DirectedbyBrynHiggins

Writtenby

OliverVeysey

ProducedbyOliverVeysey/BillCurbishley

Starring

EllaPurnell,EdwardBluemel,JordanStephens,GeorgieHenleyWithNigelLindsay,JoHartleyandJasonFlemyng

AccessAllAreaswillhaveitWorldPremiereatEdinburghInternationalFilmFestival.Runningtime:94min/Certificate:TBCForallpublicityenquiriespleasecontact:keeley@emfoundation.com/02072474171Twitter&Instagram:@aaathefilm facebook.com/accessallareasthefilm

GOFORTHEMUSIC.GOFORYOURLIFEAnunlikelygangofteensescapesfromtheirdysfunctionalparentstoanislandmusicfestivaltolosethemselvesinthecrowdandfindthemselvesinthemusic.SHORTSYNOPSISWhenhaplessHeathgetscaughtupinMia’sdesperatebidforfreedom,itcatapultsthemandtheirfriendsonawildroad-triptotheIsleofSoundsfestivalwheytheylosethemselvesinthecrowdandfindthemselvesinthemusic.Nothinggoestoplan,butiftheycangetholdofsometicketsandsurvivethecrowds,toilets,aerialacrobats,chaos,Swedishhipsters,aswellastheunwelcomeappearanceoftheirmaniacalparents,itpromisestobeanunforgettableweekend.SYNOPSISAlong,hotsummeriscomingtoanend.Whispersofa comebackperformanceby the legendaryartistKurtz areallover town,andaspiringmusicianHeath isdesperatetomake it tothe IsleofSoundsfestival tosee it.ButHeathisgoingnowhere.Whilehisfriendsaremovingonandmovingaway,he’sstuckcaringforhisunpredictablemumLibby,andscrubbingpanstosupportthemboth.Miahasnotimeforanybody,certainlynotherincreasinglyunhingedfatherMack,andleastofallHeath,whoseaffectionshavebeenlongunrequited.Sincethedeathofhermum,herhome has become a war zone. SoMia does what all teenagers do in that situation: shepartieseverynightandrefusestocomehome.Somethinghastogive.WhenHeathgetscaughtupMia’sbidforfreedom,itcatapultsthemandtheirfriendsonawildpilgrimageacrossbeautifulBritishcountrysidetothegreatestshowonearth.But,havingrecentlylosthiswife,Mackisn’tgoingtoletgoofhisdaughtereasilyandhedoesn'ttrustHeathnottoleadherintomoretrouble.HekidnapsLibbyfromhermeditationamongthefairies,andsetsouttothwarttheirkids’escapeplan,notknowingthathe’sabouttoembarkonhisownhallucinogenicvoyageofself-discovery.Onarrivingatthepartyisland,theMiaandNatalieflirttheirwaytoasetofVIPwristbandsandleavetheirunfortunatemalecompanionsinthedust.Desertedbyhisfriends,andwithfifty thousand terrifyingly loud revelers standing between him and the comeback thatmightneverhappen,HeathgoesinsearchofhisheroKurtz.Butheshouldbecarefulwhathelooksfor…becauseyouneverknowwhatyoumayfind.Overoneunforgettableweekend,nothingwillgotoplanforHeathandhisfriends.Butiftheycansurvivethecrowds,thetoilets,theaerialacrobats,thechaos,theSwedishhipsters,theunwelcomeappearanceofmaniacalparents,andanapocalypticbackstageencounterwitharocklegend,thentheirliveswillneverbethesame.

ABOUTTHEPRODUCTIONHowdoyoumakeafilmaboutamusicfestivalwithouttakinganentirefilmcrewintothemidstof60,000dancing,partyingkids?Youcan’t.“Thewriterinmehasalwaysthought,‘whatanexcitingthingtotryanddo,tomakeafilmatamusicfestival’”laughswriterandproducerOliverVeysey.“AnditwasonlywhenIputmyproducer’shatonthatIdiscoveredhowchallengingitwasgoingtobe!”Everysummer,fieldsalloverthecountryfillwiththousandsofrevellerswhomaketheirownpilgrimages to experience the mad, muddy magic of the British festival. Events likeGlastonbury, Bestival, Reading and Leeds bring people together from all walks of life,creatingpop-upcitiesthatturnasingleweekendintoatransformationalexperience.“WhenIwas17IhitchhikedtoGlastonbury”saysVeysey.“AndforaperiodoftimeIwentto10festivalsayear.Itwasabigpartofmylife,andmyfriends’lives.”WithdocumentarieslikeWoodstock (1970),Glastonbury (2006)andAllTomorrow’sParties(2009) only ever seeing the crowd as vox pops, Veysey knew that no one had ever reallymanagedtocapturethefeelingofbeingatafestival–letaloneuseditasabackdropforadramaticmovie.Co-producing The RailwayMan in 2013 with TheWho’smanager, Bill Curbishley, Veyseystartedtradingfestivalstorieswhenheheardtheperfectset-upforhisscript.“ObviouslyBill’sbeeninvolvedinmusichiswhole life,buthetoldmethestoryofhowhisdaughterwenttoherfirstfestival.Shewas16atthetimeandshebeggedhimtogountilhesaid,‘okay,youcango,butthisyoungmanisgoingtocomewithyou’–andhefoundherachaperone.He told this guy, ‘you’re going to takemy daughter to her first festival and ifanythinghappenstoheryou’llanswertome’.Soofftheywent,theboyterrifiedandthegirlmortified…TheywentinandwithinamatterofhoursthegirlshadditchedtheboysandthenexttimeanyonesawBill’sdaughtershewasontheshouldersofsomerandomguyinthemoshpitofthemainstage…ontheBBC.”Mixing Curbishley’s storywith his own, and bringing the rock legend on board as his co-producer, VeyseywroteAccessAll Areas as theultimate festival experience – a feel goodroadtripwithanemotional,dramaticheartthatwasgoingtobeset,stagedandshotrightinthemiddleofarealfestival.Taking the idea of the ‘pilgrimage’ as his cue, Veysey’s script told the story of multiplejourneys,andmultiplegenerations.JustasHeathandMiahavetheirownproblemstoworkout,sotoodoLibbyandMack–witheveryoneinthefilmsearchingforsomethingthey’velost along theway.Access All Areasmight be a freewheeling festival film, but it’s alwaysanchoredbyitscharacters.Knowinghowdelicatethisbalancewasgoingtobe,Veyseyknewheneededadirectorwhounderstoodbothsidesofhisstory–leadinghimtodirectorBrynHiggins.“BrynreallyunderstoodwhatIwastryingtodo,”explainsVeysey.“Wereallyconnectedinterms of the energy andwhat it needed to feel like. He’s a very assured director and heknowsexactlywhathewants.Heunderstandsmusic,heunderstandsthecharactersandhereallyknowshowtotellastory.”

