2009/10 SEASONDUKE PERFORMANCES

MUSIC, THEATER, DANCE, MORE.

IN DURHAM, AT DUKE, THE MODERN COMES HOME.DU

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…THE MODERN COMES HOME

Home to a long-running folk-art heritage and gospel roots thatreach deeper than slavery, Durham also houses Duke, a boundary-pushing institution whose networks of engagement span the globe.

Duke Performances’ 09/10 season honors that double legacy. It begins from the premise that the forms we call modern have been in the making for centuries, steeped in tradition and charged with the unswerving force of belief. Each of these 52 world-class events embodies another aspect of modern performance’s backstory, stripping off the metropolitan glossto expose the foundations that make art real.

Those foundations were laid in a larger, global context, when ocean crossings dismantled older traditions and rebuilt dynamic new ones. This year’s programs trace a story of Atlantic innovation, connecting South Carolina blues to Zimbabwean dance, putting Puerto Rican plena in dialogue with bluegrass Americana, and finding a common source in Brazilian guitar and the firestorm sermonizing of preachers like Shreveport’s Pastor Brady Blade, Sr.

Beginning with an epic free show by Sweet Honey in the Rock, the season opens up to include This House on Fire, six take-no-prisoners concerts that drive toward a secular kind of rapture. By the River takes us to the semi-sacred headwaters of modern form, where African song and southern gospel-blues flow as one. In Voices Lifted, Brazilian guitarist Romero Lubambo exalts three breathtaking female vocalists.

With These Hands conjures a handcrafted Americana that explodes its own category, while Moved gives physical shape, in dance, to the interface between experiment and tradition. At the Crossroads puts you there: with two of the most daring theater companies on earth, watching as classics are reborn as brave new masterpieces. And as always, the Piano Recital Series and Duke Artists Series feature the finest classical artists anywhere, taking on risky programs that promise high-stakes results.

I’m proud to present a season of modern performance rooted in the tangled vines and human communities of a global South. I’m prouder that this lineage can be reborn as world-class performance in Durham, a town that’s made its name by turning old things new again.

Enjoy the shows.

Aaron GreenwaldDirector, Duke Performances

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PRELUDE · IN THE GARDEN 1 - 2

ch.1 · THIS HOUSE ON FIRE 3 - 6

WAIL 5 - 6

ch. 2 · BY THE RIVER 7 - 10

ch. 3 · VOICES LIFTED 11 - 12

ch. 4 · WITH THESE HANDS 13 - 16

ch. 5 · AT THE CROSSROADS 17 - 20

ch. 6 · MOVED 21 - 24

ch. 7 · PIANO RECITAL SERIES 25 - 28

ch. 8 · DUKE ARTISTS SERIES 29 - 32

ch. 9 · CIOMPI QUARTET 33

ch.10 · CHAMBER ARTS SOCIETY 34 - 36

· TICKETING INFORMATION 37 - 40

The Program

CALL TO ATTEND

SWEET HONEY IN THE ROCK

IN THE GARDEN

On the lush, sloping lawn in the S.E. corner of Duke Gardens, a free daytime show rings in a season unlike any other. D.C.-based legends Sweet Honey distill two centuries’ of black experience into a capella harmonies shot through with the joys of rapture and the demand for a better world. They sang at the Obama White House for Black History Month. They sing here, among the magnolias, to celebrate the 75th anniversary of Duke Gardens. This massive free show is open to all: bring picnics, bring children, bring your will to be moved.

SUNDAY, AUGUST 30, 2009 GREAT LAWN, DUKE GARDENS · 4 PM FREE · NO TICKETS NECESSARY

SWEET HONEY IN THE ROCK’S PERFORMANCE IS FUNDED,IN LARGE PART, BY THE SARAH P. DUKE GARDENS.

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FREE SHOW·OPEN TO ALL GREAT LAWN, DUKE GARDENS FULL INFORMATION AT DUKEPERFORMANCES.ORG

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this house on firethis house on fire

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Sun Ra Arkestra + Mingus Big Band

IN THE BEGINNING, HEAT SUN RA DOWNTOWN

Sun Ra turned the mixed-up lore of space and the Bible into a universe of cow bells, sax figures, and the piano lines he’d learned in church. His sprawling, out-of-this-world Arkestra continues its founder’s swing. The Mingus Big Band is a 14-piece juggernaut that only intensifies what made its namesake great — “the muscle, the affection for history, the guts and soulfulness” (NY Times). Both titanic bands appear in this 7 pm double bill, with an intermission with beer and wine available.

Two fire-spitting blockbusters open the fall season. On Friday, 9/25, blues prodigy Corey Harris appears with S.C.-born legend James “Blood” Ulmer in theBy the River series (page 8). And on Saturday, 9/26, the smoking hot Sun Ra Arkestra and Mingus BigBand show what burns at the core of jazz.

This fall, the Durham Art Guild partners with Duke’s John Hope Franklin Center to present Pathways to Unknown

Worlds: Sun Ra, El Saturn, and Chicago’s Afro-Futurist Underground 1954 - 68. The exhibit runs from August 21

through October 18 at 120 Morris Street, Durham. (Public opening event Friday, August 21, 5 - 7 pm.)

www.durhamartguild.org

SATURDAY, SEPTEMBER 26, 2009 PAGE AUDITORIUM · 7 PM $32 · $26 · $20

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THURSDAY, JANUARY 28, 2010 NELSON MUSIC ROOM · 8 PM $22

Moran’s a jazz trailblazer whose longstanding relationship with Duke ratcheted up last year when he performed the Duke Performances-commissioned IN MY MIND: Monk @ Town Hall, 1959 at New York’s Town Hall, after premiering it in Durham. Here, his muscular piano is accompanied by the hypnotizing soprano of his collaborator and wife Alicia Moran. (Jason and his Bandwagon trio also appear with LINES ballet, 1/29 & 1/30, page 23).

JASON MORAN FEATURING ALICIA HALL MORAN

Born and raised in San Juan, sax phenom Zenon has won Guggenheim and MacArthur grants for linking classic jazz with the pulsing syncopations of Afro-Caribbean and Latin American folk, part of his effort to reimagine jazz for the twenty-first century. His barnstorming quartet is joined by three master pleneros, back-country troubadours who sing like history depends on it.

THURSDAY, FEBRUARY 11, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM $28 · $22

MIGUEL ZENON’S ESTA PLENA SEPTET

As part of This House on Fire, three young masters of world saxophone come to Durham over a single weekend in February, the most innovative artists in jazz together for the first time. Tickets to all three red-hot shows can be ordered for the discounted price of $60.

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SATURDAY, APRIL 10, 2010 PAGE AUDITORIUM · 8 PM $42 · $38 · $25

Mahanthappa’s shimmering sax runs and textured compositions have put him on the front edge of modern jazz. On alto sax, tabla, and guitar, he and his Indo-Pak Coalition turn out a synthesis of bebop chromatics and coiling ragas, something less like fusion and more

like the shape of jazz to come, a “meticulously ordered” sound that “swings like mad” (New Yorker).

