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Dead Fish Author(s): Daniel Halpern Source: The Iowa Review, Vol. 11, No. 1 (Winter, 1980), pp. 129-130 Published by: University of Iowa Stable URL: http://www.jstor.org/stable/20155477 . Accessed: 18/06/2014 19:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review. http://www.jstor.org This content downloaded from 185.2.32.109 on Wed, 18 Jun 2014 19:56:42 PM All use subject to JSTOR Terms and Conditions

Dead Fish

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Page 1: Dead Fish

Dead FishAuthor(s): Daniel HalpernSource: The Iowa Review, Vol. 11, No. 1 (Winter, 1980), pp. 129-130Published by: University of IowaStable URL: http://www.jstor.org/stable/20155477 .

Accessed: 18/06/2014 19:56

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review.

http://www.jstor.org

This content downloaded from 185.2.32.109 on Wed, 18 Jun 2014 19:56:42 PMAll use subject to JSTOR Terms and Conditions

Page 2: Dead Fish

Dead Fish Daniel Halpern

The pale arc of line feeds

into the green of the bank

and drops its fly into the shallows

of the stream in shadow

without sound. The line floats down

onto water and the current

takes it on, deeper.

Cast after cast the fly moves

in the afternoon

from one edge of the stream

to the other, snapped into place

as I move downstream, replacing

cast with the imagined weight of a feeder trout unseen in current.

Shadows wobble the stream.

I see a fish hung near the bank, gills

at rest,

life only in buoyancy, its resistance against current.

I move close, drop the fly

upstream so it floats back

over the dull eyes of the sleeper

fish. The fly floats past. It won't move. It won't move

as I move closer. It hangs there

and won't move as I bring down the rock

with terrified force. In the explosion

of water I see the white fungus it has grown, the sucker-mouth

and its full fish-body not trout.

It is imperfection I hate,

the age, the gamelessness of immobility,

the sudden decision to live.

129

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Page 3: Dead Fish

When it floats to me

later, having fought to free itself

from branches of the stream trees,

I need its dead weight against my leg to know ambition and its net, how it turns

on the object pursued,

dead now and my prize as I cast in pale light, the evening

pulled in on a fly. and snakeskin failure suddenly peels away,

pulled off like cellophane from a cheap cigar.

130

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