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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM:
RESPONDING TO THE NEEDS OF ALL LEARNERS
A MASTERS RESEARCH PAPER
Presented to
The Faculty of the Department of Education
The Colorado College
Submitted in Partial Fulfillment of the Requirements for the Degree
Masters of Arts in Teaching
By
Michael W. Woods
July/2014
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
Abstract
The purpose of this research paper study is to determine if differentiated instruction has an effect
on student achievement in the music classroom. The findings of this study were data collected to
answer the following research questions: 1) Does differentiated instruction have an impact on
student achievement? and 2) Are there components of differentiated instruction that have a
greater impact on student achievement than others? When educators differentiate instruction
strategically, they can better meet their students’ learning needs while helping them make great
strides in overall achievement. Differentiation not only recognizes that students are at different
levels of readiness, but it also recognizes that students vary in their interests and how they
process new information or skills (Tomlinson, 1999). Teachers differentiate instruction to make
appropriate accommodations to ensure that the curriculum is engaging and appropriate for all
learners. This paper provides a literature review, including a rationale for the practice of
differentiation; the definition, characteristics, and theoretical background of differentiated
instruction; ways to differentiate content, process, and product according to students’ readiness
levels, learning profiles, and interests; and a description of the few empirical studies that exist on
the impact differentiated instruction has on student achievement. The findings in this study
provide anecdotal evidence of student music proficiency growth and achievement as a result of
implementation of differentiated instruction. The findings in answering the second research
question also suggest that there were components of differentiated instruction that have greater
impact on student achievement than others. It is the researcher’s hope that the findings of this
study will provide a foundation for future studies on the effects of differentiated instruction on
academic achievement in the music classroom.
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
Differentiating Instruction in the Music Classroom:
Responding to the Needs of All Learners
Chapter One
Overview
Incorporating students of all levels of ability into one classroom while challenging and
encouraging every single learner has been a daunting challenge and a critical aspect of teaching
for many years. As Tomlinson (1999) notes, King Solomon said it best: “Educate the child
according to his way” (p. 16). Classrooms are filled with students of varying abilities. There are
also highly advanced learners, low-achievers, students of diverse cultures and economic
backgrounds, and students with varying degrees of motivation, interests, and skills.
Students do not enter a classroom with identical musical abilities, experiences, and needs.
Regardless of their individual differences, however, students are expected to master the same
concepts, principles, and skills in accordance with Common Core State Standards. Common
Core standards in music include an ability to sing or play instruments within a varied repertoire
in an ensemble or alone; read and notate music; create music, analyze, evaluate, and describe
music; and relate music to various historical and cultural traditions. According to Tomlinson and
Imbeau (2010), helping all students succeed in their learning is an enormous challenge that
requires innovative thinking.
Rationale
No two students are alike. They come to classes with different interests, varying levels of
prior knowledge and experience, and preferences for how they learn best. There are multi-grade
ensemble classes and students that transfer in and out of ensembles throughout the school year.
These differences influence the students' rate of learning, motivation, and support that they
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
require for success. More than ever, teachers need to know how to teach effectively in response
to diverse learner needs. So how do we address this type of diversity? How do we challenge and
motivate our high ability learners while encouraging the low ability students’ self-efficacy? The
answers to these questions are what I seek in writing my research paper. It is therefore my
purpose to enhance the understanding of the nature of differentiated instruction as it applies to
music education and to address the ever-growing need for differentiated instruction for both
gifted and struggling music students in the contemporary secondary school.
To create a differentiated classroom culture, teachers must make modifications to fit the
students’ needs rather assuming that children should adapt to the curriculum. According to
Gregory and Chapman (2007), maximizing the potential that is present in all students calls for
teachers to determine students’ abilities early and meet each student at his or her starting point.
This pedagogical approach is designed to address student differences and to maximize potential
for learning. As an instructional approach, differentiation prevails upon teachers to proactively
modify teaching strategies and to incorporate multiple instructional methods in order to meet the
broad needs and interests of their students. At the outset, teachers should also assess how large
the gap is between low ability and high ability students. From there, teachers can determine
whether to place low and high-ability students in the same group so as to encourage low-ability
students to excel or to separate them into smaller groups. Differentiated instruction makes it
possible to maximize learning for all students.
Teachers are aware that students have vastly different abilities and progressive teachers
adjust their instruction to suit the specific needs of their students in order for them to reach
success (Gregory & Chapman, 2007). So, as music teachers, are we among that progressive
group? Or are we utilizing our instruction in a “one-size-fits-all” model? Unquestionably,
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
educators believe that every student is entitled to a quality education that positively contributes
to his or her growth and development. Educators also understand that they are the ultimate
facilitators in the learning process and therefore must assume a high level of responsibility as
they develop lesson plans through which all of their students’ needs can be met. Yet according
to Gregory and Chapman, teachers struggle more than ever to accommodate the ever-increasing
academic diversities in the classroom.
But what does differentiation really mean for the classroom band program? In the band,
orchestra, and chorus classroom, differentiating instruction has always been necessary, but often
difficult to apply and execute. To address the learning differences in music learners, teachers
can incorporate a variety of teaching strategies in a performance-based classroom. Rather than
sticking all the music students in one group, it is more effective to place students in various
performing ensembles to address different performance levels, e.g., advanced ability ensembles
or show choir. Also, offering private individualized instruction and focusing on general music
theory concepts and music performance proficiency allows students of all abilities to improve on
their respective instruments. It is also important to organize brass, woodwind, and percussion
sectionals to ensure that every student has the best instruction possible in developing his or her
instrumental or vocal skills. The more advanced or gifted students can also be provided
opportunities to perform solos with the band and perform in other extracurricular ensembles such
as “solo and ensemble festivals,” youth orchestras, and all-state bands. Music technology, such
as computer software with computer-assisted instruction, can also serve as a useful tool to help
students learn music theory concepts and enhance students’ proficiency on their instruments.
These preliminary strategies, as described above, are key in allowing students to reach their
fullest potential while achieving musical and academic success.
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
Definition of key terms
Differentiated classroom refers to an academically diverse class where children of
varying levels of understanding learn together. Gregory and Chapman (2007) define it as a
belief that educators embrace where teachers use appropriate strategies to address a variety of
abilities in diverse learners so that they can reach targeted standards.
Content delineates what is being taught in accordance to the standard or objective
(Nordlund, 2003).
Process refers to how the standard or objective is being taught (Tomlinson, 1999).
According to Tomlinson (2001), Product refers to how the student is assessed and
whether or not students have learned the standard or objective.
Classroom diversity, as illustrated by Gregory and Chapman (2007), describes students
who are inherently different in culture, learning styles, maturity levels, interests, and academic
readiness.
According to Nordlund (2003), gifted is defined as endowed with natural ability or talent.
Intelligence is defined as the capacity to acquire and apply knowledge (Nordlund, 2003)
Nordlund also defines ability as a natural or acquired skill or talent.
Benjamin (2002) views assessment as a teacher’s ability to gather information over time
within an evolving student’s profiles. Similarly, Tomlinson (1999) sees a strong connection
between assessment and differentiated instruction. Pre-assessment, or assessing a student’s
current and prior knowledge on a topic, is a key part in ensuring successful differentiated
instruction. So is formative assessment, which is a continual formal and informal assessment of
student knowledge and comprehension during a lesson.
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
Organization of study
As my research continues, I will review the literature dealing with differentiating
instruction as it applies to all domains including music education. Key authors, such as
Tomlinson as well as Gregory and Chapman will provide the strategies necessary to manage a
diverse and differentiated classroom. Throughout Chapter Two, I will analyze my literature
review to address differentiation and how it applies to music in middle and high school.
The remainder of this study is divided into four major parts. Chapter II contains a
review of the literature related to differentiated instruction. The purpose of this review is
to clearly define the components of differentiation and the research supporting improved
student achievement related to each component individually. Chapter three outlines and explains
in detail the methodology used for this study. After a careful review of the literature on study
design, both qualitative and quantitative data measures were found to be appropriate. Statistical
analysis and data collection methods were also described. Chapter four presents the quantitative
and qualitative findings from the regression analysis and T-tests. Student and teacher survey
results are also presented. Chapter four also presents the qualitative data from teacher interviews
and classroom observations. A theme analysis is presented in this chapter as well. Finally,
Chapter six presents the findings from the quantitative and qualitative methods and
explains actual occurrences in the classrooms that may have affected the student
achievement data. The implications for practice, theory, and further research are also
proposed in this chapter.
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
Chapter 2
Why Should Instructors Differentiate
As teachers, we understand that no two students are the same. Seated side-by-side in
every classroom are students who vary in culture, socioeconomic status, language, gender,
motivation, ability or disability, personal interests and learning potential. To address these
diversity issues, teachers must design their instruction to accommodate the variety of learners
and learning styles within a single classroom in order to maximize all students’ growth and
success (Tomlinson, 1999). Teachers should work diligently to ensure that struggling, advanced,
and intermediate students believe that they can achieve more than they thought possible, helping
them realize learning that involves effort and hard work will ultimately lead to success
(Tomlinson). In addition, addressing student differences and interest appears to enhance their
motivation to learn while encouraging them to remain committed (Tomlinson). Ignoring these
fundamental differences may result in some students falling behind, losing motivation and failing
to succeed (Tomlinson). Differentiated experiences also allow learners to learn effectively when
tasks are moderately challenging, neither too simple nor too complex as they work to master
essential information, ideas, and skills (Tomlinson & Allan, 2000). If teachers meet students
where they are and provide what they need to succeed, students have a greater chance of
reaching their fullest potential while persevering and ultimately reaching their learning goals,
according to Tomlinson.
What can be done to help academically diverse students understand learning targets and
skills? Students take in information through different channels, process ideas at different rates,
and have varied preferences for modes of expression and learning (Tomlinson, 1999). In
differentiated instruction, teachers must meet students where they are in the learning process and
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
move them along as far possible in the context of a mixed-ability classroom. As a result,
differentiated instruction will promote a high-level and enriched curriculum for all students,
while varying the level of teacher support, task complexity, pacing, and avenues to learning
(Tomlinson & Allan, 2000).
What is Differentiation?
Tomlinson, a leading expert in the field, defines differentiation as a philosophy where the
teacher proactively tailors varied approaches to content, process, and product in response to
student differences in readiness, interest and learning styles (Tomlinson, 2001). The use of
ongoing assessment and flexible grouping also makes this a successful approach to instruction as
teachers differentiate content, process, products. Differentiation is not individualized instruction.
It does not require a dozen lesson plans to meet one learning objective. Instead, teachers look for
shared characteristics among students within a class in order to group students in ways that make
the most of the learning experience (Gregory & Chapman, 2007).
Delivery of instruction in the past often followed a "one-size-fits-all" approach. By
contrast, differentiation is individually student-centered, with a focus on utilizing appropriate
instructional and assessment tools that are fair, flexible, challenging, and engage students in the
curriculum in meaningful ways (Tomlinson, 2001). A classroom that utilizes differentiated
instruction is a teacher-facilitated and learner-responsive classroom where all students have the
opportunity to meet curriculum objectives and learning targets (Tomlinson, 1999).
Characteristics of a Differentiated Classroom
Differentiated classrooms should have the following characteristics: Teachers serve as
coordinators and facilitators; students are self-regulated, i.e., are trained to be decision-makers
and sense-makers; concepts and skills can be explored in a variety of ways; and instruction
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
occurs with a varied pace, uses multiple materials, and uses alternative ongoing assessment to
modify plans (Benjamin, 2002).
Teachers differentiate lessons to meet student learning needs, but always with the
purpose of raising students to the curriculum, not lowering the curriculum to any student
(Tomlinson, 1999). In a differentiated classroom, the goal or objective is to have all students
attain the learning target or standard. However, the process by which the students reach the
target is different and how the students are assessed at reaching the target is varied.
There are a variety of core elements essential to differentiating instruction. First,
differentiated instruction is proactive, meaning teachers come prepared with a variety of
strategies to teach, and are able to model them (Nordlund, 2003). In addition, they have an
arsenal of strategies to address a wide range of learner needs. These needs are associated with
students’ readiness, interest, and learning profiles (Tomlinson, 1999).
Secondly, differentiated instruction is qualitative, not quantitative (Tomlinson, 2001).
Some teachers confuse differentiated instruction with giving accelerated students more work.
For instance, a teacher might assign two book reports to a fluent reader and one to a developing
reader and call it differentiation. However, a teacher who differentiated appropriately would
adjust the nature of the assignment to match student needs. For example, the fluent reader’s
book report might incorporate more analytical thinking, and the developing reader’s more
comprehension, in an effort to challenge both developing and fluent readers (Nordlund, 2003).
Another characteristic of differentiated instruction is that it is organic (Tomlinson &
Imbeau, 2010). Organic refers to an instructor’s ability to continually make adjustments to
curriculum based on student need. Teachers who use the same curriculum year after year, or
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
write lesson plans months in advance, are not practicing organic instruction. Organic is rather
the ability to be flexible and move with the flow of the students (Tomlinson & Imbeau).
Lastly, differentiated instruction conveys a characteristic climate that accounts for
diversity, that is to say it avoids exclusionary language, assumptions and isolating climates
(Gregory & Kuzmich, 2004). Fostering this climate helps educators steer clear of stereotypes
and assumptions that may or may not be correct when working with diverse students. As a
result, students will feel connected to their environment and thus become successful learners.
The role of the teacher in a differentiated classroom resembles a coach or mentor in that
they facilitate learning, according to Tomlinson (1999). They allow students to become masters
of their own learning process as self-regulated learners, constantly assess student readiness,
interpret student interests and learning preferences, present ways students can express their
understandings, provide relevant and meaningful information, and promote active learning.
Piaget’s Child Development and Learning Theory
Just as classroom teachers must be able to prescribe specific activities for certain age or
development levels, so should music teachers be able to determine appropriate music activities
for children as they go through different developmental stages in music (Burnsed, 1999).
Children process information differently depending on their ages and developmental levels.
Teachers should therefore consider the first three stages of child development outlined by child
psychologist, Piaget. In his “Stage Theory”, Piaget (1963) believes that children go through
progressive stages of mental ability and that they must pass through each stage in order to
develop fundamental mental schemas or knowledge categories. Piaget adds that schemas make
the more complex intellectual processes of later stages of development possible. Piaget also
believes that learning should involve the appropriate level of motor or mental operations for a
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
child of a given age and teachers therefore should avoid asking children to perform tasks that are
beyond their current cognitive capabilities. There are four cognitive structures or development
stages: Sensorimotor, pre-operations, concrete operations, and formal operations. All are
important stages in the musical perception and performance development of children (Piaget,
1963; Mark & Madura, 2010).
The guiding principles of differentiation according to Piaget (1963) offer a foundation for
choices music teachers can make in planning and assessment within the music class. From there,
music teachers can implement best practices and use them strategically to facilitate learning for
the diverse students in the music classrooms. According to Mark and Madura (2010), children
form musical concepts that fit in with Piaget’s Stage Theory as reflected in the following
sequence: dynamics, timbre, tempo, duration, and pitch.
These stages as they are applied in music, their characteristics, and approximate children
ages are described in these four stages (Piaget, 1963; Mark & Madura, 2010). In the
sensorimotor stage (0-2 years), the child may perceive and identify sounds by loudness, timbre,
and pitch. Also, lullabies can stimulate the child’s aural senses and form a foundation for later
learning and interest in music. In the pre-operational stage (2-7 years), musical experience
should include movement experiences, a variety of dynamics and tempos, and use of visual aids
and body movement to facilitate the formation of musical concepts. Children at this stage can
also sing and imitate songs while maintaining a sense of “key”, i.e., home tone or the importance
of one pitch over the others in a scale. Children only have the ability to focus on one thing at a
time, that is to say recognize dynamics (loud and soft), different instruments, tempo (slow and
fast), pitch (high and low), simple rhythm patterns, and simple melodic contours. Children are
capable of hearing pitch centers and developing a sense of tonality in the concrete operational
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
stage (7-11 years). They also are capable of learning music notation and are able to understand
musical concepts of timbre, tempo, duration, pitch, and harmony. In formal operations (11-15
years or adulthood), thinking involves abstractions, that is to say that children at these ages have
the ability to thoroughly understand musical literacy
Getting to Know the Students
To address the diverse needs, interests, and learning styles of all students, teachers must
be familiar with their students as learners and make the necessary adjustments in their teaching
(Tomlinson, 1999). In order to understand how our students learn and what they know, pre-
assessment and ongoing assessments are essential. Assessment provides feedback for both the
teacher and the student with the ultimate goal of improving student learning (Benjamin, 2002).
The myriad of diagnostic and formative assessment strategies that teachers use to collect data
about students better enables teachers to make and revise planning decisions, and also provide
on-going feedback to students as they evolve into self-regulated learners (Gregory & Chapman,
2007). Tomlinson and Allan (2000) add that as teachers are better able to assess each student’s
learning ability, all learning styles can be addressed and accommodated.
Pre-assessment
The first step in differentiating curriculum is pre-assessment prior to the unit of study,
according to Tomlinson (2001). The data assessed through pre-assessment provides information,
such as students’ strengths, comforts, or areas of weakness that the teacher can use to make
instructional decisions (Tomlinson). Whether teachers use more formal pre-assessments such as
quizzes, surveys, performances, or demonstrations or more informal assessments such as “ticket
out the door” and teacher observations, teachers are constantly gathering data about what
students know, find interesting and are able to do (Gregory & Kuzmich, 2004). Pre-assessment
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
informs the teacher of the students’ readiness, interests, and background knowledge they bring to
the topic.
In the music classroom, there are two forms of pre-assessment that need to take place.
The first pre-assessment is a beginning-of-the-year evaluation of each student’s musical ability.
Music educators will analyze the tests to determine student needs and then structure curriculum
to ensure student mastery of those skills (Standerfer, 2011). Secondly, it is important to continue
testing throughout the school year as a formative assessment to track students’ progress while
continuing to meet their needs. These assessments can start at the beginning of a lesson or unit
to determine the gap in student understanding or mastery of a particular skill, as well as to gauge
student interests (Gregory & Kuzmich, 2004).
Formative Assessments
Ongoing formative assessment, or assessment for learning, is the process of gathering
information from a variety of sources such as assignments, teacher observations, class
discussions, portfolios, and tests and quizzes (Tomlinson, 2001). This information can be
gathered through diagnostic pre-assessments, formative, and summative assessments, as well as
student interest surveys, and learning style inventories (Gregory & Chapman, 2007). Formative
assessments are informal and provide qualitative feedback to teachers and students while
allowing teachers to better tailor the curriculum to meet student needs. These assessments also
guide teachers’ instructional decisions to include on-going curriculum adjustments (Chappuis,
Stiggins, Chappuis & Arter, 2012). Teachers use ongoing formative assessment to gather
information about students’ readiness, interests, evolving learning profiles, knowledge and
capabilities and to monitor student progress and achievement (Chappuis, et al. 2012). At this
stage, assessment for learning yields an emerging picture of who understands key ideas and who
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
can perform targeted skills, at what levels of proficiency, and with what degree of interest
(Tomlinson & Allan, 2000).
