Deborah Baker Monday, erkjos.vo.llnwd.net/o28/pdf/SO403F_Score.pdf5 – 3rd Violin (Viola T.C.) 1 – Full Conductor Score 5 – Viola Additional scores and parts are available. To

Kjos String OrchestraGrade 2½

Full Conductor ScoreSO403F

$7.00

Deborah Baker Monday, Arranger

Neil A. Kjos Music Company • Publisher

American Horizons Two Shaker Tunes

SAMPLE

2

SO403

Instrumentation List (Set C) 8 – 1st Violin 5 – Cello 8 – 2nd Violin 5 – String Bass 5 – 3rd Violin (Viola T.C.) 1 – Full Conductor Score5 – Viola

Additional scores and parts are available. To hear a recording of this piece or any other Kjos publication, please visit www.kjos.com.

Credit: The jacket and score photograph was taken at Robertson & Sons Violin Shop, Inc.,Albuquerque, NM. For more information about their services, visit: www.robertsonviolins.com.

The ArrangerDeborah Baker Monday (ASCAP) has retired from her 25–year tenure in the award-winning Logan City, Utah orchestra program. She received her B.M.E. Magna Cum Laude, from Florida State University with an emphasis in string education. She was awarded an academic fellowship to attend the University of Alabama where she received her M.M. in Composition. During that time she was a bassist with the Meridian Symphony Orchestra and the Tupelo Symphony Orchestra. She continued her studies at Louisiana State University, where she received the Chancellor’s Award to participate with the LSU Symphony Orchestra under the direction of James Yestadt. She has studied theory and composition with Harold Schiffman, John Boda, Frederic Goossen, Paul Hedwell, and Dinos Constantinides.

Ms. Monday continued to be an active bass performer when she moved to Utah. After com-pleting the coursework and passing the written and oral portions of the doctoral exams, she was hired to teach in the Logan City School District as a low string specialist. During her ten-ure with Logan, she pursued her interest in composition and arranging for educational strings and has over 130 works with seven publishing companies. She has received awards for Outstanding Elementary Educator and Superior Accomplishment from the UtahASTA and

UtahMEA, respectively. In 2006 and 2011, she was the winner of the UtahASTA Composition Contest. This has been a reward-ing part of her career while she and her husband, Bill, have raised four amazing children.

Ms. Monday has presented at numerous state music conferences throughout the United States, as well as several national ASTA conferences, The Midwest Clinic, and the prestigious Ohio State String Teacher Workshop. She is active as a clinician, guest con-ductor and adjudicator, and has numerous commissions for her work. Her studies in composition and experience in string teach-ing have combined to make her one of the leading contributors to the educational repertoire for young string players.

The Arrangement

American Horizons incorporates two significant tunes from Shaker history, “In Yonder Valley” and “Square Order Shuffle.” Composed in 1787, “In Yonder Valley” is thought to be the first complete Shaker song with words and music. It was composed by James Whittaker (1751–1787) at Enfield, Connecticut. He had emigrated to America with Ann Lee Stanley (1736–1784), a former Quaker. Ann Lee began the Shaker movement in the United States around 1774. Shakers traveled from England to America seeking freedom of worship. They were a misunderstood group of people who would shake and whirl around during the music portion of their religious services. Later, another Shaker leader, Joseph Meacham (1742–1796), changed the dancing into a more structured form of worship, which led to one of their first dances known as “Square Order Shuffle.”

“In Yonder Valley,” presented in the key of D major, is reminiscent of early 20th century American music with open harmonies, string harmonics, and open string accents. The melody is handed from one instrument section to the next with increasing texture and intensity which leads to a key change and segues into “Square Order Shuffle.” This second tune is in the key of G major. Written in 6/8 time, it creates the feeling of an Irish jig. SAMPLE

3

SO403

&

&

B

?

?

