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Challenge the future Delft University of Technology Designing the consumer experience Rick (H.N.J.) Schifferstein

Designing the consumer experience - SIGCHI Finland short.pdf · exploration, and brand analysis in one map ... • Model making • Multisensory presentation . Knorr’s current soup

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Page 1: Designing the consumer experience - SIGCHI Finland short.pdf · exploration, and brand analysis in one map ... • Model making • Multisensory presentation . Knorr’s current soup

Challenge the future

Delft University of Technology

Designing the consumer experience

Rick (H.N.J.) Schifferstein

Page 2: Designing the consumer experience - SIGCHI Finland short.pdf · exploration, and brand analysis in one map ... • Model making • Multisensory presentation . Knorr’s current soup

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Pine & Gilmore (1999)

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Retail experiences

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What is an experience?

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Framework of Product Experience

Definition: The awareness of the psychological effects elicited by the interaction with a product, including the degree to which

• all our senses are stimulated • the meanings and values we attach to the product • the feelings and emotions that are elicited

Hekkert & Schifferstein, 2008

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Framework of Product Experience Schifferstein, Food Quality and Preference, 2010

Product focus Human focus

Low in affect Perception Meaning

High in affect Aesthetics Emotion

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Perception in Product Experience

• Each sensory modality receives different inputs • Vision: large role in functional interaction; direct links to stored knowledge;

attracts attention • Touch: substantial role in functional interaction; important for emotional bond • Audition: major role in communication • Smell and taste: functional role for foods, but not for many appliances;

emotional reactions to products

• Stimulation of multiple modalities yields richer experiences (Multi-Sensory Design)

Schifferstein & Cleiren, 2005; Schifferstein & Desmet, 2007

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Aesthetics in Product Experience

Aesthetic = gratification of the senses; sensuous delight Aesthetic principles may be universal or modality-specific

Schifferstein & Hekkert in Art & the Senses (2011)

Structural stimulus properties

Meaningful properties

Contrast Familiarity

Similarity Novelty

Balance Challenge

Complexity

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Meaning in Product Experience

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Emotions in Product Experience

• Emotional responses to products

differ between individuals

• Not the event (product) itself, but the meaning the individual attaches to the event determines the emotion

Desmet, 2003

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Framework of Product Experience Schifferstein, Food Quality and Preference, 2010

Product focus Human focus

Low in affect Perception Meaning

High in affect Aesthetics Emotion

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Measuring Product Experiences

• Studies that focus on one aspect do not present complete story • Experience aspects are inter-dependent

• We cannot measure all experience aspects through a single type

of approach • E.g., questionnaire research requires verbalization and is limited to

measuring meanings

How to measure perception, aesthetics, meaning, emotion?

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How to design an experience?

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ViP Hekkert & van Dijk (2011)

- Products obtain meaning through interactions with people, in relationships with people.

- The context determines the appropriateness of any interaction.

- Explore background of problem: What are the user needs that underlie the problem?

- Define vision of what you want to achieve and want to create. Determine reason for existence.

- Designer should look for possibilities and possible futures, instead of trying to solve day-to-day problems.

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ViP

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ViP Hekkert & van Dijk (2011)

0. Deconstruction 1. Domain and time frame 2. Context factors: States, principles, developments,

and trends 3. Context structure 4. Design statement What experience would you like to

offer people, within the context? 5. Human-product interaction How would you like to offer… 6. Product qualities 7. Concept 8. Final manifestation

.

Physical, Social, Cultural etc. Experience

Personality, Expression Materials, Shape, Components

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ViP compared

ViP 0. Deconstruction 1. Domain and time frame 2. Context factors 3. Context structure 4. Design statement 5. Human-product interaction 6. Product qualities 7. Concept 8. Final manifestation

Classical design approach 1. Problem definition;

program of demands

2. Concept 3. Final manifestation

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Example: Office furnishing concept Michelle Kriesels

Context: At work, people have to cope with new information, insights, developments, expectations Every person is different and has different needs People like to develop themselves; they are curious and creative

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Example: Office furnishing concept

Intended user experience: Give office workers the confidence to trust their intuition and make choices unconsciously So that: - Diverse or new manners of communication and

cooperation will arise - They can discover and learn more during work

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Example: Office furnishing concept

Interaction metaphor: The public garden Enable intuitive behaviour: read a book, walk the dog, play on the grass, have a picnic

Be amongst other people; have spontaneous and unexpected forms of contact

Be inspired by other activities

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Example: Office furnishing concept

Product qualities: Subtle Undefined Multi-purpose Diverse Multisensory

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Example: Office furnishing concept

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Example: Hospital waiting room Marcus Boesenach

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Example: Hospital waiting room

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Example: Hospital waiting room

• Hospital environments are unpleasant and do not support the healing process

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Example: Hospital waiting room Marcus Boesenach

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Example: Hospital waiting room

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Example: Hospital waiting room

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Example: Hospital waiting room

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ViP Hekkert & van Dijk (2011)

0. Deconstruction 1. Domain and time frame 2. Context factors: States, principles, developments,

and trends 3. Context structure 4. Design statement What experience would you like to

offer people, within the context? 5. Human-product interaction How would you like to offer… 6. Product qualities 7. Concept 8. Final manifestation

.