Chappuis et al. (2012) state that students can also use feedback from formative
assessments to self-assess, monitor the effectiveness of their learning methods or strategies, and
set goals for improvement. Tomlinson (1999) says in this context, formative assessment is a
process of metacognition, and occurs when students self-assess their work while tracking and
reflecting on their growth as learners. The feedback from formative assessment also enables
students to determine where they currently are in their learning with respect to where they need
to be to master the subject matter content (Chappuis, et al).
Formative Assessments in the Music Classroom
Providing on-going feedback through formative assessments in the music classroom is
also critical. There are several data sources that can provide the basis for feedback. More
formally, students can keep practice logs or journals, provide performance demonstrations, or
complete quizzes. Informal strategies can also be used to quickly gain a clear picture of where
students are, such as card signals, thumbs up or down, student self-evaluations, exit cards, and
check-in slips (Standerfer, 2011).
For younger students in the music classroom, an assessment of musical knowledge and
skills can take place through a series of questions during whole-group instruction. Many game-
like activities allow for students to perform in small groups or as soloists in vocal or instrumental
performances (Standerfer, 2011). For older students, a written pretest of musical terms and
notation can provide important information about what students have learned and what they still
need to practice. A non-graded vocal and/or instrumental performance can also provide
important information about students' musical skills (Standerfer, 2011).
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
Diagnostic assessments provide the foundation for implementing differentiation in the
band class, allowing music teachers to engage and connect with students at their level. One
useful strategy for getting to know students is to create a profile on each student at the beginning
of the course while collecting information from a variety of sources. This information might be
collated on one page for easy access and quick reference (Grant & Lerer, 2011).
One of the most useful sources of information in diagnostic assessments, are the students
themselves. Student surveys allow teachers to collect information from their students in a short
amount of time. In addition to asking the students about their previous musical experiences, it is
also important to examine their values and beliefs about music, as well as their preconceptions
and apprehensions. Other topics for student surveys might include their favorite classes, favorite
musical styles, perceptions of how they learn best and personal goals for the year (Grant & Lerer,
2011).
Music teachers can also use on-line survey tools such as Survey Monkey where students
can complete these surveys for homework. The Survey Monkey enables users to create their
own Web-based surveys where the data is compiled and organized automatically. This tool not
only creates individual profiles of students, but also enables music teachers to generate a
snapshot class profile based on specific criteria. For example, if teachers want to know how
many students take private music lessons, they can request a list of all of the responses to that
specific question rather than wade through each individual questionnaire (Grant & Lerer, 2011).
In addition to information that teachers collect from student surveys, it is also helpful to
speak to other teachers about student strengths and weaknesses, their work habits, attention
spans, etc. While it is unrealistic to be able to get a full snapshot of each student from former
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
teachers, it would be reasonable to ask for a class list with final grades from the music teacher or
classroom teacher from the previous year (Standerfer, 2011).
Equally important in getting to know students are the observations teachers make on their
students’ performances at the beginning of the school year (Grant & Lerer, 2011). In working
with first-year band students, teachers need to be aware of their students’ natural abilities as new
musicians by providing them with opportunities to produce music on a variety of instruments.
This will allow students to discover their interests and natural strengths and abilities. For
brasses, teachers might want to know whether students can produce a lip buzz while controlling
the pitch. Regarding woodwinds, it is important to know that students can form the correct
embouchure while playing notes in tune with a reed, or producing a tone on the head joint of the
flute. Percussionists must be able to keep a steady beat and control the sticks to perform a
simple sticking pattern and buzz roll (Grant & Lerer). Through these performance assessments,
teachers can help students choose an instrument that they are interested in and can be successful
at (Grant & Lerer).
In performing pre-assessments for returning students, begin the year by inviting them to
perform a familiar song for the class that they learned in the previous year. This is a task they
might do with their music stand partners, their instrument sections, or with other students who
have chosen the same musical selection. In a small group context, teachers will be able to easily
recognize individual strengths and weaknesses, and plan strategies to support learners in future
lessons (Standerfer, 2011). Using these strategies to collect information about music students
will give music teachers a clearer picture of student interests and learning profile while reaping
the rewards of a more fully engaged class (Standerfer, 2011).
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
High-Ability, Struggling, and Special Needs Learners
Teachers who differentiate instruction recognize that some students may be achieving
above their grade level as high-ability students, while struggling or special needs learners may
need assistance in catching up in certain academic areas (Tomlinson & Imbeau, 2010).
Presenting material in a multisensory approaches, i.e., aurally, visually, tactilely, and orally will
address the learning needs and styles of all students. Teachers must have a firm grasp of
students’ current abilities as new content is being introduced in order to adequately challenge or
modify curriculum to fit their needs (Tomlinson, 2001).
In a music classroom, differing levels of ability may be addressed by having some
children play complex patterns while others play a simple steady beat or merely sing. Also,
offering older students a choice of assignments with different criteria can challenge gifted
students while giving other students in class the chance to be successful as well (Burnsed, 1999).
High-ability learners. Schools often fail to challenge gifted students, thus blocking their
academic and intellectual progress. High-ability students should be offered advanced and
stimulating learning opportunities so they too can achieve their fullest potential (Tomlinson,
2001). Advanced learners who are not moderately challenged as a result of achieving success
without effort, can develop complacency. Also, high-ability students who are inundated with
praise and achieve success easily often have not developed strategies for handling failure
(Bronson & Merryman, 2009). Bronson and Merryman add that students must believe that
praise is earned and proportionate to the action or product eliciting the praise. Students self-
efficacy beliefs will also increase as they experience success while engaging in tasks that are
challenging but not too difficult. Similar to low-ability students, high-ability learners who are
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
appropriately challenged, according to Tomlinson, will also need support and scaffolding from
teachers in order to achieve success and to maintain high self-efficacy beliefs.
To address the needs of higher learning potential music students, teachers can present
assignments that allow students to reach higher levels, such as advanced composition or music
theory computer programs. Maintaining the integrity of existing performing ensembles while
offering advanced ability music groups can address the needs of those students who prefer
concentrating on the performing arts (Burnsed, 1999). The music teacher can offer advanced
placement theory to gifted students, create an array of small ensembles comprised of students
with comparable talents and competencies, or find ways high-ability individuals can teach and
assist their peers who may be struggling.
Struggling learners. In accommodating the needs of struggling learners, teachers should
design tasks that draw on the student’s strengths as a means of adapting to difficult content areas
(Tomlinson, 1999). It is also important for teachers to help struggling learners to clearly
understand key subject matter concepts while building scaffolding that leads to student
understanding and success in acquiring learning target goals (Tomlinson, 2001). When working
with struggling students, Nordlund (2003) states that teachers should also slow the pace of
instruction, provide plenty of practice in order to create automaticity of basic concepts, and make
abstract concepts concrete. According to Tomlinson (2001), teachers should moderately
challenge their struggling students with content that is slightly more difficult than what they can
accomplish on their own while providing adequate support, i.e. offer encouragement and various
learning strategies. Struggling students will thus develop a strong sense of self-efficacy if they
believe that they can accomplish learning targets that are somewhat beyond their reach as
potential independent problem solvers (Tomlinson).
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DIFFERENTIATING INSTRUCTION IN THE MUSIC CLASSROOM
According to Marzano (2007), teachers should communicate high expectations for every
student to include struggling learners. Regardless of the teacher’s level of expectation for low or
high-ability learners, students should receive the same behavior in term of affective tone or
positive emotions and quality of interaction. Marzano goes on to say that teachers may
inadvertently function in ways that subvert students’ success by not placing higher demands on
struggling students. A teacher may back off and not probe struggling students’ understanding,
because he or she believes they cannot reach high-levels of achievement. Marzano adds that
teachers must ensure that their students feel valued and respected while providing supportive
feedback. Teachers should also call on struggling students to answer questions and, as Marzano
states, create a culture of high expectations for all students.
Special needs students. As previously defined, differentiated instruction is best
conceptualized as a teacher’s response to the diverse learning needs of students. This includes
students with learning disabilities as they too are likely to be included in general education
classes. One challenge that faces educators when disabled children are integrated into the
classroom is how to create a positive learning environment for both the disabled and nondisabled
students. According to Jagow (2007), teachers must create a welcoming and nonthreatening
environment for their special learners by employing aural, visual and kinesthetic means as a
multisensory approach. Careful pacing is also required in that it is difficult to arrive at
instructional pacing that is appropriate for both special education and regular students. Disabled
students must be oriented to classroom rules and procedures in order to function well in the
mainstream classroom setting (Debrot, 2002).
There are some guidelines for teachers who have special needs students. The first,
according to Jagow (2007), is to obtain information about each student’s strengths and
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weaknesses and to become familiar with their particular disabilities and its affect on the student.
Teachers can accomplish this by becoming acquainted with their students’ Individual Education
Plan (IEP). Under the IEP, teachers must understand what their students are to know and be able
to do before tailoring their instruction to meet the students’ accommodation, modification, and
assessment needs (Jagow). According to Debrot (2002), it is also important to stay consistent
with rules and procedures that are characteristic of the special needs students’ other classes.
Keeping an organized classroom free from distractions and providing clear, simple and direct
instructions will help all students, especially disabled children who tend toward sensory overload
(Jagow).
Special needs music students. In a music classroom, the teacher can differentiate
instruction by reviewing class material multiple times while checking for understanding (Debrot,
2002). The teacher also can also provide special needs students with individual and small
sectional performance and music theory instruction. Assessment accommodations can also be
implemented where extended-time; clarification of test instructions, and opportunities for re-tests
are provided as necessary (Debrot).
Students with mild cognitive impairments can attain most instrumental music program
learning goals, according to Jagow (2007). Students with IQs below 70 can succeed in music.
However, instruction has to move at a slower pace, objectives need to be clearer, and individual
instruction should be available when needed. Also, instruction should be direct and often
focused on rote learning while using icons and other visual devices rather than extensive verbal
and/or written direction. As noted by Jagow, special needs students can and have attained
membership in their school’s top performing groups.
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Debrot (2002) states that music text books contain a lot of information that may be
confusing for the struggling learner or learning disabled student by providing too much
information at one time. Learning-disabled students who have difficulty reading may struggle
with written musical concepts. Preparing simple visual charts will help students’ understanding
of musical concepts. Also, introducing music literacy concepts in small chunks during the lesson
may be less frustrating to the learning disabled student who may be fatigued easily because of
processing difficulty. For example, rhythm patterns may be learned more easily if they are
isolated into small pieces on a large visual. Burnsed (1999) adds that using color helps highlight
key concepts, e.g., do = blue, re = red, mi= green or key passages in the music book text.
Phrases may also be indicated by a change of color. Burnsed states that using an integrated
instructional approach with review and practice of previous material is also a useful strategy in
allowing students time to absorb concepts.
Musical parts can often be rewritten to meet a disabled student’s level of achievement.
Rhythms can be simplified and pitches can be written to fit within the student’s range while still
maintaining the harmonic integrity of the piece. The student still has an important part to
perform even though it may be simpler than the parts his peers are performing (Jagow, 2007).
Music class can be a positive force for students who have behavioral disorders and have
difficulty focusing on tasks, according to Debrot (2002). Attention deficit hyperactivity disorder
and attention deficit disorder students are likely to be musically competent as other class
members but could be disruptive to the learning situation by showing aggression. To minimize
students’ behavior disorders, music teachers can begin and end with a familiar song and maintain
a routine from lesson to lesson. Debrot adds that other special needs students may be anxious or
withdrawn. Children who are withdrawn seek security and find comfort in repetition.
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Although hearing loss can limit musical capacity, hearing-impaired children are able to
respond to musical stimuli and should be offered the same opportunities as their peers (Debrot,
2002). Hearing-impaired students may require a hearing aid or the use of American Sign
Language for effective communication. These students may be adept at lip reading but
misinterpret many gestures of the teacher. Students with a mild hearing disability have strong
visual, kinesthetic, and tactile modes of learning. Music teachers should face students when
talking so they will able to read lips and provide as many visual cues as possible. Teachers
should also sing songs in a lower key so students can understand the words better (Debrot). For
children with profound hearing loss, teachers can have these students touch and feel the vibration
of instruments being utilized such as the sound-board of a piano, the body of a guitar, or side of a
drum. Also, hard-of-hearing or deaf children can be encouraged to participate without shoes so
that they can feel the vibrations through their feet, according to Debrot.
Blind and visually-impaired students can be aided by a stable arrangement of facilities in
the rehearsal area (Jagow, 2007). Changes in the physical arrangement of the room are often
disconcerting to students with other disabilities as well. These students can be aided by Braille
music and technologies such as the Optacon, VersaBraille, reading machines, and recordings.
The Library of Congress and Recordings for the Blind, serve as support agencies that can
provide any music in Braille. Teachers must also verbally convey instructions that are normally
written. A buddy system works as well to help communicate the many gestures music teachers
convey to their special needs students (Jagow).
According to Debrot (2002), students with physical disabilities can also achieve success
in the music classroom. Instruments such as Orff xylophones can be adapted by removing bars
so that any note played will be correct. Orff instruments also fit well onto a wheelchair tray.
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Adaptive mallets with added foam to the handle of the mallet are also obtainable to help with the
gripping. There is even a one-handed recorder available to meet the needs of physically disabled
students.
Teachers of special needs students can highlight that many individuals with physical
disabilities have risen to the top of their profession. The world-famous solo violinist Itzhak
Perlman has been a spokesperson for those with physical disabilities and has demonstrated
musically that if physical accommodations are made, physically-disabled musicians can succeed
as well. There is also a list of blind musicians, including Ray Charles, Stevie Wonder, Andrea
Boccelli, and others who have established themselves in the music profession. Deaf
percussionist Evelyn Glennie is also recognized as a world-renowned soloist.
Flexible Grouping
According to Tomlinson and Imbeau (2010), teachers use a variety of groupings within
the classroom as a means to match instruction to student needs, including their social needs.
Tomlinson (2001) states that differentiation is a blend of whole-class, group, and individual
instruction where students come together as a whole group to begin a study, move out to pursue
learning in small groups or individually, and coming back together to share learning. Students
have a choice to work in pairs, groups, or individually, but all students are working towards the
same standards and objectives (Gregory & Chapman, 2007). It is important, according to
Tomlinson (2001), for a differentiated classroom to allow some students to work alone, if this is
their learning preference. Sometimes, however, students prefer to work in similar readiness or
ability groups with peers who have comparable academic needs at a given time. At other points,
the teacher ensures that students of mixed readiness work together in settings that draw upon the
strengths of each student, according to Gregory and Chapman.
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Gregory and Kuzmich (2005) address flexible grouping as a method for differentiating in
more detail via T.A.P.S., i.e., Total Group, Alone, Partners or Small Groups. Total group
instruction is whole-class instruction where all students are doing the same thing. This is
typically when teachers share new information and/or new skills with students that are beneficial
to the whole class (Gregory & Chapman, 2007). Alone instruction is used for practice or
rehearsal of skills based on varying readiness or skills. Alone instruction is also good practice
for standardized tests and allows more introverted students personal reflection time. Partner
instruction can be effective via random or teacher selection depending on the task. Buddy
reading for example is an extremely valuable partner activity in a differentiated classroom.
Buddy reading occurs when one reader who is more capable reads, and the other who is less
competent follows along in the text (Gregory and Kuzmich, 2005). Last, small groups of three
or four students are an excellent way to differentiate. Small groups can be either homogeneous
for skill development or heterogeneous for cooperative groups (Gregory & Kuzmich).
For music students, Grant and Lerer (2011) state that research has indicated that partner
instruction or peer tutoring has shown to be an effective method to motivate and inspire
struggling students. Not only does partner instruction or peer tutoring offer a bonus for the tutee,
but it also gives adept players more to do during repeated rehearsals that are mainly designed for
those who cannot play the music. Grant and Lerer go on to say that peer coaching is an
invaluable tool for addressing student readiness.
According to Tomlinson (2001), compared to homogenous groups, heterogeneous groups
are more effective in increasing performance, especially for low-ability students. Heterogeneous
groups may be formed by constructing small groups from a mixture of students considering
gender, ethnicity socioeconomic background, and level of ability. Research suggests that for
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struggling learners in a homogeneous group, low ability learners actually perform worse when
they are placed in homogeneous groupings. Too often in this setting, teachers’ expectations for
the struggling learner declines, materials are simplified, the pace slackens, and the level of
interactive discourse is minimized (Benjamin, 2002). However, when teachers place advanced
and struggling learners in accelerated, heterogeneous classes, students continue to advance as
they benefit from a faster pace, stimulating discourse, raised teacher expectations, and enriched
and challenging course materials (Tomlinson).
During the course of a class, there will be times when it makes sense to homogeneously
group students of similar skill sets. However, there should be other opportunities to pair or
group students with varying readiness levels in a task-oriented situation where it’s beneficial to
all. There are also times when interests will lead the groups, or when students with a variety of
expertise will join forces to look at an idea or topic from several different angles, according to
Benjamin (2002). It should be noted that flexible grouping allows for the movement of students
between groups, which is unlike ability grouping, where students remain in fixed groups based
on their ability.
Content, Process, and Product
Three elements of instruction can be differentiated based on student readiness, interest, or
learning profile: the content to be taught, the learning processes in which students are engaged,
and the final product to demonstrate what students have mastered (Tomlinson, 2001). Content
refers to what instructors teach and what the students are to learn, as well as the means through
which learning is accomplished. Differentiating by process reflects how a student comes to
understand and assimilate facts, concepts and skills. It also refers to the activities designed to
allow application and practice of new skills and information (Gregory & Chapman, 2007).
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Process is how students think about or make sense of ideas and information in order to master
the content. A product is a vehicle through which students demonstrate and extend what they
have learned (Tomlinson & Allan, 2000). Differentiation by content, process, and product,
ensures that teachers are constantly addressing their students’ needs and differences during a
given unit and thus helping them to maximize their potential.
Content
In differentiating content, teachers can adapt what they teach and modify how they give
students access to what they want them to learn (Tomlinson, 2001). Some students in a class
may be completely unfamiliar with the concepts in a lesson, while other students may
demonstrate complete mastery of the content before the lesson begins. Other students may show
partial mastery of the content or display mistaken ideas about the content (Tomlinson & Imbeau,
2010). Tomlinson (1999) also points out that although the learning objective or goal of a class
should be the same for all students, the content can be differentiated. In a differentiated
classroom, students are not learning different things, they are learning the same things
differently. Teachers who implement differentiated instruction plan multiple avenues for
students to approach the same curricular material (Tomlinson, 1999).