# #

# #

# #

# #

# #

44

44

44

44

44

1

Viola*

Cello

String Bass

Violins

2wo

wo

wO

Moderato (q = 92)

4

p

**

4

p

**

4

p

**

Play on D string in 3rd position(the traditional tuning A for professional orchestra)

2

wo

wo

wO

3

.œ Jœ œ œ œ

wo

wo

.œ Jœ œ œ œ

wO

P legato

“In Yonder Valley”

P legato

Solo

Solo

4

˙ œ œ

wo

wo

˙ œ œ

wO

5

œ œ œ ˙

wo

wo

œ œ œ ˙

wO

6

w

wo

wo

w

wO

&

&

B

?

?

# #

# #

# #

# #

# #

1

Vla.

Cello

Str. Bass

Vlns.

2

7

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wo

wo

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wO

8

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wo

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wO

œ œ œ œ œ œ œ œw

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Ó ˙̇

w

w

[9] tutti

F

F

F

pizz.

pizz.

P

P

tutti

Allegro (q = 116)

non div.

non div.

10 œ œ œ œ œ œ œ œ

Ó ˙̇

Ó ˙̇

w

w


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w

w

Parco

arco

legato

legato

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&

B

?

?

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1

Vla.

Cello

Str. Bass

Vlns.

2

12

œ œ œ œ œ œ œ œ

˙ œ œ

˙ œ œ

w

w


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w

w

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w

w

w

w

15

w

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œ œ œ œ ˙

w

w

16

w

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w

w

3

SO403

American Horizons

Arr. by Deborah Baker Monday

© 2018 Neil A. Kjos Music Company, 4382 Jutland Drive, San Diego, California, 92117. International copyright secured. All rights reserved. Printed in the U. S. A. Warning! The contents of this publication are protected by copyright law. To copy or reproduce them by any method is an infringement of the copyright law.

Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.

Full Conductor Score

Two Shaker Tunes

Approx. performance time—3:00

* A part for 3rd Violin (Viola T.C.) is available.** Stagger bow changes.

SAMPLE

4

SO403

&

&

B

?

?

# #

# #

# #

# #

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1

Vla.

Cello

Str. Bass

Vlns.

2

17


.˙ Œ

.˙ Œ


w

18

.˙ Œ


.˙ Œ

˙ œ œ

˙ ˙


w

w

[19]

F

F

F

F

F

20˙ œ œ œ

˙ ˙


w

w

4 21 œ œ ˙

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w

w

&

&

B

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# #

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1

Vla.

Cello

Str. Bass

Vlns.

2

22

˙ ˙

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w

w

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w

w

w

w

[26]

f

f

f

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27

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w

w

w

w

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P

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P

&

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B

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1

Vla.

Cello

Str. Bass

Vlns.

2

28

œ œ œ ˙

w

w

w

w

29

w

w

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w

w

H3

30 œ œ œ œ ˙

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w

31

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32

w

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33

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w

,

,

F

4

SO403

SAMPLE

5

SO403

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B

?

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1

Vla.

Cello

Str. Bass

Vlns.

2

˙ œ œ

œ œ œ œ


w

w

[34]

F

F

F

F

35˙ œ œ œ

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w

w

4 36œ œ ˙

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w

w

37

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4

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4

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Cello

Str. Bass

Vlns.

2

39

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w

40 w

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[41]

f

f

f

f

f

42

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w

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œ œ œ œ

œ œ œ œ

43

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w

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44

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# #

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#

#

#

#

#

86

86

86

86

86

1

Vla.

Cello

Str. Bass

Vlns.

2

45

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œ œ œ- œ-

46

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w

w

w

w

47

w

w

w

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w

48

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w

w

4

49

˙ œ œ œ œ

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w

accel.50

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5

SO403

SAMPLE

6

SO403

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86

86

86

86

86

1

Vla.

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Str. Bass

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2

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[51]Lively, in 2 (q. = 80–88)

“Square Order Shuffle”

f

F

F

F

F

non div.

non div.

non div.

52

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œ œ œ œ œ œ

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53

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jœ-

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54

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55

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B

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#

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#

1

Vla.

Cello

Str. Bass

Vlns.

