Publications for Eric Csapo

2014Csapo, E., Wilson, P. (2014). Dramatic Festivals. In Hanna M.Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 292-299). Chichester, UK: Wiley-Blackwell Publishing.Wilson, P., Csapo, E. (2014). Economic History of the GreekTheater. In Hanna M. Roisman (Eds.), The Encyclopedia ofGreek Tragedy, (pp. 307-314). Chichester, UK: Wiley-Blackwell Publishing.Csapo, E., Green, J., Wilson, P., Rupprecht Goette, H. (2014).Greek Theatre in the Fourth Century B.C. Berlin: Walter deGruyter.Csapo, E., Wilson, P. (2014). Origins and History of GreekTragedy. In Hanna M. Roisman (Eds.), The Encyclopedia ofGreek Tragedy, (pp. 926-937). Chichester, UK: Wiley-Blackwell Publishing.Csapo, E. (2014). Performing Comedy in the Fifth throughEarly Third Centuries. In Michael Fontaine, Adele C Scafuro(Eds.), The Oxford Handbook of Greek and Roman Comedy,(pp. 50-69). Oxford: Oxford University Press.Wilson, P., Csapo, E. (2014). Records. In Hanna M. Roisman(Eds.), The Encyclopedia of Greek Tragedy, (pp. 1141-1142).Chichester, UK: Wiley-Blackwell Publishing.Csapo, E., Wilson, P. (2014). The Finance and Organisation ofthe Athenian Theatre in the Time of Eubulus and Lycurgus. InEric Csapo, Hans Rupprecht Goette, J. Richard Green, PeterWilson (Eds.), Greek Theatre in the Fourth Century B.C, (pp.393-424). Berlin: Walter de Gruyter.Csapo, E. (2014). The iconography of comedy. In MartinRevermann (Eds.), The Cambridge Companion to GreekComedy, (pp. 95-127). Cambridge: Cambridge University Press.

2013Csapo, E. (2013). Comedy and the Pompe: Dionysian genre-crossing. In Emmanuela Bakola, Lucia Prauscello, Mario Telo(Eds.), Greek Comedy and the Discourse of Genres, (pp. 40-80). Cambridge, UK: Cambridge University Press.Csapo, E. (2013), The Dionysian Parade and the Poetics ofPlenitude (UCL Houseman Lecture, UCL Department of Greekand Latin, 20 February 2013).

2012Csapo, E. (2012). 'Parade Abuse', 'From the Wagons'. In C.W.Marshall and George Kovacs (Eds.), No Laughing Matter:Studies in Athenian Comedy, (pp. 19-33). London, UK: BristolClassical Press.Wilson, P., Csapo, E. (2012). From Choregia to Agonothesia:Evidence for the Administration and Finance of the AthenianTheatre in the Late Fourth Century BC. In D Rosenbloom and JDavidson (Eds.), Greek Drama IV: Texts, Contexts,Performance, (pp. 300-321). Oxford, United Kingdom: Arisand Phillips.Csapo, E. (2012). The Economics, Poetics, Politics,Metaphysics, and Ethics of the "New Music". In DYatromanolakis (Eds.), Music and Cultural Politics in Greekand Chinese Societies: Volume 1: Greek Antiquity. Cambridge:Harvard University Department of the Classics.

2010Csapo, E. (2010). Actors and Icons of the Ancient Theater.United Kingdom: Wiley-Blackwell Publishing.Csapo, E., Wilson, P. (2010). Le passage de la chorgie l'agonothsie Athnes la fin du IVe sicle. In Brigitte LeGuen (Eds.), Largent dans les concours du monde grec, (pp. 83-105). Saint-Denis: Presses Universitaires de Vincennes.Csapo, E. (2010). The Context of Choregic Dedications. InOliver Taplin and Rosie Wyles (Eds.), The Pronomos Vase andits Context, (pp. 79-130). Oxford: Oxford University Press.Csapo, E. (2010). The Production and Performance of Comedyin Antiquity. In Gregory W Dobrov (Eds.), Brills Companionto the Study of Greek Comedy, (pp. 103-142). Leiden: Brill.

