Department of Music Programs 1984 - 1985

Olivet Nazarene UniversityDigital Commons @ Olivet

School of Music: Performance Programs Music

1985

Department of Music Programs 1984 - 1985Department of MusicOlivet Nazarene University

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OfavotE D U C A T I O N W I T H A C H R I S T I A N P U R P O S E

Department of Music

Programs1984-1985

Olivet Hozarene CollegeKankakee, Illinois 60901 Telephone 815-939-5011

OhetEDUCATION WITH A CHRISTIAN PURPOSE

Orpheus Choir 1984-1985

D. G eorge Dunbar, Conductor Rodney Loren, Accompanist

“A Ministry in Music”

Olivet Nazarene CollegeDr. Leslie Parrott, President

Program selected from:John Ness Beck................................................................. Song of ExaltationHank B eeb e............................................................. In These Things We LiveJean Berger................................................The Eyes of All Wait Upon TheeRene Clausen............................................................................Hymn of Praise

Thank the LordEmma Lou Diemer...........................................................Praise Ye the LordTom Fettke....................................... The Majesty and Glory of Your NameMark Hayse............................................... Praise Ye the Lord, the AlmightyRonald M. Huntington Joshua Fit the Battle of JerichoPeter C. Lutkin.....................................The Lord Bless You and Keep YouJ . H. Maunder............................................................................ Just As I AmFelix Mendelssohn.......................................................................................HolyJeffrey Rickard...........................................................................................GloriaJohn W. W ork.........................................................This Little Light O’MineOvid Young................................................................. Arise, My Soul, Arise

Holy Spirit, Be My Guide The Comforter Has Come

Robert H. Young..........................................................................All For Love

Ovid Young has created special arrangements o f hymns to em phasize the baccalaureate serm ons o f ONC President Leslie Parrott from 1976 to 1985.Orpheus Choir sang these arrangements at the conclusion o f the sermons, and have just m ade a recording. This recording, available by early sum m er will cost $10.00, all o f which will go fo r scholarships for Olivet Students. If you wish to order a recording, write a check to Olivet Nazarene C ollege and mail it to the Music Department or the President’s Office.

Orpheus Choir Itinerary 1984-1985August 2 0 President’s Dinner ONC

2 3 Chapel ONCSeptem ber 2 5 Crown Point, IN 150th CelebrationO ctober 2 Board of Trustees Dinner ONC

3-6 Praise Gathering, Indianapolis, IN7 First Church of the Nazarene, Martinsville, IN (A.M.)

First Church of the Nazarene, Anderson, IN (P.M.)12 Homecoming ONC14 First Church of the Nazarene, Kankakee, IL

November 2 0 ONC ChapelJanuary 1-7 Washington D C. TourFebruary 12-14 Choral Workshop ONC

21 ONC RevivalMarch 1-2 Recording Sessions, Alexandria, IN

3 Church of the Nazarene, Alexandria, IN (A.M.)Church of the Nazarene, Winchester, IN (P.M.)

2 9 Spring Concert ONCApril 12

13 Trinity Wesleyan Church, Lansing, MI14 Central Church of the Nazarene, Flint, MI (A.M.)

First Church of the Nazarene, Mason, MI (P.M.)2 8 College Church of the Nazarene, ONC

May 12 Baccalaureate

Orpheus Choir 1984-1985SopranoMichelle Brian - Davison, MI Kay Buker - Bedford, IN Pam Degner - Oak Creek, WI Robin Foster - Bluefield, WV Laura Henderson - St. Louis, MO Janice Janes - Trilla, IL Bonnie Kingston - Greenfield, IN Kelli Lobb - Glendale. OH Lori Lynn - Portage, In Cynthia Oney - Louisville, KY Lee Ann Pence - Lansing, Ml Donna Pierce - Champaign, IL Amy Ransom - Coshocton, OH Lisa Robison - Indianapolis, IN Joy Sharpe - Racine, Wl Jann Stice - Dearborn, MI Fay Young - St. Cloud, FL

TenorMark Brown - Farmington Hills, MI Jay Daughtry - Loves Park, IL Kevin Kirkpatrick Huntington, IN Jon Lee - North Vernon, IN John Lynn - Portage, IN Chip Mattax - Racine, WI Kent Meyer - Kendallville, IN Robert North - Shawnee, KS Ray Parpart - Merrillville, IN Rick Parks - Pittsfield, IL Jim Pence - Holt, MI David Rees - Winchester, IN Jim Springer - Bourbonnais, IL Burt Webb - Montrose, MI

Conductor - D. George Dunbar

AltoKaren Abbott - Owasso, MI Sharon Barr - Ridgeville, IN Dawn Bateman - Granger, IN Tammi Brooks - Bourbonnais, IL Cindy Crawford - Pekin, IL Elizabeth DiPietro - Mt. Prospect, IL Marty Erickson - Bourbonnais, IL Pam Gooden - Virden, IL Gretchen Guyer - Munster, IN Julie Hampton - Galesburg, IL Kyra Kirkpatrick - Huntington, IN Cyndi Larson - Birnamwood, WI Pam Learned • Washington, IL JoAnn Lichte - Tampa, FL Rebecca Milburn - Hoopeston, IL Kelly Shadrick - Escondido, CA Teresa LHmet - New Castle. IN

BassScott Apple - Oaklandon, INPhil Atkins - Findlay, OHJohn Brewer - Muncie, INSteve Carlson - Lockport, ILJim Fitzgerald - Lexington, KYMark Fryar - Woodridge, ILBrad Garvin - River Forest, ILKent Glendening - Chillicothe, OHRandy Gooden - Virden, ILRod Green - Anderson, INAndy Hurles - Kokomo, INDennis John - Dixon, ILBrian Kennedy - Saginaw, MIRodney Loren - Cory, INJeff Myers - Alliance, OHMark Parker - Cincinnati, OHMonte Parsons - Sterling, ILTroy Pence - Lansing, MIRandy Stegemoller - Indianapolis, IN

A ccom panistRodney Loren - Cory, IN

Orpheus OfficersRodney Loren - President Jim Fitzgerald - ChaplainBrad Garvin - First Vice-President Kay Buker - RobarianLori Lynn - Second Vice-President Jim Springer - HistorianJulie Hampton - Secretary Pam Gooden - Librarian

Randy Stegemoller -Business Manager

Larsen Fine Arts CenterThe Larsen Fine Arts Center was opened October 5, 1982 and dedicated February 17,

1983 at a cost of $3.5 million. It is named in honor of Mrs. Naomi Larsen, who taught in Olivet's Music Department 40 years until her retirement in 1975, and in memory of her late husband, Dr. Walter Burdick Larsen, who taught music at Olivet from 1930 to 1957 when his life was taken in a tragic automobile accident.

The Larsens have given sterling leadership to the College, and left a dynamic Christian impact on the lives of hundreds of students through their musical, spiritual and personal influence.

The Center houses the Division of Fine Arts which offers academic and activity programs in Music and Art. Music majors have choices of concentrations in Music Education, Musical Performance, Church Music, and a combination of Church Music and Christian Education. The Art major emphasizes painting, drawing, ceramics, graphics and photography. Students may also earn minors in Music or Art.

The Kresge Auditorium, seating 540, is an important feature of the Larsen Fine Arts Center. It is named in honor of Mr. and Mrs. Stanley S. Kresge. The Kresge Foundation of Troy, Michigan, made a gift of $200,000 to Olivet for this building, marking the third time the Foundation has contributed to building programs at Olivet. The Kresge Auditorium will be the site of dramatic productions, lectures and classes in addition to music recitals and concerts.

The Department of Music occupies classrooms and offices on the middle and upper levels of the Center. The Department of Art has classrooms and studios on the lower level.

The Music Department has 12 music studios/offices, 22 practice rooms, two ensemble rehearsal rooms, three classrooms, a reception/conference room, secretarial offices and workrooms. The Art Department has four classrooms, three studio/offices, a secretarial office, three photolabs and the Brandenburg Art Gallery.

The Music Department has 11 full time and 5 part time faculty members. The Art Department has two full time faculty members.

Performing groups of the Music Department include the Brass Consort, Concert Band, Stage Band, College Orchestra, Choral Union, Concert Singers, Orpheus Choir, Treble Clef Choir and Viking Male Chorus.

Dr. Harlow Hopkins is Chairman of the Division of Fine Arts and the Department of Music. Dr. Harvey Collins is Chairman of the Department of Art. Inquiries about academic programs, scholarships, concerts, recitals, displays or other special events may be addressed to these men.

Olivet Nazarene College is a four-year liberal arts college and is affiliated with the Church of the Nazarene. Its 1800 students come primarily from the four Midwestern states of Illinois, Indiana, Michigan and Wisconsin to take courses in 43 departments of study. The 160-acre campus is located 60 miles south of Chicago in the village of Bourbonnais, Illinois, on the northern edge of the city of Kankakee.

Olivet Nazarene College Department of Music

presents

FA C U LTY R ECITA L

c f lt L e e . (Ed u jcLx d jS ., tP ia n o

September 13, 198k 7:30 p.m.

Kresge Auditorium

Rondo in D Major. K. L85 .............................................Mozart

The Rondo in D major was composed in Vienna in January of 1786. It is a gracious, uncomplicated work that is really in a sonata allegro form rather than a rondo form. Perhaps the title reflects'the repeated appearances of the opening melody in a variety of keys, registers, and textures.

Sonata in E-flat major. Op. 8la "Das Lebewohl"............... BeethovenDas Lebewohl: Adagio— AllegroAbwesenheit: Andante espressive— Wiedersehen: Vivacissimamente

In 1809, Napoleon attacked Vienna forcing the imperial family to flee. Beethoven and the Archduke were great friends. The Archduke had studied piano and composition with Beethoven; there was mutual respect and admiration. During the two month French occupation, Beethoven composed the Sonata in E-flat M a j o r as an expression of the strong emotions aroused by the forced exile of the Archduke. Beethoven himself assigned the programmatic subtitles to each movement: Das Lebewohl-the Farewell; Abwesenhejt-Absence; and Das Wi edersehen-the Return.

Nocturne in D-flat major. Op. 27, No. 2 ........................ ChopinNocturne in A-flat, Op. 33 .......................................... Barber

The term "nocturne" was first used in the 19th century for short expressive pieces for piano. The title suggests night.The style is usually subdued and melancholy with a lyrical melody set above a rolling chord accompaniment. Although the Irishman John Field is credited with being the first to compose nocturnes, it was Frederic Chopin who brought them to musical prominence. It is interesting to compare Chopin’s nocturne, composed early in the 19th century, with Samuel Barber's nocturne, published in 1959. Barber's work retains some 19th century characteristics but clothes them in 20th century harmoni e s .

(o v e r )

Carnaval, Op. 9 ................1. PrAambule 12. Chopin2. Pierrot 13. Estrella3. Arlequin U . ReconnaissanceU. Valse noble 15. Pantalon et Colombine5. Eusebius 16. Valse allemande6. Florestan 17. Paganini (Intermezzo)7. Coquette Valse allemande8. RAplique 18. Aveu9. Papillons 19. Promenade

10. A.S.C.H.-S.C.H.A. 20. Pause(Lettres dansantes) 21. Marche des "Davidsbiindler"

11. Chiarina contre les PhilistinesCarnaval la a collection of short pieces based on a core

of four notes: A, 3 (German for E-flat), C, and H (Germanfor B natural). Schumann, who loved to play on the significance of special words, derived these notes from the name Asch, hometown of a girlfriend. They also happen to be the only musical letters in hia own name.

Schumann described Carnaval as a "humoristic masked romance." The work is full of musical portraits. Schumann himself is represented by Florestan and Eysebuys, pen names he used to represent the extrovert and introvert aspects of his personalitj Chiarina is Clara Wieck, whom Schumann later married. Estrella is the girlfriend from Asch; she sounds most domineering.Two other musicians are represented in Chopin and Paganini. Clowns from the old Italian Commedia del1-Arte appear in Pierrot, the reflective, in Arlequin, the rambunctious, and in Pantalon and Colombine, who always seem to be quarreling.The adventure concludes with the dramatic Morrh of the Band of David against the Phi 1i st ines, a tribute to an imaginary society of composers formed to do battle against cultural Philistines, those who favor the superficial and trite.

p r e s e n t s

STUDENT R ECI TAL

L a s c i a t e m i m o r i r e ............... C l a u d i o M o n t e v e r d eC y n d i Lar s o n , m e z z o - s o p r a n o

R o b i n F o s t e r , p i a n o

V e r g i n t u t t o a m o r .................F r a n c e s c o D u r a n t eD a w n B a t e m a n , m e z z o - s o p r a n o

J o e N o b l e , p i a n o

Gi a ' i l sole dal G a n g e ........ A l e s s a n d r o S c a r l a t t iN o r m a Rom e y , m e z z o - s o p r a n o

D a w n M o n t g o m e r y , p i a n o

S o n a t a in E m i n o r , H o b . X V I / 3 4 ......... J o s e p h H a y d nP r e s t oA d a g i oV i v a c e m o l t o■i C a r l a S u r f a c e , p i a n o

OLIVET NAZARENE COLLEGEDepartment of Music

K r e s g e A u d i t o r i u m S e p t e m b e r 21, 1984 1 1 : 3 0 a.m.

OLI V E T NA Z A R E N E COLLEGE Department of Music

p resent s

A N I T A B E C K , soprano

S H A R O N B A R R , mezzo-soprano

[lie a fui (Les Contes d' H o f f m a n ) Jacques O f f enbachLes olseaux dans la charmille (Les Contes d' H o f f m a n Jacques O f f enbach

Anita Beck, soprano Cin d y Spring, piano

S t a ndehen Op. 106, No. 1 .................................Wie Me l o d i e n zieht es mlr Op. 105, No. 1 ............De r Fruhling Op. 6, No. 2 ................... ^ ...........

Sharon Barr, m e i x o - s c p r a n o Carla Surface, piano

Pria c h ’adori ................................... Marco Antonio CestlEntziehe dlch eilends, m ein Herze oder Welt ......... J.S. Bach

Anita Beck and Shar o n Barr, duet Cindy Spring, harpsi c h o r d Theresa Woodruff, cello

/Frauen 1 iebe und Leben ................................................. Robert Schumann

Seit ich ihn gesehenIch k a n n ’s nlcht fassen, nlcht g l a u b e n Du Ring an mei n e m FingerNun hast du mlr den ersten Schmerz getan

Anita Beck, soprano C i ndy Spring, piano

B ergerettes (Pastoral Diddles) .................... h a r m o n i z e d by J.B. We c k e r l l nChantons les amour de Jean Juene FiI let te Bergere legere Venez, agreable prlntemps

Sharon Barr, m e z z o - s o p r a n o Carla Surface, piano

F r o m "The Bad Child's Book of Beasts" .............................. Donald MartinoThe Lion; The Tiger The Frog The Microbe

Anita Beck, soprano Cindy Spring, piano

Johannes Brahms Johannes Brahms Johannes Brahms

(over)

Songs From Moravia, Op. 32 ....

Don't Think That 1 Will Stay Fly O n Swallow Quick Before We're Parted Brooklet and Tears The Consol a t i o n

Anita Beck and Sharon Barr, duet Lisa Boss, flute

Pam Degner, violin 1 Mary Barwegan, violir II Jewell Grothaus, vicla Ter e s a Woodruff, cello

T h is r e c i t a l i s b e in g p re s e n te d in p a r t i a l f u l f i 1 Iment o f th e re q u i rcment s f o r th e B a c h e lo r o f S c ie n ce Degree w ith concen t r a t l on in M u s ic Educa t i on and B a c h e lo r o f S c ie n c e Degree w ith concen t r a t i on in C hurch M u s ic ,

• ................................ Ant o n i n Dvoraka r ranged by Sheryl Bi t n er/Ruthmar ic Eirr.er

K re sg e A u d ito r iu m Septenber lb , 198b 7:30 p.m .

S E N I O R R E C I T A L

C A R L A S U R F A C E , p ian o


S o n a t a in E m i n o r Hob. X V I / 3 4 ................... J. H a y d nP r e s t oA d a g i oV i v a c e m o l t o

I m p r o m p t u s , Op. 1 4 2 .............................F. S c h u b e r t1. A l l e g r o m o d e r a t o 3. T h e m e a n d V a r i a t i o n s

M i k r o k o s m o s , Vol. VI B. B a r t o kS i x D a n c e s in B u l g a r i a n R h y t h m s

C o n c e r t o No. 2 in G m i n o r , Op. 2 2 . . . . C. S a i n t - S a e n s A n d a n t e s o s t e n u t o

C i n d y S p r i n g , p i a n o

T h is r e c i t a l i s being p resen ted in p a r t i a l f u l f i l l ment o f the requirements fo r the Bachelor o f A r t s Degree in Piano Performance.

K r e s g e A u d i t o r i u m O c t o b e r 16, 1984 7 : 3 0 p.m.

p r e s e n t s

CHORAL UNI ONJoe N o b l e , D i r e c t o r

T i m Smith, p i a n o W i t h F e a t u r e d S o l o i s t s

S o n a t a in F M a j o r ............................. F. M e n d e l s s o h nA l l e g r o V i v a c e

L o l i t a Phe l p s , v i o l i n G e r a l d A n d e r s o n , p i a n o

P s a l m 100 .............................................. H. SchiitzM o t e t for d o u b l e c h o i r

(Sung in G e r m a n )C h o r a l U n i o n

N o c t u r n e in D-flat, Op. 27, no. 2 ............. F. C h o p i nN o c t u r n e in A-f l a t , Op. 33 ..................... S. Bar b e r

A l i c e E d w a r d s , p i a n o

S i n g w e a n d c h a n t it ............................. T. M o r l e yA p r i l is in m y M i s t r e s s face ................... T. M o r l e yMy B o n n i e lass she s m i l e t h ...................... T. M o r l e y

C h o r a l U n i o n

J e u x ............... ............................... ....... J * I b e r tI. A n i m e

11. T e n d r eB e c k y E s t l u n d , flute A l i c e E d w a r d s , p i a n o

C a n t a t e D o m i n o ................................. J.P. S w e e l i n c kM o t e t for five v o i c e s

( S u n g in Lati n )C h o r a l U n i o n


O c t o b e r 18, 1984 7:30 P.M.K r e s g e A u d i t o r i u m

P s a l m 100 E n g l i s h T r a n s l a t i o n

Sho u t and be joyful, all ye lands.J o y f u l l y s ing to G o d the Lord,Se rve H i m w i t h joy a n d w i t h g l a d n e s s .

Come ye b e f o r e the L o r d G o d w i t h s i nging,For k n o w ye that the L o r d is o u r God, lie h a t h m a d e us all, not w e o u r s e l v e s ,We are His flock, in His q u iet p a s t u r e s g r a z i n g .

E n t e r His g a t e s to g ive H i m t h a n k s w i t h T h a n k s g i v i n g ,And into His p r e s e n c e to p r a i s e Him.

T h a n k ye Him.S i n g a n d p r a i s e His n ame a n d b l e s s it,For the L o r d is g r a c i o u s ,Ilis l o v i n g k i n d n e s s e v e r l a s t i n g .Ilis t r uth e n d u r e t h e v e r m o r e .

G l o r y to the F a t h e r a n d the Son a n d to the Holy Spiriir. As in the b e g i n n i n g n o w a n d e v e r m o r e shall be.Amen, Amen!

C a n t a t e D o m i n o E n g l i s h T r a n s l a t i o n

0 sing ye to the L ord

0 s ing ye to the Lord,J o y f u l l y p r a i s e Him,

0 s ing ye to the Lord,All ye people,

0 s ing ye to the Lord.We b l e s s J e h o v a h a n d m a k e His n ame holy.

D e c l a r e to all men, b o t h n o w a n d forever,G r e a t is His Sa l v a t i o n ;

D e c l a r e to all t h e m w h o are h e a t h e n G o d ' s w o n d r o u s gi ry So that the p e o p l e will k n o w G o d of c r e a t i o n .

presentsSTUDENT RECITAL


Come S aturday M o r n i n g ...................................................... Fred K a r l i nFeelings Morris AlbertM oon River Johnny Mercer & Henry Mane in:

Instrumental Activities Class Denise Sell Paula G arrett Debbie DevidalJayne Pi c k e r i n g Pamela Sebben Debbie M a rshJanet M outray

Ruthmarie Eiraor, piano

Duet for V i o l i n & V i ola in G W.A. MozartAll e g r o

Pam Degner, violin Carrie Childers, viola

S t a ndchen G.F. H a n d e *Cyndi Larson, mezzo- s o p r a n o

C i ndy Spring, piano

Vado ben s p e s s o ................................................................... S. RosaRic Parks, baritone

Rod Loren, piano

Sonata In Bb major, L. 500.................................................. 0. ScarlattiDiana Miller, piano

Now Is the M o n t h of M a y i n g T. Morl e yW hen T o Her Lute Cor i n n a Sings ............................................ T. Campion

K e lly Shadrick, mezzo - s o p r a n o C i ndy Spring, piano

My Lov e l y C e lia ....................................... G. M o nroJ o h n A. Brewer, baritone D awn Montgomery, piano

Sonata in F major, Hob. XVI:23 ........................... J. HaydnDiana Williams, piano

The L o r d ’s Pray e r .......................................................... Michael HeadRod Loren, baritone Ci ndy Spring, piano

Ridente La C a l m a ......................................... W.A. MozartKay Buker, soprano

Dawn Montgomery, piano

Se nel ben sempre .................................................... A. StradelloBruce Yates, tenor Joe Noble, piano

Kresgt* Auditorium O ctober 19. 1986 1 1 :30 A.M.

