Fashion Victim Evaluation

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    Crime scene to fashion scene -

    The project started with an empty shop

    window and lots of paper plans.

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    Sanj (artists diary)

    Carrying mannequins through town created lots ofinterest and opportunities to explain what we were

    doing

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    The 9MM logo identified all of the art pieces.

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    Documenting the project -

    Photography helped to reinforce the narrative of the

    changing space.

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    Bloody handprints memento mori

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    Sanj (artists diary)

    There was a journey from a fairly normal looking window

    to one that was quite disturbing, with live mannequins

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    Im sure I saw one of them blink

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    There were lots of loud screams when wemoved

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    The shattered glass effect was achievedwith broken Perspex

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    Sanj (artists diary)

    A golden moment was being let down on theshattered glass acetate we got free materials

    and had the BEST FUN smashing them.

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    Guy selling newspapers nearby got it he gave us afree copy the day the lead story was a girl gang knife

    fight on the buses

    Simon Walker (artists diary)

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    Refreshing the display Planning comesalive

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    audience response whatsyourlabel ?

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    Im not brand loyal but I am brandeducated

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    Sanj - artist

    Flower / memorial was very effective; people were

    extremely intrigued

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    fashion victim 31 Jan 2005 rest in peace

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    Fashion Victim @ The WindowSimon Walker, Sanj Kavanagh, Zoe Hillyard

    Support and co-ordination from FPLA / Friction ArtsSponsored by Arts Council England, Birmingham Artists

    Images by Brigitte Wilson

    Evaluation by Simon Redgrave