27
Eugene Atget Gaby Velez Photo 2 Period 1 "this enormous artistic and documentary collection is finished today. I can say that I possess all of Paris."

Eugene atget 1[1]

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Eugene atget 1[1]

Eugene Atget

Gaby Velez Photo 2 Period 1

"this enormous artistic and documentary collection is finished today. I can say that I possess all of Paris."

Page 2: Eugene atget 1[1]

Historical Background

(February 12, 1857 – August 4, 1927) Born outside of the French city Bordeaux. He was raised by his uncle at the age of seven when he became an orphan. Worked as a sailor during his youth He was an actor most of his life and then experimented with painting and

finally found his true passion for photography. Settled in Paris in the 1890s He was noted for his photographs documenting the architecture and street

scenes of Paris. His preferred medium was silver gelatin prints and albumen prints.

Page 3: Eugene atget 1[1]

More Facts!

Eugene was seen at times a typical commercial photographer. He was not a progressive photographer but worked at pace that was comfortable for him. He didn’t find any movements or followers but made unique photographs that captured the culture of his home country France. He successfully understood and interpreted the visual complex task of photography.Eugene was a photographer of such authority and originality in his work.

Atget took his photographs with a large-format wooden bellows camera with a rapid rectilinear lens.

He wandered the haunted Parisian streets like a ghost, and somehow found through his camera the remains of a grand culture that lingered in the ancient streets of Paris.

Page 4: Eugene atget 1[1]

L’Eclipse, avril 1912, April 1912, toned silver gelatin print, 18.0 x 21.9 cm.

Page 5: Eugene atget 1[1]

(Organ Driver, 1899-1900,toned gelatin print, 21.5 x 22.8)

Marchand Abat-Jours 1899-1900 / toned gelatin silver print20.8 x 16.6 cm.

Page 6: Eugene atget 1[1]

Rue St. Rustique, March 1922 toned gelatin silver print21.7 x 17.5 cm.

Versailles- Bosquet de l’arc triomphe, 1904, albumen print, 21.8 x 18.0

Page 7: Eugene atget 1[1]
Page 8: Eugene atget 1[1]

Saint-Cloud1915-1919 / printed 1956 by Berenice Abbott from Atget's negativetoned gelatin silver print16.8 x 21.5 cm.

Versailles - (coin de parc), 1902,albumen print 17.2 x 21.5 cm

Credit Lines

Le Perreux - Tour de Marne1903, albumen print,17.7 x 22.0 cm.

Les Bords du Marne au Perreux (Seine),1903, albumen print,17.7 x 22.2 cm.

Page 9: Eugene atget 1[1]

Interesting Facts He was said to have been eccentric and short-tempered. In his 50s stopped eating anything except bread, milk and sugar. Advertised his photos as “documents for artists” which was common

practice for painters to paint scenes from photos. Around the mid-1890s, he bought his first camera and took over 10,000

images of the sights and people of Paris. Between 1897 and 1927, he captured the old parts of Paris by showing

the historic narrow lanes, historic buildings, and magnificent palaces. He liked to take pictures in the early morning hours when few people were out.

Eugene’s photos attracted the attention of well-known painters such as Henri Matisse, Man Ray, Andre Derain, and Picasso in the 1920s.

Berenice Abbott was the key that unlocked the perspective of Paris for the rest of the world to see his photos.

Page 10: Eugene atget 1[1]

(Angle de la rue de Seine et de la rue de l’Échaudé, AtgetAngle de la rue de Seine et de la rue de l’Échaudé, 1997, Rauschenberg)

Page 11: Eugene atget 1[1]

Tuileries - l’Aurore (Magnier) (1e arr)1907,albumen print, 21.7 x 18.0 cm.

Rue Asseline, 1924-25 silver printing-out paper print, 22.5 x 17.8 cm

Page 12: Eugene atget 1[1]
Page 13: Eugene atget 1[1]
Page 14: Eugene atget 1[1]
Page 15: Eugene atget 1[1]
Page 16: Eugene atget 1[1]

Description

In this photo, there is a single figure/statue standing to the right of the photo, it is outside, and there are many trees all moving in the same direction with a pathway leading in a linear perspective. Sepia photo with a soft layer to it.

Page 17: Eugene atget 1[1]
Page 18: Eugene atget 1[1]

Analysis

In this photo, there is use of line with the pathway down the middle of the photo, light and value for the strong contrasts, the trees form a rhythm in the picture and harmonize the composition of the photo. Also there is a sense of movement with the trees that allows your eyes to move to the end of the pathway.

Page 19: Eugene atget 1[1]
Page 20: Eugene atget 1[1]

Interpretation

I interpret this photograph as a very emotional piece, the elements and principles that are used help to capture the viewers eyes and create a soft, calming image showing the beauty of nature during his time.

Page 21: Eugene atget 1[1]
Page 22: Eugene atget 1[1]

Judgement

When I first saw this photo, it really caught my eye because of the soft and dark values and the unique addition of the sculpture in the photograph. I think the trees and the figure balance each other out creating a unified composition.

Page 23: Eugene atget 1[1]

Where is Eugene Atget from?

A. England B. Italy C. France D. Spain E. none of the above

Page 24: Eugene atget 1[1]

Correct Answer:

C. France

Page 25: Eugene atget 1[1]

What was Eugene’s first job?

A. Painter B. Photographer C. Librarian D. Actor

Page 26: Eugene atget 1[1]

Correct Answer:

D. Actor

Page 27: Eugene atget 1[1]

Bibliography http://www.art.com/products/p14178449-sa-i2956254/eugene-atget-the-moulin-rouge-

in-paris-1921.html http://www.atgetphotography.com/The-Photographers/Eugene-Atget.html http://www.iphotocentral.com/showcase/showcase_descrp.php/8/1/1/0 http://www.geh.org/fm/atget/htmlsrc/atget_sld00001.html http://www.flickr.com/photos/george_eastman_house/sets/

72157621011255003/?page=2 http://photographyhistory.blogspot.com/2008/03/atget.html http://www.google.com/images?

hl=en&rlz=1G1GGLQ_ENUS311&q=eugene+atget+nature+photos&um=1&ie=UTF-8&source=univ&ei=LKtITe3TKoOclgf_reH1BA&sa=X&oi=image_result_group&ct=title&resnum=1&ved=0CCgQsAQwAA&biw=1266&bih=563