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About MeProduct Designer with 6+ years experience bringing physical products to market in housewares, consumer electronics and transport. Now with a focus on UX & UI Design. I have worked globally across US and European markets, from large corporations to start-ups. Seeking to find insights in the way we interact with our everyday objects aiming to design honest, meaningful and delightful products and experiences.
Key Experience• Collaborating in multi-disciplinary teams• Qualitative & quantitative user research• Screening potential participants• Planning interviews
• Competitor analysis• User journeys & user flows• Wireframes & interactive prototypes• Full-cycle product development• Problem solving• Innovative ideation
• User centered design• Project planning• Costing & risk management• Sector requirements• Presenting to internal & external stakeholders
Software• Photoshop• InDesign• Illustrator• Figma• Sketch
• InVision• Solidworks• Keyshot• Microsoft Office• Slack
Clients
Design• Wireframing • Competitor Analysis• Stakeholder Engagement
• User Interviews • User Flows• Prototyping• Information Architecture
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2020
Central Saint Martins | London, UKMoved to New York, USA
Quirky | New York, USA
ETO Wine | London, UK
Sabotage | London, UK
Tupperware | Aalst, BE
Tangerine | London, UK
Collins Aerospace | Leighton Buzzard, UK
Acro | Gatwick, UK
Experiene Haus | London, UK
* View full work experience
Double Diamond
I utilise the double diamond to understand the human need involved in a feature or product and by re-framing problems to focusing on human-centric design, My aim is to provide solutions that empathise with how real users think, feel and behave. This method represents a process of exploring an issue more widely or deeply (divergent thinking) and then taking focused action (convergent thinking).
Discover: Starting by defining the problem, mapping assumptions and writing a hypothesis. All forming key entry points for the research stage.Define: Analysing & defining data, getting to know personas, listening to insights and refining problem statement.Develop: Designing the Minimum Viable Product (MVP), exploring multiple options, prototyping, testing & iterating.Deliver: Handing off the project to the next relevant team. 2
Learn Create
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ClearSky Carbon Tracking & Offsetting
A 10 week project working with the team at Terra Neutra to develop an MVP for their next consumer facing product, operating name ClearSky.
RoleUX/UI Designer
Scope10 weeks, Aug - Oct 2020
Tools UsedFigma, Photoshop, Illustrator, InDesign
TeamSolo project
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How do consumers gain accountability for their carbon emissions?
ProblemCarbon emissions and carbon offsetting are not yet mass-market concepts. Both will require careful explanation, contextualisation and positioning in a way that encourages consumers to ‘lean in’.
ExpectationAn embedded product that allows users to understand the “car-bon” cost of their purchases during the online shopping experi-ence.
SuccessShowing online retailers that by introducing concepts of carbon emissions and offsetting into their shopping experience, it will not result in abandoned carts.
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View prototype
Case study
Understanding
At the outset of the project, admittedly, I could consider myself a target user as I had a vague un-derstanding of carbon emissions and almost no in-depth knowledge of how to offset.
I quickly familiarised myself with the topic undertaking secondary research: Carbon dioxide (CO2) is the most common Greenhouse Gas (GHG) emitted. This is used as shorthand for all GHG, however, this can cause confusion. A more accurate way is to use “carbon dioxide equivalent” (CO2e). This takes into consideration all other GHGs emitted.
Carbon footprints are usually measured in terms of an annual footprint that takes into account the impact of all the company’s key activities over the course of a calendar year, but it’s increas-ingly common for manufacturing companies to communicate their footprint on a per- product basis.
Consumers are interested in transparency around the environmental impacts of the brands they buy from and products they use.
A 2019 YouGov Survey of 9,000+ consumers. Found that 67% support the idea of a recognis-able label to demonstrate that products have been made with a commitment to measuring, and reducing, their carbon footprint.
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Understanding
Carbon offsetting is the practice of putting funds towards organisations which help the environ-ment by lowering or reducing carbon emissions – an example would be *reforestation projects.
Carbon offsetting provides a mechanism to reduce greenhouse gas emissions “in the most cost-effective and economically-efficient manner” * A misconception is carbon offsetting means planting trees. In reality,it is funding reductions from certified climate action projects.
These projects reduce, remove or avoid greenhouse gas (GHG) emissions. But they also bring other positive benefits, for example:
• Empower communities• Protect ecosystems• Restore forests• Reduce reliance on fossil fuels
Projects must adhere to a rigorous set of criteria to pass verification by third-party agencies such as Verra or Gold Standard.
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Competitor Landscape
EcoCart
• Option to offset purchase during the checkout experience.• Calculates how much carbon is offsetted equated to money user spends• Mainly plugin for Shopify
GikiZero
• Lifestyle guide to reducing footprint offering reduction information.• Celebrates user successes with scores/awards and celebration pop-ups.• Rich in easy to understand information.
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Orange Logo
Misc Orange
Orange Background
Blue
Grey
Grey Blur
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Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum. Orange Logo
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Competitor Landscape
Compensate.com
• Calculates business carbon footprint & tracks offsetting. • E-commerce plug in with information to engage & sign-up for individual.• Lifestyle calculator for individuals in app format with option to offset & understand process.
