DATE 3/18/02 through rough ground plan with the cast. IA

-

through once without scripts. Director sat Idown with cast and editted the script to make it Iti~:htf:r and more flowing.

ITolmorrow, 3/19, in Strother at 7:00PM.

etc:

DATE _3/18/02_

through rough ground plan with the cast.

IA(lded coffee can of wonns (preferrably live, but will work), coffee maker, and pen and

Ist~ltiomu"y set. Rehearsal props are needed ASAP. Hickman will bring fishing poles after Easter.

through new opening sequence multiple times Lucy rund Phil.

IT(lm)rr,OW at 7:00PM in Strother.

etc:

needs to have a belt rund comical boxers as of his costume.

DATE _3/19/02_

the two doors in the hallway be working There is blocking that will require exits

enltrrunct'S from the "rooms."

we have a sound designer? There needs to be Hush at the start of the show.

IPIIRI'OFtM.ANCE _Faulkner King

_ 7_

Notes: IWr.rlcp,j Act 1 Scene 1 and blocked the first few

IT()m.,rnnw at 7:00 PM in Strother. Will be

IW(lrking Act 1 Scene 1.

etc:

DATE _3120102 _

_Faulkner King ATTENDANCE: Greg L., Morgan M., David H., Carly A., Taylor D., julie L.,

_3121102_ Alan G., Chip H., Kathryn G., Kip S., Katie H.

Notes: Scenery: IKattrryn sent out a mass email to the TComm dept. All new tlats have heen made. Fireplace will he

find the crew. Hope to have a complete crew by next Thursday.

Rehearsal Notes:

PM in Strother. Tonight will he blocking 1-1, Itornonrow will he 1-2,

etc: and Phil need to set up appt. to talk with Julie

I"'JU III their costumes.

ulie showed renderings of the costumes to David.

in blue ioam instead of just painting it. Breakaway tlats will he bolted with wingnuts. Back doors to the hedroom and bathroom will he

Iworlkin," doors. Cross-bracing of the staircase

will get money to Carly to start purchasing Im'or.< tomorrow, She will also he given a key to

prop box. Need book for rehearsal prop.

will put together the sound effects for the live laulditonc:e vlewmg.

DATE _3121/02_

ITc.mo'ITOW, 5-7PM, in Strother. (1-2)

etc:

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[5;;;e ~AclcI~ ~~)IIBI~kl From : "Daniel Gooding" <[email protected]>

To : [email protected]

Subject: Ughting Report 032102

Date : Wed. 20 Mar 2002 20:25:44 -0500 Attachment: UghtingReoort0321.0U!QC (15k)

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Explore MSN • flicker box for fireplace - Derek is researching getting one for free posSibly, Indy Stage rents one for $50 Free Games

perweek ._- '10+ nece$5cwcl • we need to think of a way to reducethe glare from picture frames on the set - nv C;k 9 ~~~:c~: Deals • we need to think about the blocking of the actors on the office part of the set as this will affect how we Share Photos

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GJ Derek and I are planning on hanging lights on Thursday and Friday, April 4th and 5th Chat Rooms • someone (and it can be Derek or me if needed) should ask Alan Gordon if we can hang later on Thursday Upgrade your career

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Props List for Faulkner King

ACTl Iu Robbie's apartment:

'cU!.~ \~ - Paperwads to lay around Robbie's apartment '-l Books laying around Robbie's apartment

-

-

Bee Ink Pen Yellow Pad of Paper White Handkerchief 2 Fishing Poles Beer - 3 (; 1)C.c_~'-::/) - ,_" Coli}..}

Robbie's Book - Ucc C0i11paet (7) FS. 9

,

IJt.t1=1Bobby's Small Poetry Notebook Phone '- chl./zd W",,+e\:.>uJ.:,c+ In Ms. Grayven's Office:

Several copies of classic novels Book of Gar~eltl cpmics Wastebasket €CA~U:\S

Apple juice bottle -'iV1 ; C'..J<., J~ ,wl.' \ Paper cup - ,J:.,if,W.. Pad of paper - 'i;:0vJ~ :~" [.<,l-d

j

Pencil ' Can ofLysoVdisinfectant \'h"', .... - Li~" Ju;iYut..-ACT II \).} ,

The Living Room:

Notepad -:(,2.l.A; Paperwads laying around Fishing pole Laptop computer Pen Paper

ifo l Co-J!,Y,' ~,.z~VI'kJ cki uJ'<. (~ cYJ ,

---------

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,-

Everything a designer could want to know abQut Faulkner ~ng:

1) Where (geographically) does this take place? (General locale, as >well as a more specific one such as,on a lake, in the:woods, in a >city, etc.) --Bloomington, IN on a lake. > >2) What time of in March >

for Act day is this I, Saturday

episod~? Season? --Friday afternoon afterno'on (the next day) for Act II

>3) What place

is the time span from beginning to end? (Does it take

>in one or two days? How are they determined?) --Two days determined by act > >4) How does Robby afford his place? Grandparents left it to him when they died. > >5) Is it a spacious shanty cabin in the woods or an apartment in a >small town? (We're assuming since he's up and coming that he's not >very affluent, or if he is, how did he get his money and how does >that affect his home?) .--small house that his grandparents had owned, nothing fancy -I

> >6) Do Shelia and Robby live together? (If so, who's place is it >figuratively and realistically?) --No, it's Robbie's house. > >7) How long have Bobby and Earl known Robby? How long have Shelia >and Robby been together? How long has Shelia known Bobby and Earl? > Bobby, Earl, and Robbie have known each other since childhood. Sheila has known them for three years, ever since she met Robbie at college. >8) What are the Educational and Occupational backgrounds on >Bobby/Robby/Earl? Earl is a taxidermist--nocollege. Bobby is a mechanic--no college. Robbie attend IU as an English major. Sheila attended IU medical school and is a paramedic. > >9) Do the two settings have windows and doors to the outside? What >is outside of each set? What could be seen when windows and doors

-

-.