2009Csapo, E. (2009). Actors and Acting. The Oxford Encyclopediaof Ancient Greece and Rome. Oxford University Press.Csapo, E. (2009). New Music's Gallery of Images: the"Dithyrambic" First Stasimon of Euripides'' Electra. In J.R.C.Cousland and J.R. Hume (Eds.), The Play of Texts andFragments: Essays in Honour of Martin Cropp, (pp. 95-109).Leiden, The Netherlands: Brill.Wilson, P., Csapo, E. (2009). The End of the Khoregia inAthens: A Forgotten Document. In M.C. Martinelli (Eds.), LaMusa dimenticata: aspetti dell esperienza musicale greca in etellenistica, (pp. 47-74). Pisa, Italy: edizioini della Normale.Csapo, E. (2009). Theatrical Production, Greek. In M. Gagarin(Eds.), The Oxford Encyclopedia of Ancient Greece and Rome.UK: Oxford University Press.Csapo, E., Wilson, P. (2009). Timotheus the New Musician. InFelix Budelmann (Eds.), The Cambridge Companion to GreekLyric, (pp. 277-294). Cambridge: Cambridge University Press.

2008Csapo, E. (2008). Star Choruses: Eleusis, Orphism, and NewMusical Imagery and Dance. In Martin Revermann and PeterWilson (Eds.), Performance, Iconography, Reception: Studiesin Honour of Oliver Taplin, (pp. 262-290). Oxford, NY, USA:Oxford University Press.Csapo, E. (2008). The Iconography of the Exarchos.Mediterranean Archaeology, 19/20(2007), 55-65.

2007Csapo, E., Miller, M. (2007). General Introduction. In EricCsapo & Margaret Miller (Eds.), The Origins of Theater inAncient Greece and Beyond: From Ritual to Drama, (pp. 1-40).New York: Cambridge University Press.Csapo, E. (2007). Satyr drama. Tragedy at play. Bryn MawrClassical Review, 57(2), 293-295.Csapo, E. (2007). The Cultural Poetics of the Greek Cockfight.Australian Archaeological Institute at Athens Newsletter.Csapo, E. (2007). The Men who Built the Theatres:Theatropolai, Theatronai, and Arkhitektones. In Peter Wilson(Eds.), The Greek Theatre and Festivals: Documentary Studies,(pp. 87-121). Oxford: Oxford University Press.

Csapo, E., Miller, M. (2007). The Origins of Theater.Cambridge: Cambridge University Press.

2006Csapo, E. (2006). Cockfights, Contradictions, and theMythopoetics of Ancient Greek Culture. Arts: the Proceedingsof the Sydney University Arts Association, 28, 9-41.

2005Csapo, E. (2005). Theories of Mythology. Oxford: BlackwellPublishers.

2004Csapo, E. (2004). Some Social and Economic Conditionsbehind the Rise of the Acting Profession in the Fifth and FourthCenturies B.C. In C. Hugoniot, F. Hurlet, S. Milanezi (Eds.),Le Statut de l'acteur dans l'antiquit grecque et romaine, (pp.53-76). Presses Universitaires Franois-Rabelais.Csapo, E. (2004). The Politics of the New Music. In PenelopeMurray, Peter Wilson (Eds.), Music and the Muses: the Cultureof Mousike in the Classical Athenian City, (pp. 207-248).United Kingdom: Oxford University Press.

