FILM-PHILOSOPHY CONFERENCE

3-5 July 2018

#FP2018

http://www.film-philosophy.com/conference/

https://www.facebook.com/filmphilosophyconference/

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VENUE

Conference Map: https://drive.google.com/open?id=1jAkG_ZoMtG6uxgHLHGkk-ii6_U6JXLqN

MAIN: Department of Cultural Sciences (https://kultur.gu.se/) University of Gothenburg Vera Sandbergs Allé 8 411 33 Gothenburg, Sweden

UNIVERSITY OF GOTHENBURG. VASAPARKEN, AULA. UNIVERSITETS PLATSEN 1. 411 24.

HAGABION. LINNEGATAN 21. 413 04

Map: https://www.gu.se/english/about_the_university/units/?departmentId=051120

You can reach the department by trams (6, 8, 7, 10, 13), buses (16 or 19) and the nearest stop is CHALMERS due to tram repairs going on in Gothenburg during the summer. This stop is but a 5 minute walk downhill to the conference venue!

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Programme Summary Tuesday 3 July

8:00 – 9:20 Registration and Tea & Coffee Vera Sandbergs Allé 8

9:20 – 9:30 Opening Remarks Vasa A

9:30 – 11:00 Keynote: Catherine Wheatley Vasa A

11:00 – 12:30 Panels A

12:30 – 13:15 Lunch

13:15 – 14:45 Panels B

14:45 – 15:15 Tea & Coffee

15:30 – 17:00 Keynote: Eugenie Brinkema AULA: Vasaparken

17:30 – 19:00 Panels C

19:00 – 20:00 Drinks Reception Main Entrance Vera Sandbergs

Wednesday 4 July

9:00 – 11:00 Keynote: Aparna Sharma Vasa A

11:00 – 12:30 Panels D

12:30 – 13:15 Lunch

13:15 – 14:45 Panels E

14:45 – 15:15 Tea & Coffee

15:15 – 16:45 Panels F

17:15 – 18:15 Keynote: Maja Borg Hagabion Cinema

19:00 – 22:00 Conference Dinner Wijkanders

Thursday 5 July

9:00 – 10:30 Panels G

10:30 – 10:50 Tea & Coffee

11:00 – 12:30 Keynote: Emma Wilson AULA: Vasaparken

12:30 – 13:15 Lunch

13:15 – 14:45 Panels H

14:45 – 15:15 Tea & Coffee

15:30 – 17:00 Keynote: Kriss Ravetto Biagioli AULA: Vasaparken

17:00 – 17:15 Closing Remarks

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TUESDAY 3 July 2018 8-9:20 am Registration 8-9:20 am Tea and Coffee 9:20-30 OPENING REMARKS: MATS BJÖRKIN. Vasa A.

11-12:30 pm Parallel Panels A A1 VIDEO ESSAYS.

• Azadeh Fatehrad (University of Kingston) and Ros Murray (KCL), Adventures in the Archives

• Sam McAuliffe (Goldsmiths), Marguerite Duras and the Master Image

• Susannah Ramsay (University of Stirling), The Haptic and Tactile Potential of the Film Poem

Chair: Saige Walton

Vasa B

A2 Workshop: Almost Out: A Queer and Feminist Ethics of Film Curation.

Feminist Film Festivals. Club des Femmes (Birkbeck) with Anna Backman Rogers and Jenny Chamarette.

Vasa 1

A3 ETHICS AND AESTHETICS

• Iris Luppa (London Southbank), “Don’t you know we’ve met before?” Tonal qualities in Richard Linklater’s Before Midnight (2013)

• Beatriz Oria (Zaragoza), Lola Versus (2012): the Crisis of the Female Self in the Indie Rom-Com

• Alheli de Maria Alvarado Diaz (SVA), Nasty Women’s Revenge: A Comparative Reading of Handmaid’s Tale and Ex-Machina

• Silvia Angeli, (University of Westminster) “No Words Necessary: Peripheral Voices in the Works of Olmi and Piavoli”

Chair: Eva Sancho Rodriguez

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9:30-11 am KEYNOTE PRESENTATION

Catherine Wheatley (King’s College London) Chair: Lucy Bolton

Vasa A

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A4 SOUND, NARRATIVE AND GENDER

• James Batcho (UIC China), Simultaneity & Coexistence: Audible Overlaps in Cinematic Time

• Tobias Pontara (Gothenburg), Scoring the incomprehensible: The narrative significance of electronic music in Andrei Tarkovsky’s Mirror (1975)

• Olivia Landry (Lehigh), A Gendered Condensation of Time: Waiting in the Cinema of Angela Schanelec

• Tijana Mamula (John Cabot),Denis Villeneuve, Film Theorist; or, Cinema's Arrival in a Multilingual World

Chair: Matilda Mroz

2427 C

A5 NARRATIVE AND ETHICS.