>are open? --Ms. Grayven's office does not have windows. Robbie's house has windows and a door to the outside. > >10) ·How important is fishing really·to Robby? What is true passion? >(fishing, writing, his relationship with friends/girlfriend, >hobbies, etc.) --Robbie's true passion. is writing. Fishing is a hobby and a way of life for he and his friends. Sheila is very important to him. She's his sanity.

.-

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PRODUCTION SCHEDULE-FAULKNER KING

Date: Time: Location:

REHEARSALS March 4-7 7-10 P.M. Strother March 18-22 7-10 P.M. Strother March 24-28 7-10 P. M. Strother March 31-April 4 7-10 P. M. Strother April 5 7-10 P. M. ..lslefjle,{ ~er *REHEARSAL WITH CAMERAS, DIRECTOR, and ACTORS April 6-7

SET LOAD-IN April 1-2

LIGHTS April ¥-5 FILMING April /11-11 (Without Audience)

-.. .\ '\....L. f'1 10 .. ,s:;3 I Ff"" iz\

~ (All'+- do ~'1~tJ.;(l3 ~o,'" S:<{<;'- r;,: 3D

April 12-13 (Wi th Audience)

------- ------_.

7-10 P.M.

9 A.M.-6 P.M.

9 A.M.-6 P.M.

Engineer Set-Up 5-7 P.M. Actors Call 6 P.M. Film 7-11 P.M. Engineer Set-Up 5-7 P.M. Actor Call 6 P.M. E'i J m 7 11]' .. M.

C(('lYIe.fas: Apn 1

;fAt:rew: April

1,-7

:2

R~~(",'(sC\..1

(~euj \I,e <-0

j~Jt. !ifni 3

~3 1 "3 - I [

A?f'll ~

CreLt.! Hee+i Y1Cj

>v-f Me,,+m--s)

~fiDn

Fi I '" u,<t,;", +Aw:\ ("'1 te

'FIlM t4' A-w:j,en <.~

Te1ep1ex

Teleplex

Teleplex

Teleplex

Te1ep1ex

7- fOPM

7: 00-7:'-15 Pf1

7 :OD--/: ij ,,- PJJ\

ESU 5"-7f'1 )::,1"1 7- II PfV\

ESV ~-IPJV\

Fi 11"'\ 7-1/f'M

[50 6-1f'M Film ~-IOp~

S+ro-th.~r

5-tr-dAer fhe",'i-re....

Te{efle.x

Tdeplex

Teleplex

Te/eplf:)<


Date:

REHEARSALS March 4-7 March 18-22 March 24-28 March 31-April April. 5 *REHEARSAL WITH

~April 6-7


LIGHTS April '1-;; FILMING

3+'1 April 8-11

Time:

7-10 P.M. 7-10 P.M. 7-10 P.M.

4 7-10 P.M. 7-10 P.M.

CAMERAS, DIRECTOR, 7-10 P. M.

9 A.M.-6 P.M.

9 FL ,~. -6 P.M.

1/ (iI\ wi (Without Audience) Engineer Set-Up 5-7 P.M. -

April 12-13 (With Audience)

Actors Call 6 P.M. Film 7-11 P.M. Engineer Set-Up 5-7 P.M. Actor Call 6 P.M. Film 7-11 P.M.

Location:

Strother Strother Strother Strother 'l'elefjlelf Sfro-{Ae.

and ACTORS Teleplex

Teleplex

Te1ep1ex

Teleplex

Teleplex

-


Date: Time:

REHEARSALS March 4-7 7-10 P.M. March 18-22 7-10 P. M. March 24-28 7-10 P. M. March 31-April 4 7-10 P.M. April 5 7-10 P. M. *REHEARSAL WITH CAMERAS, DIRECTOR, April 6-7


LIGHTS April 3-5

FILMING April 8-11 (Without Audience)


7-10 P. M.

9 A.M.-6 P.M.

9 A.M.-6 P.M.

Engineer Set-Up 5-7 P.M. Actors Call 6 P.M. Film 7-11 P.M. Engineer Set-Up 5-7 P.M. Actor Call 6 P.M. Film 7-11 P.M.

Location:

Strother Strother Strother Strother Te1ep1ex

and ACTORS Te1ep1ex

Te1ep1ex

Te1eplex

Teleplex

Teleplex

-


Date:

REHEARSALS March 4-7 March 18-22 March 24-28

Time:

7-10 P.M. 7-10 P.M. 7-10 P.M.

March 31-April 4 7-10 P.M. April 5 7-10 P.M. *REHEARSAL WITH CAMERAS, DIRECTOR, April 6-7 7-10 P.M.


LIGHTS April 3-5

FILMING

9 A.M.-6 P.M.

9 A.M.-6 P.M.

April 8-11 Engineer Set-Up (Without Audience) 5-7 P.M.


Actors Call 6 P.M. Film 7-11 P.M. Engineer Set-Up 5-7 P.M. Actor Call 6 P.M. Film 7-11 P.M.

Location:

Strother Strother Strother Strother Telep1ex

and ACTORS Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

-


Date: Time:

REHEARSALS March 4-7 7-10 P.M. March 18-22 7-10 P.M. March 24-28 7-10 P. M. March 31-April 4 7-10 P. M. April 5 7-10 P.M. *REHEARSAL WITH CAMERAS, DIRECTOR, April 6-7


LIGHTS April 3-5



7-10 P.M.