Bloom’s Taxonomy. Gregory and Chapman (2007) suggest differentiating instruction
using Bloom's taxonomy. Bloom's taxonomy of educational objectives was developed by
educational psychologist Benjamin Bloom and provides a logical structure for students to build
both learning and thinking (Gregory & Chapman). According to Gregory and Chapman, the
teacher may differentiate the content by designing activities for groups of students that cover
different areas of Bloom's Taxonomy, i.e., six levels of cognitive processes. These six levels of
taxonomy include; knowledge, comprehension, application, analysis, evaluation, and synthesis.
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Each level consists of a list of educational objectives, or verbs that requires a certain level of
thought and understanding to complete a task. As students advance to a higher level on the
taxonomy, the amount of thought needed increases and activities become more difficult. As a
way to differentiate, teachers can use the taxonomy as a guide to create activities that will
accommodate students' readiness, interests, or learning profiles. As students master the more
basic concepts at the knowledge level, they can be challenged to dig deeper in their thinking and
advance to a higher level of complexity on the taxonomy, synthesis, and evaluation (Benjamin).
For instance, students who are unfamiliar with concepts may be required to complete tasks on the
lower levels of Bloom's Taxonomy such as knowledge, comprehension, and application.
Students with partial mastery may be asked to complete tasks in the application, analysis and
evaluation areas, and students who have high-levels of mastery may be asked to complete tasks
in synthesis and evaluation. One student may be learning the basic knowledge of the butterfly
life cycle, while another student can learn about the life cycle of a frog then be challenged to
analyze and compare the two life cycles (Gregory & Chapman).
Student learning contracts. Student learning contracts are yet another way of
differentiating content and fostering self-regulated learners, according to Tomlinson (2001). In
essence, a learning contract is a negotiated, written agreement between teacher and student
stipulating that certain learning tasks will be carried out by a certain time in exchange for an
agreed upon grade. Learning contracts also include signatures of agreement to the terms of the
contract. Learning contracts, according to Benjamin (2002), teach accountability, personal
responsibility, motivation, self-regulated learning, and metacognition while giving students a
sense of control and satisfaction. In a learning contract, students and teachers collectively jot
down work that needs to be completed for a particular day or week. Students can work on
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various tasks in the order that they choose, deciding on their own which tasks to tackle first.
Students can also be empowered to check-off tasks as they complete them in the order they
desire (Gregory & Kuzmich, 2004).
In a differentiated classroom, contracts can be written between the teacher and the
student, allowing the student to create an individualized learning option related to the standard
being addressed (Tomlinson, 1999). By developing learning contracts, students are given an
opportunity to pursue a topic of interest to them, or a topic in a way that is interesting to them.
They still learn the same information as the rest of the class but in a way that matches their
interests and learning needs (Tomlinson). Allowing choices to students is one way to increase
student motivation (Nordlund, 2003). Learning contracts and its effect on student motivation
plays a key role in students’ learning and willingness to learn.
Curriculum compacting. Curriculum compacting is a content differentiation strategy
that is extremely beneficial to many gifted and high ability students. It is a process by which
students are pre-assessed to determine what parts of the curriculum they have already mastered.
When those areas of knowledge and skills are identified, these students are not required to
complete the grade-level work. Instead, they work on alternate activities (Tomlinson 2001).
Content in the music classroom. For music educators, the content is most often
represented in the music selections we teach. By grouping students to work on music at various
levels of difficulty, all students are given the opportunity to work on something that is
challenging and more engaging. It also allows students with skill deficiencies to focus on
fundamentals, thus accelerating their learning while bringing them up to an appropriate skill
level (Standerfer, 2011). An innovative choral director, according to Standerfer (2011), had her
choir select chamber choir music and solo repertoire for the first quarter of the year. Each
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student prepared a different song chosen to fit his or her voice and capabilities. Class time was
used for a master class, i.e. a class for advanced music students taught by an expert musician, in
preparation for the students’ final public recital. The teacher was also able to work on specific
vocal issues with each student. Standerfer goes on to say that the master class process fostered
individual responsibility as well as a positive, supportive team mindset for the rest of the school
year. The same format or small ensembles would work well for band and orchestra.
Also, in addressing content, rather than placing all the music students in one group, it
would be more effective to place students in various performing ensembles to address different
performance levels, e.g., advanced ability ensembles or show choir, according to Mark and
Madura (2010). Mark and Madura state that there should be at least two choirs, two bands, and
two orchestras at the middle or high school level, and each should be offered at least every other
day for 45 minutes. These ensembles should be differentiated by age or level of experience and
in the case of choirs, by voicing and gender. High school music ensembles such as marching
band and jazz band can be differentiated as well (Mark & Madura).
Process
The process of how the material in a lesson is learned may be differentiated for students
based on their learning styles while taking into account the required standards of performance at
their respective age level (Tomlinson, 1999). This stage of differentiation allows students to
learn, based either on what method is easiest for them to acquire knowledge, or what may
challenge them the most. Some students may prefer to read about a topic and others may prefer
to listen or acquire knowledge by manipulating objects associated with the content. How a
teacher plans to deliver the instruction is based on assessment results that reflect the students’
needs, learning styles, interests, and prior knowledge levels (Tomlinson, 2001).
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Tiered activities. Tiered activities are tasks that are constructed with different levels of
depth and complexity (Benjamin, 2002). By keeping the focus of the content the same while
providing routes of access at varying degrees of difficulty, the teacher maximizes the likelihood
that each student acquires the necessary understanding and mastery of the content (Tomlinson &
Allan, 2000). In other words, tiered assignments, usually presented on three levels (low, middle,
high), are equivalent in content, but may be diverse in process or product (Gregory & Kuzmich,
2005).
Tiered assignment in the music classroom. According to Grant and Lerer (2011), music
teachers should offer tiered assignments to their students while incorporating multiple supportive
teaching strategies. If students are grouped for a specific purpose or are allowed to choose the
most appealing task they feel they are best suited for, they can process the new information or
practice the new skill in a way that matches their skill-level, interests, or preferred learning style.
Product
According to Chappuis et al. (2012), the product is the means by which students
demonstrate what they have learned from the lesson or unit. In other words, it is essentially what
the student produces at the end of the lesson to demonstrate the mastery of the content and
represents students’ extensive understandings and applications such as, tests, evaluations,
projects, reports, or other activities. Chappuis et al. state that it is imperative that teachers
provide written guidelines and rubrics so that students understand the criteria and expectations of
quality products.
When products are differentiated, students are given a choice on how they demonstrate
mastery of the standards (Tomlinson, 1999). By giving students a choice, the teacher is
developing responsibility and ownership in the students. Choices in learning give students the
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opportunity to create a product that is a reflection of their interests and readiness. Students take a
greater responsibility in their learning because they have a vested interest in what they are
producing (Tomlinson).
Choice boards. Products can be differentiated by using choice boards. A choice board
is a graphic organizer that allows students to choose how they will learn a concept and show
what they know. The choice board has nine squares and inside each square is an activity.
Choice boards are well-suited to dealing with readiness and interest differences among students
(Tomlinson, 1999).
Product within the music classroom. According to Standerfer (2011), in differentiating
product in a music classroom, students may learn the same music or content, but be provided a
choice in demonstrating what they learned. The following is an example that a music teacher
used to assess products in his music classroom.
A music teacher worked to design a differentiated project for his eighth-grade band.
Based on the results of a learning-style survey, the teacher designed the project for three groups
of band students: one group was very academic by nature, another group was very artistic, and a
third group was creative but also very technologically adept. The differentiated product gave
students a choice in how they demonstrated their new knowledge of the composer they had
studied throughout the concert preparation. Students could write a biographical essay, create a
visual display, or design a PowerPoint presentation. Students researched the same composer
using the same resources but demonstrated what they learned about the composer in various
ways. All of the final products were displayed in the auditorium lobby the night of the concert
(Standerfer, 2011).
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Summative Assessments (Grading). As learning tasks need to be differentiated, so do
assessments or grading strategies. According to Chappuis et al. (2012), summative assessments,
or assessment of learning, are the culminating tasks which take place after the learning has
occurred and allow students to demonstrate the concepts and or skills they learned. Summative
assessments also verify or provide evidence of student achievement and learning for the purpose
of making a judgment about student competence or program effectiveness (Chappuis et al).
Charting academic growth of students in a differentiated classroom can create a dilemma for
teachers whose schools still use a traditional report card and grading system. The following
approaches address this problem.
Teachers and schools can grade students by choosing to distinguish between growth such
as progress-based evaluation and academic achievement or mastery of content symbolized by
letter grades and numerical scores, respectively (Tomlinson & Allan, 2000). For example, a
letter grade reflects excellent student growth against standards, whereas a 1 indicates working
above grade level, 2 at grade level, and a 3 indicating below grade level. Thus, a student who
achieves an A3 clearly demonstrates growth and is progressing well even though the work or
achievement is below grade-level standards (Tomlinson & Allan). This grading system offers
more information than a traditional report card and allows teachers to analyze students’ academic
achievement through three types of data: level of achievement, quality of work, and progress
against standards while honoring persistence, tenacity, and effort in their students (Gregory &
Chapman, 2007; Tomlinson & Allan).
There are several strategies for differentiating the summative assessment process in the
music classroom. While the learning targets or goals should have been determined at the
beginning of a unit of study, the success criteria for meeting those targets might be something
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that students can help to co-construct, according to Mark and Madura (2010) and Grant and
Lerer (2011). For example, programs such as the Band Olympic Program (BOP) provide a
context where students can make choices about what and when they perform for evaluation
(Mark & Madura; Grant & Lerer). Under the BOP, students work at their own pace and perform
when they are ready to achieve one of the three (bronze, silver, gold) levels of competency
(Mark & Madura).
Mark and Madura (2010) provide a sample grading policy for a middle or high school
band where each ensemble member can be given two playing tests throughout the course of a
nine-week period and a written examination at the completion of the semester. A playing test
may be given live in class or as a take home test where students are responsible for turning in an
audio recording with the assigned material recorded for grading purposes. A grading scale for
the semester or nine-week period can specify the percentages of the grade that are allocated in
performance, behavior, and written exam, e.g., 45 percent playing test, 45 percent classroom
expectations, and 10 percent final written exam (Mark & Madura).
Students’ Readiness, Interest, and Learning Profile.
By addressing students’ readiness, interests and leaning profile, teachers can differentiate
or modify the content, process, and product (Tomlinson & Imbeau, 2010). A teacher in an
effectively differentiated classroom seeks to develop increasing insight into students’ readiness
levels, interests, and learning profiles. In order to develop instruction that maximizes each
student’s opportunity for academic growth, the teacher then modifies content, process, and
product (Tomlinson, 1999). Students learn better, as stated by Tomlinson, if they have passion
or interest in a subject, and if the assignment encourages students to work in a preferred manner
within their learning profile.
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Readiness. Teachers differentiate according to students’ readiness by matching the
complexity of a task to a student’s current level of understanding and skill. A good readiness
match pushes the student a little beyond his or her comfort zone where the teacher scaffolds or
supports the student in moving through more complex applications or tasks (Tomlinson & Allan,
2000). The teacher’s job is to lead the student to success in areas where the student cannot
function alone but can succeed with support. This is similar to Vygotsky’s (1978) zone of
proximal development theory, that is to say the range of abilities or gap that a child or person can
perform with assistance with adult guidance or peer collaboration, but cannot yet perform alone
or independently. In the zone of proximal development, the child follows the example of the
adult through assisted performance and then gradually develops the ability to do tasks without
assistance or guidance as independent performance.
Pacing. Tomlinson (2001) states that matching pacing to students’ needs is also a critical
differentiation readiness strategy. Our job as teachers is to provide education for all students by
carefully planning lessons to consider reaching all levels. The use of single-paced lessons
delivered through a singular instructional approach disregards the different learning styles and
interests present in all classrooms. According to Tomlinson and Allan (2000), there are times
when advanced students need to move quickly through familiar or minimally challenging
material while others will need more time to study a new unfamiliar topic in depth. Pacing also
involves transitions from critical-input experiences to activities designed to help deepen
students’ understanding of new information or content (Marzano, 2007). For students that
already are proficient, teachers should raise the rigor of the lesson. Many teachers mistakenly
teach to the lower-end of the learning spectrum losing the higher-end students. In a musical
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context, Scruggs (2009) states that when pacing rehearsals teachers should use as much time on a
task as their music ensemble is able to remain intently focused.
Music teachers need to become accustomed to conducting fast-paced rehearsals. When a
director stops rehearsal, clear and concise, straight-to-the-point instructions for improvement
must be provided. Long dialogues during rehearsal stops are of little value to students (Jagow,
2007).
Moderate challenge. With increased understanding of psychology and the brain,
educators now know that individuals learn best when they are in a context that provides a
moderate challenge. It is therefore best to push the learner a bit beyond his or her independence
level (Tomlinson, 1999). When a task is deemed too difficult for a learner, the learner feels
threatened and is likely to give up easily. On the other hand, students who succeed too easily
also lose their motivation to learn (Gregory & Chapman, 2007). Gregory and Chapman go on to
state that students must believe that hard work is required and will pay off with success.
Students who are pushed too hard get frustrated and often fail to move on, and students without
enough mental stimulation over time will suppress their ability to problem solve and think
critically, thus perpetuating a decline in motivation. That is the problem with a “one-size-fits-
all” approach to learning, states Tomlinson. A lesson that is geared for a single level of
challenge, will ultimately over-challenge or under-challenge students and as a result, will inhibit
learning (Gregory & Chapman).
Readiness in the music classroom. According to Grant and Lerer (2011), traditional
classroom band programs begin with the method book in addressing student readiness levels.
These resources are sequential, cover basic music theory, introduce famous melodies, and
provide exercises and instructional background information. Rather than moving sequentially
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through every piece as a whole class, music teachers should consider allowing students to work
through the book at their own pace, and choose from a group of songs that best fit their abilities.
This is an effective strategy in addressing the wide variety of readiness skills in reading text or
music notation and playing instruments. Students may also work independently, in small groups,
instrument sections, or with stand partners, depending on the context (Grant & Lerer).
One of the greatest weaknesses of a repertoire-based instructional model, according to
Grant and Lerer (2011), is that it usually requires all students to play at the same time and at the
same readiness level. Although the melody is often played by the trumpets, flutes or clarinets,
all kids want to play the main tune in order to connect with something that can be easily
recognized. Unfortunately however, these melodic parts do not always match the abilities of the
player. This highlights the importance of knowing students in terms of readiness when selecting
repertoire and choosing material that meets their needs (Grant & Lerer).
According to Standerfer (2011), music teachers can differentiate instruction to music
students’ readiness level by modifying a single piece of repertoire to meet diverse abilities. For
weaker players, teachers can assign easier parts, or empower students to rewrite them by
simplifying the rhythmic or melodic notation and, or allow students to play fewer passages.
Music teachers can also have their students play the parts they know well and offer them the
choice to not play certain passages that are too difficult while following their music using
instrument fingerings (Standerfer).
According to Standerfer (2011), music teachers can also differentiate student readiness
level or musical abilities by means of a chair placement system. Students who are first or second
chair are given more difficult parts and solos. Students with less developed skills are given
easier parts to play in order to develop more basic rudimentary skills.
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Advanced players may be asked to play additional instruments according to Grant and
Lerer (2011). The flute player may also play the oboe and the clarinetist may play the
saxophone. At other times, these players are given more challenging pieces of music to play.
Music teachers can invite students to use expressive elements to add something to the
interpretation of the piece that is beyond the correct rhythm and pitch of the notes. As an
alternative, teachers can allow students to enhance the ensemble pieces by adding to or rewriting
their music using octaves, runs, or trills (Grant & Lerer).
Interest. Content, process, and product can be differentiated according to student
interest and is a useful strategy in enhancing motivation. Interest refers to a child’s connection,
curiosity, attention or passion for a particular topic or skill and is tied directly to heightened
motivation and enhanced learning (Tomlinson 2010). It is imperative to keep students motivated
as it increases the amount of effort and energy that learners expend in activities toward learning
goals. All students in a class however do not have the same interests, thus the need for
differentiation. Some ways in which teachers can differentiate in response to students’ various
interests include: providing a variety of avenues for student exploration of a topic, diagnosing
student interests through a questionnaire, giving students a choice of tasks and products, and
encouraging investigation or application of key concepts and principles in student interest areas
(Tomlinson & Allan, 2000). Also, when a teacher is excited or passionate about a topic and
shares the passion with the class, similar interests are likely to emerge in the students as well
(Marzano, 2007).
Interest within the music classroom. In keeping motivation and interest high during the
music rehearsal period, Mark and Madura (2010) state that a well-executed rehearsal should
resemble an interesting concert. For example, an engaging rehearsal should have plenty of
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variety with more accessible and memorable music at the beginning and end while alternating
with more challenging pieces in the middle. Attention should be paid to contrasting styles,
genres, keys, meters, and tempos to keep student attention high as well. Mark and Madura add
that recognition of the unplanned and sometimes unexpected artistic “moment,” when the
ensemble musically peaks, can create a tremendous impact. An effective rehearsal might begin
with a 15 minute warm-up followed by 15 minutes of three or more high-quality and level-
appropriate concert pieces. To keep interest high, those three pieces might alternate in the
following ways: fast, slow, fast tempos; accessible, challenging, accessible; or familiar,
unfamiliar, familiar music. Music teachers can place faster-paced pieces at both the beginning
and end of a rehearsal. This engages and motivates students early in the class period and has
them depart with an up-beat piece in their memory. The middle portion of rehearsal may be
slower-paced with the most challenging piece as its focus, or the middle portion may consist of
alternating faster and slower-paced works. Other possible contrasts include alternating between
full and small ensembles and stylistic differences in music (Mark & Madura).
Another key to an interesting and motivating rehearsal is to keep a quick pace, and not
dwell on any one problem or piece for too long (Standerfer, 2011; Mark & Madura, 2010).
Tomlinson (1999), recommends spending no more minutes than the age of the student on one
activity. For example, a 15 year old student should not exceed 15 minutes on one task as it may
begin to tax his or her attention span.
There are many topics that can motivate students as they learn music. Students' interest in
music class may stem from an interest in a particular style of music. Tapping into what your
students are interested in can provide an exciting connection to music, according to Standerfer
(2011). Standerfer states that teachers may also allow students to choose their own topic. For
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example, a high school music teacher allowed her choir to perform an art song recital where the
students were able to choose from many styles and composers, including Italian light arias,
German lieder, or English ballads. Grant and Lerer (2011) state that in selecting band repertoire
for students, band teachers should search music that is interesting and appropriately challenging
to perform.
Another strategy in engaging music students’ interests is to have them assist in selecting
concert literature, according to Scruggs (2009). Allowing student input on repertoire can be an
extremely valuable strategy, but teachers must be certain their students have the foundation to
make informed musical decisions. To begin, Scruggs states that music directors must facilitate a
discussion with student musicians about good programming. Programming for festivals or
contests is generally different than for spring “pops” concerts, so the reason for the concert and
the audience must first be considered, according to Scruggs. Additionally, the program should
reflect a variety of styles, and this diversity should pique the audience’s interest and moderately
stretch the players’ musical abilities (Grant & Lerer, 2011).
