is LoveMC Hammer. You've Got MeHuman League- Heart Like ABetty Boo. Where Are You

B List:Little Cmsar. Chain Of FoolsTo, Tonl Tone- The BluesRichard Marx. Emile. Summer

Diana Brown- Sun WorshippersBlack Crowes. Hard To HandleDan Markut Band -AngelinaThar Petrol Emotion. Hey VenusIan Gillan. No Good LuckDread Zeppelin- Hearthreak

World Pu-cy. Way Down Now

RADIO CLYDE -GlasgowAlex ckson Prog. D.A List:DiAO Bombalimma- Bitsy Teeny

SeloRNVahlberg- The RightThe Tone- Jerk Out

Dave Stewart- Jack TalkingPartners In Kryme- TurdeBetty Boo. Where Are You

B ListAO Ian Gillan- Na Good Luck

Maxi PrIesm Peace ThroughoutMC Hammer- Have You SeenHo, Steppin' StonePlutonic. Tubular BellsRobert Cray- The ForecastTalk Talk. Life's What YouTears For hare. Famous LastJoan Armatradng- Free

RADIO CITY LiverpoolTony McKenzie - Head Of MusicPowerlist

AO MerleirooPadrem All I'mBen LieNand- I WishBrenda Russell. St

TheFleetwood Mac- Skiesop The LlmkCraig Mc,chlan. MomBruce It orn,. Across TheGlen Goldsmith- You've Got Me

A List:AD Johnny Gill/Karp G My My My

Tony Toni Tone- The BluesGeorge Michael. Praying ForKLF. What Time Is LoveBombalunnold

Q

Itsyue Bnst.syBon.TeenyA Tribe CalAswad- Next To u

RIghtecto Brothers- UnchainedDepeche Mode- Policy Of TruthSeikoWahlberg- The Right

Betty Boo. Where Are ,u

RADIO TRENT GROUP NottinghamLen Groat - Deputy Prug.Dir.A L.

The Associateo Fire To Ice

MavyPrie5t.e5t. Peace Throughout

Frazier Chorus- Nothing

AO JoB List:

an Armatratling- FreeJon Bon.. Blare Of GloryPaul Carrack- LovelessHarriem Temple Of LoveCliff ichard- Silhouettestoe Jackson. Stepp.' Out

,Rlivcer.City,,,Perople

DOWNTOWN R.10 - BelfastJohn RSborough Head Of Frog.AO Deacon Blue II Nver Fall

Joe Bunny. CanI Cane You PartyNchard Marx Endless Summer

John W. Harding. The it In

Paul Carrack- Loveless

DWR.. Bristol/SwindonAndy Westgate Head Of MusicAO Asv, Next To You

Wilson Phil. Release MeShake Sreyeno PinkSeikolWahlberg, The RightStew Miller Band. The JokerHuman League- Heart Leor

Dave Stewart- Jack TalkingLondon Beat- 've BeenSonny Southon- Two WorldsHalo fames- Wanted

Deacon Blue- II Never FallGeorge Michael. Praying For

RED ROSE RADIO PrestonlBlacksolKenniJames- Head Of MusicA List:AO Sting-. Englishman In NY

Prince- Thieves In The TempleJona

Wilson Phillips- Release MeBilly 1.1. LA WomanDuran Dran- Violence OfDeaton BIN (EP)

ATLANTIC 252 County MeathPaid Kavanagh - Head Of MusicTop 10:

DNA/Suaanne kkga- Tom's DlnerBoinbalurina. hsy Bitsy TeenyMariah Carey- ,sion Of LoveNew KiN Off Block- TonightBad English- PossexonPartners In Kryme- Turtle

rince- Thieves In The Temple

Jon Bon Jovi. Blaze Of GloryMadonna- Hanky Panky

Soup Dragons I'm Free

RADIO RADIO. ManchesterNigel Williams. Sen. Prod.*ListAO Human League. Heart Like A