Physical, Social, Cultural etc. Experience

Personality, Expression Materials, Shape, Components

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Multi Sensory Design (e.g., Schifferstein in Delft Design Guide, 2010)

Designing for an experience = designing the experienced expression of the object

Sensory concept of expression

Product

Visual

Tactual

Olfactory

Auditory

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Product

Integrated sensory concept of expression

Visual samples

Tactual properties

Explore Design

Auditory samples

Tactual samples

Olfactory samples

Visual properties

Auditory properties

Olfactory properties

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Multi Sensory Design (MSD) in 8 steps

• Select expression The product should be arrogant, friendly, naïve,

wise, cheerful, tough, lazy, elegant, natural, …. • Conceptual exploration • Sensory exploration • Sensory analysis • Sensory-conceptual integration • User interaction scenario • Model making • Multisensory presentation

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration When I say ‘natural’, I think of……. • Sensory exploration • Sensory analysis • Sensory-conceptual integration • User interaction scenario • Model making • Multisensory presentation

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration When I say ‘natural’, I think of…. • Sensory exploration • Sensory analysis • Mind map • User interaction scenario • Model making • Multisensory presentation

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration • Sensory exploration Gather materials that are all perceived as ‘natural’ How does ‘natural’ smell, feel, taste, look, sound? • Sensory analysis • Sensory-conceptual integration • User interaction scenario • Model making • Multisensory presentation

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How does ‘naturalness’ feel, smell, look, sound, taste?

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Sensory exploration

• Close your eyes, bring objects close to your senses

• Explore environment, direct attention to common objects

• Move objects, use objects, take objects apart

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration • Sensory exploration • Sensory analysis What are the sensory dimensions that underlie

‘naturalness’? Make a sensory map • Sensory-conceptual integration • User interaction scenario • Model making • Multisensory presentation

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration • Sensory exploration • Sensory analysis • Sensory-conceptual integration Combine results of sensory analysis, conceptual

exploration, and brand analysis in one map • User interaction scenario • Model making • Multisensory presentation

Page 46: Designing the consumer experience - SIGCHI Finland short.pdf · exploration, and brand analysis in one map ... • Model making • Multisensory presentation . Knorr’s current soup
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Knorr’s current soup package

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration • Sensory exploration • Sensory analysis • Sensory-conceptual integration • User interaction scenario Make a complete story: Who is the user? What is the context? How does

the interaction evolve? How are senses involved in each stage? • Model making • Multisensory presentation

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration • Sensory exploration • Sensory analysis • Sensory-conceptual integration • User interaction scenario • Model making Make collages and physical models for each modality:

use clay, foam, materials, sounds, fragrances • Multisensory presentation

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Multi Sensory Design (MSD) in 8 steps

• Select expression • Conceptual exploration • Sensory exploration • Sensory analysis • Sensory-conceptual integration • User interaction scenario • Model making • Multisensory presentation Use story board, with attention for all modalities,

present physical samples

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How to innovate, using a target experience?

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From Experience-Driven Design To Experience-Driven Innovation

?

Page 63: Designing the consumer experience - SIGCHI Finland short.pdf · exploration, and brand analysis in one map ... • Model making • Multisensory presentation . Knorr’s current soup

63 Model of the Product Innovation Process (Buijs & Valkenburg, 2005)

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Discrepancies with industrial business: • More complex design assignments: multiple departments,

external parties involved • Project needs to fit in organization: brand positioning, company

image, production schedules

How does this holistic design strategy work in practice? • Make departments work together • Support project over time

From Experience-Driven Design To Experience-Driven Innovation

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To Experience-Driven Innovation

Organizational measures 1. Develop overarching company mission 2. Integral project management over time 3. Strategic road mapping 4. Interdisciplinary teams 5. Break through organizational routines 6. Use and develop human resources 7. Create employee freedom 8. Build external relationships 9. Internal technological development 10. Build knowledge on latent user needs

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To Experience-Driven Innovation

Tools supporting the design process 1. Develop open context vision 2. Develop experience vision statement 3. Pay attention to multiple layers in the user experience 4. Include the time dimension of user experience 5. Involve multiple design disciplines 6. Touchpoint orchestration 7. Empathy tools 8. Formalize brainstorming routines 9. Quick and dirty prototyping 10. Create and present conceptual prototypes 11. Co-create with end users 12. Formalize choice among ideas

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Thank you!

h.n.j.schifferstein @tudelft.nl