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DRM Development
• Sep 96 – Informal meeting between 5 broadcast-related organizations
• Apr 97 – 1st formal meeting of Digital Radio MondialeTM (DRMTM)
• Mar 98 – 20 broadcast-related organizations signed the MOU in Guangzhou, as a first step to the official inauguration
DRM Development
• Apr 2001 – DRM's has gained approval by ITU-R's members. The recommendation is now referenced as ITU-R BS.1514 and under standardization process.
• Sept 2001 – the European Telecommunications Standards Institute (ETSI) published the technical standard for DRM’s on-air system. The document is called ETSI TS 101 980 V1.1.1
DRM Development
• Nov 99 – Evaluation group carried out field test
• 2002 – DRM is an international consortium of 72 broadcasters, network operators, manufacturers
• 2003 – DRM is scheduled to launch
Digital AM System
• iBOC – USA (MW)– In Band On Channel system, analog an
d digital Tx on same channel– Wider BW requirement than DRM– MPEG2 & OFDM
Digital AM System
• DRM – Europe (LW, MW & SW)– Tx on same band, different channels.– Simulcast is underway– MPEG4, QAM & OFDM
DRM Field Test
• Phase 1– Nov 1999 ~ Mar 2000, point to point SW
and MF transmission.
– Transmission path testing.
• Phase 2A– Jul ~ Aug 2000
– Audio quality and reliability test
DRM Field Test
• Phase 2B– Dec 2000, broadcast in MF and LF
bands.
– 2001, transmission from Canada to Madagascar (13000km)
DRM Field Test
• Latest Test– 12 June 2002, Long-term DRM tests fro
m Deutsche Welle and Radio Netherlands Bonaire, Netherlands Antilles are continuing.
– The latest phase involves simulcast (analog/digital) mode.
– Carrier frequency: 15530kHz
DRM Field Test Commend
• BBC – Compliance testing and specification validation Clear, Complete and Unambiguous
Features
• Reinvigorate the use of frequency bands below 30 MHz – Short-Wave, Medium-Wave and Long-Wave
• Improve sound quality, FM-like with the AM reach
• Reduce interference by digital technique
Features
• Wider coverage due to improved S/N
• Alternative frequency switching and Single Frequency Network
• Value added services:– Program labels
– Text messages
Impact
• Modification of existing transmission equipment is needed
• New digital receivers is needed
• Slightly reception improvement with existing output power
• Better sound quality
DRM System
• Non proprietary, open standard
• uses existing AM broadcast frequency bands, 9 –10 KHz channel
• Support SFN
• Not support analog receivers
• Simulcast is underway
Technical Info
• Audio:– MPEG4 Advanced Audio Coding (AAC) +
Spectral Band Replication (SBR) compressed audio: 20kbps / channel
• RF:– QAM & ODFM (similar to DAB)
MPEG-2 AAC
• a high quality audio coding standard for 1 to 48 channels at sampling rates of 8 to 96 kHz, with multi-channel and multilingual capabilities.
• AAC works at bit rates from 8 kbit/s for a mono speech signal up to 160 kbit/s for very high quality.
• Three profiles of AAC provide varying levels of complexity and scalability.
MPEG-4 AAC
• Coding and composition of natural and synthetic audio objects at a very wide range of bit rates
• The representation for synthesized sound can be derived from text data or so-called instrument descriptions
MPEG-2 AAC Vs MPEG-4 AAC
• MPEG-4 AAC has all the tools and functions of MPEG-2 AAC plus the Noise Substitution tool, a Long Term Predictor as well as extensions to support scalability