Learning Profile. According to Tomlinson (1999), learning profile refers to how we
learn or ways in which individuals learn best and describes a variety of preferences students have
for processing information. It may be shaped by intelligence preferences such as analytic,
practical or creative and critical thinking, gender, culture, or learning style. Some learners need
to collaborate with peers to learn well while others work better alone. Some students learn easily
as a part-to-whole concept while others need to see the big picture before specific parts make
sense. There are students who prefer logical or analytical approaches to learning or others may
favor creative, application oriented lessons. Also, some students are highly auditory learners
while some have a more visual or kinesthetic learning preference (Nordlund, 2003).
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According to Tomlinson and Allan (2000), numerous researchers have concluded that
addressing an individual’s learning styles through flexible and compatible teaching results in
increased academic achievement. Studies find that when students are matched to instruction
suited to their learning patterns, they achieve significantly better than students whose instruction
is not matched (Tomlinson & Allan).
Cultural differences. Regarding the cultural element in a learning profile, Mark and
Madura (2010) and Nordlund (2003) state that teachers must be aware and knowledgeable of
possible cultural differences of students in the music classroom. Without an understanding of
different cultural norms, the music teacher may misunderstand a student’s behavior and
inadvertently stifle learning, according to Mark and Madura. An example of this, according to
Nordlund, is the student with limited English proficiency who fears and avoids speaking aloud in
class. The teacher may consider the student to be quiet, shy, or unintelligent, while all three of
these characteristics may be far from the truth. Also, a mismatch occurs when a student who is
socialized to act one way through his or her gender or culture finds that the classroom is based on
a different set of assumptions and attitudes (Tomlinson & Allan, 2000). Children of different
cultures may be unfamiliar with the cultural norms that guide the other classmates. According to
Nordlund, the goals of learning profile differentiation are to help diverse learners, whatever their
culture or gender, understand and match modes of learning that work best for them.
Addressing various learning profiles. Some strategies in which teachers can
differentiate in response to student learning profile include presenting information through
auditory, visual, and kinesthetic modes and allowing students to work alone or with peers. Other
strategies include diagnosing a student’s learning profile with questionnaires, providing learning
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opportunities in various intelligence or talent areas, and creating a learning environment with
flexible spaces and learning options (Gregory & Kuzmich, 2005).
Music classroom learning profiles. Research has shown that students have different
learning styles in the music classroom as well. In order to accommodate all students’ learning
styles, teachers need to provide instruction that utilizes at least three modes of learning - visual,
aural, and kinesthetic when possible (Debrot, 2002). However, the most important principle for
lesson preparation is that materials are presented in as many modes as possible. Debrot adds that
some music students learn best through the auditory mode while others learn by visual mode or
kinesthetic mode. Visual learning in a music classroom might occur through reading materials,
posters, PowerPoint presentations, or teaching demonstrations. Aural learning can occur through
the teachers’ verbal explanations, class discussions, recorded musical examples, or teacher
modeling of a desired tone. Kinesthetic learning may take place through movement such as
dances and instrument fingerings. According to Mark and Madura (2010), the most effective
music program for most children is a hands-on, participatory program that emphasizes varied
activities such as dance movement, instrument performance, rhythm, sound exploration, and
melody.
Standerfer (2011) provides an example of a musical learning profile where a third-grade
music teacher’s students practiced treble clef note names at one of three stations. The visually
oriented learners practiced with a computer program. Kinesthetic students spelled words with
their bodies using the large staff on the floor. Auditory students created melodies on keyboards
with earphones and notated their compositions on staff paper. The third-grade teacher thus
differentiated the process of practicing note names by student learning profiles, such as visual,
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kinesthetic, and auditory learning styles. Students were also engaged in an activity that was most
comfortable for them (Standerfer).
Gardner’s multiple intelligences. Theories for diverse learning and thinking styles, such
as Gardner's Multiple Intelligences (1999), highlight the importance of adjusting instructional
strategies to match the ways students learn best. Gardner advocates for providing all students
with multiple options for taking in information and making sense of ideas. In planning for
differences in learning preferences, teachers should consider providing a variety of activities that
explore the same concepts. Alternatively, information may be provided to all students in a
variety of ways so that they can choose what is most useful to them (Tomlinson, 1999).
Additional Instructional Strategies that Support Differentiation
Portfolios
The use of portfolios is another strategy that supports differentiation. Portfolios are
organized collections of students’ work over time and provide supportive evidence to
substantiate the feedback and grades that have been given (Tomlinson & Imbeau, 2010).
Portfolios contain evidence of student growth, with samples of work such as homework, tests,
projects, and assignments that are added periodically to show progress over a span of time,
according to Gregory and Chapman (2007). The use of portfolios also allows students to reflect
on their progress toward learning goals. Both teacher and student are involved in selecting
pieces to put in the portfolio after the teacher establishes the criteria for selection, according to
Tomlinson and Imbeau.
Chunking
The term chunking means to divide a topic of study into smaller and logical portions of
information (Marzano, 2007). Learning is more efficient, according to Gregory and Kuzmich
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(2005), if students receive new information in small chunks and can thereby overcome the limits
of the working memory. Performance and understanding of concepts can then be verified
through ongoing formative assessment during and at the end of each chunk of learning in a unit.
Grouping information together in classes or categories is a method of chunking and affects how
teachers plan lessons to differentiate. Being able to see how information fits together in chunks
is therefore a hallmark of learning and is a way of working with increasingly larger amounts of
information (Marzano).
Technology can Facilitate Differentiated Music Instruction
According to Frankel (2003), music technology is the perfect tool for music educators to
facilitate differentiated instruction in that teachers can incorporate the use of music software to
drill music fundamentals. Students are often at different levels of music theory and can thereby
work at their own pace. There are computer-assisted instruction music software programs such
as, Music Ace, Alfred's Essentials of Music Theory, and Practica Musica that contain instruction,
drill, and practice exercises at varying levels. These programs also allow students to work at
their own pace. Also, the website www.musictheory.net has trainers that can be accessed by
students in class and at home. All of these use different instructional methods and are presented
in different formats including visual and audio means. Furthermore, according to Frankel, the
use of PowerPoint can enhance lectures and make them more interesting for students, especially
the audio and visual learner.
There are also software programs that can facilitate music practice and record student
assessed performances. Frankel (2003) emphasizes that a very valuable resource for practice at
home is a website http://psdweb.parklandsd.org/hpo/, called Home Practice Online. The website
contains accompaniment files for many of the compositions that the students are performing for a
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concert as well as exercises that are used during the lessons. Students use the MIDI files
contained on the site to accompany their practice sessions. It is the perfect tool to help motivate
students who really need it to practice (Frankel). Frankel also states that SmartMusic with a
Hybrid Agent is one of the best examples of how technology can monitor student practice and
differentiate instruction, even outside of the classroom. SmartMusic is software that allows
music students to perform assigned exercises and repertoire with a computer-generated
accompaniment and record their performance for assessment by their music director at a later
time. This software can be loaded on a student’s computer at home where they can submit their
performances directly to their music director over the Internet (Frankel).
Interactive whiteboards. Interactive whiteboards, including the popular SmartBoard are
becoming a common component of classrooms. Research indicates the use of interactive
whiteboard technology in the classroom enhances student engagement, appeals to a variety of
students and learning styles, allows for easy integration of media, and improves teacher
productivity and student achievement. The quality of presentation made using an interactive
whiteboard motivates students as they are keenly attuned to visual stimulation and are better able
to focus and concentrate for longer periods of time (Marzano, 2009). In a music class context,
teachers can show music students the correct instrument fingering directly from the whiteboard
by touching a particular note on the screen using the SmartMusic software program.
Whiteboard and music notation software use. There are many ways that the
implementation of Finale music notation software with the whiteboard can be used together. The
difference between merely projecting the image from the computer onto the screen and an
interactive whiteboard is the ability to directly interact with the images and materials on the
screen. Depending on the system, this is done either through the use of a special pen provided by
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the manufacturer or by using a touch-screen format (Marzano, 2009). Using the Smart Ink
palette within SmartBoard, the Finale document can be written on and projected on the
SmartBoard screen. This is useful in many situations such as introducing a new rhythm, writing
in the counting for a difficult rhythm, or pointing out the whole step or half step relationship in
scales (Wardrobe, 2013). It also allows the teacher to point out accidentals, dynamics, and other
items in the music to students by visually showing them how to mark on their part (Wardrobe).
Finale can also be used in conjunction with an interactive whiteboard to create
customized etudes and exercises from the repertoire the students are rehearsing and project it on
the whiteboard screen for students to play as part of the rehearsal (Wardrobe, 2013). Etudes are
short musical compositions designed to perfect a particular music skill. Music teachers, for
instance, can use the Finale music notation program to customize warm-ups or rhythm exercises
directly relating to music that students are playing and/or struggling with. If teachers want to
highlight a section or point out a problem students are having during rehearsal, they can use the
interactive pen to write or highlight the section in the exercise from the front of the class. Music
teachers can also playback the exercise so the students can easily hear the example through the
system’s amplification system (Wardrobe).
Embedded programs in whiteboards. One of the benefits of interactive whiteboard
technology is the ability to embed video and audio clips of music in a presentation so the teacher
can access them more efficiently using the whiteboard’s touch screen capabilities (Betcher &
Lee, 2009). Music teachers can project websites and recordings from sheet music retailer, JW
Pepper or YouTube, allowing students to listen and watch performances of music they are
rehearsing. The opportunity for students to listen to a professional recording makes a significant
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impact on both their personal motivation and performance abilities. In addition, teachers do not
have to contend with technological compatibility issues during their presentation.
Critical Thinking and Problem Solving Abilities as Self-Regulated Learners
The ultimate goal in differentiation is for teachers to develop their diverse students as
self-regulated learners who can adopt effective critical thinking and creative problem solving
skills. According to Zimmerman (1990), self-regulated learners are those who assume personal
responsibility and control for their own acquisition of knowledge and skill. Self-regulated
learners are also meta-cognitively, motivationally, and behaviorally active participants in their
own learning. Self-regulated learners consider their learning goals, plan accordingly, and
monitor their own learning progress as they carry out their plans in achieving their learning
objectives. Teachers are the chief architects of learning in self-regulated classroom, but students
should assist with the design and building of their own learning. Thus, together the teacher and
students plan for learning, set goals, monitor progress and analyze success and reasons for failure
(Tomlinson, 1999).
Implications of Vygotsky’s theory
This working definition of differentiated instruction and self-regulated learning reflects
Vygotsky’s socio-cultural theory, the main tenet of which lies in the social, interactional
relationship between teacher and student (Vygotsky, 1978). The relationship between student
and teacher is reciprocal, the responsibility for development becoming a shared endeavor
(Tomlinson, 2001). The learners therefore, in responding to the teacher’s prompting, seek to be
independent and self-sufficient, striving for greater awareness of their skills, abilities and ideas,
taking increasing responsibility for their learning (Tomlinson). In addition, the difficulty of
skills taught should be slightly in advance of the child’s current level of mastery. Thus, teachers
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scaffold student learning, i.e., gradually eliminate the external supports they have provided
where student responsibility increases and self-regulated learning habits become internalized and
automatic. Teachers should also scaffold lessons to motivate all students while extending
learning at their own level.
Self-Regulated Student Musicians.
In a differentiated music classroom, if music teachers want their students to develop as
creative, imaginative, and thoughtful self-regulated musicians, they must allow their students to
make their own performance decisions and engage in musical problem solving (Scruggs, 2009).
Grant and Lerer (2011) and Zimmerman (1990) highlight several factors which contribute to
active engagement in music learning. They assert that teachers should provide opportunities for
students to take responsibility for how and what is learned, the freedom to try things out in
authentic and meaningful contexts, and receive timely and relevant feedback within the context
of a positive and supportive classroom environment. Students who reflect on and analyze their
own performance are able to assess their strengths and weaknesses. In addition, students can
evaluate whether their strategies are effective in solving musical problems. This type of
metacognitive reflection provides students with a basis for setting goals that are personally
relevant and meaningful, according to Scruggs.
According to Mark and Madura (2010), to help students incorporate self-regulation and
metacognitive techniques into their music studying and performance practice, music teachers
should demonstrate its use in class by modeling the process. For instance, when teaching repair
strategies to fix comprehension gaps or music performance problems, teachers should note to
students when and where these strategies are to be used. It is also imperative to provide students
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with opportunities to try out strategies while providing guidance and feedback, e.g., point out
signs to students that indicate a strategy isn’t working.
Teachers should also expect their students to be aware of their own mistakes, attempting
to correct errors themselves before the teacher intercedes, according to Scruggs (2009). Students
who are taught how to listen to themselves thus become their own best critics and are able to
listen critically to their performance while adjusting and making musical corrections as
necessary. Music students should ask themselves questions such as: Do I like how I sound?
Was that passage clean and rhythmically accurate? Am I playing the passage the way I would
sing it? Having students become more active in guiding their own learning, while reflecting on
their progress and identifying strategies that work best for their musical development, results in
enhanced performance achievement (Scruggs).
Players can also be encouraged to contribute to their music education by constantly
analyzing their group’s performance. Rather than immediately correcting performance errors,
the director can call upon students located around the ensemble to make their own
recommendations in improving performance (Scruggs, 2009). This is an essential part of the
ensemble learning process because students, like teachers, learn from observing the
performances of their peers. Furthermore, when students are not aware of who will be called
upon next for an opinion, they will begin to pay closer attention to what is occurring in other
sections (Scruggs).
Impact on Student Achievement
With all of the emphasis now placed on highly differentiated instruction, it may come as
a surprise that the research supportive of differentiated instruction’s effectiveness is still
somewhat limited, according to Tomlinson, Brimijoin, and Narvaez (2008). To date, there has
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been no systematic empirical research on the potential impact of differentiated instruction on
student achievement. Thus, as schools and school districts dedicate significant resources toward
the implementation of differentiation, research is still warranted to substantiate its efficacious
impact (Tomlinson et al.)
There is, however, a growing body of anecdotal evidence to suggest the positive impact
of differentiated instruction. As one example, Tomlinson and her coauthors (2008) presented
evidence of academic improvement in two schools as a result of implementation of differentiated
instructional practices. Conway Elementary School and Colchester High School were described
as two ordinary schools in different districts of the United States, though student performance at
Colchester High was somewhat weaker than achievement at Conway Elementary prior to the
initiation of differentiated instruction (Tomlinson et al.). The results of the study are presented
in terms of percentages of students demonstrating advanced or proficient scores on normative
assessments for several years prior to the implementation of differentiated instruction and for
several years after implementation.
Data at Conway Elementary School indicated that more students achieved proficiency or
advanced level after a three-year implementation of differentiated instructional practices. In fact,
the data after the first year of implementation showed a significant increase in student
achievement, i.e. student achievement scores jumped as much as 30 percent in some academic
areas (Tomlinson et al., 2008).
Data for Colchester High School included the number of students passing the statewide
assessment in reading, writing, and mathematics. Again, these data represent the percentage of
students meeting educational goals both before and after differentiated instruction was
implemented. The assessment results from Colchester High compared scores in the specific core
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subjects of reading, writing, and mathematics. These results indicated that in every area,
students’ achievement increased after the school implemented differentiated instruction.
Findings from Conway Elementary School and Colchester High School underscored that growth
was maximized when children were provided instruction to match their needs.
This literature review provided the necessary information to understand what a true
differentiated classroom consists of. As conveyed in the previous two chapters; students have
diverse needs, interests, and learning styles. Based on this knowledge, differentiated instruction
applies an approach to teaching and learning so that students have multiple options for taking in
information and making sense of ideas. The model of differentiated instruction as it applies to
the music classroom and other domains requires teachers to be flexible in their approach to
teaching while adjusting the curriculum and presentation of information. Tomlinson (2001)
identifies three elements of the curriculum that can be differentiated: content, process, and
products according to students’ readiness levels, learning profiles, and interests. The impact of
differentiated instruction’s effectiveness on student academic growth and achievement is
reflected in the studies at Conway Elementary School and Colchester High School. Further
research will be conveyed in Chapter Three to substantiate differentiated instruction’s impact on
enhanced student achievement.
Chapter Three will describe how the research was planned and carried out while
accounting for the application of the instructional process. Chapter Four will indicate the
findings and the effectiveness of various strategies based on assessment data. Finally, this
research project will conclude with Chapter Five, reflecting on lessons learned from the entire
process with recommendations and suggested research in the future.
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Chapter 3
Overview of Application of Instructional Process
Given that the purpose of this study was to determine if differentiated instruction had an
effect on student achievement, Chapter Three provided a descriptive account of four classrooms
and the relationships of differentiated instruction to student achievement during my student
internship. The research design of this chapter included not only how data was collected and
analyzed but also how the study was planned and carried out. This research design described the
classroom setting, data collection methods, data analysis and interpretations, and specific
interventions and strategies used as plans of action. Forecasts of expected results were also
discussed. As I implemented differentiated instruction to my classrooms, I searched to answer
two research questions: 1) Does differentiated instruction have a positive impact on student
music achievement? and 2) Are there components of differentiated instruction that have a greater
impact on student achievement than others? The timeline for this study was approximately four
months spanning November 2013 to February 2014. The intervention and data collection
occurred during the unit taught at that time.
A review of the literature on best differentiated instruction practices in education helped
the researcher to determine what instructional strategies to look for in each of the classrooms and
to develop the questions for the student and teacher survey instruments. The literature review
also helped determine what differentiation variables would be measured in the quantitative piece
of this study.
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Using a non-directional research hypothesis, I predicted that there were some sort of
effects associated with differentiated instruction and its impact on student achievement within
the results of this research study. This was due to the fact that my literature review had not
provided me with overwhelming or compelling evidence of differentiated instruction’s effect and
impact on student achievement (Mertler, 2012).
Student Participants and Setting
As a student teacher, I was placed in two schools, i.e., School #1 and School #2 located in
the same district in Security-Widefield, Colorado. School #1 enrolls 574 students grades 6-8 and
School #2 enrolls 1,252 students in grades 9-12 and are located within middle and working-class
communities.
The racial demographic of the district at the time of this study was approximately 78
percent white, 18 percent African-American, and four percent from other ethnic and racial
backgrounds. At Schools #1 and #2, 61 and 63 percent of students were white and 10 and 12
percent were African American. The remaining 29 and 25 percent of the students were Hispanic,
multi-racial, or Asian. Also between Schools #1 and #2, 47 and 39 percent of students qualified
for free and reduced meals.
According to the most recent accountability report at Schools #1 and #2, about 13.9
percent of the students received special education services and nearly 9.4 percent qualified for
English Language Learner support. Learning disabled students were in an inclusion setting for
all of their subjects and received extra remediation during an elective time. Gifted students were
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grouped into a team at each grade level, but were not grouped according to their area of
giftedness, which still allowed for a heterogeneous group.