2

56

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..œœ ..œœ

..œœ ..œœ

57

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jœ-

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58

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-

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[59]

p

p

p

f

f

60 .œ œ œ œ

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.œ .œ

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61 .œ .œ

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&

B

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#

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1

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Cello

Str. Bass

Vlns.

2

62

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63 .œ .œ

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64 .œ œ œ œ

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4

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[67]

f

f

F

F

6

SO403

SAMPLE

7

SO403

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&

B

?

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#

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#

#

1

Vla.

Cello

Str. Bass

Vlns.

2

68

œ œ œ œ œ œ

œ œ œ œ œ œ

.œ .œ

.œ .œ

4

4

69



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70

œ œ œ œ œ œ

œ œ œ œ œ œ

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4

4

71



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72

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73

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&

&

B

?

?

#

#

#

#

#

1

Vla.

Cello

Str. Bass

Vlns.

2

74

œ œ œ œ œjœ

œ œ œ œ œ Jœ

.œ .œ

.œ .œ

.œ œ œ œ



.œ .œ

.œ .œ

[75]

p

76 .œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

.œ .œ

.œ .œ

77

.œ .œ



.œ œ œ œ

.œ œ œ œ

78 .œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

.œ œ œ œ

.œ œ œ œ

79

.œ œ œ œ



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.œ .œ

&

&

B

?

?

#

#

#

#

#

1

Vla.

Cello

Str. Bass

Vlns.

2

80

.œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

.œ .œ

.œ .œ

81

.œ .œ

œ œ œ œ œ œ

œ œ œ œ œ œ

.œ .œ

.œ .œ

82

œ œ œ .œ

œ œ œ œ .œ

œ œ œ œ .œ

.œ .œ

.œ .œ

,

,

œ œ œœ- Jœ

-



.œ .œ

.œ .œ

[83]

f

F

F

F

F

84 œ œ œ œ œ œ

œ œ œ .œ

œ œ œ .œ

.œ œ œ œ

.œ œ œ œ

85

œ œ œœ- Jœ

-



.œ .œ

.œ .œ

7

SO403

SAMPLE

8

SO403

&

&

B

?

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#

#

#

#

#

1

Vla.

Cello

Str. Bass

Vlns.

2


œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

87

œ œ œœ- Jœ

-



.œ .œ

.œ .œ


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œ œ œ .œ

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.œ œ œ œ

89

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-



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.œ .œ

90 œ œ œ .œ

.œ .œ

.œ .œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œ œ œ œ

œ œ œ œ œ œ

[91]

f

f

f

f

f

&

&

B

?

?

#

#

#

#

#

1

Vla.

Cello

Str. Bass

Vlns.

2


œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

93

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œ œ œ œ

œ œ œ œ œ œ

94œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

95

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œ œ œ œ

œ œ œ œ œ œ


œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

97

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œœ- Jœ

-

œ œ œ œ œ œ

œ œ œ œ œ œ

&

&

B

?

?

#

#

#

#

#

1

Vla.

Cello

Str. Bass

Vlns.

2


œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

99œ œ œ Œ .

œ œ œ Œ .

œ œ œœœ œœ œœ


œ œ œ œ œ œ

ƒ

ƒ

ƒ

ƒ

ƒ

non div.

non div.

,

,

œ œ œ Œ .

œ œ œ Œ .



œ œ œ œ œ œ

[100],

,

101 œ œ œ Œ .

œ œ œ Œ .



œ œ œ œ œ œ

,

,

102 .˙

.

.˙̇

..˙̇

..˙̇

.˙

non div.

103

Jœ ‰ ‰ Œ .

jœœ ‰ ‰ Œ .

jœœ ‰ ‰ Œ .

jœœ ‰ ‰ Œ .

Jœ ‰ ‰ Œ .

8

SO403 0 8 4 0 2 7 0 4 9 1 1 2

SO403F - American Horizons

SAMPLE

Documents

Deborah Baker Monday, erkjos.vo.llnwd.net/o28/pdf/SO403F_Score.pdf5 – 3rd Violin (Viola T.C.) 1 – Full Conductor Score 5 – Viola Additional scores and parts are available. To