“As ever, you start with the script,” adds Higgins, who went from Casualty 1909 andPrivates,toBlackMirrorand2014’shard-hittingepilepsydramaElectricity.“IthoughtAccessAllAreaswasaverycharacterful,warmscript. Itwasalwaysmeanttobea filmthatgivestheexperienceofgoingtoafestival,butitobviouslyhadtohaveagreatstoryattheheartofit.It’sagoodstrongfamilydrama,butatthesametimeit’sneversoftoreasy.Soitwasthescriptthatattractedmefirst,andthenthepedigreebehindit.”Describingthefilmasa“feelgoodroadmoviefortwodifferentgenerations”,Higgins’ownloveofmusicmadesigningonaneasydecision.“HonestlyIcansaythisisoneofthemostfunfilmsI’vedone,”hesays.“Ofcourseitwasabigchallenge,andofcoursetherewasalotofinterestingthingsthatwehadtoovercome,butit’sakindofwin-win.It’safilmwithalovelycharacterledscript,it’safilmthatinvolvesthechallengeofshootinginarealfestival,andaboveallit’saboutmusic–andtome,thosearethreefantasticthingstobeabletotakeon.You’rebuildingaworldfromscratchwhenyoumakea featureand thiswasagreatworld tobuild. Itwasanexcuse tohavea lotofcolour,agreatdealofmusic…”MUSICATTHEHEARTOFITALLPickingasoundtrackthatincludeseveryonefromFaithless,TameImpalaandFutureIslandstoJohnHolt,RoyalBloodandDisclosure–andcapturing liveperformancesfromTheWhoandUnderworld–music isattheheartandsoulofthewholefilm.ThesoundtracktorivalanyfilmreleasedthisyearwillbereleasedonUniversalRecords.Veyseysays“thefilmcarriesyouawayandimmersesyouforatimeinthefestival,andthemusicplaysacrucialroleinthat”.“Atmostfestivalsthere’s20oddstagesplayingatonce,”explainsHiggins.“MyownkidsarelisteningtostuffthatIwouldn'tevenhavelistenedtobackintheday–sothewholemusicworld isbetternow thanever.Everybody listens toeverythingand the soundtrackhad toreflectthat.SoIgottolistentoallkindsofnewbands.ForabriefmomentIwasquitehip!”AUNIQUELOCATIONShootingexteriorsinandaroundBristol,withroadscenesshotallovertheSouthWest,thebiggest challenge early on was securing a real festival to double as the fictitious Isle ofSounds. Needing amajor event that offered the kind of crowd, as well as the variety ofdifferentareas,backdropsandlocationsneededtostagethebulkofthefilm’saction,therewasonlyeveronechoiceforthefilm’sproducers.“Itwasobviouslyamountainof logistical challenges,butBestivalwas theonly festivalweapproached,”explainsVeysey.“I’dbeentothefestivalafewtimesbeforeandIwasalreadya big fan. Forme it’s themost beautifully designed,well thought out experience and thebestlookingfestivalbyfar.JosiedaBankdesignsit–andRob[daBank]curatesthemusic–andthey’vedoneareallywonderfuljob.It’safilmsetthatwecouldjustneveraffordonourbudget,soweapproachedthemearlyonandtheywerebothreallyintotheidea.Andthenwestartedtofigureoutwhatitwouldreallytaketoshootinacrowdof50,000people…”

CHARACTERSANDCASTButbefore the tents startedgoingup, the film’sproducersneeded to finda strongyoungcasttofillthem.“WewantedthisfilmtofeelveryBritish,”saysVeysey.“Themusicfestivalexperience feels so ingrained in our society, so itwas a conscious choice to try andworkwithBritishactors.”Finding four young actors from four verydifferent backgrounds to fill themain friendshipgroup,therisingstarsofAccessAllAreasareasuniqueastheircharacters.“Thescriptisveryclear in theway itdelineateseachof the four characters, so itwas reallynice to cast theyoung kids as different types – four different flavours,” says Higgins. “They all camewithreallygooddecisions,andIthinkthey’reallamazing”.FirstupwascastingHeath–theangstyheroofthestorywhosequesttofindKurtzshapestheeventsofthewholefilm.Turningto23-year-oldEdwardBluemel,anactorstraightoutofdrama school with no screen credits to his name, Veysey believes they’ve found one ofBritain’snextbiggeststars.“EdwardhadnothingonhisCVandthatwasincrediblyexciting,”heenthuses.“Ifeelreallyluckythatwe’vegivenhimhisfirstjobbecauseIthinkwe’regoingtoseeahugeamountoutofhiminthefuture.He’sawonderful,wonderfulactor.Hejustinstinctivelyknowswhatittakestobeascreenactorandyoucan’ttakeyoureyesoffofhim.”“It’sbeenabitofbaptismoffire,inthebestpossibleway,”laughsBluemel,sincegoingontostaralongsideOliviaWilliamsandMarkBentoninITV’sTheHalcyon.“Learningwhatit’sliketoactinthemiddleof30,000MissyElliotfansisabitofachallenge!ButHeathissuchagreatcharactertoplay,it’sbeenanincredibleexperience”.Describing his character as “wise beyond his years”, Bluemel was drawn to the complexrelationship Heath has with his mother, played by Jo Hartley. “Heath takes himself veryseriously,”hesays.“He’sgrownupbeingfarmoreofanadultthanachild.He’slookedafterhis mum, who’s a complete loose cannon, and he’s channelled all of his frustration intomusicand intotheworshipofhis idol,Kurtz.Heputshimselfthrougha lotofobstaclestogetwherehe’sgoing.”Theflip-sidetoHeath(andtoBluemel) isMia,broughtto lifeby21-year-oldEllaPurnell–alreadyabig-screenveteranafterthe likesofNeverLetMeGo,Kick-Ass2,MaleficentandMissPeregrine’sHomeforPeculiarChildren.WithPurnellturninginaremarkablynuancedperformanceasthetroubledteenwhodealswithhermother’sdeathbydoingeverythingshecannottothinkaboutheremotions,itwasacastingdecisionthatalmostdidn'thappen.“Iwanted a holiday!” laughs Purnell. “I’d already done twomovies that year and I didn'twanttodoanythingelseforabit.ButthenIreadthescriptanditwastheweirdestscriptI’deverread.Itwasmental.SoIskypedBryntofindoutabitmoreandassoonasIgotoffthecallIthought,Ihavetoplaythischaracter.“Mia is intriguing. I’ve never played anyone quite as strong as this. I’ve played a lot ofdamselsindistress–girlsthatneedrescuingbyahandsomeprince–butthisdamselnickstheprince’sbikeatthestartofthefilm!”

Withthedauntingprospectofhavingtolearnhowtoplaythepiano,theguitar,howtosingthree songs and ride a motorbike in two weeks, Purnell threw herself into the role andimpressedeveryoneonset.“IthinkElla,havingthatexperienceonfilms,wasgreatbecausesheplaysafairlyrebelliouscharacterwho’sgotallsortsofproblemsdealingwiththedeathofhermum–andIreallyadmire thewayshedidn't try togetanysympathy fromtheaudience,”saysHiggins.“Shedidn't play it soft or hurt, but you still sympathisewith her – and I think that took somereallygoodthinking.”NextupwasLeon–the jokerof thepackwhostarts the filmasHeath’snerdybest friendandendsupbeingcompletelytransformedbythefestival.NeedingsomeonewhocouldplayLeonforlaughswithoutlosinghisoddballcharm,theproducersturnedto24-year-oldRizzleKicksstarJordanStephens.A Brit School alumni who’s been proving himself in the spotlight since he started theplatinumsellinghip-hopactRizzleKickswithHarleyAlexander-Sulein2006,Stephensisstillnewtoacting.Debuting inE4’s2014dramaGlue,beforegoingon toanumberof smallerroles in film and TV (including a cameo in last year’s Rogue One: A Star Wars Story),StephenswantedtogetinvolvedassoonasheheardthefilmwasshootingatBestival–aneventheheadlinedin2012.“IwantedtogetinvolvedbecauseIlikeprojectsthatattempttodothingsthathaven’tbeendone before,” he says. “I’ve seen one film set at a festival, which wasWoodstock, butobviouslythatwassostylised.Sotryingtocaptureamoderndayfestival–withouta fakeset – I don't think that’s been done before. And then I found out that Missy Elliot washeadliningthatyearandthatsoldmebecauseIknewI’dgetafreeticket…”Geeking out on set whenever he bumped into anyone he’d seen on TV, and laughing atHiggins forwearingabaseball capandparkerand“looking toomuch likea filmdirector”,Jordanfoundalotofhimselfinhischaracter.“Leon is anerdwho’s really intohismusic and then the festival sortof awakenshimandturnshim intoabitofhippie,”he says. “And that’sprettymuch the same transformationthatI’veundergoneoverthelastfouryears.There’sdefinitelyalotofLeoninme.IreadthescenesandIfeltlikeIknewwhatLeonwoulddobecausethere’sapartofmethat’stotallyhim.Evenifwedon’tlikethesamemusic…”With music playing such an important role in the film, all the cast made personalisedplaylists to get into their characters: Jordan picking minimalist EDM and obscure Pixiesdemos,EdchoosingJoyDivisionandTangerineDream,EllapickingSia,andGeorgieHenleydefiningNataliein“sugaryelectroacidpop”.Roundingoffthegroupastheexcitable,fun-lovingpartygirlNat–22-year-oldHenleywaschosenagainsttype.Knowntoaudiencessincetheageof10whenshedebutedasLucyinthe blockbuster Chronicles of Narnia trilogy, she’s not usually associated with characterswhowindupondrunkone-nightstandsonatourbus.“Nat is just mental. She’s batty,” laughs Henley. “I was so excited to play something sodifferentfromothercharactersI’dplayed.Ilovedthescript–unfortunatelyit’squiterare