At School #1, the 60 member seventh grade and 53 member eighth grade concert bands
included: 28 boys, 32 girls and 24 boys and 29 girls respectively, all with a wide range of
abilities. The first School #2 band that I student taught included 40 members comprised of 22
boys and 18 girls. The second School #2 band had 63 members to include 28 boys and 35 girls.
There were 12 students at School #1 and five students at School #2 bands that had
accommodations or modifications under their Individualized Education Program (IEP) and
Section 504 of the Rehabilitation Act of 1973. The Section 504 regulations require a school
district to provide a free appropriate public education to each qualified student with a disability
who is in the school district's jurisdiction, regardless of the nature or severity of the disability.
With the exception of three students at School #2, all special needs students in Schools #1 and #2
bands had a Level 1, Response to Intervention strategy and were thus were able to be fully
integrated into the regular classroom. Within these diversified classroom settings, differentiated
instruction proved to be a critical area of research.
School #2 Performing Arts
For the purpose of my research, I focused on the music portion of School #1 and #2
performing arts. Performing arts are creative activities that are performed in front of an
audience, such as drama, music, and dance.
District support. About 85 percent of the students in Schools #1 and #2’s district took
part in a music class indicating strong support of the arts by the district and school’s
administrators. Just recently this district was honored for outstanding commitment to music
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education, one of 307 districts nationwide to receive the Best Communities for Music Education
designation by the National Association of Music Merchants. This type of support and emphasis
on music education ran counter to the trend in many schools. Budget cuts and concentration on
core academic classes such as science, math and reading for state assessment tests have
decimated many performing arts programs.
Ensembles. Within School #2’s Performing Arts Department, there were nine
ensembles: the Chamber Orchestra and String Orchestra; Women's Ensemble, Chamber Choir,
and Classic Chorale choirs; Jazz Band, Symphonic Band, Wind Ensemble, and Chamber Winds,
and the Gladiator Marching Band. Collectively, these music groups performed a wide variety of
styles, including classical, jazz, popular, and patriotic music. These ensembles had also garnered
numerous awards.
Music Awards. The Chamber Orchestra earned first place in the Cavalcade Showcase of
Music, which was regarded as one of America’s first-class high school and middle school music
competitions. This ensemble had also auditioned and been selected to perform at the prestigious
Colorado Music Educator's Association (CMEA) conference at The Broadmoor. The individual
members of the orchestra have won auditions to perform in honor ensembles as well. Fifteen
percent of the orchestra members were selected to perform in honor groups around the state,
notably the Colorado Springs Honor Orchestra. As of the 2013-2014 school year, School #2 had
four orchestras with over 130 students, making it the largest orchestra program in the state.
School #2’s vocal music groups have also performed at the CMEA conference with their
Women's Ensemble and Chamber Choir and had consistently sent members to various honor
choirs such as Adams State and All State Choirs. In 2011, the Women's Ensemble and Classic
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Chorale traveled to San Antonio to compete in the Heritage Festivals and received top honors in
their divisions.
The School #2 band program had also reaped awards. The Jazz Band placed 3rd at the
Cavalcade Showcase of Music and had performed at the Mile High Jazz Festival and the
UNC/Greeley Jazz Festival. The Gladiator Marching Band had a history of excellence and a
remarkable year in 2011 where the band placed 8th at the Southern Regional State Qualifying
Competition. Also in 2013, the Gladiator Marching Band returned to the Colorado Bandmasters
Association State Marching Band Competition at Hughes Stadium, finishing in 14th place.
Protection of Human Rights
In 1991, the United States Department of Education and seventeen federal departments
and agencies adopted a set of regulations known as the Federal Policy for the Protection of
Human Subjects also known as Common Rule (U.S. Dept. of Education, 2004). This research
was completed following these regulations. Participants were protected by anonymity and they
were informed about the research study prior to participating. In addition, the researcher
received consent from all building principals prior to the start of this survey research. This
research was strictly voluntary. Participants were able to contact the researcher at any time with
questions and/or clarification of the study. The survey results were made available at the
conclusion of the study for anyone who wanted a copy.
Institutional Review Board approval. As the researcher, I submitted an application to
Colorado College’s Institutional Review Board (IRB) for approval to conduct human subject
research at Schools #1 and #2. Approved assent forms, survey questions, and an IRB application
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form, are contained in the Appendix. It was also necessary in accordance with the IRB to
receive written consent from the principals at my placements to recruit study participants,
distribute surveys, and to conduct classroom observations. See Appendix A for the principal
assent form.
Students who volunteered to participate were required to have their parents sign an assent
form, as directed by the IRB. The IRB assent form explained objectives of the study, data
collection procedures, privacy information, and requirements of the participants. Students took
an informed letter of assent as referenced in Appendix B, home to parents for approval of
participation.
Anonymity was maintained throughout the research by assigning pseudonyms when
needed to highlight student discussion and responses. In order to maintain confidentiality, all
electronic data was password protected and all non-electronic data under lock and key in my
cooperating teacher’s file cabinet. All sensitive data was also destroyed after completion of the
research project.
Data Used for Differentiated Instructional Decision Making
Effective data-driven differentiated instruction follows a regular cycle as noted in Figure
1: assessing student learning, analyzing assessment results to identify student strengths and
needs, planning and implementing instruction, and monitoring student progress to further adjust
instruction as needed.
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Figure 1.
Within this cycle, data is employed to identify specific areas of difficulty in order to plan well-
targeted intervention and bring about increased achievement. As a first step in differentiating
music instruction in my classroom, test data was analyzed and used to assist in instructional
decision-making for the classes and individual students. The process for examining test data for
individual students at my placement was basically the same as for the whole class, i.e., all
assessments involved data collection, analysis and instructional modifications (Stiggins &
DuFour, 2009).
Assessments
Appropriate assessment allows teachers to monitor student progress, make instructional
decisions, evaluate student achievement, and evaluate and modify programs. It is also important
to use frequent and varied assessments to gauge not only student ability in conceptual areas, but
student attitude, confidence, and level of understanding.
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Common Formative Assessments (CFA)
The District music teachers and I used a variety of data sources derived from teacher-
created common formative assessments to look for trends and patterns and to permit consistent
evaluation of program progress across district schools. According to Stiggins and DuFour
(2009), common assessments, also known as Common Formative Assessments, are created by
teams of teachers and used commonly across domain-specific classrooms where teachers pool
their collective expertise in making sound instructional decisions and modifications based on test
results. Teachers use data information from benchmark assessments to identify students who
require help or greater challenges with respect to specific learning targets (Mertler, 2002).
Rather than interpreting standards in isolation, team members ensure that they share similar
interpretations of state standards while deconstructing broad content standards into more specific
objectives (Mertler).
According to my cooperating teacher, once student assessments were completed and data
reports made available, the music teachers within School #1 and #2’s district gathered as a team
to review their students’ test results. The assessments used in this district measured student
learning across the Colorado Academic Standards and were representative of a quality and
balanced music curriculum. The music teachers at Schools #1 and #2 gathered and analyzed
their own data to determine whether students were reaching benchmarks. The data my district
music teachers analyzed included criterion-referenced tests, formative assessments, and student
work samples. Taken together, these sources provided a rich data set for the district music
educators within the district to use in setting goals and devising action steps to improve
instruction. From there, the district music teachers planned their own appropriate instructional
modifications in order to differentiate instruction.
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Data Collection Instruments
I hypothesized that data collected from all sources within this research, including CFA
scores, students and teacher surveys, and administrator interviews, would reasonably point to the
same conclusion that children achieve higher in music performance when music instruction is
differentiated.
Playing Test and Music Theory CFAs
The first data collection instrument used in this study to assess student achievement in
music performance and music theory were Common Formative Assessments. The CFAs at
Schools #1 and #2 were administered at the beginning of the year in late August and then in
December. They were given again in early February of the 2013-2014 school year. The first
piece of collected data was a unit pre-assessment where data collection from the CFA
commenced in August spanning a period of approximately five weeks.
To assess student readiness before and after differentiated instruction, my cooperating
teachers and I ensured the assessments included diverse sample test items to lead to evidence of
student achievement. We therefore supplemented the performance-based assessments or playing
test with music theory written exams. Each music ensemble member was given three playing
tests throughout the semester and two written examinations that were based on teacher and
district-created benchmarks. Some assessments were given greater weight than others and were
calculated by multiplying the scores by a weighting factor.
CFA Summative Playing Tests. For the summative playing tests, students performed
assigned scales and short music compositions. The playing test was given live in class,
individually with a teacher or as a take-home test. Students who tested at home were responsible
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for turning in an audio recording through Charms for grading purposes. Charms is software that
allows music students to perform assigned exercises and repertoire while recording their
performance for assessment by their music director at a later time. This software can be loaded
on students’ computer at home or as apps on their iPhone where they can submit their
performances directly to the music director over the Internet.
Rubrics. Students’ music performances were then graded based on performance
rubrics. The School #2 rubric below is on a four-point scale that was used to evaluate music
scales and excerpts (also see Appendix C).
4 points – Required scales are performed smoothly and accurately as eighth notes, at
a tempo of quarter note = 144 beats per minute.
3 points – Required scales are performed smoothly and fairly accurately as eighth
notes, at a tempo of quarter note = 120 beats per minute. Errors are present, but less
than one per scale.
2 points – Required scales are not performed smoothly, with multiple errors per
scale.
1 point – Key signatures for required scales are not known. Students are unable to
complete scales without repeated corrections.
My cooperating teachers and I ensured that our students understood the definition and
function of rubrics and were shown concrete exemplars of student work in order to display what
good performances looked like. Since rubrics listed the success criteria and provided
descriptions of levels of performance, students were able to use them to monitor and evaluate
their progress during an assessment task. Rubrics were also ideal since they were an objective
measurement of student performance and were nearly void of any judgment or bias.
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CFA Written Assessments. According to my cooperating teacher at School #2, the
music theory, appreciation and history written assessments in the district were useful in
measuring concrete levels of knowledge. These assessments included multiple choice, true-false,
matching, and fill-in-the-blank items that were used to evaluate music theory and history.
Students in Schools #1 and #2 matched music notation with musical terms as well as identified
rhythmic notation, i.e., matched the correct counting to a given rhythm. Although not a major
part of the band class experience, these written assessments were highly relevant to music
proficiency and were treated as such.
The listening portion of exams was also useful for evaluating music theory and history
content. Students identified elements of music in relation to tonality, meter, style, and form after
listening to recordings in class. Students also listened to recordings and identified the
composers, time periods, and musical features. Prompts for individual questions included video
or audio recordings. It should be noted that both the playing assessments and written music
theory tests were combined as cumulative scores in the CFAs.
After the students at Schools #1 and #2 completed their paper assessments and recorded
the answers on a Scantron answer sheet, the class results were collected and analyzed using an
Excel spreadsheet. The assessment scores were combined into a measure of central tendency by
calculating the mean. The mean score, i.e., numerical average for a set of responses, thus yielded
an accurate representation of overall achievement level (Creighton 2007). My cooperating
teachers and I were then able to determine how to improve instruction and student achievement
according to evidence-based assessment data.
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Student Survey Questionnaire
The second survey data collection instrument I used was a questionnaire, the Evaluation
of Teaching Scale Student Survey (see Appendix D). The questionnaire in this study contained
28 items relating to the effects of differentiated strategies and learning environment on students.
Students were also able to provide feedback on their learning environment. In a
differentiated classroom, the environment should be safe and non-threatening to encourage
learning (Tomlinson, 2007). Children who experience discomfort through rejection, failure,
pressure, and intimidation may not feel safe within the learning environment. Also, students
must be appropriately challenged, the learner should be comfortable enough to accept the
challenge that new learning offers and the content should be neither too difficult nor too easy
(Tomlinson).
Students used a Likert Scale to answer their survey questions. When responding to a
Likert questionnaire item, respondents specified their level of agreement or disagreement on a
symmetric agree-disagree scale for a series of statements. Responses to the survey questions
were represented by symbols such as Q1 (Question #1), SA (Strongly Agree), D (Disagree) and
so on. After analyzing these surveys, I collected the raw data into a form that could be
manipulated. Percentages were also determined for those participants counted as “not sure”
(NS). I then recorded totals from responses per question and calculated data percentages for
each using an Excel spreadsheet as reflected in Appendix E.
A concern with the use of the student questionnaire was whether it was understood by the
student participants. A questionnaire must be easy to read and the directions should be self-
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explanatory (Creighton, 2007). To ensure clarity, validity, and reliability of the instrument, the
questionnaire was given to my two cooperating teachers for review so that suggested
modifications could be made. The results of my cooperating teachers’ review were positive for
all items including potential for consistent responses.
Teacher Survey
The third instrument used in this study was a survey administered to School #1 and #2
junior high and high school teachers. The teacher survey was designed to determine teachers’
sentiments about differentiated instruction, its impact on student achievement, and whether or
not they utilized differentiated instruction in their teaching. Results from this survey were also
used to answering the second research question relative to the most effective differentiated
instructional elements for improving student performance. Respondents rated each statement
(i.e., hardly ever, sometimes, frequently or always). The responses were then scored for
analysis. A copy of the teacher survey can be found in Appendix F.
Principal Interview
Finally, principal interviews at Schools #1 and #2 were conducted as the fourth
instrument. These interview questions focused on the number of classes schoolwide that utilized
differentiated instruction and the link between differentiated instruction and student
achievement. At no time during the principal interviews were teacher survey results discussed
with the administrators. As the researcher, I provided the administrators with an overview of the
study to ensure their understanding of its goals. The interviews were not recorded; however, I
did take copious notes (see Appendix G).
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Data Analysis
Data analysis and interpretation is the process of assigning meaning to the collected
information and determining the conclusions, significance, and implications of the findings.
Analyzing data information also involves examining it in ways that reveal the relationships,
patterns, trends (Mertler, 2012). Furthermore, the measurement of learning and the analysis of
the resulting data are used to measure evidence of student achievement, teaching practices and
teacher effectiveness (Mokhtari et al, 2007). From there, the student and class data are compared
to standards of performance, thus allowing teachers to evaluate student achievement, monitor
student progress, make instructional decisions, and evaluate and modify programs (Mertler,
2002).
Quantitative and qualitative analysis
After collecting the data from the CFA assessments, I conducted both a quantitative
analysis of CFA test scores and surveys and qualitative analysis of direct observations and
interviews as a means to outline findings from the data. These targeted assessment tools helped
me better shape my differentiated teaching strategies. This approach also allowed me, as the
researcher, to analyze relationships between the differentiation variables. The procedures for
analyzing the data included: (a) data organization; (b) categories, themes, and pattern
identification; (c) and data examinations to answer the research questions identified in the
introduction of this study.
In analyzing my students’ data, I predicted that number–based quantitative and narrative-
based qualitative data could each play important roles in understanding students’ data stories and
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learning. According to Mertler (2012), qualitative data is subjective and should be collected in
conjunction with quantitative objective data to assist in instructional decision-making. By
combining quantitative and qualitative analysis, one can often determine not only what teaching
strategies worked or didn’t, but why (Mertler). Mertler adds that qualitative data collected from
interviews and direct observations can often tell teachers things that numbers in quantitative data
cannot. In analyzing qualitative observational data, teachers should gauge the rate of discipline
referrals, behavior patterns, attendance rate, extra credit work, effects of cultural issues, and
student engagement in class (Mertler).
In the music classrooms at School #2, quantitative data included weekly practice logs and
performance participation in addition to playing assessments and written work. The minimum
expectation for practice outside the classroom was 60 minutes per week. For performance
participation, a student received full performance credit if he or she arrived to class on time with
all necessary materials and a willing spirit to learn. However, infractions such as tardiness or
unpreparedness could have led to deductions from the participation grade.
Intervention effects on dependent variable
One of the most important issues in interpreting my experimental research findings was
the discernment of how differentiated instruction as the intervention or independent variable,
influenced the student achievement outcome or dependent variable. In experimental research,
the researcher has control over one or more of the variables included in the study that may
influence or cause the participants’ behavior (Mertler, 2012). Collecting and analyzing data
from School #1 and #2’s CFAs helped me determine whether my intervention brought about
significant changes to the dependent variable. Generally, researchers do not consider a result
significant unless it shows at least a 95 percent certainty that it is correct. This 95 percent
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certainty is called the .05 level of significance, since there is a five percent chance that it is
wrong. Thus, if the data analysis finds that the independent variable or the intervention
influenced the dependent variable at the .05 level of significance, it means there is a 95%
probability that the program or intervention had the desired effect (Mertler, 2012). Regarding
my research, a correlation analysis was conducted at my placement for each independent variable
to determine if the frequency of differentiation had an effect on the student achievement
dependent variable.
Data interpretation. After collecting, organizing and analyzing the data results, my
cooperating teachers and I determined whether differentiated instruction, worked or made a
difference in student achievement. In data research, dependent variables such as student
achievement, test scores, or content proficiency are effected and influenced by independent
variables or interventions (Mokhtari et al, 2007). The following were evaluation criteria
questions as they related to effectiveness, results, impact, and sustainability. Did the
differentiated instruction achieve what it is set out to achieve? Have there been any changes in
the target group as a result of the intervention? Were the outcomes continued after the
intervention had ceased? (Creighton, 2007).
Differentiated Instruction Action Plans during Research
After collecting, analyzing, and interpreting data, I developed action plans for
differentiation by first identifying areas of the curriculum in which the class and individual
students were succeeding or struggling. I then modified instruction for individuals or groups of
students based on their learning needs, e.g., revisited content areas, used alternative instructional
approaches, slowed or sped up the curriculum pace, increased instructional time for struggling
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students, or enriched coursework (Mertler, 2012; Mokhtari et al, 2007). Furthermore, I
incorporated ability grouping, music technology, and sectional and individualized instruction as
additional differentiated instructional intervention methods.
Ability Grouping in the Music Classroom
Ability grouping is the practice of splitting a mixed-ability classroom of students into
groups based on skill level and review of performance data (Yee, 2013). Similarly, in the music
classroom, ability grouping involves placing students in music ensembles that are most
appropriate to students’ ability level. Ability grouping allows music students to showcase their
talents through repertoire that is level-appropriate yet challenging. Once placed, students can
move into higher-level groups if their skill levels increase. Students may also move into lower-
level groups should the need for more intensive remedial instruction arise.
Ability grouping at Schools #1 and #2. At my placement, the data from pre and post-
performance assessments were used as a tool to group students into level-appropriate music
performing ensembles. Students who desired to move up to more proficient performing
ensembles for the second semester did so through an audition and/or with the band director’s
recommendation and consent. Thus, rather than having all music students remain in the same
group from the previous semester, my cooperating teachers and I moved struggling and advanced
students to less proficient and advanced ability ensembles, respectively.
