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This is Deeba Salim's Urma
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URMA awakens in December 1978 to the first snowfall of the season. She
speaks of her dread to AANI—she is afraid of what else can be taken from her on
this day each year. Seven years before, she lost her parents on the day of the first
snowfall. This year, with drums of revolution rolling through Tehran, she knows
her world will change again.
WANTING (2004 – Present)
Searching for a way back to the Iran of her youth, best-selling author Urma
walks through adult life incomplete, holding her breath. Orphaned at age 11 and
raised by her aunt—her aani—controlling, independent Urma wants the future she
was promised as a child in Iran, the future interrupted by the rise of Ayatollah
Khomeini.
Long-distance telephone calls to scattered classmates from her boarding
school days at Khoabgah helps patch her loneliness, yet she is obsessed with the
one man she cannot find—ORASH, the boy she had planned to marry back in
1979. Connecting with school chums SHEREEN, AANAHITA, and LADAN only
serves to remind her of what she does not have. She spends the days writing and
travels the world promoting her books. She holds her paramour, AATISH, at
arm’s length, insisting she likes her ordered life the way it is. Isolating herself, she
wallows in memory of betrayals perpetrated by the men she has known. After
Urma fled Iran on the heels of the Shah, Orash broke her heart, never to be heard
from again. No other man has proven worthy to take his place.
Urma awakens from a strange dream in which her boarding school
roommate Shereen held hands with Orash, walking in the snow past their old
shack in Chaloos, Iran. Nostalgic and disturbed, she is confused by imagery of her
best friend holding her ex-lover’s hand. At 44, she must reconcile the loss of the
country she loved and accept that times and people change. Stubbornly, she wants
the world to change to her vision.
In October, the four girlfriends holiday together in Rio. Happy greetings
dissolve into teasing Urma that she must find a man and stop obsessing about
Orash. Urma boldly makes a date with a man from the breakfast buffet, but
excuses herself later when the touch of his hand repulses her. The girls cheer her
up by remembering all her poor date choices—an exercise which leaves Urma
defensive. Too soon it is time to go home. They will meet again in Athens in
March for Nourooz, the Iranian New Year celebration.
Upon returning to Athens, Urma is invited to speak at Khoabgah’s
convocation. Excited by the opportunity to return home she calls Shereen, who
cautions the trip could be dangerous, and that you can never truly go home again.
Despite strict dress code and conduct rules in modern Iran, Urma looks forward to
seeing the mountain peaks covered in snow, smelling the air, the orange leaves,
and the snow. Arriving in Iran, Urma has the hotel’s driver take her around
Tehran. The boy bears a striking resemblance to Orash—could this be his son?
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She asks for his father’s name, and learns he is not Orash’s son; she plunges
deeper in thought. Orash had to have married since they parted, begun a family…
If she had married Orash in the winter of 1979, she would have a son that age.
On the drive to Chaloos she is reminded of her first date with Orash, a drive
in the Albors Mountains where they held hands and kissed at a beautiful overlook.
Thrilled to return to Chaloos, Urma is disheartened at the changes in the home of
her youth. Buildings are run down, not as large as she remembers. Ghosts of days
long past shadow her. Khoabgah has aged, changed, yet the auditorium stirs more
memories. After lunch, lonely, she calls Shereen. “It was that college life, it is that
age, and I miss that time. No matter how much I want to hold on to the past, the
fact is, it’s ages since we were here. I hate to be here alone. I want all of you here
—I love Chaloos, but not alone. Can it ever happen?” Shereen coos to her that yes,
they will all go to Iran together someday, to pull herself together. Urma goes for a
walk in the snow, and ends up outside the shack she shared with Orash. Her past
rises to haunt her in the form of Orash himself.
Stunned and tearful with joy, Urma can only hug him close and kiss his
face. Now a successful cardiac surgeon in New York, he has been vacationing at
their shack, which he still owns, and he too has been yearning to reconnect with
Urma. He never married. They chat and catch up. Orash begs her to stay longer in
Iran. As though the past twenty-five years never intervened, they make love. Her
body sings with his touch—this is right. He asks her to marry him but she refuses;
she would rather stay lovers and keep the spark alive than marry and watch it die.
She concedes it might be possible but will require thought and one of them
moving, not something to be hasty about. She must leave. On her way to the
airport, Urma ponders why the subject of their breakup hadn’t surfaced, his
reasons for dumping her—and she becomes angry again. Once she arrives home
she argues over the phone about him dumping her that he vehemently rejects.
UNREQUITTED (1978-1986)
Summer 1978: As the uprising against the shah of Iran heats, 18-year-old
Urma and her friends carry on with normal life, oblivious to the political trouble.
In November, the school is closed for safety, and Urma returns to Tehran. One
January evening in 1979, Urma’s quiet world with Aani is shattered when Aani
tells her of the shah and queen fleeing the country and tells Urma the truth about
the revolution and that they must leave the country now or they may never be able
to. Perhaps they can come back, perhaps not. They will move to Paris, near their
cousin.
