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ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
A is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
African American Cinema
Robert Altman (1925-2006)
•M*A*S*H•Brewster McCloud•McCabe and Mrs. Miller•Nashville•Three Women•The Player
AmericanAmerican
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Animation
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Art Cinema
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
The Avant-Garde
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Bis for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Ingmar Bergman (1918-2007)
•The Seventh Seal•Wild Strawberries•Persona•Through a Glass Darkly•Fanny and Alexander
SwedishSwedish
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Luis Bunuel (1900-1983)
•Un Chien Andalou•Discreet Charm of the Bourgeoise•Viridiana•The Exterminating Angel•Belle je jour•That Obscure Object of Desire
SpanishSpanish
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Cis for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Jane Campion (1954- )SweetieThe PianoPortrait of a LadyIn the Cut
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Censorship
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Cinema of Attractions
Jean Cocteau (France, 1889-1963)“Poetry is indispensable. I wish I knew what for.”
Beauty and the BeastOrpheeThe Blood of the Poet
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Columbia Pictures
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Counter-Cinema
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Dis for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Documentary
Cinéma VéritéAKA Direct CinemaDocumentary filmmaking style that began in the 1950s/early 1960s Technologically inspired—by the advent of lightweight portable cameras and sync-sound equipment to capture events as they happen on location, without a scriptInspirations: Lumiere Brothers, Vertov, Neo-Realism, Free CinemaKey Americans: D.A. Pennebaker, Albert and David Maysles, and Richard Leacock
Cinéma VéritéDirect vs. Vérité: “According to Erik Barnouw (Documentary):direct cinema: “hopes to find a crisis while shooting”; cinéma vérité: “wishes to precipitate one”Direct cinema: “an invisible observer” (Leacock’s "the fly on the wall"); cinéma vérité: “an unabashed participant”For both: filming events as they transpire leads to what Rouch has called a "privileged moment," in which a truth about the subject of the film is revealed. To what extent the presence of the camera affects the real-life situation, and thus compromises this truth, has been a hotly debated issue.--Thanks to Baseline Encyclopedia of Film
Free Cinema Documentary film movement originating in England, 1956-
1959 Spawned by the journal Sequence. Founders: Lindsay Anderson, Karel Reisz, Tony Richardson,
Anderson’s motto: "No Film Can Be Too Personal.” Governing principles:1. Freedom of propaganda2. Obliviousness to box office appeal.3. Embrace of the filmmaker’s freedom4. Ordinary people and everydayness—the primary focus5. “The image speaks. Sound amplifies and comments.”6. “Size is irrelevant.”7. “Perfection is not an aim.”8. “An attitude means a style. A style means an attitude.”
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Carl Dreyer (1888-1968)VampyreThe Passion of Joan of ArcDay of Wrath
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Eis for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Event Cinema
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Exhibition and Reception
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Fis for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Female Authorship
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Feminist Counter-Cinema
John Ford (1895-1973)
•My Darling Clementine•Fort Apache•She Wore a Yellow Ribbon•The Man Who Shot Liberty Valance•The Searchers
AmericanAmerican
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Fourth World/Indiginous Cinema
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
G is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
H is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
High Concept
Alfred Hitchcock (1889-1980)
•Rear Window•Rope•Notorious•Spellbound•North by Northwest•Vertigo•Psycho•The Birds
British-AmericanBritish-American
John Huston (1906-1987)
•The Maltese Falcon•Moby-Dick•African Queen•The Treasure of the Sierra Madre
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
I is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Independent Cinema
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Indiewood
HollywoodDollywoodWellywood
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
J is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
K is for . . . .
Eliza Kazan (1909-2003 )
•On the Waterfront•A Streetcar Named Desire•East of Eden
Turkish-AmericanTurkish-
American
Stanley Kubrick (1928-1999)
AmericanAmerican
"[Like the monolith in 2001, Stanley Kubrick] was a force of supernatural intelligence, appearing at great intervals amid high-pitched shrieks, who gives the world a violent kick up the next rung of the evolutionary ladder."--David Denby
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
L is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
David Lean (1908-1991)
•Lawrence of Arabia•Doctor Zhivago•Bridge Over the River Kwai•A Passage to India
BritishBritish
Sergio Leone (1929-1989)
•The Good, the Bad, and the Ugly•For a Few Dollars More•Once Upon a Time in the West•Once Upon a Time in America
ItalianItalian
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Mis for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
MGM
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Oscar Micheaux (1884-1951)
Vincent Minnelli (1910-1986)
•Meet Me in St. Louis•Madame Bovary•Brigadoon•Father of the Bride
AmericanAmerican
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Miramax
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
N is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Mira Nair (1957- )Vanity FairMonsoon WeddingKama SutraMississippi MasalaSalaam Bombay!
Neo-Realism
“[The neo-realists] are concerned to make cinema the asymptote of reality but in order that it should ultimately be life itself that becomes spectacle, in order that life might in this perfect mirror be visible poetry, be the self into which film finally changes it.”--Andre Bazin, What is Cinema?