Carbonclick
• Services for business (advise & offseting) and individuals (subscription).• Business: e-commerce & shopify plugins with bespoke advise• Individuals: Progress tracking, reduction advise & offsetting options
Closest competitor
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User Interviews
I recruited and conducted interviews with 10 participants from a variety of different ages (Boomer, Gen Y, Millennial & Gen Z).
I split the interview questions into three distinct sections with the goal of my research to better understand the experience and feelings of people in the following areas:
• Current understanding of carbon emissions & offsetting
• Online shopping habits
• Exposure to ‘round up’, charitable causes & gamification
These allowed me dig deeper with the primary patterns identified in the interviews culminating in the following guiding statement:
ClearSky needs a way to educate users about carbon offsetting because they are unaware of it’s benefits.
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Affinity Mapping
DefinitionUsers aware of what carbon emissions are but not the exact metrics and terminology behind them
Expand AwarenessUsers are often unaware what exactly carbon offsetting is. For those that are, common misconception is simply planting trees. They appreciate having choice
Trust & MoneyUsers can sometimes be sceptical of where third party money is going to or if it is being used for what it says it is. Want to keep overall price as minimal as possible Tracking & GamificationUsers would like to be able to track their overall offsetting and know how the impact they are making
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The Sceptic
Pain Points
• Wants to know & understand where their money is going
• Feeling guilted into doing something
• Unsure of why onus is on them, already feeling like they do enough
Goals
• Easily & seamlessly shop online
• Not spending too much on extras (e.g. shipping)
• Knowing they have gotten value for their money
Motivations
Likes to shop online occasionally as it’s often easiest way to get products and compare prices between multiple re-tailers. Enjoys getting a discount and shipping included.
Behaviour
He does what he believes he is supposed to by recycling his household waste, taking public transport as much as possible, having a ‘bag for life’ and reusable water bot-tle. He feels overwhelmed and guilty about the planet but doesn’t know where to turn.
Demographics
Name: MattAge: 29 - 35Nationality: British Salary: £36k Occupation: Retention Manager
Bio
Matt is optimistic & outgoing but has a sensible side. He has been in his job since leaving college & is a first time buyer after saving. Likes to socialise by meeting friends, drinking & going on holiday.
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The Adopter
Pain Points
• Not having a personal choice of offset
• Not having a deeper understanding of the problem and process
• Owning accountability over time
Goals
• To shop with products & brands that align with per-sonal beliefs
• Having minimal and ethical impact
• To actively see how their contributions are helping
Motivations
Wants to make a difference and do her part by doing due diligence on purchases. Tries to look for brands and prod-ucts that are already making improvements whether it be by materials or reduction in packaging.
Behaviour
She is a conscious follower of her impact on the environ-ment. She goes above and beyond what is the norm and actively researches the types of products she buys, trying to minimise her impact as much as possible.
Demographics
Name: JessicaAge: 24 - 30Nationality: British Salary: £28k Occupation: Junior Creative Strategist
Bio
Jessica is passionate about what she believes in and likes to express herself. She is two years into her first job from graduating university. She is actively engaged in the world and surrounds herself with like minded people.
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User Flow
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2 1
Current tasks when shopping online. Areas of opportunity:
1. Information relating to carbon footprint/CO2e of producing product.
2. Deliver offset option, provide information about projects and build trust for user to opt in.
3. Option for user to select offset option.
4. Encourage sign up/more information given. No recourse for continued usage once shopping is finished. Aim is to encourage retention.
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RoleDesigner
Scope1 year, Jan - Jan 2020
Tools UsedFigma, Photoshop, Illustrator, InDesign, Solidworks, Keyshot
TeamTim Wooller, Andrew Wolfenden, Simon Hughes
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Problem Statement
ClearSky needs a way to educate users about carbon offsetting and provide a mechanism to create a habitual interaction to encourage adoption into their daily lives.
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Ideation
Building off of my findings, I developed core starting points to reach MVP and identifiers for most important features to be pur-sued:
• Definition• Expand Awareness• Trust & Money• Tracking & Gamification
Tying this together, the mission statement of the business: Creating a carbon positive world with the brand values of simplic-ity, authenticity & optimism
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RoleDesigner
Scope1 year, Jan - Jan 2020
Tools UsedFigma, Photoshop, Illustrator, InDesign, Solidworks, Keyshot
TeamTim Wooller, Andrew Wolfenden, Simon Hughes
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Statement Of Work
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Part 1
The outcome will be an information box on the product page that will inform the user of the carbon emissions associated with producing the selected product.
Part 2
The outcome will be an interface that informs the user of the cost to offset their purchase, give them the option to choose which offset cause they would like to purchase, allow them to sign up to ClearSky and provide information about the offsetting process.
Part 3
The outcome will be a product/app that allows the user to add & track the emissions of their purchases, the ability to offset and be updated about their chosen causes and the ability to track, quantify and gamify the experience in order to ‘lean in’ and engage with the process.