9 A.M.-6 P.M.

9 A.M.-6 P.M.


Location:

Strother Strother Strother Strother Teleplex

and ACTORS Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

-


Date: Time:

REHEARSALS March 4-7 7-10 P. M. March 18-22 7-10 P.M. March 24-28 7-10 P.M. March 31-April 4 7-10 P. M. April 5 7-10 P.M. *REHEARSAL WITH CAMERAS, DIRECTOR, April 6-7


LIGHTS April 3-5



7-10 P. M.

9 A.M.-6 P.M.

9 A.M.-6 P.M.


Location:


and ACTORS Teleplex

Teleplex

Teleplex

Teleplex

Te1ep1ex

-


Date: Time:

REHEARSALS March 4-7 7-10 P. M. March 18-22 7-10 P. M. March 24-28 7-10 P.M. March 31-April 4 7-10 P. M. April 5 7-10 P.M. *REHEARSAL WITH CAMERAS, DIRECTOR, April 6-7


LIGHTS April 3-5



7-10 P. M.

9 A.M.-6 P.M.

9 A.M.-6 P.M.


Location:


and ACTORS Teleplex

Teleplex

Teleplex

Teleplex

Teleplex


DATE: TIME:

REHEARSALS April 1 7-11 P.M. April 2 (Crew View) 7-11 P.M.

April 3-5 7-11 P.M. *REHEARSALS WITH CAMERAS, DIRECTOR, April 6-7


LIGHT SET-UP April 4-5



7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.

Engineer Set-Up 5-7 P.M. Actors Call 6 P.M. Film 7-11 P.M. Engineer Set-Up 6-8 P.M. Actors Call 7 P.M. Film 8-10 P.M. Strike 10P.M.-12 A.M.

LOCATION:

Strother Strother

Strother and ACTORS ONLY

Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:

Cast Cast/ Crew Cast

Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew

** All Crew need to be present on April 2, 3, and 8-13. Camera crew need to be present on those dates PLUS April 6-7 .


DATE: TIME:






April 12-13 (Wi th Audience)

7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Te1ep1ex

Te1ep1ex

Te1ep1ex

Te1ep1ex

Te1ep1ex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew


-


DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:

Cast Cast! Crew Cast

Cast! Cameras

Crew

Cast

Crew

Cast

Cast/ Crew



DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew

** All Crew need to be present on April 2, 3, and 8-13. Camera crew need to be present on those dates PLUS April 6-7 •

-


DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew


-

-


DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew

** All Crew need to be present on April 2, 3, and 8-13. Camera crew need to be present on those dates PLUS April 6-7.

-


DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:

Cast Cast! Crew Cast

Cast! Cameras

Crew

Cast

Crew

Cast

Cast! Crew



DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew



DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew

** All Crew need to be present .on April 2, 3, and 8-13. Camera crew need to be present on those dates PLUS April 6-7 •

-


DATE: TIME:







7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Te1ep1ex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew


-


DATE: TIME:

REHEARSALS April 1 7-11 P.M. Aoril 2 (Crew View) 7-11 P.M.






7-10 P.M.

8 A.M.-6 P.M.

9 A.M.-6 P.M.


LOCATION:

Strother Strother


Teleplex

Teleplex

Teleplex

Teleplex

Teleplex

WHO:


Cast/ Cameras

Crew

Cast

Crew

Cast

Cast/ Crew


-

Dee 1001 S M T

2 3 4 9 10 11

16 17 18 23 24 25 30 31

6

13 Garbo's Innatable Theatre Company

(Emens) 3 p.m.

Muncie Symphony-

2:30p.m.

27

W

5 12 19 26

7

T F S

1 6 7 8 13 14 15 20 21 22 27 28 29

Spring CIIlsse6 begin

14 Reh he&in:

Radicals

Reh. resume: CAT

1

8 Cleveland

Ballet: lecture/demo

loa.m.

January 2002 2001-2002 Production Calendar

15

2

9 Cleveland Ballet - Master Class

11 a.m.

16

3

30 Cleveland Ballet

(Emens) 7:30 p.m.

10

Faculty MIg -11 a.m.

4

31

Printed by Calendar Creator for Windows on 1 fTI2OO2

11

5

S M

3 4 10 11 17 18 24 25

12

19

Feb 2002 T W T F S

1 2 5 6 7 8 9

12 13 14 15 16 19 20 21 22 23 26 27 28

Shakespeare's Family

2:30p.m.

10

17 CBt ••• Roof 2:30p.m.

Muncie Symphony-

2:30p.m.

US/IT

24 Closer Than

Ever- 2:30 p.m.

I Isadora Duncan I

• February 2002

2001-2002 Production Calendar

JanZOOl S M T W T F S

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

Reh begin: LNM

11 12

18 19 Retreat (all

day)

5

MarlOOZ SMTWTFS

1 2 3456789 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

Alpha Night -CAT7p.m.

13

20

7

7

14 FacuHy Mlg-

11 a.m.

Ragtime (Emens) 7:30 p.m.

28

Printed by Calendar Creator for Windows on 1f712OO2

15

9

16 New Student

Auditions

3 St. Petersburg State Ice Ballet (Emens) 2&7:30

p.m

3 r.Rad:-:-:i<-als;-:"2 ::::30'"'&"

8p.rn.

10

17

Indiana SpriDg Break

24 Junior

Choreography Showcase 2:30

p.m.

31

March 2002 2001-2002 Production Calendar

Feb 2002 S M T W T F S

1 2 3 456 789 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 15 26 27 28

11 12

18 19 Penn & Teller (Emens) 7:30

p.m.