to find a script that depicts teenaged life in a real, raw sense and the group dynamicbetween these four characters was just so amazing. Nat and Mia are the ultimatetroublesometwosome–they’relikechalkandcheesebuttheyabsolutelyadoreeachother.IthinkofNatalieasasparklyhurricane!”Throwntogetherunderthemostextremefilmingconditions,allfouractorsquicklybondedasagroup–atributetothesenseoffunandgood-feelingthatfilledtheset,butafactmadeallthemoresurprisinggiventheirreallifedifferences.“You can’t not bond at Bestival. Butwe’re all so remarkably similar to our characters it’sinsane,”laughsPurnell.“Jordan’sthementalone,GeorgiehaszeroinhibitionandEd’sabitmorereserved.You’vealsogotJordanfromtheBritschool,Edfromdramaschool,GeorgiefromCambridgeandmejustfloatingaroundafterfinishingmyA-Levels.Sowe’veallgotthepersonalitiestomatchourschools!”Withthekidsinplace,theproducersturnedtheirattentiontotheoldergeneration,pickingveteran British character actors Jo Hartley and Nigel Lindsay as Libby and Mack,QuadrophenialegendPhilDanielsasthefestivalferrymanandLock,StockandTwoSmokingBarrelsandX-MenstarJasonFlemyngasthemythicalmusicianKurtz.“It’safilmaboutteenagers,butit’salsoabouttheparents,”saysHiggins.“IthinkpeoplelikeJoandNigelarefantasticactors–andtheydidabrilliant jobunderallsortsofconditions.Jason’sjustlovelytoworkwith.He’sdoneahundredsomethingfilmsbuthecomeswiththisenormousfocus.SamewithPhilDaniels.ItwasgreattohavehimasanodtoQuadrophenia,buthe’salsoagreatactorandhisconcentrationonthedayisamazing.”PlayingMack with a fine balance of tightly wound aggression and innocent vulnerability,Lindsay(Scoop,FourLions)wasdrawntohischaracter’scomplexarc inthescript.“Mack’swifedied,nottoolongago,”heexplains.“He’sleftwithadaughterwho’sstrugglingtogetoverit,andhe’sstrugglingtogetoverithimself.He’scompletelycloseddownasahumanbeingandhisdaughterhasrebelledaccordingly.Butthere’salovelyjourneyforMack.AshechasesMiaonherownjourneyhefindssomethingforhimselftoo.”Partnered with Jo Hartley as Heath’s unstable mother Libby, it’s Lindsay’s last acttransformationasMackthatgivesthefilm itsbiggestemotionalpull–mirroredbyLibby’sconfessionalreunionwithherson.“Libby is a magical character,” says Hartley. “She’s got quite a few sides to her. She’spossessivewithHeathandshelooksafterhim,butshecanswitchthatrelationshiparoundinaninstant.”RavingaboutthestrengthofBluemel’sdebutperformance intheir toughscenestogether,Hartleyjoinsalltheveterancastmembersinapplaudingthefourmainleads.“It’ssogreatto see young talentdelivering like that,” says Flemyng. “It’snotexact scienceand it’snoteasy.You’vegot todo thework,andwhenyou’re thatage sometimes it’shard todo theworkbecauseyou’vegototherthingsonyourmind–especiallywhenyou’remakingafilminamusicfestival…”

ACCESSINGALLAREAS50,000people.18stages.88-acresofpartying,drinking,dancingandmadness.Itmightnotsound like the best environment to shoot a feature film, butHigginsmade sure he cameprepared.“IdrewonmyTVexperience,particularlymyearlyworkwhenImadealotofdocumentariesandfilmedinwarzones…”helaughs.“Obviouslyit’stheirfestival–it’snotourmovieset.Sowhenitcametotakingafairlybigdramaunitintoanenvironmentthatyouhavenocontrolover,honestly,Ifounditfun.Wehadalotof,interaction,shallwesay,withordinaryyoungpeople–butforme,havingdonedocs,it’sallthoseaccidentsthatmakeeverythingwork.”Not that luck didn't play a part either. Shooting in the late summer of 2015, the crewmanagedtoavoidtherainfallthatsooftenturnsBritishfestivalsintomudbaths–gettingaweekendofnearperfectweather.Using a second unit to try and distract the crowd, extensively rehearsing each scenebackstage, andmaking sure everyonewaswiredwith radiomics so they could hear theircues(andfindeachother),thecrewonlyhadthreeintensivedaysandnightstoshootmorethanhalfthefilm.“Obviouslyifyou’reshootingatafestival,tryingtoshootadramawithdialogueandactualscenes,youhavenocontrol.Soyougoinwithacertainmindset.”explainsHiggins.“Ithinkwe planned it very well because we have a wonderful DOP and a fantastic Steadycamoperator,sowecameawaywithasensethatwebossedthefestivalratherthantheotherwayaround. It’sdefinitelynot justrunningaroundgrabbingstuffatafestival–thescenestakeplaceandthey’restagedandtheyworked.Soitwasplanning,andthensometimesyoujustwentwiththeflowwhenoddthingshappened…”Oddthingslikelosingoneofthecamerasonthelastdayofthefestival.“Itjustgottrappedbythecrowd!”laughsHiggins.“BoyBetterKnowwereonandyoujustcouldn’tmove.Sowelostpartof thecrewforawhile.Again, it informsthequalityandthevibeof thefilm inareallyniceway.Therewasabsolutelynopointgettingstressed.Ihadalreadylostmyvoiceondaytwo!”Shootinginandaroundthefestivalisonething,butpushingtheactors–andacameracrewequippedwitha largecamera,asetofanamorphic lenses,aboommicanda lightingrig–straightintoamainstagecrowdisanothermatterentirely.Bufferingtheactorswithasmallgroupofextras,thesmallunitlaunchedthemselvesfromthebackofthecrowdtothefrontbarrier.“Youcan’tprepareforthat,”saysHiggins.“That’sarealcrowdwatchingtheendofJungle’sset.AllcredittoEdBluemel–Idon'tthinkheevenknewthatthisisn’treallyhowyoumakefilms!Hereallywentforit,and[cinematographer]TonySlaterLingandthecameraguysjusthurledthemselvesthroughthiscrowd.Itwasmad,butthere’ssuchahugevisualcanvastodrawuponthatyoucan’tignoreit”.ForVeysey,whogot to seehis script turned into realitywitha castof50,000people, thewholeexperiencewasmadeupofaseriesofunforgettablemomentsofmadness.

