Erik Marshall CV

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    Erik Marshall5050 Bosuns Way, C1

    Ypsilanti, MI 48197(313)505-1396

    [email protected]

    Education

    Ph.D. Wayne State University, May 2010. Dissertation title: Distributed Cinema: Interactive, Networked

    Spectatorship in the Age of Digital Media . : Robert Burgoyne (advisor), Kirsten Thompson, Steven Shaviro;

    Outside reader: Nicholas Rombes.

    B.A. Wayne State University, 1995. Majors: French, Education. Minor: English.

    Teaching Experience

    College Level:

    University of MichiganDearborn Lecturer I, January 2013 - Present

    Film and Society, Issues in Cyberspace

    Oakland Community College , Adjunct, 2009-Present

    Introduction to the Film, Composition II

    Henry Ford Community College Adjunct Professor, Present

    Media Writing, Introduction to Telecommunications, History of Film and Criticism

    Wayne State University. Adjunct Instructor, 2004-Present

    Graduate Teaching Assistant, 1998-2003.

    Introduction to Film, Intro to College Writing, Intermediate Composition, American Studies,

    Works of World Cinema, Writing.

    Lawrence Technological University. Adjunct Instructor, Fall-Winter 2007

    World Masterpieces of Literature I and II

    College for Creative Studies. Adjunct Instructor, Fall 2004

    History of Animation.

    Other:

    2001 Instructor, 14-week course on black film for local teens. Funded by Ford Foundation, sponsored by the

    Humanities Center, Wayne State University.

    1997-8 Teacher. French and English. Imlay City High School, Imlay City, MI.

    mailto:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]:[email protected]
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    Teaching and Research Interests

    Digital media, Documentary Film, Literary Adaptations, Film and Philosophy, Network Theory.

    Introduction to Film, History of Film, World Cinema, Animation Studies, Digital Media Studies, Documentary

    Film, Film and Literature, World Literature, Visual Culture, Media History, Media Studies, Cultural Studies.

    Publications

    "Indexicality And Spectatorship In Digital Media: Waking Life As Hybrid Digital Artifact." RevistaIlha do

    Desterro. No. 51, Jul/Dec 2006.

    "The Disappearing Other: The Portrayal of Dracula in Francis Ford Coppola s Bram Stoker's Dracula." The

    Gothic Other: Racial and Social Constructions in the Literary Imagination. McFarland Press, 2004.

    Review ofFatal Strategies, Baudrillard. Film Philosophy web journal, vol. 6 no. 44 (http://www.film-

    philosophy.com/vol6-2002/n44marshall).

    Conference Presentations

    Gamifying Education. Session facilitator. Great Lakes THATCamp, Michigan State University, Lansing, MI,

    2012.

    Paying Attention to Deficits in the Attention Economy. Canadian Association for American Studies, October

    18, 2010.

    Participant, Great Lakes THATCamp, Michigan State University, Lansing, MI, March 20-22, 2010.

    The Interactive Networked Spectator: Video Games, Cinema, Machinima. Society for Cinema and Media

    Studies, Philadelphia, PA, March 7, 2008.

    "Just Kidding: Digital Media and the Rise of Subjective Narration." Society for Cinema and Media Studies,

    Chicago, IL, April 2007.

    "Digital Realism and Database Narrative in Waking Life." Society for Cinema and Media Studies, London,England, April 2005.

    "Moving Words: The Use of Film in Literature." Twentieth Century Literature Conference, Louisville, KY,

    March 2003.

    Panel Chair. "High Art," Twentieth Century Literature Conference, Louisville, KY, March 2003.

    Panel Chair, "Dogme 95," Y/X conference, Wayne State University, Detroit, 2002.

    http://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshallhttp://www.film-philosophy.com/vol6-2002/n44marshall
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    "Belief Construction vs. Historical Fact in Morris's Mr. Death," Society for Cinema Studies, Washington, D.C,

    May, 2001.

    "Portryals of Drug Use in Recent Films," Y/X conference, Wayne State University, Detroit, March 2001.

    Departmental Service

    2001-2 Appointments Committee, Wayne State University

    1999-2000 Graduate Committee, Wayne State University

    Professional Memberships

    Society for Cinema and Media Studies

    Modern Language Association.

    Foreign LanguageFrench: proficient speaking and fluent reading abilities.