User Journeys
I would like the choice of how to offset
I would like to know this is a legitimate thing
I would like to track how I am doing
This product says it is made with 2.5kg of CO2e, what does this mean?
The following tasks are what each user would like to achieve when engaging with the product:
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Wireframes
Part 1 & 2
Concepts each differentiating how they presented the data and encourage users to engage.
Emphasis on retention was imperative.
Consideration on presenting to users for testing also thoughtabout, conclusion being that a ‘dummy’ e-commerce checkout needed.
Wireframes
Part 3
Mapping out information architecture for complete app interface experience:
• Onboarding & information presented• Homepage with data visualisation of current progress• Awards & sharing• Updates from causes supported• Adding a product and carbon data associated• Buying an offset• Checkout experience
Utilising research findings, assessed each step and highlighted areas that would need user testing.
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Orange Logo Blue
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Wireframes: Part 1
The main challenge with this first engagement is to visually show the user the intended information without overwhelm-ing them.
Exploration in simple wireframes that each differed in how they presented the data at this first stage using info graphics iconography and comparative text.
Thinking about page hierarchy, it seemed most logical to place ‘Part 1’ below the “add to bag” CTA on the retailers page.
Orange Logo Blue
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Wireframes: Part 2
Giving the user choice is the main focus of the second itera-tion.
Not only with the option to offset with inclusion of a drop down interface but with three different options of offset.
Hover over information icons provides more detail and clarity.
Orange Logo Blue
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Wireframes
To close the experience, a checkout completion window would appear to congratulate the user on their impact and give them the option to sign up to the platform for future engagement.
Initial testing informed that users felt the process ended without recourse or retention and would like to track their progress.
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Usability Testing
Observed users level of engagement and recorded feedback. Reflected on the goals set by each persona and observed task completion in the following:
• This product says it is made with 2.5kg of CO2e, what does this mean? (definition)• I would like the choice of how to offset
(expand awareness/trust & money)• I would like to know this is a legitimate thing
(trust & money)• Tracking progress (tracking & gamification)
Results being that users felt engaged, but main point of retention was confirmed. Consensus being that once the process is complete, there is no recourse and a stand alone platform would encourage users to continually engage.
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Usability Testing
Tested again with the same goals set by each persona. Observing task completion for Part 3.
Through completing tasks, users better understand the carbon cost of their purchases.
Understood amount of CO2e emitted in the production of the product.
Appreciated selection of different offsets available & the ability to pay portion or do later entirely.
Interactions felt familiar and achieving each goal was done with ease with some time spent with the product.
Simple icons and wording advised and reduction in text heavy content.
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RoleDesigner
Scope1 year, Jan - Jan 2020
Tools UsedFigma, Photoshop, Illustrator, InDesign, Solidworks, Keyshot
TeamTim Wooller, Andrew Wolfenden, Simon Hughes
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High Fidelity UI
Acro Series 6LC
Acro Aircraft Seating would like to replace it’s best selling Series 3 low-cost economy seat. The new variant needs to incorporate Acro’s “extra spacial” philosophy by being lightweight and incorporate a fixed back composite seatback whilst staying true to established design language.
RoleProduct Designer
Scope14 months, Sep 2018 - Dec 2019
Tools UsedPhotoshop, Illustrator, InDesign, Solidworks, Keyshot
TeamTim Wooller, Andrew Wolfenden, Simon Hughes
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Replacing a legacy product
Series 6LC presents itself in a minimal form and is directly aimed at low-cost carriers to replace Acro’s aging Series 3 range.
At 9kg per seat, it features a pre-reclined composite fixed back and incorporates 18” between the armrest and 17” for aisle and window seats.
Endurance or Comfort covers in synthetic leather, fixed recline at 24°, upper literature pocket, sliding single leaf table, plastic armrests and USB provisioning.
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Ground up design
Working with my team, made up of Tim Wooller and Andrew Wolfenden, we explored a range of ideas the remained true to the brief.
We kept the design language of existing products, enhancing the “extra spacial feature”, a bowled area in the bottom of the seat that provides comfort for the passenger in sat in the seat by molding to their back but also offers perceived extra leg room to the passenger behind.
Innovative ways of cover attachment and reduction in parts were paramount in adhering to our KPIs.
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End-to-end development
Working in-house afforded me the ability to oversee complete de-velopment of the project.
Each component was meticulously examined to asses form and sur-face finish as I knew that passengers would be interacting with the seats for a prolonged duration of time.
Working closely with engineering and supply change was impera-tive for this process to take place.
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Ergonomics and comfort
In the process of developing a new economy passenger seat for ultra low-cost carriers, we conducted usability testing continuously to asses ergonomics and comfort.
To conduct a seat comfort trial and ergonomics assessment, a row of seats were set up for participants to trial for various amounts of time ranging from 30 minutes to 2 hours with results recorded. These durations are to provide sufficient information to highlight issues that are likely to cause more severe discomfort or dissatis-faction when flying.
A questionnaire had been designed for the trial including a map of the seatback where participants could indicate areas of discomfort. Specific questions are asked about seat dimensions and features.