Coltrane is a bandleader and sax force who bears the weight of heritage — his father is the N.C.-born John; his mother is Alice, the piano star and organist from Detroit who stepped

in for McCoy Tyner then married the bandleader. Now in his 40s,

the newest Coltrane has aimed his legacy forward, inflecting

the angles of bop with a “sinewy lyricism” all his own

(Downbeat ).

FRIDAY, FEBRUARY 12, 2010 NELSON MUSIC ROOM · 8 PM

$22

SATURDAY FEBRUARY 13, 2010

REYNOLDS INDUSTRIES

THEATER 8 PM

$28 · $22

RUDRESH MAHANTHAPPA’S

INDO-PAK COALITION

RAVI COLTRANE’S QUARTET

KRONOS QUARTET WITH THE WORLD PREMIERE OF A NEW QUARTET BY MARIA SCHNEIDER

In a world premiere made possible by Kronos’ ongoing collaboration with Duke Performances, the modern era’s most adventurous quartet turns its fierce creativity toward a new, Duke-commissioned work by MacArthur- winner Maria Schneider — the first time these two icons of innovation have worked together.

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COREY HARRIS QUINTET + JAMES “BLOOD” ULMER TRIOSince living in Cameroon and Louisiana, the MacArthur-winning Harris has made

heart-rattling songs from the reggae and blues that link Africa to New World slave hubs. His band splits the bill with the iconic Ulmer, who was born in an

S.C. cotton town, carved modernist guitar figures for Ornette Coleman, and

has returned to the muddied-up blues that started his journey in the first place.

FRIDAY, SEPTEMBER 25, 2009 REYNOLDS INDUSTRIES THEATER · 8 PM

$28 · $22

THE HEAVENS OPEN

Harris and Ulmer appear on Friday, 9/25. On Saturday, 9/26, the unstoppable Sun Ra Arkestra and blazing Mingus Big Band play a double bill in Page Auditorium (page 1) — the opening weekend of a season that plays for keeps.

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DON BYRON NEW GOSPEL QUINTET HALLELUJAH

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FEATURING PASTOR BRADY BLADE, SR., DANIEL LANOIS, BRIAN BLADE, BRADY L. BLADE, JR., GREG LEISZ, BUDDY MILLER, JON COWHERD, CHRIS THOMAS, AND ADA SMALL

FEATURING REV. KELLY R. ANDREWS

Byron is a tenor sax and clarinet wizard who rolls between high art and low by exploring the real-life swerve at the heart of jazz. Behind the soaring vocals of D.K. Dyson, Byron’s New Gospel Quintet comes to Hayti, exploring the work of Georgia-born gospel king Thomas A. Dorsey (b. 1899), whose own high-low game put hymns of praise alongside raunchy Saturday-night blues, and all was joy. This show features a sermon by Rev. Kelly R. Andrews.

Brian Blade is “the most imaginatively supple drummer in jazz” (NY Times). He learned his trade hitting rhythm at Shreveport’s Zion Baptist, where his father — the spine-shaking Pastor Brady Blade, Sr. — presides. In New Orleans, Brian partnered with Lanois (producer of U2 & Bob Dylan) to devise a gospel project that culminates here.

In this once-in-a-lifetime event, the drummer, the producer, and the drummer’s father convene in Durham to cut a live album driven by Pastor Blade. They’re joined by bus-fulls of churchgoers from Shreveport and the sharpest sidemen in the business.

On Saturday night there’s a live recording; on Sunday morning a worship service led by Pastor Blade; and on Sunday evening another live performance. All of it unfolds at Hayti, once an AME church and now a deconsecrated chapel whose Jim Crow-era walls create acoustics better than any studio’s.

Organized by Duke Performances to happen in Durham, this landmark event in black music unearths the rapture at the core of modern art, two days of hands-in-the-air music that, on wax, will never die.

FRIDAY, OCTOBER 16, 2009 HAYTI HERITAGE CENTER · 8 PM $22

LIVE RECORDINGS:SATURDAY, OCTOBER 10, 2009 · 8 PM SUNDAY, OCTOBER 11, 2009 · 5 PMHAYTI HERITAGE CENTER · $26

WORSHIP SERVICE:SUNDAY, OCTOBER 11, 2009HAYTI HERITAGE CENTER · 10 AMFREE AND OPEN TO THE PUBLIC

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HALLELUJAH TRAIN LIVE RECORDING

& 2-DAY GOSPEL EVENT

THOMAS MAPFUMO & THE BLACKS UNLIMITEDThe Lion of Zimbabwe was a second-class subject of the British Empire when he began routing traditional Shona music through Otis Redding and the ‘Stones, making razor-sharp pop about rural uprising. With his post-independence band, the one-time cattle herd and fiercely committed artist appears here in an intimate BYOB show at the Coffeehouse; they support dancer Nora Chipaumire 2/26 & 2/27 (page 24).

LIVE RECORDINGS:SATURDAY, OCTOBER 10, 2009 · 8 PM SUNDAY, OCTOBER 11, 2009 · 5 PMHAYTI HERITAGE CENTER · $26

WORSHIP SERVICE:SUNDAY, OCTOBER 11, 2009HAYTI HERITAGE CENTER · 10 AMFREE AND OPEN TO THE PUBLIC

THURSDAY, FEBRUARY 25, 2010 DUKE COFFEEHOUSETWO SETS: 8 PM & 10:30 PM $15

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ALEJANDRO ESCOVEDO + LAMBCHOP

Lambchop creates rock’s most willfully singular music, an atmosphere of slide guitar, Stax soul, and broken-down lyrics evoking the town they still call home: Nashville. Escovedo started life as a punk rock axe-handler and has incorporated his earlier selves into a strange new art — “thoughtful” and “meticulous” guitar poetry (NY Times) that snarls. They split a double bill of Americana that wouldn’t answer to the name.

“Wily, omnivorous bluegrass titans” (Village Voice), the Punch Bros. blaze while Grammy-winning mandolin genius Chris Thile, formerly of Nickel Creek, leads gospel and high-lonesome harmonies. They play Carnegie Hall in October. At Duke the tight-knit, countrified virtuosos play “The Blind Leaving the Blind,” a four-movement suite for bluegrass quartet that’s “as nakedly ambitious as popular music gets” (Slant Magazine).

PUNCH BROTHERS FEATURING CHRIS THILE

FRIDAY, FEBRUARY 19, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM $32 · $24

FRIDAY, NOVEMBER 13, 2009 REYNOLDS INDUSTRIES THEATER · 8 PM $28 · $22

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Los Lobos makes blistering-hot rock in the borderlands of R&B, blues, and Tejano. Here the wolves of East L.A. look back, trading electrics for guitarones in an all-acoustic set of Latin American folk, todo caliente. They split the bill with Kottke, the jawdropping master of American acoustic; in his hands, 6- and 12-string guitar chords smoke with the blues he picked up in Oklahoma, while flights of superhuman picking inscribe harmony over the throb.