Urma is blissfully in love with Orash, awaiting the day Aani gives her
blessing to the union. They’ve cohabitated in their shack in Chaloos for the past
two years. Orash says he cannot follow her to Paris immediately; he must stay in
Iran to complete his studies. Aani would never give her blessing—he has not made
his entrance exam for medical school this year and will have to wait another year.
He tells her to find another and be happy. Promises to call and to write are made,
and they make love, desperate.
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Urma and Aani leave for Paris, in the snow. All aboard hold their breaths
and pray until the plane leaves Iranian airspace. Urma holds onto the thought she
will return and be with Orash again. Paris is wonderful. She learns the language,
makes a few acquaintances but no friends. She leaves messages for Orash but he
does not answer. By the time he returns her calls three months later it’s too late—
she’s closed her heart to him. He must sit his exams still; he is not ready to marry.
She says fine, then—never!
Aani tells her stop pining, to move on. Newly single, Urma adjusts to life in
Europe. She completes college in four years and begins a career in journalism only
to have that derailed when Aani sets up Urma with a fellow Iranian refugee,
MASOOD, who resides part time in California. Urma is forced to keep company
with him at social gatherings. Soon she receives a surprise—a phone call from
Shereen! Shereen found Urma through her neighbor in California, Masood. They
catch up, ask about other friends—no news. Urma says it’s over with Orash;
Shereen advises against marrying Masood if she isn’t in love, but Urma goes
through with the wedding to make Aani happy.
She regrets the move within months; Masood has no sense of humor.
Shereen advises her to make the first move toward a smooth marriage. Miserable
in her new role, Urma accepts flirtation from Aatish, a persistent young buck who
reminds Urma she is desirable. She agrees to meet for coffee, then dinner, then a
hot kiss goodnight. Shereen counsels Urma to give the boy up and stop her
nonsense. Urma whines that Masood hasn’t touched her sexually in a year and
even then it was awful. She has needs. Urma cries and declares she hates all men.
She wants to be rid of Masood. Shereen reminds her of her duty and Urma breaks
contact with Aatish—resigned to misery in marriage with a cold, disrespectful,
verbally abusive man. To escape, Urma spends time with Aani.
One winter’s day Aani passes away, quite suddenly. Masood makes the
necessary arrangements for a proper Muslim burial. The shock drives Urma to bed
on tranquilizers. Her last living relation, Aani, is dead. What will she live for now?
A black hole closes in around her. Urma dwells on her theory that bad things
happen when it snows. She immerses herself in writing. Months pass. Her
marriage is cold. A letter in Masood’s trouser pocket from a girl at work is all the
ammunition Urma needs to scream for divorce—despite his protests that the girl is
married and not a threat.
INDEPENDENCE (1988 – 2005)
Rid of the albatross of Masood, Urma accepts a job with an English-
language fashion magazine based in Athens, resuming her writing career. Urma
enjoys her new independence and shuns men. During her first year, on evenings
and weekends, she constructs her first novel. She researches publishers and
queries around the world. She takes her rejection letters on the chin and keeps
submitting. Eventually her novel sells to a publisher in England, and within five
years Urma pens her first best-seller. Aanahita finds her through her publisher and
calls, forwarding Ladan’s contact information as well. The four friends are
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reunited at last! But while wealthy, successful, and famous, Urma remains solitary.
Her friends marry, have children, grow careers of their own, and Urma sees time
slipping away from her. She wants what she cannot have—her youth, Orash, and
the happy married life she pictured as a young girl in Iran.
At a book signing in the year 2000, Aatish resurfaces, a fan of her career.
Urma accepts his worship on the condition he does not expect her to return his
affection. Her heart is done reaching out to men. He says only allow me to love
you and I will do as you say. He woos her with flowers and comfortable company.
At five months, Urma realizes they have not been lovers and she has never been to
his place. They make love. Many casual months pass this way, and then Aatish
utters the fateful “Let’s get married.” Urma again asserts her no, but they remain
friendly; Aatish accepts what she’ll give. For four years she tells herself this is an
acceptable arrangement. And she remains unfulfilled.
March 2005: Gathering her girlfriends near for a traditional celebration of
Nourooz, Urma revels in the presence of her friends, their families, and the food
and other traditions from her childhood. Shereen insists on talking with Orash and
when Orash speaks to Urma, he tells of the real reason of why he couldn’t come to
Paris. It was because he was jailed and his father was executed back in Tehran.
Urma is frozen with this revelation and is filled with remorse but has to take care
of her guests and not get sunk in the world of Orash till her friends were around.
So, she focuses on them and the talk turns to advice for Urma to let her grudge go
and accept Orash for who he is now. The friends put on music and dance until
they’re tired. Urma takes a moment to breathe on the balcony, and feels the spring
snow fall. Listening to her friends laugh in the other room, Urma realizes her need
for a return to Khoabgah days, the feelings of “home,” is wherever she is—that
she can recreate it wherever she needs to. Urma forgives Orash, letting go her wish
for what was to accept what is. The bands constricting her heart loosen. She has
decided.
Just then Orash arrives at the party—Shereen had invited him. Urma’s
dreams of Shereen walking hand in hand with Orash in the snow was a prediction
of her friend leading him back to her, and she now feels that snow heralds good
things. She is in love with Orash. Urma welcomes him at last, into her home and
into her heart.
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