Participants encouraged to engage with the seats as they normal-ly would during a flight, such as using their phones or tablets, or reading a book.
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Tupperware Serving Jug
Following the continued popularity and success of the “Thermotup” from Tupperware, I was tasked with creating a complimentary product to expand the range. This consisted of a creamer and sugar container to accompany the pitcher when serving hot beverages. The form language needed to stay true to the existing product, whilst applying a contemporary feel.
RoleLead Product Designer
Scope1 year, Sep 2015 - Oct 2016
Tools UsedPhotoshop, Illustrator, InDesign, Solidworks, Keyshot
TeamAntoon Keymeulen, Ralph Eikelenberg, David Mgeladzé
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A companion to a best seller
The Thermotup is the hero line item in the range, with a distinct design language that needed to be carried through to companion products. It’s intended use allows for an open-close mold from the base to allow the insertion of a glass vacuum flask, with a weighted base being screwed to the body.
The intention was to carry this profile over to the milk jug howev-er this created unique challenges with manufacturing in that if an open-close mold were to be used, the core would eject from the base thus requiring a liquid tight seal to be used.
There were many different options explored such as ‘spin-welding’ the base to the body and a story being told with easy cleaning. This method would have not met Tupperware’s high QA standards so to continue the concept the overall design evolved to utilise a blow molded body with a injection molded polypropylene spout & cover.
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Prototype testing
At Tupperware, I utilised the ‘test kitchen’ where I could plan and execute usability testing depending on the product being designed.
A multitude of prototypes would be created to test form and func-tion, iterating after each round of testing. These helped in evaluating ergonomics and in this particular instance, the flow of milk/cream from the spout as well as defining scale when next to the pitcher.
These prototypes also helped in making a final decision for the ap-propriate method to manufacture the selected concept.
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Allfield Customer Experience
Joining the Tangerine team as a freelance designer to rebrand an optical product. The outcome be-ing an end to end consumer experience consisting of various touchpoints such packaging, point of sale. Key areas of work: branding, strategy, product management & CMF (colour, material, finish).
RoleFreelance Product Designer
Scope4 months, Nov 2016 - Feb 2017
Tools UsedPhotoshop, Illustrator, InDesign, Solidworks, Keyshot
TeamDiane Dupire, Akinori Asatomi, Guneet Sidhu, Simon May, Suzy Stone, Matt Round, Martin Darbyshire, Will Pocknell & David Baird
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Designing a customer experience
Adlens are world leaders in adaptive focus optics and have been developing applications for adaptive lens technologies since 2004. Their prescription eyewear range is an innovative alternative for people aged 45+ who struggle to wear progressives or no-line bi-focals. Their glasses are prescription made for near, intermediate and dis-tance viewing, all at the turn of a dial.
Working as part of the team at Tangerine, we rebranded the prod-uct to be called “Allfield”
The outcome, to design the consumer experience right from having their eyes examined to final delivery, all without touching the actual design of the glasses themselves. As of end of February 2017, this strategy is now being trialled in various optometrists across the US to see if sales can be increased.
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ProgressivesDistance - General
ProgressivesIntermediate - Computer
ProgressivesNear - Reading
AllfieldDistance - General
AllfieldIntermediate - Computer
AllfieldNear - Reading
ProgressivesVision is distorted and blurred outside of the restricted viewing area of the lens (crosshatched area). Neck strain often results from continually moving the head to find the focal point.
AllfieldClear viewing at all distances through virtually the full lens, with minimal distortion only at the frame’s very outer edge (crosshatched area).
Lens areaUnusable lens area Usable lens area
Lens areaUnusable lens area Usable lens area
Near, far or in between. The innovative Allfield lens adjusts like the human eye, so you can see more in sharp focus, at every distance.
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Outcome
This project ended up being fast paced with a client that had alot of different requirements, changes being made daily. It was my re-sponsibility to stay on top of these and I took on the role of defacto project manager as well as designer to make sure that everything ran smoothly to reach the soft launch deadline.
This involved being heavily client facing with either a daily meeting or phone call as well sourcing and communicating with domestic vendors to get the various touchpoints in production. My main re-sponsibilities were to design the packaging and POS units, assist Diane Dupire with design of what was known as the “toolkit” and once the brand had been locked down by DWHD, I chose the ap-propriate materials for production.
I worked with the different disciplines at Tangerine from fellow de-signers, CMF experts and customer experience strategists in order to complete this project.