THURSDAY, MARCH 25, 2010 PAGE AUDITORIUM · 8 PM $42 · $34 · $22

LOS LOBOS + LEO KOTTKE

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POETS AND PROPHETS

ROSANNE CASH + MARK O’CONNOR

Rosanne Cash’s father picked cotton and listened to gospel in Dyess, Arkansas, before becoming the Man in Black. He’s now the subject of a powerful collaboration, as the Grammy-winning Rosanne joins kingpin fiddler O’Connor, CMA’s Musician of the Year 6 times running, in an evening of music inspired by Johnny Cash. As two heirs to Cash’s genius take the stage, the spirit of a dirt-heeled modernist breathes new.

THURSDAY, APRIL 15, 2010 PAGE AUDITORIUM · 8 PM $38 · $30 · $20

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Pounding out double-dutch rhythms with bare feet, the Brooklyn-based UBW are “fierce” and “smart” and “shake the theater” when they move (Village Voice). The black, all-female ensemble comes to Duke for a three-day residency, culminating in a performance where chants and drums are the backbeat for these “physically poetic” dancers (NY Times), who turnthe stage into a place they own.

THURSDAY, NOVEMBER 12, 2009 REYNOLDS INDUSTRIES THEATER · 8 PM $28 · $22

URBAN BUSH WOMEN

RESIDENCYNOVEMBER 10 - 12

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ALONZO KING’S LINES BALLET WITH JASON MORAN’S BANDWAGON

King and Moran are new-style formalists, injecting classic structures with vernacular energy. Here the two visionaries collaborate for an evening of ravishing dance. The first piece is King’s brawny, sinuous overhaul of Ballets Russes’ icon of dance modernism, Scheherazade — here in its American premiere. The second piece has Moran’s trio playing live, lighting up a score the pianist wrote for King’s troupe.

FRIDAY & SATURDAY, JANUARY 29 & 30, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM $32 · $24Alonzo King’s LINES Ballet’s residency is funded, in part, by a Visiting Artist Grantfrom the Council for the Arts, Office of the Provost, Duke University.

SCHEHERAZADE & MORAN

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PRESENTED IN ASSOCIATION WITH DUKE UNIVERSITY’S DANCE PROGRAM17

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ALONZO KING’S LINES BALLET WITH JASON MORAN’S BANDWAGON

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NORA CHIPAUMIRE WITH THOMAS MAPFUMO & THE BLACKS UNLIMITED

FRIDAY & SATURDAY, FEBRUARY 26 & 27, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM

$28 · $22

The Zimbabwean Chipaumire updates a ritual dance vocabulary to beat out pulsing, physical evocations of struggle: she crouches then explodes, turning muscularity into stark grace. In two performances this Urban Bush Women collaborator (page 22) presents a momentous new piece based on Zimbabwean politics, while thatnation’s greatest musician, Mapfumo, plays live. Chipaumire’s week-longresidency at Duke begins 2/22; Mapfumo and his band also appearat Duke Coffeehouse 2/25 (page 10).

Funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the Doris Duke Charitable Foundation and additional funding from the Ford Foundation, the

Andrew W. Mellon Foundation, and the Community Connections Fund of the MetLife Foundation.

LIONS WILL ROAR, SWANS WILL FLY, ANGELS WILL WRESTLE IN HEAVEN, RAINS WILL BREAK: GUKURAHUNDI

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AT THE CROSSROADS

A country road. A tree.

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WAITING FOR GODOT CLASSICAL THEATRE OF HARLEM

This “dauntless” company (NY Times) drew a crowd of 10,000 to the New Orleans performance of its Godot revival, which it staged in the 9th Ward, on the porch of a flooded house, after black Americans had waited months for a more concrete kind of salvation. At Duke, the Harlem-based company’s “bracing and immediate” adaptation of Beckett’s play (Time Out NY) sharpens yet another radical edge of this timeless parable of abandonment. The tramps, the road, and the tree could be in Rocky Mount (flooded 1999), Wilmington (race riot 1898), Durham — or anywhere Americans wait for help that either will arrive or won’t.

Note: Final casting announcement will be made in September; check dukeperformaces.org for up-to-date company roster.

FRIDAY & SATURDAY, OCTOBER 23 & 24, 2009 · 8 PM SUNDAY, OCTOBER 25, 2009 · 3 PM REYNOLDS INDUSTRIES THEATER $28 · $22

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PRESENTED IN ASSOCIATION WITH DUKE UNIVERSITY’S THEATER STUDIES DEPARTMENT21

MOLORA ADAPTED FROM

THE ORESTEIA TRILOGY FARBER FOUNDRY

This “mesmerizing” adaptation of Aeschylus’s Oresteia (Guardian UK) turns the ageless language of Greek tragedy toward a particularly modern object — South

Africa’s Truth and Reconciliation Committee, when torturers and tortured confronted one another in open court. As a white Klytemnestra and a black Elektra speak

testimony into dark spaces, a chorus of Ngqoko elders drones laments, a split-tone indictment that is devastating and beautiful at once. In this tragedy for the global age,

classical form and contemporary life come into contact, throwing off sparks that are fitting, since in Sesotho, MoLoRa means “ashes.”

FRIDAY & SATURDAY, MARCH 19 & 20, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM

$28 · $22

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The Farber Foundry’s residency is funded, in part, by a Visiting Artist Grantfrom the Council for the Arts, Office of the Provost, Duke University.

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Costa was the most compelling female voice in Brazil’s Tropicália movement, turning out sexy, swinging pop-art experiments that draped left-wing politics in the folds of a voice like no other. Now past 60, her sly lilt has gained depth, cracking open timeless lyrics to show what melts inside. In this intimate Reynolds show, the star reworks bossa nova standards and sambas, accompanied only by Lubambo, the finest Brazilian guitarist on the planet.

A native of São Paulo, Souza is a three-time Grammy-nominee whose voice is almost inhumanly pure, “trac[ing] a landscape of emotions that knows no boundaries” (Entertainment Weekly). Returning to Duke after an entrancing 2008 show, Souza’s piercing, crystalline vocals are backed by Baptista, who’s cut percussion for David Byrne and Yo-Yo Ma, and Lubambo, who by now needs no introduction.

Reeves is the most commanding jazz vocalist on earth: her creamy, shattering contralto has a “skyscraper authority” (NY Times) that was shaped by Sergio Mendes and Harry Belafonte but breathes the sultry gospel-blues of Mahalia Jackson. Here the Detroit-born legend appears with two ace guitarists — Georgia native Malone and Lubambo, from Rio, who’s “the best practitioner of his craft in the world today” (Jazziz).