“TherewasascenewhenJordanisbeingliftedoutofthecrowdbyanaerialistandit’salivestuntthatyouonlygettodoonce,”heremembers.“Wehadfivecamerasrollingand10,000kidsdancingtotheirfavouriteDJat2am–andwe’retryingtocueJordan,cuetheaerialists,cuethecamerasandmakeitallwork.I’dlovetosaythatwasaoneoff,butweattemptedthatkindofstuffaboutthreetimesaday.Andwepulleditoff”Asidefromoneoccasionwhenthescheduledbanddidn'tshowuponthemainstageandanentirecrowdscenehadtobescrappedandreplacedonthefly,thewholeproductionwentremarkablysmoothlyforsuchanuncontrollableshoot.“I’llneverforgetstandingbytoshootHeathrunningthroughthemainstagecrowdontheSaturday night,” says Veysey. “Everyone – the whole cast and crew, bar the Steadycamoperator–wasdancing.Wefedofftheenergyofthefestival.Itwasagreatmoment.”Butmoreofaproblemthanstagingthefilm’sbigset-piecesinthemiddleofalivemoshpitwerethesmallerscenesthattookplaceoutofthecrowd–inareaswherethecast(andthecamera)couldbemoreeasilyspottedbythepunters.“A lotofpeople thoughtwewere thenews,” laughsHenley. “You’redealingwitha lotofdrunkpeople,alotofhighpeople.”“Itwasinsane,”addsBluemel.“Youhadtonailyourtakebecauseyouknewyou’donlygetoneortwo.AnditwasprettyhardtodoanythingwithJordanwithoutsomeoneshoutingaRizzleKickslyricinthebackground!”Arguably though, it's those hardships and happymistakes thatmake up anyone’s perfectfestivalexperience–theverythingthatdrewtheentirecastandcrewtotheprojectinthefirstplace,wantingtorecreatetheirownmagicmemoriesonfilm.ForBluemel, itwas the timehegot lostatBigChill and for Stephens itwas turningupatReadingwithoutawristbandtwodaysbeforehestartedcollege.Purnellremembersbeggingadults to buy her boozewhen shewas too young to get to the bar herself – andHenleyremembersmissing her favourite bands at Leeds because shewas stuck in themud. Theoldergenerationhaveevenmoreseasonedstoriestotell–JoHartleyclimbingtreesatSpikeIsland,NigelLindsaydrivingtoReadingwithouta licenceandJasonFlemynggivingabare-footedPeteDohertyapiggybackoverthemudtoKateMoss’strailer.“To me, music festivals are a kind of modern day pilgrimage for kids and adults,” saysHiggins. “All to be taken away from ordinary life, perhaps to be transported and maybetransformed.Youcomebacklookingthesamebutyou’realwaysadifferentperson.”###

CASTBIOGRAPHIESELLAPURNELL–‘MIA’Ella was recently seen starring in Tim Burton’s feature MISS PEREGRINE’S HOME FORPECULIARCHILDRENoppositeEvaGreenandAsaButterfield. Shewillsoonbeseen inthefeature filmCHURCHILLoppositeBrianCoxandMirandaRichardson,and the independentfilmUFOwithGillianAnderson.Ella’s film debut was in Mark Romanek’s NEVER LET ME GO playing the young KeiraKnightley, and shewent on to play the youngAngelina Jolie inMALEFICENT. She starredoppositeCliveOwen in INTRUDERS, andalso featuredoppositeAaronTaylor-JohnsonandChloeGraceMoretzinKICK-ASS2.ShewaschosenasoneofScreenInternationalStarsofTomorrow2010.EDWARDBLUEMEL–‘HEATH’Edward Bluemel graduated from the Royal Welsh College of Music and Drama and wasnamedthewinneroftheprestigiousSpotlightPrizeforactinglastyear.ACCESSALLAREASmarks his debut feature film performance in the lead character of Heath. He features inJaumeCollet-Serra’supcomingaction-thriller filmTHECOMMUTERstarringalongsideLiamNeeson.Recently,EdwardplayedJacobHamiltoninITV’snewflagshipdrama,‘TheHalcyon.’His stage performances include roles in The Winter’s Tale, Strange Orchestra,LongingandAnimal for the Richard Burton Theatre Company,King Learfor RWCMDandMercuryFurforCompanyofSirens.HeisnowstarringintheWestEndinLoveinIdleness.GEORGIEHENLEY–‘NAT’George Henley recently graduated from Cambridge University where she read EnglishLiterature, whilst starring in and directing multiple ADC Theatre productions, includingworkingwiththefamousFootlightsDramaticClub.Georgie has been acting since an early age, appearing in 2005 in THE CHRONICLES OFNARNIA: THE LION, THE WITCH AND THE WARDROBE aged 10, for which she won thePhoenix Film Critics' Society Award for Best Performance by a Youth Female in a Lead orSupportingRole. ShereprisedtheroleofLucyPevensie in thesubsequent installmentsoftheseries,PRINCECASPIANin2008andTHEVOYAGEOFTHEDAWNTREADERin2010.In 2006, she starred in the BBC adaptation of Jane Eyre, andmore recently was seen infeaturefilmsPERFECTSISTERSandTHESISTERHOODOFNIGHT.

JORDANSTEPHENS–‘LEON’JordanStephensisanactorandmusicianfromBrighton.AshalfoftheEnglishhip-hopduoRizzleKicks,Jordan,togetherwithHarleyAlexander-Sule,hasachievedphenomenalsuccesswith their debut platinum-selling albumStereotypicaland second albumRoaring 20s.Jordanmade his acting debut two years ago to rave reviews in E4’s drama series GLUE,whichwasfollowedbyhisdebutfeaturefilmroleinACCESSALLAREAS.Sincethen,Jordanhasbeen seen inALLEYCATSalongsideEleanorTomlinson,andhasappeared innumeroustelevisionproductions,including‘Uncle,’‘TheLastPanthers,’and‘DrunkHistoryUK.’JordancanmostrecentlybeseeninROGUEONE:ASTARWARSSTORYasCorporalTonc.As part of Rizzle Kicks, Jordan has worked on various soundtracks, including SHAUN THESHEEP MOVIE, LAS VEGAS and most recentlyon WHY HIM? starring Bryan Cranston andJamesFranco.JOHARTLEY–‘LIBBY’Manchester-bornJoHartleyhasappeared insomeoftheUK'smostcuttingedgefilmsanddramas.StartingherprofessionalcareerinShaneMeadows'DEADMAN’SSHOESwithPaddyConsidine and Toby Kebbell, she has since starred alongside Julie Walters in THE JURY,DamianLewisandVickyMcClureinSTOLEN,andJohnSimmandJoanneFroggattinMOVINGON. Perhaps her most famous role has been the warm and lovable Cynth in the multiaward-winningTHISISENGLAND.In 2016, Jo appeared in the highly acclaimed EDDIE THE EAGLE as the mother of Eddie,playedbyupcomingtalentTaronEgerton.DirectedbyDexterFletcherandwithacastthatincludedHugh Jackman,ChristopherWalkenandKeithAllen, the filmcaptured theheartsandimaginationsofaudiencesallovertheworld.ThesameyearshealsostarredinLIFEONTHE ROAD alongside Ricky Gervais, who revisits his career-defining character David Brenttenyearsonfrom‘TheOffice.’Joalso recently starred inPREVENGE, theBFIA-nominatedserial killer comedydirectedbyAlice Lowe, and is currently shooting ‘Bliss,’ a love triangle with a twist, with StephenManganandHeatherGrahamforSkyAtlantic.JASONFLEMYNG–‘KURTZ’Jason Flemyng beganhis career as a television actor, starring in theAmerican series ‘TheChronicles of the Young Indiana Jones’ in 1992, and subsequently in ITV’s ‘Doctor Finlay’throughoutthefirsthalfofthe1990s. Heisperhapsbestknownforhislate-90sandearly2000scrime thriller feature film roles,particularly thecultGuyRitchie titles LOCK,STOCK,ANDTWOSMOKINGBARRELSandSNATCH,aswellasMatthewVaughn’sLAYERCAKE.