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ADLENS PRESCRIPTION VPO EYEWEAR EXPERIENCE FLOW
ECP
CHOOSEAN ECP
BOOK ANEYE TEST
AWARENESS UNDERSTANDING + ENGAGEMENT
AWARENESS UNDERSTANDING
MAY ALREADY HAVE HEARD NEGATIVE
THINGS ABOUT AD-LENS
CONFUSION BETWEEN E2 AND FOCUSS
TOO MANY SUPPORT MATERIALS, IT’S CONFUSING AND THEY GET LOST
SALES PERSON UNABLE TO ENGAGE
WITH COMPLEX QUESTIONS
HIGH RISK:UNKNOWN UNTRIED
COST
POS TOO BIG, POOR QUALITY AND NOT
LOCKABLE.WHAT DOES IT SAY RE-
GARDING VALUE
SIGN UP TO SYS-TEM MAY BE DONE CENTRALLY, LOCAL
STORES HAVE LITTLE INPUT
ECPS EXERT A HIGH LEVEL OF CONTROL OVER THE ENVIRON-
MENT IN THEIR PRAC-TICE, AND WHAT GOES
INTO IT
SELECTION OF GLASSES IN POS IN CHOSEN BY ADLENS
HIGH ENTRY COST, DOCTORS HAVE TO MAKE A $4000 IN-VESTMENT IN THE
MATERIALS
LACK OF AWARE-NESS IN GENERAL
COST PERCEPTION OF EYE TEST VS
STORE EXPERIENCE
GIVE DETAILS TO PER-SON OVER THE PHONE OR
THROUGH INTERNETDO YOU WEAR GLASSES?
IF SO WHAT SORT?
DOCTOR INTRODUCES THE PRODUCT. MAY FEEL LIKE A ‘SELL’
EXPERIENCE RELIES ON ECP EXPLANATION
+ ADVOCACY. NO DEMONSTRATOR
RECEIVE A SMALL WELCOME CARD
- NOT VERY PREMIUM
PURCHASE THEN BE TOLD THAT THERE
IS A LONG DELIVERY TIME
THE PERCEPTION OF THE PRODUCT IS AFFECTED BY THE QUALITY OF THE
FITTING
WHAT IS GIVEN WITH THE GLASSES DOES NOT FEEL PREMIUM,
CERTAINLY NOT AT NEW PRICE POINT
FEELS UNCOMFORT-ABLE AND HEAVIER THAN I AM USED TO
PRODUCT MORE “FIDDLY TO ADJUST” THAN ANTICIPATED
DISAPPOINTMENT DUE TO UNEXPECT-ED WEIGHT, SWIM, WRONG PRESCRIP-TION, FAULTY LENS- LOOK TO ECP TO
REMEDY
PRODUCT HAS TO BE RIGHT FIRST TIME
OPTICIAN CLOSES THE SALE. EXPERIENCE
RELIES ON CONTINUITY BETWEEN DOCTOR
AND OPTICIAN
ALL GLASSES HAVE TRIAL LENSES IN
THEM, NOT THE REAL WEIGHT, SETS UNRE-
ALISTIC EXPECTATONS
SALES STAFF DO NOT RECOMMEND THE
PRODUCT OR SIMPLY FORGET ABOUT IT
HESITATION IN THE ABILITY TO ANSWER
QUESTIONS ABOUT THE PRODUCT. IT CAN BE OK IF YOU KNOW WHERE TO FIND INFO THERE AND THERE, “IT’S NEW....”
LIMITED RANGE OF STYLES, DOES NOT SUIT
PATIENT’S FACE, NOT COMFORTABLE AND
VERY EXPENSIVE
CONDITION UN-KNOWN NEED EX-PLANATION. USED GOOGLE TO HELP
EXPLAIN CONDITION
DOCTOR IS NOT WEARING THE
PRODUCT
EX-SUPERFOCUS USER HAS FOUND PRODUCT
ONLINE> E2/E5/FOCUSS CON-
FUSION- OR PATIENT UNABLE TO FIND A REPLACEM-
MENT
EYE DROPS“I USE THEM......”
PATIENTS TRUST THE ECP OPINION
PATIENT HAS TO TRUST DESCRIPTION FROM
ECPNO DEMONSTRATOR
KNOWS THAT THERE IS A PROBLEM BUT
UNAWARE THAT IT’S A COMMON ONE
DIFFERENT TYPES OF PATIENTS
MEDICAL STARTING POINT
VS EYE TEST REMINDER
ALREADY HAVE AN ECP
WORD OF MOUTH (FRIENDS, FAMILY)
INSURANCE COMPANY LISTING
PROXIMITY TO WORK/HOME
INTERNET SEARCH
GAP BETWEEN WHAT I NEED VS
WHAT I AM GIVEN
INFREQUENT USE MEANS THE TRAIN-
ING CAN BE FORGOT-TEN BY ECP TEAM
JUSTIFICATION FOR HIGH PRICE
REQUIRED
DOES NOT FIT THE PATIENT PROPERLY, PATIENT MAY EXPE-
RIENCE UNEXPECTED “SWIM” - ECP REPUTA-
TION
PROACTIVE COLLECTION VS COM-
PLAINT - LACK OF REACTIVITY
ECPS HATE RETURNS, THEY ARE A WASTE OF TIME AND THEY
WOULD MUCH RATH-ER GET IT RIGHT FIRST
TIME
PRODUCT RETURNED WITHIN 30 DAYS PERI-
OD DUE TO WEIGHT- REFUND AND
REPUTATION
ECP CAN ALWAYS RE-VERT TO SELLING A HIGH END PAIR OF PROGRESSIVES IN PLACE OF ADLENS
ECP LOSES FAITH IN PRODUCT
IMPACTS ON WILLING-NESS TO
PRESCRIBE NEXT TIME
SALES STAFF TAKE LEAD FROM ECP AND LOSE FAITH AS WELL