FRIDAY, OCTOBER 9, 2009 PAGE AUDITORIUM · 8 PM $42 · $34 · $22

FRIDAY, OCTOBER 30, 2009 REYNOLDS INDUSTRIES THEATER · 8 PM $38 · $30

SATURDAY, JANUARY 23, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM $32 · $24

Dianne Reeves featuRing Russell Malone & RoMeRo lubaMbo

In this unique series, three of the world’s most breathtaking female voices are lifted by one of the planet’s most accomplished guitarists. Romero Lubambo plays a fluent, shifting style that alludes to Bach and Brazilian folk. His special relationship with Duke began with last season’s solo show; it extends here, in collaborations with three enthralling women.

LUBAMBO X 3

Gal Costa & RomeRo lubambo

Luciana Souza featuring cyro BaptiSta & romero LuBamBo

Official Tour Sponsor

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PIANO

AWADAGIN PRATTWinner of an unprecedented triple award at the Naumburg Competition, Pratt is a musical risk-taker who as a young superstar used big pieces to shift into “a spectacular form of pianistic overdrive” (Baltimore Sun). Now 42, his fierce proficiency is tempered by the nuance maturity brings, as dazzling passages emphasize moments of subtle introspection.

FRIDAY, OCTOBER 2, 2009 REYNOLDS INDUSTRIES THEATER · 8 PM $30

HAYDN: Sonata in D Major, Hob. XVI: 37

HAYDN: Sonata in B-flat Major, Hob. XVI: 41

BEETHOVEN: Sonata in A-flat Major, Op. 110

BACH: Passacaglia & Fugue in C Minor (Arranged by A. Pratt)

LISZT: Sonata in B Minor

PROGRAM

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THURSDAY, OCTOBER 29, 2009 REYNOLDS INDUSTRIES THEATER 8 PM · $30

As a prodigy in the 1970s, Lortie was hailed as one of Canada’s “most gifted pianists” (Montreal Star). He’s since crafted an international reputation for audacious program selections and an incredible emotional range. His daring is on view here as he plays the complete Chopin Études — a stunning gambit whose results are “electrifying” (Guardian).

LOUIS LORTIE

CONVERSATION MONDAY, OCT. 19 NELSON MUSIC ROOM 5 PM

Perahia is a titanic figure of modern piano — a three-time Grammy-winner, Knight Commander of the British Empire, and, as of May 2009, holder of an honorary doctorate from Duke. Since working with a list of mentors including Rudolph Serkin, Perahia has spanned three decades with canonical recordings and performances, becoming one of the most accomplished pianists of our time — “superbly analytical, gorgeously romantic, and full of spontaneous surprises” (Washington Post ).

Because of Perahia’s special relationship with Duke, we have been able to engage him for a special presentation, one of his few U.S. bookings this year. This blockbuster solo recital, focused on masterworks of the European tradition, links the Piano Recital Series and the Duke Artists Series and is listed under each series.

MURRAY PERAHIA

BACH: Partita No. 6 in E Minor, BWV 830

BEETHOVEN: Piano Sonata No. 30 in E Major, Op. 109

SCHUMANN: Kinderszenen

CHOPIN: 3-4 pieces t.b.d.

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CHOPIN: Études (Complete)

PROGRAM

TUESDAY, OCTOBER 20, 2009 PAGE AUDITORIUM · 8 PM $46 · $38 · $25

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Murray Perahia’s performance is funded,in part, by the Office of Duke University’sPresident.

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ANTON KUERTIKuerti’s iconic recordings of Beethoven glow with a “bright power” and “slow-burning intensity” (Boston Globe). Here the “marvelously fluid” and “interpretively expansive” master (Philadelphia Inquirer) turns to Beethoven once more, in a program that ends with a brilliant but rarely-heard masterpiece Schoenberg thought was Beethoven’s most adventurous work.

FRIDAY, JANUARY 22, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM $30

BEETHOVEN:

Sonata in E-flat Major, Op. 81a, “Les Adieux”

Sonata in F Minor, Op. 57, “Appassionata”

33 Variations on a Waltz by Anton Diabelli in C Major, Op. 120

PROGRAM

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FRIDAY, MARCH 5, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM $30

FRIDAY, FEBRUARY 5, 2010 REYNOLDS INDUSTRIES THEATER · 8 PM $30

PETER SERKINSerkin’s father was legendary pianist Rudolf Serkin, who also taught Murray Perahia (10/20) and Anton Kuerti (1/22). This lineage pays off in “surgical precision and infinite subtlety” (NY Times), turned here toward a program that puts new music in conversation with Bach, Chopin, and Brahms. (Serkin also appears with the Orion String Quartet on 2/6, page 35).

In 2005 the “superlative” Blechacz (BBC Music) ran the table at the Chopin International Piano Competition, a triumph that earned the Polish prodigy comparisons to the great players of the modern age. “Graceful, thoughtful, and poetic” (NY Times), he shares an almost intuitive connection with that other Polish phenomenon, Chopin, who turns 200 March 1st.

RAFAL BLECHACZ

BACH: Italian Concerto, BWV. 971

MOZART: Sonata in B-flat Major, KV. 570

K. SZYMANOWSKI: Variations in B-flat Minor, Op. 3

CHOPIN: Ballade No. 3 in A-flat Major, Op. 47

CHOPIN: Mazurka in B-flat Major, in E Minor, in A-flat Major, in A Minor, Op. 17

CHOPIN: Polonaise-Fantaisie in A-flat Major, Op. 61

PROGRAM

WORKS BY:

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CHOPIN

CHARLES WUORINEN

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BACH: Partita No. 6 in E Minor, BWV 830

BEETHOVEN: Piano Sonata No. 30 in E Major, Op. 109

SCHUMANN: Kinderszenen

CHOPIN: 3-4 pieces t.b.d.

PROGRAM

MURRAY PERAHIAIn this special event, the icon of modern piano appears in a rare solo recital, offering a program of masterworks by Bach, Beethoven, Schumann, and Chopin, whose 200th birthday comes this year. The concert is also part of the Piano Recital Series (page 26).

TUESDAY, OCTOBER 20, 2009 PAGE AUDITORIUM · 8 PM $46 · $38 · $25

ANONYMOUS 4

Murray Perahia’s performance is funded,in part, by the Office of Duke University’s President.

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MURRAY PERAHIA

CONVERSATION MONDAY OCT. 19

NELSON MUSIC ROOM, 5 PM

SATURDAY, OCTOBER 17, 2009 · DUKE CHAPEL · 8 PM $26

Exuding “ethereal clarity” (BBC Music), the four women of Anonymous 4 fill Duke Chapel’s gothic alcoves with music from a convent in northern Spain, a crossroads of medieval Europe that turned out a new kind of sacred polyphony. As soul-shaking vocals resonate off stone walls, “the sound of heaven” fills the Chapel (American Record Guide).