According to my cooperating teacher, the most significant effect ability grouping had on
the class was optimistic student attitudes. Students did not feel left out, confused, threatened or
bored, thus enhancing their positive frame of mind toward the music class. Students in general
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seemed to enjoy their music ensembles more when they performed their music with peers of
similar ability.
Sectionals and Individualized Instruction
Furthermore, in meeting the needs of my students, my cooperating teachers and I
continued to offer sectionals and individualized music instruction. In addition, we occasionally
hired instructors on all instruments to teach private lessons and/or conduct sectionals after
school.
Sectionals. During sectionals, various parts or sections of the large group at School #2
split up and rehearsed in other rooms during full ensemble rehearsals to focus on their own parts.
It was a chance for percussion, brass, and woodwind sections to practice their parts on their own
before coming back together to rehearse as a full group. Implementing a full rehearsal after a
sectional served as an effective strategy since it provided students with closure, confidence, and
cohesion. Also, for accountability, the members of each section returned to the full group to
perform the portion of music they were assigned to work on during sectionals.
Sectionals also promoted student leadership while serving as an efficacious time saver.
These sectionals were important in that the section leaders could solve problems unique to their
specific group of instruments. As a result, full rehearsals were more productive, i.e., avoided
other students in full rehearsals having to needlessly wait as other sections worked on their parts.
It was also important to assign competent students to lead each section, that is, someone
with strong music and leadership skills. Section leaders also had to ensure their sections
understood specifically what they were trying to fix within the music.
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Individualized instruction. At Schools #1 and #2, music students seeking to improve
their playing ability had the option of receiving individualized instruction, i.e., private tutorial
assistance. Individualized instruction also enabled my cooperating teacher and I to adapt
instruction to the needs of students, allowing students to make progress at their own pace. A
chief justification for individualized instruction was that it provided every student an opportunity
to achieve mastery of performance tasks while improving playing test scores. Students’ mastery
of content also improved their motivation, self-esteem, critical thinking ability, and attitude
toward the subject matter.
In the music classroom at Schools #1 and #2, it was imperative for my cooperating
teacher and me to hear students alone to accurately assess their abilities and needs. As a result,
we were able to plan well-targeted interventions to bring about increased achievement. With a
student/teacher ratio of 30 to one or higher, it seemed impossible for my cooperating teacher and
me to incorporate individualized instruction. However, in order to overcome this problem, we
offered individual instruction before and after class by posting sign-up rosters, allowing students
to schedule specific time slots.
Due to the fact that differentiation is a compilation of best practices discussed in Chapter
2, I hypothesized that the more differentiated strategies I used, the greater the academic and
performance achievement of the student. In applying the above differentiated music proficiency
strategies, I was able to gain a more critical perspective of differentiated instruction, its successes
and perhaps its limitations. My goal was to gather sufficient data to determine whether my
intervention in using differentiated instruction met the needs of students and whether it had an
impact on student achievement. The next chapter focuses on data analysis findings and
interpretation results of this study.
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Chapter 4
Introduction
The findings of this study were data collected to answer the following research questions:
1) Does differentiated instruction have an impact on student achievement? and 2) Are there
components of differentiated instruction that have a greater impact on student achievement than
others? These questions were answered by using quantitative data and presented in graphical,
visual form. Furthermore, the qualitative data analysis were presented in narrative form using
interview transcripts and observational notes to describe the most meaningful analyses trends.
Also, in response to the last question, the researcher was able to analyze information around the
variables studied to determine any causal relationships between the variables and student
achievement.
In order to answer the second research question, six independent variables were analyzed
to determine if any of the variables either together or alone had an impact on student
achievement. These variables include learning environment designs, content differentiation,
interest accommodations, readiness differentiation, pre-assessment, and learning style
accommodations. By using multiple instructional techniques, teachers can connect better with
students’ preferred way of learning, bringing about greater engagement and active participation
in the lesson (Tomlinson & Imbeau, 2010).
The remainder of this chapter is divided into six sections: research implementation, data
analysis designs and interpretations, survey results, qualitative analysis, and triangulation of data.
The final portion of this chapter is a summary of the overall data results and findings.
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Research Implementation
After submitting an IRB application for review, the Standing Chair of the IRB at
Colorado College and principals of Schools #1 and #2 granted the researcher permission to
administer the student and teacher surveys. Before conducting these surveys, the purpose of the
research study along with the roles of the researcher were clearly defined to the participants.
Data Analysis Designs and Interpretations
This study followed a mixed method design and consisted of two parts. First, a
quantitative analysis of test scores from the Common Formative Assessment (CFA) and teacher
and student survey results were analyzed as a means to outline broad relationships from the data.
Second, results from the quantitative findings then directed the researcher to frame the
qualitative design. Subsequently, a qualitative analysis of classroom observations and interviews
with administrators was conducted.
Pretest-Posttest Comparison Group Design
In investigating the cause-and-effect relationship between differentiated instruction and
student achievement variables while ensuring strong validity, the researcher used a Pretest-
Posttest Comparison Group Design as noted in Figure 1.
Figure 1. A pretest-posttest comparison group design
is a design involving both treatment and
comparison group participants. The
treatment group participants are pretested,
exposed to different interventions or
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treatment conditions and following a passage of time, are then post-tested. However, unlike
treatment groups, comparison or control groups are not exposed to the independent variable
treatment conditions (Mertler, 2012). This design allowed the researcher to compare the final
posttest results between the two groups, while measuring the overall effectiveness of the
intervention or treatment. The researcher’s pretest-posttest comparison group design was
considered a strong research design since it controlled the influence of confounding extraneous
variables by including a comparison group. This design was also key in establishing persuasive
evidence of the intervention's, i.e. differentiated instruction, effectiveness.
T Tests
To check for any significant differences that were inherent between the differentiated
(treatment group) and non-differentiated classrooms (comparison group), t–Tests were run. The
t-Tests were used to compare the means of the outcome variables for the differentiated and non-
differentiated classrooms and to determine if differentiated classrooms had higher levels of
achievement on the CFA scores in music.
Repeated-Measures t Test. Using a Repeated-Measures t Test as inferential statistics,
the researcher took two measures, i.e., pretest and posttest on the same individuals in the
treatment and comparison groups of both Schools #1 and #2. Inferential statistics are statistical
techniques that allow researchers to test statistical significance of the difference between two or
more groups or to test the degree of relationship between two variables (Creighton, 2007). Using
this type of pre-posttest design was the best way for the researcher to be sure that the
intervention had a causal effect. This Repeated-Measures t Test was also valuable to the
researcher because it illustrated and documented as a criterion-referenced test, School #1 and #2
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students’ academic gain. Criterion-referenced tests compare students to a predetermined set of
standards regardless of how other students perform (Tomlinson, 1999).
Both tests were administered (a) at the beginning of the school year and before the
introduction of differentiated instruction (September, 2013) and (b) at the end of the
implementation of differentiation instruction (January, 2014). The pretest and posttest mean
scores of the CFAs were calculated and then statistically compared in order to see if the
difference between their averages was statistically significant.
However, the weakness of this design was that so many variables unaccounted for in the
study could have influenced the scores on the posttest, when it may be assumed that the
treatment caused the desired performance. As a result of these limitation, the researcher also
used an independent measure t Test.
Independent-measures t Test. An Independent-measures t Test was also ideal for this
research design where treatment and comparison groups were compared to one another on a
common dependent variable, i.e. test scores. First, the researcher compared the treatment
group’s pretest and posttest scores in order to determine if the treatment had any effect. Second,
the pretest and posttest scores from the comparison group were also compared in order to see if
they were different. Third, the groups’ final posttest and gain scores were compared to
determine how much the scores improved from pretest to posttest. The researcher found that the
treatment and comparison groups had proficiency gains in their scores. Since the gains in the
comparison group test scores from School #2 were not due to the treatment, it was hypothesized
that it was due to the passage of time and natural maturation.
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Treatment group results. In September, the treatment groups at Schools #1 and #2 had a
CFA mean score of 72.0 and 56.30 percent while in January, those scores increased to 77.0 and
62.0 percent respectively. The data also displayed that in September, 36.21 and 37 percent of the
classes in Schools #1 and #2 were at a proficient level. In January, however, the proficiency
scores increased to 44 and 45 percent. These proficiency results in January reflected a 21.5
percent and 21.6 percent increase respectively in the number of students performing at a
proficient level.
Comparison group results. In September, the CFA data reports on School #1 and #2
comparison groups revealed a mean score of 81.8 percent and 67.4 percent. However, in
January, these scores decreased to 73.4 and 66.3 percent respectively. To explain the decrease in
the mean scores, the researcher found that the conditions under which the students at Schools #1
and #2 took their pre-post assessments were not similar. In addition to different tests being
administered, there was a significant disparity in the level of difficulty between the pre and post-
tests at School #1 compared to School #2.
Regarding the proficiency percentile scores, the September score, i.e. 29.0 percent and
57.00 percent at Schools #1 and #2, rose to 31.00 percent and 59 percent in January, thus
yielding a 6.9 percent and 3.5 percent improvement from September.
Treatment and comparison group correlated findings. The results of the treatment
group of the research that had received differentiated instruction were compared by multilevel
regression with the results of the comparison group that had not received differentiated
instruction. The comparison aimed at investigating the difference in achievement between the
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two groups. Figures 2 and 3 summarize and compare the mean CFA score data for treatment
(differentiated) and comparison (non-differentiated) groups.
Figure 2. Graphical representation of School #1 CFA mean scores
Figure 3. Graphical representation of School #2 CFA mean scores
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The correlation between students’ treatment and comparison group proficiency scores is
represented in Figures 4 and 5.
Figure 4. Graphical representation of School #1 CFA proficiency score differences
Figure 5. Graphical representation of School #2 CFA proficiency score differences
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After carefully analyzing the CFA data and column chart, it was clear that the students in
the treatment groups who received differentiated instruction made greater gains on their CFA’s
than compared to the comparison group. There were also higher treatment group proficient level
percentages than compared to the comparison groups. However, after the mean and proficiency
scores for each group were calculated and statistically compared, the researcher had to find
whether the improvements were substantial enough to be statistically significant.
Statistical Significance
As a result of using inferential statistics, the researcher was able to determine statistical
significance between the two variables within the treatment study groups. Statistical significance
was determined by comparing the obtained p-value to the pre-established a-value (symbolized
with a Greek letter α). The p-value that the researcher obtained from his analysis indicated the
probability of chance occurrences in his study. The p-value was then compared to the pre-
established alpha level, which was set at 0.05. With the p-value of 0.032 being less than the 0.05
a-level, the findings reflected that the outcome difference between the pretest and post-test scores
was statistically significant between the School #1 and #2 treatment groups. By convention, if p
< 0.05 (i.e. below 5%) the difference is taken to be large enough to be significant; if not, then it
is not significant (Creighton, 2007). Therefore, the researcher could answer his first research
question in that the results of this t-Test indicated that there were significant outcomes in student
achievement scores as a result of my intervention efforts in implementing differentiated
instruction. However, statistical significance does not convey the size of the effect.
Effect Size
In statistics, an effect size is a standardized measure of the effect of an intervention on
outcomes or a measure of the strength of a phenomenon (Creighton, 2007). It is particularly
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valuable for quantifying the effectiveness of a particular intervention, relative to some
comparison. For any particular intervention to be considered significant, it must show an
improvement in student learning of at least an average effect size gain of 0.40 (Hattie, 2012).
The d = 0.40 has therefore been established as the standard for identifying what is and what is
not effective improvement (Hattie).
Effect size results. The type of effect size used in this study was a comparison of
progress over time between treatment and comparison groups. As stated previously, the students
at Schools #1 and #2 were administered a similar test relating to the curriculum in September and
January. The researcher then used the data from these two tests to calculate an effect size. The
most efficient way for the researcher to calculate this effect size was to use Excel, using the
following formula (see Table 1.)
Table 1:
Effect Size = Average (post-test) – Average (pre-test)
___________________________________________
Spread (standard deviation, or sd)
Appendix H illustrates the effect size calculations and differences between Schools #1 and #2
treatment and comparison groups.
It was concluded after using this formula that the effect sizes in the treatment groups at
Schools #1 and #2, i.e. d = 0.60 and d = 0.54, were significant between differentiated instruction
and student achievement variables. Also, the effects at Schools #1 and #2 treatment groups were
substantially higher (d = 0.60 and d = 0.54) than for schools #1 and #2 comparison groups (d = -
0.05 and d = -0.06).
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Correlation Coefficients
The relationship between variables is measured statistically by calculating a correlation
coefficient (Mertler, 2012). A correlation coefficient is used to measure the degree of
relationship that exists between two variables, i.e. the direction and strength of the relationship.
The coefficient, symbolized by r, is reported on a scale that ranges from -1.00 to +1.00. The
direction is indicated as either a positive or a negative value on the scale. A positive correlation
indicates that as the scores or values on one variable increase, the values on the other variable
also increase.
Variable Correlation coefficient results. A correlation analysis was conducted on the
independent variables by using a correlation coefficient calculator to determine the relationship
strength between differentiated instruction and its influence on student achievement. The results
of data analysis revealed a strong correlation at +0.85 between differentiated instruction and
student achievement variables. The accompanying level of significance of this correlation
outcome displayed p < .05. However, even though there were strong and significant
relationships between these two variables, the researcher could not conclude that one caused the
other. Additional variables could account for the causal influences that have not been included
in this study. According to Mertler (2012), researchers cannot use the results of a correlational
study to explain causation.
Data Reliability and Variability Results
Table 1 below illustrates the September pre-test reliability indicators, deviation scores, score
ranges, and sample sizes within School #1 and two School #2 bands, respectively.
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Table 1.
It should be noted
that School #1 had a
low test reliability
score in September,
i.e. .78 score below
the .85 acceptable
reliability cut-off. Reliability is a concept related to the consistency of quantitative data. Also,
the standard deviation, i.e., average distance of scores away from the mean, indicated that the
music assessment scores were significantly spread out. According to the researcher’s
cooperating teachers, the test sample size numbers were sufficiently high enough in establishing
conclusive and accurate results since they were above the 30 student sample size standard.
The reliability scores in January for School #2’s treatment and comparison groups
revealed a .92 score which is .07 higher than the .85 acceptable cut-off. However, School #1
January reliability scores for both treatment and comparison groups indicated a low test
reliability score of .79.
Surveys
Through survey research, the researcher acquired information from students and teachers
about their opinions, attitudes, or characteristics on differentiated instruction and then tabulated
their responses (Mertler, 2012). Upon completion of the surveys, the data was aggregated, and
percentages of response were calculated. The analysis of this data involved calculating the
frequency counts or percentages of responses. Reporting the survey results allowed the
researcher to further investigate student achievement in relationship to each of the six variables.
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These results also allowed the researcher to investigate the relationship of these findings with
classroom observations and administrator interviews in the qualitative analysis.
Student Survey Results
After receiving consent from the principals and 45 student parents of Schools #1 and #2,
student survey questionnaires were conducted to assess how students felt about differentiated
instruction’s effectiveness. The data collected from the student surveys provided validating
insights into effects of differentiated strategies and learning environment on students.
First research question. Students were asked to indicate whether the researcher’s use
of differentiated instruction strategies had a positive effect on their learning and academic
achievement (see Figures 6 and 7).
Figure 6.
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Figure 7.
In an effort to determine to what degree participants agreed or disagreed per question, the
researcher added the sum of “strongly agreed” to the sum of “agreed” and then did the same for
the “disagreed” comments to get combined total percentages. School #1 reflects that 74 percent
of the students generally agreed while 16 percent generally disagreed that differentiated
instruction had a positive effect on their learning. School #2 reflects very similar results, i.e. 72
percent agreed and 15 percent disagreed on the positive effects differentiated instruction had on
their learning and achievement.
Second research question. Also, the student surveys sought to answer the second
research question by gathering information concerning the effectiveness of the six differentiated
variables under study. A regression analysis was therefore conducted on the survey scores to
each independent variable to determine if the variables or variables occurring in combination had
an effect on student learning and achievement. Regression analysis is a statistical process for
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estimating the relationships among variables. However, correlation is not causation. Results are
shown in detail in Figures 8 and 9 between Schools #1 and #2. The Excel statistical program
was used to analyze this data (see Appendix I).
Figure 8
Figure 9.
Tables 3 and 4 categorize the impact effectiveness of the six differentiated variables to
achievement at Schools #1 and #2.
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Table 3.
School #2 Most Effective Differentiated Instruction Variables
Rank Variable
Number
Variable Description
1 6 Learning Style Accommodations (Product Choice)
2 3 Interests Accommodations
3 1 Learning Environment
4 2 Content Differentiation
5 4 Readiness Differentiation
6 5 Pre-assessment
Table 4.
School #1 Most Effective Differentiated Instruction Variables
Rank Variable
Number
Variable Description
1 6 Learning Style Accommodations (Product Choice)
2 3 Interest Accommodations
3 2 Content Differentiation
4 1 Learning Environment
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5 4 Readiness Differentiation
6 5 Pre-assessment
Students at Schools #1 and #2 indicated that the differentiation variables of learning style
and interest accommodations had a greater impact on their motivation and achievement.
Learning styles were accommodated by offering students product and process choices that were
interesting to them. The learning environment was also a significant differentiation variable as
indicated on the students’ survey responses. Furthermore, the surveys indicated moderate
effectiveness levels of content and readiness differentiation in the classroom.
School #2 Teacher Survey Results
During the teacher survey at School #2, 30 teachers responded to 10 out of 37 questions
using a Qualtrics Survey and Likert scale to rate the impact of differentiated instruction on
student achievement. An analysis of the teacher surveys revealed that 87 percent of the teachers
rated the impact of differentiated instruction on student performance in their classroom as
significant (see Figure 10). However, only nine percent of the teachers surveyed rated
differentiated instruction’s impact on student performance as moderate.
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Figure 10.
When teachers answered the second research question relative to which are the most
effective differentiated instructional strategies for improving student performance, five strategies
emerged as being most significant (see Figure 11).
Figure 11.
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First, according to the teachers surveyed, differentiating instruction and pacing according
to students’ readiness was the most important strategy used. Tiered activities were the second
most frequently used and effective strategies for the implementation of differentiation. Teachers
use tiered activities so all students focus on key concepts and skills but at different levels of
complexity. The goal in tiered activities is to match the task’s degree of difficulty and its pacing
to student readiness. Having students select activities and products through choice charts based
on their learning style, interests, and learning strengths, was selected as the third most effective
strategy. Finally, pre-assessing students’ readiness, interest, and learning profiles along with
flexible grouping were among the fourth and fifth most frequent and effective strategies.
Qualitative analysis
Given the scope of this study, it was determined that neither quantitative nor qualitative
data alone could produce the results necessary to determine whether differentiated instruction
increased student achievement. This study provided a descriptive account of four classrooms
and the relationships to differentiated instruction and student achievement. Qualitative analysis
was therefore used in addition to quantitative analysis. According to Hattie (2012), a
combination of qualitative and quantitative study methods allows the researcher to confirm or
collaborate findings via triangulation. Triangulation is a process of relating multiple sources of
data in order to establish their trustworthiness or verification of the consistency of facts
(Creighton, 2007). According to Creighton (2007), the more multiple impact measures
qualitatively understood and linked to quantitative measures the greater the probability of
understanding.