FAULT IN LENS, WRONG PRESCRIP-TION, ECP HAS TO
MAKE EXCUSES, BRO-KEN PROMISES, EF-FECTS HIS BRAND
LENS HAS TO BE MEASURED IN A DIF-FERENT WAY TO NOR-MAL ON THEIR EQUIP-
MENTECPS NEED TO BE
CONVINCED AND RE-MINDED OF THIS
REFUND DUE TO DELAYS IN DELIVERYECP REPUTATION IS-
SUES
NOSE PADS EXACER-BATE PROBLEMS OF HEAVY FRAMES FOR
PATIENTS
EXTRA CARE HAS TO BE TAKEN WHEN FIT-
TING ADLENS-HEATING TEMPLES
-NO PANTOSCOPIC TILT
BECAUSE OF THE WEIGHT, GOOD FITTING IS EVEN MORE IMPOR-
TANT BUT THE GLASSES ARE EVEN MORE DIFFI-CULT TO ADJUST THAN
OTHER BRANDS
PRODUCT FEELS HEAVIER THAN THE
PATIENT HAD ANTICIPATED
ECP REPUTATION
DIFFERENT WAYS TO MEASURE PRESCRIP-TION > CONFUSION,
PROBLEM OF COMMU-NICATION + TRUST
THERE IS A LOT OF COMPETITION FOR $“WHAT ELSE CAN I
HAVE FOR THIS MONEY ?”
LIMITED NUMBER OFSTYLES AVAILABLE
AND THEY ALL LOOK THE SAME
LACK OF DIFFERENTIA-TION IN THE RANGE
MEN/WOMAN
REQUIRES MOREEFFORT/TIME FROM
THE ECP TO CLOSE THE SALE, WHAT’S IN IT
FOR THEM?
NEED TO KEEP PATIENT IN STORE TO SELL VS
PATIENT WANTS TO GO HOME TO THINK ABOUT
IT, NEED TO TALK TO SPOUSE (EXPENSE,
STYLE)
REPUTATION OF ECP IS ON THE LINE
TAKES A LONG TIME TO EXPLAIN THE ADLENS OFFER
ECP WANTS TO HAVE THEIR BRANDING ON PROMO MATERIALS
ECPS DO NOT WANT THE BRANDS THEY
SELL TO MAKE DIRECT CONTACT WITH THEIR
CUSTOMERS
TECHNOLOGY VS STYLE- DIFFERENT TYPE OF SELLING, NOT BUSI-
NESS AS USUALS FOR ECPS
PROBLEM SOLVING VS SELLING FOCUS- LACK OF PITCH TO
EXPLAIN THE PROPOSITION
- LACK OF PROMISES “IT WILL
DO THIS...”HAS TO IDENTIFY THE SUB-SET OF PATIENTS WHO MIGHT BENEFIT
> ANOTHER THING TO THINK ABOUT FOR
ECPS
PATIENT IS NOT AWARE OF THE PRODUCT
BEFORE DOCTOR VISIT
LACK OF TIME TO EX-PLAIN THE PROPOS-
TION
UNABLE TO DEMON-STRATE THE PROPOSI-
TION TO PATIENTS
PERCEIVED WEIGHT IS AN OBSTACLE TO
SALES
DOCTOR RECOMMENDSOPTICIAN SELLS, NEED
TO CREATE ENTHU-SIASM AND BELIEF THROUGHOUT THE
CHAIN
VIDEOS TOO LONG TO BE USED WITH
PATIENTS IN THE CON-SULTING ROOM DOCTORS “FORGET”
ABOUT ADLENS
PRESSURED SALES ENVIRONMENT
PRODUCT TRAINING VS SALES. IT’S
DIFFICULT TO TAKE TIME FOR TRAINING WHILST TRYING TO RUN A BUSINESS
ADLENS STAFF DON’T BELIEVE
IN TRAINING MATERIALS
LECTURE STYLE TRAINING SESSIONS ARE NOT EFFECTIVE
CREDIBILITYISSUES
TECHNOLOGY PUSH NOT USER NEED
PULL
NOT ENOUGH CLARITY AROUND ARTICULATION OF
THE PROBLEM AND THE BENEFITS
TECHNOLOGY IS PUSHED INSTEAD OF
USER NEEDS AND BENEFITS
TONE OF VOICE IS TOO “PREACHY”
NEED MORE DIA-LOGUE LESS MONO-
LOGUE
CUSTOMER IS UNA-BLE TO
EXPERIENCE THE OFFER
COMPLICATED SELL
THE PROMISE THAT IT WILL BRING MORE CUSTOMER TO PRAC-TICE IS UNFOUNDED
SALES PERSON DOES NOT HAVE AN OPTI-CAL BACKGROUND, LACK OF EXPERI-
ENCE OF THE WIDER INDUSTRY
COLD CALL IS OFTEN THE FIRST CONTACT
HAVE NOT HEARD OF ADLENS AT ALL
SIGN-UP+ PURCHASE TRAINING PITCH TO PATIENT SELL DISPENSE
PURCHASE RECEIVE, FITTING, FIRST USE
CONTINUED USE
CUSTOMERFEEDBACK
SHARESTORIES
SHAREPATIENTDON’T HAVE A FRAME OF REFERENCE FOR
CHOSING AN ECP
EXPERIENCEVISION PROBLEMS
PATIENT RETURNS GLASSES
ECP REPUTATION AT RISK AND PROFIT
AS THE COST INCREAS-ES THE NEED TO GO
AWAY TO THINK ABOUT IT ALSO INCREASES, MAY NEED TO ASK
PARTNER OR CHECK FINANCES
LONGER DELIVERY TIME THAN AVERAGE EYEWARE PRODUCT
- DEAL WITH PATIENT EXPECTATION
THIS NEEDS TO BE CHECKED, IN THE UK HIGH END PROGRES-SIVE LENSES HAVE A 5-7 DAY LEAD TIME
POINTS OF CLARIFICATION
CAN WE GET SOME USE CASE FROM DR JOE ?