MorerecentlyhehasappearedinTHECURIOUSCASEOFBENJAMINBUTTON,KICK-ASS,X-MEN:FIRSTCLASSandSUNSHINEONLEITH.

JasonhasrecentlydirectedthefeaturefilmEATLOCAL,ablackcomedyvampiremovie.

NIGELLINDSAY–‘MACK’Nigel Lindsayis aBritish actor. Hehasworkedextensivelywith theNational Theatre, theRoyalShakespeareCompany,theDonmar,AlmeidaandtheRoyalCourtandintheWestEndwhere he has twice played Nathan Detroit inGuys and Dolls and was nominated for anOlivierAward forhisperformanceasShrek in theoriginal LondonproductionofShrek theMusical at Theatre Royal Drury Lane. He has also won a Whatsonstage Award as BestSupporting Actor opposite Sir Antony Sher in Arthur Miller’s Broken Glass and playedBolingbrokeoppositeDavidTennantinRichardIIattheBarbican.HisfilmsincludetheBAFTA-winningFOURLIONS,forwhichhewasnominatedforaBritishComedy Award; Woody Allen’s SCOOP; and ALAN PARTRIDGE: ALPHA PAPA. RecenttelevisionincludeshisportrayalofSirRobertPeelintheITVseries‘Victoria;’‘TheDevilYouKnow,’anHBOpilotdirectedbyGusVanSantandproducedbyJenjiKohan;‘You,Me,andthe Apocalypse’ (NBC/Sky); series one of ‘The Tunnel’ (Sky); series two of ‘Rome’ (HBO);‘Spooks,’ and the penultimate ‘Poirot.’ Forthcoming productions include series regular in‘UnforgottenII’and‘Innocent’(bothITV),aswellas‘WhiteGold’(BBC).Nigelwillreprisehisroleinthesecondseriesof‘Victoria,’whichstartsfilmingin2017.

CREWBIOGRAPHIESOLIVERVEYSEY–Writer/ProducerACCESS ALL AREAS is written and produced by Oliver Veysey. Veysey was recently aproduceronTHERAILWAYMAN, starringColin Firth andNicoleKidman.As co-founderofCamden Film Company, Veysey is one of the UK’s next-generation of producers, workingwithadiverserangeofexcitingup-and-comersalongsideworld-classestablishedtalent.Hehasprojects intheworkswithLionsgate,ArcherStreetFilms,theBritishFilmInstituteandBBCFilms.BILLCURBISHLEY–ProducerBillCurbishleyisaveteranbandmanager,musicandfilmproducer,bestknownforhisworkwith the legendarybandsTheWhoandJudasPriest,aswellasmusicians JimmyPageandRobertPlant.Hehasbeeninvolvedinthemusicindustrysincethe1970s,acareerwhichhebeganbymanaging tours forTheWhoamongotherartists,aswellasproducing their liveperformance and feature films, most notably TOMMY, BUDDY’S SONG, andQUADROPHENIA.Mostrecently,BillhasworkedonTHERAILWAYMAN,starringColinFirthandNicoleKidman,whichheproducedtogetherwithACCESSALLAREAS’OliverVeysey.BRYNHIGGINS–DirectorACCESSALLAREASisBrynHiggins’thirdfeatureafterthedarklycomictransgenderromanceUNCONDITIONAL(EIFF2012)andthecritically-acclaimedELECTRICITY(LondonFF2014).Hehas also directed and produced various television series since the 1990s. He has beennominatedforaBAFTAforOriginalityforhisthrillerTHEKINGOFCHAOSin1998,andhasworkedwithCharlieBrookeronthecultdystopianfutureseries‘BlackMirror.’TONYSLATERLING–DirectorofPhotographyTonySlaterLingBSC isanawardwinningUK-basedcinematographeranddirectorwithover50filmandTVcredits.Heisknownforhigh-end,award-winningsingle-andmulti-episodicdramassuchas ‘Eric&Ernie,’ ‘Lucan,’ ‘MadDogs,’ ‘AppropriateAdult,’ ‘InTheFlesh,’ ‘TheCasualVacancy,’andaward-winningfeaturefilmsYASMINandSUMMER.He is currently concentrating on feature films, recently completing DIRT ROAD TOLAFAYETTEwithhisregularcollaboratorKennyGlenaan,andiscurrentlyfilmingthefeaturefilmFUNNYCOWwithhisotherregularcollaboratorAdrianShergold.JANESPICER–CostumeDesignerJaneSpicerisacostumedesignerwithover20yearsofexperienceintelevisiondramaandfeaturefilms.ShestartedhercareerasacostumeassistantfortheBBCbetween1989and1995, and has since gone on to create costumes for a variety of programmes, set fromAncientGreece to themodern day. For the past eight years, she has specialized in largescaleperiodandfantasycostumeseries.SheisperhapsbestknownforherworkonBBC’s‘Atlantis’series,forwhichshehadcreatedover1500separatecostumes,allhandcraftedbyhertogetherwithhercarefullychosenworkshop.

Jane’s other television credits as costume designer include the recent Sky production of‘FungustheBogeyman,’‘Merlin,’‘Clay,’and‘TheColourofMagic,’whichfollowhercostumeassistantworkonprogrammessuchas‘Law&Order,’‘Pride&Prejudice,’‘Blackadder,’and‘Poirot.’Herfeaturefilmcreditsascostumedesignerinclude9DEADGAYGUYSandTHEWEDDINGTACKLE,andshehasworkedwithinthecostumedepartmentsonfilmssuchasEMMA,MISSMARPLE,andTHERECKONING,amongothers.MURRAYMCKEOWN–ProductionDesignerMurrayMcKeown is an experienced British production designer working on independentfilms.HeisbestknownforhisworkonWILDBILLandthecriticallyacclaimedKIDULTHOODandADULTHOOD,andiscurrentlyfilmingEYEANDPRIZE,thedebutfeaturefromwriteranddirectorOliverCane.

GARYFORRESTER–Editor

Gary Forresteris a dynamic and diverse editor moving between commercials, featuredocumentaries, and feature films. His varied style has seen him cut award-winningcommercials for the likesofAudi,Mercedes, Fifa,NikeandSamsung, andhisworkwithindocumentarieshastakenhimtoBurma,Syria,MoroccoandIndia,withhisfilmsscreeningatfestivalsaroundtheglobe.

Recently, he cut the award-winning feature documentary RADIOMAN, directed by MaryKerr,aboutaformerhomelessmanwhoturnedtomoviestoescapepovertyandendedupstarringinover100filmsandbefriendingthelikesofGeorgeClooney,JohnnyDeep,MerylStreep,WhoopiGoldbergandMattDamon.ThefilmwontheGrandJuryPrizeatDocNYCand played at festivals worldwide. 2014 saw Gary edit TIGER HOUSE, a home invasionthriller for Glassman Films and Altitude Entertainment, directed by Thomas Daley andstarringKayaScodelario(THEMAZERUNNER),EdSkrein(THETRANSPORTER)andDougrayScott (MISSION IMPOSSIBLE 2). In 2016, he edited two films: SLUMBER,a supernaturalhorror starringMaggieQ and directed by JonathanHopkins throughGoldcrest Films, andACCESSALLAREAS,bothdueforreleasein2017.