Treble Clef ChoirVoices in Praise

1984 Fall Tour

Linda L. DunbarConductor

Diana Miller Cynthia Payne

Accompanists

Olivet Nazarene College

Kankakee, Illinois

Dr. Leslie Parrott, President

Treble Clef Program

Handbell PreludeThe Master's Musicians Director, Sharon Barr

Congregational HymnFestival Alleluia................................................................. Allen PoteSing Praises............................................................ L. Stanley GlarumDay by D ay..................................................................... Martin How

Treble Clef Choir

PRAYER..................................................................................... PastorSing Unto the Lord.......................................................... Julie Knowles

Soloists: Cheryl Dilts or Angela McCord

Empty Hands................................................................... Tom FettkeViolinist: Lisa Chambers

I Am Thine O Lord................................................... Crosby-Arr. J. LinnMaster's Musicians

RAGGEDY ANN & ANDY OFFERTORY Soloist (s) - Lisa Foster, piano

Marla Grasmeyer, saxophoneONC PROMOTIONGotta Have Religion.......................................................... Noble CainSteal A w ay................................................... Spiritual, Arr. MickelsonStandin' on the Walls of Z ion....................... Spiritual - Maurice Gardner

Treble Clef with joyce Dean, soloist

I Have Decided To Follow Jesus.....................................Arr. MickelsonHow Excellent Is Thy Name Eugene ButlerBENEDICTION

The conductor of the group is Linda Dunbar, who holds a Bachelor's Degree from ONC. She has taught part-time and is presently teaching full-time in class and private voice at ONC since returning to ONC with her husband in 1970.

The Treble Clef Choir has inspired the hearts of people with its singing about the Christian faith. Besides singing in several of the United States, the Choir has made three trips to Europe and the British Isles to sing in the European Nazarene churches.

The 42 young women represent the full range of academic majors and interests at the College. A ten-member Handbell Choir will also present selections.

Personnel

SopranoIJoycelyn Dean - Homewood, IL Cheryl Dilts - Plymouth, Ml Vickie Kidd - Richmond, IN Connie Lafquist - Springfield, IL Angie Mayfield - Ellettsville, IN Andrea Ray - Troy, Ml Cheryl Shira - Newark, DE Nadene Smith - St. Anne, IL

IILisa Bogue - Tipton, IN Melody DeArmond - Decatur, IN Penny Falkenburg - Belleville, IL Cheryl Lawton - Chesaning, Ml Kathleen Leeney - Munster, IN Marsha Lohry - Buchanan, Ml Carolyn Matson - Bensenville, IL Susan Meek - Spencer, IN Debra Meyer - Kankakee, IL Diana Miller - Lynnville, IN Angela McCord - Fenton, II Dawn Schoenwetter-Waterloo, WI Susan Sebben - Rock Island, IL Jean Watkins - Portland, IN

AltoILisa Chambers - Terre Haute, IN Janet Davis - Bloomington, IL Martha Davis - Round Lake, IL Leanne Empie - Ravenna, Ml Lisa Foster - Peoria, IL Marla Grasmeyer - Muskegon, Ml Jenny Moore - Fort Wayne, IN Pam Sebben - Rock Island, IL Dawn Singell - Edmore, Ml Jeanette Westenberger -

Davenport, IA Lisa Zechinato - Dimondale, Ml

I IKandra Dilts - Plymouth, Ml Pam Fulton - South Lyon, Ml Tina Miser - Morton, IL Anna Moore - Holland, Ml Diane Nelson - Rockford, IL Cynthia Payne - Muncie, IN Amy Rutherford - Holly, Ml Robin Starling - Newark, IL Melinda Wedmore - Muncie, IN

OfficersPresident - Tina Miser

Vice-President - Angela Mayfield Secretary - Janet Davis

Treasurer - Robin Starling Chaplain - Jeanette Westenberger

ItineraryOctober 14 - Bradley Church of the Nazarene

Homecoming Sunday, Bradley, IL October 26 - Lowell Church of the Nazarene

Lowell, INNovember 10-7 p.m. - Rantoul Church of the Nazarene

Rantoul, ILNovember 11 - 11 a.m. - Bloomington First Church of the Nazarene

Bloomington, IL 6 p.m. - Rock Island First Church of the Nazarene

Rock Island, IL December 4 - ONC Chapel








The Music Department has 11 full time and 5 part time faculty members. The ArtDepartment has two full time faculty members.




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Program

Orchestral Suite No. 1 in C .,Ouverture

J. S. Bach (1685-1750)

CouranteGavotte

ForlaneBoureePassepied

Johann Sebastian Bach came from a family that from the 16th to the early 19th centuries produced musicians of every kind in number beyond parallel — from fiddlers and town musicians to organists, Kanters, court musicians, and Kapellmeisters. Johann Sebastian was the greatest among them.

The four orchestral suites are festive compositions which were generally performed at ceremonial occasions during Bach's time. The work is in seven movements. The overture is in typical French Ouverture form, having similar opening and closing Adagio sections that are characterized by pom poso dotted figures. The middle section, approximately twice as fast as the Adagio, is a four- voice fughetta. The fughetta is interspersed with short episodes, usually played by the oboes and bassoon.

The French Courante is an elegant courtly dance, in contrast to the quick, folk- oriented Italian Corrente.

The Gavotte was a French dance of the 17th century, coming into vogue when Lully introduced it into his ballets and operas.

An energetic dance of courtship, the Forlane had its origins in northern Italy in the 16th century. This is the only instance in which Bach used this dance form.

The Bouree, originally a folk-dance in quick duple meter with a single upbeat, became a courtly dance in France in the 17th century.

The suite ends with a Passepied, a spirited dance in a quick 3/8 that was very popular during the reigns of Louis XIV and Louis XV. It is said to have come from

The 3rd Symphony — the most popular of his six early symphonies— was composed when Schubert was 19 years old. It is a classically-conceived work, and as such, does not show the introspectiveness and maturity of Schubert's later, more forward-looking works. However, Schubert's penchant for spinning off beautiful melodies is clearly evident here, and the music never lacks for charm.

Brittany.

Symphony No. 3 in D

Adagio Maestoso Allegro con brio Allegretto

Franz Schubert (1797-1828)

Menuetto (vivace)Presto (vivace)

INTERMISSION

A ppalachian S prin g ............................................ Aaron Copland (b. 1900)Suite for thirteen instruments

Appalachian Spring was composed for thirteen instruments in 1944 as a ballet for Martha Graham — who chose the title from a poem by Hart Crane — on a commission from the Elizabeth Sprague Coolidge Foundation. It was first performed by Miss Graham and her company at the Library of Congress, Washington, D .C ., in 1944. The work was later re-scored for full orchestra by the composer.

The work is a folk-like pastoral, built around declamations— brief statements and counterstatements— with angular as well as gracefully arched melodies. Alternately proclaiming and withdrawing, the music dramatizes the conflict between the vernacular and the personal — between the great public and the isolated individual. The balance between public declamation and elegiac meditation is reflected in the "theme" of the ballet (and in much of Copland's music): T o be left quiet and strong and separate— yet to be defined in a community and to contribute to a tradition.

Concerning Copland's compositional tools, the rhythmic structure of his orchestral works relies for long stretches on traditional patterns of dance and march, with steady tempos enlivened by odd accents and phrases. He displays a fondness for wide, empty intervals — tenths, bare fifths and sixths. Appalachian Spring is kept moving by melodic expectation, as well as the ever-changing details of sound which are planned to express the emotional development of the whole work.

The work builds up to the Shaker tune (which is stated unmodified) and enroute moves readily from a playful, dancing, jubilant mood, to reflectiveness, to tenuousness, with the melodic material derived motivically from the Shaker tune. After the Shaker variations, the final form of the melody which opened the work appears, not as a mere coda after the glorified variations, but as a fulfillment to which all the variations and the intervening hesitant prayer have led.

Copland points out that the work was primarily created for Martha Graham, his stated goal being that of reflecting the unique quality of a human being, an American landscape, and a way of feeling. He also provides this program note:

The action of the ballet concerns "a pioneer celebration in spring around a newly-built farmhouse in the Pennsylvania hills in the early part of the last century. The bride-to-be and the young farmer-husband enact the emotions, joyful and apprehensive, their new domestic partnership invites. An older neighbor suggests now and then the rocky confidence of experience. A revivalist and his followers remind the new householders of the strange and terrible aspects of human fate. At the end the couple are left quiet and strong in their new house."

Personnel

Flute‘ Cindy Fouser Pam Whetsell

Oboe‘ Darrel Hoffman Robert Folsom

Clarinet‘ Bonnie Agner Graham Bryan

Bassoon‘ JoAnn Lichte Susan Johnson

Horn‘ Lori McRoberts Steve Bell

Trum pet‘ John Brewer Roland Kirkwood

TimpaniBrenda Hanson

Harpsichord and PianoSara Reed

Violin I“ Pam Degner

Laurie Koehn Michelle Zanky Patty Lane Julie Tomisek

Violin IIJennifer Wilkins Mary Barwegen Marion Etzel George Shutak

Viola‘ Carrie M. Childers Carolyn Borner Janis Koehn Jewell Grothaus

Cello‘ Dave Forsner Susan Sieben Teresa Woodruff Greta Kettleson

Double BassFred Kuester

‘ Denotes section principal “ Denotes Concertmistress

Ofc&gtEDUCATION WITH A CHRISTIAN PURPOSE

Viking Male Chorus"For Thee We Sing"

1984 Fall Tour

JOE M. NOBLE CONDUCTOR


Kankakee, Illinois Dr. Leslie Parrott, President

Worship Service

IAlma Mater.......................................................................Byron CarmonyInvocation.............................................................................. The PastorRise Up, O Men of God.................................................. Kenneth JenningsThe New 23rd...............................................................Ralph CarmichaelEv'ry Time I Feel the Spirit................................................ arr. R. Carmichael

Charles Taylor, Baritone Selections from Viking Members

I IA Mighty Fortress Is Our God............................................. Luther/MuellerI Want To Be There.........................................................Peterson/AnthonyThe Lord's Prayer...............................................................Albert Malotte

Bruce Yates, TenorPrayers of His People

I Will Arise and Go to Jesus....................................... arr. Dick AnthonySeason of the Long Rains......................................... Ralph CarmichaelMy Prayer................................................................... Larry Mayfield

O Father in Heaven........................................................... Larry MayfieldIII

Offering................................................................................. The PastorSelections from Viking members Amazing GraceIn Tenderness He Sought Me............................................. Gordon/Anthony

Kevin Willis, tenorTestimonies of PraiseRise Up, O Church of God.......................................................Otis Skillings

The Church's One Foundation How Firm a Foundation Glorious Things of Thee Are Spoken O Breath of Life

Randy Bateman, Narrator Benediction.............................................................................The Pastor

The 24-voice Viking Male Chorus is carefully selected by audition from the students of Olivet Nazarene College, and represents the full range of academic majors and interests. They combine the traditionally popular sound of men's voices with the highest standards of musicianship, creating a listening experience which is truly unique.The Vikings are in regular demand for concerts, church services, service clubs, conventions, and television appearances. They participated in the Inaugural Activities during the Inauguration of President Jimmy Carter. The 1977-78 concert season included appearances in Nassau in the Bahamas and at Walt Disney World, Florida.The conductor of the group is Joe M. Noble, who holds a bachelor's degree from Luther College, Decorah, Iowa, and holds a master's degree from the University of Iowa. He has completed all work and prelims for a doctoral degree from the University of Iowa. Mr. Noble conducts Choral Union and teaches voice and music education courses at Olivet.

Personnel

TENOR IKevin Bodine, Chicago Heights, IL Senior, Elementary EducationNicky Henderson, Omaha, IL ............................ Junior, Christian EducationMark Smith, Chelsea, M l......................................Sophomore, EngineeringKevin Willis, Nachusa, IL ....................................... Junior, Music EducationTENOR IIRandy Bateman, Granger, IL ................. Junior, Sociology and CommunicationChris Bentfield, Pontiac, M l......................... Junior, Business AdministrationTony Beville, Sullivan, IN Junior, Romance LanguagesHarry Brown, Otsego, M l......................... Freshman, Religion and PsychologyBruce Yates, Shelbyville, IL ....................................Sophomore, PsychologyBARITONELarry Brincefield, Selma, IN .................................. Senior, Biblical LiteratureBrett Frankhauser, Lemont, IL ...................................Sophomore, JournalsimJames High, Havanna, IL ............................................ Sophomore, ReligionDavid Rant?, Otsego, M l..............................Sophomore, Computer ScienceCharles Taylor II, Fort Wayne, IN ..............................Junior, Music EducationGreg Taylor, Bloomington, IL ............................... Sophomore, ArchitectureMichael Taylor, Bloomington, IL .......................................... Junior, ReligionWilliam Yergler, Matteson, IL Junior, Accounting & Computer ScienceBASSTed Dorsey, Watseka, IL ......................................... Freshman, EngineeringBen Forsythe, Marshall, IL ....................................... Freshman, AccountingMark Howard, Bradley, IL ............................................ Sophomore, PhysicsJoseph Ireland, Rockford, IL ........................................................ ReligionWarren Johnson, Dassel, IL ..............................Sophomore, Music EducationDavid White, Danville, IL ....................................................Senior, History

INSTRUM ENTALISTSWarren Johnson, pianoDavid Rantz, pianoGreg Taylor, pianoRandy Bateman, trumpetKevin Bodine, trumpetNicky Henderson, trumpetMark Chapman, electric bass guitar

O FFICERSRandy Bateman, President Warren Johnson, Vice-President David Rantz, Secretary David White, Treasurer Michael Taylor, Chaplain Tony Beville, Variety Show Chairman Larry Brincefield, Historian Chris Bentfield, Robarian/Librarian

Itinerary Fall, 1984

October 21 P.M.Westbrook Church of the Nazarene Kankakee, Illinois

November 10 P.M.Clinton Church of the Nazarene Clinton, Illinois

November 11 A.M .Faries Parkway Church of the Nazarene Decatur, Illinois

November 11 P.M.Mattoon Church of the Nazarene Mattoon, Illinois

November 30 and December 2 P.M.College Church of the Nazarene Bourbonnais, Illinois

Messiah, by George F. Handel













presents STUDENT RECITAL

The Water Mill R. Vaughan WilliamsDie Taubenpost .......................................... F. SchubertChe faro senza Euridice .......................... C.W. Vor. Gluck

JoAnn Lichte, mezzo-soprano

Bright is the ring of words ............... R. Vaughn WilliamsBeau Soir C. Debussy"Infelice! e tuo credevi" from E r n a n i ................. G. Verdi

Bradley G a r v i n , Bass

StSndchen .................................................. J. Erahm.sFrom The Messiah ...................................... G.F. Har.de 1

Behold1 A virgin shall conceive 0 Thou that tellest good tidings to Zion

Lasciatemi morire .................................. C. MonteverdeNow Sleeps the Crimson Petal .................... Roger Quiiter

Cyndi Larson, mezzo-sopranc

The Cloths of Heaven .............................. Thomas DunhiliLes Berceaux ............................................... G. FaureDeh vieni, no tardar .................................. W.A. Mozart

Bonnie Kingston, soprano

0 Mistress Mine ..................................... Roger Quiiter1 attempt from love's sickness to fly H. PurcellLasciatemi morire C. Monteverde

Patrick Skelly, baritoneMein Herr Marquis "Die Fledermaus" ............ J . StraussA Simple Song ......................................... L. BernsteinRidente la calma ....................................... W.A. Mozart

Kay Buker, soprano

My Lovely Celia ....................................... George MonroDie beiden Grenadiere ............................ Robert SchumannFrom The Messiah ....................................... G.F. Handel

Thus Saith the Lord But who may abide the day

John A. Brewer, baritone

This recital is being presented by students participating in the National Association of Teachers of Singing contest.

Sheryl White-Ford, accompanist Cindy Spring, accompanist

November 1, 198A 7:30 p.m.Kresge Auditorium

O L I V E T N A Z A R E N E C O L L E G E D e p a r t m e n t of M u s i c

p r e s e n t s

S T U D E N T R E C I T A L

S o n a t a in C m a j o r , L. 104 .............. D. S c a r l a t t iC a r l a H e n r y , p i a n o

M i n s t r e l s C. D e b u s s yB r e n d a H a n s o n , p i a n o

1 K n o w W h e r e I ' m G o i n g .......... arr. V a n A. C h r i s t yR o b i n F o s t e r , s o p r a n o C y n t h i a P a y n e , p i a n o

F a n t a s i a a n d R o n d o f r o m o p . 3 4 ...... C.M. v o n W e b e rF a n t a s i a M o v e m e n t

T o d d Z i n k a n n , c l a r i n e t B o n n i e A g n e r , p i a n o

C o m f o r t Ye ...................................... G . F . H a n d e lJ o h n L y n n , t e n o r


S o n a t a in E M i n o r , op. 7 ..................... E. G r i e gJ e n n i f e r W i i k e n s , p i a n o

N o w S l e e p s the C r i m s o n P e t a l R o g e r Q u i l t e rJ i m P e n c e , t e n o r J o n Lee, p i a n o

T u r n a b o u t s R o b e r t C u n d i c kM o v e m e n t 2 M o v e m e n t 4

S h a r o n S a b e l f e l d t , c l a r i n e t C y n t h i a P a y n e , p i a n o

H e r e A m i d the S h a d y W o o d s ................ G . F . H a n d e lC o n n i e L o f q u i s t . s o p r a n o D a w n M o n t g o m e r y , p i a n o

C a n t a b i l e et P r e s t o .................... G e o r g e s E n e s c oP r e s t o

C i n d y F o u s e r , f l ute J e n n i f e r W i i k e n s , p i a n o

N o v e m b e r 2, 1 984 K r e s g e A u d i t o r i u m


Komm, heiliger Geist, Herre Gott BWV 651. ...J.S. Bach


Rodney Loren, organ

The Lake of Wallenstadt ......................... F. LisztDiana Williams, piano

Fantasia ft Rondo ...................................... WeberRondo

Todd Zinkann, clarinet Dawn Montgomery, piano

Selve amlche Antonio CaldaraCharles Taylor, baritone

Cynthia Payne, piano

Sonata III, ”Ach Gott,wem soli ich's klagen" .................... Hindemith

Second Sonata, Allegro maestoso vivace ... .Mendelssohn Greg Taylor, organ

"Beau Soir" .......................................... DebussyPam Degner, violin arr. J. Heifitz Cindy Spring, piano

Two sketches from Op. 22 ........... Sergei ProkcfieffNo. 10, Ridicolosamente No. 11, Con vivacita

Jeff Webb, piano

Suite I ......................... ......... J.S. BachSarabandeGigue

Bonnie Agner, clarinet

Papillons ...................................... R. SchumannCindy Spring, piano

Tu es P e t r a ............................................. JliletRod Loren, organ

November 16, 1984 11:30 a.m.College Church of the Nazarene

OhfctEDUCATION WITH A CHRISTIAN PURPOSE

Concert Band"Instruments o f Praise"

1984 Fall Tour

Paul A . Germano, Conductor

Olivet Nazarene College Kankakee, Illinois


Program

Invocation.......................................................................................... The Pastor

Hymn Fantasy for B and .........................................................James D. Ployhar

Colonel Bogey M arch ...........................................................................K. Alford

Canzona Peter Mennin

Words About Olivet

Intrada: Adoration and P raise Claude T. Smith

My Jesus, Oh, What Anguish..................................... J.SBach/Alfred Reed

Words About Christ

Offering

God of Our Fathers Claude T. Smith

Chorale and Shaker D an ce John Zdechlik

Benediction........................................................................................ The Pastor

The Concert Band is Olivet's oldest musical organization, now in its 68th season. M embers are selected from the student body through audition at the beginning o f the school year.

Mr. Paul A. Germano graduated from Millikin University in 1977 with a Bachelor's Degree in Music Education, and is employed by the Herscher School District where he teaches Instrumental Music in Grades 5-8 at Limestone School. Mr. Germano has conducted the Stage Band at Olivet for the past 3 years and is currently conducting the Concert Band in the absence of Dr. Harlow Hopkins, who is on sabbatical leave this semester.

OfficersPresident - Jill Ferree Chaplain - Howard NewcombVice-President - Bonnie Agner Historian - Dave ReesSecretary - Sheila McDonald Librarian - Becky AllenTreasurer - Brenda Ousley Publicity - Jo Ann Lichte

Kelly Bryant

PersonnelFluteBecky Allen - Lisle, IL Jill Ferree - Pontiac, MI Nanci Aylor - Shawnee Mission, KS Brenda Ousley - Columbia City, IN Cynthia Crawford - Pekin, IL Cindy Fouser - Kewanee, IL Danis Yocum - Leaf River, IL Michelle King - Dayton, OH Beth Riley - Rockford, IL

OboeDarrel Hoffman - Flint, MI

ClarinetBonnie Agner - Nashville, GA Kevin Webster - Benton, IL Eileen Corbus - Ottawa, IL Robin Snyder - Wyoming, MI Kelly Bryant - Marshalltown, IA Todd Zinkann - Kankakee, IL Sharon Sabelfeldt - Centralia, IL Kathy Matson - Milwaukee, WI Dawn Singell - Edmore, MI

Bass ClarinetKim Unger - Greenville, IL Tammy Whetsell - Havana, IL

BassoonJoAnn Lichte - Tampa, FL Susan Johnson - Elgin, IL

A lto SaxophoneBeth Meyers - Union Grove, WI

Trum petJohn Brewer - Muncie, IN Lori Stanley - Bourbonnais, IL Sheila McDonald - Elkhart Lake, WI Dave Allen - Somerset, KY Ellen Fewell - Rockford, IL

HornMike Turnbull - Hale, MI Lori McRoberts - Danville, IN Phill Davisson - Liberty, IN Anna Moore - Owosso, MI

Trom boneBert Ackerman - Oak Lawn, IL Dan Cox - Ridgeville, IN Regina Rowe - Kendailville, IN

TubaCindy Payne - Muncie, IN

PercussionHoward Newcomb - Arlington, OH Scott Peace - Hillsville, PA Dave Rees - Winchester, IN Brenda Hanson - Amegard, ND

Saturday, O ctober 13

Sunday, N ovem ber 4 6 P .M .