Roberto Rossellini | Vittorio De SicaCesare Zavattini | Federico Fellini
Michelangelo Antonioni (1912-2007)
•L’Notte•L’Ecclise•L’Avventura•Blow-Up•Zabriskie Point•The Passenger ItalianItalian
Federico Fellini (1920-1993)•La Strada•La Dolce Vita•8 1/2•Fellini-Satyricon•Juliet of the Spirits•Amarcord
ItalianItalian
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
New Hollywood
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
New Distribution, Exhibition, and Reception
New Wave•The impact of Alexandre Astruc: cinema as “the art of the age”; “camera-stylo” [camera-pen]•André Bazin’s influence [Cahiers du Cinema]•The break with literature•Location shooting•New approach to acting•Independence from studios•The centrality of the director (birth of the “auteur theory”)
Éric Rohmer(1920- )La Collectionneuse (The Collector) Ma Nuit chez Maud (My Night with Maud)Le Genou de Claire (Claire's Knee) L'Amour l'après-midi (Chloe in the Afternoon, Love in the Afternoon) Die Marquise von O... (The Marquise of O)Le Signe du lionLa Femme de l'aviateur (The Aviator's Wife)Le Beau marriage (A Good Marriage)Pauline à la plage (Pauline at the Beach)Le Rayon vert (The Green Ray) Conte de printemps (A Tale of Springtime)Conte d'hiver (A Winter's Tale) Conte d'été (A Summer's Tale) Conte d'automne (Autumn Tale)
FrenchFrench
Jean-Luc Godard (1930- )
•Breathless•Weekend•The Chinese•Masculine/Feminine•Two or Three Things I Know About Her
FrenchFrench
Louis Malle (1932-1995)
•The Lovers•A Very Private Affair•Murmur of the Heart•Pretty Baby•Atlantic City•Au revoir les enfants•My Dinner with Andre•Damage
FrenchFrench
François Truffaut (1932-1984)
•400 Blows•Jules and Jim•Day for Night•Shoot the Piano Player
FrenchFrench
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Niche Marketing
Mike Nichols (1931- )
•Who’s Afraid of Virginia Woolf•The Graduate•Catch-22•Angels in America•Charlie Wilson’s War
German-AmericanGerman-American
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
O is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
P is for . . . .
Pier Paolo Pasolini(1922-1975)
•Accatone•The Decameron•The Canterbury Tales•The Thousand One Nights•The Hundred and Twenty Days of Sodom
ItalianItalian
Sam Peckinpah (1925-1984)
•Ride the High Country•The Wild Bunch•Straw Dogs•The Getaway•Bring Me the Head of Alfredo Garcia•Pat Garrett and Billy the Kid
AmericanAmerican
Arthur Penn (1922- )
•The Left-Handed Gun•The Miracle Worker•Bonnie and Clyde•Alice’s Restaurant•Little Big Man
AmericanAmerican
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Roman Polanski (1933- )
•Repulsion•Knife in the Water•Chinatown•Rosemary’s Baby•Macbeth•The Pianist
Polish-AmericanPolish-American
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Postcolonial Cinema
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Postwar Globalization
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Q is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Queer Cinema
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
R is for . . . .
Carol Reed (1906-1976)
•The Third Man•Our Man in Havana•The Agony and the Ecstasy•Oliver!
BritishBritish
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
RKO Pictures
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
S is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Douglas Sirk (1910-1987)
•Imitation of Life•Magnificent Obsession•All That Heaven Allows•Written on the Wind
German-AmericanGerman-American
George Stevens (1904-1975)
•Shane•Giant•The Diary of Anne Frank•The Greatest Story Ever Told
AmericanAmerican
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Preston Sturges (1898-1959)
The Great McGintyThe Lady EveSullivan's TravelsThe Palm Beach StoryThe Miracle of Morgan's CreekHail the Conquering Hero
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Surrealism
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
T is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Irving Thalberg (1899-1936)
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
U is for . . . .
Maya Deren (1917-1961)
•Meshes of the Afternoon•Ritual in Transfigured Time•Divine Horseman
Russian-AmericanRussian-
American
Jordan Belson (1926- )
•Transmutation•Mandala•Re-Entry•Samadhi•Cosmos•Chakra•Music of the Spheres
AmericanAmerican
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Universal Studios
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Vis for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
W is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Raoul Walsh (1997-1980)
The Roaring TwentiesWhite HeatThey Died with Their Boots onThey Drive by Night
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Warner Brothers
Billy Wilder (1906-2002)
•Double Indemnity•Sunset Boulevard•Some Like It Hot•The Apartment•Ace in the Hole
Polish-AmericanPolish-American
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
World War I and Film
William Wyler (1902-1981)
•The Best Years of Our Lives•Wuthering Heights•The Little Foxes•Roman Holiday
AmericanAmerican
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
X is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Y is for . . . .
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
ENGL 6750/7750 Film StudiesENGL 6750/7750 Film Studies Hollywood Cinema and BeyondHollywood Cinema and Beyond
Z is for . . . .