• Elena Oliete-Aldea (Zaragoza), “Unsex me here”: Unveiling the (Counter)-Narratives of Gender Representation in Financial Crisis Films

• Marguerite La Caze (Queensland), ‘I can’t beat it’: Dimensions of the bad conscience in Manchester by the Sea.

• Mila Zuo (Oregon), Sour Satire, Biting Laughter: Asian American Comediennes and Assemblages of Awkwardness

• Tom Day (Edinburgh), John's Movies: Sincerity, Stupidity and Metamodernism

Chair: Tarja Laine

2427 B

A6 AUTHORSHIP, FORM AND NATIONAL CINEMA

• Pai Wang (UC San Diego), Remaking National Cinema, Performing Multiple Authorship: Reading “Maggie Cheung” in Irma Vep (1996)

• Pablo Gonçalo Pires de Campos Martins (Brazil), Beyond filmic experience: speculative authorship and unfilmed scripts

• Martin Hall (Stirling), The Subject in its Unbearable Splendour: British Cinema, Symbolic Death and 1968

• James Harvey (Independent Scholar) Montage as Assemblage/Assemblage as Montage: John Akomfrah's Purple

Chair: Boel Ulfsdotter

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12:30 – 1:15 LUNCH 1:15 – 2:45 pm Parallel Panels B

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B1 VIDEO ESSAYS

• Trine Riel (Galway), The Practice of Theoria: Visions of Greece • Charlotte Bence (Central Speech & Drama), Glocks in the

Cafeteria, Philosophies of Violence and Depiction of Teenage Identity in American Cinema

• Agnieszka Piotrowska (Bedfordshire), Tessellation

Chair: Elena del Rio

Vasa B

B2 Workshop: Teaching Film and Philosophy

Run by Catherine Wheatley (KCL) with Lucy Bolton (QMUL), Richard Rushton (Lancaster), David Sorfa (Edinburgh), Ben Tyrer (KCL). Link: https://teachingfilmphilosophy.wordpress.com/2018/06/25/the-journey-begins/

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B3 ETHICS

• Saheed Adesumbo Bello (Lagos), “Èsù Láàlú Omokùnrin Òde”: an “alter/native” source of meta-ethics in film

• Laura T. Di Summa-Knoop (William Paterson), Beauty and Disability: A Motion Pictures Perspective

• Graiwoot Chulphongsathorn (Westminster) The Cinematic Forest, the Holocaust, and Post-anthropocentrism in Ori Gersht’s The Forest (2005)

Chair: Jenny Chamarette

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B4 FEMALE ARTISTS FEMINIST ETHICS

• Elspeth Mitchell (Leeds), The Woman Is Not Me • Felicity Gee (Exeter), Yayoi Kusama’s Film Adventures in Self-

Obliteration • Elena Sarno (Sydney), Fabulative and playful filmmaking in

Teknolust

Chair: Laura Staab

2427 C

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B5 IDENTITY, FAILURE AND SPECTATORSHIP

• Nadège Lourme (Norwegian University), Between here and there: The unsettled spectator of Les Cowboys

• Erden Goktepe (Edinburgh), Post-colonial masculinities in Ceylan's film Once Upon a Time in Anatolia

• Burke Hilsabeck (Colorado), Failure, from Buster Keaton to Johnny Knoxville

Chair: Elizabeth Ezra

2427 B

B6 PSYCHOANALYSIS AND ETHICS

• Tyler A Theus (Brown), Dreams of a Reality TV Ghost Adventurer: Paranormal Reality TV and the Metaphysics of (Neo)Liberalism

• Alanna Thain (McGill), Against Dream Work: Sleep Matters • John Caruana (Ryerson), Excarnation and the Flight from