HAVE THE DOCTOR AND THE PATIENT TALK ABOUT
TEH BENEFITS OF TEH SAME CASE STUDY FROM
BOTH SIDES?
WHEN DOES ECP SEE PROMO
MATERIALS ?
INVOICE VS INSTANT SALE.
WHAT’S THE PROCESS ?
HOW MIGHT WE GIVE THE INITIAL CALL A GREATER
CHANCE OFSUCCESS ?
HOW MIGHT ADLENS
PREQUALIFY LEADS ?
WHAT’S THE MVP FOR THE PITCH?
HOW MIGHT WE CREATE GREATER ECP ENGAGE-
MEN DURING THE PI-ITCH?
HOW MIGHT WE RAISE THE PERCEPTION OF
PROMOTIONAL MATE-RIALS IN THE EYES OF
THE ECP?
HOW MIGHT WE CRE-ATE PROMOTIONAL
MATERIALS THAT SUP-PORT, NOT DICTATE, TO
THE ECP?
HOW MIGHT WE RE-DUCE THE PERCEIVED
RISK FOR THE ECP?
HOW MIGHT ADLENS DEMONSTRATE THAT
THEY ARE SHARING THE RISK WITH THE ECP?
HOW MIGHT WE CREATE A VARIETY OF CUSTOM-
ER PROFILES?
HOW MIGHT WE CREATE AN INITIAL SALES PITCH WHICH IS AS CREDIBLE
AND AUTHENTIC AS POSSIBLE ?
PRE SEND TO START CONVER-
SATION. VOICE OF ECP/PEER
IDEAS
HAVE 2 SEPARATE BRANDS
> E2 -LOW END>FOCUS-HIGH END
EVERY SALES PERSON HAS A PAIR OF TRIAL GLASSES, DIY
PEER TO PEER CONVERSATION
AN OPEN CON-VERSATION
ABOUT PRICE + MARGINS
PROFILE THE PEOPLE WHO
MIGHT USE THE PRODUCT
SIMPLIFY PITCH TO THOSE WHO ALREADY UNDER-STAND THE PROBLEM, USE PROGRESSIVES
APPOINTMENT CARD, EMAIL
OR TEXT CONFIRMATION
ARE YOU A PROGRESSIVE WEARER ?
FLAG AT THEAPPOINTMENT
INTERACTIVE ONLINE
TRAINING
PERSONNAL RECOMMANDA-
TION, EXPERIENCE ENDORSEMENT
TRIAL DEMONSTRATOR (DIY)
- PATIENT ACTUATED
BITE-SIZEDVIDEOS
MATERIALS TO SUPPORT PATIENT CONVERSATIONS
HOW MIGHT WE HELP THE ECP EXPLAIN CON-
DITIONS AND SOLU-TIONS
TO PATIENTS ?
HOW MIGHT WE CREATE A PREMIUM SALES EXPERIENCE WHICH DOESN’T
HIGHLIGHT THE LIMITED RANGE ? (DESIGN FOR A LIMITED SPACE)
HOW MIGHT WE HELP ECP TO NAVIGATE CUS-TOMER EXPECTATIONS FROM $1,000 TO $2,500?
HOW MIGHT WE HELP ECP TO NAV-IGATE THE PATIENT
CONVERSATION ABOUT PRICE ?
ENGRAVE THE PATIENT NAME ON THE
GLASSES TO GIVE PREMIUM FEELING
IN STORE COLOR CHOOSER ON IPAD ?APP TO SEE ALL THE
POSSIBILITIESREMOVABLE NOSE PADS
? TO IMPROVE FIT/AP-PEARANCE
SHOW ADLENS FIRST THEN IF REJECTED
SHOW PROGRESSIVE
PRESENT LENS AND FRAME SEPARATELY
- PRICING STRATEGY
SIMPLE BUT THEATRAL OPEN-ING TO SHOWCASE
GLASSES AND SUPPORT ECP
SELLING
SWATCH BOOK
THANK YOU EMAIL AND DIGITAL UPDATES
ON PROGRESS OF YOUR GLASSES
INSURANCE TO COVER DAMAGE
ADLENS FAQPROBLEMS THAT CAN HAPPEN AND WHAT
TO DO (FOGGY LENS..)