SECRET VOICES: THE SISTERS OF LAS HUELGAS, MUSIC OF THIRTEENTH-CENTURY SPAIN

PROGRAM

MASTER CLASS SUNDAY, OCT. 18 NELSON MUSIC ROOM, 12 PM

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For 5 days in October, we ring in this year’s Duke Artists Series with a long weekend of linked classical music events. The celebration begins on Saturday with a Duke Chapel concert by the Anonymous 4; it concludes with the unmatched Murray Perahia, who offers a Monday conversation anda landmark solo recital on Tuesday.

DAYS OF CLASSICS

SATURDAY, OCTOBER 17: CONCERT: Anonymous 4 Duke Chapel, 8 pm SUNDAY, OCTOBER 18: MASTER CLASS: Anonymous 4 Nelson Music Room, 12 pm SUNDAY, OCTOBER 18: CONCERT: Ciompi Quartet Reynolds Industries Theater, 3 pm MONDAY, OCTOBER 19: CONVERSATION: Murray Perahia Nelson Music Room, 5 pm TUESDAY, OCTOBER 20: CONCERT: Murray Perahia Page Auditorium, 8 pm

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SATURDAY, JANUARY 30, 2010 · PAGE AUDITORIUM · 8 PM $46 · $38 · $25

Conducted by the musicians themselves, the 20-piece Orpheus is an experiment in radical democracy that is also among the finest orchestras on earth, turning out collaborative art that joins visceral energy with keen interpretive balance. Their majesty is complemented by Hewitt, whose incandescent turn on the Goldberg Variations gripped Duke audiences last year.

ORPHEUS CHAMBER ORCHESTRA WITH ANGELA HEWITT, PIANO

STRAVINSKY: Concerto in D Major for String Orchestra, “Basel Concerto”

BACH: Concerto for Piano and Strings in D Minor, BWV. 1052

SIR PETER MAXWELL DAVIES: “New Brandenburg No. 5”

DVORÁK: Serenade for Strings in E Major, Op. 22

PROGRAM

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FRIDAY, APRIL 16, 2010 · PAGE AUDITORIUM · 8 PM $46 · $38 · $25

Along with the Orpheus (1/30), the 20-piece ASMF shares billing as one of the two most accomplished orchestras in the world, renowned for a “finely incisive” technique (Gramophone) that combines “grace and verve” (Seattle P-I ). They appear with Rachlin, the Lithuanian-born maestro whose violin cuts and sings with “brilliant high-octane technique” (NY Times).

GRIEG: Holberg Suite, Op. 40

BEETHOVEN: Sonata in A Major, Op. 47, “Kreutzer Sonata” (Arranged by R. Tognetti)

BRITTEN: Lachrymae, Op. 48

PIAZZOLLA: Four Seasons of Buenos Aires

PROGRAM

ACADEMY OF ST. MARTIN IN THE FIELDS WITH JULIAN RACHLIN, VIOLIN

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First CourseTHURSDAY, OCTOBER 15, 2009 · NELSON MUSIC ROOM · 6 PM $5 · FREE FOR DUKE STUDENTSComposer Max Raimi discusses his premiere

Ciompi Concert no. 1SUNDAY, OCTOBER 18, 2009 · REYNOLDS INDUSTRIES THEATER · 3 PM · $ 20Guest artist: Susan Fancher, saxophoneHAYDN: Quartet in G Minor, Op. 20 No. 3MAX RAIMI: Quintet for Saxophone and StringsDVORÁK: String Quartet No. 11 in C Major, Op. 61

First CourseTHURSDAY, NOVEMBER 12, 2009 · DUKE GARDENS · 6 PM $5 · FREE FOR DUKE STUDENTSProf. John Supko discusses Bartók

Ciompi Concert no. 2SATURDAY, NOVEMBER 14, 2009 · NELSON MUSIC ROOM · 8 PM · $20MOZART: Quartet in D Minor, K. 421BARTÓK: Quartet No. 4BEETHOVEN: Quartet in C Major, Op. 59 No. 3

First CourseTHURSDAY, JANUARY 21, 2010 · DUKE GARDENS · 6 PM $5 · FREE FOR DUKE STUDENTSProf. Philip Rupprecht discusses the program

Ciompi Concert no. 3SUNDAY, JANUARY 24, 2010 · NELSON MUSIC ROOM · 3PM · $20Guest artists: Yoram Youngerman, viola; Nancy Green, cello; Phillipe Castagner, tenor; Jane Hawkins, pianoWILLIAM BYRD: Fantasia a 6 No. 2 in G Minor for 6 ViolsSIR PETER MAXWELL DAVIES: String Quartet “A Sad Paven for these Distracted Tymes”FRANK BRIDGE: String Sextet in E-flat MajorRALPH VAUGHN WILLIAMS: “On Wenlock Edge” for Tenor, Piano, and String Quartet

First CourseTHURSDAY, APRIL 29, 2010 · DUKE GARDENS · 6PM $5 · FREE FOR DUKE STUDENTSComposers Robert Ward and Chiayu Hsu discuss their premieres

Ciompi Concert no. 4SATURDAY, MAY 1, 2010 · REYNOLDS INDUSTRIES THEATER · 8 PM · $20Guest artists: Alan Ware, clarinet; Joseph Robinson, oboe; Michael Burns, bassoon; Robbie Link, bass; Randall Love, pianoBEETHOVEN: Quartet in B-flat Major, Op. 18 No. 6CHIAYU HSU: A Quartet commissioned and premiered by the Ciompi QuartetROBERT WARD: Symphony No. 6

CIOMPI QUARTETThe Ciompi Quartet is Duke’s resident chamber ensemble, playing innovative programs with “genuine warmth” and “effortless… coordination” (NY Times).

World renowned but Durham-based, the local virtuosos bring their art to a season that brims with excellence: from Haydn to Robert Ward, Beethoven to Bartók, these dozen shows reveal the dynamic range of chamber music today.

The season also introduces a new brownbag concert series, “Lunchtime Classics,” which will present the most vital chamber music in history in the elegant but unpretentious setting of the Rare Book Room at noon.

In each of these free lunchtime events, 50 minutes of the most essential chamber music in history will be accompanied by a short introduction, giving insight into the shape and brilliance of these canonical works. All lunchtime concerts are in the Rare Book Room in Perkins Library, 12 – 1 pm. Admission is free. Food is not provided, but lunch-eating is welcomed.