Saturday, N ovem ber 17 7 P .M .

Sunday, N ovem ber 18 11 A .M .

6 P .M .

Schedule Fall 1984

Homecoming Performance

College Church of the Nazarene Bourbonnais, IL

St. John's Church of the Nazarene St. John's, MILansing South Church of the Nazarene Lansing, MI

Three Rivers Church of the Nazarene Three Rivers, MI













Department of Music

Presents

George F. Handel's

Joe M. Noble, Conductor

College Church of the Nazarene John Bowling, Pastor

Friday, November 30, 1984 at 7 :30 p.m . Sunday, December 2, 1984 at 6 :00 p.m .

Harlow Hopkins, Chairman, Division of Fine Arts Leslie Parrott, President

Friday, November 30, 1984

Invocation.................................................................... Dr. Willis Snowbarger

SoloistsAMY RANSOM CYNDI LARSON JOHN LYNN . . .JOHN BREWER .

Sunday, December 2, 1984

Invocation Dr. Leslie Parrott

SoloistsKELLI MILLAGE A RM EN TRO U T................................................. SopranoJOANN LIC H T E .......................................................................................... AltoJOHN LY N N .............................................................................................. TenorSCOTT A P P L E ............................................................................................ Bass

Harpsichord Rodney LorenO rg a n Mary Jane HolsteinMaster's Musicians D irector....................................................... Sharon BarrOlivet Orchestra D irector Lolita PhelpsChoral Union D irector Joe NobleStudent Assistant.......................................................................Randy Bateman

M aster's MusiciansCheryl Lawton Annamarie Moore Dawn Singell Jeannette Westenberger

Janet Davis Martha Davis Angela McCord Leanne Empie

Soprano . . . Alto . Tenor

. . . Bass

Program

Prelude, Master's Musicians Invocation

PA R T IOvertureRecitative (Tenor) Comfort ye my people Isaiah 40:1-3A ir (Tenor) Ev'ry valley shall be exalted Isaiah 40:4Chorus And the glory of the Lord Isaiah 40:5

Recitative (Bass) Thus saith the Lord Haggai 2:6, 7 - Malachi 3:1A ir (Bass) But who may abide the day of His coming7 Malachi 3:2

Recitative (Alto) Behold! A virgin shall conceive Isaiah 7:14 -Matthew 1:23

A ir (Alto and Chorus) O Thou that tellest good tidings Isaiah 40:9

Recitative (Bass) For behold! Darkness shall cover the earth Isaiah 60:2,3 A ir (Bass) The people that walked in darkness Isaiah 9:2Chorus For unto us a child is born Isaiah 9:6

Pastoral Symphony

Offering

Recitatives (Soprano) There were shepherds Luke 2:8And lo! the Angel of the Lord Luke 2:9And the Angel said unto them Luke 2:10-11And suddenly there was with Angel Luke 2:13

Chorus Glory to God Luke 2:14

A ir (Soprano) Rejoice greatly, O daughter of Zion Zechariah 9:9 ,10 Recitative (Alto) Then shall the eyes of the blind be opened Isaiah 34:5,6 Air (Alto) He shall feed His flock Isaiah 40:11Air (Soprano) Come unto Him Matthew 11:28,29

PA R T IIAir (Alto) He was despised Isaiah 53:3Chorus Surely He hath borne our griefs Isaiah 53:4,5Recitative (Tenor) Thy rebuke hath broken His heart Psalm 69:20Air (Tenor) Behold, and see Lamentations 1:12

Chorus Lift up your heads, O ye gates Psalm 24:7-10Chorus Hallelujah Revelation 19:6; 11:15; 19:16

PA R T IIAir (Soprano) I know that my redeemer liveth Job 19:25,26

I Corinthians 25:20Chorus Worthy is the Lamb that was slain Revelation 5:12,13Chorus Amen

Choral Union Members

SopranoKelli Armentrout Connie Brunner Kay Buker Kim Collins Jocelyn Dean Vernetta Drake Ruth Marie Eimer Leanne Empie Penny Falkenberry Cindy Fouser Robin Foster Bonnie Kingston Kathy Leerey Kelli Lobb Connie Loftquist Grace Massey Angela Mayfield Brenda Mecklenburg Veronica Morrau Laurie Myers Beth Parnell Lee Ann Pence Amy Ransom Carol Rittenhouse Lisa Robison Cindy Spaulding Connie Stanley Jann Stice Jeanie Watkins Dorothy Weber Beth Wells

AltoBonnie Agner Sharon Barr Dawn Bateman Lisa Bogue Jean Brunner Judy Caldwell Cindy Crawford Kim Dannenberg Patty Davidson Ellen Gipple Carla Henry Eulene Hilgendorf Karen Lamb Cyndi Larson JoAnn Lichte Betty Linton Barbara Lohrbach Tammy Lowele Diana Miller Dawn Montgomery Janet Moutray Coletta Nichols Cindy Payne Betty Reynolds Judy Rich Norma Romey Regina Rowe Sharon Sabelfeldt Kelly Shadrick Laura Siemsen Erin Smith Jenny Wilkens Teresa Willson

BassScott Apple Mark Arni Tony Beville Tom Bridgeman Larry Brincefield Harry Brown Dan Cox Ted Dorsey Charles Eason, Jr. Ben Forsythe Brett Frankhauser Mark Fryar Brad Garvin Michael Gregerson John Gwin James High Mark Howard Grieg Hutchen Joe Ireland Warren Johnson Stephen Leigh Leo Lewis, Jr. Mark Parker David Rantz Ray Rapier Charles Taylor II Greg Taylor Michael Taylor Glenn Tucker David Walters Jeff Webb Nat Wells David White William Yergler

TenorRandy Bateman Chris Bentfield Kevin Bodine John Brewer Nicky Henderson Darrel Hoffman Robert Justice Kevin Kirkpatrick Dean Lorhbach

John Lynn David Rees Mark Smith James Springer Burton Webb Jerry Wilkens Kevin Willis Bruce Yates

Orchestra*Pam D egner.........................................Violin ILolita Phelps Violin IBethe H agens Violin IGeorge Sh u tak Violin IMary Barw egan Violin IJennifer W ilkens Violin IIMarcus Van Ameringen Violin IILaurie K o eh n Violin IIAnita T u rner Violin IIJanet R ic e Violin IIAndrea C am p e Violin IICarrie C hild ers.................................... ViolaJanis K o eh n ........................................... Viola

*Concertmaster

Carolyn B o m e r ......................................... ViolaJewell G routhaus.......................................ViolaDavid Forsn er......................................... CelloTeresa W oodruff.......................................CelloSusan S ie b e n ........................................... CelloFred K uester..................................................BassLarry Bannister......................................... BassRobert Folsom ........................................... OboeJulie H indsley......................................... OboeSusan Jo h n so n .................................. BassoonEric Penrod...........................................TrumpetBrian K ennedy.................................... TrumpetBrenda H an sen.................................. Tympani

OLIVET NAZARENE COLLEGE PRESENTS

O l i v e t N a z a ren e C o l l e g e S t a g e Band P a u l A, Germano - C o n d u c to r M ike Venn - G u e s t S o l o i s t K r e s g e A u d i t o r i u m L a r s e n F i n e A r t s C e n t e r T u e s d a y , December A th , 198A 7 :30 p. m.

PROGRAM

J u s t t h e Wa y You Ar e . . . Ar r . P e m b e r t o n

Lea p F rog . . . b o . . . . . . . . . . . . . . . . . Ar r . Ga r l a n d

S p r i n g Can R e a l l y Ha n g You Upt h e Mo s t . , . . . . . . . . . . . . . . . . . Ar r . Ma n t o o t h

-M i k e V e n n -

Sw e e t Ge o r g i a B r o w n . . . . . . . . . . . . . Ar r . Ne s t i c o

-M i k e V e n n -

' R ound Mi d n i g h t ...............................Ar r . Mc Do u g a l l

Ha y B u r n e r ............................................ Sammy Ne s t i c o

J i n g l e B e l l s Ro c k .......................... Ar r . Ar m e n t r o u t

Co u n c i l Gr o v e Gr o o v e . . . . . . . . . . F r a n k Ma n t o o t h

S t a g e B a nd P e r s o n e l

Al t o S a x

Gr a h a m B r y a n Br a n s o n R o b e r t s Sh a r i F l u h a r t y

Te n o r S a x

Todd Z i n k a n n Don Oe s c h

Ba r i S a x

R i c k P a r k s

P i a n o

Gr e i g Hu t c h e n s

Tr u m p e t s

J ohn B r e w e r Da v e Al l e n K i r t He n d r i c k E r i c P e n r o d

Tr o m b o n e s

B e r t Ac k e r m a n Dan Cox C i n d y P a y n e Pa u l B i s c h o f f

Ba s s

J ohn S t r a w Pa u l a M i t c h e l l

Dr u m s

Da v e R e e s

f)l. I V KT NA7.AUENE COLLEGE Department of Music

presents .STUDENT RED IT At.

Bonjour, S u z o n ............................................ DelibesAngela Mayfield, soprano

Robin Foster, piano

Suite .................................................. Paul CrestonPast ora 1 e Scherzoso

Kevin Webster, clarinet Rod Loren. piano

Zueignurig.................................................... StraussDorma Pierce, mezzo-soprano

Scott, Apple, piano

An die haute ...........................................F. SchubertBruce Yates, baritone

Joe Noble, piano

A Lute Carole Mary E. CaldwellAngela McCord, soprano

Ciridy Payne, piano Rebecca Allen, flute

Trauermusik "Music of Mourning"............... Paul HindemithI l.angsnm

I I Rulig bewogtCarrie Childers, viola

Carla Henry, piano

Then Shall Have Great P e ace........................ Kurt KaiserKay Buker, soprano


Fantasia and R o n d o .......................................... WeberRondo

Todd Zinkann, clarinet

Jesu Farvule ........................................... Alfred BurtRodney Loren, baritone Cindy Spring, piano

Divertimento No. 1 W.A. MozartA Llegro Adagi o Rondo

.foAnn Lichte, bassoon Bonnie Agner, clarinet Cindy Eouser, flute

Southern Rose: Fred WeberGypsy Sweetheart.......................................... Fred WeberOne, Two, Three, Oom-pah-pah........... arr. James D. Ploghar

Brass Instruments ClassKresge Audi tori urn December 7, 1 o8/«

< y s

Orpheus Choirin

Washington, D.C.

January 1985vItinerary

January 2 Faith Memorial Church, Lancaster, OH January 3 First Church of the Nazarene, York, PA January 5 The Base Chapel, USAECFB, Ft. Belvoir, VA January 6 The Washington Cathedral (morning)

First Church of the Nazarene, Washington, D.C. (afternoon)

Olivet Nazarene College Dr. Leslie Parrott, President

Orpheus Choir January 1985

Soprano AltoMichelle Brian - Davison, MI Karen Abbott - Owasso, MIKay Buker - Bedford, IN Dawn Bateman - Granger, INPamela Degner - Oak Creek, WI Tammi Brooks - Bourbonnais, ILJanice Janes - Trilla, IL Cindy Crawford - Pekin, ILBonnie Kingston - Greenfield, IN Marty Erickson - Bourbonnais, ILLori Lynn - Portage, IN Julie Hampton - Galesburg, ILDonna Pierce - Champaign, IL Kyra Kirkpatrick - Huntington, INLisa Robison, Indianapolis, IN Cyndi Larson - Birnamwood, WIJoy Sharpe - Racine, WI Pam Learned - Washington, ILJann Stice - Dearborn, MI JoAnn Lichte - Tampa, FL

Rebecca Milburn - Hoopeston, IL B a s s Kelly Shadrick - Escondido, CAScott Apple - Oaklandon, IN Phil Atkins - Findlay, OH TenorJohn Brewer - Muncie, IN Mark Brown - Farmington Hills, MIJim Fitzgerald ■ Lexington, KY Jay Daughtry - Loves Park, ILMark Fryar - Woodridge, IL Kevin Kendall - Winchester, OHBrad Garvin - River Forest, IL Jonathan Lee - North Vernon, INRod Green - Anderson, IN John Lynn - Portage, INDennis John - Dixon, IL Chip Mattax - Racine, WIBrian Kennedy - Saginaw, MI Kent Meyer - Kendallville, INJeffrey Myers - Alliance, OH Rick Parks - Pittsfield, ILMark Parker - Cincinnati, OH James Springer - Bourbonnais, ILMonte Parsons - Sterling, IL Burton Webb - Montrose, MITroy Pence - Lansing, MI Randy Stegemoller - Indianapolis. IN

A cco m p an istC onductor - D. George Dunbar Rodney Loren - Cory, IN

Orpheus OfficersRodney Loren - President Jim Fitzgerald - ChaplainBrad Garvin - First Vice-President Kay Buker - RobarianLori Lynn - Second Vice-President Jim Springer - HistorianJulie Hampton - Secretary Pam Gooden - Librarian

Randy Stegemoller - Business Manager

Program selected from:John Ness B e c k ...........................................................................Song of ExaltationHank B ee b e ...................................................................... In These Things We LiveJean B erger.........................................................The Eyes of All Wait Upon TheeRene C lausen................................................................................... Hymn of Praise

Thank The LordEmma Lou Diem er Praise Ye The LordTom Fettke................................................ The Majesty and Glory of Your NameMark H ayse Praise Ye The Lord, The AlmightyRonald M. Huntington..................................... Joshua Fit the Battle of JerichoPeter C. Lutkin......................................... The Lord Bless You And Keep YouJ . H. Maunder....................................................................................... Just As 1 AmFelix Mendelssohn............................................................................................ HolyJeffrey Rickard................................................................................................ GloriaJohn W. W ork.................................................................. This Little Light O’ MineOvid Y ou ng.......................................................................... Arise, My Soul, Arise

Holy Spirit, Be My Guide The Comforter Has Come

Robert H. Y ou ng.................................................................................All For Love

presents

cParer\t Weekend (oi\cert

Viking Male Chorus Treble Clef Choir

Orpheus Choir Concert Singers Concert Band

Olivet Nazarene CollegeDepartment of Music

7 :30 p.m. Saturday, February 9, 1985

Kresge Auditorium Larsen Fine Arts Center

P ro g ram

Rise Up O Men of God....................................... Jennings

I Want To Be There................................................................... John W. Petersonarr. Dick Anthony

The New 23rd.............................................................................Ralph Carmichael

Ain A That Good News.............................................................................DawsonViking Male Chorus

Joe Noble, Conductor Greg Taylor, Piano

Festival Alleluia..................................................................................... Allen Pote

Sing Unto the Lord..........................................................................Julie Knowles

How Excellent Is Thy Name.........................................................Eugene Butler

Standin’ on the Walls of Zion........................................................... M. GardnerTreble Clef Choir

Linda Dunbar, Conductor Diana Miller, Piano Cindy Payne, Piano

Hymn of Praise................................................................................. Rene Clausen

Joshua.................................................................................. • Ronald Huntington

Holy Spirit, Be My Guide......................................................... arr. Ovid Young

The Majesty and Glory of Your Name............................................ Tom FettkeOrpheus Choir

George Dunbar, Conductor Rod Loren, Piano

The Reluctant Dragon.........................................................................John RutterConcert Singers

George Dunbar, Conductor Cindy Spring, Piano

Our Director................................................ .......................................F. E. Bigelow

Fanfare and Variations on Amazing Grace............................arr. Larry Norred

Canticle: All Creatures of Our God and King...................... Claude T. SmithConcert Band

Harlow Hopkins, Conductor


presents

CHORAL WORKSHOP

H A P E L C O N C E R

Dr. Milburn Price, Conductor

February 14, 1985 Chalfant Hall

9:30 AM

C H O R A L W O R K S H O P C H A P E L P R O G R A M

A i n ' A T h a t G o o d N e w s

T h e L a s t W o r d s o f D a v i d ...M E N

S c o t t A p p l e , p i a n o

L i f t T h i n e E y e s .

H e is the T e n d e r S h e p h e r d ,arr. b y W a l t e r B a r r i e

S e r v e the L o r d w i t h G l a d n e s s ................ G e o r g e F. H a n d e larr. b y J e r r y W e s l e y H a r r i s

L A D I E SD i a n a M i l l e r , C i n d y P a y n e , p i a n o

F e s t i v a l Te D e u m .............................. M u s i c b y F r e d B o c kT e x t b y B r y a n J e f f e r y L e e c h

H o d i e , E m m a n u e l , G l o r i a ! .......................... M i l b u r n P r i c e

T h e O l d H u n d r e d t h P s a l m T u n e . . . a r r . b y R a l p h V. W i l l i a m sr e s c o r e d b y R o y D o u g l a s

M I X E D V O I C E S Rod L o r e n , p i a n o

W e w e l c o m e Dr. M i l b u r n P r i c e to C h a p e l tod a y . He h a s b e e n r e h e a r s i n g w i t h o u r c h o i r s the p a s t two d a y s . Dr. P r i c e r e c e i v e d h i s b a c h e l o r ' s d e g r e e f r o m the U n i v e r s i t y o f M i s s i s s i p p i , h i s m a s t e r ' s d e g r e e f r o m B a y l o r U n i v e r s i t y , a n d h i s d o c t o r a t e f r o m the U n i v e r s i t y o f S o u t h e r n C a l i f o r n i a . H e h a s t a u g h t at F u r m a n U n i v e r s i t y , G r e e n v i l l e , S o u t h C a r o l i n a , a n d c u r r e n t l y is D e a n o f the S c h o o l o f C h u r c h M u s i c at S o u t h e r n B a p t i s t T h e o l o g i c a l S e m i n a r y in L o u i s v i l l e , K e n t u c k y .

FESTIVAL TE DEUM

Text by Bryan Jeffery Leech

Upon cue from Director, stand and sing::

Full, broad, and majesticuniton

Music by Fred Bock

§ § =All we do our whole life through is use the gifts You have

, Ji no breath

giv - en for prais - ing You, for prais ■ ing

You!(P ra yerfu lly / Sing " A m ,n “ ttpratcdly, not in tempo. creating a loft blur of round.

Choir will ting lour Ament. Stop tinging upon cue from Director.

w w w w -W ~w ~w ar W VA - men, A - men. A • men. A - men, A • m e n ....

Choir Congregalion:

—2—"1 P O

. . ...nmen ) A • men.

© Copyright 1984 hy Gentry Publications. All rights reserved. Reprinted with the permission of the publisher.

Note: T h e publisher grants free perm ission for printing this congregation copy in your church bulletin when used in conjunction with the singing o f this anthem. Please be sure the copyright notice and permission notice are on every copy.

TRUMPETS

John Brewer David Allen Theresa Ulmet

TROMBONES

Albert Ackerman Dan Cox Regina Rowe

TIMPANI & CHIMES

David Rees

The Old Hundredth Psalm Tune Choir and Congregation

dwall,3lnf U tba Lord with «b«ar - ful falaa; Ilia

ild u• inah#i W> art his folk, ha doth as fasd, Aar*

for hi« thcep ha doth as taka.In verses 3 and 4 the people are silent

r i t , -

r.-lK.r,3=.,.n4 H. . ifr M 1 ... I______

ak..i. Tit* l]oJ whoa kaavaa tad

••rth I dura, froaa


OLIVET SYMPHONY ORCHESTRA

L o l i t a P h e l p s , c o n d u c t o r

Tannhauser - March Richard Wagner

Symphony No. 94 in G major Joseph Haydn"Surprise"1. Adagio Cantabile-vivace assai2. Andate3. Menuetto and Trio4. Allegro di molto

Plink, Plank, P l u n k ! Leroy Anderson

Rondalla Aragonesa ( JO T A ) .............. Enrique GranadosDance No. 6

February 15, 1985 7:30 p.m.Kresge Auditorium Larsen Fine Arts Center

OhfletEDUCATION WITH A CHRISTIAN PURPOSE

Concert Band"Instruments o f Praise"

1985 Spring Tour

Harlow Hopkins, Conductor



Program

INVOCATION................................................................................ The PastorCanzona Peter MenninFantasies on a Theme by Haydn...................................Norman Dello JoioOur Director.................................................................................F. E. Bigelow

Arr. by R. E. HildrethManhattan Beach John Philip SousaWORDS ABOUT OLIVETFanfare and Fariation on Amazing G race............... Arr. Larry NorredCanticle: All Creatures of Our God and King.....................Claude SmithWhen the Roll Is Called Up Yonder................................... James M. Black

Arr. Phil NorrisWORDS ABOUT CHRISTHymn Fantasy for Band................................................ Sir Arthur Sullivan

Arr. James D. Ployhar

It's the G ospel Arr. Bob LowdenJust a Closer Walk With Thee He's Got the Whole WorldPut Your Hand in the Hand in His Hands

OFFERINGIntrada: Adoration and Praise........................................... Claude T. SmithBENEDICTION The Pastor

The Concert Band is Olivet's oldest musical organization and is now in its 68th season. Members are selected from the student body through audition at the beginning of the school year.

Dr. Harlow Hopkins, Chairman of the Division of Fine Arts and Department of Music, has conducted the Concert Band since 1957. He is a 1953 graduate of Olivet, received a Master's Degree in Music Education in 1956 from the American Conservatory of Music in Chicago, and was granted a Doctor of Music degree in 1974 from Indiana University, Bloomington. He began his teaching career at Olivet in 1954.