2003Csapo, E., Slater, W. (2003). Anthesteria. In Dennis Kennedy(Eds.), Oxford Encyclopedia of Theatre and Performance. (pp.64). Oxford: Oxford University Press.Csapo, E. (2003). Cothornus. In Dennis Kennedy (Eds.),Oxford Encyclopedia of Theatre and Performance. (pp. 327).Oxford: Oxford University Press.Csapo, E. (2003). Dionysia. In Dennis Kennedy (Eds.), OxfordEncyclopedia of Theatre and Performance. (pp. 374-375).Oxford: Oxford University Press.Csapo, E. (2003). Dionysus. In Dennis Kennedy (Eds.), OxfordEncyclopedia of Theatre and Performance. (pp. 375). Oxford:Oxford University Press.Csapo, E. (2003). Dionysus, Theatre of. In Dennis Kennedy(Eds.), Oxford Encyclopedia of Theatre and Performance. (pp.375). Oxford: Oxford University Press.Csapo, E. (2003). Ekkyklema. In Dennis Kennedy (Eds.),Oxford Encyclopedia of Theatre and Performance. (pp. 418).Oxford: Oxford University Press.Csapo, E. (2003). Greek Theatre, Ancient. In Dennis Kennedy(Eds.), Oxford Encyclopedia of Theatre and Performance. (pp.536-545). Oxford: Oxford University Press.Csapo, E. (2003). Lenaea. In Dennis Kennedy (Eds.), OxfordEncyclopedia of Theatre and Performance. (pp. 728). Oxford:Oxford University Press.Csapo, E. (2003). Mechane. In Dennis Kennedy (Eds.), OxfordEncyclopedia of Theatre and Performance. (pp. 823). Oxford:Oxford University Press.Csapo, E. (2003). Orchestra. In Dennis Kennedy (Eds.), OxfordEncyclopedia of Theatre and Performance. (pp. 974). Oxford:Oxford University Press.Csapo, E., Miller, M. (2003). Poetry, Theory, Praxis: TheSocial Life of Myth, Word and Image in Ancient Greece.Oxford: Oxbow Books.Csapo, E. (2003). Preface. In Eric Csapo and Margaret CMiller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth,Word and Image in Ancient Greece, (pp. vii-viii). Oxford:Oxbow Books.

Csapo, E. (2003). Satyr-play. In Dennis Kennedy (Eds.),Oxford Encyclopedia of Theatre and Performance. (pp. 1190).Oxford: Oxford University Press.Csapo, E. (2003). The Dolphins of Dionysus. In Eric Csapoand Margaret C Miller (Eds.), Poetry, Theory, Praxis: TheSocial Life of Myth, Word and Image in Ancient Greece, (pp. 69-98). Oxford: Oxbow Books.Csapo, E. (2003). Vitruvius. In Dennis Kennedy (Eds.), OxfordEncyclopedia of Theatre and Performance. (pp. 1417). OxfordUniversity Press.

2002Csapo, E. (2002). Kallippides on the floor-sweepings: the limitsof realism in classical acting and performance styles. In PatEasterling & Edith Hall (Eds.), Greek and Roman Actors:Aspects of an Ancient Profession, (pp. 127-147). Cambridge,UK: Cambridge University Press.Csapo, E. (2002). Review of B. Le Guen, Les Associations deTechnites dionysiaques lpoque hellnistique. Bryn MawrClassical Review (Print Edition), 2002.07.16.Csapo, E. (2002). Review of P.J. Wilson, The AthenianInstitution of the Khoregia. Phoenix, 56(1), 150-153.

2001Csapo, E. (2001). The First Artistic Representations of Theatre:Dramatic Illusion and Dramatic Performance in Attic and SouthItalian Art. In G. Katz, V.F. Golini, and D. Pietropaolo (Eds.),Theatre and the Visual Arts, (pp. 17-38). Ottawa, Canada:Legas.

1999Porter, J., Csapo, E., Marshall, C., Ketterer, C. (1999). Crossingthe Stages: The Production, Performance and Reception ofAncient Theatre. Iowa: University of Iowa Press.

1995Csapo, E., Slater, W. (1995). The Context of Ancient Drama.Ann Arbor: University of Michigan Press.