LUNCHTIME CLASSICS 1: HAYDNTUESDAY, SEPTEMBER 15, 2009RARE BOOK ROOM, 12 - 1 PM

HADYN: Opus 20, No. 3, from the “Sun Quartets”

LUNCHTIME CLASSICS 2: BEETHOVENTUESDAY, NOVEMBER 3, 2009RARE BOOK ROOM, 12 - 1 PM

BEETHOVEN: Opus 59, No. 3

LUNCHTIME CLASSICS 3: SCHUBERTTUESDAY, FEBRUARY 9, 2010RARE BOOK ROOM, 12 - 1 PM

SCHUBERT: String Quartet in D Minor, “Death and the Maiden”

LUNCHTIME CLASSICS 4: BARTÓKTUESDAY, MARCH 30, 2010RARE BOOK ROOM, 12 - 1 PM

BARTÓK: String Quartet No. 4 in C Major

The Ciompi Quartet’s Lunchtime Classics Series

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New BAROque eNseMBle

SATURDAY, SEPTEMBER 12, 2009 REYNOLDS INDUSTRIES THEATER • 8 PM $30

TAkács quARTeT

ARTISTS: Krista Bennion Feeney, violin; Owen Dalby, viola; Phoebe Carrai, cello; Ilya Poletaev, fortepiano; Sandra Miller, flute; Stephen Hammer, oboe

SATURDAY, SEPTEMBER 26, 2009 REYNOLDS INDUSTRIES THEATER • 8 PM $30

The 64th season of the Chamber Arts Society of Durham features some of the most stunning music ever written for chamber ensembles, brought to life by a series of the most accomplished players in the world. From Schumann, Beethoven, and Messiaen to Ellen Taaffe Zwillich, John Adams, and Duke-trained Caroline

SATURDAY, NOVEMBER 7, 2009 REYNOLDS INDUSTRIES THEATER • 8 PM$30

MiAMi sTRiNG quARTeT & kAlichsTeiN-lARedO-ROBiNsON TRiO

CHAMBER ARTS SOCIETYOF DURHAM AT DUKE UNIVERSITY

MOZART: Flute Quartet in D Major, K. 285 Piano Quartet in G Minor, K. 478 "Gran Partita" in B-flat Major, K. 361 (Arranged by C.F.G. Schwenke)

PROGRAM

HAYDN: String Quartet Op. 71, No. 1

BEETHOVEN: String Quartet in F Major, Op. 59, No. 1

SCHUMANN: String Quartet in A Major, Op. 41, No. 1

PROGRAM

BOCCHERINI: String Quintet in E, Op. 11, No. 5

DVORÁK: Piano Quintet in A Major, Op. 81

ELLEN TAAFE ZWILLICH: Piano Septet (2008, CAS Commission)

PROGRAM

Mallonée, this season’s programs shift between renowned names in the history of music and bright modern voices. All of them provide structures on which contemporary chamber music’s finest musicians can elaborate their craft.

MASTER CLASS WITH SHARON ROBINSON & JAIME LAREDO OF KLR FRIDAY, NOV. 6 NELSON MUSIC ROOM, 5 PM

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SATURDAY, DECEMBER 5, 2009 REYNOLDS INDUSTRIES THEATER • 8 PM $30

sT. lAwReNce sTRiNG quARTeT

ORiON sTRiNG quARTeT wiTh PeTeR seRkiN, PiANO

SATURDAY, FEBRUARY 6, 2010 REYNOLDS INDUSTRIES THEATER • 8 PM $30

BEETHOVEN: String Quartet in C-sharp Minor, Op. 131

JOHN ADAMS: String Quartet (2008, St. Lawrence String Quartet Commission)

PROGRAM

PROGRAM BACH: Art of the Fugue, Contrapunctus 1

LEON KIRCHNER: String Quartet No. 4

BEETHOVEN: String Quartet in E-flat Major, Op. 74, “Harp”

BRAHMS: Piano Quintet in F Minor, Op. 34

ARTeMis sTRiNG quARTeT

SATURDAY, MARCH 13, 2010 REYNOLDS INDUSTRIES THEATER • 8 PM $30

PROGRAM BEETHOVEN:String Quartet in G Major, Op. 18, No. 2 String Quartet in F Minor, Op. 95, “Serioso”String Quartet in A Minor, Op. 132

MASTER CLASS WITH ORION STRING QUARTET TUESDAY, FEB. 5 NELSON MUSIC ROOM, 5 PM

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ANTARes PiANO-clARiNeT quARTeT

A sPeciAl TwO-cONceRT eveNT

SATURDAY, MAY 8, 2010 REYNOLDS INDUSTRIES THEATER • 8 PM $30

hAN, seTzeR, FiNckel TRiO

FRIDAY & SATURDAY, MARCH 26 & 27, 2010NELSON MUSIC ROOM • 8 PM $30

(Friday, March 26)PROGRAMBRAHMS: Clarinet Trio in A Minor, Op. 114

CAROLINE MALLONÉE: New Work (2010)

PETER LIEBERSON: “Tashi Quartet”

PROGRAM SCHUBERT:

Piano Trio in B-flat Major, Op. 99, D. 898

Piano Trio in E-flat Major, Op. 100, D. 929

PROGRAMRAVEL: Piano Trio in A Minor

BARTÓK: “Contrasts”

MESSIAEN: “Quatuor pour la Fin du Temps” (“Quartet for the End of Time”)

(Saturday, March 27)

MASTER CLASS SATURDAY, MARCH 27 NELSON MUSIC ROOM, 12 PM

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AUGUST ‘09

30 Sunday

SWEET HONEY IN THE ROCK Great Lawn, Duke Gardens · 4 pm FREE · NO TICKETS NECESSARY

SEPTEMBER ‘09

12 Saturday NEW BAROQUE ENSEMBLE Reynolds industries Theater · 8 pm

15 Tuesday LUNCHTIME CLASSICS: CIOMPI QUARTET Rare Book Room · 12 noon - 1 pm

25 Friday COREY HARRIS QUINTET + JAMES “BLOOD” ULMER TRIO Reynolds Industries Theater · 8 pm

26 Saturday SUN RA ARKESTRA + MINGUS BIG BAND Page Auditorium · 7 pm

26 Saturday TAKÁCS QUARTET Reynolds Industries Theater · 8 pm

OCTOBER ‘09

2 Friday AWADAGIN PRATT Reynolds Industries Theater · 8 pm

9 Friday DIANNE REEVES FEAT. RUSSELL MALONE & ROMERO LUBAMBO Page Auditorium · 8 pm

10 & 11 Saturday & Sunday THE HALLELUJAH TRAIN FEAT. BRIAN BLADE, DANIEL LANOIS & PASTOR BRADY BLADE, SR. Hayti Heritage Center 10/10 at 8 pm · 10/11 at 5 pm

11 Sunday THE HALLELUJAH TRAIN SUNDAY WORSHIP SERVICE WITH PASTOR BRADY BLADE, SR. Hayti Heritage Center · 10 am FREE

15 Thursday FIRST COURSE: CIOMPI QUARTET Nelson Music Room · 6 pm

16 Friday DON BYRON NEW GOSPEL QUINTET FEAT. REV. KELLY ANDREWS Hayti Heritage Center · 8 pm

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17 Saturday ANONYMOUS 4 Duke Chapel · 8 pm 18 Sunday CONCERT NO.1: CIOMPI QUARTET Reynolds Industries Theater · 3 pm