25 6

Apr 2002 SMTWTFS

123456 7 8 9 10 11 1l 13

14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30

6

13

Alpha Night -LNM7p.m.

Buddy (Emens) 7:30 p.m.

7 Art (Emens) 7:30

p.m.

7

14

21 FacuHy Mlg-

118.m.

28

Printed by Calendar Creator for Windows on 1nl2OO2

8

15

9

-----------

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INT. - ROBBIE'S LIVING ROOM ROBBIE is sitting in his living room/study. There are papers and books everywhere.

It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and blue jeans. He has a pen in one hand and he is pulling his other hand through his hair trying to calm himself. He has ink marks on his hands and face. With a sudden movement, he starts to scribble something on the yellow pad of paper he has before him. He stops and holds the notebook up to read what he just wrote, studying it intently. He yells and flings the notebook across the room. A door is heard bursting open as SHEILA hurriedly enters the room with a look of concern.

SHEILA Are you okay, honey?

ROBBIE (melodramatically, as if he were announcing a terminal illness)

I have ... writer's block.

SHEILA (concern disappearing from her face and somewhat curtly)

Oh, so you're fine then. Good. You can help me then. You would not the day I had. I really need you to listen to me right now or I'll just explode-

ROBBIE What do you mean fine?! Fine?!!! I'm not fine! I have writer's block. Didn't you hear me? I would be fine if a car had ran over my foot this morning. I would be fine if I had gotten bit by a rabid raccoon. I might even be fine if my house burned down. But this?! This is not fine.

SHEILA Sometimes you can be so inconsiderate.

ROBBIE Me? Inconsiderate? Sheila, what the hell are you talking about?

SHEILA I come over to your house, just looking for someone to listen to my stressful day at work and all you can do is whine about your stupid writer's block.

ROBBIE (angrily)

You're an EMT. Just how stressful couId your day possibly be?

INT. - ROBBIE'S LIVING ROOM ROBBIE is sitting in his living room/study. There are papers and books everywhere.

It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and blue jeans. He has a pen in one hand and he is pulling his other hand through his hair trying to caIrn himself. He has ink marks on his hands and face. With a sudden movement, he starts to scribble something on the yellow pad of paper he has before him. He stops and holds the notebook up to read what he just wrote, studying it intently. He yells and flings the notebook across the room. A door is heard bursting open as SHEILA hurriedly enters the room with a look of concern.


ROBBIE (melodramatically, as ifhe were announcing a terminal illness)



Oh, so you're fine then. Good. You can help me then. You would not the day I had. I really need you to listen to me right now or I'll just explode--

ROBBIE What do you mean fine?! Fine?!!! I'm not fine! I have writer's block. Didn't you hear me? I would be fine if a car had ran over my foot this morning. I would be fine if I had gotten bit by a rabid raccoon. I might even be fine ifmy house burned down. But this?! This is not fine.




ROBBIE (angrily)

You're an EMT. Just how stressful could your day possibly be?

- INT. - ROBBIE'S LIVING ROOM ROBBIE is sitting in his living room/study. There are papers and books everywhere.

It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and blue jeans. He has a pen in one hand and he is pulling his other hand through his hair trying to calm himself He has ink marks on his hands and face. With a sudden movement, he starts to scnbble something on the yellow pad of paper he has before him. He stops and holds the notebook up to read what he just wrote, studying it intently. He yells and flings the notebook across the room A door is heard bursting open as SHEILA hurriedly enters the room with a look of concern.


ROBBIE (melodramatically, as ifhe were announcing a tenninal illness)



Oh, so you're fine then. Good. You can help me then. You would not the day I had. I really need you to listen to me right now or I'll just explode--

ROBBIE What do you mean fine?! Fine?!!! I'm not fine! I have writer's block. Didn't you hear me? I would be fine ifa car had ran over my foot this morning. I would be fine ifl had gotten bit by a rabid raccoon. I might even be fine if my house burned down. But this?! This is not fine.




ROBBIE (angrily)


- INT. - ROBBIE'S LIVING ROOM . ROBBIE is sitting in his living room/study. There are papers and books everywhere.

It's a cluttered mess. Balls of paper appear to have been thrown haphazardly across the room and there is a wastebasket full of them. ROBBIE sits on the couch looking pretty frazzled. He hasn't shaved in a few days and he's wearing a rumpled flannel shirt and blue jeans. HI: has a pen in one hand and he is pulling his other hand through his hair trying to calm himself He has ink marks on his hands and face. With a sudden movement, he starts to scribble something on the yellow pad of paper he has before him. He stops and holds the notebook up to read what he just wrote, studying it intently. He yells and flings the notebook across the room. A door is heard bursting open as SHEILA hurriedly enters the room with a look of concern.


ROBBIE (melodramatically, as ifhe were announcing a terminal illness)



Oh, so you're fine then. Good. You can help me then. You would not the day I had. I really need you to listen to me right now or I'll just explode-

ROBBIE What do you mean fine?! Fine?!!! I'm not fine! I have writer's block. Didn't you hear me? I would be fine if a car had ran over my foot this morning. I would be fine if I had gotten bit by a rabid raccoon. I might even be fine if my house burned down. But this?! This is not fine.




ROBBIE (angrily)


- ROBBIE I know. I can't even write a clothing tag worth a crap. What am I going to do, Sheila?

SHEILA I'm not sure. I never understood how a guy who considers his beer cap collection his most prized possession could ever write avant-garde romance in the first place.

ROBBIE Thanks. You're helping so much. Is this how you talk to people on the job?

(mimicking her) "Looks like you're fulling unconscious, sir, but I never understood why a man with a truck fender in his neck was walking around in the first place."