President — Jill Ferree Vice President — Bonnie Agner Secretary — Sheila McDonald Treasurer — Brenda Ousley

OfficersChaplain — Howard Newcomb Historian — David Rees Librarian — Becky Allen Publicity — JoAnn Lichte

Kelly Bryant

Personnel

FluteBecky Allen - Lisle, IL Jill Ferree - Pontiac, MI Nanci Aylor - Shawnee Mission, KS Brenda Ousley - Columbia City, IN Cynthia Crawford - Pekin, IL Cindy Fauser - Kewanee, IL Danis Yocum - Leaf River, IL Michelle King - Dayton, OH Beth Riley - Rockford, IL

OboeDarrel Hoffman - Flint, MI

ClarinetEileen Corbus - Ottawa, IL

ClarinetBonnie Agner - Nashville, GA Kevin Webster - Benton, IL Todd Zinkann - Kankakee, IL Robin Snyder - Wyoming, MI Kelly Bryant - Marshalltown, IA Sharon Sabelfeldt - Centralia, IL Kathy Matson - Milwaukee, WI Dawn Singell - Edmore, MI

BassoonJo Ann Lichte - Tampa, FL Susan Johnson - Elgin, IL

Alto SaxophoneBeth Meyers - Union Grove, WI Jeff Webb - Kankakee, IL

TrumpetJohn Brewer - Muncie, IN Lori Standley - Bourbonnais, David Allen - Somerset, KY Larry Mace - Kokomo, IN

IL

HornMichael Turnbull - Hale, MI Lori McRoberts - Danville, IN Phil Davisson - Liberty, IN

TromboneBert Ackerman - Oak Lawn, IL Dan Cox - Ridgeville, IN Regina Rowe - Kendallville, IN


PercussionHoward Newcomb - Arlington Scott Peace - Hillsville, PA David Rees - Winchester, IN Brenda Hanson - Amegard, ND Sue Polaskey - South Holland, IL

OH

Schedule Spring, 1985

Saturday, February 16 7:30 PM

Sunday, February 17 10:15 AM

6:00 PM

Friday, March 22

Friday, April 26 7:30 PM

Sunday, May 12

Monday, May 13

Church of the Nazarene Logansport, Indiana

First Church of the Nazarene Kokomo, Indiana

First Church of the Nazarene Lafayette, Indiana

Concert for the Christian Instrumental Directors Association, Campus

Spring Concert, Campus Mark Hindsley, Guest Conductor Director of Bands Emeritus University of Illinois

Baccalaureate Service, Campus

Commencement, Campus












OLIVET NAZARENE COLLEGE Department of Music

presents STUDENT RECITAL

Mon coeur s'ouvre a ta voix............. Camille Saint-Saensfrom "Samson et Dalila"

Sharon Barr, mezzo-soprano Cindy Spring, piano

I Saw a Child.................................. Marjorie JonesRodney Loren, baritone Cindy Spring, piano

Roumanian Dance Op. 8a, No. 1..........................BartokDiana Williams, piano

Suite for Trumpet William PresserI Adagio-Andante

II Adagio-Allegro III Allegro Vivo

Andrea Campe, trumpet

Long Time Ago.................... 1 Aaron CoplandI Bought Me a Cat Aaron Copland

John A. Brewer, baritone Dawn Montgomery, piano

Sonata in C Minor, Op. 65, No. 2 ............. F. MendelssohnGraveAdagioAllegro maestoso vivace Fuga, allegro moderato

Greg Taylor, organ

Fragments.................................... Robert MuczynskiI Waltz IV Reverie

II Solitude V ExitIII Holiday

Woodwind Trio Cindy Fouser, flute Bonnie Agner B clarinet

JoAnn Lichte, bassoonSonatina, Op. 157, No. 4 .............................Spindler

AllegroPresto

Randy Calhoun, piano

Non piu andrai.................................... W.A. Mozartfrom "Le Nozze di Figaro"

Stephen Carlson, baritone Rodney Loren, piano

College Church of the Nazarene February 22, 1985 11:30 A.M.

O L I V E T N A Z A R E N E C O L L E G E D e p a r t m e n t o f M u s i c

p r e s e n t s C O M M E N C E M E N T C O N C E R T A U D I T I O N S

V o c a l

P o r g i , a m o r , q u a l c h e r i s t o r o ...................... W . A . M o z a r tf r o m M a r r i a g e o f F i g a r o

Oh! h a d I J u b a l ' s lyre f r o m J o s h u a ..............G . F . H a n d e lA m y R a n s o m , S o p r a n o

D a w n M o n t g o m e r y , P i a n o

U n a f u r t i v a l a g r i m a f r o m L ' E l i s i r d 1a m o r e ...G . D o n i z e t t iOh! ne t ' e v e i l l e p a s f r o m J o c e l y n B. G o d a r d

J o h n A. L y n n , T e n o r D a w n M o n t g o m e r y , P i a n o

Printeraps q u i c o m m e n c e ............................... S a i n t - S a e n sf r o m S a m s o n et D a l i la

P r e s d e s r e m p a r t s d e S e v i l l e S e g u i d i l l a ............ G. B i z e tJ o A n n E. L i c h t e , M e z z o - S o p r a n o

S h e r y l F o r d , P i a n o

O l d A m e r i c a n S o n g s A a r o n C o p l a n dThe B o a t m e n ' s D a n c e T h e D o d g e r L o n g T i m e Ago S i m p l e G i f t s I B o u g h t M e a Cat

J o h n A. B r e w e r , B a r i t o n e D a w n M o n t g o m e r y , P i a n o

P a c e , p a c e , m i o D i o ........................................ G. V e r d if r o m L a F o i z a d e l D e s t i n o

M i c h i a m a n o M i m i f r o m L a B o h e m eB o n n i e K i n g s t o n , S o p r a n o

C i n d y S p r i n g , P i a n o

N o n p i u a n d r a i f r o m L e N o z z e P i F i g a r o W . A . M o z a r t0, tu P a l e r m o f r o m 1 V e s p r i S i c i l i a n i ...............G. V e r d i

S t e v e C a r l s o n , B a r i t o n e R o d n e y L o r e n , P i a n o

F e b r u a r y 26, 1 085 K r e s g e A u d i t o r i u m 7 : 3 0 p.m.

C h a n s o n du T o r e a d o r f r o m C a r m e n ....................... G. B i z e tT h e P e o p l e T h a t W a l k e d in D a r k n e s s G.F. H a n d e l

f r o m M e s s i a hC h a r l e s T a y l o r , B a r i t o n e

C i n d y P a y n e , P i a n o

E l l e a fui, la t o u r t e r e l l e ! .......................J. O f f e n b a c hf r o m Les C o n t e s d 1 H o f f m a n

M e i n H e r r M a r q u i s f r o m D i e F l e d e r m a u s J. S t r a u s sK a y B u k e r , S o p r a n o

D a w n M o n t g o m e r y , P i a n o

I n f e l i c e ! e t v o c r e d e v i f r o m E r n a n i ........... G. V e r d iN o n piu a n d r a i f r o m L e N o z z e di F i g a r o W.A. M o z a r t

B r a d G a r v i n , B a s s S h e r y l F o r d , P i a n o

P r i n t e m p s q u i c o m m e n c e ...............................S a i n t - S a e n sM o n c o e u r s ' o u v r e a ta v o i x ......................... S a i n t - S a e n s

f r o m S a m s o n et D a l i l aS h a r o n B a r r , M e z z o - S o p r a n o


It is E n o u g h f r o m E l i j a h .........................F. M e n d e l s s o h nC h a n s o n du T o r e d a d o r f r o m C a r m e n ...................... G. B i z e t

S c o t t A p p l e , B a r i t o n e J o n a t h o n Lee, P i a n o

P s a l m 2 3 ................................................. P a u l C r e s t o nS t r i d e la v a m p a f r o m 11^ T r o v a t o r e ..................... G. V e r d i

D o n n a P i e r c e , M e z z o - S o p r a n o S c o t t A p p l e , P i a n o

A r m , A r m Y e B r a v e f r o m J u d a s M a c c o b e u s .......... G . F . H a n d e lD i P r o v e n z a if m a r f r o m L a T r a v i a t a .............. . . G . V e r d i

P h i l A t k i n s , B a r i t o n e S h e r y l F o r d , P i a n o


p r e s e n t s C O M M E N C E M E N T C O N C E R T A U D I T I O N S

I n s t r u m e n t a l

C o n c e r t o in G M i n o r ............................... F r a n c i s P o u l e n cR o d n e y L o r e n , O r g a n

C o n c e r t o in D M i n o r .................................P r e l u d e : L e n t o ; A l l e g r o M a e s t o s o

T e r e s a K a y e W o o d r u f f , C e l l o J a m e s S t e v e n s , A c c o m p a n i s t

C o n c e r t o No. 2 in C M i n o r .........................Ill A l l e g r o s c h e r z a n d o

C i n d y S p r i n g , P i a n o K e l l y B r y a n t , A c c o m p a n i s t

.R a c h m a n i n o f f

C o n c e r t o for C l a r i n e t a n d P i a n o ................R o n d o

B o n n i e A g n e r , C l a r i n e t D i a n a M i l l e r , A c c o m p a n i s t

C o n c e r t o in D M a j o r .................................II L a r g h e t t o

K e v i n K i r k p a t r i c k , P i a n o B o n n i e A g n e r , A c c o m p a n i s t

D a n s e M a c a b r e ..........................................P a m D e g n e r , V i o l i n

D a w n M o n t g o m e r y , A c c o m p a n i s t

C o n c e r t o in D M a j o r .................................V i v a c e

D i a n a M i l l e r , P i a n o B o n n i e A g n e r , A c c o m p a n i s t

F e b r u a r y 26, 1985 T u e s d a y6 : 0 0 - C o l l e g e C h u r c h 6 : 3 0 - K r e s g e A u d i t o r i u m


p r e s e n t s

C O M M E N C E M E N T C O N C E R T F I N A L A U D I T I O N S

C o n c e r t o in G M i n o r F r a n c i s P o u l e n cR o d n e y L o r e n , O r g a n

O l d A m e r i c a n S o n g s .................................... A a r o n C o p l a n dT h e D o d g e r L o n g T i m e Ago S i m p l e G i f t s I B o u g h t M e A Cat

J o h n A. B r e w e r , B a r i t o n e D a w n M o n t g o m e r y , A c c o m p a n i s t

P r i n t e m p s q u i c o m m e n c e ..................................S a i n t - S a e n sf r o m S a m s o n et D a l i l a

P r e s d e s r e m p a r t s de S e v i l l e S e g u i d i l l a ............. G. B i z e tJ o A n n E. L i c h t e , M e z z o - S o p r a n o

S h e r y l F o r d , A c c o m p a n i s t

D a n s e M a c a b r e .............................................. S a i n t - S a e n sP a m D e g n e r , V i o l i n


E l l e a fui, la t o u r t e r e l l e ! .........................J. O f f e n b a c hf r o m Les C o n t e s d ' H o f f m a n

M e i n H e r r M a r q u i s f r o m D i e F l e d e r m a u s J. S t r a u s sK a y B u k e r , S o p r a n o


M a r c h 5, 19857 : 0 0 p .m. C o l l e g e C h u r c h7 : 3 0 p .m. K r e s g e A u d i t o r i u m

C o n c e r t o No. 2 in C M i n o r ............................ R a c h m a n i n o f fIII A l l e g r o s c h e r z a n d o

C i n d y S p r i n g , P i a n o K e l l y B r y a n t , A c c o m p a n i s t

I n f e l i c e ! e t v o c r e d e v i f r o m E r n a n i G. V e r d iN o n p i u a n d r a i f r o m Le N o z z e di F i a g r o W .A. M o z a r t

B r a d G a r v i n , B a s s Sheryl F o r d , A c c o m p a n i s t

P a c e , p a c e , m i o D i o .......................................... G. V e r d if r o m L a F o i z a del D e s t i n o

Mi c h i a m a n o Mirai f r o m La B o h e m eB o n n i e K i n g s t o n , S o p r a n o


C o n c e r t o in D M a j o r ........................................... J. H a y d nV i v a c e

D i a n a M i l l e r , P i a n o B o n n i e A g n e r , A c c o m p a n i s t

S i r i d e la v a m p a f r o m _I1_ T r o v a t o r e .......................G. V e r d iP s a l m 2 3 ....... '........................................... P a u l C r e s t o n

D o n n a P i e r c e , M e z z o - S o p r a n o Scott A p p l e , A c c o m p a n i s t


1985 Spring Tour



Accompanists

Olivet Nazarene CollegeKankakee, Illinois


Treble Clef ProgramHandbell Prelude

The Master's MusiciansDiana Miller, Director

Congregational Hymn

This Is the Day............................................................... Bob BurroughsFestival Alleluia......................................................................Allen PoteDay by Day........................................................................Martin How

Treble Clef Choir

PRAYER.................................................................................... PastorServe the Lord With Gladness.....................................................Handel

Arr. HarrisCome Unto M e................................................................. Blankenship

Arr. J. MartinHow Excellent Is Thy Name............................................. Eugene ButlerEmpty Hands....................................................................... Tom Fettke

Clarinet Soloist: Dawn Singell

Sing Unto the Lord........................................................... Julie KnowlesSoloist: Cheryl Dilts or Angla McCord

RAGGEDY ANN and ANDY ONC PROMOTIONOFFERTORY Soloist(s): Lisa Foster, Piano or The Master's MusiciansSpring Bursts Today Sam Owens

Treble Clef Choir and The Master's Musicians

Ladies TrioSing Praises Stanley GlarumI Am Thine O Lord......................................................................Crosby

Arr. J. LinnStandin' on the Walls of Zion Maurice GardnerBENEDICTION

The conductor of the group is Linda Dunbar, who holds a Bachelor's Degree from ONC. She has taught part-time and is presently teaching full-time in class and private voice at O NC since returning to O NC with her husband in 1970.

The Treble Clef Choir has inspired the hearts of people with its singing about the Christian faith. Besides singing in several of the United States, the Choir has made three trips to Europe and the British Isles to sing in the European Nazarene churches.The 45 young women represent the full range of academic majors and interests at the College. A ten-member Handbell Choir will also present selections.

Personnel

Soprano I

Joycelyn Dean - Homewood, IL Lori DeLong - Bristol, IN Cheryl Dilts - Plymouth, Ml Lanette Henley - Decatur, IL Vickie Kidd - Richmond, IN Deanna Lake - East Rockaway, NY Connie Lofquist - Springfield, IL Angela Mayfield - Ellittsville, IN Andrea Ray - Rochester, Ml Lisa Reedy - Bourbonnais, IL Cheryl Shira - Newark, DE Jennifer Singer - Gaithersburg, MD Melissa Smith - Holland, IN Debbi Stimson - Lake Orion, Ml

IIMelody DeArmond - Decatur, IN Penny Falkenbury - Belleville, IL Carol Johnson - Oak Forest, IL Cheryl Lawton - Chesaning, Ml Marsha Lohry - Buchanan, Ml Carolyn Matson - Bensenville, IL Susan Meek - Spencer, IN Debra Meyer - Kankakee, IL Diana Miller - Lynnville, IN Angela McCord - Fenton, IL Dawn Montgomery - Marion, OH Dawn Schoenwetter-Waterlook WI Susan Sebben - Rock Island, IL

O F F IC E R SPresident - Tina Miser



I T IN E R A R YM arch 2 - Auburn Road Church of the Nazarene - Rockford, IL M arch 3 a .m . - Parkside Church of the Nazarene - Rockford, IL M arch 3 p .m . - Mundelein Church of the Nazarene - Mundelein, IL

AltoI

Gailynn Culp - Bloomingdale, IL Janet Davis - Bloomington, IL Martha Davis - Round Lake, IL Leanne Empie - Ravenna, Ml Lisa Foster - Peoria, IL Jenny Moore - Fort Wayne, IN Dana Preusch - Middletown, OH Dawn Singell - Edmore, Ml Beth Traver - Lansing, Ml Jeanette Westenberger -


IIKandra Dilts - Plymouth, Ml Pam Fulton - South Lyon, Ml Tina Miser - Columbia, SC Janet Moutray - Mt. Carmel, IL Diane Nelson - Rockford, IL Cynthia Payne - Muncie, IN Denise Replogle - Yorkstown, IN Robin Starling - Newark, IL












OfcfetEDUCATION WITH A CHRISTIAN PURPOSE

Viking Male Chorus"For Thee We Sing"

1985 Spring Break Tour

JOE M. NOBLE CONDUCTOR



Worship ServiceAlma Mater Byron CarmonyInvocation..................................................................... Choir MemberRise Up O Men of God...............................................Kenneth JenningsWelcome........................................................................... The Pastor

Music for the service will be chosen from the following selections.

HymnsA Mighty Fortress Is Our God..........................................Luther/MuellerRise Up O Church.............................................................Otis Skillings

The Church's One Foundation Flow Firm a Foundation Glorious Things of Thee Are Spoken O Breath of Life

Gospel SongsI Want To Be There...................................................Peterson/AnthonyAmazing Grace............................................. An Early American HymnTenderness He Sought M e..........................................Gordon/Anthony

Kevin Willis, TenorAll My Life.................................................................Ralph Carmichael

SpiritualsEv'ry Time I Feel the Spirit.............................................Arr. CarmichaelAin'a That Good News.......................................................... Spiritual

AnthemsThe New 23rd........................................................... Ralph CarmichaelThe Last Words of David..........................................Randall ThompsonO Father in Heaven........................................................ Larry Mayfield

Selections from Viking Male Chorus MembersTestimonies of PraiseOffering

Benediction......................................................................... The PastorSavior Like a Sheperd Lead Us...................................Bradbury/Anthony

ItinerarySpring 1985

March 8 PM March 15 PMMarion, Illinois Birmingham, Alabama (1st)March 9 PM March 16 PMOmaha, Illinois Sullivan, IllinoisMarch 10 AM March 17 AMEvansville, Indiana (Grace) Terre Haute, Indiana (1st)March 10 PM March 17 PMEvansville, Indiana (1st) Casey, IllinoisMarch 11-14Orlando, Florida (Central)

Personnel

TENOR IKevin Bodine, Chicago Heights, IL................Sr., Elementary EducationNick Henderson, Omaha, IL ............................Jr., Christian EducationBrent Mitchell, Milton, W I ................................. Jr., Computer ScienceMark Smith, Chelsea, M l........................................ Soph., EngineeringKevin Willis, Nachusa, IL ..............Jr. Church Music/Christian Education

TENOR IIRandy Bateman, Granger, IL............ Jr., Sociology and CommunicationChris Bentfield, Pontiac, IL .......................... Jr., Business AdministrationTony Beville, Sullivan, IN Jr., Romance LanguagesHarry Brown, Otsego, M l Fr., Religion and PsychologyBruce Yates, Shelbyville, IL...................................... Soph., Psychology

BARITONEBrett Frankhauser, Lemont, IL Soph., JournalismMichael Click, Springfield, IL Fr., Food Service ManagementDoug Stutzman, Iowa City, IA .....................Fr., Business ManagementCharles Taylor II, Fort Wayne, IN .......................... Jr., Music EducationCreg Taylor, Bloomington, IL................................. Soph., ArchitectureMike Taylor, Bloomington, IL............................................. Jr., ReligionGlenn Tucker, Valparaiso, IN. ... Fr., Church Music/Christian Education

BASSTed Dorsey, Watseka, IL ............................................. Fr., EngineeringRob Hale, Aledo, IL........................................... Fr., Business-MarketingMark Howard, Bradley, IL ............................................Soph., ReligionRob Rodewald, Rochester, IN ..........................Soph., English EducationDavid White, Danville, IL ...................................................Sr., History

IN S T R U M E N T A L IS T SCreig Hutchins, Piano Greg Taylor, Piano Randy Bateman, Trumpet Kevin Bodine, Trumpet Nick Henderson, Trumpet Kevin Willis, Electric Bass

O F F IC E R SRandy Bateman, PresidentMark Howard, Vice PresidentCreg Taylor, SecretaryDavid White, TreasurerMike Taylor, ChaplainTony Beville, Variety Show ChairmanChris Bentfield, Robarian/LibrarianBrett Frankhauser, Historian













p r e s e n t s

C I N D Y S P R I N G , piano

Papillons, Op. 2 ................................ .R. Schumann

Liebeslieder Walzer, Op. 5 2 ......................J.Brahms(Lovesong Waltzes)1. Rede, Madchen (Answer, maiden)2. Am Gesteine rauscht die Flut (Deep in

thunder roars the tide)6. Ein Kleiner, hubscher Vogel (There was a

tiny, pretty bird)9. Am Donaustrande (On Danube's border)

10. 0 wie sanft die Quelle (Oh, how calm the river flows)

11. Nein, es ist nicht auszukommen (No, I will not listen to them)

13. Vogelein durchrauscht die Luft (Every bird that soars the sky)

14. Sien, wie ist die Welle Klar (See how bright the fountain gleams)

18. Es bebet das Gestrauche (Each tender leaf is trembling)

Assisted by Sarah Reed, piano Concert Singers

Concerto No. 2 in C minor - Op. 18......... RachmaninoffModeratoAdagio Sostenuto Allegro Scherzando

Kelly Bryant, piano Cindy Crawford, flute

March 23, 1985 7:30 p.m.Kresge Auditorium Larsen Fine Arts Center

CONCERT SINGERS

SOPRANO

Kay Buker Kelli Lobb Lee Ann Pence Donna Pierce

TENOR

Jay Daughtry John Lynn Rob North Jim Springer

Dr. D.' George Dunbar, Director

This recital is being presented in partial fulfillment of the requirements for the Bachelor of Science Degree with concentration in Piano Performance.