Oneself: The Cinema of Michael Haneke

Chair: Hannah Paveck

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2:45: 3:15 pm TEA AND COFFEE 3:30-5:00 pm KEYNOTE PRESENTATION

Eugenie Brinkema (MIT) Chair: Matilda Mroz

AULA: Vasaparken

5:30-7:00 pm Parallel Panels C C1 FEMINISM, WITCHCRAFT, THE FEMALE BODY

• Stephan Cloete (North West University), Cinematic mayhem: The witch(woman) in international cinema

• Elizabeth Ezra (Stirling) “Horror! He’s a Woman”: Witchcraft and Cinema’s Uncanny Origins

• Valeria Villegas Lindvall (Gothenburg), “The Flying Uterus: from abjection to divinity in The Book of Birdie”

Chair: Elspeth Mitchell

Vasa B

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C2 QUEER ETHICS

• Elisabetta Girelli (St Andrews), 'Alternatives Dwell in Murky Waters': Queer Failure, Counterintuitive Narratives, and Ivan Mozzhukhin's Performance in The Late Mathias Pascal (Marcel L'Herbier, 1926)

• Alex Forbes (Independent), A queer tradition: "Sworn Virgin" at the intersection of Europe, the Balkans and transgender visibility

• Alkisti Efthymiou (Panteion), ‘Pinochet Porn' by Ellen Cantor: Affective entanglements between avant-garde shock and camp hyperbole at the service of feminist filmmaking

Chair: Elisabetta Girelli

Vasa 1

C3 SERIALITY AND SURFACES

• Ilona Hongisto (Macquarie), To be continued: Seriality, truth and speculation in non-fiction media

• Francesca Minnie Hardy (Nottingham Trent), Call the fashion police! The seriality of European crime drama costume

• Lucio Crispino (South Australia), A Clockwork Venus: "Rococo-esque" Surfaces, Skins and Screens in Alex Garland's 'Ex Machina' (2015)

• Francesco Sticchi (Oxford Brookes), When Surfaces Matter: Personal Shopper and the Exploration of Subjectivity Through Media

Chair: Michelle Devereaux

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C4 COSMOS, CHAOS AND ETHICS

• David H. Fleming (Stirling), The Weird temporal redound of “chthulhucinema”: Or, pre-post-erous tentacular science fiction

• Ashley Woodward (Dundee), Dispositif, Matter, Affect, and the Real: Four Fundamental Concepts of Lyotard's Film-Philosophy

• Ben Tyrer (KCL), Morning on Melancholia: Or, Psychoanalysis and Speculative Realism at the End

Chair: Lucy Bolton

2427 C

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C5 CINEMATIC ETHICS

• Roxana Cuciumeanu (NSPS Romania), Cinematic Imageability as Social Process: Visions of Plato's Cave Allegory in Dan Pița's Films

• Martin O'Shaughnessy (Nottingham Trent), Cinema in the current Crisis: thinking a materialist deconstruction with the films of Abdellatif Kechiche

• Hudson Moura (Ryerson), Refugee's story-telling and the authenticity of the experience in Aki Kaurismäki's The Other Side of Hope

• Laurence Kent.(KCL) "Photogenic Alienation: A Xenofeminist Reading of Jean Epstein’s Film-Philosophy."

Chair: Catherine Wheatley

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7 pm – 8 pm: DRINKS RECEPTION. Main Entrance Vera Sandbergs.

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WEDNESDAY 4 July 2018 9-11 am KEYNOTE SESSION

Aparna Sharma (UCLA) Chair: Boel Ulfsdotter

Vasa A

11-12:30 pm Parallel Panels D D1 VIDEO ESSAYS

• William Brown (University of Roehampton), Clem: The Felicity

of Feline Feeling • Elena Del Rio (University of Alberta), Contrasting Ecologies in

Bill Viola’s Water Works • Alyssa Grossman (University of Gothenburg) and Arine Hogel

(Independent, Mneme-Automaton

Chair: Charlotte Bence

Vasa B

D2 FLUX, ECO PHILOSOPHY, TRAUMA

• Alberto Baracco (Turin), Ecophilosophy in Contemporary Cinema. Rethinking the Relationship Human-NonHuman Through Film

• Chiara Quaranta (Edinburgh), Cinematic Images: Audio-Visual Flux or Relational Entities?