20 Tuesday MURRAY PERAHIA Page Auditorium · 8 pm

23 - 25 Friday - Sunday CLASSICAL THEATRE OF HARLEM’S WAITING FOR GODOT Reynolds Industries Theater 10/23 & 10/24 at 8 pm 10/25 at 3 pm

29 Thursday LOUIS LORTIE Reynolds Industries Theater · 8 pm

30 Friday GAL COSTA & ROMERO LUBAMBO Reynolds Industries Theater · 8 pm

NOVEMBER ‘09

3 Tuesday LUNCHTIME CLASSICS: CIOMPI QUARTET Rare Book Room ·12 noon - 1 pm

7 Saturday MIAMI STRING QUARTET & KALICHSTEIN-LAREDO-ROBINSON Reynolds Industries Theater · 8 pm

12 Thursday FIRST COURSE: CIOMPI QUARTET Duke Gardens · 6 pm

12 Thursday URBAN BUSH WOMEN Reynolds Industries Theater · 8 pm

13 Friday LAMBCHOP + ALEJANDRO ESCOVEDO Reynolds Industries Theater · 8 pm

14 Saturday CONCERT NO. 2: CIOMPI QUARTET Nelson Music Room · 8 pm

DECEMBER ‘09

5 Saturday ST. LAWRENCE STRING QUARTET Reynolds Industries Theater · 8 pm

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JANUARY ‘10

21 Thursday FIRST COURSE: CIOMPI QUARTET Duke Gardens · 6 pm

22 Friday ANTON KUERTI Reynolds Industries Theater · 8 pm

23 Saturday LUCIANA SOUZA FEAT. CYRO BAPTISTA & ROMERO LUBAMBO Reynolds Industries Theater · 8 pm

24 Sunday CONCERT NO. 3: CIOMPI QUARTET Nelson Music Room · 3 pm

28 Thursday JASON MORAN FEAT. ALICIA HALL MORAN Nelson Music Room · 8 pm

29 & 30 Friday & Saturday ALONZO KING’S LINES BALLET FEAT. JASON MORAN’S BANDWAGON Reynolds Industries Theater · 8 pm

30 Saturday ORPHEUS CHAMBER ORCHESTRA WITH ANGELA HEWITT, PIANO Page Auditorium · 8 pm

FEBRUARY ‘10

5 Friday PETER SERKIN Reynolds Industries Theater · 8 pm

6 Saturday ORION STRING QUARTET WITH PETER SERKIN, PIANO Reynolds Industries Theater · 8 pm

9 Tuesday LUNCHTIME CLASSICS: CIOMPI QUARTET Rare Book Room · 12 noon - 1 pm

11 Thursday MIGUEL ZENON’S ESTA PLENA SEPTET Reynolds Industries Theater · 8 pm

12 Friday RUDRESH MAHANTHAPPA’S INDO-PAK COALITION Nelson Music Room · 8 pm

13 Saturday RAVI COLTRANE’S QUARTET Reynolds Industries Theater · 8 pm

19 Friday PUNCH BROTHERS FEAT. CHRIS THILE Reynolds Industries Theater · 8 pm

25 Thursday THOMAS MAPFUMO & THE BLACKS UNLIMITED Duke Coffeehouse · 8 pm & 10:30 pm

26 & 27 Friday & Saturday NORA CHIPAUMIRE FEAT. THOMAS MAPFUMO & THE BLACKS UNLIMITED · GUKURAHUNDI Reynolds industries Theater · 8 pm

MARCH ‘10

5 Friday RAFAL BLECHACZ Reynolds Industries Theater · 8 pm

13 Saturday ARTEMIS STRING QUARTET Reynolds Industries Theater · 8 pm

19 & 20 Friday & Saturday FARBER FOUNDRY’S MOLORA ADAPTED FROM THE ORESTEIA TRILOGY Reynolds industries Theater · 8 pm

25 Thursday LOS LOBOS + LEO KOTTKE Page Auditorium · 8 pm

26 & 27 Friday & Saturday ANTARES QUARTET Nelson Music Room · 8 pm

30 Tuesday LUNCHTIME CLASSICS: CIOMPI QUARTET Rare Book Room · 12 noon - 1 pm

APRIL ‘10

10 Saturday KRONOS QUARTET Page Auditorium · 8 pm 15 Thursday ROSANNE CASH + MARK O’CONNOR Page Auditorium · 8 pm

16 Friday ACADEMY OF ST. MARTIN IN THE FIELDS WITH JULIAN RACHLIN, VIOLIN Page Auditorium · 8 pm

29 Thursday FIRST COURSE: CIOMPI QUARTET Duke Gardens · 6 pm

MAY ‘10

1 Saturday CONCERT NO. 4: CIOMPI QUARTET Reynolds Industries Theater · 8 pm

8 Saturday HAN, SETZER, FINCKEL TRIO Reynolds Industries Theater · 8 pm

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BUY SERIES TICKETS AND SAVEDuke Performances is pleased to offer two ways for patrons to save on tickets to 09/10 season performances. First is a 15% design-your-own-series discount: buy tickets to any 4 or more concerts and take 15% off the total price. Second, patrons can purchase one of our pre-arranged ticket packages at an even deeper discount, up to 25% off. Packages are designed either by series or thematically: both types are listed below.

MODERN VISIONSFour icons of innovation, brought to Duke to reimagine modern performance.Murray Perahia ($46) · Classical Theatre of Harlem’s Waiting for Godot ($28)Kronos Quartet ($42) · Orpheus Chamber Orchestra w/ Angela Hewitt ($46)

REGULAR PRICE: $162. DISCOUNT PRICE: $125.

THE POWER OF VOICEFeaturing some of the world’s most commanding female performers.Dianne Reeves feat. Russell Malone & Romero Lubambo ($42)Anonymous 4 ($26) · Urban Bush Women ($28)Rosanne Cash + Mark O’Connor ($38)

REGULAR PRICE: $134. DISCOUNT PRICE: $105.

GUITAR FOUNDATIONSUnearthing the roots of modern guitar, from the blues to Brazil and back again.Corey Harris + James “Blood” Ulmer ($28) · Dianne Reeves feat. Russell Malone& Romero Lubambo ($42) · Lambchop + Alejandro Escovedo ($28) · Los Lobos+ Leo Kottke ($42)

REGULAR PRICE: $140. DISCOUNT PRICE: $105.

ADDITIONAL DISCOUNTS:Duke Performances is pleased to announce three additional discounts for the09/10 season aimed at making the best performing arts even more accessible:

10% off all tickets for all Duke Employees, limit 2 per valid Duke Employee ID.

10% off all tickets for all area college students, limit 2 per valid student ID.

10% off tickets for children 7 to 17, accompanied by at least one adult.

As always, Duke student tickets are just $5, for any show.Limit 2 student tickets per show per ID.

SERIES TICKET PACKAGES:

VOICES LIFTED Dianne Reeves ($42) · Gal Costa ($38) · Luciana Souza ($30)

REGULAR PRICE: $110. SERIES DISCOUNT PRICE: $85.