ALTO

Dawn Bateman Julie Hampton Cyndi Larson

BASS

Phil Atkins Dennis John Brad Garvin Rodney Loren


p r e s e n t s


S o l v e i g 1 8 S o n g .................................E. G r i e gJ a n i c e S t i c e , s o p r a n o D i a n a M i l l e r , p i a n o

C o n c e r t i n o , O p . 2 6 C .M. v o n W e b e rS h a r o n S a b e l f e l d t , c l a r i n e t

J o n a t h a n L e e , p i a n o

C r i m s o n P e t a l ............................R o g e r Q u i l t e rJ a y D a u g h t r y , t e n o r J o n a t h a n L e e , p i a n o

Sonata in A minor, Op. 1 6 4 F. SchubertIII A l l e g r o v i v a c e


R e s t S w e e t N y m p h s ............. F r a n c i s P i l l s i n g t o nJ i m S p r i n g e r , t e n o r J u l i e S c h a p e r , p i a n o

D u R i n g a n m e i n e m F i n g e r ............... R. S c h u m a n nf r o m F r a u e n l i e b e u n d L e b e n ,O p . 42, N r . 4

P a m D e g n e r , a l t o B o n n i e A g n e r , p i a n o

S e b b e n c r u d e l e . . . . A n t o n i o C a l d a r aP a u l L i t t e n , b a r i t o n e

J o e N o b l e , p i a n o

March 29, 198511:30 a.m.Kresge Auditorium

OLIVET NAZARENE COLLEGE Department of Music

presents

Senior Recital

D I A N A W I L L I A M S , piano

Assisted by Donna Pierce, mezzo-soprano

Bonnie Agner, clarinet

Sonata in F major, Op. XVl/23..^.................... HaydnModeratoAdagioPresto

Diana Williams, piano

Stride la vampa from II Trovatore ..................VerdiPsalm 2 3 Paul Creston

Donna Pierce, mezzo-soprano Scott Apple, piano

Au Lac de Wallenstadt................................ LisztValse Oubliee No. 1 ................. Liszt

Diana Williams, piano,

Concerto for Clarinet and P i a n o .............W.A. MozartRondo

Bonnie Agner, clarinet Diana Miller, piano

Two Roumanian Dances, Op. 8 a .Bela BartokAllegro vivace Poco Allegro

Diana Williams, piano

This recital is being presented in partial fulfillment of the requirements for the Bachelor of Arts Degree with concentration in Music Education.

March 26, 1985 7:30 p.m.Kresge Auditorium

OhfetEDUCATION WITH A CHRISTIAN PURPOSE

Concert Singers

Spring 1985

D. G eorge D unbar, Conductor

C indy Spring, Accompanist



T h e P ro g ram

Go Out With Joy...................................................................................Hank Beebe

Invocation - The Pastor

How Can I Keep From Singing? Donald Hustad

Rejoice, Ye Pure In Heart....................................................................Mark Hayse

Prayers From The A rk.......................................................................... Ivor Davies

The Prayer of the Cat

The Prayer of the Mouse

Footsteps Of Jesus......................................................................arr. James Buffaloe

Come We That Love The Lord arr. Claude Bass

It Was His Love........................................................................................Buryi RedKay Buker and Donna Pierce

For The Beauty Of The Earth.............................................................John Rutter

The Eyes Of A ll..................................................................................... Jean Berger

Now Sing We Joyfully Unto G od................................................ Gordon Young

Offering - The Pastor

Offertory - A Quiet Place Ralph CarmichaelPam Degner, Violin

Pastorale......................................................................Richard PurvisRodney Loren, Organ

Who Shall Ascend?.............................................................................. Hank Beebe

Just As I Am.......................................................................................J.H. Maunder

Abide In Me..................................................William J. Gaither/Chris Christian

Moses - (A Ken Medema Story-Song) Ken Medema

Benediction - The Pastor

Thou Hast A Work For Me To Do............................................. Walker Robson

(Choral Benediction)

C o n c e rt Singers

SopranoKay Buker, Junior.................. . . Voice Performance...........Pam Degner, Junior............... . Music Education............. . . Oak Creek, WI

LibrarianKelli Lobb, Junior............. Speech Communications . . . Glendale, OHLee Ann Pence, Junior........... . . Elementary Education. . . .........Lansing, MI

AltoDawn Bateman, Sophomore. .........Music Education.. . . .........Granger, INJulie Hampton, Junior........... . Elementary Education. . . . . . . Galesburg, ILCyndi Larson, Sophomore. . . . . Voice Performance. . . . . Birnamwood, WIDonna Pierce, Senior............. . . . Christian Ed/...............

President Church Music.............Cindy Spring, Senior............. . Piano Performance........... . . Port Huron, MI

Accompanist

T e n o rJay Daughtry, Junior............. . Religion/Philosophy......... . . . Loves, Park, ILJohn Lynn, Freshman........... . Business Administration. ........... Portage, INRob North, Sophomore. . . . . . . . Shawnee, KSJim Springer, Senior............... . . Bourbonnais, IL

BassPhil Atkins, Junior.................. ...........English......................Brad Garvin, Sophomore. . . . . . Vocal Performance. . . . . . River Forest, IL

ChaplainDennis John, Junior............. . Business Administration . ............. Dixon, ILRodney Loren, Senior......................Church Music/ ............. Cory, IN

Business Manager Music Education

C o n ce rt Singers Spring Itin erary

M arch 31 Lake Avenue C hu rch o f the Nazarene, Fort W ayne, IN (A .M )Wawasee C om m unity C hurch o f the Nazarene, Syracuse, IN (P.M .)

April 21 C hu rch o f the Nazarene, C ory , IN (A .M .)First C h urch o f the Nazarene, Cham paign, IL (P.M .)

During the year, Concert Singers has perform ed on cam pus and in K an kakee area churches. T h e ensem ble is av a ilab le fo r church, school, and service club programs. C ontact the M usic D epartm ent.










Dr. Flarlow Hopkins is Chairman of the Division of Fine Arts and the Department of Music. Dr. Harvey Collins is Chairman of the Department of Art. Inquiries about academic programs, scholarships, concerts, recitals, displays or other special events may be addressed to these men.


OLIVET NAZARENE COLLEGE ARTIST/LECTURE SERIES

presents

THE BRYAN AND KEYS DUO Keith Bryan, flute Karen Keys, piano

Introduction and Allegro G. Donizetti

Serenade, Opus 41............................. L. van BeethovenEntrataMenuettoAllegro moltoAndante con variazioniScherzandoAdagio-Allegro vivace

Duo for Flute and Piano................ Aaron CoplandFlowingPoetic, somewhat mournful Lively, with bounce

(INTERMISSION)

Three Preludes, Book I C. Debussy

1. "Les sons et les parfums tournent dans l'air du soir" Baudelaire(Evening sounds and scents swirling in the air)

2. La serenade interrompue (The interrupted serenade)

3. Ce qu'a vu le vent d'Ouest (What the West Wind saw)

L'Isle Joyeuse C. Debussy(The Island of Joy)

**Karen Keys**

Sonata for Flute and Piano..................... Francis PoulencAllegro malinconicoCantilenaPresto giocoso

April 9, 1985 7:30 p.m.Kresge Auditorium Larsen Fine Arts CenterTIUi pdogAam i i p an lia lty iuppoa.ted by a gfiant 6'iom the. l t l in o i i AaXa Cou n cil, a S ta le agency.

Donizetti: Introduction and AllegroThis piece retains the characteristics of a vocal-

instrumental relationship. The attractive quality of the work stems from the singing qualities of the seventeenth and eighteenth centuries, known collectively as bet canto, as much as it does from the talents of the composer, who was probably only mildly interested in writing for flute and piano. Although this work, composed in 1819, was dedicated to "Signora Marianna Pez- zoli-Grattaroli," its brevity may indicate that it gave the young composer an opportunity to practice instrumental writing for use in the larger context of his best-known genre, the opera.

Beethoven: Serenade, Op. 41The first edition of this work is dated 1803, but

the music itself is more youthful than the date indicates. It began life as the Serenade for flute, violin, and viola, Op. 25, composed around 1795, just a few years after the promising young composer came to Vienna to study with Haydn, the heady encouragement of Count Wald- Stein still fresh in his memory.

The bright little Entrata is begun by the solo flute, skipping down the D-major triad in staccato, two-note phrases, setting the pace and mood for the movement.Even the G-major middle section is only slightly mellowed by an occasional legato phrase. Both this movement and the flowing Menuetto (with two trios) are pure products of the eighteenth century. Perhaps, however, there are hints of the Beethoven to come in the furious Allegro molto's small torrential coda and in the contemplative beauty of the ensuing Andante. The three variations on that lovely theme, on the other hand, seem too facile to hint at the composer's later profound mastery of the form. Making the fifth movement a galloping Scherzo, rather than a second minuet is, of course, another departure from the typical eighteenth-century serenade or divertimento. The finale is a rollicking Rondo, introduced by a pastoral Adagio.

NOTES ON THE PROGRAMProvided by the performers

While Op. 41 is in the Beethoven catalogue, the actual arrangement is probably the wo r k of one F. X. Klein, henz, who, like Beethoven* studied with A l b r e c h t s b e r g e r . Beethoven himself attested to this fact— and to the fact that he reviewed and revised Kleinhenz's w o r k — in a characteristically blunt letter in September 1803 to the Leipizg publishers Hoffmeister § Kuhnel:

The arrangements were not made by me, but I have gone through them and made drastic corrections in some passages. So do not dare to state in writing that I have arranged them. If you do, you will be telling a lie, seeing that, moreover, I could never have found the time, or even had the patience to do that kind of w o r k — Are you satisfied?

The extent of Beethoven's revisions is not known, but the result is skillful and eminently pianistic.The changes in the flute part are, of course, relatively few. At any rate, the title page of the first edition shows that Hoffmeister ^ Kuhnel followed the composer's admonition scrupulously.

C o p l a n d : D u oCopland's Duo, dedicated to the me m o r y of the

famous flutist William Kincaid, was completed in 1971.A soliloquy for the flute is heard at the beginning and end of the first movement; in the middle there is an interplay of changing tempos and running passages between the flute and the piano. The second movement builds to a climax, leading up to one of Copland's most poignant moments, which he gives to the piano alone As if to indicate the difficulty of ending this mood, two short chords suddenly announce the third movement, which is filled with a lively energy and ends with a feeling of joy and triumph.

Debussy: Three Preludes, Book IThe Three Preludes were written in 1910

by one of the most potent influences on the course of music in the twentieth century, Claude-Achille Debussy (1862-1918). One aspect of his style is summed up in the term "impressionism." This word was first applied to a school of French painting which flourished from about 1880 to the end of the century; its chief representaion is Claude Monet (1840— 1926). In relation to music, the word is thus defined in Webster's Dictionary: "A style of compositiondesigned to create descriptive impressions by evoking moods through rich and varied harmonies and timbres." Impressionism is thus a kind of program music. It differs from most Romantic program music in that, first, it does not seek to express feeling or tell a story, but to evoke a mood, an "atmosphere," with the help of suggestive titles and occasional reminiscences of natural sounds, characteristic bits of melody, dance rhythms, and the like; second, impressionism relies on allusion and understatement instead of the more forthright or strenuous methods of the Romantics; and third, it employs melodies, harmonies, colors, rhythms, and formal principles which, in one way and another, contribute to making a musical language radically different from that of the German Romantic tradition.

The first prelude (Evening sounds and scents swirling in the air) is a quotation from the French poet Baudelaire. The second (The interrupted serenade) portrays a guitarist serenading his love. The third (What the West Wind saw) was inspired by Debussy's visit to England where he was fascinated with the West winds which blew across the English countryside with great frequency and energy.

Debussy: L'Isle JoyeuseThe Island of Joy was written by

Debussy in 1904 shortly after his elopement to Emma Bardac.

Poulenc: Sonata for Flute and PianoCommissioned by Elizabeth Spray

Coolidge, Sonata for Flute and Piano was completed in 1957 and the first performance presented in Coolidge Auditorium by Poulenc and Jean-Paul Rampal in 1958. Poulenc was one of the sponsors for Bryan and Keys in 1961 when they made their Paris debut. They had the privilege of discussing the Sonata with the composer at that time.

presents

STUDENT RECITAL


Prelude in C Minor, BWV 5 4 8 ................ J. BachGreg Taylor, organ

Sonata for Clarinet and P i a n o Paul HindemithSehr langsam Massig bewegt

Kevin Webster, clarinet Cindy Spring, piano

Peace Prayer of St. Francis........ Van A. ChristyJohn Lynn, tenor

Scott Apple, piano

Sonate I I I ...............................Paul HindemithI. "Ach Gott, wem soli i c h 1s klagen"

II. "Wach auf, mein Hort"III. "So wiinsch ich ihr"

Greg Taylor, organ

Sonata for Clarinet & P i a n o Francis PoulencRomanzaAllegro con fuoco

Bonnie Agner, clarinet Scott Apple, piano

W i d m u n g .................................. Robert FranzMark Fryar, baritone

John Lynn, piano

11:30 a.m.April 12, 1985College Church of the Nazarene

IV


1985 Spring Tour



Accompanists



Treble Clef ProgramHandbell Prelude

The Master's MusiciansDiana Miller, Director

Congregational Hymn

This Is the Day Bob BurroughsFestival Alleluia.......................... Allen PoteDay by Day........................................................................Martin How

Treble Clef Choir

PRAYER.......................................................................................PastorServe the Lord With Gladness.................................................... Handel

Arr. HarrisCome Unto Me................................................................. Blankenship

Arr. J. MartinHow Excellent Is Thy Name Eugene ButlerEmpty Hands Tom Fettke

Clarinet Soloist: Dawn Singell

Sing Unto the Lord........................................................... Julie KnowlesSoloist: Cheryl Dilts or Angla McCord

RAGGEDY ANN and ANDY ONC PROMOTIONOFFERTORY Piano Duet: Dawn Montgomery and Cindy PayneSpring Bursts Today Sam Owens

Treble Clef Choir and The Master's Musicians

Ladies TrioSing Praises Stanley GlarumI Am Thine O Lord......................................................................Crosby

Soloist: Angela Mayfield Arr. J. Linn

Standin' on the Walls of Zion...................................... Maurice GardnerBENEDICTION

The conductor of the group is Linda Dunbar, who holds a Bachelor's Degree from ONC. She has taught part-time and is presently teaching full-time in class and private voice at ONC since returning to O NC with her husband in 1970.

The Treble Clef Choir has inspired the hearts of people with its singing about the Christian faith. Besides singing in several of the United States, the Choir has made three trips to Europe and the British Isles to sing in the European Nazarene churches.The 45 young women represent the full range of academic majors and interests at the College. A ten-member Handbell Choir will also present selections.

Personnel

SopranoILori DeLong - Bristol, IN Cheryl Dilts - Plymouth, Ml Lanette Henley - Decatur, IL Vickie Kidd - Richmond, IN Deanna Lake - East Rockaway, NY Marsha Lohry - Buchanan, Ml Angela Mayfield - Ellettsville, IN Andrea Ray - Rochester, Ml Lisa Reedy - Bourbonnais, IL Cheryl Shira - Newark, DE Jennifer Singer - Gaithersburg, MD Melissa Smith - Holland, IN Debbi Stimson - Lake Orion, Ml

AltoI

Gailynn Culp - Bloomingdale, IL Janet Davis - Bloomington, IL Martha Davis - Round Lake, IL Leanne Empie - Ravenna, Ml Lisa Foster - Peoria, IL Jenny Moore - Fort Wayne, IN Dana Preusch - Middletown, OH Dawn Singell - Edmore, Ml Beth Traver - Lansing, Ml Jeanette Westenberger -


IIMelody DeArmond - Decatur, IN Penny Falkenbury - Belleville, IL Carol Johnson - Oak Forest, IL Cheryl Lawton - Chesaning, Ml Carolyn Matson - Bensenville, IL Susan Meek - Spencer, IN Debra Meyer - Kankakee, IL Diana Miller - Lynnville, IN Angela McCord - Fenton, IL Dawn Montgomery - Marion, OH Dawn Schoenwetter-Waterloo, WI Susan Sebben - Rock Island, IL

IIKandra Dilts - Plymouth, Ml Pam Fulton - South Lyon, Ml Tina Miser - Columbia, SC Janet Moutray - Mt. Carmel, IL Diane Nelson - Rockford, IL Cynthia Payne - Muncie, IN Denise Replogle - Yorktown, IN Robin Starling - Newark, IL

OFFICERSPresident - Tina Miser



ITINERARYApril 12 - Fairview Heights Church of the Nazarene - Fairview Heights, IL April 13 - Evansville First Church of the Nazarene - Evansville, IN April 14 a.m. - Oakland City Church of the Nazarene - Oakland City, IN April 14 p.m. - Chrisman Church of the Nazarene - Chrisman, IL


1983 at a cost of $3,5 million. It is named in honor of Mrs. Naomi Larsen, who taught in Olivet’s Music Department 40 years until her retirement in 1975, and in memory of her late husband, Dr. Walter Burdick Larsen, who taught music at Olivet from 1930 to 1957 when his life was taken in a tragic automobile accident.











presents FACULTY RECITAL

Sonata for Clarinet and Piano in G minor Johannes BrahmsOp. 120, No. 1

1. Allegro appassioneto2. Andante un poco Adagio3. Allegretto grazioso4. Vivace

Harlow Hopkins, clarinet Gerald Anderson, piano

Brahms is the giant among composers of chamber music in the nineteenth century, the true successor of Beethoven in this field as in that of the symphony. Not only is the quantity of his production impressive— 24 works in all— but it includes at least a half-dozen masterpieces of the first rank. A special category of Brahms' chamber music consists of sonatas for a single instrument with piano. Two such sonatas are those for clarinet and piano, both of which were composed in 1894, three years before his death. They bring to a close the long series of chamber works. The sonata you will hear tonight contains four movements. The first maintains a prevailing melancholoy throughout its wealth ofthe song-like subjects so typical of Brahms. The second, in A flat major, is an intimate piece capitalizing on the ability of the clarinet to play dreamy arabesques and to produce an almost inaudible velvety pianissimo. The third movement, in the same key as the second, has the design and style of a scherzo. Sir Donald Francis Tovey, the mostsearching of Brahms' critics, has appropriately remarkedthat it is "the most deliciously Viennese of all Brahms' works." The final movement, in F major, is a happy affairwhich makes much of the three repeated F's with which it opens.

Passacaglia in G minor...................... George F. HandelArr. Halvorsen

Lolita Phelps, violin Susan Ross, cello violincello

The Passacaglia was originally a slow Spanish dance in 3/4 meter, popular about 1600; later, an important variation form. The word in Spanish means literally a "Street Song".

Performed at a deliberate pace, the passacaglia required many repetitions of the melody, usually in eight-measure phrases. Musicians, probably tired of playing the same notes over and over, began to weave decorations and

embellishment over the melody, much as jazz musicians improvise today. Eventually the musical form of the passacaglia became that of variations over a ground-bass melody. Many composers of the 17th and 18th centuries - Handel, Buxtehude, Couperin, Pachelbel, Bach - wrote beautiful passacaglias for organ and harpsichord.

This one by Handel is written in 4/4 meter and was orginially meant for harpsichord. It has been arranged by Halvorsen for stringed instruments.

INTERMISSIONEight Pieces for Clarinet in B & A,Viola and Piano, Op. 83...........................Max Bruch

1. Andante2. Allegro con moto3. Andante con moto4. Allegro agitato5. Andante (Rumanische Melodie)6. Andante con moto (Nachtgesang)7. Allegro vivace, ma non troppo8. Moderato

Alice Edwards, piano Harlow Hopkins, clarinet

Lolita Phelps, viola

The reputation of Max Bruch (1838-1920) rests almostentirely on the first of his three violin concertos, the Scottish Fantasy (also for violin and orchestra) and Kol Nidrei, for cello and orchestra. He was most prolific in the choral realm, and more than a few commentators have assured us that it is there that his true greatness lies, but his choral works are never performed. Bruch's chamber music is less abundant but is similarly neglected. He wrote little of it, and what there is came only at the beginning and end of his long, creative career. Following a piano trio (Op. 5) and two string quartets (Opp. 9 and 10) written in his early twenties, Bruch waited some fifty years to make his only other contribution to the chamber music repertory, a cycle of eight pieces in contrasting moods— the work to be performed this afternoon. It was dedicated to the Princess Sophie zu Wied and published as Op. 83 in 1910 with an alternative version for violin, cello and piano. These are no mere trifles, but expressive and eloquent manifestation of a Romanticism that crested with Schuimann and Brahms: thespirit was obviously not only still alive but remarkable fresh in Bruch. This cycle is aglow with sunset colors and rich in the melodic inventiveness, solid craftsmanship and warmth of heart characteristic of all of Bruch's finest works.

7:30 p.m.April 16, 1985Kresge Auditorium

presents

A Faculty Lecture-Recital on

HISPANIC KEYBOARD MUSIC

Alice Edwards and Students


Sonata No. 90 in F# m a j o r ............Antonio Soler(1729-1783)

Miss Edwards

Asturiana............................ Enrique Granados(from Twelve Spanish Dances, Op.5) (1867-1916)

Lisa Foster

Montanesa............................ Manuel De Falla(from Pieces Espagnoles) (1876-1946)

Miss Edwards

Branquinha........................ Hector Villa-Lobos(from Prole Do Bebe) (1887- )

Diana Miller

Allegro m a r c a t o Alberto Ginastera(from Sonata para Piano) (1916- )

Kresge Auditorium April 18, 1985 10:30 a.m.


presents

HALE/WILDER SCHOLARSHIP AUDITIONS

Toreador Song, from Carmen...........................G. BizetStill Wie Die Nacht................................. Carl BohmIt is Enough, from Elijah.................... F. MendelssohnAmarilli, mia bella ...............................G. Caccini

Scott Apple, baritone Jonathon Lee, piano

Deh , vieni..........................................W.A. MozartMein Herr, Marquis...................... J- StraussTout est si beau!............................. S. RachmaninoffOh! had I Jubal's lyre.............................G.F. Handel

Lillian Kay Buker. soprano Dawn Montgomery, piano

Du Bist Die Ruh........................................SchubertComfort ye, from Messiah...........................G.F. HandelDalla Sua Pace, from Don Giovanni..................... MozartOh! Ne t'eveille pas.................................... Godard

John Lynn, tenor Dawn Montgomery, piano

0 Thou That Tellest Good Tidings to Zion,from Messiah.................................... G.F. Handel

Beau Soir C. DebussyChe faro' senza Euidice, from Orfeo........... C.W. von GluckVon ewiger Liebe Op. 43, No. 1 ...................... J. Brahms

Cyndi Larson, mezzo-soprano Cindy Spring, piano

In diesen heil'gen Hallen, from Die Zauberflote..W.A. MozartBlow, Blow thou Winter Wind Roger QuiiterElegie.......................................... Jules MassenetNon piu andrai, from Le Nozze di Figaro.......... W.A. Mozart

Brad Garvin, bass Cindy Spring,piano


presents


Department of Music

Concert Band

Harlow Hopkins Conductor

Mark H. Hindsley Guest Conductor

Kresge A uditorium A pril 26, 1985

7 :30 P .M .