George Michael- Praying ForSteve Kier Pond. The JokerWas Not Was- Now The Heart

List:AD Bassomaric. f ascinating

Dem-lite- Groove Is In The

MC Hammer. Youve Gat MeVVorld Party- Way Down Now11. Priest. Peace Throughout

RADIO HALLAM Sheffieldca Pepall Need Of Music

AO Talk Talk- Life's What YouBlack Crowek HaN To HandleRichard Marx- Endless SummerB-Sl's. ChannelLondon Bea, Been

ABC- Look Of LoveSonny Southon- Falling Through

RADIO BROADLAND NorwiMDave Brown Head Of MusicPP Crag McLachlan- Amanda

Deacon Blue -Are You ThereCYR iths, .ouettesElton John- ClubAtThe EndWilson Phillips- Release Me

Roxette. Listen To YourA ListAD<a Wet wet -nay With Me

Paul Carrack- Loveless

Sung. Englishmen m NYRichard Marx. Endless Summer

London Bea, I've BeenB ListAD Jonathan Butler. HAI Our

Aswad. Next You

Suzanne Vega- s DinerVaya Con DO.- What's A WomanNikki- Notice Me

FOX FM - OxfordS.e Fills Prog. Contr.AD Deacon Blue- HI Never Fall

Hothouse Flowers- Can Sec

Steve Miller Band. The JokerPrimal am -Come Toge.rht.onna. Hanky PankyNew Kids COT Bloc, TonightTongue Cheek. NobodyWilson Phillips. Release Me

RTL 208 LondonMX Gahm - Pros. Dir.PP Sonia- End Of The World

London Bea -Pe BeenBlack

II Lis

Crowes. Hard To HandleVVorld arty..y Down Nowt

AO Primal Scream. Come TogetherChris De Burgh- Don't Pay The

Talk Talky Life, WhatC L.AO Joe Jackson- Stepp,' Out

MC Hamm. You, Got MeJonct-than Buder- Heal Ouran

Mornay 'N' DBM- SummertimeLP Whispers

An Emotional Fish

IIMMEINWKI2 FPI DublinJohn Clarke DyProd.PP Prince- Thieves In The Temple

Prefab Sproum Looking ForManah Carey- Vision Of LoveDNAIStoanne Vega. Torn's DinerMC Hammer- U Can't Touch This

AO Nelson. Love AWTongue 'yr Cheek- Nobody

Jon on jovi- Blass Of GloryI=1BAYERN 3 Munich

BoetckesHead Ent Pgms.

A List

Fury Slaughterhouse- OneDar. Ghan, Mother NatureLonnie Gordon- Beyond YourCharles El Lewis. Soca DanceNew Kids OiT Nock- Tomght

B List:AO Vaya Con Dios. What, A Woman

NOR HamburgLutz Ackermann Head Of MusicAO London Beam I, Been

Peter Cornelius- ,faelligSiorella Mammoia- La GiostraChristian Demand. Wenn Du Mich

Crosby 51111Na..11Richard Sanderson- So Many

SWF Baden BadenUlli Frank - DyProd.AD Human League. Heart Lake A

Dave Stewart- Jack Talking

Propaganda. Only One WordWec Wet Weo Stay VA. Me

LP An Emotional FishSonny Southon

HR 3 FrankfurtMarkus Hertle DJ/Prod.AO Hothouse Flowers- I Can See

PM amsn- We Love To Lo.

Blow Monkes- La PassonaraDouble Trouble. Low Don't

f on Bon jovy Blaze Of GloryComplracy- EveryorneDNASuranne Vega- To. Diner

Queen Of Spades- Here Am

SOB StuttgartHans Thorns rod.PP Go West- King Of Wi.fulLP Bonnie RR..

RB 4. BremenAxel

TheBausch DyProd.