• Chantal Bertalanffy (Edinburgh), The Cultural Trauma of Fukushima, Power, and the Ethics of Fictional Films

Chair: Annie van den Oever

Vasa 1

D3 SILENCE AND THE NON-HUMAN

• Murray Pomerance (Ryerson), Shhh!, Kelly Reichardt • Emilija Talijan (Cambridge), Foley as Ontography? The Practice

of Amplifying the Nonhuman • Elzbieta Buslowska (UAL), The Silent (Un)becoming. Song.

Chair: Michelle Devereaux

Vasa 2

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D4 FEMINIST CINEMATIC ETHICS

• Laura Staab (KCL), process, observed: 'Je tu il elle' (1974) & 'Exhibition' (2013)

• Julia González de Canales (Vienna), Lucrecia Martel and Paz Encina’s Contemporary Latin American Poetic Filmmaking and its Counter-Cinema Aesthetics

• Natacha Pfeiffer (Saint-Louis, Bruxelles), At the Frontier of the Female Gaze: Eccentric Subjects Within Hollywood Silent

Chair: Jenny Chamarette

2427 C

D5 THE BODY AND SUBJECTIVITY

• Tarja Laine (Amsterdam),The Body as a Prison-House: Get Out • Emily Torricelli (Independent),Studies in the Rock Star Self:

Todd Haynes’s Nietzschean Approach to Biography in Velvet Goldmine and I’m Not There

• Gabriella Blasi (Sunshine Coast), “That’s the Body:” the Limits of the Objectification of Women and Nature in Michelangelo Antonioni’s Blow Up.

• Joseph Jenner (KCL), Queering the Android: Ex Machina and Gender Performativity

Chair: Elizabeth Ezra

2427 B

D6 LANTHIMOS

• Eszter Simor (Edinburgh), Irony and Magic as Subversive Political Engagement in The Killing of a Sacred Deer

• Mark Cauchi (York, Canada), The Killing of a Secular Deer: Lanthimos, Kierkegaard, and the Present Age

• Ahmet Yuce (Georgia State), Between Phenomenology and Poststructuralism: The Medical Gaze in Crisis in The Killing of a Sacred Deer

Chair: Eugenie Brinkema

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12:30-1:15 pm LUNCH 1:15-2:45 pm Parallel Panels E

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E1 DENIS

• Tamara Tasevska (Northwestern), Claire Denis's nuanced colors • Kelli Fuery (Chapman), Outsiders in time: Adolescent Parrhesiastes

in the films of Claire Denis • Saige Walton (South Australia), Attuning to Reverie in 35 Shots of

Rum/35 Rhums

Chair: Martine Beugnet

Vasa B

E2 FEMINIST ETHICS

• Ros Murray (KCL), The Ethics of Care in Alice Diop's La Permanence (On Call, 2016)

• Hannah Pavek (KCL), Near Inaudibility: The Ethics of Listening in Claire Denis’s White Material (2009)

• Kate Dangerfield (Roehampton), Accessible Filmmaking and Ethical Experience

• Alice Pember (QMUL) ‘In Her Hips are Revolutions’: dancing dissensus in ‘Catch Me Daddy’.

Chair: Lucy Bolton

Vasa 2

E3

Workshop: Global Circulation as Discursive Space Run by: Karen Cheung (Humboldt) and Agnes Tam (Muenster)

Vasa 1

E4 NARRATIVE INTERVENTION, POP CULTURE AND

POSTHUMANISM

• Felix Laubscher (Berlin), Narrative intervention into future perception

• Anna Batori (Babes-Bolyai), Blockbuster-configurations and the cinema of the hybrid. The posthuman forms of hyper-denarrativization and hyper-stimulation

• Alexandra Colligs (Goethe, Frankfurt), Alienation as Critique in Pieces of contemporary Pop-Culture

Chair: Tijana Mamula

2427 C

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E5 FEMINIST POLITICS

• Jessica M Rodriguez-Colon (IDSVA), Maternal Representation in US American Media in 2016: representation or (miss)representation of US American Maternal Politics and its Philosophies?