SHEILA Don't get smart with me, mister. I'm trying to help here.

ROBBIE Sorry, I'mjust not handling this very well.

SHEILA Well, what did you do to break through your block before?

ROBBIE That's the problem. I've never had a block before. I don't know what to do.

SHEILA (seductively)

So, this is your first time, big boy?

ROBBIE Ha ha. Very funny. This is a serious problem here. This is how I make my living, for crying out loud.

SHEILA Don't worry. McDonald's is always hiring. And it would probably pay about the same.

ROBBIE You are helping so much.

- ROBBIE I know. I can't even write a clothing tag worth a crap. What am I going to do, Sheila?

SHEILA I'm not sure. I never understood how a guy who considers his beer cap collection his most prized possession could ever write avant-garde romance in the first place.

ROBBIE Thanks. You're helping so much. Is this how you talk to people on the job?

(mimicking her) "Looks like you're falling unconscious, sir, but I never understood why a man with a truck fender in his neck was walking around in the first place."

SHEILA Don't get smart with me, mister. I'm trying to help here.

ROBBIE Sorry, I'mjust not handling this very well.

SHEILA Well, what did you do to break through your block before?

ROBBIE That's the problem. I've never had a block before. I don't know what to do.

SHEILA (seductively)

So, this is your first time, big boy?

ROBBIE Ha ha. Very funny. This is a serious problem here. This is how I make my living, for crying out loud.

SHEILA Don't worry. McDonald's is always hiring. And it would probably pay about the same.

ROBBIE You are helping so much.

SITCOM SCRIPT PACKET

Congratulations on being selected to submit a script for the sitcom next Spring! We're looking forward to reading your literary brilliance. Please remember these deadlines and tips during your preparation:

1. Your final script is due OCTOBER 30. Rodger wrote the wrong deadline in your initial email, so please pay attention to this correction.

2. Please follow the same script format as the sample script we have included in this packet.

3. Use your mentors! 4. We realize that this is not a lot of time to

prepare a script. Once we have selected a script, the writer will have ample time to work with the Producer on rewrites and revisions during t:he months before production begins.

If you have questions, contact Kathryn Gilbert at: (H) 289-4043 (W) 285-8740 (9-11 A.M. MWF) (W) 287-0227 (1-4 P.M. MTWRF) [email protected]

-

-

STUDENTS PERFORM NEW TV SITCOM FOR STUDIO AUDIENCE

www.bsu.edu/news

[email protected]

MUNCIE, Ind. -- Friends try to inspire, scare and seduce a

romance novelist struggling with writer's block in an original

television comedy staged April 12-13 at Ball State University.

MFaulkner King," Ball State's first completely student

written and student-produced TV sitcom, will be performed and

taped in front of a studio audience at 8 p.m. both days in the

Teleplex, located in the Ball Communication Building.

Ball State's Reflex improvisational comedy troupe will

provide pre-show entertainment at 7:30 p.m. each day.

Tickets are $5 for students and $7 for the general public,

available at the University Theatre Box Office or at the door.

Seating is limited.

Proceeds from the sitcom performances will benefit Ball

State's New York and Los Angeles theater showcases in early May.

The showcases will give nearly a dozen senior theater majors an

opportunity to perform for professional producers, agents and

casting directors.

MFaulkner King" is a half-hour situation comedy written,

designed, directed and produced by Ball State theater and

telecommunications students with assistance from the Teleplex.

After the taping, the show will be edited and will air on

local television next fall, said executive producer Kathryn

Gilbert, a theater major and telecommunications minor.

The comedy was written by student Taylor Dasher, winner of

an on-campus script-writing contest last fall. The production

will be submitted for the regional Emmy Awards.

MIt's about an avant-garde romance writer with a terrible

case of writer's block that his girlfriend and neighbors can't

break," said director David Hamilton, a telecommunications major.

MHis agent calls and needs a book soon. They try to inspire,

scare and seduce him."

-more-

University Relations 2000 W. University Ave. Muncie. IN 47306 (765) 285·1560 fax (765) 285-5442

add/l

The audience will get a chance to see what happens behind

the scenes during the production of a television show.

All of the actors are theater majors with on-camera

experience, Hamilton said. The production has blended theater and

telecommunications crews.

"It's hard to coordinate three different departments and

keep the lines of communication open," Gilbert said. Theater and

telecommunications crews use different terminology and have

different ways of operating a production, she explained.

The student cast includes Phil Brooks as the romance writer,

Robbie; Lucy Bansley as his girlfriend, Sheila; Grant Cheney and

Matt Hickman as the friendly neighbors, Earl and Bobby; and Jen

Koch as Robbie's agent, Ms. Grayven.

University Theatre Box Office hours are from 1 to 5 p.m.

Monday to Friday and an hour before shows. Phone: (765) 285-8749.

-30-

(Note to Editors: A print-quality photo can be downloaded from the Ball State University News Center on the World Wide Web. Go to www.bsu.edu/photoservices and follow the instructions.)

Ted Buck 4/10/02

SPRING 2002 SITCOM ____________ CASTING CALL __________ __

The Departments of Theatre and Dance and Telecommunications, in conjunction with WIPB studios will be producing a sitcom pilot in the Spring of 2002. This production will be a live studio audience viewed sitcom produced in the WIPB studios. The episode will then be aired on Cardinal Stage and Screen.