ROBDABANK/EARWORMMUSIC–MusicSupervisorRobertJohnGorham,knownasRobdaBank,isanEnglishDJandco-founderoftheBestivalmusicfestivalontheIsleofWight.AsaBBCRadiopresenter,heranashowonBBCRadio1beforemoving to Radio 6, where he supported new leftfieldmusic and various unsignedacts.UnderhiscompanyEarworm,whichhesetupin2014,hehassupervisedmusicforvariousBBC drama programmes, including From Here to There, and has created originalcompositions for the newHBO show ‘The Leftovers,’ aswell as various Channel 4 shows.EarwormwereMusicAdvisorsonAndreaArnold’sAmericanHoney.

ACamdenFilmCompanyProductioninassociationwithNUAENTERTAINMENT“ACCESSALLAREAS”ELLAPURNELLEDWARDBLUEMELGEORGIEHENLEYJORDANSTEPHENS

withNIGELLINDSAYJOHARTLEYandJASONFLEMYNGCASTINGBYVICTORJENKINSCDG,CSAKELLYVALENTINEHENDRYCDG,CSA

MUSICSUPERVISOREARWORMMUSICORIGINALMUSICROGERGOULACOSTUMEDESIGNERJANESPICEREDITORSGARYFORRESTERMARKDAVISPRODUCTIONDESIGNERMURRAYMCKEOWN

DIRECTOROFPHOTOGRAPHYTONYSLATERLINGBSCEXECUTIVEPRODUCERSNEILUTLEYNICKYUTLEYPRODUCEDBYOLIVERVEYSEYBILLCURBISHLEY

WRITTENBYOLIVERVEYSEYDIRECTEDBYBRYNHIGGINS

FirstAssistantDirector ANDYGRADWELL

SupervisingLocationManager ANDYELIOT

Make-Up&HairDesigner JEMMACARBALLO

PostProductionSupervisor EMMAZEE

SupervisingEditor JONHARRIS

CASTinalphabeticalorder

Caliban I-KAYAGUAisha SAFIAALMAGHRABI

SleazyLocal JAMESASHTONHeath EDWARDBLUEMEL

NeiltheSuit CAVANCLERKINHimself ROBDABANK

Trevor(SecurityGuard) MARCDANBURYFerryMaster PHILDANIELS

Xavier ARNASFEDARAVICIUSPeteKurtz JASONFLEMYNG

Tommy(BarManager) DEREKFROODGuitarist PETEGARDINERRobbie BOBBYGORDONLibby JOHARTLEY

Natalie GEORGIEHENLEYMack NIGELLINDSAY

SpiritualSimon BOBBYLOCKWOODGordon JORDANLONG

Lyra SIMONEMCAULLAYMia ELLAPURNELLWen LUKEROBERTS

Mrs.Cousins PENNYRYDERAussieSurfer MITCHSMART

Leon JORDANSTEPHENSCaravanseraiDJ ROBERTWILSON

Performancesby THEWHO

UNDERWORLD LASALAMI XYLEROO AMBLINGARTLOVERS

StuntCo-ordinator ELAINEFORDStuntPerformers LUCYALLEN

GARYGRUNDY JUDEPOYER

ArtDirectors PAULHARVEYSetDesigners ALANPEARSON

SetDecorator/ProductionBuyer CAMILAHIGGSGraphicsArtist SARAHWARREN

AdditionalGraphics SAMDAVISArtDepartmentAssistant PENELOPECANNELL

SteelFabrication STEVEN‘WILBUR’WILCOX

FirstAssistantCamera SHIRLEYSCHUMACHERSecondAssistantCamera JOANNESMITH

CameraTrainee NICKBAKER

Steadicam SIMONWOOD CHARLIECOWPER

2ndCameraOperator STEVEBROOKESMITH2ndCameraFirstAssistantCamera MANIBLAXTERPALIWALA

2ndCameraSecondAssistantCamera JECERYROSINI JAMESCHESTERTON

AdditionalCameraTrainees BENMANKIN CHAIROLFE RHODRIWYNDAVIES

ScriptSupervisor GEORGINAHIGGINSStillsPhotography ANDREPATTENDEN

ProductionCoordinator HELENBATER

AssistantProductionCoordinator DAWNSMITHProductionAssistant BECCAOLDAssistanttoProducer HANNAHSTEPHENS

ISLAUREProductionRunner CATOSWALD

ManagingDirectorofTrinifold ROBERTROSENBERG

AssistanttoBillCurbishley COOKIEBRUSAAssistantstoNeilUtley CHLOEAUKER

JEMMABROWN

SecondAssistantDirector TONYCARTER

ThirdAssistantDirector ALISONWHEARTYAdditionalThirdAssistantDirector EDRIPLEY

FloorRunners NOEMIEJACOUT SCOTTJONES JOSHSTEPHENSON

LEWISWETHERICKAdditionalFloorRunners SASKIAHEFES

SHEENAPATELBestivalCo-ordinator LAURAMCINNES

LocationManager TOBYELIOTLocationAssistant LEXTONCHAUVET

LocationScout RICHARDLINDSAYLocationFixer CHARLOTTETRUSLER

ProductionSoundMixer CHRISTIANJOYCE

BoomOperator ROSSADAMS

ProductionAccountant JONMILLER1stAssistantAccountant ANDREWMACLEAN

CostumeSupervisor AMYTAPPER

CostumeStandby SAMANTHAKENTCostumeTrainee LUCYTHAXTERCostumeDailies HOLLYHAMBLIN

ANITAJOYCE SARAMORGAN ROSANNASTALBOW

RACHELHINDER LOISMORDECAI MARIAONEGA LIBBYIRWIN

Make-UpSupervisor SAMANTHADENYERMake-UpArtist CHARLOTTECLARK

Make-UpTrainee NAOMISPURRMake-UpDailies JESSIEWESTON

KATEMEDLAND MARIEDEEHAN

Gaffer ALEXSCOTTBestBoyElectric PETESCOTT

Electricians RORYGRIERSON RICHARDSCOTT

JACKCREW DANIELMcCOLE

BRENDANGAGE MARTINHEALEY RICTOMBS SAMALTERSKYE-KNGHT DELROYHIGGINS KEITH‘TEFF’JAMES-HARRISON ANDREWTRUCKLE CLIVESCOTT

KeyGrip DOUGENEWTONAssistantGrip DYLANNEWTON

AdditionalAssistantGrip ALEXKELLEHERJimmyJibOperators ALWYNDAVIES

BERNIETOTTEN

StandbyProps FLETCHERJARVISProphand HARRYMEADS

Construction ROCKCITY

TOMGIBBS TOMHOPPER BENMINORSWHITE YOHANCHIPPIT TOMWILLIAMS RYANCUNNINGHAM KYLELEWKOWICZ

Painters JOBROWNE SIOBHANRAW TIMHOPPER

CastingAssociates VICKITHOMSON ALEXIRWIN

UnitMedic IAINBELL

UnitPublicist KEELEYNAYLOREMFOUNDATIONEPK MyMovies

EPKCameraOperators ANTHONYTOMBLINGJR MICHAELROLT

Clearances MEDIASCRIPTCHECKS

HealthandSafetyAdvisor TOMHANNON

Security KEVIN‘BEANO’BARNES JAYLOSASSO MARCCORNISH JACKDENNIS

MICHAELBRUMBY

TransportCaptain TIMMUNCHAUSENDrivers NICKHODGES

SVENHAYWARD KEITHSMITH JAMIEVOWLES GERRYHOLMES RICHCOLLINS KEITHLEWIS

FacilitiesDrivers TRACEYIREDALE MARKFRAYLING

Catering WESTCOUNTRYFILMCATERINGExecutiveChef DICKCONISBEE

HeadChef ROSSCONISBEECateringAssistant YOLAKNAPIK

CateringatBestival BURRGRILLS

HeadChef RYANBURR

BestivalArtsProducer KIRSTYHENDERSONBestivalProductionCompany LARMACLIVE

PortStageManager ALICEFAVREPortLightingDesigner JONATHANGODSMARK

PortShowcaller JAYMOBBS-BEALAerialCompanyandRiggers FIDGETFEET

CraneCompany ISLANDCRANEHIREDancers AREA51

CaravanseraiDesigner PETEBATEMAN

BESTIVAL’SCARNIVALPARADECreatedwiththesupportof ARTSCOUNCILENGLAND&NATIONALLOTTERY