• Maud Ceuterick (Otago), Affirmative films and feminist activism • Gül Yaşartürk (Akdeniz),Possibilities of Writing and Pleasure in

Ana Yurdu (Motherland, Senem Tüzen, 2015)

Chair: Valeria Villegas Lindvall

2427 B

E6 QUEER MOMENTS

• Jules O'Dwyer (Cambridge), Forms of cinematic cruising in recent French film

• James Lawrence Slattery (Independent), The ‘Aletheic’ Gaze as Queer Visioning

• Luiz Fernando Wlian (Rio de Janeiro), Queer musical moments: genre, narrative and contemporary cinema

Chair: Hannah Paveck

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2:45-3:15 pm TEA AND COFFEE 3:15-4:45 pm Parallel Panels F F1 Workshop: Intersectional Film Phenomenologies?

Run by Jenny Chamarette (QML), Kate Ince (Birmingham) and Katharina Lindner (Stirling)

Vasa B

F2 POLITICAL SUBJECTIVITIES

• Eva Sancho Rodriguez (Amsterdam) Slacker cinema revisited: political subjectivity after postmodern authenticity in American independent cinema

• Agnieszka Czarnecka (Krakow), What Is Politically Imagined in Agnieszka Holland's "Spoor"?

• Daniel Robert Varndell (Winchester), Violating Intimate Gestures

Chair: Alice Pember

Vasa 1

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F3 GLOBAL ETHICS/CINEMA

• Patricia Sequeira Bras (Birkbeck), Reciprocal recognition in Que Bom Te Ver Viva (1989)

• Oliver Kenny (Sciences Po), Despentes & Trinh-Thi, Ardennes, Derrida: reading genre, transgression and controversy through a theory of extremity.

• Goran Stanic (Edge Hill), Setting the Frame: Meta-textuality in Roma Representations

• Philippa Lovatt (St Andrews), Caregiving, Healing and Death in the films of Apichatpong Weerasethakul

Chair: Elena del Rio

Vasa 2

F4 TIME, ENCOUNTER, LIGHT & THE DIGITAL

• Tina Wasserman (Tufts), Damaged Time: Cinema and the Representation of Trauma

• Daniele Rugo (Brunel), Beirut: The Encounter, Pursuits of Happiness in Times of War

• Ricardo Domizio (Southbank), Molecular passion and digital affect in Shane Carruth’s Upstream Color

• Alexander Nevill (San Francisco State University) Passages of light in cinematography: a new-materialist perspective on practice.

Chair: Elisabetta Girelli

2427 C

5:15-6:15 pm KEYNOTE SCREENING & QA

Maja Borg Screening: MAN Interlocutor: Anna Backman Rogers

HAGABION

7pm onwards: CONFERENCE DINNER, WIJKANDERS

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THURSDAY 5 July 2018 9 - 10:30 pm Parallel Panels G G1 LIGHT, REMIX, IMAGE

• Christian Sancto (Utrecht), Untimely Light: Figuring the Cinematic

Contemporary between Weerasethakuul and Agamben • Tanya Shilina-Conte (SUNY Buffalo), Genealogy of the Cinematic

Remix and the Case of This Video Does Not Exist • Richard Misek (Kent) An Image of Space: Flatness, Immersion &

VR

Chair: Hannah Paveck

Vasa B

G2 HONG KONG AND CHINESE CINEMA

• Xi Liu (Sheffield), )Yijing Film Theory and Affect Theory: Schizoanalysis of Tea in Chinese Cinema

• Xuelin Zhou (Auckland), Gender and Genre: Female Film in Hong Kong Cinema of the 1960s

• Sophie Dascal (Geneva), Approaching Contemporary Cinema: The Case Wang Bing

Chair: Felicity Gee

Vasa 1

G3 GLOBAL CINEMATIC ETHICS

• Madeleine Stack (Goldsmiths), No Love Lost: The ambiguous women of Lola Clavo and Maria Llopis

• Rania Gaafar (Beirut), Here or Now - Film and the New Materiality of Crisis in the Middle East and North Africa

• Farshid Kazemi (Edinburgh), A Cinematic Cosmos in Process: Shaykh Aḥmad al-Aḥsāʾī, Hūrqalyā, and Cinema

Chair: Aparna Sharma

Vasa 2

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G4 ETHICS & MOOD IN RECENT AMERICAN CINEMA

• Nathan Roberts (Harvard), Anxious Paranoia on the Horizon: The Spatial Character of Drug-Induced Mood in INHERENT VICE (Paul Thomas Anderson, 2014)

• Lina Jurdeczka (KCL), Out of Time: Temporality and Cinephilia in Paul Thomas Anderson’s The Master

• Michelle Devereaux (Birmingham), Girlfriend in the Machine: Romantic Subjectivity and the Sublime Limits of Representation in Spike Jonze’s "Her” (2013)

• Gabriella Calchi Novati - C.G.Jung Institue Zurich Can’t You See I’m Burning? “Performance of the Anthropocene” in Darren Aronofsky’s mother!