AT THE CROSSROADS Classical Theatre of Harlem’s Waiting for Godot ($28)Farber Foundry’s MoLoRa ($28)

REGULAR PRICE: $56. SERIES DISCOUNT PRICE: $45.

MOVED Alonzo King ($32) · Urban Bush Women ($28) · Nora Chipaumire ($28)

REGULAR PRICE: $88. SERIES DISCOUNT PRICE: $70.

WITH THESE HANDS Rosanne Cash + Mark O’Connor ($38) · Los Lobos + Leo Kottke ($42)Lambchop + Alejandro Escovedo ($28) · Punch Brothers feat. Chris Thile ($32)

REGULAR PRICE: $140. SERIES DISCOUNT PRICE: $105.

THIS HOUSE ON FIRESun Ra Arkestra + Mingus Big Band ($32) · Don Byron ($22)Jason Moran ($22) · Kronos Quartet ($42) · Miguel Zenon ($28)

REGULAR PRICE: $122. SERIES DISCOUNT PRICE: $95.

WAILMiguel Zenon ($28) · Rudresh Mahanthappa ($22) · Ravi Coltrane ($28)

REGULAR PRICE: $78. SERIES DISCOUNT PRICE: $60.

OTHER TICKET PACKAGES:

$5 – AN AMAZING STUDENT TICKET PRICEIn a remarkable arrangement with the University Provost, Duke undergraduate and graduate students can purchase tickets to any Duke Performances event for just $5. Limit of two $5 tickets per student for each event. Quantities of available tickets may be limited due to demand. Student ID required at time of purchase.

THANKS TO

Duke University Office of the PresidentDuke University Office of the ProvostDuke University Provost’s Council for the Arts’ Visiting Artist GrantDuke University Office of the Vice-Provost for the Arts

Armentrout Endowment for the Visual and Performing ArtsArtist Residency Endowment FundArtists Series Enhancement Endowment FundBlackburn Performing Arts FundCharles M. and Shirley F. Weiss Fund for Creativity in the ArtsEdith London Endowment Fund

Eleanor Naylor Dana Endowment FundElla Fountain Pratt Cultural Affairs EndowmentErnest W. Nelson Endowment FundFrances and E.T. Rollins, Jr. Endowment FundFriends of Duke PerformancesHenry David Epstein Endowment FundJ.J. and Ruth M. Blum Endowment FundNancy Hanks Resident Fellows Endowment FundPatrick M. and Catherine Greer Williams Endowment FundRobert and Margaret Boyer Endowment FundRoy O. Rodwell Endowment Fund

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TICKETING

HOW TO ORDER

ONLINELog on the Duke Performances website anytime at www.dukeperformances.org or the University Box Office website at www.tickets.duke.edu. Credit card orders only.

BY PHONECall the University Box Office between Monday and Friday, 10 am to 5 pm,919-684-4444. Credit card orders only.

IN PERSONFor tickets and information, visit the University Box Office in the Bryan Center on Duke University’s West campus between Monday and Friday, 10 am to 5 pm. The box office will open at the performance location one hour prior to the start of all performances.

WITH THE ORDER FORMFill out the attached order form and mail to Duke Performances 09/10, C/O Duke University Box Office, Box 90940, Durham, NC 27708 or fax, Attn: Duke University Box Office, to 919-660-1729. Credit card and personal check orders by mail. Credit card orders only by fax.

FOR INFORMATION CALL 919-660-3356 OR VISIT DUKEPERFORMANCES.ORG

In order to best serve our community, Duke Performances offers tickets at the lowest possible price, typically 30% less than tickets to comparable events in the area. Donations from patrons ensure that we can continue to offer tickets to exceptional events at these low prices. Only 25% of our operating budget comes from ticket revenue. With increasing pressure on our funding sources, we depend even more on the generosity of those who can support our efforts to provide the best performing arts to the widest possible audience.

When you make a tax-deductible contribution to support Duke Performances you ensure our ability to continue presenting top-flight, forward-thinking artists; foster meaningful interaction with students; and build a community in Durham dedicated to the performing arts in all their forms.

IMPORTANT INFORMATION

DIRECTIONSFor full driving directions please visit www.dukeperformances.org.

PARKINGPage Auditorium and Reynolds Industries Theater, West Campus: Bryan Center Parking Lot (PG IV) $5 per car, per event. Discounted parking vouchers can be ordered in advance with your tickets. Duke employees with valid parking permits may park for free in the Bryan Center Parking Deck after 5 pm.

Nelson Music Room, Duke Coffeehouse, and Baldwin Auditorium, East Campus: All unmarked parking spaces on East campus are free and unrestricted after 5 pm.

Duke Gardens and Kirby Horton Hall: Parking spaces in the lots adjacent to the Doris Duke Visitors’ Center are free after 5 pm.

Hayti Heritage Center: Parking is available in parking lots on the premises or at Phoenix Square, Heritage Square Shopping Center, and on adjacent streets.

LATE SEATING POLICYPlease allow enough time to park, claim your tickets, and get seated several minutes before the announced start-time of performances. Latecomers will be seated at the discretion of the house manager and Duke Performances staff with respect for the performers and other patrons.

LOST TICKETS If you lose your tickets and need replacements, please call the University Box Office, 919-684-4444.

PERFORMANCE CANCELLATIONBecause the performing arts are live events, programs are subject to change without notice for reasons outside the control of Duke Performances. If a performance is cancelled, you will be notified as early as possible and offered either an exchange or a refund. Join our email list or check www.dukeperformances.org for the most up-to-date information regarding performances.

REFUNDSTickets are nonrefundable except in the case of cancelled events.

IF YOU ARE UNABLE TO ATTENDIf you are unable to attend a program for which you hold tickets, you may donate those tickets in person to the University Box Office for a tax credit (no refunds). In order to qualify for the tax credit, the Box Office must receive refund requests at least 24 hours prior to the scheduled performance.

We encourage all ticket holders to return tickets they are unable to use so that seats can be made available to students, charitable groups, or other patrons who might otherwise not be able to attend.

VOLUNTEER FOR DPDuke Performances welcomes volunteer ushers for its events. Volunteers provide a valuable service and are able to see performances free of charge. Ushering requires a time commitment both before and after the performance; precise responsibilities will vary. For information about becoming a volunteer usher, please call Duke Performances at 919-660-3356 or email the usher coordinator at performances@duke.edu.

ACCESSIndividuals with disabilities who anticipate needing additional accommodation or who have questions about physical access, should contact the Duke University Box Office at 919-684-4444 prior to ordering tickets.

WEBSITE & EMAIL UPDATESVisit dukeperformances.org for updates on the series. We also encourage you to join our email list, accessible through the website. We use this list in addition to our website to update ticketholders about changes to the series.

HELP SUSTAIN THE BEST PERFORMING ARTS IN DURHAM

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