AMBASSADORS (CHOSE ECP )
REDUCE COST FOR EXISTING CUSTOMERS
DESIGN ADLENS MATERIALS TO BE
CO-BRANDED
FASTER TURN AROUND FOR FAULTY
PRODUCT
SPECIAL JIG TO MAKE FIT-TING EASIER
FOR ECPs
MAKE GLASSES EASIER TO
ADJUST
CAREFUL DISCUS-SION/EXPLANATION
OF HOW TO MEASURE GLASSES
HOW MIGHT WE CONVINCE ECP TO MEASURE DIFFERENTLY ?
WHAT DOES / SHOULD THE PA-
TIENT RECEIVED AT THIS POINT ?
WHAT DOES THE PATIENT GET AT THIS
POINT ?
WHAT IS THE AVERAGE TIME ON RETURNS ?
HOW MIGHT WE KEEP ADLENS TOP OF MIND FOR ECPs ?
(GIVEN THE FREQUENCY OF SUITABLE CUSTOMERS)
HOW MIGHT WE HELP ECPS KEEP THE PITCH SHORT
AND PUNCHY?
HOW MIGHT WE MAKE PITCHING ADLENS EXCIT-
ING FOR ECPS?
NO CONTACTBETWEEN
PURCHASE AND DISPENSE
PROBLEMS, CHALLENGES AND NEEDS
QUESTIONS
LET ECPS CHOOSE THE FRAMES THEY
SELL, BOTH IN THE FIRST PLACE AND AS COLLEC-TIONS CHANGE.
TRY BEFORE YOU BUY PERI-
OD
HOW MIGHT WE MAKE TRAINING MORE EN-GAGING FOR ECPS?
ONLINE CHAT WITH AN EXPERT
HOW MIGHT WE MAKE TRAINING MORE SATIS-FYING/REWARDING FOR
ADLENS STAFF?
WHAT’S THE MVP FOR INITIAL TRAINING?
CONDUCIVE ENVI-RONMENT AWAY
FROM STORE
INCENTIVES FOR STAFF TO ALIGN WITH ECP BUSI-
NESS
HOW MIGHT WE KEEP ADLENS TOP OF MIND
FOR ECPS?
PROMOTION-AL TOOLS THAT
GUIDE ECPS THROUGH THE
PROCESS
WHAT’S THE MOST EF-FECTIVE WAY TO DE-LIVER TRAINING AND
PRODUCT UPDATES TO ECPS?
LAUNCH EVENTS HAVE NOT BEEN VERY SUC-
CESSFUL.(EXCEPT DR JOE)
HOW MIGHT WE HELP ECPS NAVIGATE THE CONVERSATION
AROUND PRICE?
HOW MIGHT ADLENS SUPPORT THE BRAND AND REPUTATION
OF THE PRACTICE?
KEY
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Konica Minolta BizHub Evolution
As a member of a small design team, I took lead on developing two out of five design languages for a family of KM products, within them included an MFP, A4 version, digital signage & future collaboration table. First client check-in required data for full scale foam models and large high quality renderings.
RoleProduct Designer
Scope5 Months, May - Sep 2015
Tools UsedPhotoshop, Illustrator, InDesign, Solidworks, Keyshot
TeamNick Woodley, Phil Harrison, Tom Keen
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Breathing life into a global brand
Konica Minolta currently has one of the most iconic MFP’s on the market - named Bizhub. No ‘unnecessary’ styling. The key design feature of the Bizhub is an off-white strip, this is the area that the user interacts with - including the control screen and paper tray openings.
Tasked with exploring what the evolution of the printer line-up would be from an update to existing models and reaching in to the future of the office environment, it was Sabotage’s job to explore and propose new design languages.
I joined the team at a later date during this relationship to help fi-nesse and visualise some of the earlier work done by the team.
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Exploring ideas
Quickly immersing myself in what had been explored, I took control of two design languages focusing on the style we named WARM TECH. This focused on a strong outer frame or stand with a sus-pended MFP inside. This emphasised key components but also sep-arated them from the structured body.
This created CORE and TILE.
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Testing and presenting prototypes
CAD data was used by an external model maker in order to cre-ate full-scale foam mock-ups of the different design languages. We used these to test how user’s interact with each proposed style, paying attention to the height and adjustability of the display screen and ease of taking paper from the relevant trays.
These were then presented, along with the relating renderings to the client team consisting of key stakeholders from the European and Japanese sides of the business.
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Various Projects 2014 - 2020
A small selection of projects I have worked on over the years. Ranging from short & long haul and premium economy seats to self serve business class bars in aviation for numerous airlines. In housewares for brands like DKB Household, ETO Wine, Joseph Joseph Tupperware and Quirky.
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Thank you
I hope that you have enjoyed viewing my work. Please reach out on the channels below to start a conversation:
Phone+447800885356
Websitewww.davidbulldesign.com
Instagram_davebull