AD Aerosmith. The Other Side

Claudia Bruetken. AbsolutChicago- Hearts In TroubleEveryday People. Headline

Horse. Sweet TtpngHuman League- Heart Like ALindy Layton. Silly GamesLondon Beat- Pve BeenPrefab Sprout. boking ForShack. I Know You VVeIlSN, Mary Had A Little BoyDave Stewart. Jack TalkingPhillips Wiser, Releam Me

SR/FUROPAWELLE SAARDieter Eater. DyProci.AO Cr.hicago- Hearts In Trouble

.ctay'roAJt1 'F:trfBlassBombalunna- ltsy Bmsy TenyCold).- Last Night A DiWhmesnake. Now You. GoneQuire.. There She GoesHann Boel. I Wanna Make LoveHuman League- Heart tAe AIlleNotae- Stand All TogetherPrefab Spoou, Looking For

LP

RIM Z BerlinHenry Gross- Head Of MusicA Ust.

Snap. Ooops UpNannah My. Love Is

MederosiBrown- She in'tThe Pasadenas. Reeling

Prefab Spray, Lookrng ForFleetwood 11.. Sties TheBelinda Carlisle- Summer Paln

Timmy Thomas. Why Can't .Suzanne Vega- To. DinerWilson Phillip, Release IleConspiracy- Eve'trpme ,uItint Can Get EnoughDave Stewart- lack TalkIngMaxi Priest- Close To YouGroenerneyer Delne Liebe KlebtBig Fun g Sonia. ,u'oe Got ADusty Springfield- ReputationHamm Boel- Vienna Make LoveHorse. Sweet Thing

SFB 2 BerlinJuergen juergens Head 01 M sicA List:

AO C.rles D Lewis. Soca DanceBonme Rai. Have A HeartWilson Phillips. Release MeGeorge Praying For

B List:AO Moo- Love Grow

Hothouse Flowers- Can See

DNAtSuttanne Vega- Tom's Diner

RADIO MR LudwigshafenHans Rapper DI/Pred.

AO Horse- Sweet T.Rosie Ama- yes Of A Woman

LP PurplNoSt Wehulzas

Was

RSH KielMartin Schwebel. Head Of Music

PP New K. Oa Block. TonightDNAISuaanne Vega- Tom, Diner

AD Edi Lank, Uns Ble. DieSacco ame, Rainbow'sVaya Con Dos- What's A WomanCraig McLachlan- AmandaGroenemeyer. Dein Liebe KlebtMari. Carey- Vision Of LoveTenn, Thomas- Why Can't WeDavid Hasselho, Croy For

RADIO GONG 2000 MunichWalter Freiwald Music Dir.PP Partners In Kryrne- TurtleAO Blue Pearl. Naked In The

Innocence- Silent VoiceKim Wilde. Love Moves

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POLSKIE RADIO 3 WarsawMarek Niedzwiecki Prod.

PP Propaganda. Only One WordAD Wilson Phillips- Release Me

Duran Duran- Violence OfKim Wilde. Can't Get EnoughHouse Of Love. I Don't KnowBonnie Rah, Thing CalledTaylor Dayne- Heart Of Stone

VOA EuropeJune Brown - DirectorPlaylist Top 10:

Janet Jackson, Come Back To IleBerg(Janet

Carey- Vision Of Loveiv Devoe. Do Me

Poison- Unskinny BopSweet Samaria, if WishesGo West. King Of WishfulJon Bon jazz Blaze Of GloryThe Time- Jerk OutWilson Phdlip, Release MePebble, Giving You The

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Tina Turner- Look Into MyAerosmith The Other Side

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Timmy Thomas. Why Can't WeGary Moore- Walking By MyselfMidnight Oil. King Of TheDave Stewaro jack Tag ingWas Not Was. How The HeartCohn James- gist Came Bad,

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24 MUSIC & IMSOIA - September 1, ISM MUSIC 8. MEDIA -September I, 1990 25

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