Incollaborationwith SHADEMAKERSandBESTIVAL

CARNIVALTROOPSTroop Leader

AREA51DESIGNLTD PIPPINWOODARTEMISPRODUCTIONS BARRYHANBATALAPORTSMOUTH LEEBAGSHAWCARNIVALCOLLECTIVE KATEDARACH

CIRQUEBIJOU FLORENCEFITZGERALDDANCEVIBEZ ANNABE

EMERGENCYEXITARTS BENRAINEIOWPOLICECADETS UNDERSHADEMAKERS

KINETIKABLOCO TAMZYNFRENCHMANDINGAARTS CLAIREHORTON

MRWILSONSECONDLINERS WILLLENTONNEWCARNIVALCOMPANY CJSLANN

PRESTONCARNIVAL JANEBLACKBURNQUTURE/HELENDAVENPORT HELENDAVENPORT

SHADEMAKERS SHARONGEORGESINKTHEPINK JAMIETAGGSPANDYANDY KIMJACOBSENTHEPARLOUR MARIABRACHERUTOPIAMASS JUDITHBROWNVIPPUPPETS ROWANWATTS

FirstAssistantEditors JP JAMESSHEENSTEVENS THYQUACH JODALE

VICTORIABALE

PostProductionPaperwork MICHELLEMULLEN

SOUNDRE-RECORDEDAT HACKENBACKERSTUDIOS-LONDONRe-RecordingMixers NIGELHEATH

ALEXANDERFIELDINGAssistantRe-RecordingMixers BRADREES

ARANCLIFFORD PHILIPMOROZ

DialogueEditors ALEXSAWYER JAMESFELTHAM

SoundEffectsEditor BENCHICKADRMixers OLIVERBRIERLEY

ALEXANDERFIELDINGFoleyEngineer CIARANSMITH

FoleyEditor STUARTBAGSHAWFoleyArtists RUTHSULLIVAN

GARETHJONES

ADRVoiceCasting PHOEBESCHOLFIELD

LoopGroup SYNCORSWIM

TitleDesignby MATTCURTIS

DIGradeby MOLINARETV&FILMLTD.

DIColourist ASASHOULDICoordinator STEVEKNIGHT

DIProducer KATIESHAHROKH

DIConformEditors JOHNATHANDICKINSON LEIGHMYERS STEVEOWEN EMILYJOHNSON

DIDelivery DAVIDGRIFFINDIOnlineEditor LAURENCETHRIPP

VisualEffectsby OUTPOSTVFXLTDVFXSupervisor ELENAESTEVEZSANTOSVFXProducer DANNYDUKE

VFXProductionCoordinators DHAVALMALAVIA MARTARODRIGUEZ

Compositors WILLEVANS ASIERAPARICIO DAVESADLERCOPPARD ELOIMARTORELL GIORGIOPITINO

ArchiveResearch SAMDWYER&GORDONKING

OriginalMusicPerformedby ROGERGOULARecordistandmixengineer IANWOOD

MusicalDirectorforHiddenGems MATTHEWSIMMS‘GentleHour’producedandmixedby DAVEERINGA

Vocalcoach SALLYHERBERT

“Elephant” Performed by Tame Impala

Written by Kevin Parker & Jay Watson Published by BMG Rights Management UK

Ltd., a BMG Company Courtesy of Modular Recordings

Under license from Universal Music Operations Ltd.

“Blackheath” Performed by Palace

Written by Leo Wyndham, Rupert Turner, Will Dorey, Matt Hodges

Published by Beatnik Publishing Courtesy of Polydor UK Ltd.

Under license from Universal Music Operations Ltd

“Uptown Baby” Composed by: Jonathan Charles Phillips

Gorse, Matthew John Moore Courtesy of Juice Music / EMI Production

Music

“Baggy” Performed by Jordan Stephens, Herman

Stephens, Tommy Danvers Written by Jordan Stephens, Herman

Stephens, Tommy Danvers Courtesy of Wildhood

“Soft Like Clay” Performed by Beaty Heart

Written by Beaty Heart (Charlie Rotberg, Joshua Mitchell and James Moruzzi)

Published by Nusic Sounds Courtesy of NUA Entertainment

“Lovesick” Performed by Mura Musa

Written by Alexander Crossan © Published by MOS Publishing Limited Administered by Kobalt Music Publishing

Ltd Courtesy of Polydor UK Ltd.

Under licence from Universal Music Operations Ltd

“Electric" Performed by Alice Jemima

Written by Alice Jemima, Benjamin Weaver, Jamie Norton

Published by Sunday Best Music / Domino Publishing Company Ltd. / EMI Music

Publishing Ltd. Courtesy of Sunday Best / [PIAS]

“WhentheNightComes”PerformedbyEllaPurnell

AccompaniedbySallyHerbertWrittenbyDanAuerbach

PublishedbyHourBoxMusic(BMI)

“Hong Kong Garden (String intro)” Performed by Siouxsie And The Banshees

Written by Susan Ballion, John McKay, Kenneth Morris & Steven Severin

Published by Chrysalis Music Ltd., a BMG Company.

Licensed courtesy of Domino Publishing Co Ltd (PRS)

Courtesy of Polydor UK Ltd. Under license from Universal Music

Operations Ltd

“Pictures In The Sky” Performed by Hyde & Beast

Written by John Fiddler Published by Sony/ATV Music Publishing

(UK) Ltd Licensed courtesy of Tail Feather Records /

Big Life Management Ltd

“I Want You” Performed by Marian Hill

Written by Samantha Gongol / Jeremy Lloyd Published by Universal/MCA Ltd.

Courtesy of Photo Finish / Republic Records Under license from Universal Music

Operations Ltd

“Ali Ba Ba” Performed by John Holt Composed by John Holt

Published by Chester Music Limited trading as Sparta Florida Music Group

Courtesy of Sanctuary Records Group Ltd., a BMG Company.

“This Girl”

Performed by Kungs vs Cookin’ on 3 Burners Written by Lance Richard P.Mason

Published by Universal Music Publishing Ltd. BMG Rights Management UK Ltd., a BMG

Company. Courtesy of Universal Music France Under licence from Universal Music

Operations Ltd

“Sunshine” Performed by Xylaroo

Written by Coco and Holly Chant Licensed courtesy of Sunday Best Music Publishing/Domino Publishing Co. Ltd,

Courtesy of Sunday Best Recordings / PIAS [still checking with Sunday best

“Make Me Feel Better” (Klingande Remix) Performed by Alex Adair

Written by Alex Adair, Nickolas Ashford, Jens Maiwald, Valerie Simpson, Cedric Steinmyller

Published by Sony/ATV Music Publishing (UK) Ltd, EMI Music Publishing Ltd / Ultra

Music Publishing Europe AG (SUISA) Licensed courtesy of Sony/ATV Music

Publishing (UK) Ltd Courtesy of Virgin EMI Records Ltd. Under licence from Universal Music

Operations Ltd

“Turn The Music Louder (Rumble)” Performed by KDA (feat. Tinie Tempah &

Katy B). Remix & Additional Production by Shadow

Child Written by Kris Di Angelis / Patrick Okogwu

/ Kathleen Anne Brien. Published by Ministry of Sound Publishing

Ltd / EMI Music Publishing Ltd / Sony / ATV Music Publishing.