In order to address the second research question on whether there were components of
differentiated instruction that had a greater impact on student achievement than others, the
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researcher relied on quantitative and qualitative analysis. The qualitative analysis was conducted
as a means to help explain and support the quantitative findings. Furthermore, both classroom
observations and administrator interviews added important qualitative data and greater insight
into the participants’ thoughts and opinions. The qualitative analysis also helped define what
was happening instructionally in each of the four classrooms that may have had an impact on test
data. The qualitative data that were gathered consisted of the following: journal entries of
classroom observation and administrator interviews.
Classroom Observation
Through classroom observation qualitative methods, several themes emerged, as the
interaction of students to peers and students to teachers were observed. The following is the
summary of classroom observation journal entries and reflections.
At School #2, learning styles were accommodated by offering the students choices that
were interesting to them. It was noted that the more choices the researcher provided students, the
more motivated they were to learn. For example, choice charts were created by the researcher
and cooperating teacher to allow students at School # 2 to choose a preferred music composition
project. The researcher ensured that students of mixed readiness worked together in a flexible
grouping settings that drew upon the strengths of each student. Initially, these students did not
appear to be enthused about the composition assignment. However, after empowering groups to
choose their own name, group leader, and music composition theme, students were very
motivated in completing the assignment. Many students also expressed appreciation for being
given the opportunity to select an activity based on their interests and learning strengths.
Students from Schools #2 enjoyed picking components of this activity that piqued their interests.
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The concept of learning styles was identified as a theme in the qualitative analysis of this
study. Being able to identify, accommodate, and teach to students’ various learning styles can
assist students to achieve better results academically and improve their attitudes toward learning
(Creighton, 2007). Identifying learning styles enables a teacher to capitalize on students’
strengths and become familiar with concepts students may find challenging (Creighton). The
researcher observed that when learning styles were incorporated, the attitudes of students toward
learning improved significantly, as they felt their individual strengths were being accommodated.
At School #1, flexible grouping allowed students to work in pairs, groups, or
individually, while working towards the same standards and objectives. Students were provided
time at the beginning of class to interact with each other while reflecting on and discussing new
music concepts. Students were also permitted to check and correct their peers’ work and offer
feedback. The students liked the idea of being able to converse more often with each other
during the class period. Music vocabulary seemed to improve with student interactions as they
would use specific music terminology more often instead of speaking in general terms. Also,
students were observed solving their own problems or seeking help from other students before
going to the teacher. When students had a question with which they needed help, they worked
this out with a partner or as a team. Flexible grouping in this setting therefore proved to be an
effective method to motivate and inspire students.
The role of student feedback regarding lessons influenced a major shift in the
researcher’s pedagogy. When the researcher and his cooperating teacher asked for input,
students felt more vested in their learning. Student feedback also allowed the researcher and
cooperating teacher to receive valuable information on making curriculum adjustments while
determining which students needed assistance with the content.
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However, it was observed that some students during direct instruction, exhibited off-task
behaviors due to a lack of motivation and engagement. These students were hyperactive,
withdrawn, disruptive, distracted, and uncooperative during direct instruction. During this time,
noise levels at the beginning of band classes were above acceptable levels. Students also thought
that just because the researcher was not working with their group during rehearsal, they were free
to disturb. The off-task talking was distracting to others trying to work. The students had to be
reminded about acceptable noise levels and not to distract others during rehearsals. Noise levels
and productive work became acceptable with student redirection and firmer classroom
management.
The classroom observation qualitative findings as described above, assisted the
researcher in answering the second research question. Learning styles, flexible grouping, and
student feedback emerged as the top differentiated instruction variables that had greater impact
on student achievement than other variables.
Administrator Interviews
As part of the interviewer’s inquiry into the administrations’ use of data analysis and their
findings, the principals at Schools #1 and #2 were asked whether or not they see a direct
correlation between student achievement levels and differentiated instruction. Principal #2 stated
that according to their data and teachers’ current use of differentiated instruction, it was difficult
to measure the correlation between student achievement and differentiated instruction (M.
Houtchens, personal communication, January 14, 2014). Many other variables in addition in to
differentiated instruction may have influenced growth in their students’ test scores. However,
the principal from School #1 emphasized that when teachers differentiate their instruction to
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meet the needs of their students, there are greater gains in student academic achievement. The
School #1 principal added that through persistent efforts in addressing students’ diverse needs
while holding them to high expectations, all students will achieve academic growth to their
fullest potential (M. diStasio, personal communication, January 25, 2014).
The principal at School #2 stated that although classrooms had some differentiated
activities, differentiation was not embedded into the culture of most classrooms because of the
student-to-teacher ratio issues (M. Houtchens, personal communication, January 14, 2014). The
administrator from School #2 stated that the most significant challenge in differentiating
instruction were large class sizes with its 30:1 student-teacher ratio. The teachers
overwhelmingly indicated to their administrators that a lower student-to-teacher ratio would
increase student achievement, enhance the students’ test scores and provide lasting academic
benefits. The principal at School #2 also emphasized that a reduced class size would provide
students with many benefits to include greater opportunities for participation, greater individual
attention, and improved instruction (Houtchens). The principal from School #1, however, stated
that the classroom size has no bearing on whether teachers can differentiated instruction and that
differentiated instruction was embedded in their school’s curriculum (M. diStasio, personal
communication, January 25, 2014). School #1 principal added that closely related to teachers’
understanding the change process toward differentiated instruction was their understanding on
why and how to implement it the classroom. As a result, teachers were more inclined to embrace
and enact differentiated instruction despite its many challenges (diStasio).
Furthermore, after identifying their teaching staffs’ level of understanding of
differentiated instruction concepts and level of implementation, it was determined that only 50
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percent of teachers were differentiating instruction (M. diStasio & M. Houtchens, personal
communication, January 25, 2014). This correlation revealed a very strong relationship between
familiarity and usage. The interviewer consequently asked the administrators about what they
can do to overcome this problem and increase the use of differentiated instruction among their
staff. Both administrators stressed the importance of their role in providing all their teachers
with the necessary on-going support. The administrators indicated that additional differentiated
instruction training and professional development was needed to support teacher change toward
use of differentiated instruction (diStasio & Houtchens).
When asked about what types of specific evidence is found in the classrooms that
demonstrate differentiated instruction, both administrators were able to provide affirmation.
Both administrators revealed that pre-assessment of student interest and abilities, flexible
grouping, one-on-one individualized instruction, and choices in learning activities and product
alternatives, were all indications of teachers’ use of differentiated instruction (M. diStasio & M.
Houtchens, personal communication, January 25, 2014). The principal at School #1 added that
they have in-service professional development workshops specific to flexible grouping strategies
and curriculum compacting for advanced students (M. diStasio, personal communication,
January 25, 2014).
The principal from Schools #1 stated that differentiating curriculum and instruction is an
effective approach to use when providing for the needs of all students, including those with
special education needs such as students with learning disabilities, gifted and talented students,
and English language learners (M. diStasio, personal communication, January 25, 2014). She
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also stated that differentiation is a viable approach to closing the achievement gap when teachers
use pre-assessment, formative assessment, and data analysis to drive instruction (diStasio).
Triangulation of data
The quantitative data methods of surveys and test scores and qualitative techniques of
classroom observations and administrator interview journal entries were all triangulated. Data
triangulation involves using different sources of information in order to increase the validity of a
study and allows the researcher to compare answers from different perspectives (Mertler, 2012).
After collecting all the data in this research, triangulation of both the quantitative and qualitative
data were used to explain why certain variables seemed to be a common thread throughout the
data analysis study. Triangulation was also used to determine whether all the data in the
researcher’s study findings pointed to the same conclusions. Triangulation of data in this study
has also strengthened the research findings since the credibility and validity of the data had
increased.
After reviewing the triangulation of quantitative and qualitative data, the researcher noted
that it was not necessarily the struggling students who made the lowest gains and the brightest
students who made the highest gains in academic achievement. Also, triangulating data enabled
the researcher to consider reasons why some students had progressed while others not.
Triangulation also influenced the researcher’s instructional decision-making to better meet the
needs of students.
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Overall Results and Findings
The data collected in this study along with its results and findings in answering the first
research question provided anecdotal evidence of student music proficiency growth and
achievement as a result of implementation of differentiated instruction. The CFA data supported
this statement since the treatment groups at Schools #1 and #2 made greater gains in their CFA
test scores between the pre and post-tests than compared to the comparison groups. Furthermore,
the data collected from student and teacher surveys, classroom observations, and administrator
interviews, reflected that students, teachers and administrators alike felt that students achieve
higher in their respective disciplines when instruction is differentiated.
The findings in answering the second research question also suggested that there were
components of differentiated instruction that had greater impact on student achievement than
others. Through the use of quantitative and qualitative data gathering, patterns emerged in
support of the differentiation variables that had a positive relationship to student achievement.
Differentiation strategies of choice and interest in relation to learning styles played a vital role in
achievement and student satisfaction in learning. This was an important finding, because it
helped identify the most effective use of differentiated instruction in Schools’ #1 and #2
classrooms. As a result of these comprehensive findings, the predicted non-directional research
hypothesis as stated in Chapter 3 was therefore accepted.
This chapter discussed research implementation, data analysis designs and
interpretations, survey results, qualitative analysis, and triangulation of data in order to answer
the two research questions. This research paper will conclude with chapter five which will focus
on summary of the findings, limitations of the study, and recommendations for further research.
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Chapter 5
Summary of Findings
This study was designed to determine if differentiated instruction had an impact on
student learning and achievement. The researcher also looked for differentiated instructional
strategies to see that any of these strategies had a greater impact on student achievement than
others. This study examined two middle school classes at School #1 and two high school classes
at School #2. The data revealed that after differentiated instruction was implemented, the
treatment groups’ test scores increased significantly compared to the comparison groups.
Through the use of quantitative and qualitative data gathering, patterns emerged in support of the
differentiation variables that had the most significant effect on student achievement. The
remainder of this chapter will discuss limitations of the study, suggestions for future research,
recommendations, and concluding remarks including the researcher’s future action plans.
Limitations of the Study
The following limitations are inherent in this study that have the greatest impact on the
researcher’s findings. Limitations are the shortcomings, conditions or influences that cannot be
controlled by the researcher that place restrictions on the methodology and conclusions.
Limitations in research can also include lack of adequate information on a particular subject
(Mertler, 2012).
The large class sizes at Schools #1 and #2 effected the researcher’s ability to fully
differentiate instruction and therefore may have limited the findings. The researcher
hypothesized that if classes were small enough to offer closer student-teacher relationships and
greater individualized instruction opportunities the performance of students in the treatment
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groups would have improved more. Despite these limitations, the results of this study did reflect
statistically significant increases in student achievement and student motivation.
Regarding this study’s validity, it was difficult to discern if the positive change charted in
this study’s pre and post-test was due to differentiated instruction and learning in the classroom
or simply natural maturation. A maturation effect occurs when changes in the dependent
variable over time are due to naturally occurring internal processes, e.g. a child’s cognitive
development or intellectual maturation rather than to the independent variable in a study
(Creighton, 2007). Maturation changes may also occur during a study due to factors associated
with the passing of time rather than the intervention itself. One procedure to detect maturation
effects is to add a control group to the study (Mertler, 2012). For example, if the treatment group
improves the same amount as the control group, then the researcher should not conclude that the
independent variable is causing the change. Instead, the changes may be due to maturation.
Measuring the outcome variable several times before, during, and after an intervention can lessen
the impact of maturation (Creighton).
Another limitation and threat to this study’s validity were testing effects. A testing effect
occurs when being tested in one condition influences responses in later conditions (Mertler,
2012). The most typical example of testing effects is a practice effect, where performance at
post-test is higher than at pre-test simply because the participant is more experienced with the
test. Practice effects can be reduced by using a different form of a test at post-test (Mertler).
The researcher found that the conditions under which the students at Schools #1 and #2 took the
pre-post assessments were not similar. There was a significant disparity in the difficulty between
the pre and post-tests at School #1 compared to School #2. Also, the researcher later found that
students at School #2 took very similar tests during their pre and post-assessments. As a result,
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the improvement on subsequent post-tests could have been attributed to familiarity with the
questions or the testing format. To overcome this limitation, the cooperating teacher at School
#2 could have ensured the test chosen had multiple (equivalent) forms available for post-testing.
Having a large pool of questions to choose from would have reduced the likelihood that students
received the same questions that appeared in the first test.
A potential internal validity concern with this study were students’ extreme high and low-
end test scores, otherwise known as a ceiling and floor effect. A ceiling effect occurs when
scores are at the high end of the scale. A floor effect is the same phenomenon but with scores
accumulating at the low end (Creighton, 2007). If the baseline is extremely low, then the
positive change could be much greater. Likewise, if the baseline is extremely high, the potential
to change positively is limited since the best score possible has a ceiling of 100. In this study,
the treatment group at School #2 scored so low on their pretest CFA scores that they could only
go up a significant amount; whereas the control group from School #2 scored so high that little
improvement was indicated in their post-test scores. As a result, the extreme individuals in these
groups showed more improvement or less improvement than an average subject.
This research was a study sample of convenience and was conducted over four groups of
study spanning approximately 16 weeks. A convenience sample is a study of subjects taken
from a group that is conveniently accessible to a researcher and not representative of the entire
population (Calhoun, 1994). A disadvantage of this type of sampling is that it may not be an
accurate representation of the population, which can skew results (Calhoun). In this study, an
increased number of treatment and comparison groups might have garnered more accurate
findings. In order to determine the validity of this research, it would have been also helpful to
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conduct this study in other middle and high schools with demographics different than Schools #1
and #2.
The participants in this study represented a rather narrow range of ethnicity. A larger and
more diverse sample within this study would allow for a broader examination of special
education, ethnicity, and socioeconomic status populations. At the researcher’s student teaching
placement, the researcher was unable to discuss the ways African American or Hispanic students
performed, since they didn’t comprise of at least 25% of the total student sample.
This study and literature review did not provide research information regarding gender
differences and differentiation. It is important to consider gender differences in achievement in
context of other socio-demographic characteristics. Also, it would have been advantageous for
further analysis in determining possible factors that influence gender gaps and achievement.
Future studies may find that differentiation does or does not benefit one gender over the other or
that there are small gender differences in student performance. However, findings in this type of
study may reveal a significant gap in achievement and therefore the need for gender equality in
education.
Another limitation was the lack of prior studies on this research topic. Having the ability
to cite prior research studies would have formed a stronger basis of the researcher’s literature
review and helped lay a foundation for understanding the research problem under investigation.
The literature review in this study also revealed that while much has been written about the
theory behind differentiated instruction, there has been a lack of deep understanding in how to
fully implement it. Many of the books and articles referenced in the literature review lack a
cohesive connection of theory with implementation. Many educators may know and understand
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the importance of differentiated instruction, but may not know how to apply and use it in their
classrooms. In acknowledging the overall study's limitations, the researcher seized the
opportunity to make suggestions on how to overcome these limitations through future research.
Suggestions for Future Research
It is the researcher’s hope that the findings of this study, including the following
recommendations, will provide a foundation for future studies on the effects of differentiated
instruction on academic achievement in the music classroom. Additional research in the field of
differentiation will also add to the understanding about its impact on learning. The following are
the researcher’s suggestions for further study:
Differentiated instructional strategies offer a variety of avenues for more in-depth
research in the pursuit of effective methods of instruction. Since curriculum compacting, tiered
assignments and activities, and learning contracts strategies were not examined in this research,
the effects of these differentiated instruction variables must also be studied. Measuring the
effectiveness of all differentiated instruction variables as instructional methods will strengthen
the validity of the research where confident conclusions can be drawn. However, measuring the
effectiveness of these differentiation strategies or variables may be difficult because
differentiated instruction involves the use of many strategies at once.
This study might be repeated in several middle and high schools to determine if the
findings of this study have implications in other contexts and environments. Middle and high
school settings, organizational patterns, and instructional pedagogy vary. Therefore, it may be
important to determine if the planning, design, and implementation processes for differentiation
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in this study have implications in other middle and high schools. The findings from this study
should therefore be tested in these environments.
Also, studies of the differentiated instruction effects at different grade levels should be
conducted to determine if the results are consistent across K-12 grades. A study might be
conducted in the elementary grades to determine whether the effects of differentiation are similar
to those identified from this research at the middle and high school levels.
Longer-term studies should be conducted to determine if greater gains are made when
children have longer-term exposure to the strategies of differentiated instruction. Longer studies
are also necessary to determine whether differentiated instruction consistently yields positive
results across a broad range of targeted groups.
Future research could be conducted to identify the current training programs that are
being offered in other schools and districts. This kind of study could establish the foundation for
a universal differentiated instruction training curriculum, which could be used to better prepare
future educators.
A study might be performed to determine the impact staff development and training in
differentiation has on teachers’ comfort level and implementation of differentiated instruction.
The finding from this research would support whether or not professional development enhances
teachers’ implementing of differentiated instruction or whether there are other reasons for lack of
implementation.
Another study may focus differentiated instruction’s effects on student achievement in
other curriculum areas. While this study provided positive outcomes in answering the two
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research questions, there is need for further research to determine the extent to which a
differentiated instructional approach is equally successful in other subject domains. An
interesting study would investigate the effects of differentiated instruction on a student’s math,
science and language arts achievement.
A research question may address whether differentiated instruction has the potential in
closing the achievement gap while raising student performance: Does differentiated instruction
result in improved student achievement and the reduction of the achievement gap between
students from high- and low-SES families and among students of different ethnic groups? This
type of research question may launch a study in answering perhaps the most challenging and
perplexing issue confronting American schools.
Another study may focus on research questions relating to demographic diversity: Is
differentiated instruction inclusive of and appropriate for academically, culturally and
linguistically diverse (CLD) learners in content, process, and product? The gap in achievement
between CLD learners and non-CLD students provides the impetus for further research with
special emphasis on theory-to-practice approaches. This type of research may reveal
relationships between issues of student performance on assessments and their ethnic, gender, and
socioeconomic class. It also sets the stage for a closer look at ways in which culturally
responsive pedagogy may serve as a bridge to offer improved teaching practices for CLD
learners in the differentiated classroom.
It would also be very interesting to determine whether effective differentiation provides
all students with the opportunity to improve their academic achievement regardless of their
socioeconomic status (SES). A viable research question may look like this: Can differentiated
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instruction maximize learning outcomes for all students regardless of their socioeconomic
background? The researcher believes that educators should not assume that underperforming
students always come from disadvantaged families or specific ethnic and SES groups.
Therefore, further research may make a strong case for differentiation in response to an
increasingly demographically diverse student population to include students within varying SES.