Program

Symphonic Celebration & D ance Robert E. FosterT his is an exciting w ork w hich was copyrighted in 1984. It begins with an introductory, fanfarish-like section follow ed by an adagio-legato C horale section. This leads very quickly into the D ance w hich is cast in m eter which alternates betw een 4/4 and 2/4. Eventually the C horale returns to conclude the w ork.

Suite Francaise........................................................ Darius Milhaud1. N orm andie2. Bretagne3. lie de France4. A lsace-Lorraine5. Provence

T he "Suite Francaise" was originally w ritten fo r band. For a long time M ilhaud had the idea of w riting a com position for school m usicians in w hich "m usic of their tim e" w as used, keeping the characteristic idiom of the com poser. T he five parts of this Suite are nam ed after French Provinces, the very ones in w hich A m erican and allied arm ies fought together w ith the French underground fo r the liberation of France. M ilhaud used fo lk tunes of those Provinces, w anting A m ericans to hear the popular m elodies of those parts of France w here their fathers, brothers, uncles and grand fathers fought to defeat the G erm an invaders.

Fantasies on a Theme by Haydn..................Norman Dello Joio"Fantasies" was com m issioned by the M ichigan School Band and O rchestra A ssociation and published in 1968. It is based on a theme from a com position fo r piano by Joseph H aydn. The three m ovem ents are a constantly varied exam ination of H aydn's basic idea. T he bubbling hum or of the first and third fantasies flank a second which is intensely lyric. "In the final sense, the w ork is my hom age to a com poser w ho will alw ays rem ain co n tem p orary ." — N .D .J.

Intermission

Personnel

FluteBecky Allen - Lisle, IL Jill Ferree - Pontiac, MI Nanci Aylor-Shawnee Mission, KS Brenda Ousley-Columbia City, IN Cynthia Crawford - Pekin, IL Cindy Fouser - Kewanee, IL Danis Yocum - Leaf River, IL Michelle King - Dayton, OH Beth Riley - Rockford, IL

C larinetEileen Corbus - Ottawa, IL

B^ C larinet

Bonnie Agner - Nashville, GA Kevin Webster - Benton, IL Todd Zinkann - Kankakee, IL Robin Snyder - Wyoming, MI Kelly Bryant - Marshalltown, IA Sharon Sabelfeldt - Centralia, IL Kathy Matson - Milwaukee, WI Dawn Singell - Edmore, MI

BassoonJoAnn Lichte - Tampa, FL Susan Johnson - Elgin, IL

Alto SaxophoneBeth Meyers - Union Grove, WI Jeff Webb - Kankakee, IL

TrumpetJohn Brewer - Muncie, IN Lori Standley - Bourbonnais, IL Sheila McDonald-Elkhart Lake, WI David Allen - Somerset, KY Larry Mace - Kokomo, IN

HornMichael Turnbull - Hale, MI Lori McRoberts - Danville, IN Phil Davisson - Liberty, IN

TromboneAlbert Ackerman-OakLawn, IL Dan Cox - Ridgeville, IN Regina Rowe - Kendallville, IN


PercussionHoward Newcomb-Arlington, OH Scott Peace - Hillsville, PA David Rees - Winchester, IN Brenda Hanson - Arnegard, ND Sue Polaskey - South Holland, IL

O fficers

President - Jill Ferree Vice President - Bonnie Agner Secretary - Sheila McDonald Treasurer - Brenda Ousley Chaplain - Howard Newcomb Historian - David Rees

Transportation Manager -Albert Ackerman

Librarians - Becky Allen Cindy Fouser

Publicity - JoAnn Lichte Kelly Bryant

Elsa's Procession to the Cathedral from Lohengrin

..................... Richard Wagner

Transcribed, Lucien CaillietElsa's Procession to the Cathedral, with its medieval co lor and pageantry, prefaces her betrothal to Lohengrin, m ystic Knight of the H oly G rail, com e to deliver the people of B rabant (A ntw erp) from the Hungarian invaders. In the operatic presentation, a large double chorus adds its song of solem n praise to that of the orchestra. It is in this m usic, m ystic yet pow erful, that we find W agner striking out with those new and intense m usical thoughts w hich were to culm inate in Tristan, the Ring, and Parsifal.

In his transcription for band, Lucien C ailliet has succeeded in building into the instrum ental fram ew ork of the m odern band a true and delicate representation of all that W agner so eloquently describes w ith orchestra and chorus.

The Black Horse Troop..................................... John Philip Sousa

This m arch was com pleted D ecem ber 30, 1924 at Sou sa’s Sands P oint, Long Island, estate. It was played for the first time about ten m onths later on O cto b er 17, 1925, at a concert of the Sousa Band in the Public A uditorium , Cleveland, O h io . A m erica's leading Sousa scholar, Paul E. Bierley, w rites in his b o o k : Jo h n P h ilip S ou sa , A D escr ip tiv e C a ta lo g o f His W orks , that the M arch King enjoyed a long relationship to the men and horses of C leveland's O h io N ational G uard C avalry , know n as T ro op A . Sousa w as, him self, a devoted horsem an. O nce again he drew upon som e special rhythm ic resource when the m arch was fo r horses and riders; once again his special com prehension of the thrilling spectacle of regim ental m ovem ent produced a com pelling musical experience for both the p layer and the listener, com m anding our particular aw areness of his use of the trum pets and drums at various dynam ic levels. During the half-century of his career as the most successful bandm aster w ho ever lived, there w as both reason and necessity for his creating these wonderful marches — and am ong them all T h e B la c k H orse T ro o p is a positive standout. — Frederick Fennell

Edited, Frederick Fennell

T occata G irolam o Frescobaldi

T o cca ta was w ritten originally fo r pipe organ. T he com poser w as organist and choirm aster at S t. Peter's in Rom e from 1608 until his death in 1643, though he did leave R om e fo r a period o f tim e to becom e the court organist at Florence. A s a com poser Frescobaldi occupies a very prom inent place in m usic history . O ne can im agine the m ajesty of the pipe organ in the opening m easures of the w ork. A n im itation section ensues w hich ultim ately leads to a rather rhapsodic section in w hich solo clarients and solo flutes are prom inent. A short "allegro guisto" section concludes the w ork.

Lustspiel Overture, Op. 7 3 ................................................... Keler-BelaK eler-Bela (real nam e A lbert von Keler) w as a H ungarian violin ist, conductor, and com poser of light music w ho w as born in 1820 and died in 1882. He w as a law student, then becam e a farm er, and finally took up m usic in 1845, studying in V ienna. He played violin at the Theater-and er-W ien , w here he developed his spec ia lity — the com position of dance m usic. He conducted several orchestras and a band in V ienna but w as forced to w ithdraw from such duties in 1873 due to ill health. He w rote a great num ber o f dances and other light pieces, som e of w hich attained enorm ous popularity, particularly the overture to be played tonight.

Second Suite in F for Military Band........................Gustav HolstOpus 28, No. 2

1. A llergo 3. Song of the Blacksm ith2 . Song W ithout W ords 4. Fantasia on the "D argason"

G ustav H olst w as born in C heltenham , England, in 1874, and died in London in 1934. The "Second Suite" w as com posed in 1911. A t the R oyal College of M usic in London he studied com position with S tanford . He also took up the trom bone and acquired such proficiency that he w as able to earn his living as trom bonist w ith an opera com pany and in various sym phony orchestras. In 1919 he took a post at the R oyal College of M usic teaching com position . In 1923 he undertook a journ ey to the United States w here he lectured and perform ed his works at Harvard University and at the University of M ichigan. His last years were devoted entirely to com position .

Guest Conductor. . .A graduate of Indiana University "with high distinction" in 192S, Mark

Hindsley served as band director and music instructor at Indiana until 1929. From 1929 to 1934 he was Director of Instrumental Music in the schools of Cleveland Heights, Ohio, conducting the high school bands and orchestras, with first divisions in concert and marching at national band contests. From 1934 to 1948 he was Assistant Director of Bands at the University of Illinois, director of the Marching Mini and conductor of the First Regimental Band, with wind instrument teaching in the School of Music; this period was interrupted by military service from 1942 to 1946, as staff music officer of the Army Air Forces Training Command, and for the last six months band and orchestra conductor and teacher of conducting at the Biarritz American University in France, attaining the rank of lieutenant colonel and earning the Army Commendation Medal. Succeeding Albert Austin Harding as Director of Bands at Illinois in 1948, he was active in that position and as Professor of Music until his retirement in 1970.

A past president of both the College Band Directors National Association (1947) and the American Bandmasters Association (1957-58), Hindsley has appeared throughout the nation and in other countries as guest conductor, clinician and adjudicator, and on the summer staffs of many other colleges and universities. His recordings of the University of Illinois Concert Band and his transcriptions of historical masterpieces are highly acclaimed at home and abroad. He is the author of eight books and some 45 magazine articles on instrumental music. He was awarded the honorary degree Doctor of Music by his alma mater, Indiana University. Among his many other honors are election to the International Institute of Arts and Letters; a Citation of Merit from the University of Illinois Foundation; the Meritorious Service Award of the Illinois Music Educators Association; the Outstanding Bandmaster Award of Phi Beta Mu; the Edwin Franko Goldman Award of the American School Band Directors Association; the Distinguished Service to Music Award of Kappa Kappa Psi; election to the Academy of Wind and Percussion Arts, with the "Oscar" of the National Band Association; the Illinois - Phi Beta Mu Bandmasters Hall of Fame; and the National Hall of Fame of Distinguished Band Conductors.

After a forty-five year formal career and several years of "retirement," Dr. Hindsley continues to serve as guest conductor, adjudicator, clinician, writer, arranger and publisher of many of his concert band transcriptions in manuscript and his latest books, HINDSLEY ON BANDS (The Gospel According to Mark), and MY BANDS AND I (A Love Story).

Permanent Conductor. . .Harlow Hopkins began teaching at his alma mater in 1954. He is currently

Professor of Music and teaches woodwind instruments and conducting as well as serving as director of the Concert Band since 1957. He holds degrees from Olivet Nazarene College, the American Conservatory of Music, Chicago, Illinois, and Indiana University, Bloomington. The D.Mus. in Woodwinds, Literature and Performance, was awarded by the latter institution in 1974.

The first half of the program will be conducted by Mr. Hopkins.

Sponsor and Friends . . .Mr. and Mrs. Curtis K. Brady have provided the funds to bring Mr.

Hindsley to campus this evening. Both are alumni of the College as are two of their four children. Mr. Brady served Olivet for nineteen years — as Chairman of the Division of Fine Arts and Department of Music, as Dean of Men, as Dean of Students, and as Chairman of the Division of Continuing Education. The Department of Music wishes to express sincere thanks for their thoughtfulness, generosity, and continuing friendship.

presents

JUNIOR RECITAL

L I L L I A N K A Y B U K E R , soprano



Porgi , amor, qualche ristoro............... W.A. Mozartfrom Le Nozze de Figaro

Deh veini, non tardar.......................W.A. Mozartfrom Le Nozze de Figaro

The Jewel Song................................. C. Gounod(Rect. and aria) from Faust

Oh! had I Jubal’s lyre, from Joshua....... G.F. HandelWith verdure clad the fields appear........... J. Haydn

from The Creation Alleluja, from Exsultate, jubilate........ W.A. Mozart

Gretchen am Spinnrade.......................F. SchubertDer Nussbaum.................................R. SchumannCe que je suis sans toi....................... C. GounodTout est si beau!...... S. Rachmaninoff

INTERMISSION

Let the Lord Be Magnified.............. Kurt KaiserThey Shall Have Great Peace.................Kurt KaiserSing and Bless the Lord..................... Kurt Kaiser

New Born..............................Norman Dello JoioThe Singer..................................Michael HeadI Hate Music!......................... Leonard Bernstein

My Name Is BarbaraJupiter Has Seven MoonsI Hate Music - But I like to SingThe RiddleI'm a Person Too!


PROGRAM NOTES

Porgl , amor, qualche ristoroIn Le Nozze di Figaro, the countess sings in sorrow for

the lost affection of her husband:Pour, 0 love, sweet consolation on my lonely, my broken

heart.Give me back his lost affection, or, I beg you, let me

die.Bring me comfort in my suffering; hear my brokenhearted

sigh.Give me back my love, my husband, or, I beg you, let me

die.

Deh vieni, non tardarSusanna, in pretense of singing to the Count, reaffirms

her love for FigaroBeloved, don't delay, the night is falling. Hasten wher

love’s delight is sweetly calling.Until the stars grow pale, and night is waning, while

the world is still and calm is reigning.The stream rustles on, the breeze is blowing, and the

timid heart with hope is glowing.The flowers all with shining dew are gleaming, while

the world is long asleep and dreaming.Come, my beloved, the starry sky's above you. Come,

my beloved, with all my heart, I love you.

The Jewel SongMarguerite, a servant to the King, has discovered a bo»

of jewels and is imagining herself to be the King's daughter.

If I dare, only dare for a moment to try this lovely pair of earringsl Ah I And here inside this little basket is a mirror 1 Who could resist it any longer?

Ah, the joy pact compare, these bright jewels to wearl Is it I, Marguerite? Now reply 1 Tell me, truly 1 No, this is not I! Some enchantment is over me.Some King's daughter I spy!

Here are more ready to adore mel I can hardly wait to try on this bracelet here and that necklace there.

Ah! It is lake a hand laid on my arm to oppress me!Oh! the joy past compare, these bright jewels to wear.

Gretchen am SpinnradeMy peace is gone, my heart is sore. No rest can be mir“

forever more.Where he is not, dark fears appal. And every thought i_

turned to gall.My mind distraught, my aching head can bear no more.

The thoughts I dread.I watch for him all along the street, and him alone I

go to meet.

The way he walks when he passes by, and the way he talks; the light in his eye.

The sound of his voice like a soft caress. His hand in mine, and oh! His kiss!

The heart within me is all his own. I long to be with him alone.

When his arm enfolds me and I am his. To have and to hold him and die on a kiss.

Per NussbaumThe third in the Myrtenlieder cycle, written in 1840 as

a bridal gift to Clara;A flowering chestnut green and fair lifted leafy

branches, and scented the lustrous air.His myriad blossoms interlace; kindly the wind caresses

and laps them in soft embrace.They gather and whisper soft and low, drooping, daintily

binding their heads for a kiss or so.Of a maiden it is they whisper, that dreaming by night

and day, fancies and knows not what.They whispered; they toss the m y s t e r y to and fro-

Whisper of happiness soon to be.The maiden listened - perchance they knew - smiled and

sank in slumber, dreaming the tale was true.

Ce que je suis sans toiThis piece is a typical example of Gounod's easy, suave

melodic line which exists in most of his compositions:As droops the ivy, rudely torn from yonder oak where-to

'twas clinging. Lowly now, frail and forlorn, withevery zephyr still swinging.

So droops my soul in loss of thee. Oh my love go no more from me!

Like some poor bird w h o m d a y l i g h t calls to soar withsong to heaven's dawns. Even as he flies, wounded he falls; mourning, alas 1 his broken bonds.

Born on a dark and angry tide, with wind and wave infierce commotion. Some lonely bark no hand to guide aimlessly drifts upon the ocean.

Tout est si beau!This composition, belonging to a set of twelve songs,

represents the complexity of i n t e r t w i n i n g God's c reation of nature with mans

How fair this spot, I gaze to where the golden brook runs by. The fields are all inlaid with flowers; white clouds sail on high.

No step draws near; such silence .reigns, alone with God 1 seem.

With him and with the m any pines; a n d T hee my only dream.

I Hate MusiclLeonard Bernstein's talents are formidable, to say the

least. As a composer, pianist and conductor he has moved ii the diverse worlds of Broadway and the Concert halls, and has left his distinct mark on both.

I Hate Music! is a cycle of five childrens songs for soprano. It is written from the perspective of a 10 year old child as she views the everchanging world about her. I' is best understood to imagine the singer as that 10 year old girl.

presents

NIELSON/YOUNG SCHOLARSHIP PIANO AUDITIONS


Ballade in G minor, Op. 1 1 8 .............. BrahmsSonata in B * Major, No. 5 2 ...........ScarlattiConcerto in D M a j o r ......................... HaydnBranquinha (The Porcelain D o l l ) ...Villa-Lobos

from The Baby's FamilyMiss Diana Miller

French Suite II for P i a n o ................... BachAir

Sonata in A m i n o r ........................ SchubertI

IIISuite for P i a n o ............... Norman Dello JoioIIIIV

Miss Dawn Montgomery

Nocturne in E minor. Op. 72, no. 1 ChopinFrench Suite VI for P i a n o ................... Bach

CouranteGavotte

Sonate Pathetique, Op. 1 3 ............. BeethovenFrom Six Preludes, Op. IV & V I ...... Muczynski

Miss Carla Henry


presents

SENIOR RECITAL


A N D R E A C A M P E , trumpet Jennifer Wilkens, piano

Assisted byDAWN MONTGOMERY, piano

Concerto.....................................HaydnI

IIIII

Miss Campe

Suite for Piano..............Norman Dello JoioIIIIV

Miss Montgomery

Sonata for Trumpet & Piano........Kent KennanI

IIIII

Miss Campe

7:30 p.m.May 2, 1985 Kresge Auditorium

O L I V E T N A Z A R E N E C O L L E G E D e p a r t m e n t of M u s i c

p r e s e n t s S T U D E N T R E C I T I A L

S o n a t i n a for C l a r i n e t and P i a n o . . . M a l c o l m A r n o l d A n d a n t i n o

T odd Z i n k a n n , c l a r i n e t B o n n i e Agner, p i a n o

P r a y e r of St. F r a n c i s ......................H a r r y B a n k sR o b i n F o s t e r , s o p r a n o

C i n d y Payne, p i a n o

Tu lo S a i G. T o r e l l iJ i m Pence, t e n o r

J o n a t h a n Lee, p i a n o

Two B o u r e e s ..................... . . . . . . . . . J . S . B a c hT o d d Z i n k a n n , t e n o r s a x o h o n e

J e f f W e b b , p i a n o

El M a j o T i m i d o ........................E n r i q u e G r a n a d o sA m o r y o d i b ............................ E n r i q u e G r a n a d o s

A n g e l M c C o r d , s o p r a n o C a r l a H e n r y , p i a n o

Son a t a IV in D M a j o r ....................... G .F. H a n d e lA1 l e g r o

T i m H o f f l a n d e r , v i o l i n C a r l a Henr y , p i a n o

I Have T w e l v e O x e n ..........................J o h n I r e l a n dJ e n n i f e r S i n g e r , s o p r a n o D a w n M o n t g o m e r y , p i a n o

11:30 a.m.May 3, 1985Kresge Auditorium

S o n a t a for C l a r i n e t a n d P i a n o ............... J. B r a h m sA n d a n t e un p o c o a d a g i o A l l e g r o a p p a s s i o n a t o

B o n n i e A g n e r , c l a r i n e t D a w n M o n t g o m e r y , p i a n o

The L o r d ' s P r a y e r ...................... . . . . M i c h a e l H e a dC o n n i e S t a n l e y , s o p r a n o

R o b i n F o s t e r , p i a n o

E m p e r o r W a l t z .................................... J. S t r a u s sT h e m e f r o m B r a h m s S y m p h o n y ................... J. B r a h m s

S t r i n g I n s t r u m e n t s C l a s s P a m D e g n e r , v i o l a A n g e l a M a y f i e l d , c e l l oC a r l a H e n r y , c e l l o C h a r l e s T a y l o r , v i o l i n

S c o t t A p p l e , s t r i n g b a s s


Tlic Seventv-Secondw

Annual rommcncemcnt Concert

Student Soloists and the

College O rchestra

Lolita PhelpsConductor

Eight o’clock May 1 1 , 1 9 8 5

College C hurch of the N azarene Bourbonnais, Illinois

c;e 5 £ < £ ? >


Program

Printemps qui Commence................................ Camille Saint-Saens(Samson et Dalila)

Segiudilla.......................................................................... Georges Bizet(Carmen)

JoAnn Lichte, mezzo-soprano

Concerto in G minor Francis PoulencRodney Loren, organ

Presentation of the W alter B . Larsen Award for M usical Excellence for 1 9 8 5 -1 9 8 6

JoA nn Lichte, Recipient

Si mi Chiamino Giacomo Puccini(La Boheme)

Pace, pace, mio D io Giuseppe Verdi(La Forza del Destino)

Bonnie Kingston, soprano

Ella a fui, la Tourterelle.......................................Jacques Offenbach(Tales of Hoffman)

Mein Herr, Marquis....................................................Johann Strauss(Die Fledermaus)

Kay Buker, soprano

Piano Concerto No. 2 in C minor................. Serge RachmaninoffAllegro Scherzando

Cindy Spring, piano

Scholarship Recipients 1985-1986

Mayme Carmichael Music Scholarship..............................Jeff Webb

Robert Hale/Dean Wilder Voice Scholarship Cyndi Larson

Russel G. Hopkins Instrumental Scholarship Bonnie Agner

Brad Kelley Arranging Scholarship.................................... Jeff Webb

Wanda Kranich Keyboard Scholarship Dawn Montgomery

Naomi Larsen Music Scholarship................................ JoAnn Lichte

Mardell Lemenager Keyboard Scholarship Jeff Webb

Stephen Nielson/Ovid Young Piano Scholarship. . . Carla Henry

Elmer Williams String Scholarship Pan Degner

Sharon Barr

Anita Beck

Elisa Ellis

Rodney Loren

Donna Pierce

Cindy Spring

Kim Unger

Diana Williams

Baccalaureate Degrees 1984-1985

Church Music/Christian Education (Voice)

Music Education (Voice)

Music Education (Flute)

Church Music/Music Education (Organ)


Music Performance (Piano)


Music Education (Piano)

Luther Collqje Nmrtic

CONCERT PROGRAM

PART ONE

Psalm 100 (Echo)H ein rich S ch u tz ( 1 5 8 5 -1 6 7 2 )

(double chorus fo r m ixed voices)(sung in German)

Make a joyful noise to the Lord, all the lands I

Serve the Lord with gladness!Come into his presence with singing!