Chair: Saige Walton

2427 B

G5 MEDIATION, ETHICS & TECHNOLOGY

• Nadica Denic (Amsterdam), Mediating self-presence: Exploring the affordances of filmic self-perception

• Lora Markova (Edge Hill), Embodied transculturation and the subversive potential of virtual empathy in the interactive art project 'The Machine to be Another' (2014)

• Rebecca Anne Peters (Pompeu), Re-creation, Consciousness Transfer and Digital Duplication: The Question of ‘What Counts as Human?’ in Charlie Brooker’s Black Mirror

• Peter Hajnal (Occidental College) Tact, Touch, and Playfulness: Anti-Cartesian Concepts for a Materialist Aesthetics of Digital Media

Chair: Alice Pember

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10:30-10:50 am COFFEE AND TEA 11-12:30 pm KEYNOTE PRESENTATION

Emma Wilson (University of Cambridge) Chair: Jenny Chamarette

AULA: Vasaparken

12:30-1:15 pm LUNCH

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1:15 – 2:45 Parallel Panels H H1 MAKING STRANGE

• Annie van den Oever (Groningen), If you only knew how strange it was: Media Archaeology and the Problem of Newness in Film and Media History

• Martine Beugnet (Paris 7 Diderot), Making Strange and the Disciplinary Gaze

• Janet Harbord (QMUL), Wordless Cinema: Fernand Deligny’s Wander Lines and Le Moindre Geste (1971)

Chair: Anna Backman Rogers

Vasa B

H2 GAMING AND ETHICS

• Andrea Bergamini (Cork), Player’s Crisis - The Last Of Us Questioning Player’s Agency and Actions In Relation To The Played Character And The Game Story’s Imperatives

• Toni Pape (Amsterdam), Queering Combat: The Political Values of Stealth Gameplay

• Leiya Lee (Independent), Video game live streams: the revival of classic psychoanalytic film theory

Chair: Mats Björkin

Vasa 1

H3 SUBVERSION, TRAUMA & CENSORSHIP

• Maria Flood (Keele), Disgusting Images?: Horror and Humanism

in Salafistes and Timbuktu • Jihoon Kim (Chung-ang), The Experience Engine of Local

Traumas: Recent Korean VR Documentaries • Anne Carruthers (Newcastle), Looking both ways: subverting the

documentary encounter in Vessel (2014, Diana Whitten) • Edward McDougall (Durham), Can One Resist Censorship?

Power, Confession and Shame in The Notorious Bettie Page

Chair: Lucy Bolton

Vasa 2

H4 HISTORY AND FORM

• Pansy Kathleen Duncan (Massey), “This [Silver] Language”: Towards a Natural History of Film Form

• Gert Jan Harkema (Stockholm), 'There and Not There': On Presence in Absentia, or, Whatever Happened to the Philosophy of Film History? – Redux

• Szilvia Ruszev (USC), Peter Hajnal (Occidental), Virtual Reality as Symbolic Form: Revisiting Panofsky's Cartesianism

Chair: Laura Staab

2427 C

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H5 ETHICS AND CONTEMPORARY MEDIA

• Allan Cameron (Auckland), Vampire Optics: Projection, Diffusion, Contingency

• Kris Fallon (UC Davis), (In)Security Through Obscurity: Computer Vision and the Peril of Transparency

• Michael N Goddard (Westminster), Genealogies of Immersive Media and Virtual Reality as Ontogenetic Aesthetic Machines

• Kata Szita (Gothenburg), The Mobile Mise-en-Scène: Post-Cinematic Film Experience on Smartphones

Chair: Tijana Mamula

2427 B

2:45-3:15 pm TEA AND COFFEE 3:30 – 5 pm KEYNOTE PRESENTATION

Kriss Ravetto Biagioli (UC Davis) Chair: Martine Beugnet

AULA: Vasaparken

Closing remarks, announcement of next year’s conference: ANNA BACKMAN ROGERS, DAVID SORFA, RICHARD RUSHTON.