Recommendations
Today, teachers are responsible not only for meeting the diverse needs of all students but
also for ensuring improved educational outcomes. To that end, educators need to understand the
components of differentiation in order to design lessons around students’ needs. Differentiated
instruction should be seen as a process, not an instructional strategy itself. Also, Differentiation
must be conceived and practiced as a reflection and extension of educational best practice, not a
substitute for it. Therefore, differentiation variables should not be taught to teachers in isolation
of one another. Rather, differentiation training should allow teachers to see how all components
of differentiation fit together and complement each other into one package.
Implications for Practice
The best teaching practices are those that consider all learners in a classroom setting and
pay close attention to differences inherent to academic, cultural, linguistic, and socioeconomic
diversity (Tomlinson et al., 2008). Differentiation is a framework used to implement the best
practices in teaching and learning that already exist and have been researched to be effective. In
order to differentiate instruction, the teacher must understand and apply best practices to student
learning in the classroom. However, further research on the application of these approaches in
classrooms is needed to further substantiate differentiated instruction’s effectiveness for
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academically diverse and CLD learners. In implementing school reform efforts to improve
student achievement, reconciliation of best teaching practices and pedagogies are critical in
addressing the needs of students in increasingly diverse schools.
Recommendation to Teachers
Teachers must not expect their classes to learn the same material the same way and reach
identical benchmarks at the same time. Instead, they must foster mastery of key concepts more
than particular facts. In order to differentiate instruction, teachers must emphasize options, such
as multiple texts, group projects, assignments tailored at different levels of complexity, and
assessments that measure student performance with respect to a range of abilities.
In a standards-based climate, teachers may often feel they need to rush through the
material to cover the content. Teachers may be torn between an impetus to cover the standards
and a desire to address the diverse academic needs. However, there should be no contradiction
between effective standards-based instruction and differentiation. Therefore, as teachers teach a
standards-based curriculum, differentiation provides ways in which they can make that
curriculum work best for varied learners. Also, by taking time to assess students’ readiness
levels and interests, teachers will be able to accurately measure their students’ progress toward
learning goals.
The need for assessments. In order to help meet the needs of diverse learners, teachers
must use a combination of pre-assessments, formative and summative assessments to help gain
vital information on student readiness. When teachers are equipped with this important
information they will be able to make informed instructional decisions.
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The first step to planning a lesson is based on pre-assessment data. Pre-assessments
provide teachers with important information about their students’ starting points prior to lesson
planning (Tomlinson, 1999). Teachers must also rely on frequent formative assessments in order
to follow the students’ progress while measuring student outcomes with summative assessments.
Research shows that this information is invaluable when working with the diverse needs of
learners (Tomlinson et al., 2008).
The need for differentiated instruction staff development. Given the increasing
diversity of learners in schools, differentiation should become the primary focus of teachers’
staff development instruction programs. Teachers must learn more about differentiation while
making plans to implement differentiated instruction in their classrooms. Teachers should also
be trained to use instructional strategies that support differentiation based on single instructional
objectives. To that end, teachers should attend comprehensive staff professional development
programs that focus on identifying students’ varied interests, strengths and weaknesses, learning
styles, and academic needs. Teachers should also focus on cultural awareness and sensitivity
while differentiating lessons plans and enrichment programs. Lastly, teachers should also learn
how to provide tasks that involve varying levels of difficulty and incorporate appropriate levels
of challenge to account for individual readiness levels.
Socio-culturally centered teaching. Research strongly suggest that socio-culturally
centered teaching results in improved student achievement (Tomlinson et al., 2008). Teachers
should therefore take responsibility in understanding their students’ culture and community and
the role it has in education. Teachers should change existing curriculum practices as necessary
to incorporate cultural and linguistic diversity within the curriculum for all content areas.
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Educators of CLD learners should also learn more about special education processes so they are
better equipped to provide best differentiated teaching practices and support for diverse students.
Teachers should collaborate with support staff, including CLD teachers, speech and language
therapists, and special education teachers in support of their differentiated curriculum. To that
end, teachers should ensure that all students’ backgrounds, cultures, languages, preferred ways of
learning, and traditions are represented in their classroom’s curriculum and operations.
Educators can also integrate the cultural content of the learner in shaping an effective and
inclusive learning environment. Teachers should therefore use their students’ language and
culture as resources to draw upon rather than viewing them as barriers to learning. Educators
who are culturally competent invest in understanding the diverse cultures of their students. They
also use that knowledge to build successful partnerships with both children and their parents
(Tomlinson & Imbeau, 2010).
High expectations for students. It is recommended that teachers communicate high
expectations for all students by clearly establishing the criteria for success and high achievement
in advance of the learning experience. Also, it is imperative that all students receive the same
behavior from teachers in terms of quality of interaction. Teachers can ensure that their quality
of interaction are consistent among students by calling on struggling or low-expectancy students
to answer challenging questions as frequently as high-expectancy students (Marzano, 2007).
This approach helps create a culture of high expectations for every student.
Recommendations for Administrators
The researcher believes that it is the administrators’ role to provide on-going support for
their staff by designing comprehensive differentiated instruction professional development plans.
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Administrators should also ensure that differentiated instruction is embedded in their school’s
mission, goals, and action plans. This comprehensive staff development program should also be
closely monitored and adjusted as needed. Furthermore, differentiated instructional strategies
that have been researched and proven to be effective must be expected in all classrooms. It is
this balance of expectations and support that will bring about instructional improvements for
students.
Leading second-order change toward differentiation. Significant school-level change
is unlikely to occur without effective principal leadership for that change. Administrators should
therefore implement second-order change toward differentiation by integrating it with the
academic curriculum and school mission. First-order change is incremental and does not require
a dramatic departure from the way educational practices exist. Second-order change necessitates
a dramatic departure from the status quo (Tomlinson et al., 2008). Effective leaders for second-
order change operate and motivate from a vision for the change. Visionary administrators should
establish the need for the change toward differentiation while leading teachers to embrace it.
Research and theory on change in schools indicate that second-order change as it relates
to differentiation is profoundly difficult, calling for persistent, sustained leadership and support
for the change (Gregory & Chapman, 2007). Second-order change also asks teachers to alter
beliefs and practices often dramatically while embracing the need for change. Teachers therefore
require support from their administrators in order to be successful in their efforts to meet the
needs of all learners. When all teachers embrace this important work, every student in their
charge will reap the benefits and rewards through increased student learning and achievement.
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Relationship building. A key role of leaders for significant school change is relationship
building. As is the case with vision, positive relationships motivate and support change.
Therefore, administrative leaders should invest heavily in developing productive relationships
and climate of respect and caring among faculty members. It is also imperative that
administrators ensure that staff members understand the need for the change along with its
expectations while providing administrative support through the process.
Pacing. The scope and pace of change toward differentiation are critical to its outcome.
Administrators should not move too fast and overwhelm their staff, nor move too slow and lose
momentum. To move from vision, relationship building, and pacing to implementation of
differentiation, requires sustained, focused, and flexible professional development.
Professional development recommendations. Since it was found that only 50 percent
of the staff at Schools #1 and #2 were differentiating instruction, the findings in this study
suggest a need for professional development that focuses on educating diverse learners.
Administrators should therefore provide their teachers with administrative support and planning
time to integrate all differentiated instruction strategies effectively in their classrooms.
Staff development is essential to the success of this new initiative, with a significant
amount of time devoted to teacher training. Teachers also require continuous feedback from
their administrators on the effectiveness of differentiated strategies as they are being
implemented in the classroom. Without essential support structures from administrators and the
cooperation of all participants, it is unlikely that any differentiated program will endure.
Administrators should also ensure that their schools have a well-developed and
professional growth plan that reflects a commitment to life-long learning. The greater the
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change effort towards differentiation, the more extensive support it requires. That implies long-
term presence of information, coaching, feedback, collaboration, guided reflection, and
reassurance.
Assessing the achievement gap. In measuring the achievement gap within all student
demographics, administrators should review State assessment data results disaggregated by
socioeconomic status, race, and ethnicity. From there, administrators can determine whether the
gaps in achievement between students with differing socioeconomic status and ethnic groups
have narrowed or not. Administrators should seek evidence from data on whether differentiated
approach to instruction has helped close the achievement gap between low and high-end bracket
students and among different ethnic groups.
Conclusion
This research paper commenced with an introduction and segued into a review of the
literature that elaborated on the following areas: the characteristics and major principles of
differentiated instruction, the methods to implement, and the theories and research studies
supporting differentiation. The third chapter described how the study was planned and carried
out while the fourth chapter focused on the data analysis findings. Finally, this fifth chapter
discussed limitations of the study with suggestions for further research, recommendations, and
concluding remarks on the researcher’s action plans.
Researcher’s Future Action Plans
Currently, since the findings of this study have given the researcher strong indications
that differentiated instruction accomplished its purpose in raising student achievement, the
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courses of action as described in this study will remain the same. The researcher will also
explore methods to make differentiated instruction even more effective. Furthermore, the
researcher will continue to use quantitative and qualitative data to guide instruction.
As the researcher continues to differentiate classroom instruction, pre-assessing student
readiness will drive the researcher’s decisions on what differentiated instruction techniques to
use with students. The researcher realized through his student teacher experience that to
determine students’ understanding of content or skills, he had to pre-assess for those skills
immediately before he taught it. Therefore, the researcher concluded that the most effective
differentiation strategies were based on pre-assessment and ongoing assessment of students’
progress toward key goals.
The researcher’s professional growth and development will be aimed at students’
learning, varying needs, methods of addressing those needs, and student academic outcomes.
Student-focused staff development will assist the researcher in developing the knowledge and
skills to do the following:
1) Develop knowledge about individual learners, including their economic, ethnic and
racial backgrounds, interests, ways of learning, and readiness levels.
2) Connect with students and develop practices in ways that support and motivate
learning.
3) Use assessment data to modify instruction in ways that support student growth and
success.
4) Develop a broad repertoire of instructional strategies to address individual needs and
content requirements.
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5) Increase understanding of the philosophy, implementation, and application of
differentiated instruction.
Concluding Remarks
Students in today’s schools are becoming more academically diverse. There are more
special education students, more culturally and linguistically diverse learners and a need to
challenge advanced learners. There is also a growing economic gap between segments of the
student population. Furthermore, research shows that there will be a steady increase in Hispanic,
Asian Americans, and African American students in the coming years (Brown, 2007). In
response to this diversity, No Child Left Behind legislation requires that all students achieve,
regardless of ethnicity and socio-economic status. Educators’ past practices have not, however,
fulfilled this requirement (Strauss, 2012). As the findings of this study have revealed, schools
that implement differentiated instruction in response to students’ diverse learning needs see
significant gains in academic achievement. Therefore, differentiated instruction may be the
solution that educators are searching for in allowing all students to succeed academically,
regardless of their diversity.
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Appendix A
Principal Assent Form
I. Research Background (to be completed by researcher)
Title of the Study: How will differentiated instruction affect student learning?
Name of Researcher: Michael Woods Phone: (719) 622-1612
Street address: 4220 Saddle Rock Road. City: Colorado Springs: CO Zip: 80918
E-mail: [email protected]
II. Description of Research Proposal
The purpose of this research is to see how differentiated instruction affects student learning. The
researcher will use small group instruction and student interest projects to answer the main
research question. Students will complete pre-tests, post-test and surveys during the course of
the research. The researcher will record observations and conversations in a daily journal. The
researcher will also provide the principal with a copy of the executive summary.
III. Agreement (to be completed by principal)
I, ___________________________, principal of _______________________school, understand
ol,
the study and up to three years after the completion of the study.
ssion to the researcher to conduct the above named research in my school as
described in the proposal.
school as described in the proposal.
d that data should be released only by the departments that own them. My staff and
I shall not release data to the researcher without approval from the IRB.
_______________________ _____________
Signature of Principal Date
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Appendix B
Parent/Guardian Research Consent Form
How Will Differentiated Instruction Affect Student Learning
Invitation to participate: Your child is invited to participate in a study of differentiated
instruction to see how it will affect student learning. This study is being conducted by Michael
Woods, music student teacher at Widefield High School, and a graduate student at Colorado
College. Mr. Duren, principal of Widefield High School, has approved this research study.
Basis for Subject Selection: Your child has been selected because he/she is in Mr. Colgrove’s
band class. This class was chosen based on a random selection process. If everyone agrees to
participate, there will be thirty five students who will meet the criteria for the study.
Overall Purpose of Study: The purpose of this research is to help me and possibly other music
teachers improve teaching strategies to benefit the students. The main goal of this study is to see
how differentiated instruction, specifically small group instruction, will affect student learning
and academic achievement.
Explanation of Procedures: If you decide to allow your child to participate, your child will be
asked to do the following:
1. You will take a unit completion survey to gather student responses about the differentiated
instruction. The identity of all participants will remain confidential. Students will not be
identified in the research report. All research and observations will be done in the classroom.
The implementations will span approximately 5 weeks, from January 2014 to February 2014.
Potential Benefits: Each participant will receive more individual and small group instruction.
Students will also participate in the development of a project based on individual interests,
hopefully, leading to ownership of education.
Alternatives to Participation: If you decide to not allow your child to participate, he/she will
still work on the same material. However, any teacher observations or student responses to
survey questions will not be included in the research report.
Assurance of Confidentiality: The identity of all participants and their data will remain
confidential and stored in a locked file cabinet or on a password-protected computer. Any data
collected will not be linked to the participants or the school district in any way. Following the
study and completion of my master’s degree, all data will be destroyed.
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Withdrawal from the Study: Your child’s participation is voluntary. Your decision whether or
not to allow your child to participate will not affect his/her grade. If you decide to allow your
child’s participation in the study, you are free to withdraw your consent at any time by
contacting Mr. Woods and your participation will be discontinued.
You are free to ask questions now or at any time during the study. If you have questions, you can
contact Michael Woods at (719) 641- 9977 or [email protected]. This project has
been approved by Colorado College (CC) Institutional Review Board. If you have questions
about the rights of research subjects, contact the Chairperson of the CC Institutional Review
Board (IRB), Mike Taber at [email protected].
Guardian Consent: You are voluntarily making a decision whether or not to allow your
child or legal ward to participate. You signature indicates that, having read and
understood the information provided above, you have decided to permit your child or legal
ward to participate. You will be given a copy of this consent form to keep.
_______________________________ Participant (please print student name)
_______________________________ __________ Signature of Parent or Guardian Date
_______________________________ __________
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Appendix C
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Appendix D
The WHS Evaluation of Teaching Scale Teacher: __________________________________ Subject: __________________________________ Year Level: __________________________________
Please indicate the extent of your disagreement/agreement with the following statements by using the following scale:
STRONGLY AGREE DISAGREE STRONGLY NOT AGREE DISAGREE SURE
1 2 3 4 5 ______________________________________________________________________________
This Teacher… 1. is committed to the learning of all the students in the class. 1 2 3 4 5 2. adjusts the lesson if we experience difficulties in learning. 1 2 3 4 5 3. enables us to develop confidence and self-esteem in this subject 1 2 3 4 5 4. creates a safe, positive, and non-threatening learning. 1 2 3 4 5 5. provides time of us to reflect and talk about the concepts that we 1 2 3 4 5 are learning through Noggin Warmer exercises. 6. tells us what the purpose of the subject is. 1 2 3 4 5 7. challenges students to think through and solve problems, either 1 2 3 4 5 by themselves or together as a group. 8. makes this subject interesting and stimulating for me. 1 2 3 4 5
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9. discussed that students have different ways of learning music 1 2 3 4 5 10. offers individualized (private) instruction 1 2 3 4 5 11. allows for small group sectionals on a regular basis 1 2 3 4 5 12. has a strong impact on student learning 1 2 3 4 5 and achievement. 13. varies the pace of learning for various learning needs. 1 2 3 4 5 14. shows a passion for teaching. 1 2 3 4 5 15. is thoroughly familiar with the content. 1 2 3 4 5 16. appropriately challenges the students. 1 2 3 4 5 17. sets high expectations for students. 1 2 3 4 5 18. posts learning intention statements and previews material 1 2 3 4 5 at the beginning of class. 19. clearly communicates what students are to learn, understand 1 2 3 4 5 and be able to do. 20. adapts content to all levels of student proficiency 1 2 3 4 5 21. monitors student progress regularly. 1 2 3 4 5 22. differentiates instruction; that is, varies instruction to meet 1 2 3 4 5 students’ learning needs. 23. regularly checks for student understanding 1 2 3 4 5 24. has a positive relationship with students 1 2 3 4 5 25. cares for the well-being of the class as a whole as well as each 1 2 3 4 5 individual student 26. asks the class and individual students how they learn best 1 2 3 4 5 27. provides students with choices in music and/or class assignments 1 2 3 4 5
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Appendix E
Student Survey Excel Spreadsheet
*SA-Strongly Agree A- Agree D- Disagree SD- Strongly Disagree NS- Not Sure
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Appendix F
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Appendix G
Administrator Interview Questions
Do you feel that teachers at WHS are utilizing Differentiated Instruction to help meet the needs of the
diverse learners in their classroom?
What specific evidence do you see in the classrooms that show that instruction is being differentiated?
What can you do if there is a lack of differentiation?
From analyzing student assessment data from all kindergarten and first grade classrooms, do you see a
direct correlation between student achievement levels and the type of instruction being delivered? How
and where is it apparent?
Does the work of differentiated instruction impact student CFA scores?
What does your data analysis tell you about the learning occurring at WHS?
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Appendix H
Effect Sizes
School #1 Treatment Group
A B C
Student September Test January Test
Student 02 40 35
Student 03 25 30
Student 04 45 50
Student 05 30 40
Student 06 35 45
Student 07 60 70
Student 08 65 75
Student 09 70 80
Student 10 50 75
Student 11 55 85
Etc.
Average (Mean) 72 = AVERAGE(B2:B53) 77.3 = AVERAGE(C2:C63)
Spread (sd) 12 = STDEV(B2:B11) 6 = STDEV(C2:C11)
Average of spread 9 = AVERAGE(B14:C14)
Effect size 0.6 = (C13-B13)/C15
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School #1 treatment group calculations:
Effect Size = 77.3 - 72
______ = 0.60
9
School #1 Comparison Group
A B C
Student September Test January Test
Student 02 40 35
Student 03 25 30
Student 04 45 50
Student 05 30 40
Student 06 35 45
Student 07 60 70
Student 08 65 75
Student 09 70 80
Student 10 50 75
Student 11 55 85
Etc.
Average (Mean) 73.4 = AVERAGE(B2:B63) 81.8 = AVERAGE(C2:C61)
Spread (sd) 16 = STDEV(B2:B11) 17 = STDEV(C2:C11)
Average of spread 16 = AVERAGE(B14:C14)
Effect size -0.5 = (C13-B13)/C15
School #1 control group calculations:
Effect Size = 73.4 – 81.8
______ = -0.05
16
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Appendix I