Know that the Lord is God!It is he that made us, and we are his;

we are his people, and the sheep of his pasture.

Enter his gates with thanksgiving, and his courts with praise!

Give thanks to him, bless his name!

For the Lord is good; his steadfast love endures forever, and his faithfulness to all generations.

— Psalm 100

Sung in honor o f the quadricentennial o f Schutz

Adoramus TeQ u irin o G asp arin i (1 7 4 9 -1 7 7 0 )

(sung in Latin)

We adore you, Christ, and we bless you.

Because through your Holy Cross you redeemed the world.

KyrieK nut N ystcdt

(from “ A Thanksgiving M ass")(sung in Latin)

Lord have mercy,Christ have mercy,Lord have mercy.

Come, Jesus, Come (Komm, Jesu, Komm)Jo h a n n S eb astian B a c h (1 6 9 5 -1 7 5 0 )

(m otet for m ixed voices)(sung in German)

Come, Jesus, come, my flesh is weary;my strength fails ever more and more.

I long for Thy peace; this thorny path becomes too steep!

Come, come, I will give myself to Thee,Thou art the right way, the truth and the life.

Therefore I place myself in Thy hands and bid farewell to this world.

My life is moving to its close, and now is come the time of the spirit.

My soul shall hover by its creator, since Jesus is now and forever the true way to life.

Sung in honor o f the tercentenary o f Bach

PART TWO

Our FatherA lex a n d er G re tc h a n in o ff ( 1 8 6 4 -1 9 5 6 )

Holy, holy, holy, Lord of Sabbath,Heaven and earth are full of Thy glory.Thine are kingdoms, thrones, dominions,

might and majesty.Thy name be hallowed in heaven.Thou givest strength to the weak;Thou rememb'rest the poor and the distressed.And upon them that fear Thy name Showers of blessings unnumbered shall fall;Peace shall follow them;By still waters their path shall be.Sing then of mercy, of judgment, of kingdoms,Of thrones, dominions and power forevermore.Holy, holy, holy, O Lord, in splendor bright;Fill our hearts with everlasting light.

Christus Factus Est (Christ Was Made Obedient)A n to n B ru c k n e r (1 8 2 4 -1 8 9 6 )

(sung in Latin)

Christ was made obedient for us, ev’ n unto death on the c ross!

Wherefore hath the Lord exalted Him, and giv’n to Him a great name.

That is higher than all great names.

GloriaLars E dlund ( 1 9 2 2 - )

(sung in Latin)(solo voice and choir)

Gloria in excelsis Deo Glory be to God on h igh!

Et in terra pax And on earth peace,

hominibus bonae voluntatis to men o f good will.

Laudamus te Wo n ra ise fhoo

benedicimus te, we bless thee,

adoramus te, we adore thee,

glorificamuste, we glorify thee

magnam gloriam tuam. fo r Ihv great n ln rv

Domine Deus, Rex coelistis, suscipe deprecationem nostram.0 Lord God, heavenly King. hear our prayer.

Deus Pater omnipotens. Qui sedes ad dexteram Patris,God the Father Alm ighty. Thou that s lttes t a t the right hand

Domine Fili unigenite, o f the Father0 Lord, the only begotten son. misere nobis.

Jesu Christe. have m ercy upon us.Jesus Christ. Quoniam tu solus Sanctus,

Domine Deus, Agnus Dei, Thou only a rt holy,0 Lord God, Lamb o f God, tu solus Dominus,

Filius Patris, Thou only a rt the Lord,Son o f the Father, tu solus Altissimus,

Qui tollis peccata mundi, Thou only a rt m ost high,that takest away the sin o f the world, Jesu Christe.

suscipe deprecationem nostram. Jesus C hris thear our prayer. Amen

Qui tollis peccata mundi, that takest away the sin o f the world,

For centuries composers have set the text of the Gloria from the Mass to music. One of the most unique settings is that of the contemporary Swedish composer, Lars Edlund. By employing quarter tones as well as the conventional whole and half steps, Mr. Edlund has seemingly embraced more than the traditional Western world, but the Far East and India as well. It is as if to say, “ Everyone is to glorify God.”A tenor soloist makes the opening statement, a ringing affirmation of the text supported by the choir as sung by the angels at the birth of Christ. Large in- tervallic skips with melismas which are highly chromatic plus the use of the quarter tone seemingly embrace the entire world. The choir assumes the dominant role on the words, "W e praise you, we bless you, we worship you," sung in both a stark contemporary manner and one reflective of a chant, but with the quarter tone interjected in this century-old mode of worship. Continuing in the stark manner, the choir reaches the words, “ Jesu Christi.” The tradition of rhythmic elongation of these words to allow the priest and congregation to genuflect is also observed by Edlund, but in the manner of great warmth as opposed to the general starkness of the composition. It is as if to say, “ Christ is truly the only Source of warmth and beauty in an otherwise cold and objective world."A narrator introduces the words, "Lamb of God who takest away the sins of the world,” with the choir intoning in the background. It is the Priest who is to introduce these solemn Communion words. A most vivid compositional technique sets forth the words, "receive our prayer.” By employing a tone cluster utilizing every note in the scale, the statement that Christ took upon Him every sin of mankind is graphically made.How starkly the words, “ who sitteth at the Right Hand of the Father," are portrayed by the tenors as they scramble chromatically over each other to ultimately reach a unison high g, the very opening note on which the tenor soloist began, Christ again had returned to the Father after having left Heaven to be born of Mary.The Gloria concludes with the words, "Thou alone art holy, thou only art the Lord, Thou only art most high.” Two separate keys are present in the choral parts, signifying our lack of wholeness on this earth. How wonderful the contrast is in the setting of the following words, “ Jesu Christi," not only in one key, but with such a splendid major tonality.The final A m e n is not fully resolved. This earthly sojourn is a constant praise of God from incomplete people.

The dance confronts the Christ story in a series of abstract images . . . humankind struggling to find a connection with the Creator/Father . . . the Father's lament and response in the gift of the Christ . . . the walk on Earth with humankind . . . the eventual human denial, crucifixion, and resurrection. Humankind is represented by the figure on the lower platform and the Creater/Father by the "formless” dancers on the upper platforms. Later in the piece Christ emerges, represented by the "defined” figures on the upper platforms.

INTERM ISSION

PART THREE

Faire Is the HeavenW illia m H arris ( 1 8 8 3 -1 9 7 3 )

(m ote t for double choir)

Fair is the heav'nWhere happy soules have place.In full enjoyment of felicitie;Whence they doe still behold the

glorious face of the Divine,Eternall Majestie;

Yet tarre more faire be those bright Cherubins

Which all with golden wings are over dight.

And those eternall burning Seraphins, Which from their faces dart out

fiery light;Yet fairer than they both

and much more bright,Be th' Angels and Archangels,Which attend on God’s owne

person without rest or end.

These then in faire each other farre excelling

As to the highest they approach more neare.

Yet is that highest farre beyond all telling.

Fairer than all the rest which their appear.

Though all their beauties joynd together were;

How then can mortall tongue hope toexpresse

The image of such endlesse perfectnesse?

Psalm 121H ein z W e rn e r Z im m erm a n n ( 1 9 7 3 )

I lift up my eyes to the hills.From whence does my help come?My help comes from the Lord

who made heaven and earth.He will not let your foot be moved.He who keeps you will not slumber.Behold, He who keeps Israel

will neither slumber nor sleep.The Lord is your keeper.The Lord is your shade on your right hand.The sun shall not smite you by day,

nor the moon by night.

The Lord will keep you from all evil.He will keep your life and soul.The Lord will keep ypur gping put and your coming in from this time forth

and forever more. Amen.

Prayer to the ChildjesusJo h n Seag ard

Dearest Jesus, Holy Child, make a bed in my heart.

Star in heaven, shining o'er thee, guiding kings to thee.

Now they bow to thee.

Now, Shout!G era ld K e m n er

God has gone up with a shout.Sing praises to God, sing praises!0 sing to the Lord a new song.Let the sea roar, let the floods

clap their hands;Let the hills sing for joy together. The Lord is terrible,A great King over all the earth.

Tremble, earth.At the presence of the Lord,Which turned the rock into

a standing water,The tlint into a fountain of waters. Bless the Lord, my soul.Be thankful, bless his Name.Bless the Lord, his angels,Bless the Lord, his ministers,Bless the Lord, his dominion,Bless the Lord, 0 my soul,Bless his holy Name.Who forgives, who heals,

loving and tender, merciful and kind.

PART FOUR

Sinner ManSp iritu al (A rr. R o b e rts )

(choir w ith soprano, tenor and percussion solos)

O sinner man, where you gonna run to all on that day?

Run to the rock! Rock, won't you hide me all on that day?

The Lord said, "Sinner man, the rock'll bea-meltin' all on that day."

Angels singing gloria in excelsis Deo.

Angels guard thee, Mary hold thee, Love immortal ever with thee,

Gloria. Amen.

His mercy is everlasting,Bless his holy Name.Thou art clothed with honor

and rrtajesty,Who coverest thyself with light

as with a garment,Who makest the clouds thy chariot,Who makest the winds thy messengers. Thou makest springs gush forth

in the valleys Thou hast made the moon to mark

the seasons;The sun knows its time for setting Thou makest darkness, and it is night. Clap your hands, all people.Let the floods clap their hands.Make a joyful noise, Shout!

— from Psalms 47, 98, 100,103,104, and 114

Run to the sea. Sea, won't you hide me all on that day?

The Lord said: "Sinner man, the sea will be a-boilin’ all on that day."

0 Lord, won’t you hide me on that day?

And then the Lord said, "Sinner man, You should a-been pray-in1 all on that day."

Thy Little Ones, Dear LordJ . S ch u lz (A rr. Je n n in g s)

Thy little ones, dear Lord are we And come Thy lowly bed to see; Enlighten every soul and mind,That we the way to Thee may find.

0 draw us wholly to Thee, Lord,Do Thou to us Thy grace accord,True faith and love to us impart That we may hold Thee in our heart.

O Lord GodPaul T s c h e s n o k o ff (1 8 7 7 -1 9 2 1 )

O Lord God, hearThou my pray'r.Help Thou me, and give ear to

my prayer.Daily do I worship Thy great name

andThypow'r.Thou alone canst help me.O send me Thy peace and Love.O protect me, my God.Let me never stray, O my Savior. Leave me not, 0 God of my salvation.

Satan, Satan, won't you hide me now?

Satan said: "Step right in!" All on that day!

Until at last we too proclaimWith all Thy saints Thy glorious name:In paradise our songs renew,And praise Thee as the angels do.

I will sing to the Lord as long as I live.

And praise Thy great name while I have my being.

Hear my pray'r, help Thou me and give ear to my pray’r.

Glory to God.

— Psalm 104: 33

OPTIONAL SELECTION

When I Survey the Wondrous CrossA rr. G ilb e rt M artin

THE NORDIC CHOIR 1985 CONCERT TOUR

The Luther College Nordic Choir, now in its thirty-ninth season, tours annually throughout the United States. Four concert tours of Europe, two tours ot the Caribbean, and two tours of Mexico have been included in its itinerary as well. Appearances have been made at the Lincoln Center, New York; Kennedy Center, Washington, D.C.; Orchestra Hall, Chicago; Orchestra Hall, Minneapolis; and the Crystal Cathedral, Los Angeles. An estimated 18 million people in South America, Mexico, United States,South Korea, Australia, and Europe saw the Nordic Choir on television last year alone.

The Nordic Choir has appeared at the National Convention of the American Choral Directors Association in Kansas City, at five North Central Division Conventions of the ACDA, and in March of this year they will appear in the closing session of the National Convention of the ACDA along with the Mormon Tabernacle Choir. This appearance will be in the Mormon Tabernacle in Salt Lake City, Utah.

The choir performed a feature role in the National Public Television film, The Joy o f Bach. On the occasion of the Second International Choral Festival held at Lincoln Center, New York City, the Nordic Choir was one of three choirs chosen to represent the United States. In 1976 the choir represented the state of Iowa in the Bicentennial Center of the Performing Arts in Washington, D.C.Weston Noble, Director of Music Activities at Luther College, is an internationally known conductor and clinician. He has served as guest director for music festivals in forty-three states (including Washington, D.C., Alaska and Hawaii), Canada and Europe. It is believed that he is the only director asked to conduct all-state groups in all three of the media — band, choir and orchestra. He annually makes twenty-five to thirty appearances from coast to coast as a festival director, clinician or adjudicator. In 1983, he was a guest conductor for the Mormon Tabernacle Choir.

A charter member of the American Choral Directors Association and an elected member of the American Bandmasters Association, Mr. Noble is listed in "The World Who's Who of Musicians." He has adjudicated at the International Festival of Three Cities (Vienna, Budapest and Prague), served as the Band Consultant and Guest Director for the Association for International Cultural Exchange, Vienna. In the summer of 1985 he will participate in A Celebration o f the Baroque in Central Europe: N orthern Italy. Austria and Yugoslavia with members of the Belgrade Symphony Orchestra and a choir of 150 from the United States.

THE COLLEGE

Luther College, founded in 1861, is a college of the American Lutheran church with a student body of 2100. The campus is located in Decorah, Iowa, on the bluffs of the scenic Upper Iowa River. Most of the buildings and facilities have been constructed in the last two decades.

The Preus Library opened in 1969 and is considered to be a model of aesthetic and functional library design. An addition to the College Union opened in May, 1973. Opening in 1977, the Center for Faith and Life includes a 1600-seat auditorium, and a 200-seat recital hall. The Jenson Hall of Music, the music teaching facility completed in August of 1982, includes rehearsal rooms, teaching studios, classrooms, and practice facilities.

Luther's liberal arts curriculum offers 38 majors toward the bachelor of arts degree. Many programs for specific professional training, such as internships and professional semesters, are available in the strong program of general education. The 4-1-4 calendar provides additional opportunities to explore special interests in depth both on and off campus. During the January Term, opportunities include independent study, research, special seminars and selected lectures, off-campus programs, on-the-job experiences, and foreign study-travel programs.

The academic program at Luther is a total experience, intricately combining courses and personal relationships, classroom instruction and self- learning.

Jenson Hall o f M usic

N ORD IC CHOIR PERSONNEL

Weston H. Noble, conductor Curtis Reiso, tour manager

SOPRANO ITracie Bjugan, '86, Jasper, MN Laura Dotseth, '86, Cedar Falls, IA Jill Evans, '87, Marion, IA Anne Karsten, ’85, Columbus, OH Rebecca Morton, ’87, Bralnerd, MN Khara Peterson, ’86, Northlield, MN Thea Phelps, ’85, Tipton, IA Janet Sandquist, '85, G ranite Falls, MN

SOPRANO IIJuanita Gilbert, '87, Hanska, MN Holly Greedy, '87, Decorah, IA Kristi Hanson, '87, Belvidere, IL Dawn Jacobsen, '86, M arshellield, WI Mary Lynch, '87, Decorah, IA Dana McConnell, '87, Madison, WI Gayle Shay, '86, Ankeny, IA Jody Stein, '85, LaCrosse, WI Mary Vaaler, '87, Woodbury. MN

ALTO IHope Broman, '85, Maquoketa, IA Roberta Drewes, '85, Decorah, IA Kris Horeis, '87, Delano, MN Anne Hustad, '85, Seattle, WA Nancy Otteson, '87, Owatonna, MN Lynne Rothrock, '85, Cedar Rapids, IA Kim Torrey, '85, Scituate, MA Lisa Vanbinsbergen, ’85, Montevideo, MN Kris Wolander, '87, Burnsville, MN

ALTO IIDiane Bierbaum, '85, New Ulm, MN Jennifer Ellens, '85, Dundas, MN Lisa Fredenburgh, ’86, Elmhurst, IL Ann Harrington, '87, DeWitt, IA Laura Imsland, '87, Marshalltown, IA Laurel Kallio, '87. Marshfield, WI Elaine Kennedy, '86, Waterloo, IA Anne Knutson, '86, Decorah, IA Sharon Sasse, '86, St. Louis, MO

TENOR IMark G. Anderson, '86, Port Washington, WI Ross Aseron, '85, H offm an Estates, IL Rodney Caldwell, '85, Edina, MN Mark Hamman, '87, Kingsley, IA Michael Hathaway, '86, Nevada, IA Charles Peterson, '86, Sheldon, IA Robert Sinclair, '86, West Branch, IA

TENOR IIDean Beckman, '85, Mt. Pleasant, IA Carlyle Dalen, '85, Lake Mills, IA Charles Ellingson, '87, Beloit, WI Dale Kruse, '86, M echanicsville, IA Philip Kuhlman, '85, Edina, MN Jonathan Larson, '85, Duluth, MN Scott Meyer, '85, St. Ansgar, IA Jeffrey Mundt, '87, Cedar Falls, IA William Vollman, '85, Akeley, MN

BASS IDarren Anderson, '87, LeMars, IA Scott Cheffer, '86, Elmhurst, IL Erik Dovre, '85, Moorhead, MN Kent Lee, '87, Cresco, IA Timothy Mitchell, '87, Charles City, IA Timothy Peter, '86, Elmore, MN Bruce Peterson, '85, Wanamingo, MN Todd Saboe, '86, Fort Dodge, IA Timothy Watson, '86, Ft. Madison, WI

BASS IIJohn Baumgartner, '86, St. Peter, MN Brett Darrington, '85, Palmdale, CA Paul Ellens, '85, Dundas, MN Daniel Hampton, '87, Waverly, IA Jon Harkness, '85, Wausau, WI Timothy Kunau, '86, Preston, IA Scott E. Nelson, '85, Cresco, IA Paul Pena, '86, Apple Valley, MN John Toomey, '86, Dubuque, IA Derrick Torkelson, '85, Elgin, IA

DANCE ENSEMBLEVicki Blake, artis tic d irector

Mary Vaaler Craig NelsonMary Stadem Eric Johnson

THE LUTHER COLLEGE MUSIC FACULTY

Amy Anderson, M.M., North Texas State University. Double reeds, theory.Mary Beckman, M.M., Cleveland Institute of Music. Harp.Bartlett Butler, Ph.D., University of Illinois. Musicology, Collegium Musicum.Kathleen Cook, M.M., University of Wisconsin. Flute.Dennis Darling, Ed.D., University of Illinois. Music Education, Cathedral Choir.Gary Davis, D.M.A., University of Iowa. Clarinet, saxophone, Jazz Lab Band.Dan H. Dykema, M.A., University of Iowa, D.M.A. candidate, University of Oklahoma. Piano.Ronald Fox, D.M.A., Indiana University. Brass.Beverly Fuller, M.M., University of Southern California. Voice, Music Education.Steven Fuller, D.M.A., University of Southern California. Voice, Collegiate Chorale, Norsemen.David Greedy, M.M., Eastman School of Music. Voice, Opera Workshop.Conrad Hoffsommer, Western Iowa Technical Community College. Piano Tuning and Technology.Helen Isenberger, M.S., Juilliard School of Music. Voice, Valley Singers.David Judisch, D.M.A., University of Iowa. Voice.William Kuhlman, M.M., Syracuse University. Organ.Peter Lingen, B.F.A., University of Minnesota. Guitar.Brenda Lualdi, M.M., Southern Illinois University. D.M.A. candidate, Cleveland Institute of Music.Richard Mattson, M.M., Michigan State University. Low strings, theory.Douglas Meyer, D.M.A., University of Cincinnati. Conducting, Symphony Orchestra.Maurice Monhardt, Ph.D., University of Iowa. Department Head, theory, composition, music literature.Ruth Monhardt, B.A., St. Olaf College. Ear training.Weston Noble, M.M., University of Michigan. Choral methods, Nordic Choir.Frederick Nyline, M.A., University of Minnesota. Low brass, Concert Band, Varsity Band.Richard Patterson, M.A., Northwestern University. Percussion.John Strauss, D.M.A., University of Texas. Piano.Virginia Strauss, D.M.A., University of Texas. Strings, theory.Marjorie Wharton, M.A.,Tulane University. Piano.

Luther College provides equal opportunity for all qualified persons in the educational opportunities and activities which it operates. The College does not discriminate on the basis of race, creed, handicap, color, national origin, age or sex.

LU T H E R C O LLEG E . D EC O R A H , IO W A - 5 2 1 0 1

ChristianInstrumental

DirectorsAssociation

Midwest Regional Conference


M arch 22, 23, 1985

OhfletE D U C A T I O N WI T H A C H R I S T I A N P U R P O S E

M a r c h 22, 1985

W e l c o m e to the c a m p u s o f O l i v e t N a z a r e n e C o l l e g e a n d to the 1 985 M i d w e s t R e g i o n a l C h r i s t i a n I n s t r u m e n t a l D i r e c t o r s A s s o c i a t i o n C o n f e r e n c e .

Y o u r a r r i v a l h a s b e e n a n t i c i p a t e d for s e v e r a l m o n t h s . W e h o p e t h a t all d e t a i l s h a v e b e e n f o r e s e e n a n d c a r e d for p r i o r to y o u r a r r i v a l . F e e l f r e e to a s k a b o u t a n y t h i n g w h i c h h a s b e e n o v e r l o o k e d .