All ACTORS interested in this production should turn in an

8 X 10 PICTURE and RESUME to AC 306 by November 2, 2001. All Department of Theatre and Dance Acting Option and Scholarship students are required to submit a heads hot and resume, as regular theatre season. come in for interviews. [w] or 289-4043 [h]) or questions.

this sitcom is a part of the Actors will then be selected to Contact Kathryn Gilbert (287-0227

Rodger Smith (287-0117) if you have

The spring sitcom production is seeking a student director. The director will work with the student writer and producer to create a pilot sitcom supported by the Departments of Theatre, TCOM, and WIPB. The requirements are as follows:

Position: Television Director for a joint TCOM/Theatre/WIPB Sitcom Production In the Spring of 2002 the departments of Theatre and Dance and Telecommunications in conjunction WIPB, will produce a television style sitcom pilot. This production will be a live studio audience viewed sitcom produced in the WIPB studios. The episode will then be aired on Cardinal Stage and Screen.

Applications are requested from students interested in being the show's Director. 1. Interested students should submit a resume outlining their work as a director for either stage or camera or both. The resume should be accompanied by a one-page cover letter explaining why they should be selected to direct this production: --The resume with cover letter should be sent to the Department of Theatre and Dance, AC 306, C/O Dr. Rodger Smith no later than October 30, 2001. --The envelope should state clearly that it is for "Student Director, Sitcom 2002" Students who do not submit a resume and cover letter will not be considered. Additionally, but not required, students who have a reel or would like to submit examples of their work are encouraged to do so on VHS tape. 2. Three students will be interviewed for this opportunity and a Director selected by November 30, 2001. 3. The director will receive a cash award of $250 and work with faculty mentor Jim Shasky to create the final production. For additional information or questions, please contact either Dr. Rodger Smith (287-0117) or James Shasky (285-9070) .

.. ----- ------


Position: Television Director for a joint TCOM/Theatre/WIPB Sitcom Production In the Spring of 2002 the departments of Theatre and Dance and Telecommunications in conjunction WIPB, will produce a television style sitcom pilot. This production will be a live studio audience viewed sitcom produced in the WIPB studios. The episode will then be aired on Cardinal Stage and Screen.

App1ications are requested from students interested in being the show's Director. 1. Interested students should submit a resume outlining their work as a director for either stage or camera or both. The resume should be accompanied by a one-page cover letter explaining why they should be selected to direct this production: --The resume with cover letter should be sent to the Department of Theatre and Dance, AC 306, C/O Dr. Rodger Smith no later than October 30, 2001. --The envelope should state clearly that it is for "Student Director, Sitcom 2002" Students who do not submit a resume and cover letter will not be considered. Additionally, but not required, students who have a reel or would like to submit examples of their work are encouraged to do so on VHS tape. 2. Three students will be interviewed for this opportunity and a Director selected by November 30, 2001. 3. The director will receive a cash award of $250 and work with faculty mentor Jim Shasky to create the final production. For additional information or questions, please contact either Dr. Rodger Smith (287-0117) or James Shasky (285-9070).

To: From: Subject: cc:

<[email protected]> <[email protected]> Director Sought for Sitcom

Date Sent: Wednesday, October 3, 2001 4:32 PM


Position: Television Director for a joint TCOMfTheatrelWlPB Sitcom Production

In the Spring of 2002 the departments of Theatre & Dance and Telecommunication, in conjunction with WIPB, will produce a television style sitcom pilot. This production will be a live studio audience viewed sitcom produced in the WIPB studios. The episode will then be aired on Cardinal Stage and Screen.

Applications are requested from students interested in being the show's Director.

1. Interested students should submit a resume outlining their work as a director for either stage or camera or both. The resume should be accompanied by a one-page cover letter explaining why they should be selected to direct this production: --The resume with cover letter should be sent to the Department of Theatre & Dance, AC 306, cIa Dr. Rodger Smith NL T 30 October 2001. --The envelope should state clearly it is for "Student Director, Sitcom 2002."

Students who do not submit a resume and cover letter will not be considered. Additionally, but not required, students who have a reel or would like to submit examples of their work are encouraged to do so on VHS tape;

2. Three students will be interviewed for this opportunity and a Director selected by 30 November 2001 ;

3. The director will receive a cash award of $250 and work with faculty mentor Jim Shasky to create the final production.

For additional information or questions, please contact either Dr. Rodger Smith (287-0117) or James Shasky (285-9079).

Page 1

"-

0oYl1 Ccris-h S-/'-f93 6c .').17

To: From: Subject: cc:

Linda Smith; Rodger Smith; William Kovacsik; Lee Papa; Nancy Carlson; Bill Kovacsik; Rodger Smith Sitcom Treatments Chosen

Date Sent: Thursday, October 4, 2001 6:45 PM

All,

The following student treatments have been chosen to go to script. Students will now write scripts. Final drafts for selection are due 30 MOvemBer and first drafts should be completed NL T 20-Noverllber. 0, -

oJ Each script will have a mentor, but that mentor is not to help write the piece, only to advise after a draft has been completed. Let me make that clear for students and faculty alike: Mentors review full scripts only, they do not help write scripts. Time doesn't allow for the kinds of faculty student relationships that would support a truly intense mentoring. Accordingly, each student is asked to bring only completed drafts to the mentor, as many as you like .... but completed drafts. You may call and ask for information, but please respect the mentor's time.

Student treatments chosen and their mentors are as follows:

1. Morgan Mead and David Hamilton's THE REAL US -- faculty mentor, Dr. Lee Papa 2 Alonso Miller's [email protected] -- faculty mentor, Nancy Carlson 3. Brad Gunter's WIRED -- faculty mentor, Dr. Rodger Smith 4. Taylor Dasher's FAULKNER KING -- faculty mentor, Dr. William Kovacsik

Students will be contacted by the student Executive Producer, Kathryn Gilbert, regarding submission of final draft and format. If chosen, the student writer should be prepared to enroll in 2 hours of honors or practicum credit and to work with a show mentor after selection in developing a final shooting script. Writers, directors, and producers of this project will be submitted for EMMY consideration.