Courtesy of Ministry of Sound

“Insomnia 2.0 (Avicii remix)” Performed by Faithless

Written by Ayalah Bentovim, Maxwell Fraser & Rollo Armstrong

Published by BMG Rights Management UK Ltd., a BMG Company / Champion

Management & Music Ltd / Universal Publishing MGB Ltd.

Courtesy of Sony Music

“Baba O’Riley” Performed by The Who

Written by Peter Townshend Published by: Fabulous Music Ltd.

Copyright: 1971 Courtesy of. Fabulous Music Ltd.

‘Mystic Prism’ Written by Adam Forkner as originally

performed by White Rainbow Licensed courtesy of Domino Publishing Co

Ltd. Appears courtesy of Kranky, Ltd.

“Rez (Bassnectar Remix)” Performed by Underworld

Written by Rick Smith, Karl Hyde & Darren Emerson

Published by Mute Song Limited Courtesy of OM records

"O B 1"

Performed by Jagwar Ma Written by Jonathan Ma, Gabriel Navidzadeh

Published by Sony/ATV Music Publishing (Australia) Pty Ltd

Courtesy of Marathon Artists/ Mom + Pop/ Future Classics

“You Lovely You (Bobby Love Remix Radio Edit)”

Performed by Young Wolf Hatchlings Written by Jarrel Young, Waqaas Hashmi,

Ian T W Lefeuvre, Marco Difelice, Mus Galleryac, Joseph Colero, Thomas Knox

Darcy Published by Young Wolf Hatchlings Inc,

Third Side Music Inc, Courtesy of Universal Music Canada Under license from Universal Music

Operations Ltd

"Little Monster" Performed by Royal Blood

Words and music by Michael James Kerr and Ben Thatcher

© Warner/Chappell Music Publishing Ltd (Prs)

All Rights Administered By WB Music Corp. Licensed courtesy of Warner Music UK Ltd

"Symphony No. 2 in E Minor, Op. 27: III. Adagio”

Composed by Sergei Rachmaninoff Performed by National Symphony Orchestra of Ireland conducted by

Alexander Anissimov. Courtesy Naxos Rights US Inc

“Anniversary” Performed by Georgie Henley & Ella Purnell

Written by Ronnie Lane Published by Slim Chance Music

Administered by Perfectly Formed Songs Ltd

“Bang That” Performed by Disclosure

Written by Howard John Lawrence, Guy William Lawrence, Julian Shamou

Published by Universal Music Publishing / In The Mind Of A Madman Music

Courtesy of Island Record Ltd Under license from Universal Music

Operations Ltd

“Raw Gold” Performed by Beaty Heart

Written by Beaty Heart (Charlie Rotberg, Joshua Mitchell and James Moruzzi)

Published by Nusic Sounds Courtesy of NUA Entertainment

“Loving You’ ft. Lulu James” Performed by Lane 8 and Lulu James

Written by Daniel Goldstein and Irene Lulu Mollel

Published by Just Isn’t Music, and BMG Rights Management a BMG Company

Courtesy of Anjunadeep

“'When The Poet Sings' Performed by LA. Salami

Writen by 'Lookman Adekunle Salami (100%)'

Published by Sunday Best Music/ Domino Publishing Company Limited

Courtesy of 'Camouflage Recordings’ and Sunday Best / [PIAS]

“Batucada Brazil”

Composed and performed by Savasana Courtesy of Beatbox

Big Red Machine' Performed by Aaron Dessner & Justin

Vernon Written by Aaron Dessner & Justin Vernon Published by Ingrid Stella Music (ASCAP) / BMG Rights Management UK Ltd., a BMG

Company. Licensed courtesy of 4AD Ltd / The Red Hot

Organization By arrangement with Beggars Group Media

Limited

“Start Again” Performed by The 100 Year War

Words and music by Kevin Savigar & Paul Freeman

All Rights On Behalf Of Big Deluge Music and Savigar Strikes again Music. / Paul Freeman Music / Sadeyes Publishing

Ascap. Administered by WB Music Corp. / Wixen

UK Self released

"Seasons (Waiting On You)” Performed by Future Islands

Written by Samuel T. Herring, John Welmers & William Cashion

Published by Ideas For Housecrafts (administered Mute Song Limited)

Licensed courtesy of 4AD Ltd By arrangement with Beggars Group Media

Limited

“Gentle Hour”

Performed by Edward Bluemel, Ella Purnell, Matthew Simms,

Sean Genockey, John Hogg, Kamil Bartnik & Dave Eringa

Written by Peter Gutteridge Published by Estate of Peter Gutteridge

“I Got U” (Feat. Jax Jones)

Performed by Duke Dumont Written by Timucin Aluo, Adam Dyment,

Jerry Duplessis, Wyclef Jean, © Published by Funky Wonton

Administered by Kobalt Music Publishing Ltd Published by BMG Rights Management UK

Ltd., a BMG Company. /EMI Music Publishing Ltd, Sony/ATV Tunes LLC Courtesy of Virgin EMI Records Ltd. Under license from Universal Music

Operations Ltd

“Happy” Performed by It Hugs Back Written by Matthew Simms

Published copyright control 2012 Courtesy of Matthew Simms

Archive footage The Who: Live in Hyde Park courtesy of Eagle Rock Entertainment

Underworld: Live in Berlin with kind permission of Underworld and Electronic Beats

Insurance INTERGO ACJ PAUL HILLIER LESLEY BURGESS RICHARD LIGHTLEY

Production Lawyer FRASER BLOOM

Camera Systems by ICE FILM Lighting By PKE LIGHTING

Tracking Vehicles GRIP SERVICES LTD. MARTIN PETERS PAT WORSFOLD

Facilities Vehicles VISION FACILITIES Unit Medic supplied by ROWAN MEDICAL

Post Production Scripts by FATTS

With Special Thanks to Nicky & Isabella Veysey

Catalina Curbishley & Max Moya Lola & Natalie Higgins

Andy Paterson David Joseph, Marc Robinson, Adam Barker

Josie & Rob da Bank, Ben Turner, Simon Astall

The producers thank for their assistance:

SS20, Over The Moon Tents, RS Studios, Steel Monkey, On the Run Touring, The Tea Birds, Bristol Costume Services, Lindo Guitars Bristol, Ace of Sprays Bristol, The Rock

Shop Bristol The Bass Guitar Gallery Soho Screening Rooms

Itch Film NUA Motors Access All Areas was made possible with the support of

Mario Ttakoushis Raj Balasuriya Dave Smith Colin Norton

Phil Cunningham Grahame Chilton Rupert Swallow Ken Acott Martin Gowing Keith Barber

David Bryan Patrick Tilley Barry Cook Gary Humphreys

Jeremy King James Malzer Mark Swan Paul Hardcastle

Harry Collins Hubert Cole

The characters and incidents portrayed and the names in this film are fictitious and any similarity to the name, character or history of any

actual persons living or dead is entirely coincidental and unintentional. No persons, companies or products shown

or mentioned in the film have endorsed this production.

© 2016 CAMDEN FILM CO. LIMITED ALL RIGHTS RESERVED