C I D A is g r o w i n g ! O l i v e t is h a p p y to p l a y a p a r t in the o n - g o i n g life o f the O r g a n i z a t i o n . it is o u r h o p e t hat t h i s C o n f e r e n c e w i l l a s s i s t C I D A to m a k e an i m p a c t o n y o u r life a n d t hat y o u w i l l l e a v e c a m p u s w i t h r e n e w e d i n t e r e s t in y o u r p r o f e s s i o n a n d in CIDA.

W e a l s o h o p e t h a t y o u r s h o r t s t a y o n c a m p u s w i l l b e m o s t e n j o y a b l e .

H a r l o w H o p k i n s , H o s t M i d w e s t R e g i o n a l C o n f e r e n c e

Olivet nazarene CollegeKankakee, Illinois 60901 Telephone 815-939-5011

C O N F E R E N C E S C H E D U L E

F R I D A I i

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1:30

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M A R C H 22

S E S S I O N O N E -- 140G r e e t i n g s , I n t r o d u c t i o n s , C I D A O v e r v i e w

L U N C H

S E S S I O N T W O - - 140W h a t to L o o k for in G o o d A r r a n g i n g — P h i l N o r r i s , w i t h J o h n W i l s o n ( H o p e P u b l i s h i n g C o.) a n d G e o r g e S t r o m b e c k

V i s i t M u s i c D i s p l a y s — C o f f e e in L o u n g e

S E S S I O N T H R E E — 140L o w B r a s s C l i n i c — B i l l P e a r c e

V i s i t M u s i c D i s p l a y s

B A N Q U E T — L u d w i g C e n t e rS p e c i a l c o n c e r t b y B r a s s D i v e r s i - F i v e , a B r a s s Q u i n t e t f r o m C u y a h o g a F a l l s , O h i o

C O N C E R T — K r e s g e A u d i t o r i u m B i l l P e a r c e , T r o m b o n eO l i v e t C o n c e r t B a n d , H a r l o w H o p k i n s , C o n d u c t o r

S A T U R D A Y, M A R C H 23

S E S S I O N F O U R — 142 I n s t r u m e n t a l R e a d i n g C l i n i c

V i s i t M u s i c D i s p l a y s — C o f f e e in L o u n g e

S E S S I O N F I V E — 142C o n c e r t - C l i n i c — T r u m p e t Q u a r t e t , C u y a h o g a F a l l s , O h i o

L U N C H

S E S S I O N S I X -- 142P r e s e n t a t i o n o f the n e w " C h r i s t i a n B e g i n n e r s I n s t r u m e n t a l M e t h o d " — J i m L o u c k s ( S i n g s p i r a t i o n ) a n d M i k e D i C u i r c i

C O N C E R T — K r e s g e A u d i t o r i u mC I D A H i g h S c h o o l H o n o r B a n d , R o b e r t E v e n d e n , C o n d u c t o r W i l l i a m H i m e s , E u p h o n i u m S o l o i s t

4

G U E S T P E R F O R M E R S

BILL PEARCE is a t r o m b o n i s t e x t r a o r d i n a i r e . T h e m a r v e l o u s t o n e a n d t e c h n i q u e a n d a w e s o m e r a n g e n e v e r f a i l to i n s p i r e a n d e x c i t e h i s l i s t e n e r s . H e h a s s o l o e d s e v e r a l t i m e s at the a n n u a l I n t e r n a t i o n a l T r o m b o n e W o r k s h o p h e l d in N a s h v i l l e , T e n n e s s e e . B i l l is a p e r f o r m i n g a r t i s t a n d t r o m b o n e c l i n i c i a n f o r the Y a m a h a C o m p a n y , G r a n d R a p i d s , M i c h i g a n . P e a r c e is the h o s t for the n a t i o n a l l y - s y n d i c a t e d r a d i o p r o g r a m , " N i g h t s o u n d s ." N i g h t s o u n d s M i n i s t r i e s is a n o t - f o r - p r o f i t c o r p o r a t i o n l o c a t e d in the W h e a t o n / G l e n E l l y n , I l l i n o i s a r e a 25 m i l e s w e s t o f C h i c a g o . B i l l h a s n a r r a t e d n u m e r o u s m u s i c a l c a n t a t a s a n d f i l m s t r i p s a n d as an i n d i v i d u a l w i l l s o o n h a v e p r a y e r f u l l y r e c o r d e d a n u n p r e c e d e n t e d d r a m a t i c i n t e r p r e t a t i o n o f the e n t i r e B i b l e ( N e w I n t e r n a t i o n a l V e r s i o n ) in c a s s e t t e form.

R O B E R T E V E N D E N r e c e i v e d b o t h h i s u n d e r g r a d u a t e a n d g r a d u a t e d e g r e e s f r o m the U n i v e r s i t y o f M i c h i g a n , A n n A r b o r . P r i o r to the c o m p l e t i o n o f h i s M a s t e r ' s D e g r e e , Mr. E v e n d e n r e c e i v e d a R o t a r y F e l l o w s h i p a n d s p e n t a y e a r o f s t u d y in E u r o p e e n r o l l e d as a c o n d u c t i n g a n d F r e n c h H o r n m a j o r in an e x t e n s i o n p r o g r a m w i t h the V i e n n a C o n s e r v a t o r y . H e h a s s t u d i e d c o n d u c t i n g w i t h m a n y w e l l - k n o w n a r t i s t s i n c l u d i n g P r o f e s s o r H. R o b e r t R e y n o l d s and P r o f e s s o r E m e r i t u s E l i z a b e t h G r e e n . E v e n d e n is c u r r e n t l y V i s i t i n g A s s i s t a n t D i r e c t o r o f B a n d s at the U n i v e r s i t y of I l l i n o i s w h e r e he d i r e c t s the S y m p h o n i c B a n d II a n d a s s i s t s w i t h the M a r c h i n g a n d B a s k e t b e l l B a n d s .

W I L L I A M H I M E S is h e a d o f the M u s i c D e p a r t m e n t o f the S a l v a t i o n A r m y in C h i c a g o a n d a l s o c o n d u c t s the S t a f f B a n d , a r e m a r k a b l y f i n e o r g a n i z a t i o n . H e is a n o f f i c e r in the S a l v a t i o n A r m y , a n d in a d d i t i o n to h i s a d m i n i s t r a t i v e a n d c o n d u c t i n g d u t i e s c o n t i n u e s to m a i n t a i n a v e r y a c t i v e s c h e d u l e as an a r r a n g e r a m d as aE u p h o n i u m s o l o i s t .

B R A S S D I V E R S I - F I V E — D O N B E C H T E L , t r u m p e t , is a n i n s t r u m e n t a l m u s i c i n s t r u c t o r at C u y a h o g a V a l l e y C h r i s t i a n A c a d e m y ( O h i o ) . He h a s a B.M. f r o m G r a c e C o l l e g e and an M.M. f r o m K e n t S t a t eU n i v e r s i t y . H e h a s p l a y e d w i t h D i m e n s i o n s in B r a s s , G r a c e C o l l e g e , a n d w i t h the F o r t W a y n e P h i l h a r m o n i c . R O N I O S I K ,t r u m p e t , is in c h a r g e o f i n s t r u m e n t a l m u s i c at G r e e n M i d d l eS c h o o l . R o n h o l d s a B a c h e l o r s D e g r e e a n d a M a s t e r s D e g r e e f r o m K e n t S t a t e U n i v e r s i t y . H e h a s p l a y e d w i t h the K e n t L a b B a n d a n d w a s a m e m b e r o f the R e x H u m b a r d r e c o r d i n g s t a f f . S T E V E K E G G , t r o m b o n e , h a s a m u s i c d e g r e e f r o m I n d i a n a U n i v e r s i t y a n d w a s o n the r o a d w i t h the G l e n n M i l l e r O r c h e s t r a . T O M J O N E S , F r e n c hH o r n , h o l d s a B.M. d e g r e e f r o m B a l d w i n W a l l a c e C o n s e r v a t o r y o f M u s i c a n d h a s p l a y e d in the W e s t P o i n t A r m y B a n d , A k r o n S y m p h o n y , a n d the C l e v e l a n d O r c h e s t r a . S C O T T S C H A U S , t u b a , h o l d s a B.S. d e g r e e in B i o l o g y a n d C h e m i s t r y f r o m M a r i o n C o l l e g e and is c u r r e n t l y a m e d i c a l s t u d e n t at the N o r t h e a s t O h i o C o l l e g e o fM e d i c i n e . H e h a s p l a y e d w i t h D i m e n s i o n s in B r a s s at M a r i o nC o l l e g e .

5

F R I D A Y E V E N I N G C O N C E R T P R O G R A M

B i l l P e a r c e , T r o m b o n e S o l o i s t G e r a l d A n d e r s o n , P i a n i s t

O l i v e t C o n c e r t B a n d H a r l o w H o p k i n s , C o n d u c t o r

* * * * * * * * * * * * * * * * *

I n v o c a t i o n

F a n f a r e a n d V a r i a t i o n o n A m a z i n g G r a c e .............. A r r . L a r r y N o r r e d

C a n t i c l e : A l l C r e a t u r e s o f O u r G o d a n d K i n g . . . . C l a u d e T. S m i t h

H y m n F a n t a s y for B a n d ................................. A rr. J a m e s D. P l o y h a r

B I L L PEARCE. S e l e c t e d S o l o s

H y f r o d o l ................................................. A rr. G e o r g e S t r o m b e c kC o n c e r t B a n d a n d B i l l P e a r c e , S o l o i s t

I n t e r m i s s i o n

I n t r a d a : A d o r a t i o n a n d P r a i s e .......................... C l a u d e T. S m i t h

I t ' s the G o s p e l ................................................ A r r . B o b L o w d e nist a C l o s e r W a l k W i t h T h e e it Y o u r H a n d in the H a n d

le's G o t the W h o l e W o r l d in H i s H a n d s

B I L L P E A R C E . . . . . . ..................................... S e l e c t e d S o l o s

G o D o w n M o s e s . . .................................. A r r . G e o r g e S t r o m b e c kC o n c e r t B a n d a n d B i l l P e a r c e , S o l o i s t

A l l e l u i a s ........................................................... J a r e d S p e a r sH o w G r e a t T h o u A r t ............................................. S t u a r t K. H i n e

Arr. R a l p h H a r m a n n

6

C O N C E R T B A N D P E R S O N N E L

F L U T EB e c k y A l l e n - L i s l e , IL J i l l F e r r e e - P o n t i a c , MI N a n c i A y l o r - S h a w n e e M i s s i o n , K S B r e n d a O u s l e y - C o l u m b i a C i t y , IN C y n t h i a C r a w f o r d - P e k i n , IL C i n d y F a u s e r - K e w a n e e , IL D a n i s Y o c u m - L e a f R i v e r , I L M i c h e l l e K i n g - D a y t o n , O H B e t h R i l e y - R o c k f o r d , IL

O B O ED a r r e l H o f f m a n - F l i n t , MI

E b C L A R I N E TE i l e e n C o r b u s s - O t t a w a , IL

B b C L A R I N E TB o n n i e A g n e r - N a s h v i l l e , G A K e v i n W e b s t e r - B e n t o n , IL T o d d Z i n k a n n - K a n k a k e e , IL R o b i n S n y d e r - W y o m i n g , MI K e l l y B r y a n t - M a r s h a l l t o w n , IA S h a r o n S a b e l f e l d t - C e n t r a l i a , IL K a t h y M a t s o n - M i l w a u k e e , WI D a w n S i n g e l l - E d m o r e , MI

B A S S O O NJ o A n n L i c h t e - T a m p a , F L S u s a n J o h n s o n - E l g i n , IL

A L T O S A X O P H O N EB e t h M e y e r s - U n i o n G r o v e , W I J e f f W e b b - K a n k a k e e , IL

T R U M P E TJ o h n B r e w e r - M u n c i e , IN L o r i S t a n d l e y - B o u r b o n n a i s , IL D a v i d A l l e n - S o m e r s e t , K Y L a r r y M a c e - K o k o m o , IN

F R E N C H H O R NM i c h a e l T u r n b u l l - H a l e , MI L o r i M c R o b e r t s - D a n v i l l e , IN P h i l l D a v i s s o n - L i b e r t y , IN

T R O M B O N EA l b e r t A c k e r m a n - O a k L a w n , IL D a n C o x - R i d g e v i l l e , IN R e g i n a R o w e - K e n d a l l v i l l e , IN

T U B AC i n d y P a y n e - M u n c i e , IN

P E R C U S S I O NH o w a r d N e w c o m b - A r l i n g t o n , O H S c o t t P e a c e - H i l l s v i l l e , P A D a v i d R e e s - W i n c h e s t e r , IN B r e n d a H a n s o n - A r n e g a r d , ND Sue P o l a s k e y - S o u t h H o l l a n d , IL

7

MIDWEST REGIONAL HONOR BAND

C W

CL

CC

CV

V L

WC

WS

R o b e r t E v e n d e n , C o n d u c t o r W i l l i a m H i m e s , E u p h o n i u m S o l o i s t

P R O G R A M

• k - k ' k ' k ' k ' k ' k ' k * ' k ' k - k - k ' k * - k - k - k - k ' k

W o r k s s e l e c t e d f r o m the f o l l o w i n g :

H e b r i d e s S u i t e ................................C l a r e G r u n d m a nO d e to J o y .............................. A r r . J a m e s C u r n o wR h a p s o d y for E u p h o n i u m & B a n d . . . . J a m e s C u r n o wC o m e S w e e t D e a t h ............................ A l f r e d R e e dP e n t l a n d H i l l s M a r c h M a j o r J.W. H o w e

P A R T I C I P A T I N G S C H O O L S A N D D I R E C T O R S

e n t r a l W i s c o n s i n C h r i s t i a n H i g h S c h o o l , W a u p u n , W i s c o n s i n P a u l L a M a i r e , D i r e c t o r

C h r i s t i a n L i f e H i g h S c h o o l , R o c k f o r d , I l l i n o i s W i l l i a m E. B i r d II, D i r e c t o r

o v e n a n t C h r i s t i a n H i g h S c h o o l , G r a n d R a p i d s , M i c h i g a n A n d y K a m p e r , D i r e c t o r

u y a h o g a V a l l e y C h r i s t i a n A c a d e m y , C u y a h o g a F a l l s , O h i o D o n a l d E. B e c h t e l , D i r e c t o r

/al l e y L u t h e r a n H i g h S c h o o l , St. C h a r l e s , I l l i n o i s R o b e r t A c h t e r b e r g , D i r e c t o r

a u k e g a n C h r i s t i a n S c h o o l , Zion, I l l i n o i s D a v e W a l k e r , D i r e c t o r

est S h o r e C h r i s t i a n A c a d e m y , M u s k e g o n , M i c h i g a n A l a n J a c o b u s , D i r e c t o r

8

MIDWEST REGIONAL HONOR BAND

P I C C O L OJ a n e t P i e r s o n - C V

F L U T EL i n d a K e m i n k - C W J a n e t P i e r s o n - CV M i c h e l l e S h u m w a y - C L D e b b i e Z e l l - V L

J e a n H e e r i n g a - C W M e r i b e t h S a l v e s o n - W C S h a r o n S i e n e r - V L D i a n e S p r i c k - C L

O B O EC h e r y l B a r t e l - C L V i k k i S t o h s - V L

C L A R I N E TK r i s t i e R o l l s t o n - WS C h r i s t i n e S t e i n - C V E l l e n W i e r s m a - C W

D e n e e n H a a c k e r - V L P e t e r S a l v e s o n - W C D a w n V e l t h o u s e - C C

A m y D e v r i e s - C W K a r e n H a u c k - C C

B A S S C L A R I N E T M a r k F a g a - V L S h e l l y H o f m a n - C W N a n c y V a n B a r e n - CC

C O N T R A A L T O C L A R I N E T D a n V a n D y k e - C C

C O N T R A B A S S C L A R I N E T N i c o l e H a y e s - C V

A L T O S A X O P H O N E B u f f i H o f m a n - C W C a r l a C h r i s t o f - C L

T E N O R S A X O P H O N E R a c h e l B u t e y n - C W

B A R I T O N E S A X O P H O N E B r a d H o m a n - C W

T R U M P E TK e i t h K o e h l e r t - V L E r i c S c h a u s - C V B r i a n W a t e r s o n - C L

J e f f H u i z e n g a - C W S a r a h O n d e r s m a - CC B r e t P e n d e r g a s t - C V

D e n i s e A l s u m - C W K y l e H o m a n - C W K r i s t e n S o o d s m a - C W

F R E N C H H O R N J e n n i J o h n s o n - C L L e a h K a m p s - C C D e r r i c k C h r i s t i e - C V K a r e n K u i p e r - C C J e n n y G i b b s - W C L i s a K i r c h o f f - V L

T R O M B O N ED a v e B a r t e l - C L D a n S m i t h - C V

E r i c S m i t h - W C

T a m m y C r o s s - C V M i k e L a p h a m - C L

E U P H O N I U M S t u a r t K o k - C W

T U B AK e i t h V i d l e r - C V J o d i W h i t e - CV P a u l V i n k - C C

P E R C U S S I O NV i n c e C r e s c e n z o - C L R a c h e l l e H o e k s t r a - W C ( A ux) Sue S a a r i - W S ( S n a r e )J a s o n V o g t - V LM a r k W h i t m o r e - C V ( M a l l e t s )

9

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RESTAURANTS

Denney1 s

Holiday Inn

fonderosa

■Bradley's Garden

Mother McGee's

Main Street

(Bourbonnais)

Council Table

Hardee's

Pizza Hut

Chicago Dough

Taco Bell

Brown's Chicken

Subway

102 West

McDonald's

Valdosta

Kankakee

Little Corporal

Sully' s

Arby's

Burger King

Yesteryear

Olivet Nazarene College Department of Music Faculty 1984-1985

Harlow Hopkins, Professor of Music: Chairman, Division of FineArts and Department of Music

B.S. Mus.Ed. - Olivet Nazarene CollegeM.S. Mus.Ed. - American Conservatory of Music - student of

Jerome Stowell M u s . D. - Indiana University - student of Earl Bates,

Robert McGinnis Gradua'te work - University of IllinoisTeaches woodwind instruments, instrumental conducting, and

conducts the Olivet Concert BandH. Gerald Anderson, Assistant Professor of Music

B.S. - Bethany Nazarene CollegeB.Mus. - Texas Tech UniversityM.Mus. - Texas Tech UniversityD.M.A. - American Conservatory of Music Teaches class and private piano

D. George Dunbar, Professor of MusicB.S. Ch.Mus. and Chr.Ed. - Olivet Nazarene College M.Mus. - University of IllinoisD.M.A. - University of Southern California - student of

Dr. Charles, C. Hirt and Halsey Stevens Teaches choral conducting, voice, church music courses,

and directs Orpheus Choir and Concert SingersLinda Dunbar, Adjunct Instructor

B.S. Mus. Ed. - Olivet Nazarene CollegeTeaches class and private voice, directs Treble Clef Choir

Alice Edwards, Associate Professor of Music B.Mus. - University of OklahomaM.Mus. - Univeristy of MichiganAdditional graduate work taken beyond the Master's at the

University of Michigan Teaches class and private piano

Ruthmarie Eimer, Assistant Professor of Music B.S.Mus.Ed. - Olivet Nazarene College M.Mus.Ed. - University of IllinoisAdvanced Certificate in Music Education - University of

IllinoisAdditional graduate, work - Westminster Choir School,

Princeton, New Jersey Teaches elementary music methods, voice, and supervises

student teaching

Mary Jane Holstein, Visiting InstructorB.S.Mus.Ed. - Olivet Nazarene College M.M. Organ Perf. - University of Kansas Additional graduate work beyond Master's at

Northwestern University Teaches organ and music theory

Timothy Nelson, Assistant Professor of Music B.A. - Taylor UniversityM.Mus. - University of Illinois; also work beyond the

Master'sGraduate work beyond the Master's taken at Northwestern

UniversityAssociate Certificate - American Guild of Organists Teaches organ and piano, music theory, and instrumentation Currently on academic leave

Joe Noble, Assistant Professor of Music B.A. - Luther College M.A. - University of Iowa .Has completed all requirements except dissertation for

Ph.D. - University of Iowa Teaches voice, secondary school music methods, supervises

student teaching, and conducts Viking Male Chorus and Choral Union

Lolita Phelps, Visiting InstructorB.A. Violin Performance - Georgia State University M.M. Violin Performance - Roosevelt University Teaches string instruments, Intro to Music Literature,

music history and literature, instrumentationMarcus Van Ameringen, Assistant Professor of Music

B.A. - University of Auckland, New Zealand M.Rel.Ed. - Nazarene Theological Seminary M.M. - University of Missouri at Kansas City Graduate Work - University of IllinoisTeaches string instruments, music history and literature, Introduction to Music Literature Currently on academic leave

- 2 -

Part-time Faculty

Steven BetzB.M.Ed. - Vander Cook College Of Music M. M.Ed. - Vander Cook College of Music Teaches percussion

Becky EstlhndB.S.Mus.Ed. - Illinois Wesleyan University M.S. - University of Illinois Teaches private flute

Robert FolsomB.S. Mus.Ed. - Roosevelt UniversityM.Mus.Ed. - Northwestern Illinois UniversityTeaches oboe

Paul GermanoB.S. - Millikan UniversityDirected Concert Band Fall semester, directs Stage Band,

teaches tromboneIrving Kranich, Assistant Professor of Music

B.S. Mus.Ed. - Olivet Nazarene College M.Mus. - American Conservatory of Music - student of

B. Fred Wise and Grace Grund Advanced Certificate in Music Education - University of

IllinoisDirector of Academic Counseling and Retention; teaches

elementary conductingRobert Snow

B.S. Mus.Ed. - Eastern Illinois University Teaches Brass Instruments class

- 3 -

Documents

Department of Music Programs 1984 - 1985