Congratulations to all those who submitted treatments and in particular to those selected. This should be great fun. Also, special thanks to the selection committee for their work and responses.

Any questions please contact either Rodger Smith or Kathryn Gilbert at 287-0117.

I, poetA':" -- J.,f-,/1j , KJ.

v,). Qpy •. o..;p 1 .• - -/( T-i::O"1 - d~.,clu14

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VIR(j!:-':IA B. BALL CENTE.R FOR CREATIVE IN(~UIRY

Dear Ms. Gilbert,

BAl~ TATE

U NIVERSITY

Muncie, Indiana 47306-0222 Phone: 765-287-0117

November 6, 2001

Congratulations! You have been selected to act as Producer for the 2002 Sitcom produced by the Departments of Theatre and Dance and Telecommunications in conjunction with WIPB Studios.

Please contact Dr. Rodger Smith so that you may meet with him and begin discussing casting, crew selection, script details, and scheduling.

Congratulations again!

Dr. Rodger Smi#l Jim Shasky S~

VIR(;[~IA B. BALL CE:-.lTER FOR CREATIVE INQL'IRY

Dear Mr. Dasher,

B A L TAT E

u NIVERSITY

Muncie. Indiana 47306~0222 Phon" 765-287-0117

November 6, 2001

Congratulations! Your script Faulkner King I=> ~I """"'''''' IVI un; . ..vv2 Sitcom produced by the Departments of Theatre and Dance and Telecommunications in conjunction with WIPB Studios.

The final script for production will be written by you and a team of writers, of which you will be given the title of Head Writer. The first draft will be due January 15th and the second on January 31 st, 2002. Your producer, Kathryn Gilbert, will be setting up a meeting with you soon to meet the other writers and to begin revising your script. Your cash award of $250 will be awarded at the completion of this project.


Dr. Rodger snu~ Jim Shasky :f".-5

VIRGINIA B. BAll CENTER FOR CREATIVE INQL'IRY

Dear Ms. Gilbert,

B A l lmS TAT' UNIVERSITY

Muncie, Indiana 47306-0222 Phon" 765-287-0117

November 6, 2001

Congratulations! You have been selected to act as Producer for the 2002 Sitcom produced by the Departments of Theatre and Dance and Telecommunications in conjunction with WIPB Studios.

Please contact Dr. Rodger Smith so that you may meet with him and begin discussing casting, crew selection, script details, and scheduling.


Dr. Rodger SmiA Jim Shasky S-->

VIRG!:-.lIA B. BALL CENTER FOR CREATIVE INQUIRY

Dear Mr. Hamilton,

B A L

UN!

TAT E

VERS!TY

Muncie, Indiana 47306-0222 Phone: 765-287-01l7

November 6, 2001

Congratulations! You have been selected to Direct the 2002 Sitcom produced by the Departments of Theatre and Dance and Telecommunications in conjunction with WIPB Studios.

Your producer, Kathryn Gilbert, will be in contact with you soon to discuss casting. You will receive the cash award of $250 at the completion of this project.


Dr.ROdgerSnll~ Jim ShaskYS S

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Current Address 501 N. Wheeling Ave Muncie, IN 47303 (765)284·5069 [email protected]

Height: 5'3"

Film Experience

Honesty ...

En Passant Garners Phantoms

Stage Experience

Surfacing

En Vino Veritas

Annie A Christmas Carol David and Lisa

Training

Hamlet

Pygmalion

Related Experience

Children of a Lesser God Orpheus and the Underworld Androcles and the Lion Dance! Dance! Dance! WCRH, Campus News 43 WCRH, Campus News 43

Jennifer Koch

Weight: 110

Lead: Kate

Lead: Marie Lead: Frankie Supporting: Kiki

Erin Original Cast Aerobics Instructor Original Cast Pepper Tiny Tim Kate

Guildenstern

Eliza Dolittle

Stage Manager Costume Crew

Assistant Dir./Props Crew Light Board Operator Health AnchorlReporter Entertainment Anchor

Permanent Address 1425 South Park Dr. New Haven, IN 46774 (219)493-4645 Cell: (765)749-5904

D.D.B. 12113179

Muncie, In 2001 Dir. By Andy Burt Ball State University 200 1 BaIl State University 2001 BaIl State University 2000

BaIl State University 2000

Ball State University 2000

New HavenH.S. 1998 New Haven H.S. 1997 New Haven H.S. 1996

BaIl State University 2000 Conservatory Project New Haven H.S. 1998 English Department

BaIl State University 2001 BaIl State University 2001

Ball State University 2000 Ball State University 1998 Ball State University 2000 Ball State University 2000

... e

- - .

Matthew Hickman

Klipple Hall Box #68 Phone #: 214-7501 E-mail: [email protected]

Profile

Height: 5' 10" Eyes: brown Hair: dirty blonde Weight: 150 lbs.

Theatrical

Experience

You can't take it With You: Mr. Kirby

Charlotte's Web: Mr. Zuckerman

Bye Bye Birdie: Conrad Birdie

Flowers for Algernon: Joe the baker

Fiddler on the Roof: Chorus, bottle dancer.

Androcles and the Lion: Roman Soldier, Call Boy

Last Night of Ballyhoo: Peachy

You Can't Take it With You: Ed Charrnichael

Film

Gateway: Kevin. Written, directed, and edited by David Hamilton and Morgan Mead

-----.~--~--------------

Space Aces: Whip. Written, edited, and directed by Morgan Mead

Charlie: Friend (an extra with a couple of lines). Written, directed, and edited by David Hamilton

GRANT H. CHENEY

2806 Lazy Ct. Lafayette, IN 47904 (765) 448-4411

Selected Performance Experience Nicktoons Summer Jam Royalty Fashion Show FAME West Side Story festival of Dance 2001 Dance! Dance! Dance! Senior Choreography Showcase Junior Choreography Showcase

Film & Radio Ball State Television Commercials English Country Dances for Children Thursday Morning Radio Show Tuesday Afternoon Radio Show

Training

Dancerl ActorlSinger GrantCheney@yahoo,com

14 DeMotte Hall Muncie, IN 47306 (765) 2 I 4-5995

DancerlSwingIHost Master of Ceremonies Joe Vegas Gee-tar Dancer Dancer Dancer Dancer

DancerlStudent Instructional Performer Show Host Show Host

5'10" 1551bs. Eyes: Brown Hair: Dark Brown

Paramount's Kings Island Ball State University Muncie Center of Performing Arts University Theater - BSU University Theater - BSU University Theater - BSU KDS Dance Studio - BSU KDS Dance Studio - BSU

Ron Pearson Advertising Corp. Riverside Productions wwm 91.3 fM Muncie, IN WJEf 91.9 fM Lafayette, IN

Dance - Michael Worcel (Tap, Jazz, Musical Theater), Katie Teuchtler (Ballet, Modem), Lou Ann Young (Ballet), Greg Lund (folk), Brent Holland (Hip-Hop)

Acting - Don LaCasse, Bill Jenkins, Rodger Smith, Mandy fox, Beth Turcotte, Thomas Prill, Judith Buchman Vocal- Jeffrey Carter, Mandy fox, Jumi Kim, Rene Anderson, Eric VanCleave, Cecil Shoemaker

Awards & Honors Ball State University:

Alpha Psi Omega: Professional Theater Fraternity Department of Theater and Dance Upperclassmen Scholarship Alpha Lambda Delta: National Honors Society & Excellence in Leadership Program Completion John R. and Aline B Emens Scholarship Award and Sarah Pershing President's Fund Scholarship

Special Skills Drive a Stick Shift, Motorcycle License, Swimming, Scuba Diving, Skiing (water and snow), Snowboarding, Rollerblading, Golf, Tennis, Play the Trumpet, Run Sound and Light Board, Set Design, Stage Management, Green Slime and Gak Pie Connoisseur

Contacts Available on Request

---

LUCY BANSLEY

LUCY BANSLEY

THEATRE

The Taming of the Shrew

Les Belles Soeurs

Wit

Much Ado About Nothing

INDEPENDENT FILMS

Cousin Tom the Writer

The confrontation

Obsessed

En Passant

The Seance

COMMERCIALS

Ford

Galyan's Sporting Goods

Ball State Recruitment

EDUCATION

(765)749-3957

Biondella

Lisette

Ensemble

Gentlewoman

Diane O'Donnell

Janie Jalupa

Writer/Director

Allison

Mary McKenna

Shopper

Dancer

Principal

Minetrista Center

Auditorium Theatre

ACTF

University Theatre

idream

idream

idream

Ball State University


Columbus, IN

Indianapolis


1998-2002 Ball State University, B.S. Theatre - Acting O!)tion

TRAINING

Acting:

Dancing: Singing: Workshops:

Cold Reading: Bridget O'Shaunassey, The Audition Studio Acting for the Camera: Dr. Rodger Smith Voice for the Actor: Mandy Fox Performance Shakespeare: Dr. Judy E. Yordon Jazz: Lou Conte Dance StudiO Alto: 3 Years of Advanced Chorus Rachael Patterson & Molly Glynn Hammond, The Audition Studio Deb Borilski, L.A. Casting Director Rachel Rothman, L.A. Personal Agent Cynda Williams, Professional Actress

SPECIAL AWARDS

Grand prize winner of uThe A&E Great American Student Screen Test" Won Best Actress Award for "En Passant" at Ball State University

--

LUCY BANSLEY

-

LUCY BANSLEY Height: 5'6" (765)749-3957 Bust: 34 Weight: 115 Waist: 26 Hair: Brown Hips: 36 Eyes: Brown Dress: 4 THEATRE Shoe: 8

Wit Ensemble ACTF (American College Theatre Festival)

The Taming of the Shrew Biondella Minetrista Center

Much Ado About Nothing Gentlewoman University Theatre

Les Belles Soeurs Lisette Auditorium Theatre

Alky Wyn Illinois Theatre Festival

A Piece of My Heart Sissy Auditorium Theatre

FILM

En Passant Allison Ball State University

The Window-Pane Mary McKenna Ball State University

Phantoms Julie Ball State University

COMMERCIALS

Ford Shopper Columbus, IN

Galyan's Sporting Goods Dancer Indianapolis

Ball State Recruitment Principal Ball State University

EDUCATION

1998-2002 Ball State University, B.S. Theatre - Acting Option

TRAINING

Acting:

Dancing:

Singing: Workshops:

Cold Reading: Bridget O'Shaunassey, Audition Studio Acting for the Camera: Dr. Rodger Smith Voice for the Actor: Mandy Fox Performance Shakespeare: Dr. Judy E. Yordon Intro to Luigi: Michael Worcel; Jazz I & II: Lou Conte Dance Studio 3 Years of Advanced Chorus Rachael Patterson & Molly Glynn Hammond, Audition Studio Deb Borilski, L.A. casting Director Rachel Rothman, L.A. Personal Agent Cynda Williams, Professional Actor

SPECIAL AWARDS

Grand prize winner of "The A&E Great American Screen Test" Won Best Actress for performance in "En Passant"

Documents

DATE 3/18/02 through rough ground plan with the cast. IA